0:00:36 > 0:00:38Hello?
0:00:38 > 0:00:40PHONE RINGS
0:00:43 > 0:00:46Yeah? Where are you?
0:00:46 > 0:00:48Just arrived outside Park House.
0:01:13 > 0:01:16Enter freely, and of your own free will.
0:01:16 > 0:01:19Thought you were going to say, "No rest for the wicked."
0:01:19 > 0:01:21House for sale, one careful owner.
0:01:31 > 0:01:34The power's still on. I haven't checked upstairs.
0:01:34 > 0:01:36You might want to take a look around.
0:01:36 > 0:01:39If you happen to come across a flashlight on your travels,
0:01:39 > 0:01:42that's the second one I've lost this week.
0:01:42 > 0:01:45So, what kept you?
0:01:45 > 0:01:46Took me a minute to find the place.
0:01:46 > 0:01:48You'd think it'd be hard to miss.
0:01:48 > 0:01:52Yeah, so, er... What, you usually up on the main campus?
0:01:52 > 0:01:55- Yep, this is terra incognita. - Yeah.
0:01:55 > 0:02:00- When's it coming down? - Day after tomorrow.
0:02:00 > 0:02:02They'd pull it down now, if it was up to me.
0:02:03 > 0:02:07Listen, can I give you a piece of advice?
0:02:07 > 0:02:09Take a quick look round.
0:02:09 > 0:02:12If you find a couple of flashlights, that's a bonus, eh?
0:02:12 > 0:02:15I'll be keeping an eye on it till I finish.
0:02:15 > 0:02:16I'll be popping back later.
0:02:16 > 0:02:19Er, maybe just stay inside the car, eh?
0:02:20 > 0:02:23That's not how we're meant to do things.
0:02:23 > 0:02:25Look, Gary...
0:02:25 > 0:02:26Barry.
0:02:26 > 0:02:31Sorry, Barry. I'm Gareth. Barry...
0:02:31 > 0:02:33what I'm trying to say is...
0:02:33 > 0:02:37maybe just forget how we're meant to do things, eh?
0:02:37 > 0:02:39You know the demolition guys won't come up here?
0:02:39 > 0:02:44I've had flashlights go missing, I've...
0:02:44 > 0:02:47OK, I'm done.
0:02:47 > 0:02:53You go up there, you'll scare yourself. I'm not joking.
0:02:53 > 0:02:56And I'm not the sort of bloke who's easily scared.
0:02:56 > 0:03:00That's just the point, though, isn't it, Barry?
0:03:00 > 0:03:01Neither am I.
0:03:34 > 0:03:38Hey, Gareth. I've just found both your flashlights.
0:03:38 > 0:03:39Give me a call if you need them.
0:03:39 > 0:03:42Otherwise, I'll leave them by the stairs.
0:03:42 > 0:03:45They say if you leave something behind, mate,
0:03:45 > 0:03:47it means you don't really want to go.
0:03:47 > 0:03:48LOUD BANG
0:03:59 > 0:04:01Hello?
0:04:05 > 0:04:08CRUNCHING
0:04:16 > 0:04:18Hello?
0:04:34 > 0:04:38Whoa, Sheriff! Friendly! Don't shoot.
0:04:38 > 0:04:40You just gave me the fright of my life!
0:04:40 > 0:04:42I didn't think there was anybody up here.
0:04:42 > 0:04:45And, strictly speaking, there shouldn't be,
0:04:45 > 0:04:47Teresa McKenna.
0:04:47 > 0:04:49I teach fashion design, very badly.
0:04:52 > 0:04:54I know who you are.
0:04:54 > 0:04:56You're Barry, right?
0:04:56 > 0:04:58Don't panic, I've seen you on campus.
0:05:00 > 0:05:04OK, so I am also that woman standing in your garden at 3:00 am.
0:05:07 > 0:05:11Joke. No, seriously, I used to teach here.
0:05:11 > 0:05:14I'm looking for a box of VHS tapes, about so big.
0:05:14 > 0:05:16I hope it got missed when everything moved.
0:05:16 > 0:05:19Best resource I had on haute couture.
0:05:19 > 0:05:22Right, well, also seriously -
0:05:22 > 0:05:24I'm afraid this site's restricted under health and safety.
0:05:24 > 0:05:29I'm going to close up that window, have a look round upstairs, then,
0:05:29 > 0:05:32haute couture or not, I'm afraid I'll need to ask you to vacate.
0:05:34 > 0:05:39I'm surprised you're up here all on your own, to tell the truth.
0:05:39 > 0:05:41I think a colleague of mine downstairs was trying to tell me
0:05:41 > 0:05:43he'd seen a ghost.
0:05:43 > 0:05:45What's on the tapes?
0:05:45 > 0:05:47Coco Chanel.
0:05:47 > 0:05:49Ah, inventor of the little black dress.
0:05:49 > 0:05:53Hey! Check out Mr Fashion Knowledge!
0:05:53 > 0:05:59Not many guys from security would know that, let alone come up here.
0:05:59 > 0:06:05Yes, well, some of us have got jobs to do and also have enquiring minds.
0:06:05 > 0:06:08So, how are you with the smell of pipe smoke?
0:06:08 > 0:06:10Honestly. There's a smell of pipe smoke.
0:06:10 > 0:06:12Why do you think I opened the window?
0:06:15 > 0:06:18You're saying there's a ghost who smokes a pipe?
0:06:18 > 0:06:20I've got one more place to look.
0:06:20 > 0:06:22You give me ten minutes, I'll tell you the story.
0:06:22 > 0:06:24I promise that I'll make it worth your while.
0:06:24 > 0:06:26How about we just settle for the trailer?
0:06:26 > 0:06:32OK. So...there is a ghost.
0:06:33 > 0:06:37I suppose you could say Park House is haunted.
0:06:37 > 0:06:40We call him George.
0:06:40 > 0:06:42It's haunted?
0:06:42 > 0:06:49Mainly this room, those back stairs, especially the top room.
0:06:52 > 0:06:56- And that's the story? - That's the start.
0:06:57 > 0:07:02The story's on the other side of that door.
0:07:02 > 0:07:04LIGHT KNOCKING
0:07:07 > 0:07:10So, how do you feel about a chat with Georgie Boy?
0:07:10 > 0:07:13A student I used to teach said I should talk to him.
0:07:13 > 0:07:17I used to hear his footsteps, coming down there.
0:07:17 > 0:07:20You'd brace yourself, open the door,
0:07:20 > 0:07:22absolutely zip.
0:07:23 > 0:07:26Chatting to him seemed to help.
0:07:26 > 0:07:28It calmed things down, lightened the mood.
0:07:28 > 0:07:30Made it feel a bit less sad.
0:07:32 > 0:07:35It was like he didn't want to be here all on his own.
0:07:35 > 0:07:38So, what's the story?
0:07:38 > 0:07:42So, we got this new cleaner a couple of years back.
0:07:42 > 0:07:44Only, it didn't work out.
0:07:44 > 0:07:46Her first day, we're all downstairs grabbing a coffee,
0:07:46 > 0:07:50she comes in and says she's just had a chat with the caretaker.
0:07:50 > 0:07:54She describes this young guy, quite pleasant, 20s,
0:07:54 > 0:07:56dark hair, darkish jacket.
0:07:56 > 0:07:59Says they talked for about a minute,
0:07:59 > 0:08:02but she came back up a minute later, and he'd gone.
0:08:03 > 0:08:08Only the caretaker's a grey-haired guy in his early 60s,
0:08:08 > 0:08:11who was away that day doing jury service.
0:08:12 > 0:08:17So, the theory is she'd just met George?
0:08:17 > 0:08:20Well, the theory is George died here.
0:08:20 > 0:08:24So, quirky building and, for some odd reason, until we got it changed,
0:08:24 > 0:08:28the door to the top room would close and lock from the outside.
0:08:28 > 0:08:30I got stuck there myself once.
0:08:31 > 0:08:35We think George got trapped there,
0:08:35 > 0:08:39maybe after an accident, and died before anyone found him.
0:08:39 > 0:08:42So, he doesn't like being alone.
0:08:42 > 0:08:45Can you imagine what that must have felt like?
0:08:45 > 0:08:47He could have been up there for days.
0:08:47 > 0:08:50DISTANT THUD
0:08:50 > 0:08:51Where did she see him?
0:08:51 > 0:08:55The cleaner? Up in the top room.
0:08:55 > 0:08:58George's Den.
0:08:58 > 0:09:01Hashtag - "Spook Central".
0:09:04 > 0:09:08She said she was standing just where you are.
0:09:08 > 0:09:12George was roughly over there.
0:09:12 > 0:09:15The other thing about George is, he likes to move things.
0:09:15 > 0:09:18He likes you to know he's still around.
0:09:18 > 0:09:22My student said things sometimes turn up, if you ask.
0:09:22 > 0:09:27As if anyone's going to catch me talking to a ghost!
0:09:27 > 0:09:29I thought this belonged to the university?
0:09:29 > 0:09:31They bought it off Letherbridge Council.
0:09:31 > 0:09:33It's been all sorts over the years.
0:09:33 > 0:09:36These look like a set of doctor's notebooks.
0:09:36 > 0:09:38Any mention of Coco Chanel?
0:09:41 > 0:09:43OK.
0:09:45 > 0:09:50George. This is Teresa.
0:09:50 > 0:09:52Can you hear me?
0:09:54 > 0:09:57I've got to go now. I really need that tape.
0:10:00 > 0:10:01Please?
0:10:03 > 0:10:05Doesn't always work.
0:10:06 > 0:10:08THUD
0:10:14 > 0:10:15What's that?
0:10:15 > 0:10:18- HE CLEARS THROAT - Coco Chanel.
0:10:21 > 0:10:24Is this what you were looking for?
0:10:24 > 0:10:26All we need now is pipe smoke.
0:11:20 > 0:11:27Er, hi, Gareth, it's Barry. I, er, may need a little bit of backup.
0:11:27 > 0:11:31I'm at Park House. I can hang on till somebody gets here,
0:11:31 > 0:11:38but, er, to tell you the truth, I've lost those keys.
0:11:38 > 0:11:40Can you call me?
0:11:45 > 0:11:48ENGINE SPLUTTERS
0:11:51 > 0:11:55ENGINE STARTS, THEN RATTLES
0:12:28 > 0:12:31Oh, my horoscope said I'd get some unexpected news
0:12:31 > 0:12:33from a man in uniform!
0:12:33 > 0:12:37Make sure you don't get stopped for speeding on your way home.
0:12:38 > 0:12:43Erm, I was wondering if I might grab a word with one of the doctors.
0:12:45 > 0:12:50It's something I'd rather discuss discretely, to tell the truth.
0:12:50 > 0:12:52Not sure everyone need know.
0:12:56 > 0:13:00All right, listen up, you lot - this is my new best friend, Barry,
0:13:00 > 0:13:02because Barry spent last night in a haunted house!
0:13:02 > 0:13:05I never said that. I said I was intrigued.
0:13:05 > 0:13:07Intrigued by what, Barry?
0:13:07 > 0:13:10Come on, don't be shy. We're all ears now!
0:13:10 > 0:13:12BARRY SIGHS
0:13:14 > 0:13:16There's a building called Park House,
0:13:16 > 0:13:20over on the far side of campus. It's being pulled down in the morning,
0:13:20 > 0:13:22so I was over there last night.
0:13:22 > 0:13:26I met a woman inside who said she used to work there.
0:13:26 > 0:13:28Better than Ghost Adventures, this!
0:13:28 > 0:13:33Basically, she's called Teresa, she teaches fashion design,
0:13:33 > 0:13:38and she thinks Park House has a ghost called George.
0:13:38 > 0:13:41So she's hunting high and low for this VHS tape,
0:13:41 > 0:13:44and she tells Barry that George likes to move things.
0:13:44 > 0:13:47So, she asks George where it is, like, into thin air, and,
0:13:47 > 0:13:48the next second...
0:13:48 > 0:13:49I found it.
0:13:51 > 0:13:53Proving what?
0:13:53 > 0:13:56So, we're saying there's a ghost who finds things?
0:13:56 > 0:14:00- "More things in heaven and earth." - Sid has got a point. I mean,
0:14:00 > 0:14:02Hamlet tells Horatio there are "More things in heaven and earth
0:14:02 > 0:14:04"than are dreamt of in your philosophy."
0:14:04 > 0:14:06He doesn't mean "philosophy" in the sense we do.
0:14:06 > 0:14:10He means "natural philosophy," which is what we'd call science.
0:14:10 > 0:14:13Have you ever thought that you're wasted as a security guard?
0:14:13 > 0:14:16Of course, it's Rene Descartes who takes this process of
0:14:16 > 0:14:18systematic doubt to its logical conclusion,
0:14:18 > 0:14:21suggesting our minds exist separately from our bodies.
0:14:21 > 0:14:25Of course, there's no actual proof of a split between ourselves
0:14:25 > 0:14:27and the physical world, but
0:14:27 > 0:14:30our consciousness could, at least in theory, occupy
0:14:30 > 0:14:36a physical space outside our bodies and carry on after we're dead.
0:14:38 > 0:14:40So, what are you saying? You believe in ghosts?
0:14:40 > 0:14:42There are more things in heaven and earth.
0:14:42 > 0:14:47All I know is I'm back there tonight. Oh, I nearly forgot.
0:14:47 > 0:14:50I found a doctor's handwritten notebook,
0:14:50 > 0:14:52relic from before the NHS.
0:14:52 > 0:14:54Let's have a look. What's the condition?
0:14:55 > 0:14:56"Costiveness"?
0:14:56 > 0:14:59Archaic medical term for constipation.
0:14:59 > 0:15:01Oh, clever!
0:15:01 > 0:15:04There's a whole box of them where that came from.
0:15:04 > 0:15:07Hey, do you know who'd like to see those? Al.
0:15:07 > 0:15:10I was thinking someone ought to take a look before tomorrow.
0:15:10 > 0:15:13I'll go. You can't chuck this out! This is history, this.
0:15:13 > 0:15:16Listen, if you catch up with this Teresa woman,
0:15:16 > 0:15:19you could ask her maybe a bit more about George.
0:15:19 > 0:15:21Yeah, assuming she wasn't a ghost herself.
0:15:21 > 0:15:24Listen, I'm serious! Where's fashion design?
0:15:24 > 0:15:27- It's in the McMillan Building. - Right.
0:15:27 > 0:15:29Hang on!
0:15:31 > 0:15:33Hi, is that Teresa?
0:15:33 > 0:15:36Teresa, it's Ayesha Lee from the Mill Health Centre.
0:15:36 > 0:15:39I've got someone here who wants to talk to you.
0:15:42 > 0:15:50Yes, hello, this is Barry Biglow, the security guard from Park House.
0:15:50 > 0:15:53- I, erm... - (Hurry up!)
0:15:53 > 0:15:59I think I'm supposed to check whether or not you're real.
0:15:59 > 0:16:00Park House last night?
0:16:00 > 0:16:02Yesterday evening.
0:16:02 > 0:16:05No, that couldn't have been me.
0:16:08 > 0:16:10Relax, Barry. I'm pulling your leg!
0:16:11 > 0:16:16I mean, apart from the fact that I don't cast a shadow.
0:16:16 > 0:16:18BARRY SIGHS
0:16:18 > 0:16:21You know they say haunted houses are always cold.
0:16:21 > 0:16:22You should take a thermometer.
0:16:22 > 0:16:25Or a movement sensor, or a thermal camera.
0:16:25 > 0:16:28I could just go wired for sound!
0:16:28 > 0:16:30Right, who wants to see him?
0:16:30 > 0:16:33This is from Teresa's iPhone. George Malone.
0:16:33 > 0:16:34This is really him?
0:16:34 > 0:16:36According to Teresa. She's been doing some research.
0:16:36 > 0:16:39We could get on one of those websites, do a bit more.
0:16:39 > 0:16:42Listen, I've got to go.
0:16:42 > 0:16:43I'm due back there at five o'clock.
0:16:43 > 0:16:46- I'll swing by at quarter to and pick you up.- Cool.
0:16:46 > 0:16:48Say hello to George!
0:16:56 > 0:16:58You say this gets demolished tomorrow?
0:16:58 > 0:17:00Tonight's its last night.
0:17:16 > 0:17:18I can't find those keys.
0:17:18 > 0:17:21- Where exactly did you look? - All over.
0:17:21 > 0:17:27All right. Downstairs. I see you brought reinforcements.
0:17:27 > 0:17:29Yes, this is Doctor Vere.
0:17:29 > 0:17:34- I'm just a mate of Barry's. - So, what do you think?
0:17:34 > 0:17:37I do wonder whether this place is really haunted.
0:17:37 > 0:17:39That's exactly what I said.
0:17:46 > 0:17:48So, where do you think you put them?
0:17:48 > 0:17:50If I knew that, I wouldn't be looking.
0:18:00 > 0:18:02It's two degrees Celsius colder than it is outside.
0:18:02 > 0:18:06Then again, there is a north-facing aspect.
0:18:10 > 0:18:13So, where's Spook Central, then?
0:18:26 > 0:18:28- Five degrees. - Poor insulation.
0:18:31 > 0:18:37Something else going on, though, isn't there? A sort of feeling.
0:18:37 > 0:18:44Like he was up here, all alone, when something bad happened.
0:18:47 > 0:18:48- I take it these are them?- Mm-hm.
0:18:51 > 0:18:55These are from more than just one doctor,
0:18:55 > 0:18:58and they're not just from Letherbridge.
0:18:58 > 0:19:021922! Tell you what, if we've got some antique shelves,
0:19:02 > 0:19:05we could start a little library!
0:19:05 > 0:19:08It's a good job you mentioned these, Barry.
0:19:08 > 0:19:12It'd be a sad end to it all, wouldn't it?
0:19:12 > 0:19:17All those patients, all that care - just dumped in some old box,
0:19:17 > 0:19:18like you were nothing.
0:19:23 > 0:19:29When I was in Mexico City, I heard this story - the Ironed Lady.
0:19:29 > 0:19:33She's this nurse who gets rejected by some young doctor
0:19:33 > 0:19:37she fell in love with and dies from a broken heart.
0:19:37 > 0:19:41She appears and heals the sick, always in this immaculate uniform.
0:19:41 > 0:19:43Was she any good at finding keys?
0:19:45 > 0:19:48Can I ask you something, Barry?
0:19:48 > 0:19:49Why did you come to the Mill?
0:19:49 > 0:19:51To tell someone about those.
0:19:51 > 0:19:55It wasn't because, you know, you just needed to talk?
0:19:55 > 0:19:57It's just the way you were speaking.
0:19:57 > 0:20:01It seemed like you'd really thought something through.
0:20:01 > 0:20:03I don't know, like this place had got to you.
0:20:05 > 0:20:10Yeah. Well, all that earlier on wasn't the whole story.
0:20:11 > 0:20:17The full version is he was trapped up here and that he died,
0:20:17 > 0:20:18and nobody noticed.
0:20:18 > 0:20:25And that bothered you, did it? Him being trapped, feeling lonely.
0:20:25 > 0:20:28- Nothing's bothered me. - It's OK to talk, you know, Barry.
0:20:28 > 0:20:31It doesn't make you ill.
0:20:31 > 0:20:34All very well for you to say.
0:20:34 > 0:20:40I mean, I'm not having a go, but people like listening to you.
0:20:40 > 0:20:43You're gregarious. Funny.
0:20:43 > 0:20:44You know how to grab people's interest.
0:20:44 > 0:20:48I'm Barry Biglow, ten-a-penny security guard from Letherbridge.
0:20:48 > 0:20:51What was it Karen said? "Wasted"?
0:20:51 > 0:20:53She meant the way that you were talking about Hamlet.
0:20:53 > 0:20:55That was meant to be a compliment.
0:20:55 > 0:21:00Yeah, well, maybe Karen's different. Most people just glaze over.
0:21:00 > 0:21:03I think you underestimate how people see you.
0:21:03 > 0:21:07Maybe that way, I'm not disappointed.
0:21:07 > 0:21:11Can I give you some advice, Barry?
0:21:11 > 0:21:13Why would you want to do that?
0:21:13 > 0:21:14As a friend.
0:21:15 > 0:21:18It's not your fault that you're the soul of a philosopher,
0:21:18 > 0:21:22trapped in the body of a bloke with a torch.
0:21:22 > 0:21:25If people don't get you, then just forget them.
0:21:25 > 0:21:28Just value the things that you believe in,
0:21:28 > 0:21:30and say more of what's on your mind.
0:21:30 > 0:21:32Because, when you do talk, Barry,
0:21:32 > 0:21:34people don't actually glaze over, you know.
0:21:34 > 0:21:38- Do you know what they really do? - What?
0:21:38 > 0:21:39They really listen.
0:21:42 > 0:21:45DISTANT THUD
0:21:46 > 0:21:48Wait there.
0:21:55 > 0:21:57Hello?
0:21:59 > 0:22:01MOANING
0:22:08 > 0:22:10SHE SHRIEKS, HE YELPS
0:22:11 > 0:22:12Oh, your face!
0:22:12 > 0:22:15You could've given me flaming heart failure!
0:22:15 > 0:22:16It was her idea.
0:22:16 > 0:22:19Sorry, Barry, it was HER idea.
0:22:19 > 0:22:21You do know you're not supposed to be up here?
0:22:21 > 0:22:22Ah, yeah, but we've found something.
0:22:22 > 0:22:25We've been on one of those genealogy sites.
0:22:25 > 0:22:27Turns out there was a George Malone.
0:22:27 > 0:22:29- Last address, what? - Er, Hartford Road.
0:22:29 > 0:22:33Yeah, over by the campus.
0:22:33 > 0:22:36We don't know what he did, he didn't have any kids.
0:22:36 > 0:22:38But given when he was born, he could have worked here.
0:22:38 > 0:22:39There's only one problem.
0:22:39 > 0:22:41If this is right, then that photograph's wrong.
0:22:41 > 0:22:43Your mate Teresa said he died when he was young.
0:22:43 > 0:22:45Somewhere in his 20s.
0:22:45 > 0:22:47This guy was aged 73 when he died.
0:22:47 > 0:22:51MOONLIGHT SONATA PLAYS
0:22:53 > 0:22:55You are kidding me!
0:22:55 > 0:22:57I'm not the only one hearing that?
0:23:06 > 0:23:08You scared us half to death.
0:23:08 > 0:23:10Nothing to be frightened of.
0:23:10 > 0:23:13Is this where you found the box of tapes?
0:23:13 > 0:23:16Right where Karen's standing.
0:23:16 > 0:23:18This might be something for the Historical Society, you know,
0:23:18 > 0:23:20or even the uni.
0:23:20 > 0:23:22Is it me or is it cold?
0:23:22 > 0:23:25No, it's not cold. It's absolutely freezing.
0:23:25 > 0:23:28It's half a degree colder since you two came in.
0:23:28 > 0:23:30You want to know the coldest spot?
0:23:30 > 0:23:32Right over by that door.
0:23:33 > 0:23:34MUSIC STOPS
0:23:34 > 0:23:36So this is its last night...
0:23:36 > 0:23:39- Right, OK, that's it, I've had enough. Come on.- Yeah.
0:23:45 > 0:23:47- See you. - Get a move on!
0:23:54 > 0:23:57- Thank you. - Any time. I mean it.
0:24:00 > 0:24:04- What time do you finish? - Just after 10:30.
0:24:04 > 0:24:09I know where we can grab a beer. Just about make last orders.
0:24:09 > 0:24:11OK.
0:24:18 > 0:24:20CREAKING, DOOR CLOSES
0:24:27 > 0:24:29ENGINE SPLUTTERS
0:24:34 > 0:24:35Have you got any jump leads?
0:24:35 > 0:24:41No, but I've got some spray stuff. Pass me that. Ta.
0:24:41 > 0:24:42Try again, Barry.
0:24:46 > 0:24:49Shift over. My car's a wreck, I'm good at this stuff.
0:25:00 > 0:25:02Try it again.
0:25:02 > 0:25:03ENGINE SPLUTTERS
0:25:12 > 0:25:13CREAKING
0:25:17 > 0:25:19George?
0:25:21 > 0:25:24Listen,
0:25:24 > 0:25:31I don't normally do this, but there's something I need to say.
0:25:31 > 0:25:36I do know what it's like to feel ignored, to feel lonely.
0:25:38 > 0:25:39Taken for granted.
0:25:39 > 0:25:45All on your own, not waving but basically drowning.
0:25:49 > 0:25:53If there was something I could do to help you, mate, I would do.
0:25:53 > 0:25:56But thing is, I've got to go.
0:25:58 > 0:26:02And if you wouldn't mind finding me those keys, George,
0:26:02 > 0:26:06- I really, really... - JINGLING
0:26:06 > 0:26:08..would be very grateful.
0:26:22 > 0:26:26MOONLIGHT SONATA PLAYS
0:26:31 > 0:26:32George?
0:26:38 > 0:26:41ENGINE STARTS
0:27:04 > 0:27:06Rob's bought you a deluxe model. Flashing lights, everything.
0:27:06 > 0:27:09Well, I hope the two of you will be very happy together.
0:27:09 > 0:27:12I hope you are actually planning on buying something.
0:27:12 > 0:27:13Excuse me?
0:27:13 > 0:27:16This is a shop, not an activity playground.
0:27:16 > 0:27:18I am sorry, dear lady.
0:27:18 > 0:27:23He's been staying with me as a lodger, and he's a trainee nurse.
0:27:23 > 0:27:26And he's here legally, if that's what you're getting at.