0:00:31 > 0:00:33DOOR OPENS
0:00:54 > 0:00:56Evening.
0:00:56 > 0:00:57Evening, Officer.
0:00:57 > 0:00:59Do you mind me asking what you're doing here?
0:00:59 > 0:01:02I'm not parked somewhere I shouldn't?
0:01:02 > 0:01:05No, it's just you appeared to be hiding from somebody just now?
0:01:05 > 0:01:07Hiding?
0:01:07 > 0:01:11I dropped a mint, bent down to pick it up.
0:01:11 > 0:01:13And you're here because...?
0:01:13 > 0:01:15I was supposed to be picking up a friend.
0:01:15 > 0:01:17But... must have missed them.
0:01:17 > 0:01:19I'll give them a call, see what's happened.
0:01:20 > 0:01:23Good... thank you.
0:01:31 > 0:01:33I'm ever so sorry about letting you down tonight.
0:01:33 > 0:01:38- Don't be silly. Anyway, do you know which restaurant Rob's going to take you to yet?- No, he still won't say.
0:01:38 > 0:01:40Sounds romantic!
0:01:40 > 0:01:42Makes me realise why I fell in love with him in the first place.
0:01:42 > 0:01:44Aww, Karen!
0:01:44 > 0:01:45SHE LAUGHS
0:01:45 > 0:01:47Well, I am going to get very drunk and have some fun tonight.
0:01:47 > 0:01:50Oh, yeah, Niamh said you're going clubbing?
0:01:50 > 0:01:53You're welcome to join us? We're going to try the Roxy.
0:01:53 > 0:01:55Oh, no, not really my scene.
0:01:55 > 0:01:56I saw Culture Club there.
0:01:56 > 0:01:59I missed most of the concert, because I got stuck in the toilet.
0:01:59 > 0:02:00I'm amazed it's still going.
0:02:00 > 0:02:03Yeah...I don't think it is.
0:02:03 > 0:02:04Since then it's been Lucinda's,
0:02:04 > 0:02:09then that closed down and then it became Dream and now it's Haven.
0:02:09 > 0:02:10Well, is it any good?
0:02:11 > 0:02:15Kind of a mixed crowd, so to speak.
0:02:15 > 0:02:17Hopefully, not everybody will be trying to twerk.
0:02:17 > 0:02:20LAUGHTER
0:02:20 > 0:02:22Twerk, what's twerk?
0:02:22 > 0:02:25THEY CHUCKLE
0:02:26 > 0:02:29No, really, what is twerking?
0:02:29 > 0:02:30LAUGHTER
0:02:30 > 0:02:32What...?
0:02:32 > 0:02:34WHISTLING AND OWL HOOTS
0:02:58 > 0:02:59FOOTSTEPS
0:03:09 > 0:03:127514 to Control.
0:03:12 > 0:03:14Control to 7514, over.
0:03:14 > 0:03:16I've got a robbery in progress. IC1 male.
0:03:16 > 0:03:17Intend to pursue.
0:03:18 > 0:03:20What's your location?
0:03:20 > 0:03:22Letherbridge Gallery. Can you send backup?
0:03:23 > 0:03:25Most officers are at the match tonight
0:03:25 > 0:03:27and there's been some trouble.
0:03:27 > 0:03:29Is there any immediate threat to persons?
0:03:29 > 0:03:30Probably not.
0:03:31 > 0:03:33OK, proceed with caution.
0:03:33 > 0:03:36We'll send a unit as soon as we can, but it might take some time.
0:03:39 > 0:03:40DOOR CLOSES
0:03:45 > 0:03:48WHISPERS: Come on, where are you?
0:03:48 > 0:03:50Show yourself.
0:03:50 > 0:03:52CLATTERING
0:03:59 > 0:04:01Sod it.
0:04:03 > 0:04:05ROMANTIC MUSIC PLAYS
0:04:10 > 0:04:12Oh, thank you...
0:04:13 > 0:04:14..thank you very much.
0:04:14 > 0:04:16Great, thanks.
0:04:19 > 0:04:22You wouldn't believe the shift I've had today,
0:04:22 > 0:04:24half the station covering tonight's game.
0:04:24 > 0:04:26Why is it that every time Letherbridge...?
0:04:26 > 0:04:28Can we not talk about work.
0:04:28 > 0:04:31You're right, sorry, love.
0:04:33 > 0:04:35I wish you'd use your glasses.
0:04:35 > 0:04:37I don't need 'em.
0:04:37 > 0:04:39SHE CHUCKLES
0:04:39 > 0:04:45Oooh, they offer "exquisite modern French cuisine", tres cool.
0:04:45 > 0:04:48- WHISPERS:- Tres expensive, also.
0:04:48 > 0:04:50My pleasure.
0:04:50 > 0:04:53- Is it?- Uh-hm.
0:04:53 > 0:04:56Ton suit est bon.
0:04:56 > 0:04:59Suit? What's that in English?
0:04:59 > 0:05:02- This, you ninny!- Oh, suit!
0:05:02 > 0:05:05It's the extent of my CSE French.
0:05:05 > 0:05:07You can remember more than I can.
0:05:08 > 0:05:10So, you like it?
0:05:10 > 0:05:14I thought I'd make a bit of an effort, you know.
0:05:14 > 0:05:17You look very, very nice, love.
0:05:19 > 0:05:22Bet you didn't take me anywhere like this when we first got together.
0:05:22 > 0:05:28That's true... but now we can. What is wrong with spoiling ourselves?
0:05:28 > 0:05:31Sure it wasn't you who had the bang on the head?
0:05:31 > 0:05:32Hm...
0:05:32 > 0:05:33THEY CHUCKLE
0:05:47 > 0:05:48HE GRUNTS
0:05:48 > 0:05:49CLATTERING
0:05:49 > 0:05:51WHISPERING: Here he is!
0:05:56 > 0:05:58HE GROANS
0:06:00 > 0:06:02BANG
0:06:08 > 0:06:10What's "Assiette" of pork?
0:06:10 > 0:06:14It's, er, different cuts. I think, well, I know,
0:06:14 > 0:06:16like belly, leg, cheek...
0:06:16 > 0:06:18It's very tasty.
0:06:18 > 0:06:20Oh, come on, Mr Superchef, help me out here?
0:06:20 > 0:06:21What would you recommend?
0:06:21 > 0:06:25For you "Calamars a la Setoise".
0:06:25 > 0:06:28Squid. I don't like the sound of that!
0:06:28 > 0:06:32Trust me, you will love it. You've not always been a fan until you tried it in Tenerife.
0:06:32 > 0:06:35And then it became one of your favourites.
0:06:35 > 0:06:38OK. If you have...
0:06:38 > 0:06:41"Escargots a la Bordelais".
0:06:41 > 0:06:43No, no way!
0:06:43 > 0:06:44THEY CHUCKLE
0:06:44 > 0:06:45Go on.
0:06:59 > 0:07:01Come on, think, man, think.
0:07:22 > 0:07:25DANCE MUSIC
0:07:30 > 0:07:32I feel a bit over-dressed.
0:07:32 > 0:07:35You look great. It's not quite what I expected though.
0:07:35 > 0:07:39No wonder! It's student night.
0:07:39 > 0:07:41Oh, God!
0:07:41 > 0:07:42No worries.
0:07:42 > 0:07:43I don't really 'do' clubs any more.
0:07:43 > 0:07:46Yeah, I kind of guessed.
0:07:46 > 0:07:49Oh, is it that obvious? Maybe we could....
0:07:49 > 0:07:51you know, go somewhere else?
0:07:51 > 0:07:53Or call it a night?
0:07:53 > 0:07:55You're easy. We're going nowhere. This is brilliant!
0:07:55 > 0:07:58What? Dancing with a bunch of 20-year-olds?
0:07:58 > 0:08:00You get students of all ages.
0:08:00 > 0:08:03I went to medical school with a woman who was over 40.
0:08:03 > 0:08:04Oh, that old(?)
0:08:06 > 0:08:09Dust off the cobwebs and let's get a drink.
0:08:12 > 0:08:15We'll have two Comfortable Screws, please.
0:08:19 > 0:08:21FOOTBALL MATCH ON TV
0:08:21 > 0:08:23Yes!
0:08:23 > 0:08:25Oi, are you in charge of security?
0:08:25 > 0:08:28You are shining that right in my eyes.
0:08:28 > 0:08:29Sorry.
0:08:29 > 0:08:32Yeah, the other guy's off sick. I'm Jett. What's going on?
0:08:32 > 0:08:33Officer Bellamy.
0:08:33 > 0:08:36We need to get the lights back on straightaway.
0:08:36 > 0:08:37The lights are off?
0:08:37 > 0:08:40The CCTV, didn't you see the break-in?
0:08:40 > 0:08:41Oh, man!
0:08:41 > 0:08:44- There's a suspect on the premises. - Well, where is he now?
0:08:44 > 0:08:45He gave me the slip.
0:08:46 > 0:08:48HE SCOFFS QUIETLY
0:08:48 > 0:08:51SC... that's special constable, isn't it?
0:08:51 > 0:08:53Yes...
0:08:53 > 0:08:55So you're not a proper copper, then?
0:08:55 > 0:08:58Maybe we should just put a call in, wait for the real guys to show up?
0:08:58 > 0:09:00I already have.
0:09:00 > 0:09:02Most of the police are at that match on crowd-control.
0:09:02 > 0:09:06So, in the meantime, I'm sure the two of us can handle things.
0:09:06 > 0:09:09Now, he seems to know what he's doing.
0:09:09 > 0:09:12Now, what do you think he's after?
0:09:12 > 0:09:14I don't know, the whole place is full of stuff, isn't it?
0:09:14 > 0:09:16I mean the most valuable things.
0:09:16 > 0:09:20The Higson Gallery - I recognise some names there.
0:09:20 > 0:09:22Why don't we rendezvous there when we get the lights back up
0:09:22 > 0:09:24and running. Here...
0:09:26 > 0:09:28Take one of these and keep in contact at all times.
0:09:30 > 0:09:32Do you think this is going to take long?
0:09:32 > 0:09:33It's just the game...
0:09:33 > 0:09:35Yeah, right..
0:09:36 > 0:09:38Thank you.
0:09:39 > 0:09:41It doesn't look as nice as the starter.
0:09:43 > 0:09:44Go on, give it a go.
0:09:53 > 0:09:55It's all right...
0:09:55 > 0:09:56SHE LAUGHS
0:09:56 > 0:10:00It's lovely! It's really good, I love it!
0:10:00 > 0:10:02- You're really clever. - Hidden depths!
0:10:03 > 0:10:07Thank you... for this and for everything.
0:10:07 > 0:10:10For sticking by me all these months.
0:10:10 > 0:10:12Especially after I was so horrible.
0:10:12 > 0:10:14I wouldn't quite put it that way.
0:10:14 > 0:10:15I was, I was horrible to you.
0:10:17 > 0:10:19See, if it had been the other way round
0:10:19 > 0:10:21- I don't think I'd have been so patient.- Possibly not.
0:10:23 > 0:10:25I didn't know what I was doing.
0:10:26 > 0:10:32Everything felt wrong - being married, being middle-aged.
0:10:32 > 0:10:35But I didn't stop to think how hard it was for you.
0:10:37 > 0:10:40- You had enough to deal with. - I know, but so did you.
0:10:42 > 0:10:46You had a wife who didn't remember ANYTHING about you.
0:10:46 > 0:10:49I couldn't even bear to be in the same room as you.
0:10:49 > 0:10:53- I'm stubborn. - Well, it means a lot.
0:11:08 > 0:11:11This is Officer Bellamy, Jett, do you copy?
0:11:14 > 0:11:16Jett, can you hear me?
0:11:18 > 0:11:19STATIC
0:11:19 > 0:11:21- Is this switched on? - Yes. I can hear!
0:11:21 > 0:11:22Great.
0:11:23 > 0:11:26Have you found a fuse board yet?
0:11:26 > 0:11:29Ah, yeah, but there are loads of switches.
0:11:29 > 0:11:31I didn't know which one to push.
0:11:31 > 0:11:34- Well... have you got it in front of you?- No, I gave up.
0:11:36 > 0:11:40All right, look, I'm going to have to come and have a look. Where are you?
0:11:40 > 0:11:41I'm just on my way back to you now.
0:11:41 > 0:11:42SCORE BUILDS
0:11:42 > 0:11:45Hang on... I see someone.
0:11:46 > 0:11:49Jett?
0:11:49 > 0:11:51Wait, let me get closer.
0:11:51 > 0:11:52Approach with caution.
0:11:54 > 0:11:56He's right in front of me.
0:11:56 > 0:11:59I repeat, approach with caution.
0:11:59 > 0:12:02SCORE REACHES CRESCENDO
0:12:02 > 0:12:03Yah!
0:12:05 > 0:12:06HE SIGHS
0:12:08 > 0:12:10HEAVY BEAT
0:12:18 > 0:12:20SHE MOUTHS
0:12:28 > 0:12:30I'm really sorry, man.
0:12:30 > 0:12:32With your torch off, I didn't know it was you.
0:12:32 > 0:12:36Yes, well, I was employing the tactic of pulse flashing.
0:12:36 > 0:12:38That way, the intruder wouldn't know where I was.
0:12:39 > 0:12:41Or me.
0:12:42 > 0:12:44Yeah, well, I'll live.
0:12:45 > 0:12:48HE SIGHS
0:12:48 > 0:12:50Is that easel supposed to have something on it?
0:12:52 > 0:12:53We just got had.
0:12:58 > 0:12:59We need to get that power back on,
0:12:59 > 0:13:02before this guy snatches anything else!
0:13:02 > 0:13:05Come on, we came here to dance!
0:13:05 > 0:13:08I will, I'm just waiting for the right moment.
0:13:08 > 0:13:09The right what...?!
0:13:09 > 0:13:11Doesn't matter.
0:13:11 > 0:13:14You need to let your hair down, woman.
0:13:14 > 0:13:16Who's that? I think he wants you.
0:13:16 > 0:13:21Some postgrad doing biogenesis. Who cares, he's cute!
0:13:21 > 0:13:24You know what, you go on. Have some fun.
0:13:24 > 0:13:29- OK, but next time, I'm not taking no for an answer.- OK!
0:13:35 > 0:13:38Sorry, sorry, excuse me.
0:13:42 > 0:13:45Large gin and tonic, please.
0:13:45 > 0:13:48Right this should be the one.
0:13:52 > 0:13:56Right...
0:13:56 > 0:13:58let's work out his modus operandi?
0:13:58 > 0:14:00His what...?
0:14:01 > 0:14:03Working out his route so far...
0:14:05 > 0:14:06Impressive.
0:14:06 > 0:14:10Right, we know he was here... and here.
0:14:11 > 0:14:13So he's heading that way?
0:14:13 > 0:14:15Why, what's down there?
0:14:15 > 0:14:18Er, just a small visiting exhibition, I think.
0:14:18 > 0:14:20Anything of particular worth?
0:14:20 > 0:14:23African art. Clothing, pottery and stuff.
0:14:26 > 0:14:28I think I did hear the director banging on about some
0:14:28 > 0:14:30little gold statue.
0:14:30 > 0:14:32It's thousands of years old, apparently.
0:14:41 > 0:14:43HE BREATHES HEAVILY
0:14:58 > 0:15:00ALARM BLARES
0:15:07 > 0:15:08It's gone.
0:15:08 > 0:15:11Right, now the alarm's gone off, he'll be doing a runner.
0:15:11 > 0:15:13Which is the quickest way to get back to where he came in?
0:15:16 > 0:15:19Hi. I'm Gareth.
0:15:19 > 0:15:22- Emma. - So, you're not a student either?
0:15:22 > 0:15:24Maybe I am.
0:15:24 > 0:15:27I came here with a couple of young bucks from the office,
0:15:27 > 0:15:29but, to be totally honest,
0:15:29 > 0:15:31I'm feeling like a real fish out of water.
0:15:31 > 0:15:34I was recommended by a guy at work who knows all the clubs,
0:15:34 > 0:15:37but he didn't tell me that Tuesday was student night.
0:15:37 > 0:15:38HE CHUCKLES
0:15:38 > 0:15:40Right now, I could wring his neck!
0:15:40 > 0:15:44This isn't exactly my idea of a night out but...
0:15:44 > 0:15:46things seem to be improving.
0:15:46 > 0:15:48Oh, they do, do they?
0:15:48 > 0:15:50THEY CHUCKLE
0:15:50 > 0:15:52Well, unless you want to join the loonies on the dance floor?
0:15:52 > 0:15:54SHE CHUCKLES
0:15:54 > 0:15:57No, I don't know about you, but I can't dance to this stuff.
0:15:57 > 0:15:59Me, neither.
0:15:59 > 0:16:01But, judging from this lot,
0:16:01 > 0:16:03it definitely doesn't seem to be a problem!
0:16:03 > 0:16:06- See that guy over there.- Yeah.
0:16:06 > 0:16:08He's dreadful, you know what...
0:16:08 > 0:16:11he has made a play for every girl in the place.
0:16:11 > 0:16:13HE CHUCKLES
0:16:13 > 0:16:15Whoa, that woman's not holding back.
0:16:15 > 0:16:18No. How would you describe her dancing?
0:16:18 > 0:16:20Miley Cyrus meets the Birdie Song.
0:16:20 > 0:16:21LAUGHTER
0:16:21 > 0:16:24I mean, someone should just tell her, put her out of her misery.
0:16:24 > 0:16:27Oh, well, that would have to be me.
0:16:27 > 0:16:29What?
0:16:29 > 0:16:30She's my friend.
0:16:32 > 0:16:34I'm sorry, Emma, III didn't...
0:16:34 > 0:16:36No, no, I'm teasing.
0:16:36 > 0:16:38To be honest, I don't know her that well,
0:16:38 > 0:16:41it's the first time we've been out together.
0:16:41 > 0:16:45And, well, I didn't realise she had quite so much joie de vivre!
0:16:45 > 0:16:46LAUGHTER
0:16:46 > 0:16:48That's, certainly one way of putting it.
0:16:48 > 0:16:50Oh, she knows how to have a good time.
0:16:50 > 0:16:55You know, and so should we. Drink?
0:16:55 > 0:16:57- Don't mind if I do! - All right.
0:17:01 > 0:17:05Let's be grateful for what we've got, and not take
0:17:05 > 0:17:07- anything for granted from now on, yeah?- Deal.
0:17:12 > 0:17:16And I was thinking... we should do something special, and really eat like the French do.
0:17:16 > 0:17:18I thought that's what we were doing?
0:17:18 > 0:17:20No, I'm talking about booking a weekend in Paris.
0:17:20 > 0:17:22- Ooh, la, la! - MOBILE RINGS
0:17:22 > 0:17:25- Can we have a boat ride on the river?- Hold on a sec'.
0:17:25 > 0:17:27- No, leave it. - I can't, it's Immie.
0:17:27 > 0:17:28Hi, love.
0:17:30 > 0:17:31ALARM CONTINUES
0:17:31 > 0:17:34Wait, wait...
0:17:34 > 0:17:35What are you doing?
0:17:35 > 0:17:37I thought he'd get off now.
0:17:37 > 0:17:38I fixed it so he can't get out.
0:17:38 > 0:17:40So he's trapped?
0:17:40 > 0:17:42He's running off that way. What's down there?
0:17:42 > 0:17:44Er... the back exit.
0:17:44 > 0:17:47We need to get ahead of him. Which is the quickest way there?
0:17:47 > 0:17:49Er, back through the Higson. Come on.
0:17:55 > 0:17:59I'm arresting you for breaking and entering and on suspicion of theft.
0:17:59 > 0:18:01What's your name?
0:18:01 > 0:18:03Turn it off, will you? Turn the alarm off!
0:18:03 > 0:18:06Name?
0:18:06 > 0:18:09Oh, waiting for a friend, are you(?)
0:18:09 > 0:18:11I'm going to have to search you.
0:18:13 > 0:18:16Where have you stashed the painting?
0:18:16 > 0:18:18And the statue?
0:18:18 > 0:18:19ALARM STOPS
0:18:19 > 0:18:21Right, what's your name?
0:18:21 > 0:18:23I can get it from the car registration
0:18:23 > 0:18:25so you're not doing yourself any good.
0:18:25 > 0:18:27Larry Wrigglesworth.
0:18:27 > 0:18:31Right, Larry, where have you hidden them?
0:18:31 > 0:18:33Shouldn't you be asking security?
0:18:33 > 0:18:35If pieces have gone missing, it's their responsibility.
0:18:35 > 0:18:37Hey. Don't get smart.
0:18:37 > 0:18:40We're talking about valuable pieces of art that've been stolen.
0:18:40 > 0:18:43Stolen's a very big word and something I'm not guilty of.
0:18:43 > 0:18:45Let's go and have a look then, shall we?
0:18:47 > 0:18:49Jett, meet us upstairs, in the visiting gallery.
0:18:49 > 0:18:51Will do, over.
0:18:53 > 0:18:56Really...? OK. Yeah.
0:18:56 > 0:18:58Immie's had her purse stolen from some bar.
0:18:58 > 0:19:02- She's put it down on the table for a second and someone's nicked it. Can you believe it?- No.
0:19:02 > 0:19:04I'm just telling your mum.
0:19:04 > 0:19:07Have you reported it stolen?
0:19:07 > 0:19:09OK. Who are you with?
0:19:09 > 0:19:13Right, well, OK. That's good, because you're going to need to
0:19:13 > 0:19:15borrow some money to get home, aren't you?
0:19:15 > 0:19:18At least she's with her mates. Karen...?
0:19:18 > 0:19:20What?
0:19:20 > 0:19:23Oh, yeah, and have you got your address in your purse?
0:19:23 > 0:19:25Well, well, that's a relief, then.
0:19:25 > 0:19:28You're going to need to cancel those cards as soon as you get home.
0:19:28 > 0:19:30Have you got the numbers or do you need help with that?
0:19:32 > 0:19:35You DO realise your daughter's in trouble here?
0:19:35 > 0:19:36'Course I do!
0:19:39 > 0:19:42OK... let me think...
0:19:42 > 0:19:45Er...
0:19:46 > 0:19:53Hello, where's Mr... Biogenesis thingy?
0:19:53 > 0:19:54Gone off with someone else.
0:19:54 > 0:19:55No!
0:19:55 > 0:19:57Always happens to me.
0:19:57 > 0:19:59They have a laugh with me and then
0:19:59 > 0:20:03they disappear at the end of the night with a nice, quiet girl.
0:20:03 > 0:20:05Aren't you going to introduce me?
0:20:05 > 0:20:07Oh, sorry...
0:20:07 > 0:20:12Niamh, Gareth. Gareth, Niamh.
0:20:12 > 0:20:13Pleasure to meet you.
0:20:13 > 0:20:16We were just discussing our ideal night out.
0:20:16 > 0:20:18LAUGHTER
0:20:18 > 0:20:22You can't beat a ceilidh, I know, I know, but it's total madness!
0:20:22 > 0:20:24You've got my vote!
0:20:27 > 0:20:31OK, folks, I'm going to love you and leave you.
0:20:31 > 0:20:34No, no, no... you can't go!
0:20:34 > 0:20:38Stay. And you can tell me tomorrow what you decide...
0:20:38 > 0:20:40Your perfect night out.
0:20:40 > 0:20:43Oh, OK, I will.
0:20:43 > 0:20:45SHE LAUGHS
0:20:45 > 0:20:51We don't have to limit ourselves to the UK, right?
0:20:51 > 0:20:54Oh, you're thinking more exotic? I'm liking this.
0:20:54 > 0:20:56Yeah, I'm thinking...
0:20:56 > 0:21:01um, a Bedouin tent in an Arabian desert.
0:21:02 > 0:21:07Sipping champagne at a sky bar in Bangkok?
0:21:07 > 0:21:09Oh, have you been?
0:21:09 > 0:21:11I certainly have.
0:21:11 > 0:21:14I've yet to do that one, but... beat this...
0:21:14 > 0:21:16Standing on a mountain
0:21:16 > 0:21:19looking at the Northern Lights!
0:21:19 > 0:21:20Hm...
0:21:24 > 0:21:25Care to illuminate?
0:21:29 > 0:21:30No?
0:21:42 > 0:21:43Something there?
0:21:59 > 0:22:01Painting stashed somewhere close-by, no doubt?
0:22:05 > 0:22:06Who do you think you are, Thomas Crown?
0:22:08 > 0:22:10So, when did they fire you then?
0:22:12 > 0:22:16Come on, you're over familiar with the building,
0:22:16 > 0:22:19you knew where to break in, how to cut the power off.
0:22:19 > 0:22:21And you've got some sort of issue with security.
0:22:21 > 0:22:23Larry?
0:22:24 > 0:22:25I took over from him two weeks ago.
0:22:25 > 0:22:27We did a bit of a handover.
0:22:27 > 0:22:29Waste of time that was.
0:22:29 > 0:22:31The kid hasn't got a clue.
0:22:31 > 0:22:34He only got the job through nepotism.
0:22:34 > 0:22:36His uncle's the director.
0:22:36 > 0:22:38Yeah, I'll be talking to him about tonight.
0:22:40 > 0:22:42You can't tell him...
0:22:42 > 0:22:44he'll do his nut!
0:22:44 > 0:22:46He's the one in the wrong here.
0:22:46 > 0:22:50So what was the idea then... make it look like a robbery,
0:22:50 > 0:22:51then tip the police off?
0:22:52 > 0:22:55The pieces were bound to turn up eventually.
0:22:57 > 0:22:59Dropping Jett in it.
0:23:02 > 0:23:04If you hadn't got involved,
0:23:04 > 0:23:09he wouldn't have even known I was here, staring at that gadget of his!
0:23:09 > 0:23:11Intelligence is worth much more than youth
0:23:11 > 0:23:13when it comes to security work.
0:23:13 > 0:23:16My uncle just said you were getting a bit past it.
0:23:18 > 0:23:19No need for that.
0:23:20 > 0:23:22Go on...
0:23:23 > 0:23:24Right.
0:23:24 > 0:23:27Larry Wrigglesworth, I am arresting you for breaking and entering.
0:23:28 > 0:23:32You can't! I'll never work in security again.
0:23:32 > 0:23:34Well, you should've thought about that.
0:23:34 > 0:23:36No-one will touch me. It's me life!
0:23:36 > 0:23:38I'm sorry.
0:23:41 > 0:23:43I don't know what's wrong with me,
0:23:43 > 0:23:46what's been happening these last couple of weeks.
0:23:46 > 0:23:50Yeah, well, losing your job was bound to hit you pretty hard.
0:23:50 > 0:23:51What have I done?
0:23:52 > 0:23:54What was I thinking?
0:23:57 > 0:24:01You do not have to say anything, but it may harm your defence if you do not mention
0:24:01 > 0:24:03when questioned something which you later rely on in court.
0:24:03 > 0:24:06Anything you do say may be given in evidence.
0:24:09 > 0:24:12It's too much for her to deal with, on her own.
0:24:12 > 0:24:15She'll be OK. You said she was with mates.
0:24:15 > 0:24:18Yeah, but they're young, and you know what that's like.
0:24:18 > 0:24:20Maybe I should go down tonight?
0:24:20 > 0:24:22To London?! That's a bit over the top?
0:24:22 > 0:24:26- Over the top, what do you mean? - She's a grown woman.
0:24:26 > 0:24:30Yeah, and so are you. This is your daughter we're talking about.
0:24:30 > 0:24:32- What kind of mother are you? - What?!
0:24:32 > 0:24:34You know what...? For months and months and months
0:24:34 > 0:24:37you haven't wanted to talk about YOUR kids.
0:24:37 > 0:24:40- I've gone along with that, because I though it wasn't your fault. - It isn't.
0:24:40 > 0:24:43But I'm starting to think now it's because you don't want to.
0:24:43 > 0:24:45You'd prefer it if they'd didn't exist.
0:24:45 > 0:24:49- And that turns my stomach. - But it was you on the phone.
0:24:49 > 0:24:51Right, there you go, that should cover it.
0:24:51 > 0:24:55You can't leave? How am I supposed to get home?
0:24:55 > 0:24:58You'll be all right. You're a grown woman!
0:25:02 > 0:25:03WOMAN STARTS
0:25:09 > 0:25:13- What took you so long? - Traffic after the match.
0:25:13 > 0:25:14- Did they win?- 4-0.
0:25:16 > 0:25:18Come on.
0:25:20 > 0:25:21I'll see you.
0:25:22 > 0:25:24RADIO CHATTER
0:25:31 > 0:25:33I'm sure I just saw aurora borealis.
0:25:33 > 0:25:37No. How drunk are you?!
0:25:37 > 0:25:39Is this us?
0:25:39 > 0:25:41Home sweet home.
0:25:41 > 0:25:44Yeah, I love old houses. How long have you had it?
0:25:44 > 0:25:45Let me show you around.
0:25:45 > 0:25:47LAUGHTER
0:25:54 > 0:25:56LAUGHTER
0:25:56 > 0:25:58SHE SIGHS
0:26:01 > 0:26:02LAUGHTER
0:26:02 > 0:26:07You have a very lovely place. Lovely!
0:26:07 > 0:26:08LAUGHTER
0:26:08 > 0:26:09Yes, I do.
0:26:09 > 0:26:11HE GRUNTS
0:26:11 > 0:26:13SHE LAUGHS
0:26:13 > 0:26:14Very nice.
0:26:16 > 0:26:19Angelica Harley. I have an appointment with Howard Bellamy.
0:26:19 > 0:26:21- Oh, yes.- It IS you!
0:26:21 > 0:26:23Heston!
0:26:23 > 0:26:27I sometimes wonder if Bennie hadn't come along if...
0:26:27 > 0:26:29LAUGHTER
0:26:29 > 0:26:31Hey, am I missing something?
0:26:32 > 0:26:34No. We were just talking about...
0:26:34 > 0:26:36Emma's love life.
0:26:36 > 0:26:37She's been a naughty girl...!