0:00:32 > 0:00:34SHE SIGHS AND SNORTS
0:00:34 > 0:00:36Do you ever have one of those days
0:00:36 > 0:00:39when you get a tune stuck in your head and you can't worm it out?
0:00:39 > 0:00:42I just can't get past the first line.
0:00:42 > 0:00:47ECHOEY: "Standing on the door of the Pink Flamingo, crying in the rain."
0:00:47 > 0:00:48Do you know it?
0:00:49 > 0:00:51Rude!
0:00:55 > 0:00:57KAREN LAUGHS
0:00:57 > 0:00:58Where did you get that...?
0:01:05 > 0:01:07Can anyone else see that?
0:01:07 > 0:01:10Karen, perfect timing. Do you want a coffee?
0:01:10 > 0:01:13THEY SPEAK BACKWARDS
0:01:13 > 0:01:15Oh, you must tell me where you got that bag.
0:01:15 > 0:01:18I've got a fantastic pair of shoes that would go right with that.
0:01:18 > 0:01:19That's not me!
0:01:19 > 0:01:21THEY SPEAK BACKWARDS
0:01:21 > 0:01:24We're really sorry you had to go away.
0:01:24 > 0:01:27THEY SPEAK BACKWARDS No, no! Hello?
0:01:27 > 0:01:28This is me.
0:01:28 > 0:01:32MUSIC PLAYS
0:01:32 > 0:01:34What are you doing? Stop that!
0:01:34 > 0:01:37I'm going to keep shouting until you stop it. Eh!
0:01:37 > 0:01:41I'm...I'm going to keep...I'm going to keep going.
0:01:41 > 0:01:45# Standing in the door of the Pink Flamingo
0:01:45 > 0:01:47# Crying in the... #
0:01:47 > 0:01:48Rain...
0:01:48 > 0:01:50Wha...?
0:01:52 > 0:01:53What time is it?
0:01:55 > 0:01:56Early.
0:02:23 > 0:02:26Karen, sending flowers to a...
0:02:26 > 0:02:29someone, is that a good idea?
0:02:29 > 0:02:32Or will it bring a post-feminist wrath down on me?
0:02:32 > 0:02:36- What?- Is one of the four horsemen of the Apocalypse, you know, a florist?
0:02:36 > 0:02:38I haven't got a clue what you're banging on about.
0:02:38 > 0:02:40Oh, what's wrong with you?
0:02:40 > 0:02:43I don't see that there has to be anything wrong.
0:02:43 > 0:02:47- Actually...- Right. Chocolates it is. Mr Crossly? Come on down.
0:02:51 > 0:02:54Hello there, stranger.
0:02:54 > 0:02:58Hello, neighbour. It's been a while, hasn't it?
0:02:58 > 0:03:00My summer party in July.
0:03:00 > 0:03:03You've gone criminally low key on us since then, haven't you?
0:03:03 > 0:03:05What do you mean?
0:03:05 > 0:03:09Well, you got well, came home, at last, came to my party,
0:03:09 > 0:03:13we had a good catch-up and then... Bang! Nothing.
0:03:19 > 0:03:22No, no, no. You are joking!
0:03:27 > 0:03:31Oh, I thought I didn't see you leave after your appointment.
0:03:31 > 0:03:32Oh, no.
0:03:38 > 0:03:40Dr Clay's had to give me some bad news.
0:03:40 > 0:03:43He thinks tea would be a good idea.
0:03:46 > 0:03:48So...
0:03:48 > 0:03:49It's come back.
0:03:52 > 0:03:55Like it had never been away.
0:03:55 > 0:03:56I'm so sorry, Carol.
0:03:59 > 0:04:01What's going to happen?
0:04:04 > 0:04:06Options are being explored.
0:04:06 > 0:04:08We can talk about that another time.
0:04:11 > 0:04:14Oh! Your necklace.
0:04:14 > 0:04:17SHE LAUGHS Is it?
0:04:17 > 0:04:18You gave it to me.
0:04:18 > 0:04:21Did I? I did.
0:04:21 > 0:04:24I didn't think you'd recognised it. It was...
0:04:26 > 0:04:30You told me that...that it was your lucky necklace
0:04:30 > 0:04:32and that you insisted that I take it.
0:04:35 > 0:04:36Maybe...
0:04:37 > 0:04:38Maybe if you'd kept it...
0:04:40 > 0:04:42..you wouldn't have had your accident.
0:04:44 > 0:04:46- No, you keep it.- No.
0:04:46 > 0:04:47I think...
0:04:49 > 0:04:51Much as I'm grateful for small, kind gestures...
0:04:54 > 0:04:56..they're not much use right now.
0:05:09 > 0:05:12I don't remember owning this, let alone giving it away.
0:05:12 > 0:05:16Things will keep coming back to you bit by bit, I expect.
0:05:16 > 0:05:19- Really?- Hm. - I mean, they have done a bit.
0:05:19 > 0:05:22I keep having these vivid dreams.
0:05:22 > 0:05:26Erm, like stuff's trying to get through. Do you ever get that?
0:05:26 > 0:05:30Hm. There is a theory that dreams are the way our subconscious
0:05:30 > 0:05:33try to resolve conflicts we've had in, you know, our waking life.
0:05:33 > 0:05:35Hm.
0:05:35 > 0:05:37Promise you won't tell anyone?
0:05:37 > 0:05:40Sometimes I wonder which Karen I am.
0:05:40 > 0:05:42What, there's more than one of you?
0:05:42 > 0:05:44Run for the hills, Jimmi, she's pod people!
0:05:44 > 0:05:46What do you mean, Karen?
0:05:46 > 0:05:50Who I was before the accident, who I became
0:05:50 > 0:05:55and sometimes I wonder who people see when they see me. I mean...
0:05:55 > 0:05:59I thought it would just be about filling in the blanks
0:05:59 > 0:06:01and getting on with my life, but it's not.
0:06:02 > 0:06:05Is there more to it or is this who I am now?
0:06:05 > 0:06:06Hm.
0:06:06 > 0:06:10Can we put Humpty back together again?
0:06:10 > 0:06:14That's an interesting challenge. One which I accept.
0:06:14 > 0:06:15Come with me, young lady.
0:06:17 > 0:06:19SHOUTS: Rob!
0:06:19 > 0:06:22Oh, must've gone out. Ooh!
0:06:22 > 0:06:24So, I don't know.
0:06:24 > 0:06:28You...you really think this is going to help, me talking to myself?
0:06:28 > 0:06:32It's about making peace with the other Karens.
0:06:32 > 0:06:35Like, closure?
0:06:35 > 0:06:39My complete and utter contempt for that word aside...
0:06:39 > 0:06:43yes. Think of it as like a letter to yourself.
0:06:43 > 0:06:44Come on.
0:06:44 > 0:06:48Grown-up Karen, she's going to give some advice to the teenage one.
0:06:48 > 0:06:53No, but I'm the teenage one, sort of. I mean, that's what I'm saying!
0:06:53 > 0:06:56Or she is, I don't...
0:06:56 > 0:07:00Ah... Anyway, she came back. I'm being haunted by her.
0:07:00 > 0:07:02Hm...
0:07:02 > 0:07:06It's like your past isn't in a straight line anymore.
0:07:06 > 0:07:09It's like your mind has gone into shuffle mode.
0:07:09 > 0:07:11And this is going to help with that?
0:07:11 > 0:07:13It's what I do. You write things down,
0:07:13 > 0:07:15stops them buzzing around your head.
0:07:17 > 0:07:18What?
0:07:18 > 0:07:20Well, go on, say something.
0:07:20 > 0:07:22Say anything.
0:07:22 > 0:07:24Give me a list of things you want for Christmas,
0:07:24 > 0:07:26tell me the rules of Fight Club.
0:07:26 > 0:07:30If you're unsure who you are, then talk to the future you.
0:07:34 > 0:07:36Come on!
0:07:36 > 0:07:38This never used to be a problem before.
0:07:38 > 0:07:41Most days, I couldn't get you to shut up.
0:07:41 > 0:07:43Cue...
0:07:43 > 0:07:44Gobby Hollins.
0:07:44 > 0:07:48Not with you earwigging. Go and make some coffee or something.
0:07:58 > 0:07:59Hello, me.
0:07:59 > 0:08:02SHE LAUGHS NERVIOUSLY
0:08:02 > 0:08:06This is me trying to work out which ME you are.
0:08:06 > 0:08:08Or you're going to turn out to be.
0:08:10 > 0:08:13Oh...
0:08:13 > 0:08:17So, erm, it's been almost a year since the brain inj...
0:08:25 > 0:08:27You had everything, I know that.
0:08:31 > 0:08:35Rob and Jack and Immie and this house and...
0:08:36 > 0:08:40..a career and workmates who cared.
0:08:42 > 0:08:44And you had it taken away.
0:08:48 > 0:08:49And I took it.
0:08:54 > 0:08:55Hmph!
0:08:55 > 0:08:59I'm like the, erm, second wife.
0:08:59 > 0:09:01I replaced you.
0:09:01 > 0:09:04The brassy blonde who lured your husband away.
0:09:04 > 0:09:05And...
0:09:07 > 0:09:08..that's not fair.
0:09:09 > 0:09:11But...
0:09:13 > 0:09:14..you have something...
0:09:16 > 0:09:17..that I don't.
0:09:18 > 0:09:22You've got a part in all this and this.
0:09:22 > 0:09:28See this is, erm...this is closed off and...
0:09:28 > 0:09:31It's...it's...it's a room, and I can't get inside!
0:09:38 > 0:09:43Everybody...everybody knows who I am except me,
0:09:43 > 0:09:45and I'm pig sick of it!
0:09:45 > 0:09:50SHE SIGHS M...memories keep creeping in.
0:09:50 > 0:09:52I don't know what they mean.
0:09:52 > 0:09:55"Standing in the door of the Pink Flamingo..."
0:09:55 > 0:09:57I don't... Oh, shut up!
0:10:14 > 0:10:16Hi, Immie.
0:10:16 > 0:10:20Yeah, I've just been to the shop and they don't stock them anymore
0:10:20 > 0:10:22and they don't know anyone who does.
0:10:22 > 0:10:23Don't know what to do now.
0:10:25 > 0:10:26Do you reckon?
0:10:27 > 0:10:29Well, I could try, I suppose.
0:10:29 > 0:10:32All right. Thanks, love. Bye.
0:10:33 > 0:10:40Yes, you lost what it meant to be a wife and a mother and a grown-up.
0:10:40 > 0:10:43But you can't resent me for finding all that again,
0:10:43 > 0:10:47cos no-one can live on a diet of stone-washed jeans
0:10:47 > 0:10:49and Duran-flaming-Duran.
0:10:52 > 0:10:53You should stay gone.
0:11:00 > 0:11:01And...
0:11:02 > 0:11:05..you've got to believe...
0:11:06 > 0:11:09..that you're better for all of this.
0:11:11 > 0:11:12Lessons learned.
0:11:14 > 0:11:18You. Are. Fine.
0:11:20 > 0:11:25And once you can get that...that bloody song out of your head,
0:11:25 > 0:11:27then that's that, you know?
0:11:27 > 0:11:29You've solved it. You...
0:11:29 > 0:11:32you've put an end to it. No more weird dreams.
0:11:32 > 0:11:33The end.
0:11:41 > 0:11:44All good? Did you sort them out?
0:11:44 > 0:11:47"Standing in the door of the Pink Flamingo, crying in the rain."
0:11:47 > 0:11:51Wow! Well, I don't think I've met this personality yet.
0:11:51 > 0:11:53Am I finally getting to speak to the demon inside of Karen?
0:11:53 > 0:11:57Do you know the song that starts like that?
0:11:57 > 0:12:01- Hm. No idea.- Oh, come on, you're a walking Trivial Pursuit game!
0:12:01 > 0:12:04All right, well, let's consult the electronic Ouija board.
0:12:04 > 0:12:07I've got to figure out why I keep dreaming about it,
0:12:07 > 0:12:09why it's stuck in my head.
0:12:15 > 0:12:19- Ah, cool. Who's the 2 Tone fan?- Rob.
0:12:19 > 0:12:21I just need the song title.
0:12:21 > 0:12:23Nearly there.
0:12:23 > 0:12:27MOBILE RINGS
0:12:27 > 0:12:29Hi, love. Busy day?
0:12:29 > 0:12:32'Erm, are these all our records in the living room?'
0:12:32 > 0:12:34Are you at home?
0:12:34 > 0:12:36Never mind that. Have we got any more?
0:12:36 > 0:12:39'What? Erm, I don't know.'
0:12:39 > 0:12:42Yes. Yeah, come to think of it,
0:12:42 > 0:12:44I think I put a box of oldies in the attic.
0:12:44 > 0:12:47What are you doing? What are you looking for?
0:12:47 > 0:12:50Erm, oh, it's a pink flamingo and someone crying in the rain.
0:12:50 > 0:12:53Look, I've got to go. I'll talk to you later, bye.
0:12:58 > 0:12:59Yeah, got it.
0:12:59 > 0:13:02Soft Cell - Say Hello, Wave Goodbye.
0:13:02 > 0:13:05Opening lyrics are "Standing in the door of the Pink Flamingo,
0:13:05 > 0:13:07"crying in the rain."
0:13:09 > 0:13:11"It was a kind of so-so love
0:13:11 > 0:13:14"and I'm going to make sure it never happens again."
0:13:16 > 0:13:17Yes!
0:13:21 > 0:13:27MUSIC PLAYS
0:13:29 > 0:13:31What are you doing here?
0:13:31 > 0:13:36This. This is the Rolls-Royce of 2 Tone collections.
0:13:36 > 0:13:38I salute you, rude boy.
0:13:38 > 0:13:40Thank you.
0:13:40 > 0:13:42Where's Karen?
0:13:43 > 0:13:45Upstairs.
0:13:45 > 0:13:47Has she been in here?
0:13:47 > 0:13:48Yep.
0:13:48 > 0:13:49Did she notice anything?
0:13:49 > 0:13:51Like what?
0:13:51 > 0:13:53Like that broken mug.
0:13:55 > 0:13:57She didn't mention it.
0:13:57 > 0:13:58It wasn't me.
0:13:59 > 0:14:01I know.
0:14:01 > 0:14:03LOUD THUD
0:14:13 > 0:14:15Yes! Get in!
0:14:15 > 0:14:19- Karen?- You were right. There's a whole box of me up here.
0:14:19 > 0:14:21What are you doing? What...what is this about?
0:14:21 > 0:14:24This song, Say Hello, Wave Goodbye, it means something. Do you know what?
0:14:24 > 0:14:26What?
0:14:26 > 0:14:28No, I'm asking. Do you know what it means?
0:14:30 > 0:14:32- Why don't you come down, love? - Do you know?
0:14:32 > 0:14:36Did it matter to the old me? Should it only matter to her?
0:14:40 > 0:14:43MUSIC: Say Hello, Wave Goodbye by Soft Cell
0:14:43 > 0:14:45SHE SIGHS
0:14:46 > 0:14:51This song means something. What was it?
0:14:51 > 0:14:52I don't know, love.
0:14:54 > 0:14:57Is it you? Is it nothing to do with me? Is it you?
0:14:57 > 0:15:00Is it something that you did that I...I want to forget?
0:15:00 > 0:15:02Is there a woman? Another woman?
0:15:02 > 0:15:03Stop this.
0:15:05 > 0:15:07I don't know why it matters. Maybe it doesn't.
0:15:07 > 0:15:11Maybe it's...it's just a song. And you love the music.
0:15:11 > 0:15:13It's in my head night and day,
0:15:13 > 0:15:16and I'm sure that it meant something to the first Karen.
0:15:17 > 0:15:21The one you loved all those years and who isn't here anymore.
0:15:21 > 0:15:23Yes, she is!
0:15:25 > 0:15:27She's right here now, and I'm looking at her.
0:15:29 > 0:15:32And I love her in the same way that I always did.
0:15:32 > 0:15:35SONG ABRUPTLY STOPS
0:15:37 > 0:15:40- Oh, love, come here.- No. You can't fix this with a hug.
0:15:42 > 0:15:45It's best to give her some space.
0:15:47 > 0:15:49What have you done to her?
0:15:51 > 0:15:53You know, the clueless isn't a good look for a copper.
0:16:09 > 0:16:12Rob, she's lost whole parts of her life,
0:16:12 > 0:16:15things that she will never ever get back,
0:16:15 > 0:16:17but she keeps getting these little glimpses of it.
0:16:17 > 0:16:20Take a look at this one song today
0:16:20 > 0:16:22has almost pushed her over the edge.
0:16:22 > 0:16:24It can't be easy.
0:16:24 > 0:16:28No, easy is not a word I'd use for any of this.
0:16:30 > 0:16:33And then you hear how she keeps describing herself.
0:16:33 > 0:16:36"The old Karen", that's what she keeps saying.
0:16:37 > 0:16:40I think she feels threatened.
0:16:40 > 0:16:42Is she in competition for your love?
0:16:42 > 0:16:44Who with?
0:16:44 > 0:16:46The first Karen.
0:16:46 > 0:16:48The first Mrs Hollins.
0:16:48 > 0:16:51I mean, in a way, she's now your second wife,
0:16:51 > 0:16:53and all that that implies.
0:16:53 > 0:16:55I thought we'd gone through all of this,
0:16:55 > 0:16:56but no, here we are,
0:16:56 > 0:16:59back to '80s music and Karen hating me all over again.
0:17:01 > 0:17:03It's like being in a flaming loop.
0:17:03 > 0:17:04Be rude not to.
0:17:06 > 0:17:08Karen?
0:17:08 > 0:17:10Oh, hello.
0:17:10 > 0:17:12Are you OK?
0:17:12 > 0:17:15Just thought I'd crack on with a bit of spring planting.
0:17:15 > 0:17:18I bought out the whole garden centre.
0:17:18 > 0:17:21This is going to be all irises, tulips, daffodils.
0:17:21 > 0:17:23- A great swathe of them. - Oh, that'll be nice.
0:17:23 > 0:17:24Nice?
0:17:24 > 0:17:27I anticipate nothing less than spectacular!
0:17:29 > 0:17:32- Nothing like with planning ahead. - No, nothing.
0:17:32 > 0:17:35- Do you want a hand?- No, I'll manage.
0:17:38 > 0:17:41It's been a...it's been a bit of a difficult year
0:17:41 > 0:17:44- for us both, hasn't it?- Yeah.
0:17:44 > 0:17:46Of all the years that I wish I could remember,
0:17:46 > 0:17:47this is the one I want to forget.
0:17:52 > 0:17:56Trouble is everybody's been talking in terms of getting back to normal
0:17:56 > 0:17:59without knowing, in this case, what normal is.
0:18:00 > 0:18:03It's not a word I would use for my marriage.
0:18:03 > 0:18:05I mean, what is normal?
0:18:05 > 0:18:06Overrated.
0:18:08 > 0:18:11See, I quite liked the teenage Karen.
0:18:11 > 0:18:15At first. After that, she became intensely irritating.
0:18:15 > 0:18:18I never knew that teenage version...until now.
0:18:18 > 0:18:20Hm.
0:18:20 > 0:18:23It was like unprocessed Karen -
0:18:23 > 0:18:27all the stubbornness and resilience, but none of the understanding.
0:18:27 > 0:18:29Like it was some kind of substitute.
0:18:29 > 0:18:31Like an...I Can't Believe It's Not Karen.
0:18:31 > 0:18:35THEY LAUGH
0:18:35 > 0:18:39You know, but being stubborn is what got her through.
0:18:40 > 0:18:46If I could just understand why this song is so important.
0:18:46 > 0:18:48Because you give it importance.
0:18:48 > 0:18:51Which is understandable.
0:18:51 > 0:18:53We often try and find meaning in things
0:18:53 > 0:18:55that aren't really significant.
0:18:57 > 0:18:58But how do I know if it is or it isn't.
0:18:58 > 0:19:01Well, trying to find rhyme and reason in why things happen
0:19:01 > 0:19:05is often a sure way to add to our frustration, not solve it. And...
0:19:07 > 0:19:08Where do you stop?
0:19:10 > 0:19:11I don't know.
0:19:11 > 0:19:14I'm sorry, Carol, this must seem so trivial to you.
0:19:14 > 0:19:16Rubbish.
0:19:16 > 0:19:20You are trying to be happy is all you're saying.
0:19:20 > 0:19:25And...to find happiness is a very serious thing.
0:19:25 > 0:19:28And it's NOT trivial.
0:19:30 > 0:19:34But...there's just so much getting in the way.
0:19:37 > 0:19:41And if you could remember just this one thing,
0:19:41 > 0:19:44would all the rest will fall into place? Has it ever occurred to you
0:19:44 > 0:19:47that you forgot what this song meant for good reason?
0:19:47 > 0:19:51- Like what? - Like certain memories fade.
0:19:51 > 0:19:55They just get away from us in the fullness of life.
0:19:56 > 0:20:01You might not have forgotten this song because of the accident.
0:20:02 > 0:20:04I just...want to be sure.
0:20:07 > 0:20:10You can fret over it having some big meaning
0:20:10 > 0:20:16or you can decide that that tape went into the attic for good reason.
0:20:20 > 0:20:21You can make your peace.
0:20:25 > 0:20:27You can...
0:20:27 > 0:20:31look forward to making new memories while you can.
0:20:33 > 0:20:34Life is good.
0:20:36 > 0:20:41Make what you do, from now on,
0:20:41 > 0:20:42all the more vivid.
0:20:46 > 0:20:49- SOBBING:- Because sometimes that's all we can do.
0:20:55 > 0:20:57That and plant bulbs.
0:20:57 > 0:21:00THEY LAUGH
0:21:02 > 0:21:03I think I'd better get ho...
0:21:05 > 0:21:07Yes, I think so.
0:21:08 > 0:21:10Thank you. Thank you.
0:21:15 > 0:21:19# I never knew you
0:21:19 > 0:21:21# You never knew me
0:21:21 > 0:21:24# Say hello, goodbye... #
0:21:28 > 0:21:30No. You have to go.
0:21:33 > 0:21:37# I'll find someone that's not going cheap
0:21:37 > 0:21:39# In the sales. #
0:21:41 > 0:21:42I remember!
0:21:45 > 0:21:46I remember!
0:21:49 > 0:21:51SHOUTS: Carol!
0:21:51 > 0:21:54I've remembered!
0:21:54 > 0:21:55And...?
0:21:55 > 0:21:58Me and my best mate, Maggie, in a pub,
0:21:58 > 0:22:03and she'd just been stood up by a bloke outside the Pictures.
0:22:03 > 0:22:07And this song came on the juke box, and we laughed because...
0:22:07 > 0:22:11she'd gone all done up and the rain had ruined her hair
0:22:11 > 0:22:15and her make-up. And she looked...she looked a bit tarty like the girl
0:22:15 > 0:22:18in the song, and... So, halle-flaming-lujah,
0:22:18 > 0:22:20it means something.
0:22:20 > 0:22:24But it's got absolutely nothing to do with anything.
0:22:24 > 0:22:27- What does that mean? - Sometimes it means nothing!
0:22:27 > 0:22:30Memories aren't all they're cracked up to be.
0:22:30 > 0:22:32THEY LAUGH AND SHOUT
0:22:32 > 0:22:36Oh! Hey, do you know? I know what I've got to do.
0:22:36 > 0:22:39You haven't got a cardboard box I could...?
0:22:39 > 0:22:40- Yeah?- Come on.
0:22:42 > 0:22:46Are you really going to try and get away without telling her?
0:22:48 > 0:22:49I don't think I can, can I?
0:22:53 > 0:22:54Oh, dear.
0:22:55 > 0:22:57Can't get anything right.
0:22:59 > 0:23:00It's all my fault.
0:23:02 > 0:23:05Make one mistake and the whole world turns upside down.
0:23:05 > 0:23:06True.
0:23:06 > 0:23:08Although, it is just a mug.
0:23:10 > 0:23:11No, I didn't mean the...
0:23:13 > 0:23:16You're going to do that once too often one day.
0:23:16 > 0:23:17Do what?
0:23:17 > 0:23:20Come on, Rob. You've seen her through this
0:23:20 > 0:23:23because you're made of stronger stuff.
0:23:23 > 0:23:25Am I?
0:23:25 > 0:23:26Really?
0:23:27 > 0:23:29I don't know.
0:23:29 > 0:23:32You know, every day since Karen moved back in,
0:23:32 > 0:23:34every morning I get up,
0:23:34 > 0:23:37I have to check her pillow for blood.
0:23:39 > 0:23:41I go back to that day it happened again and again.
0:23:43 > 0:23:45Is...is that strong?
0:23:47 > 0:23:49No. I...
0:23:49 > 0:23:50I think it's...
0:23:51 > 0:23:53..stupid and messed-up to do it over and over again,
0:23:53 > 0:23:55but I can't help it.
0:23:55 > 0:23:57It sounds perfectly reasonable to me.
0:23:57 > 0:24:01Does it? Cos I think it's like picking at a scab.
0:24:01 > 0:24:03You do that to make sense of things
0:24:03 > 0:24:06because you're human, and that's what humans do -
0:24:06 > 0:24:07we make sense of things.
0:24:07 > 0:24:09So, you keep checking that pillow.
0:24:09 > 0:24:11It will pass.
0:24:11 > 0:24:13My word of honour, it will pass.
0:24:14 > 0:24:16DOOR OPENS
0:24:16 > 0:24:17Battle stations.
0:24:25 > 0:24:27You had me worried. Where've you been?
0:24:27 > 0:24:29How do you get this thing out?
0:24:29 > 0:24:31- Thank you.- What were you doing?
0:24:35 > 0:24:36Give it a moment.
0:24:42 > 0:24:44Ah, yes, about that...
0:24:44 > 0:24:45I didn't deserve it.
0:24:45 > 0:24:47Immie can buy me another one when I do.
0:24:49 > 0:24:51Ah! Thank you.
0:24:51 > 0:24:53Do you want to tell me what's going on?
0:24:53 > 0:24:55It's got to be done.
0:24:55 > 0:24:57For both our sakes.
0:24:57 > 0:25:00No more thinking that there's things not said between us.
0:25:00 > 0:25:03- Karen...- No, it's got to be about
0:25:03 > 0:25:07who I am now, not who I was.
0:25:10 > 0:25:11I'm done.
0:25:12 > 0:25:16No more crying, no more feeling beaten.
0:25:17 > 0:25:18OK?
0:25:19 > 0:25:20OK?
0:25:23 > 0:25:25OK.
0:25:25 > 0:25:26Anything you say.
0:25:34 > 0:25:36You know, I think I understand it now.
0:25:36 > 0:25:40What makes people work at making things last.
0:25:40 > 0:25:43And you got that from watching me dig?
0:25:43 > 0:25:46No, from seeing the two of you properly back together.
0:25:49 > 0:25:50Be honest.
0:25:51 > 0:25:52Do you think he loves me
0:25:52 > 0:25:55or what he remembers of me from before?
0:25:55 > 0:25:58I think that's the difference between you.
0:25:58 > 0:26:01You lost the ability to filter your experiences.
0:26:01 > 0:26:06He doesn't need to remember, not that anybody remembers everything.
0:26:06 > 0:26:10He just knows he loves you, without doubt.
0:26:10 > 0:26:13- Really?- Hey, Hollins, you said no more tears.
0:26:14 > 0:26:17He's just grateful that you've both made it through it.
0:26:19 > 0:26:21I think I'm the lucky one
0:26:21 > 0:26:25because I got to fall in love with him all over again.
0:26:25 > 0:26:27Like it was the first time.
0:26:27 > 0:26:29Here you go.
0:26:29 > 0:26:31There were some biscuits, but...
0:26:34 > 0:26:36Are you sure you know what your doing?
0:26:36 > 0:26:40Learning to let things go
0:26:40 > 0:26:44is just as important as trying to get them back.
0:26:44 > 0:26:46Scary, but...
0:26:46 > 0:26:48Very well said.
0:26:48 > 0:26:51You could treat it like a time capsule, you know?
0:26:51 > 0:26:52Put a marker on the spot.
0:26:52 > 0:26:55Yeah. We'll dig it up in 20, 30 years' time.
0:26:55 > 0:26:57No.
0:26:57 > 0:26:59No.
0:26:59 > 0:27:01No going back.
0:27:01 > 0:27:03It's finished.
0:27:06 > 0:27:08Can we stop talking about cars, please?
0:27:08 > 0:27:10I don't even want to buy a new car.
0:27:10 > 0:27:12I just said it to cheer Mrs T up.
0:27:12 > 0:27:15You think that you're a vampire?
0:27:15 > 0:27:19Why would I do that? Share my weakness with everybody?
0:27:19 > 0:27:21There's nothing like that going on.
0:27:21 > 0:27:23What? So she's one of your minions, then?
0:27:23 > 0:27:25A friend.
0:27:25 > 0:27:27With common...interests.