0:00:41 > 0:00:43HE MOANS IN PAIN
0:00:43 > 0:00:45Oh, Charlie!
0:00:45 > 0:00:47I leave you for one minute.
0:00:47 > 0:00:49Don't fuss. I'm all right.
0:00:49 > 0:00:51Oh, yeah, you look it(!)
0:00:51 > 0:00:53There's...there's a book.
0:00:53 > 0:00:56You didn't pack it. I need it.
0:00:56 > 0:00:59It doesn't look bad, but I'd best get it checked over.
0:00:59 > 0:01:01Please.
0:01:03 > 0:01:05Please.
0:01:08 > 0:01:11Yeah, I need a doctor for a home visit.
0:01:12 > 0:01:16Yes, if it is not urgent, Doctor Haskey can call round
0:01:16 > 0:01:18when he is finished here.
0:01:18 > 0:01:20Yes, all right. Thank you. Goodbye.
0:01:37 > 0:01:39Well, Ted Abbott's looking well.
0:01:39 > 0:01:42You wouldn't think he was 83, would you?
0:01:42 > 0:01:45- I'm sorry?- You gave me the wrong notes, Mrs Tembe.
0:01:45 > 0:01:47And earlier you cut off that call,
0:01:47 > 0:01:49not to mention the double-booking of Mrs Drake.
0:01:49 > 0:01:51So, come on. What's up?
0:01:52 > 0:01:55I'm sorry. I've just been a little pre-occupied.
0:01:55 > 0:01:58There is an addition to your house calls.
0:01:58 > 0:02:01Lorna Petty, a health worker, called to say
0:02:01 > 0:02:04that Charlie Doyle has a head injury. It is not life-threatening.
0:02:04 > 0:02:06OK, I'll head on over as soon as the cavalry...
0:02:06 > 0:02:09Speaking of which, you must be the temp?
0:02:09 > 0:02:10Sandra.
0:02:10 > 0:02:13Right, I'm off out. You have a nice afternoon.
0:02:13 > 0:02:14Sandra, I'm going to leave you
0:02:14 > 0:02:16in the very capable hands of this young lady.
0:02:16 > 0:02:18We're doomed!
0:02:18 > 0:02:19We're not doomed.
0:02:21 > 0:02:23You all ready to deal with the student body?
0:02:23 > 0:02:26- I think so.- Remember, if in doubt, refer them on.
0:02:26 > 0:02:28Sure. I'll be fine.
0:02:28 > 0:02:32It'll be an afternoon of STIs, and study fatigue and spots.
0:02:32 > 0:02:35Don't forget all the caffeine overdoses. I'll see you later.
0:02:39 > 0:02:42And then he took me up this hill
0:02:42 > 0:02:45and you could see for miles.
0:02:45 > 0:02:48We re-enacted the first dance from our wedding.
0:02:48 > 0:02:50Aw, that is so romantic.
0:02:50 > 0:02:53He could be making it up of course, I don't know.
0:02:53 > 0:02:54Well, it's still romantic.
0:02:54 > 0:02:57I mean, imagine remembering all the details of all those dates.
0:02:57 > 0:02:59Yeah, that is because he's a police officer.
0:02:59 > 0:03:02They're trained to remember every detail.
0:03:02 > 0:03:04I wish I could remember one!
0:03:04 > 0:03:07Yeah, well, even if you can't, it shows you how much he loves you.
0:03:07 > 0:03:09He's being very sweet and thoughtful.
0:03:09 > 0:03:11Forget sweet and thoughtful!
0:03:11 > 0:03:13He's so sexy...
0:03:15 > 0:03:17..and I'm enjoying being spoilt.
0:03:18 > 0:03:23I don't think Rob's going to see it like that.
0:03:23 > 0:03:24There we go.
0:03:24 > 0:03:26That should be fine now, Mr Doyle.
0:03:26 > 0:03:28Will we be much longer?
0:03:28 > 0:03:31I've got things to do after I've dropped him.
0:03:31 > 0:03:34And people say that caring is dead in the medical profession!
0:03:34 > 0:03:35What?
0:03:35 > 0:03:38You've no idea what I do every day sat in your cosy office.
0:03:38 > 0:03:41Have you ever had to sift through a hoover bag
0:03:41 > 0:03:43to find some old dear's wedding ring?
0:03:43 > 0:03:46Have you ever had to fish false teeth out of a U-bend?
0:03:46 > 0:03:49I wonder if she's about to do three prostate examinations in a row?
0:03:49 > 0:03:50Don't waste your breath.
0:03:50 > 0:03:53He doesn't know what day of the week it is.
0:03:53 > 0:03:54Do you, Charlie?
0:03:54 > 0:03:56What?
0:03:56 > 0:03:57See?
0:03:59 > 0:04:04Has your care worker even bothered to explain what's happening today?
0:04:04 > 0:04:07You're going to be going to the Pinebrook Care Home just for a bit.
0:04:07 > 0:04:10You'll still be close so your mates can come and visit.
0:04:10 > 0:04:12Hey, you'll be fine. I promise!
0:04:12 > 0:04:14She ran off.
0:04:16 > 0:04:18I told them she ran off with the man
0:04:18 > 0:04:20who taught her at the college.
0:04:20 > 0:04:21Who ran off?
0:04:21 > 0:04:24But she didn't.
0:04:24 > 0:04:27She didn't run off.
0:04:27 > 0:04:29My wife didn't run off.
0:04:29 > 0:04:32I did away with her.
0:04:32 > 0:04:33I buried her body.
0:04:33 > 0:04:37I buried it in the foundations of the house.
0:04:37 > 0:04:39Right, we all set then?
0:04:39 > 0:04:42We might need a couple more minutes.
0:04:47 > 0:04:49This is a nice gallery.
0:04:50 > 0:04:52It is a nice gallery. Yes.
0:04:59 > 0:05:01Have you been here before?
0:05:01 > 0:05:02No.
0:05:04 > 0:05:06Have you been here before?
0:05:21 > 0:05:24So...do you like art?
0:05:24 > 0:05:26Yes! That's why we're here.
0:05:26 > 0:05:28I like art.
0:05:28 > 0:05:30I do not like anything too modern.
0:05:30 > 0:05:32Where is the art in a pattern of coloured dots?
0:05:32 > 0:05:34Or an animal in a tank?
0:05:34 > 0:05:38No, I like the Impressionists.
0:05:38 > 0:05:40So, Manet? Degas?
0:05:40 > 0:05:41And Picasso.
0:05:42 > 0:05:44Well...
0:05:44 > 0:05:47Picasso was slightly later, of course.
0:05:49 > 0:05:50Of course.
0:05:50 > 0:05:52I meant Pissarro.
0:05:54 > 0:05:55# You say Pissarro
0:05:55 > 0:05:57# I say Picasso
0:05:57 > 0:06:01# So...so, let's call the whole thing... #
0:06:07 > 0:06:09So?
0:06:09 > 0:06:10I had one old girl
0:06:10 > 0:06:14that thought Gareth Malone and Lulu came round for tea.
0:06:14 > 0:06:15Charlie's got dementia.
0:06:15 > 0:06:18That means he can spout a load of old rubbish, yeah?
0:06:18 > 0:06:20But it's often based on actual memories.
0:06:20 > 0:06:22What if this is something that actually happened?
0:06:22 > 0:06:25You may have all day. But I haven't got time for this.
0:06:25 > 0:06:26I've got to go.
0:06:26 > 0:06:27Not without my say-so.
0:06:27 > 0:06:28What?
0:06:28 > 0:06:29You called me over here.
0:06:29 > 0:06:32As the senior medical practitioner in the room,
0:06:32 > 0:06:33it's up to me to say when he's ready to leave.
0:06:33 > 0:06:35You're kidding me?
0:06:35 > 0:06:37I've got to get him to say more.
0:06:37 > 0:06:40If you think he did it, just phone the police. Hand him over!
0:06:40 > 0:06:42What? How long have you been a care nurse?!
0:06:42 > 0:06:45If he has murdered her, it's not really our problem, is it?
0:06:45 > 0:06:47I'm not going to put him through that.
0:06:47 > 0:06:48Not without more proof.
0:06:48 > 0:06:51SHE SIGHS
0:06:56 > 0:06:58This gets better and better.
0:07:02 > 0:07:05It's going to be something glamorous today. I can feel it.
0:07:05 > 0:07:06Somewhere I've got to dress up.
0:07:06 > 0:07:07Well, you never know.
0:07:09 > 0:07:11Hello!
0:07:11 > 0:07:12So, where are we going?
0:07:15 > 0:07:17What's this?
0:07:17 > 0:07:19You taking her to a sewage farm?
0:07:22 > 0:07:25A sewage farm with a leaky roof?
0:07:25 > 0:07:29Go on, you've got to guess. Not you two.
0:07:29 > 0:07:31It's not the Seychelles.
0:07:31 > 0:07:34I'll give you one clue. It is a fairly long drive.
0:07:34 > 0:07:36It's not a Yorkshire theme park?
0:07:36 > 0:07:39Oh! Come on, you'll see.
0:07:39 > 0:07:41Come on!
0:07:41 > 0:07:42Not a word.
0:07:42 > 0:07:45Have fun!
0:07:47 > 0:07:48How could you lose him?
0:07:48 > 0:07:49Me?
0:07:49 > 0:07:51I'm not the one who left the door unlocked.
0:07:51 > 0:07:53He can't have gone that far.
0:07:53 > 0:07:55Looks like I've arrived here in the nick of time.
0:07:55 > 0:07:56What?
0:07:56 > 0:07:58Don't want the old boy scarpering
0:07:58 > 0:08:00before he settles the 30 notes he owes me.
0:08:00 > 0:08:02- Vince. Vince Collingham.- Doctor Haskey.
0:08:02 > 0:08:04And I know this young lady.
0:08:04 > 0:08:06Always lights up a room...
0:08:06 > 0:08:08each time she leaves it.
0:08:08 > 0:08:11Eh, Morticia? So, can I see His Lordship?
0:08:11 > 0:08:14There might be a bit of a problem with that.
0:08:14 > 0:08:16Oh, no. I know he's got a mind like a sieve.
0:08:16 > 0:08:19That's why I got him to sign this
0:08:19 > 0:08:22when I subbed him the money for his shopping.
0:08:22 > 0:08:24It's not that. It's just that... Mr Doyle isn't quite...
0:08:24 > 0:08:26available.
0:08:26 > 0:08:27What's he on about?
0:08:27 > 0:08:29Charlie's wandered off.
0:08:29 > 0:08:32You're not telling me you've managed to lose him, are you?
0:08:32 > 0:08:34No, no, we've got everything in hand.
0:08:34 > 0:08:36It doesn't look like it.
0:08:36 > 0:08:40A vulnerable old fella seems to have disappeared on your watch,
0:08:40 > 0:08:41Doctor Haskett.
0:08:41 > 0:08:43Yeah, it's Doctor Haskey.
0:08:43 > 0:08:45And actually you could help us by staying here
0:08:45 > 0:08:47and waiting for him in case he comes back.
0:08:47 > 0:08:49While we split up and go and look for him. Good idea?
0:08:49 > 0:08:51Suppose.
0:08:51 > 0:08:53Text me so, I've got your number. Thanks.
0:08:53 > 0:08:55I'll drive around the block.
0:08:57 > 0:08:59Unbelievable!
0:09:08 > 0:09:10Found him.
0:09:10 > 0:09:11He's on Edwin Street.
0:09:13 > 0:09:15Mr Doyle?
0:09:17 > 0:09:19Mr Doyle. It's Doctor Haskey.
0:09:20 > 0:09:22I spoke to you at the house?
0:09:22 > 0:09:24Yeah.
0:09:24 > 0:09:25This is it.
0:09:27 > 0:09:29No, it's back up the road.
0:09:29 > 0:09:30I can do it.
0:09:30 > 0:09:32The foundations are deep.
0:09:32 > 0:09:35I've mixed concrete before. Sand and cement.
0:09:35 > 0:09:38Be set by morning.
0:09:38 > 0:09:39Did you build this house, Mr Doyle?
0:09:39 > 0:09:42The trick is to keep turning the mixture, see?
0:09:44 > 0:09:45Not too much water.
0:09:45 > 0:09:47Keep it turning,
0:09:47 > 0:09:49mixing.
0:09:49 > 0:09:50Mixing.
0:09:50 > 0:09:52Where is your wife?
0:09:52 > 0:09:55Charlie!
0:09:55 > 0:09:57You can't go running off! What you playing at?
0:09:57 > 0:09:59This might be where he buried her.
0:09:59 > 0:10:00What?
0:10:00 > 0:10:02Well, that's it. We'll have to call the Old Bill then.
0:10:02 > 0:10:04I don't...I don't know.
0:10:04 > 0:10:06Come on, what's stopping you?
0:10:17 > 0:10:21They have an impressive collection of pre-Raphaelite art.
0:10:21 > 0:10:24One of the largest in the country.
0:10:24 > 0:10:26Mrs Tembe...?
0:10:26 > 0:10:30Indeed, there are over 1,500 paintings
0:10:30 > 0:10:32and drawings from that period.
0:10:33 > 0:10:34Yeah.
0:10:34 > 0:10:38This one is by Ford Madox Brown.
0:10:38 > 0:10:41The Last Of England.
0:10:41 > 0:10:43Clever move, isn't it?
0:10:43 > 0:10:46Doing portraits of people in hats.
0:10:46 > 0:10:48Saves you a lot of time on drawing hair.
0:10:48 > 0:10:50Oh...yeah, yeah...
0:10:50 > 0:10:53it also means the sitter can be in and out quicker.
0:10:53 > 0:10:55Everyone's happier!
0:11:05 > 0:11:08Does she want him to kiss her? Or...
0:11:11 > 0:11:14I don't know.
0:11:22 > 0:11:26Go on, then, my hopes are suitably lowered.
0:11:26 > 0:11:28Clay pigeon shooting.
0:11:28 > 0:11:31- SHE LAUGHS INCREDULOUSLY - I've never done that before.
0:11:31 > 0:11:32You have.
0:11:32 > 0:11:34Jack was really little.
0:11:34 > 0:11:36And we were going through that whole phase of no sleep
0:11:36 > 0:11:39and the endless cycle of feeds and nappies.
0:11:39 > 0:11:40We hadn't been out in ages.
0:11:40 > 0:11:43And I won it as a prize in the police raffle.
0:11:43 > 0:11:45What's wrong with dinner and a dance?
0:11:45 > 0:11:48Think it was the first time we'd been out together as a couple
0:11:48 > 0:11:50post Jack.
0:11:50 > 0:11:52GUNFIRE
0:11:52 > 0:11:55We spent a couple of hours in the fresh air blowing things up.
0:11:55 > 0:11:57And it made me feel better.
0:11:57 > 0:11:58What about me?
0:11:58 > 0:12:01You on the other hand didn't want to go.
0:12:01 > 0:12:02You were rude to the instructor
0:12:02 > 0:12:04and you moaned about the cold.
0:12:04 > 0:12:07In fact, I don't think you were happy till you got back into the car.
0:12:07 > 0:12:09Looking forward to this one then.
0:12:12 > 0:12:14Pardon the bluntness, Vince.
0:12:14 > 0:12:17But what happened to Charlie's wife?
0:12:17 > 0:12:21Oh, she ran off with the guy teaching her pottery.
0:12:21 > 0:12:22Oh.
0:12:22 > 0:12:24Did anybody ever see her again?
0:12:25 > 0:12:29Been reading Charlie's old newspapers, have you?
0:12:29 > 0:12:32He was a person of interest for a while.
0:12:32 > 0:12:35But nothing ever stuck.
0:12:35 > 0:12:38As if he hadn't been through enough with her.
0:12:38 > 0:12:41I mean, the fact no-one ever heard from her again
0:12:41 > 0:12:44made it seem a bit of mystery.
0:12:44 > 0:12:46Did YOU think it was a mystery?
0:12:46 > 0:12:48Well...
0:12:48 > 0:12:49we always wondered,
0:12:49 > 0:12:53me and the wife, but...
0:12:53 > 0:12:55it was just speculation.
0:12:55 > 0:12:58Well, Charlie says he killed her.
0:13:01 > 0:13:03- Can I have a word?- Doc...
0:13:05 > 0:13:07- Oi!- We need to have a patient conference.
0:13:07 > 0:13:10Or more accurately, you need to listen to what I'm thinking.
0:13:10 > 0:13:11Oh, it's nice to feel valued.
0:13:11 > 0:13:13Good, we know the police were involved.
0:13:13 > 0:13:16Charlie's taken us to where he apparently left the body.
0:13:16 > 0:13:18Even his old friend wondered whether or not he'd done it.
0:13:18 > 0:13:20These aren't just ramblings any more.
0:13:20 > 0:13:23Let's just call the police and I can get on with my life, yeah?
0:13:23 > 0:13:25How does he just wander onto a building site and bury a body?
0:13:25 > 0:13:28You can't do that unless...
0:13:28 > 0:13:31- Was Charlie a builder?- No. He was a shop fitter.
0:13:31 > 0:13:32He wouldn't have access then?
0:13:32 > 0:13:34Maybe it isn't true.
0:13:34 > 0:13:35You're right.
0:13:35 > 0:13:37Charlie wasn't a builder.
0:13:37 > 0:13:39But I was.
0:13:39 > 0:13:42And back in the '80s Charlie managed some sites for me
0:13:42 > 0:13:44while I was up north.
0:13:44 > 0:13:46Was one of those sites on Edwin Street?
0:13:52 > 0:13:55I think you should have gone for a 20-, not a 12-gauge.
0:13:55 > 0:13:56Is 20 bigger?
0:13:56 > 0:13:58No, smaller. Lighter. Less recoil.
0:13:58 > 0:14:00Oh, no. I want the same as you.
0:14:00 > 0:14:03Don't moan when your arms turn to jelly.
0:14:03 > 0:14:06- OK, Karen. If you'd like to take your gun.- Thank you.
0:14:06 > 0:14:07How does that feel?
0:14:07 > 0:14:09Yeah, it's fine.
0:14:09 > 0:14:12Well, there's only one of us trained as a police marksman,
0:14:12 > 0:14:13that's all I'm saying.
0:14:13 > 0:14:15All right. If you'd like to take the gun.
0:14:15 > 0:14:17Thanks, you don't have to worry about me, mate.
0:14:17 > 0:14:19I've used one loads of times.
0:14:19 > 0:14:21Karen! Keep inside the cage.
0:14:21 > 0:14:23I'm sorry.
0:14:23 > 0:14:25Whoa!
0:14:25 > 0:14:26Yeah, yeah.
0:14:26 > 0:14:28It's actually quite light when you get used to it.
0:14:28 > 0:14:31Unless you're shooting. Keep it pointing down.
0:14:31 > 0:14:32And not at humans!
0:14:34 > 0:14:36I can't remember for sure if he was there
0:14:36 > 0:14:39when the foundations were laid down.
0:14:40 > 0:14:43But he was certainly managing the site from the off.
0:14:45 > 0:14:47If the police need to talk to me,
0:14:47 > 0:14:49Morticia knows where I live.
0:14:49 > 0:14:50Still not my name.
0:14:52 > 0:14:55I don't know whether to report it or not.
0:14:55 > 0:14:57Come on. He's admitted doing it.
0:14:57 > 0:14:59He had a motive. He had access.
0:14:59 > 0:15:02There's more at stake here than you getting to your next appointment.
0:15:02 > 0:15:05The only proof we've got is Charlie's confession.
0:15:05 > 0:15:06Everything else is circumstantial.
0:15:06 > 0:15:09Sounds pretty convincing to me.
0:15:09 > 0:15:11There's only one person who knows for sure.
0:15:29 > 0:15:31What are you trying to do?
0:15:31 > 0:15:33Talking to you about art.
0:15:36 > 0:15:38Yes. I'm sorry...
0:15:39 > 0:15:41I am sorry.
0:15:41 > 0:15:43I am not very good at this.
0:15:43 > 0:15:46Perhaps, it was a bad idea.
0:15:46 > 0:15:49I am trying.
0:15:49 > 0:15:53It's just that I have never done anything like this before.
0:15:53 > 0:15:54It's...
0:15:54 > 0:15:57difficult not to think about...
0:15:57 > 0:15:59What I've done?
0:16:00 > 0:16:05I just thought that if were looking at paintings
0:16:05 > 0:16:07it would be easier until we got to know each other.
0:16:09 > 0:16:11Maybe, that's the problem.
0:16:12 > 0:16:15You know me...about me, but...
0:16:15 > 0:16:17well, I don't know anything about you.
0:16:17 > 0:16:19Well...well, there is nothing to know.
0:16:21 > 0:16:23Where do you work, for instance?
0:16:23 > 0:16:25I don't even know that.
0:16:25 > 0:16:26No, no, go on, I don't know.
0:16:26 > 0:16:28Are you still married?
0:16:28 > 0:16:31Well, I'm really not that interesting.
0:16:31 > 0:16:33What about your house? What's that like?
0:16:33 > 0:16:35It is just normal, really.
0:16:35 > 0:16:37Is it big? Is it a small? A flat? Or...?
0:16:37 > 0:16:39It is just normal.
0:16:42 > 0:16:45Oh, well...
0:16:45 > 0:16:46You don't want to tell me, do you?
0:16:46 > 0:16:48No.
0:16:48 > 0:16:51Well, I... It is just that...
0:16:54 > 0:16:56Perhaps we should just give up.
0:17:04 > 0:17:06What's the internet say?
0:17:06 > 0:17:08Absolutely nothing.
0:17:08 > 0:17:10I can't find a thing about whether confessions
0:17:10 > 0:17:12from dementia patients are admissible in court.
0:17:12 > 0:17:15I suppose their stories could change every time.
0:17:15 > 0:17:18All right. Let's suppose he is guilty.
0:17:18 > 0:17:20All his life he's kept this secret.
0:17:20 > 0:17:23And it's only now that his mind is falling apart
0:17:23 > 0:17:26that the barriers come tumbling down and the truth spills out.
0:17:26 > 0:17:29I suppose we'd better hope he has another moment where he makes sense.
0:17:29 > 0:17:30Else, I'm never going home, am I?
0:17:30 > 0:17:33Pull.
0:17:33 > 0:17:36HE FIRES TWICE
0:17:39 > 0:17:41It is tough.
0:17:41 > 0:17:43So, don't worry if you don't get them.
0:17:43 > 0:17:44OK.
0:17:47 > 0:17:49Pull.
0:17:49 > 0:17:52SHE FIRES TWICE
0:17:52 > 0:17:56SHE LAUGHS HYSTERICALLY
0:17:56 > 0:17:58How could I ever not love this?
0:17:58 > 0:17:59Sorry.
0:17:59 > 0:18:01Do you remember what you said earlier, Mr Doyle?
0:18:01 > 0:18:03Is the car here?
0:18:03 > 0:18:06We're all keen to see Headley.
0:18:06 > 0:18:08We've all of us been waiting.
0:18:08 > 0:18:10No. No, this was about your wife.
0:18:10 > 0:18:12The picnic's been packed, you see?
0:18:12 > 0:18:13All ready to go.
0:18:15 > 0:18:18You looked after the house on Edwin Street, didn't you?
0:18:18 > 0:18:20When your friend Vince was building the house.
0:18:20 > 0:18:23Yes...going to be a jolly time.
0:18:23 > 0:18:26The police asked you all about it, didn't they?
0:18:26 > 0:18:27The others will be here soon.
0:18:27 > 0:18:29- Any minute now.- Charlie.
0:18:29 > 0:18:31What did you do to your wife?
0:18:38 > 0:18:40My wife?
0:18:40 > 0:18:42Right, I've juggled all my appointments,
0:18:42 > 0:18:44but we've really got to go now.
0:18:44 > 0:18:46I was just getting another... telling off.
0:18:46 > 0:18:49Come on, Charlie. We're going.
0:18:50 > 0:18:51I guess we'll never know.
0:18:53 > 0:18:55Actually, Luther,
0:18:55 > 0:18:57I think we will.
0:19:01 > 0:19:04"Flesh In The Foundations - a gripping thriller.
0:19:04 > 0:19:07"Can DI Walsh find out who buried a woman in a building site,
0:19:07 > 0:19:09"before the killer strikes again?"
0:19:09 > 0:19:11He was reading it when you arrived.
0:19:11 > 0:19:13Come on.
0:19:21 > 0:19:24Pull.
0:19:24 > 0:19:27HE FIRES TWICE
0:19:29 > 0:19:30Could you show me again?
0:19:30 > 0:19:32OK. Looking straight down the barrel...
0:19:32 > 0:19:34How many more times do you need to be told
0:19:34 > 0:19:36how to hold the gun properly?
0:19:36 > 0:19:37That's what he's here for.
0:19:37 > 0:19:39- Thanks ever so much you, Paolo.- OK.
0:19:39 > 0:19:41Paolo.
0:19:41 > 0:19:43I know what you're doing. Trying to put me off
0:19:43 > 0:19:46with your distractions and your flirting.
0:19:46 > 0:19:47I don't need dirty tricks to beat you.
0:19:47 > 0:19:49That's why you were waving it around earlier.
0:19:49 > 0:19:51- You were lulling me...- Lulling?
0:19:51 > 0:19:53..into a false sense of security.
0:19:53 > 0:19:56Who do you think I am, some kind of devious mastermind?
0:19:56 > 0:19:58Get over yourself.
0:20:00 > 0:20:01Pull!
0:20:02 > 0:20:05SHE FIRES TWICE
0:20:06 > 0:20:08I love blowing things up!
0:20:12 > 0:20:14We call them acquired memories!
0:20:14 > 0:20:15He reads the book.
0:20:15 > 0:20:17It combines with his own memories of his wife leaving,
0:20:17 > 0:20:19and his time managing the site,
0:20:19 > 0:20:21you mix them all together, what do you get?
0:20:21 > 0:20:22Murder confession.
0:20:22 > 0:20:24Well done, Columbo.
0:20:24 > 0:20:26Mr Doyle, do you want to take the book with you?
0:20:26 > 0:20:28I think it's caused enough damage, don't you?
0:20:28 > 0:20:31And one other thing. Delete my number.
0:20:31 > 0:20:32Why would I want to call you?
0:20:49 > 0:20:55Maybe, I shouldn't have told you everything about me.
0:20:55 > 0:20:59Oh, no, that wouldn't be right.
0:20:59 > 0:21:01I should have planned it better.
0:21:01 > 0:21:04If I'd have worked out things to talk about, we might have got on.
0:21:04 > 0:21:07You work out things to talk about?
0:21:07 > 0:21:11I get shy and then flustered and then I forget otherwise.
0:21:11 > 0:21:13I guess that makes me sound even more weird.
0:21:13 > 0:21:15Well...
0:21:15 > 0:21:17I must be weird, too.
0:21:19 > 0:21:22If it is any consolation,
0:21:22 > 0:21:23it did not help.
0:21:24 > 0:21:27Art. Letherbridge. Christianity.
0:21:30 > 0:21:32You didn't do Christianity.
0:21:32 > 0:21:34The other two went so badly.
0:21:34 > 0:21:36That's exactly the sort of thing I'd write.
0:21:36 > 0:21:39And sometimes if I have a difficult phone call,
0:21:39 > 0:21:41I write bullet points.
0:21:41 > 0:21:43I do that, too!
0:21:43 > 0:21:45Ah, well. See, we do have things in common.
0:21:45 > 0:21:46Our faith...
0:21:46 > 0:21:47and bullet points.
0:21:49 > 0:21:50It's a start.
0:21:50 > 0:21:52Yes.
0:21:52 > 0:21:54Yes, it is a start.
0:21:56 > 0:21:59SHE FIRES AND GIGGLES
0:22:02 > 0:22:04Erm, remind me again.
0:22:04 > 0:22:06Which one of us is in double figures?
0:22:06 > 0:22:09And which of us has three?
0:22:10 > 0:22:12It's my bad back, isn't it?
0:22:12 > 0:22:15Normally, it would be clay carnage up there with me around.
0:22:15 > 0:22:17A grand total of three!
0:22:17 > 0:22:18How can you be so good at this
0:22:18 > 0:22:22when your eyesight's more shocking than mine.
0:22:22 > 0:22:24It's good fun, though, isn't it?
0:22:25 > 0:22:28Yeah, it is.
0:22:29 > 0:22:31Thanks, guys.
0:22:31 > 0:22:32What you doing?
0:22:32 > 0:22:34It's over.
0:22:34 > 0:22:36Oh, no! I've just got into my stride.
0:22:39 > 0:22:41You told them to cut it short on purpose
0:22:41 > 0:22:43just to save you getting a hiding.
0:22:43 > 0:22:44You are joking.
0:22:44 > 0:22:47Your beginners' luck was just about to end.
0:22:47 > 0:22:50Ooh... Sounds like somebody's angling for a rematch.
0:22:50 > 0:22:52Bring it on.
0:22:52 > 0:22:53SHE LAUGHS
0:23:01 > 0:23:04I hoped I wouldn't be seeing you again.
0:23:04 > 0:23:06Why you leaving me messages?
0:23:06 > 0:23:09When I got back, I took a proper look at the book.
0:23:09 > 0:23:10I don't understand.
0:23:10 > 0:23:13I hadn't noticed the name of the author before.
0:23:13 > 0:23:17"Flesh In The Foundations - a novel by Edwin Street."
0:23:19 > 0:23:21That's the same as...
0:23:21 > 0:23:25Yeah. It's the name of the street where he said he buried the body.
0:23:25 > 0:23:27That's an odd coincidence, isn't it?
0:23:27 > 0:23:28It's not a coincidence.
0:23:28 > 0:23:30It's a pseudonym.
0:23:30 > 0:23:32I looked it up on the internet.
0:23:32 > 0:23:35It seems our Charlie Doyle wrote one long-forgotten novel.
0:23:35 > 0:23:38Those memories didn't come from the book.
0:23:38 > 0:23:40They went into one.
0:23:41 > 0:23:43That's why he was so keen to get it off the shelf.
0:23:43 > 0:23:46So, have you called the Old Bill?
0:23:46 > 0:23:48I suppose we'd better be there when they get to the care home.
0:23:48 > 0:23:52- I'll do it.- Hold up.
0:23:52 > 0:23:55Look, he's confessed to you.
0:23:55 > 0:23:58And by the sound of it this is a thinly veiled confession.
0:23:58 > 0:24:00He's wanted to get caught ever since he's done it.
0:24:00 > 0:24:02But what would be the point?
0:24:02 > 0:24:03He's got to be punished.
0:24:03 > 0:24:06And would he even know he's being punished?
0:24:06 > 0:24:08The trial would be a farce.
0:24:08 > 0:24:10It's not just about Charlie, is it?
0:24:10 > 0:24:13What about his wife's relatives? They deserve justice.
0:24:13 > 0:24:16All those years of wondering.
0:24:16 > 0:24:18So, what, we let him get away with it?
0:24:22 > 0:24:24MUSIC: "Secret Of Life" by James Taylor
0:24:53 > 0:24:55Oh, it's a shame it had to end so soon.
0:24:55 > 0:24:59Who saying it's ended?
0:24:59 > 0:25:01Oh, you do know how to treat a girl.
0:25:03 > 0:25:05We could at least have gone to a cafe?
0:25:05 > 0:25:08It's what we had after we'd been here shooting before.
0:25:10 > 0:25:13You are a tightwad.
0:25:13 > 0:25:15It's all we could afford.
0:25:15 > 0:25:19We sat in our old battered car, in the rain,
0:25:19 > 0:25:23eating cheap bread and a couple of apples on the turn.
0:25:23 > 0:25:27And we talked about our cheeky little boy
0:25:27 > 0:25:30and how nice it had been to spend some time on our own,
0:25:30 > 0:25:33even if it had only been for a couple of hours.
0:25:33 > 0:25:35Did we?
0:25:35 > 0:25:38And look at us now.
0:25:38 > 0:25:41Two grown-up kids, who have both flown the nest.
0:25:42 > 0:25:45It seems like we've gone from there to here,
0:25:45 > 0:25:47in the blink of an eye.
0:25:49 > 0:25:52Well, I can't remember before,
0:25:52 > 0:25:55but I've had a really lovely afternoon. Thank you.
0:25:55 > 0:25:56That's great.
0:25:57 > 0:26:00You are really...
0:26:00 > 0:26:01..sweet and thoughtful, aren't you?
0:26:16 > 0:26:19A face I'll never forget. Nicola Smithson!
0:26:19 > 0:26:22You managed to lose the puppy fat!
0:26:22 > 0:26:24A doctor, a lawyer and an airline pilot.
0:26:24 > 0:26:27Perfect role models for our pupils.
0:26:27 > 0:26:29Someone should cut her down to size.
0:26:29 > 0:26:31Well, it's going to be like being on Concorde!
0:26:31 > 0:26:33It's the closest we'll ever get.
0:26:33 > 0:26:35We like to send out a clear message -
0:26:35 > 0:26:38bad behaviour will always be met with zero tolerance.