0:00:46 > 0:00:49I can't find it, Valerie. What?
0:00:49 > 0:00:50Oh.
0:00:51 > 0:00:55Oh, sorry, I was absolutely sure that I'd put it... Oh, thanks.
0:00:55 > 0:00:56Are you all right?
0:00:58 > 0:00:59SHE WHISTLES CHEERILY
0:01:02 > 0:01:04Still lodged in the old internal jukebox?
0:01:04 > 0:01:06Yeah. Might need an op to get it out.
0:01:06 > 0:01:09Pity you don't know someone with surgical experience.
0:01:09 > 0:01:11Like I'd want you digging around in my head!
0:01:11 > 0:01:14Er, Dr Carter, may I borrow you for a moment?
0:01:14 > 0:01:15Yes, of course. Excuse me.
0:01:15 > 0:01:18HE HUMS CHEERILY
0:01:25 > 0:01:28I'm surprised you're seeing patients, to be honest with you.
0:01:28 > 0:01:32What am I going to do - stay at home feeling sorry for myself all day?
0:01:32 > 0:01:33No, I'd rather get stuck in.
0:01:33 > 0:01:36No, I was thinking of some changes.
0:01:36 > 0:01:39Well, your photography course sounds like a good idea.
0:01:39 > 0:01:43I was wondering about going back to police surgeon work.
0:01:43 > 0:01:45Really, I thought you'd had enough of all that?
0:01:45 > 0:01:49No, I miss it. Noakes isn't there any more, so...
0:01:49 > 0:01:51I can see that the photography course
0:01:51 > 0:01:53has really changed your perspective.
0:01:53 > 0:01:56HE CHUCKLES Yeah, very funny.
0:01:56 > 0:01:58So, do you think they'd take me back?
0:01:58 > 0:02:01Well, they're short-staffed and they're always talking about you,
0:02:01 > 0:02:04er, in a good way, but you'd have to talk to the principal police surgeon.
0:02:04 > 0:02:06Yeah, yeah, maybe I will. Thanks. See you.
0:02:08 > 0:02:10I thought you'd be full of this! How'd it go?
0:02:10 > 0:02:13Yeah, it was brilliant. Just didn't want to bore anyone.
0:02:13 > 0:02:16Oh, you can't bore me. I love photos.
0:02:16 > 0:02:17Yeah, well?
0:02:17 > 0:02:21I haven't got my glasses but they look great to me...
0:02:21 > 0:02:22You think so?
0:02:22 > 0:02:23Yeah. I'm not an expert.
0:02:23 > 0:02:25I can't take a picture without a thumb in it.
0:02:25 > 0:02:28My teacher says I've got a good eye. Oh! Yeah. She encouraged me
0:02:28 > 0:02:30to book a portraiture course off the back of this one, so, er...
0:02:30 > 0:02:32Classic technique.
0:02:32 > 0:02:33Hmm! Thank you.
0:02:33 > 0:02:37Not you - your tutor, flattering you so you book more lessons.
0:02:37 > 0:02:41Oh, it's not like you to be cynical. Er, Mrs Hollins, can I have a moment
0:02:41 > 0:02:44of your time, please? I was just... Oh-h!
0:02:46 > 0:02:49It's not like proper photography, though, is it, mate?
0:02:49 > 0:02:51You get any imperfections, you can just put it through a computer,
0:02:51 > 0:02:53add an effect, just like that,
0:02:53 > 0:02:54like I showed you last week, yeah?
0:02:54 > 0:02:57Yeah, a lot of work still went into it, though.
0:02:57 > 0:02:59Well, it's not like you went into a dark room, is it?
0:03:00 > 0:03:03Anyone with a phone can call themselves a photographer nowadays.
0:03:08 > 0:03:09I have no idea. Me either.
0:03:09 > 0:03:14Well, it must be important, Mr Bellamy set a reminder.
0:03:14 > 0:03:19And he put an exclamation mark after "Don't forget". I wonder who she is.
0:03:19 > 0:03:23Is there nothing in his address book that matches the name? No.
0:03:23 > 0:03:27Well, why don't you just ask Emma? Oh, not a good idea.
0:03:27 > 0:03:32There is no indication as to whether it's business or... Well, romantic.
0:03:32 > 0:03:37Awkward. Er, well, my money's on she's a sales rep.
0:03:37 > 0:03:39Why don't you ring the East Park Hotel,
0:03:39 > 0:03:42tell them what happened and let them deal with it? Oh, no.
0:03:42 > 0:03:44I do not want to tell someone
0:03:44 > 0:03:46about what happened to Mr Bellamy in a message.
0:03:46 > 0:03:49Well, then there's only one thing to do.
0:03:53 > 0:03:58Hmm! You're using your camera's pre-programmed settings, aren't you?
0:03:58 > 0:04:00You need to find your own style, mate.
0:04:01 > 0:04:05Wow! Who took these? They're really good.
0:04:05 > 0:04:07I did.
0:04:07 > 0:04:10These vertically framed shots, they're really hard to get,
0:04:10 > 0:04:12cos, well, obviously, naturally
0:04:12 > 0:04:14the eyes want to frame things horizontally, so...
0:04:15 > 0:04:19Kudos. And diffuse lighting, that's another hard thing to nail.
0:04:19 > 0:04:21You've got the eye, Jimmi.
0:04:21 > 0:04:24Thank you. That's exactly what my tutor said.
0:04:24 > 0:04:28No probs. Oh, Sid, I was thinking about this whole antibiotics thing.
0:04:28 > 0:04:31For it to work, you'll need to appeal to the patients,
0:04:31 > 0:04:32you know, get them involved.
0:04:32 > 0:04:34Good luck with that.
0:04:34 > 0:04:39Anyway, it's European Antibiotic Awareness Day on Wednesday, so...
0:04:40 > 0:04:43How could I not have known that? I was thinking we could do something.
0:04:43 > 0:04:46Sidney, how could you have not known that? It's Wednesday.
0:04:46 > 0:04:49Thank you so much. Oh, there's loads to do and only two days to do it in.
0:04:49 > 0:04:51But there's bound to be loads of stuff online
0:04:51 > 0:04:53that I can print off or get delivered.
0:04:53 > 0:04:55Hey, perhaps other surgeries are getting involved,
0:04:55 > 0:04:58I cold liaise with them and... Better get a wiggle on!
0:04:58 > 0:04:59Yeah, get to it, man.
0:05:01 > 0:05:03I think we might regret you telling him that.
0:05:03 > 0:05:04Nah. It'll just keep him busy.
0:05:07 > 0:05:09KNOCK ON DOOR Come in.
0:05:09 > 0:05:12Mrs Tembe, I thought I'd give you an update.
0:05:12 > 0:05:13An update?
0:05:13 > 0:05:15On how I'm fitting in.
0:05:15 > 0:05:18Oh, well, yes, well, that might be useful.
0:05:18 > 0:05:20So, er, how are you fitting in?
0:05:20 > 0:05:24Er, well, I like the place. That's always good news, isn't it?
0:05:24 > 0:05:26And the people are nice.
0:05:26 > 0:05:28Well, that is good. If that is everything...
0:05:28 > 0:05:31Yeah, it's always a bonus when people click, you know.
0:05:31 > 0:05:34I've worked with some right stuck-up so-and-sos in my time.
0:05:34 > 0:05:39And when I first met Heston, I thought, "Oh, hello," you know.
0:05:39 > 0:05:40No, no, not really.
0:05:40 > 0:05:42But then, well, you get to know him
0:05:42 > 0:05:46and you see that he's cultured, funny, he's kind.
0:05:46 > 0:05:48Well, you know him really well, don't you,
0:05:48 > 0:05:52cos you've worked with him for years, and you must know him?
0:05:52 > 0:05:56Well, my colleagues' personal life is none of my business.
0:05:56 > 0:05:57Now if you don't mind...
0:05:57 > 0:06:00Oh, I just thought... It's just that a have a meeting to go to. Oh.
0:06:22 > 0:06:24GENTLE PIANO MUSIC PLAYS
0:06:27 > 0:06:31Excuse me, are you, er, Yvonne? No, sorry.
0:06:36 > 0:06:38I'm so sorry to interrupt.
0:06:38 > 0:06:41Are you Yvonne? I'm not, darling, no.
0:06:42 > 0:06:47Um, excuse me, hi. I'm Yvonne, Yvonne Bailey.
0:06:47 > 0:06:53Oh, right, I am Mrs Tembe from the Mill Health Centre. Hi.
0:06:53 > 0:06:57Um, what, could Howard not make it? Er, may I?
0:07:01 > 0:07:04Can I ask, how do you know Mr Bellamy?
0:07:04 > 0:07:07Oh, we go a long way back.
0:07:07 > 0:07:10Oh, right. In what regard?
0:07:12 > 0:07:14Sorry, who are you again?
0:07:15 > 0:07:19I work with Mr Bellamy. Well, I used to.
0:07:19 > 0:07:20Oh, has he left?
0:07:20 > 0:07:23There is no easy way to say this.
0:07:25 > 0:07:29I am so sorry, but Mr Bellamy has passed away.
0:07:33 > 0:07:36No, no, he couldn't have done, er...
0:07:37 > 0:07:39I am so, so sorry.
0:07:46 > 0:07:48There you go. Oh!
0:07:50 > 0:07:52Oh, hey, I meant to ask, how did it go at the opera?
0:07:52 > 0:07:54Oh, it was fantastic.
0:07:54 > 0:07:57I mean, I've seen stuff online, but this was live and wow!
0:07:57 > 0:07:59And the perfect guide in Heston?
0:07:59 > 0:08:02Yeah, he kept checking that I was enjoying it.
0:08:02 > 0:08:04He'd have to check I wasn't legging it.
0:08:04 > 0:08:05You're not a fan?
0:08:07 > 0:08:10It's just a load of screeching in Viking helmets, isn't it?
0:08:11 > 0:08:15Do you fancy some lunch? Oh, yeah. Icon? Yeah. Do it.
0:08:15 > 0:08:17Valerie, do you fancy coming?
0:08:17 > 0:08:20To be honest, I'd be happier with a sandwich and an apple.
0:08:20 > 0:08:21Oh, go on. It'll be fun.
0:08:22 > 0:08:24No, I haven't been sleeping very well.
0:08:24 > 0:08:26I don't think I'd be very good company. Oh, OK.
0:08:28 > 0:08:29I'm sorry to hear that.
0:08:29 > 0:08:33It's hard when you've just broke up with someone.
0:08:33 > 0:08:34Hang in there.
0:08:38 > 0:08:39I need to know what happened.
0:08:39 > 0:08:41It was an aneurysm.
0:08:43 > 0:08:44Was it quick?
0:08:48 > 0:08:51After all the action he saw and that's the way he went out.
0:08:51 > 0:08:54That's just... It's not right.
0:09:00 > 0:09:02I spoke to him on the phone and he sounded fine.
0:09:02 > 0:09:05I had no idea it was all just ticking away.
0:09:05 > 0:09:07None of us did.
0:09:09 > 0:09:13Normally, we meet... met once a year, you know,
0:09:13 > 0:09:16just to...catch up and for me to say thank you again and...
0:09:18 > 0:09:21But this time I really needed to see him.
0:09:22 > 0:09:24Why would you need to thank him?
0:09:26 > 0:09:27Howard saved my life.
0:09:30 > 0:09:34I think I upset Mrs Tembe earlier.
0:09:34 > 0:09:40I was asking...no, digging around whether she had feelings for Heston.
0:09:40 > 0:09:41You asked her?
0:09:41 > 0:09:45No, not outright. No, I'm not that mad.
0:09:45 > 0:09:48There's nothing going on between Heston and Mrs Tembe.
0:09:48 > 0:09:51She gets a bit possessive of their friendship, that's all.
0:09:51 > 0:09:56He's pretty much set in his ways, you know, gourmet meals for one.
0:09:56 > 0:09:57Sounds lovely.
0:09:57 > 0:10:00Why do you want to know about Heston and Mrs Tembe?
0:10:00 > 0:10:04I've just never met anyone like him. He's a bit...odd.
0:10:04 > 0:10:06A bit?!
0:10:07 > 0:10:11He had a dog when he was little and he called it Ozymandias... No.
0:10:11 > 0:10:15..and he refused to speak to anyone who shortened it to Ozzy,
0:10:15 > 0:10:16even the vet.
0:10:17 > 0:10:21Come on, tell me a bit more. Oh, er, OK.
0:10:21 > 0:10:24He was married once, but that was a long time ago.
0:10:24 > 0:10:28He's had relationships since, but, er...
0:10:28 > 0:10:32Oh, he's got a bow tie for whatever mood takes him.
0:10:33 > 0:10:36I don't think I could stick to one mood all day.
0:10:36 > 0:10:37Who's saying he can?
0:10:40 > 0:10:46Gavin had checked under the car, but he must have missed it.
0:10:46 > 0:10:49We were driving down off the Whiterock Road onto the Falls Road.
0:10:49 > 0:10:52It's the same route we used to take every night.
0:10:54 > 0:10:57I don't suppose you know it, but the road at that junction
0:10:57 > 0:11:01is really steep and it was triggered by a tilt switch.
0:11:03 > 0:11:08It was so loud. There was glass and metal everywhere.
0:11:08 > 0:11:12Gavin was screaming. I mean, he was hurt much worse than me.
0:11:12 > 0:11:15Later, we found out that he'd lost his legs from...
0:11:17 > 0:11:17I am so sorry.
0:11:19 > 0:11:24He was screaming his head off, I couldn't hear him, though.
0:11:26 > 0:11:27I just remember sitting there,
0:11:27 > 0:11:31I was trapped. I had this terrible pain across here.
0:11:31 > 0:11:33I was struggling to breathe.
0:11:33 > 0:11:37I can remember there was people looking in at me.
0:11:37 > 0:11:41There was an old man and this woman in a flowery headscarf.
0:11:41 > 0:11:45And then a young soldier, a sergeant, he was there
0:11:45 > 0:11:47and he was pushing them all back.
0:11:47 > 0:11:48Mr Bellamy?
0:11:52 > 0:11:55He was talking to me, smiling.
0:11:57 > 0:11:59The words were fuzzy.
0:11:59 > 0:12:02I couldn't hear them. I couldn't hear anything.
0:12:04 > 0:12:08The next thing I know I woke up and I was on the ground.
0:12:08 > 0:12:12He later told me that he'd pulled me out and resuscitated me.
0:12:14 > 0:12:18And then he just waited with me until the ambulances arrived.
0:12:18 > 0:12:19PHONE RINGS
0:12:26 > 0:12:28I'm so sorry, I've got to take this.
0:12:34 > 0:12:36I didn't lie. I told you I had a meeting.
0:12:36 > 0:12:38'Where are you?'
0:12:38 > 0:12:39In the meeting room.
0:12:39 > 0:12:41What's that music I can hear, then?
0:12:41 > 0:12:44They're just playing music in the room.
0:12:44 > 0:12:46What a surprise! Hello, love.
0:12:46 > 0:12:50We can talk about this later, this little mix-up you're having, eh?
0:12:51 > 0:12:52She's losing her head.
0:12:52 > 0:12:54What are you doing here?
0:12:54 > 0:12:57Just passing through. Who's this, then?
0:12:57 > 0:12:58Oh, this is, er...
0:12:58 > 0:13:00I am Mrs Tembe.
0:13:00 > 0:13:03Pleasure to meet you. So where is he, then, Howard?
0:13:03 > 0:13:05How did you know...?
0:13:05 > 0:13:08Mr Bellamy is unable to be here because...
0:13:08 > 0:13:09Aw. That's a shame(!)
0:13:09 > 0:13:12Perhaps we can have a sit down and a nice cup of tea.
0:13:12 > 0:13:13You can tell me all about him.
0:13:13 > 0:13:15This one's a bit of a...
0:13:15 > 0:13:17She doesn't like to talk about it, you know.
0:13:17 > 0:13:20I didn't tell you about the meeting just cos...
0:13:20 > 0:13:22It's not a problem. We'll talk about it later.
0:13:22 > 0:13:25I just know that you think... We've got company.
0:13:28 > 0:13:31Well, perhaps I should leave you two to it.
0:13:34 > 0:13:36If you need... Do you have to go so soon?
0:13:36 > 0:13:39She said she should be leaving. Don't you listen?
0:13:42 > 0:13:44It was lovely to meet you.
0:13:46 > 0:13:47You too.
0:13:47 > 0:13:48Ta-ta.
0:13:54 > 0:13:55Howard's dead.
0:13:55 > 0:13:59Aw. That's a shame(!) Has that upset you?
0:14:02 > 0:14:03Finish your tea.
0:14:12 > 0:14:14So her hair is now brown.
0:14:14 > 0:14:16Mm-hm. Ha-ha!
0:14:16 > 0:14:17Thank you.
0:14:17 > 0:14:21Look, they've got your eyes, haven't they?
0:14:21 > 0:14:23Well, that's Shak and that's Alia.
0:14:23 > 0:14:27Aww. Yeah, I love them but they drive me bonkers sometimes.
0:14:27 > 0:14:28That's their job.
0:14:28 > 0:14:29And their dad?
0:14:30 > 0:14:32Uh, it didn't work out.
0:14:32 > 0:14:33Oh, I'm sorry.
0:14:33 > 0:14:35No, it's fine. It's a, it's a good thing.
0:14:36 > 0:14:38I wish we didn't have to go.
0:14:38 > 0:14:40Well, we could bunk off.
0:14:40 > 0:14:43Could you imagine Mrs Tembe's face if I didn't turn up?
0:14:44 > 0:14:46Please, nothing happened.
0:14:46 > 0:14:49The guy saved your life. You've gone on about him for years.
0:14:49 > 0:14:50I've never felt like that.
0:14:50 > 0:14:52You lied about where you were meeting.
0:14:52 > 0:14:53I know how you get about it.
0:14:53 > 0:14:56I bet I would have caught you sleeping together
0:14:56 > 0:14:57in one of the four-posters.
0:14:57 > 0:15:00That was the plan, wasn't it, eh? A nice afternoon together?
0:15:00 > 0:15:02And then a little spa session. Don't be so silly.
0:15:02 > 0:15:05Yeah? What underwear are you wearing then?
0:15:05 > 0:15:06Nothing, it's just...
0:15:06 > 0:15:08Nothing? You're wearing nothing?
0:15:08 > 0:15:10No, no, I meant nothing special.
0:15:10 > 0:15:12Ross, please. The guy's dead.
0:15:13 > 0:15:14Get in the car.
0:15:16 > 0:15:18I've got to go back up and get my book.
0:15:18 > 0:15:21I'll go and get your book. Get in the car.
0:15:34 > 0:15:36Uh, Mrs Tembe?
0:15:37 > 0:15:40Wait, please. Excuse me, what is going on?
0:15:40 > 0:15:43Please, help me. We need to go before he comes back!
0:15:43 > 0:15:45OK, right. Go, go, go, go!
0:15:50 > 0:15:51Thank you.
0:16:06 > 0:16:08Yeah, but the waiter could have cracked a smile!
0:16:08 > 0:16:10We tipped for a smile.
0:16:10 > 0:16:12Hey, do you know, I got a tip here once.
0:16:12 > 0:16:16No way. Yeah. A pensioner took a shine to me and gave me 10p.
0:16:16 > 0:16:18I didn't let it change my life.
0:16:24 > 0:16:26Do you know what? I don't know what I'm thinking.
0:16:26 > 0:16:29It's just a moment of madness. He's going to be wondering where I am.
0:16:29 > 0:16:30PHONE RINGS
0:16:34 > 0:16:36Uh, right, look, you will be safe here.
0:16:38 > 0:16:41Come, come into my office, I will make you a cup of tea.
0:16:58 > 0:17:02You saw... You saw how he is.
0:17:03 > 0:17:08Sure, he can turn on the charm, but he can just change,
0:17:08 > 0:17:10like that, I mean...
0:17:10 > 0:17:13You know what, I shouldn't be talking about him like this.
0:17:13 > 0:17:15He's a good man, really. I mean...
0:17:17 > 0:17:19So why are you running from a good man?
0:17:22 > 0:17:23You have no idea.
0:17:23 > 0:17:25Oh, oh, no!
0:17:25 > 0:17:28It's all right, it's all right. No, it's not.
0:17:31 > 0:17:33This is the only skirt he...
0:17:35 > 0:17:38It's the only skirt he lets me wear.
0:17:39 > 0:17:40He chose this.
0:17:40 > 0:17:44Do you really think I would wear a monstrosity like this out of choice?
0:17:46 > 0:17:48I'm not allowed to wear make-up.
0:17:48 > 0:17:51I can't be attractive, otherwise, you know, boys won't be able to stop
0:17:51 > 0:17:53throwing themselves at me, apparently.
0:17:56 > 0:17:58He puts me down.
0:17:58 > 0:18:00He checks up on me all the time,
0:18:00 > 0:18:03and my family...
0:18:06 > 0:18:09I haven't even seen my dad since he had his heart attack, and...
0:18:12 > 0:18:14SOBBING
0:18:19 > 0:18:25Ross understood me, you know, he understood my fears and everything.
0:18:25 > 0:18:26Right from the start.
0:18:26 > 0:18:31And... And as time went on, he, he would help me,
0:18:31 > 0:18:35he would make arrangements, and make difficult phone calls,
0:18:35 > 0:18:38you know, anything that would make life easier for me.
0:18:40 > 0:18:43He didn't want me to work, so for a long time I didn't.
0:18:44 > 0:18:48I just thought he was being...gallant.
0:18:49 > 0:18:52And now when I look back, I just realise that, little by little,
0:18:52 > 0:18:55he was just taking over.
0:18:55 > 0:18:59He, he lost his job about seven months ago.
0:19:00 > 0:19:03That's when he really changed.
0:19:03 > 0:19:08He started following me, just letting his imagination run riot.
0:19:08 > 0:19:11He got himself so paranoid about Howard.
0:19:14 > 0:19:16I just, I don't know what I'm going to do.
0:19:18 > 0:19:20There are places you can go.
0:19:22 > 0:19:23You mean a women's refuge?
0:19:24 > 0:19:26But he doesn't hit me.
0:19:28 > 0:19:31What you are going through is abuse.
0:19:33 > 0:19:34I don't know.
0:19:34 > 0:19:37It just, it just all seems a bit extreme.
0:19:40 > 0:19:42At least talk to somebody.
0:19:43 > 0:19:50I know I am not Mr Bellamy, but, please, let me help you.
0:19:55 > 0:19:57Can I help you?
0:19:57 > 0:19:59I hope so. I seem to have lost something.
0:19:59 > 0:20:02Oh, dear. I'll check lost property for you. What is it you've lost?
0:20:02 > 0:20:0414 years of my life. Sorry...?
0:20:04 > 0:20:07But it's OK. I know who took it. I want to talk to Mrs Tembe.
0:20:07 > 0:20:08And you are?
0:20:08 > 0:20:11Yvonne! Yvonne!
0:20:11 > 0:20:12Please...
0:20:12 > 0:20:14Stop me then. No, please, you can't shout...
0:20:14 > 0:20:17Yvonne! Come out now! Yvonne! Please, I'm going to have to ask you...
0:20:17 > 0:20:18What is all this noise?
0:20:18 > 0:20:21Yvonne? Yvonne? You cannot go in there!
0:20:22 > 0:20:23Get your bag, we're going home.
0:20:23 > 0:20:26Get out of my office! What have you been filling her head with?
0:20:26 > 0:20:28I said, get out!
0:20:28 > 0:20:30I asked you a question.
0:20:30 > 0:20:34What right have you got to poke your nose into our relationship? Eh? Ross, please, just let...
0:20:34 > 0:20:36Take your hand away.
0:20:36 > 0:20:37Should I call the police?
0:20:39 > 0:20:41This is your last chance.
0:20:46 > 0:20:48I'll see you at home.
0:20:51 > 0:20:53Are you all right?
0:20:55 > 0:20:58KNOCKING Yeah, come in.
0:20:59 > 0:21:05Jimmi, first of all, a belated apology.
0:21:05 > 0:21:06For?
0:21:06 > 0:21:11For highlighting that you were prescribing the most antibiotics in the practice. OK.
0:21:11 > 0:21:15And, secondly, thank you for telling me about European Antibiotics Awareness Day.
0:21:15 > 0:21:20It's going to be a brilliant way of getting the word out about patterns of usage and educating people
0:21:20 > 0:21:21My pleasure.
0:21:21 > 0:21:25I've already started ringing round the other surgeries, see if they can come on board too.
0:21:25 > 0:21:27If we tell a patient about how antibiotics should be used,
0:21:27 > 0:21:30and they tell two more friends and then they tell two friends...
0:21:30 > 0:21:31It'll spread like a disease.
0:21:31 > 0:21:33A disease of knowledge!
0:21:33 > 0:21:35Yeah, right, well, I'd, you know...
0:21:35 > 0:21:37Yeah.
0:21:37 > 0:21:41Just one more thing, will you be an Antibiotic Guardian?
0:21:41 > 0:21:43I'm not dressing up.
0:21:43 > 0:21:47No, no, no costume required, I promise.
0:21:51 > 0:21:53Yeah. Yeah, thank you.
0:21:56 > 0:21:59Never thought I'd have to call a helpline.
0:21:59 > 0:22:01But then, who does?
0:22:01 > 0:22:03What a mess.
0:22:05 > 0:22:07You deserve to be treated with respect.
0:22:09 > 0:22:11They said about going to a refuge.
0:22:13 > 0:22:15Just feels so wrong, running away.
0:22:15 > 0:22:17It's not in a soldier's training.
0:22:19 > 0:22:21You wanted to see Mr Bellamy for a reason.
0:22:23 > 0:22:24I could take you.
0:22:26 > 0:22:29They said it's best that nobody knows where I'm going.
0:22:29 > 0:22:31Yes, of course.
0:22:32 > 0:22:34Could you order me a taxi?
0:22:37 > 0:22:40I know that this may seem very scary.
0:22:42 > 0:22:44But the women's refuge is the right place.
0:22:50 > 0:22:52Yes, you can see that I'm in your catchment area.
0:22:54 > 0:22:56Please, I just need a new patient appointment
0:23:02 > 0:23:04Oh, yes. Yeah, no, that's good.
0:23:06 > 0:23:09And that's with Dr Hammah tomorrow? Thank you.
0:23:09 > 0:23:11Thanks.
0:23:25 > 0:23:26Cheers.
0:23:26 > 0:23:29PHONE BEEPS
0:23:35 > 0:23:37'First new message.'
0:23:38 > 0:23:41'What can I say? I'm sorry. I've been a fool.
0:23:41 > 0:23:45'I shouldn't have been like... I was just a bull in a china shop coming
0:23:45 > 0:23:49'into the surgery, checking up on you. What was I thinking, eh?
0:23:49 > 0:23:52'But this Howard was pushing my buttons and I...
0:23:54 > 0:23:57'But I can change, yeah? The main thing is, I love you.
0:23:59 > 0:24:01'So come home. Please?
0:24:01 > 0:24:03'We can talk and that.'
0:24:03 > 0:24:05BEEP
0:24:17 > 0:24:20RINGING
0:24:20 > 0:24:21'Where are you?'
0:24:30 > 0:24:32I'm coming home.
0:24:36 > 0:24:38So how did your meeting go?
0:24:38 > 0:24:43Oh, uh... Well, I think I did what Mr Bellamy would have done.
0:24:54 > 0:24:57OK. Oh, yeah. That's a good idea.
0:24:57 > 0:25:00That'll be great. Sounds like a plan.
0:25:00 > 0:25:03Oh, and don't worry about getting stuff over to you,
0:25:03 > 0:25:05that'll be no problem. I've got people.
0:25:05 > 0:25:09"People"? Yeah, he was looking at you.
0:25:09 > 0:25:13All Fellows Surgery want to be involved in the campaign! Oh, woo(!)
0:25:13 > 0:25:17But before you disappear, I've just got one question I want to ask you all.
0:25:17 > 0:25:18Can you all make a pledge?
0:25:18 > 0:25:22Yes, I can make a pledge to get out of here ASAP. See ya.
0:25:22 > 0:25:24I'll also be making that pledge.
0:25:24 > 0:25:26No, I meant a pledge about antibiotics.
0:25:26 > 0:25:30And what are the cost implications of this awareness day?
0:25:30 > 0:25:33Not quite sure. But it won't be much.
0:25:33 > 0:25:35I don't think. It is a good idea, though.
0:25:36 > 0:25:41Yes, in principle it is good to educate people about antibiotics.
0:25:41 > 0:25:44So you'll be a Guardian then?
0:25:44 > 0:25:45A what?
0:25:45 > 0:25:48An Antibiotic Guardian is just someone who makes a pledge
0:25:48 > 0:25:51about their use of antibiotics and they resolve to stick to it.
0:25:51 > 0:25:53What a load of nonsense.
0:25:54 > 0:25:57Yes, yes, I am in.
0:25:57 > 0:26:01But I am a little worried that you will struggle to get this all done in time.
0:26:01 > 0:26:03Don't worry. I'm sure I can do it, Mrs Tembe.
0:26:03 > 0:26:05Yeah, I'm sure I can!
0:26:05 > 0:26:07Well, uh, goodnight.
0:26:08 > 0:26:11This is all your fault, Clay. Hope you know that.
0:26:19 > 0:26:20What floated to the surface?
0:26:20 > 0:26:21Oh. Yes, my idea.
0:26:21 > 0:26:23E-mailing the whole patient database
0:26:23 > 0:26:26and asking them to become Antibiotic Guardians.
0:26:26 > 0:26:28I'm really glad that you've reconsidered.
0:26:28 > 0:26:30Reconsidered?
0:26:30 > 0:26:31Yes. Your inheritance.
0:26:31 > 0:26:34Oh, no, I haven't changed my mind about that.
0:26:34 > 0:26:37You've got to try. It's up to Mel.
0:26:37 > 0:26:41Mel? I can't do any of it right!
0:27:11 > 0:27:14# These streets are yours You can keep them... #
0:27:14 > 0:27:17You wouldn't have found a doctor down here before.
0:27:17 > 0:27:19Or a banker.
0:27:19 > 0:27:25There's no reason this bonus might not be closer to TWO million.
0:27:25 > 0:27:27I think you need me to come and speak to the police
0:27:27 > 0:27:30about those abusive postcards you told me about.
0:27:30 > 0:27:33I don't think anyone would want what I have.
0:27:33 > 0:27:34I know I don't.