0:00:25 > 0:00:28MUSIC: It's Not Unusual by Tom Jones
0:00:35 > 0:00:37WOMAN LAUGHS
0:00:37 > 0:00:39# It's not unusual to be loved by anyone... #
0:00:39 > 0:00:41Oh, Mary, that was wonderful,
0:00:41 > 0:00:44you beautiful creature. MARY LAUGHS
0:00:44 > 0:00:49So, when am I going to see you again, my lovely?
0:00:49 > 0:00:52- DOOR OPENS AND MARY GASPS - Mary, I'm home.
0:00:52 > 0:00:54I thought you said he was in London.
0:00:57 > 0:01:00Hey!
0:01:04 > 0:01:05Don't do this, please!
0:01:05 > 0:01:08- Get off me!- No, don't!- You can't!
0:01:08 > 0:01:10Don't do this, please. Just leave it!
0:01:10 > 0:01:13- Don't! Leave it! Stop! - ENGINE REVS
0:01:13 > 0:01:15- Leave it! - CAR CRUNCHES
0:01:19 > 0:01:20What have you done?
0:01:22 > 0:01:23Hello?
0:01:27 > 0:01:30Morning, Mrs Tembe. You're very bright-eyed and bushy-tailed.
0:01:30 > 0:01:32Yes, well, it is important to get things ready
0:01:32 > 0:01:34for when the doctors arrive.
0:01:34 > 0:01:36Quite. Oh, and can you remind Daniel and Jimmi
0:01:36 > 0:01:38we've got a meeting at 1pm, please?
0:01:38 > 0:01:40OK, will do.
0:01:40 > 0:01:42- Morning.- Ah, good morning, Dr Reid.
0:01:42 > 0:01:44The information you requested.
0:01:44 > 0:01:47Oh, great. Thank you, Mrs Tembe, you're a godsend.
0:01:47 > 0:01:49- Good morning, Howard.- Sorry?
0:01:50 > 0:01:52I...
0:01:52 > 0:01:54I mean Anthony.
0:01:54 > 0:01:56I'm so sorry, I'm obviously not awake yet.
0:01:56 > 0:01:57It's fine, really.
0:01:57 > 0:02:00- Excuse me.- Don't worry about it.
0:02:04 > 0:02:08Now, that is the most exquisite sound in the known universe.
0:02:08 > 0:02:10- What is?- Silence, Karen.
0:02:10 > 0:02:12Have a listen.
0:02:12 > 0:02:15There's no students complaining about their coursework
0:02:15 > 0:02:17or demanding some hangover cure -
0:02:17 > 0:02:19just silencio.
0:02:19 > 0:02:21I tell you, the University of Letherbridge
0:02:21 > 0:02:23is a hell of a place when no-one else is here.
0:02:23 > 0:02:27Yeah, well, make the most of it, they're back on Monday.
0:02:27 > 0:02:29- Are you all right, Karen?- Oh, hiya.
0:02:29 > 0:02:31- Oh, I've got a large package for you.- Oh!
0:02:31 > 0:02:34She asked for an innuendo and then he gave her one.
0:02:34 > 0:02:36- Hey-hey! Where do I sign? - LAUGHTER
0:02:36 > 0:02:37Just on the bottom.
0:02:39 > 0:02:41You have to be still.
0:02:41 > 0:02:43Oh, Karen, we haven't heard from the Tembe-nator
0:02:43 > 0:02:46about the QOF data, have we? I'd rather get it sorted before...
0:02:46 > 0:02:48THUD
0:02:51 > 0:02:52Steven!
0:02:52 > 0:02:54Steven Keegan!
0:02:54 > 0:02:57- Are you with us?- Hey, am I dead?
0:02:57 > 0:03:00Cos this is a really rubbish afterlife.
0:03:00 > 0:03:02Do you remember what happened?
0:03:02 > 0:03:04Yeah, I think I fainted.
0:03:04 > 0:03:05You know where you are?
0:03:05 > 0:03:07Yeah, Letherbridge Uni.
0:03:07 > 0:03:09OK, now, I have to ask you this.
0:03:09 > 0:03:11Do you know who I am?
0:03:11 > 0:03:14Yeah, you're what's-his-face - Dr Glasses.
0:03:14 > 0:03:16Hmm, I've been called worse.
0:03:16 > 0:03:18I brought you some water.
0:03:18 > 0:03:21Oh, wow, I must be dead, cos I've just met an angel.
0:03:21 > 0:03:23- Oh. Ah...- Stay where you are.
0:03:26 > 0:03:29All right, have you been suffering any chest pains recently?
0:03:29 > 0:03:30No.
0:03:30 > 0:03:33- Any trouble with your waterworks? - I don't think so.
0:03:33 > 0:03:35Is there a history of fainting?
0:03:35 > 0:03:37I wouldn't be much good as a delivery driver
0:03:37 > 0:03:40- if I kept passing out. - PHONE RINGS
0:03:40 > 0:03:41Sorry.
0:03:44 > 0:03:47Are you under any particular stress at the moment?
0:03:47 > 0:03:49Well, I've just had a baby. Well, I mean, the wife has.
0:03:49 > 0:03:52Oh, congratulations. How's that going?
0:03:52 > 0:03:53Yeah, it's great.
0:03:53 > 0:03:56Yeah, apart from all the sleepless nights and the projectile vomit.
0:03:56 > 0:03:57I can imagine.
0:03:57 > 0:04:01They say that you age five years in the first year of fatherhood.
0:04:01 > 0:04:03Yeah, that's it.
0:04:03 > 0:04:05Yeah, lack of sleep and work.
0:04:05 > 0:04:08- You know, the work-life balance. - Yeah.
0:04:08 > 0:04:09Anything else?
0:04:11 > 0:04:13Do you believe in ghosts?
0:04:13 > 0:04:14Huh.
0:04:14 > 0:04:18Well, I used to, but then the Easter Bunny told me to stop being so silly.
0:04:18 > 0:04:22Yeah, I'd laugh too, but either I've just seen a ghost or...
0:04:22 > 0:04:25or else I think I might have killed someone.
0:04:27 > 0:04:28I like your hair.
0:04:28 > 0:04:30Oh, thanks.
0:04:30 > 0:04:32I had it done in Australia.
0:04:32 > 0:04:34- Oh, how was it? - Oh, it was incredible.
0:04:34 > 0:04:36I can see why Chris stays there.
0:04:36 > 0:04:38It was all I could do to tear myself away.
0:04:38 > 0:04:40It must be your inner boomerang.
0:04:42 > 0:04:44It has some...
0:04:44 > 0:04:47Well, it's helped to put things in perspective a little.
0:04:47 > 0:04:49Good.
0:04:49 > 0:04:51Oh, Heston,
0:04:51 > 0:04:54I miss him dreadfully.
0:04:54 > 0:05:00This morning, I accidentally called Anthony "Howard".
0:05:00 > 0:05:03He was standing just where Howard would
0:05:03 > 0:05:06and wearing a shiny suit and...
0:05:06 > 0:05:09just for a moment, I thought...
0:05:11 > 0:05:14Look, you're going to see his face
0:05:14 > 0:05:16popping up in all sorts of places.
0:05:18 > 0:05:19I know.
0:05:20 > 0:05:22That's part of the problem.
0:05:25 > 0:05:29It was an hour ago and I'd just made the delivery and I got a bit lost.
0:05:29 > 0:05:31Whereabouts?
0:05:31 > 0:05:33Well, I was down this really nice street, you know,
0:05:33 > 0:05:35I was just driving along,
0:05:35 > 0:05:38and then I looked out my windscreen and there was this...
0:05:38 > 0:05:41PHONE RINGS AND STEVEN SIGHS
0:05:42 > 0:05:45Is that your work that's hassling you?
0:05:45 > 0:05:47No, it's no-one.
0:05:48 > 0:05:50Look, there was this face.
0:05:50 > 0:05:54A woman, yeah, really old and angry, and she was just stood there,
0:05:54 > 0:05:56in the road, staring at me, and...
0:05:56 > 0:06:00So I swerved, slammed on the brakes, and I sat there and I was terrified,
0:06:00 > 0:06:02just in case I hit her, but then...
0:06:04 > 0:06:07It's all right. Go on.
0:06:07 > 0:06:11But then, when I looked around, there was nobody there.
0:06:11 > 0:06:14Then I got out of the van, I looked, but nobody,
0:06:14 > 0:06:18so I got back in the van and drove here, but...
0:06:18 > 0:06:21You know, now I'm thinking, what if there was an old woman
0:06:21 > 0:06:23and she just crawled off into a ditch to die
0:06:23 > 0:06:25- and I just left her there? - Oh, OK.
0:06:25 > 0:06:27If you think that that's what happened,
0:06:27 > 0:06:29then you need to call the police.
0:06:29 > 0:06:32Oh, I don't know.
0:06:32 > 0:06:34I mean, chances are I'm just imagining things,
0:06:34 > 0:06:36but that's not like me.
0:06:38 > 0:06:40Do you think I'm cracking up?
0:06:40 > 0:06:43No, but you're obviously really tired and, you know,
0:06:43 > 0:06:46when our mind is sleep deprived, we can hallucinate.
0:06:46 > 0:06:49Yeah, but I saw her face,
0:06:49 > 0:06:52and her dress - she was wearing a blue dress,
0:06:52 > 0:06:57and she was staring at me like she was accusing me of something,
0:06:57 > 0:06:59but when I looked around she'd gone.
0:07:00 > 0:07:03Well, it could be a restless spirit or something.
0:07:03 > 0:07:06If you think that you saw a ghost, then the best advice I can give is
0:07:06 > 0:07:09go home, take the day off work and get some sleep.
0:07:10 > 0:07:13It's not safe for you to be driving around in this state.
0:07:17 > 0:07:19- Oh, Heston.- Oh, yes?
0:07:19 > 0:07:20Can I have a word?
0:07:20 > 0:07:23Of course, my consulting room door is always open.
0:07:23 > 0:07:25No, erm, not here.
0:07:25 > 0:07:26Oh, is it about a new house?
0:07:26 > 0:07:28In which case, my front door is always open.
0:07:28 > 0:07:30No, it's not. Erm...
0:07:30 > 0:07:33Could we meet in private, maybe for lunch?
0:07:33 > 0:07:36Yeah, why don't we have a picnic in the park?
0:07:36 > 0:07:37In January?
0:07:37 > 0:07:39Well, it's a lovely day. I'll get some stuff.
0:07:39 > 0:07:40Yeah. Yeah, why not?
0:07:42 > 0:07:44Heston, don't go to any trouble.
0:07:44 > 0:07:46PHONE RINGS
0:07:47 > 0:07:51Good morning, the Mill Health Centre. How can I help you?
0:07:52 > 0:07:53Oh, get it together.
0:07:53 > 0:07:56KNOCK AT WINDOW If you're hoping to
0:07:56 > 0:07:57pull our receptionist,
0:07:57 > 0:08:00you should know that she's a happily married woman.
0:08:00 > 0:08:02Yeah, OK.
0:08:02 > 0:08:06You do know that you've been waiting here for over an hour, right?
0:08:06 > 0:08:09I don't want to drive.
0:08:09 > 0:08:11HE SIGHS
0:08:13 > 0:08:14Every time I start the engine,
0:08:14 > 0:08:16you know, I just see her face in front of me.
0:08:16 > 0:08:19You're serious about this? Look, if you'd have hit someone,
0:08:19 > 0:08:21there'd be some kind of impact on your van. There isn't.
0:08:21 > 0:08:24Yeah, but what if she fell, you know, and was hurt?
0:08:24 > 0:08:26- She could be there now. - AL EXHALES
0:08:26 > 0:08:28All right, fine.
0:08:28 > 0:08:29Take me to where it happened.
0:08:34 > 0:08:38Well, I'm really happy to say that the business is in robust shape,
0:08:38 > 0:08:41so now we need to think about rebranding.
0:08:41 > 0:08:43Erm, what was wrong with the old brand?
0:08:43 > 0:08:45Well, nothing -
0:08:45 > 0:08:47high levels of trust, excellent footfall -
0:08:47 > 0:08:49but this is about getting the message out there,
0:08:49 > 0:08:53so I want to refresh the website and have a new leaflet.
0:08:53 > 0:08:56Well, if you need photos doing, David Bailey's right here.
0:08:56 > 0:08:58As always, Daniel, you're way ahead of me.
0:08:58 > 0:09:02Yeah, I'd love some more photos, but these need to be a bit special.
0:09:02 > 0:09:04I want action shots of the Mill staff doing their jobs,
0:09:04 > 0:09:06interfacing with the public.
0:09:06 > 0:09:07Why do we need a new leaflet?
0:09:07 > 0:09:09We have patients coming out of our ears.
0:09:09 > 0:09:11Well, because if you get more patients,
0:09:11 > 0:09:13you get more funding and more resources.
0:09:13 > 0:09:15Yeah, it's not just about business, though.
0:09:15 > 0:09:17I mean, this is a way of saying thank you
0:09:17 > 0:09:20to everyone who works here and making them feel valued.
0:09:20 > 0:09:23It's been a tough few months, but this will say,
0:09:23 > 0:09:26"Here we are - the team. This is us."
0:09:32 > 0:09:35Oh, I'm not sure. I think it was somewhere off to the left.
0:09:35 > 0:09:37Well, you could have imagined the whole thing -
0:09:37 > 0:09:39like you've imagined that you're a professional driver.
0:09:39 > 0:09:42PHONE RINGS
0:09:42 > 0:09:45- Al, have you seen my phone?- No.
0:09:45 > 0:09:46Something's vibrating.
0:09:49 > 0:09:53Oh, wow. You've got a message from Luscious Lola.
0:09:53 > 0:09:55Seems very friendly. Shall I read it out to you?
0:09:55 > 0:09:56Give it here!
0:09:56 > 0:09:59Do you have something you want to tell me?
0:09:59 > 0:10:02Cos Lola doesn't look like she's asking you about an MOT.
0:10:02 > 0:10:05OK, I've got this app.
0:10:05 > 0:10:08You know, it puts me in touch with single women when I'm on the road.
0:10:08 > 0:10:10Except you're not a single man.
0:10:10 > 0:10:12Yeah, I know.
0:10:12 > 0:10:15Yeah, look, I love my wife, but ever since Ellie was born,
0:10:15 > 0:10:17there's been absolutely no bedroom action,
0:10:17 > 0:10:20so of course I'm going to use my phone for a bit of fun.
0:10:20 > 0:10:23Modern technology has found lots of ways for people
0:10:23 > 0:10:24to have "fun on their phones".
0:10:26 > 0:10:28Yeah, look, as long as my wife doesn't find out,
0:10:28 > 0:10:30then no-one's going to get hurt.
0:10:30 > 0:10:32When I'm in the area, Lola's got my details
0:10:32 > 0:10:34and she just gives me a call.
0:10:34 > 0:10:36Oh, right, and you were on the phone to her
0:10:36 > 0:10:39when this incident occurred, am I right?
0:10:41 > 0:10:43It's all starting to make much more sense.
0:10:46 > 0:10:48ENGINE PURRS
0:10:50 > 0:10:53RUHMA PANTS AND DUCKS QUACK
0:10:53 > 0:10:54Heston.
0:10:54 > 0:10:56Hello, Ruhma.
0:10:56 > 0:10:57Oh, I'm so sorry.
0:10:57 > 0:10:59I got lost.
0:10:59 > 0:11:02I must have come through the wrong entrance.
0:11:02 > 0:11:03There was no sign of you.
0:11:03 > 0:11:06I thought about asking this man who was asleep on the bench,
0:11:06 > 0:11:09and then some bloke nearly ran me over with his mobility scooter.
0:11:09 > 0:11:11Oh, is he still here?
0:11:11 > 0:11:12How are you?
0:11:12 > 0:11:14A bit anxious.
0:11:14 > 0:11:15Why's that?
0:11:15 > 0:11:18- Well, you said you had something to tell me.- Right.
0:11:18 > 0:11:20- How much do I owe you? - Oh, nothing.
0:11:20 > 0:11:24- Oh. Oh, sorry. - PHONE BEEPS
0:11:24 > 0:11:26SHE SIGHS
0:11:26 > 0:11:28Anything interesting?
0:11:28 > 0:11:29Well, yeah.
0:11:29 > 0:11:32Apparently, I'm entitled to money for an accident that didn't happen.
0:11:32 > 0:11:34Oh, so am I.
0:11:34 > 0:11:36What did we do before mobile phones?
0:11:36 > 0:11:38Talk to each other?
0:11:38 > 0:11:39Right.
0:11:41 > 0:11:42Yeah.
0:11:43 > 0:11:44OK.
0:11:46 > 0:11:48Look, whatever it was, it was over there.
0:11:48 > 0:11:51Look, I've done all the CSI that I can. OK?
0:11:51 > 0:11:55There is no sign of any blood and no sign of any debris or impact.
0:11:55 > 0:11:58Well, I'll tell you what there is a lot of, and that's trees.
0:11:58 > 0:12:01Ghost stories are often set around trees because when
0:12:01 > 0:12:04the branches and the leaves move, you know, we see spooky things.
0:12:04 > 0:12:05When the light breaks through,
0:12:05 > 0:12:08suddenly you'll be presented with some kind of an apparition.
0:12:08 > 0:12:10- Oh, is that what it was? - Yeah, it could be,
0:12:10 > 0:12:12yeah, but we add all of this to the fact that
0:12:12 > 0:12:14you're feeling really tired.
0:12:14 > 0:12:17You said that this figure looked at you accusingly
0:12:17 > 0:12:19and you've got a bit of a guilty conscience, haven't you?
0:12:21 > 0:12:24Did you see that?
0:12:24 > 0:12:27- Did I see what? - There was a woman in a blue dress.
0:12:27 > 0:12:31All right, are we talking real woman or are we talking ghost?
0:12:31 > 0:12:34Well, I don't know, but it was over there.
0:12:34 > 0:12:36AL EXHALES
0:12:36 > 0:12:37Fine.
0:12:37 > 0:12:39You, you stay here.
0:12:43 > 0:12:45You know, I think it's a really good bench,
0:12:45 > 0:12:48cos you don't usually get that lower-back support, do you?
0:12:48 > 0:12:49- Ruhma.- It's a good design...
0:12:49 > 0:12:53Much as I like talking about lumbar support...
0:12:53 > 0:12:55OK.
0:12:55 > 0:12:59Look, Heston...
0:12:59 > 0:13:01I have feelings for you.
0:13:03 > 0:13:05I can't believe I've just said that.
0:13:08 > 0:13:10You're not saying anything.
0:13:10 > 0:13:13I... I can't believe it either.
0:13:17 > 0:13:19The feeling is mutual.
0:13:25 > 0:13:27No sign of anyone, and I mean anyone.
0:13:27 > 0:13:30This place is stuck in a time warp.
0:13:30 > 0:13:33We can probably expect to see a penny-farthing ride by.
0:13:34 > 0:13:35Steven?
0:13:37 > 0:13:39I've just been chatting to this old guy, right.
0:13:39 > 0:13:42He says he's lived here all his life and there was an accident here.
0:13:42 > 0:13:43When?
0:13:43 > 0:13:471966, and a woman was killed.
0:13:47 > 0:13:49Right, well, you're fine, then -
0:13:49 > 0:13:51unless you're older than you look.
0:13:51 > 0:13:54Al, it was 50 years ago, right, and I saw her this morning.
0:13:54 > 0:13:56It's not possible.
0:13:56 > 0:13:59But what if, right, if you die a violent death,
0:13:59 > 0:14:02you know, something stays behind, you know, like a spirit, a trauma?
0:14:02 > 0:14:05Look, you're going to have to trust me on this, OK?
0:14:05 > 0:14:08The human body is a physical and solid thing.
0:14:08 > 0:14:10When we die, we decompose.
0:14:10 > 0:14:13There's no spirit left behind to linger in trees,
0:14:13 > 0:14:14ready to jump out and scare people.
0:14:14 > 0:14:16Help me!
0:14:18 > 0:14:21HE EXHALES
0:14:21 > 0:14:24I used to think you were a reactionary dinosaur...
0:14:24 > 0:14:27Well, we did rule the planet for millions of years.
0:14:27 > 0:14:29..and then you welcomed us into your house,
0:14:29 > 0:14:34and I saw that you were the funniest and kindest man.
0:14:34 > 0:14:38I thought you were a steam roller, flattening everything in your path.
0:14:38 > 0:14:40I'm going to put that on my CV.
0:14:40 > 0:14:42Then I saw you with Shak and Ali and I realised
0:14:42 > 0:14:45that you had to be tough for them.
0:14:45 > 0:14:49Yeah, I had a difficult time with their dad.
0:14:49 > 0:14:51Right.
0:14:51 > 0:14:52He hurt me and...
0:14:54 > 0:14:58I don't think I ever thought I'd have or want a relationship.
0:14:59 > 0:15:01I banned myself from having feelings.
0:15:03 > 0:15:06I could write a book about break-ups but it wouldn't be a fun read.
0:15:08 > 0:15:10ICE CREAM VAN PLAYS GREENSLEEVES
0:15:12 > 0:15:15Shall we...?
0:15:15 > 0:15:17I'm too excited to eat.
0:15:19 > 0:15:22Help me. I didn't mean to.
0:15:22 > 0:15:23He made me!
0:15:23 > 0:15:25- Who did?- Him!
0:15:25 > 0:15:27Why did you come back?
0:15:27 > 0:15:29Just go, now, before it's too late!
0:15:29 > 0:15:30I don't know who you are, love.
0:15:30 > 0:15:33- Is this the lady you saw this morning?- Yeah.
0:15:33 > 0:15:35OK, just give us a sec, yeah?
0:15:35 > 0:15:37We are going to get into trouble.
0:15:37 > 0:15:41Nothing bad is going to happen to you, I absolutely promise.
0:15:41 > 0:15:44Look, my name's Al. What's your name?
0:15:44 > 0:15:45Mary Mudeford.
0:15:45 > 0:15:47OK, where do you live, Mary?
0:15:49 > 0:15:50In there.
0:15:50 > 0:15:53All right. Shall we go and see if anyone's home?
0:16:00 > 0:16:02I like your garden.
0:16:02 > 0:16:04It's very pretty.
0:16:04 > 0:16:06John?
0:16:06 > 0:16:08John, I'm sorry!
0:16:10 > 0:16:12It was an accident.
0:16:24 > 0:16:26There was blood everywhere.
0:16:28 > 0:16:31It was sticking to my shoes.
0:16:31 > 0:16:35Mary, what date is it, please?
0:16:35 > 0:16:37It's June...
0:16:39 > 0:16:40January.
0:16:40 > 0:16:41What year?
0:16:41 > 0:16:431966.
0:16:44 > 0:16:45What's your date of birth?
0:16:45 > 0:16:48The 29th of May, 1939.
0:16:48 > 0:16:49That's great.
0:16:49 > 0:16:52Could you just excuse me a sec, yeah?
0:16:53 > 0:16:55PHONE KEYPAD BEEPS
0:16:57 > 0:16:58Hey, Karen, it's me.
0:16:58 > 0:17:02I need you to look up a possible patient for me,
0:17:02 > 0:17:05and I think I'm going to be late back from lunch again. Sorry.
0:17:09 > 0:17:12OK, so, I've managed to find Mary's husband.
0:17:12 > 0:17:16- Right.- She is distressed about something that happened years ago.
0:17:16 > 0:17:18I don't think you hit her.
0:17:18 > 0:17:20Yeah, but why does she think that she knows me?
0:17:20 > 0:17:23Look, I just assume that you remind her of someone.
0:17:23 > 0:17:25Hello. Could you help me, please?
0:17:25 > 0:17:28Oh, hello, Mary, I was just coming to get you.
0:17:28 > 0:17:31- Do you know me?- Yeah, your husband John has been worried sick about you.
0:17:31 > 0:17:33- He's been looking for you.- John.
0:17:33 > 0:17:35Everything is going to be OK. We're going to take you to him.
0:17:35 > 0:17:38- Everything's going to be fine.- Oh.
0:17:38 > 0:17:39Ah...
0:17:44 > 0:17:48MUSIC: It's Not Unusual by Tom Jones
0:17:51 > 0:17:52Oh, Mary.
0:17:52 > 0:17:55- KNOCK AT DOOR - Ah, hold on.
0:17:57 > 0:17:59The door's open.
0:17:59 > 0:18:02MUSIC STOPS
0:18:02 > 0:18:04Ah, Mr Mudeford. Hello, I'm Dr Haskey.
0:18:04 > 0:18:05Oh, good to see you.
0:18:05 > 0:18:08And I believe you know this lady?
0:18:08 > 0:18:10Mary, thank goodness.
0:18:10 > 0:18:12I was out of my mind.
0:18:12 > 0:18:14I'm sure I've met you somewhere before.
0:18:14 > 0:18:19Oh, I think we have - more than once or twice. Come on.
0:18:19 > 0:18:22This is Steve, and Steve is the man who found her.
0:18:22 > 0:18:26- Oh, thank you very much.- Hi.
0:18:26 > 0:18:28Oh, sit down, both of you.
0:18:30 > 0:18:34So, how long has Mary been...?
0:18:34 > 0:18:37Forgetful? Oh, a few years, now.
0:18:37 > 0:18:39She used to be very ill with arthritis,
0:18:39 > 0:18:41but now that she's losing her memory
0:18:41 > 0:18:43she doesn't seem to know that she's getting on a bit.
0:18:43 > 0:18:47She tears off like Roger Bannister and I can't keep up with her.
0:18:47 > 0:18:48I've seen that before.
0:18:48 > 0:18:51Patients with memory loss can push themselves right to the edge
0:18:51 > 0:18:53cos, in their mind, they're still 18.
0:18:53 > 0:18:56Well, she's a very strong-minded person.
0:18:56 > 0:18:58She was in quite a state.
0:18:58 > 0:18:59She thought she'd been in an accident
0:18:59 > 0:19:01and that she was going to get in trouble,
0:19:01 > 0:19:04and she thought it was 1966.
0:19:06 > 0:19:09- Would you like some tea?- Oh, yes.
0:19:09 > 0:19:11So he wants to rebrand the Mill.
0:19:11 > 0:19:14But this is a health centre, not a box of cornflakes.
0:19:14 > 0:19:17Yeah, well, it means a new website and new leaflets -
0:19:17 > 0:19:20that means we're going to need a new photograph of you.
0:19:20 > 0:19:23But surely you took enough photographs last year?
0:19:23 > 0:19:26This is different. This is just a normal day in the life of the Mill,
0:19:26 > 0:19:27so it's people going about their business.
0:19:27 > 0:19:30I really think you should concentrate on the doctors.
0:19:30 > 0:19:31Are you kidding? Come on,
0:19:31 > 0:19:33everyone knows you it's you that runs this place.
0:19:33 > 0:19:35It's your smiling face that greets the patients
0:19:35 > 0:19:37when they come through the doors,
0:19:37 > 0:19:39and your organisational skills that keep us all going.
0:19:39 > 0:19:43Without you, we might as well be running a kebab stall.
0:19:43 > 0:19:46I feel you are flattering me so you can get your own way.
0:19:48 > 0:19:49I'm not even going to argue.
0:19:49 > 0:19:51Just make sure you get the consent of the patients before you
0:19:51 > 0:19:53start taking any photographs.
0:19:59 > 0:20:00And then, that way, we can make sure
0:20:00 > 0:20:03you're getting all the help that you're entitled to.
0:20:03 > 0:20:04You're very kind.
0:20:04 > 0:20:07Oh, and thank you for bringing her home to me.
0:20:07 > 0:20:08You're welcome.
0:20:08 > 0:20:10Where did you find her?
0:20:10 > 0:20:13She wasn't on the road, was she? I worry about traffic.
0:20:13 > 0:20:15She sort of just jumped out in front of me.
0:20:15 > 0:20:17You know, at first I thought she was a ghost.
0:20:17 > 0:20:21Well, I suppose, in some ways, she is a ghost.
0:20:21 > 0:20:24I mean, she's here in the room, but where has her mind gone?
0:20:24 > 0:20:27It's been sad seeing her memories come undone.
0:20:29 > 0:20:31First, she forgot the names of the grandchildren,
0:20:31 > 0:20:33and then the children.
0:20:33 > 0:20:38Now she doesn't even know who she is or where she is.
0:20:38 > 0:20:40But there are some memories -
0:20:40 > 0:20:43memories that sear their way into our subconscious.
0:20:43 > 0:20:46She kept talking about blood -
0:20:46 > 0:20:49blood everywhere, sticking to her shoes.
0:20:51 > 0:20:54Did something happen at your old house?
0:20:54 > 0:20:58Some years ago, Mary had a visitor.
0:20:58 > 0:21:00He had wheedled his way into the house
0:21:00 > 0:21:02and he had to leave in a hurry.
0:21:04 > 0:21:06He ran his car into our next-door neighbour.
0:21:06 > 0:21:09John, I'm sorry.
0:21:10 > 0:21:12I'm so sorry.
0:21:16 > 0:21:18No!
0:21:18 > 0:21:20You've got to go.
0:21:20 > 0:21:22Get out of my house!
0:21:22 > 0:21:24It's OK, Mary, he's just a friend.
0:21:24 > 0:21:26It all happened such a long time ago
0:21:26 > 0:21:29and there's nothing to worry about.
0:21:29 > 0:21:31Yes, I think, perhaps, you should leave.
0:21:31 > 0:21:33You obviously remind her of somebody.
0:21:33 > 0:21:35Right.
0:21:36 > 0:21:38Erm, please do stay in touch.
0:21:38 > 0:21:40I would like to arrange a home visit.
0:21:40 > 0:21:41I will. Thank you.
0:21:52 > 0:21:53Am I all right?
0:21:53 > 0:21:55You're fine now.
0:21:55 > 0:21:57You're with me.
0:21:59 > 0:22:01I'll put on some music.
0:22:01 > 0:22:03Your favourite - Tom Jones.
0:22:12 > 0:22:16MUSIC: Help Yourself by Tom Jones
0:22:24 > 0:22:27# Love is like candy on a shelf... #
0:22:27 > 0:22:29Oh!
0:22:29 > 0:22:33# You want to taste and help yourself
0:22:34 > 0:22:37# The sweetest things are there for you
0:22:37 > 0:22:38# Help yourself
0:22:38 > 0:22:40# Take a few
0:22:40 > 0:22:43# That's what I want you to do
0:22:45 > 0:22:49# We're always told repeatedly
0:22:49 > 0:22:55- # The very best in life is free... # - Let's just sit you down.
0:22:55 > 0:22:58# And if you want to prove it's true
0:22:58 > 0:23:00# Baby, I'm telling you
0:23:00 > 0:23:04# This is what you should do
0:23:04 > 0:23:07# Just help yourself to my lips
0:23:07 > 0:23:08# To my arms
0:23:08 > 0:23:12# Just say the word and they are yours
0:23:12 > 0:23:14# Just help yourself
0:23:14 > 0:23:16- # To the love in my heart... # - Oh!
0:23:16 > 0:23:19# Your smile has opened up the door... #
0:23:21 > 0:23:22Get off me!
0:23:22 > 0:23:24# The greatest wealth that exists in the world
0:23:24 > 0:23:27# Could never buy what I can give... #
0:23:27 > 0:23:29Excuse me.
0:23:29 > 0:23:32We've brought you some sandwiches, if you want one. OK?
0:23:35 > 0:23:36- Well done.- See?
0:23:36 > 0:23:39# All right
0:23:39 > 0:23:40# Ha-ha-ha-ha-ha-ha-ha
0:23:40 > 0:23:42# Yeah... #
0:23:47 > 0:23:50CAMERA CLICKS
0:23:50 > 0:23:52All right, there, and if Anthony doesn't like them,
0:23:52 > 0:23:55he can use them for a toothpaste commercial.
0:23:55 > 0:23:57- You don't like him, do you? - I never said that.
0:23:57 > 0:23:59You know, I think he's the best thing to happen around here
0:23:59 > 0:24:01for a very long time. He's really positive.
0:24:01 > 0:24:04He's got a great energy about him and you know what else?
0:24:04 > 0:24:05He can recognise talent.
0:24:10 > 0:24:12These are very impressive.
0:24:12 > 0:24:14- Honestly, Jimmi, you have a real eye.- Thanks.
0:24:14 > 0:24:16Yeah, unfortunately,
0:24:16 > 0:24:19- we're not going to be able to use the ones of Mrs Tembe.- Why not? Why?
0:24:19 > 0:24:20Sorry, I should have been clearer.
0:24:20 > 0:24:22We only need photos of the medical staff.
0:24:22 > 0:24:25I mean, no-one joins a surgery because of the receptionist.
0:24:25 > 0:24:28Yeah, but Mrs Tembe's a huge part of this practice.
0:24:28 > 0:24:31Indeed, and these are terrific photos,
0:24:31 > 0:24:33so I'm going to put them on file
0:24:33 > 0:24:35and in a month or two we'll do another leaflet about
0:24:35 > 0:24:38all the work we do in the community and with various minority groups.
0:24:38 > 0:24:40Don't worry, Mrs Tembe will have her day.
0:24:45 > 0:24:48ENGINE PURRS
0:24:49 > 0:24:53So, do you still believe in ghosts?
0:24:53 > 0:24:54- Yeah, I do, actually.- What?
0:24:54 > 0:24:57Like, I think everything that we do leaves a trace.
0:24:57 > 0:25:01You know, whatever Mary did back then obviously still haunts her.
0:25:01 > 0:25:03Yeah, that's right.
0:25:03 > 0:25:08What we do has consequences that can ruin a beautiful marriage.
0:25:08 > 0:25:12Yeah, I know what you're saying, but I won't let it go too far.
0:25:12 > 0:25:13Won't you?
0:25:13 > 0:25:14I know when to stop.
0:25:16 > 0:25:20Oh, if I told you the amount of times I hear that from gambling addicts,
0:25:20 > 0:25:23sex addicts, rambling addicts... PHONE RINGS
0:25:23 > 0:25:25Ooh, who is it now?
0:25:25 > 0:25:28Scintillating Suzy? Irresistible Iris? Delectable Doris?
0:25:28 > 0:25:30Nope.
0:25:31 > 0:25:33I've deleted the app.
0:25:33 > 0:25:35I've deleted all the apps.
0:25:35 > 0:25:38It's too dangerous and I love my wife too much.
0:25:41 > 0:25:43I like that.
0:25:43 > 0:25:46It sounds like a New Year's resolution.
0:25:46 > 0:25:48AL EXHALES You take care, yeah?
0:25:48 > 0:25:50Cheers.
0:25:53 > 0:25:55- KNOCK AT DOOR - Come in.
0:25:57 > 0:26:00Oh, Mrs Tembe. Are you still here?
0:26:00 > 0:26:02Well, yes. Yes, of course.
0:26:02 > 0:26:04The QOF data you requested.
0:26:04 > 0:26:06Oh, you are good. All done.
0:26:08 > 0:26:12I must say, Dr Clay takes an excellent photograph.
0:26:12 > 0:26:16Yes, though we won't be able to use any of them in the leaflet,
0:26:16 > 0:26:17I'm afraid.
0:26:17 > 0:26:19Oh. What?
0:26:19 > 0:26:21Well, I talked today with Dr Clay,
0:26:21 > 0:26:25and we both decided it was better to concentrate on the medical staff.
0:26:25 > 0:26:27No reflection on the excellent work that you do.
0:26:27 > 0:26:30Oh. Oh, of course, I see.
0:26:30 > 0:26:32Feel free to take the photographs.
0:26:32 > 0:26:35You could give them to a friend or send them home to Botswana.
0:26:37 > 0:26:41My home is in Letherbridge, Mr Harker.
0:26:41 > 0:26:42Of course.
0:26:43 > 0:26:45Well, don't let me keep you from it.
0:26:45 > 0:26:48Have a good weekend, Mrs Tembe.
0:26:48 > 0:26:49Yes.
0:26:49 > 0:26:50Goodnight.
0:27:05 > 0:27:08I've been invited to a wine-tasting tonight,
0:27:08 > 0:27:10and wondered if a few of you would like to join me?
0:27:10 > 0:27:11I quite fancied a wine night.
0:27:11 > 0:27:13Why don't we go out?
0:27:13 > 0:27:15This is Murray, our resident sommelier.
0:27:15 > 0:27:16- Oh, hardly.- Daniel Granger.
0:27:16 > 0:27:18Do you mind if we join you?
0:27:18 > 0:27:20If you like.
0:27:20 > 0:27:21A good ale, on its day,
0:27:21 > 0:27:23served in the right conditions...
0:27:23 > 0:27:24I hardly think that...
0:27:24 > 0:27:26..has far more complexity
0:27:26 > 0:27:27than this plonk.