0:00:25 > 0:00:29# Take a sip of my secret potion I'll make you fall in love
0:00:29 > 0:00:33# For a spell that can't be broken One drop should be enough
0:00:33 > 0:00:37# Boy, you belong to me I got the recipe
0:00:37 > 0:00:40# And it's called Black Magic... #
0:00:40 > 0:00:42Excuse me... Excuse me!
0:00:42 > 0:00:45Oh, sorry.
0:00:45 > 0:00:46What do you think you're doing?
0:00:46 > 0:00:48Oh, I'm really sorry.
0:00:48 > 0:00:51I'm studying fine art and I'm supposed to fill
0:00:51 > 0:00:54- a sketch book every week. - With pictures of your customers?
0:00:54 > 0:00:56No, I... I hope you don't mind.
0:00:56 > 0:00:59It's just you have a lovely face to draw.
0:01:01 > 0:01:04Please don't tell my manager.
0:01:04 > 0:01:07- Is waitressing paying your way? - Just about.
0:01:07 > 0:01:08If I can get enough shifts.
0:01:08 > 0:01:11Tough time to be a student.
0:01:11 > 0:01:14My mum went ballistic when she found out what course I wanted to do.
0:01:14 > 0:01:17Said it was financial suicide.
0:01:17 > 0:01:19- Bella!- I'd better... Do you want anything else?
0:01:19 > 0:01:21No, I'm fine, thank you.
0:01:27 > 0:01:30I read the review from opening night. It was very good.
0:01:30 > 0:01:34As touring companies go, they maintain an excellent standard.
0:01:34 > 0:01:37I saw a production of Cosi with... What's her name?
0:01:37 > 0:01:40You know. She was marvellous.
0:01:40 > 0:01:44- Oh, dear. My memory. - Are we in the stalls?
0:01:44 > 0:01:46Circle, I think. Who has the tickets?
0:01:48 > 0:01:49I gave them to you.
0:01:49 > 0:01:52- Did you?- Do you not remember?
0:01:52 > 0:01:54I don't. Oh. What have I done with them, then?
0:01:54 > 0:01:58Charles, you and your memory are being mercilessly teased.
0:01:58 > 0:02:00- I have them, remember?- Rotten bunch!
0:02:00 > 0:02:04- I'm sorry, I could not resist. - I'll pay you back for that!
0:02:04 > 0:02:07And I warn you, I'm very patient.
0:02:07 > 0:02:11Front row circle, best seats in the house, acoustically speaking.
0:02:11 > 0:02:15- Well, I can't wait.- How about we get a glass of something?- Good idea.
0:02:15 > 0:02:17To ease us in.
0:02:17 > 0:02:21- Banoffee pie and cream? - I just clocked it.
0:02:21 > 0:02:24- I knew I'd seen you before.- Sorry?
0:02:24 > 0:02:28Don't you recognise me? I could never forger you.
0:02:28 > 0:02:30Even with your clothes on!
0:02:30 > 0:02:34- Whose is the gateau? - You are one hell of a mover, girl.
0:02:34 > 0:02:38Boys, our waitress works at that lap-dancing club near the station.
0:02:38 > 0:02:39Any more drinks?
0:02:39 > 0:02:43You should see her working this. She is worth every penny.
0:02:43 > 0:02:44Can you stop that, please?
0:02:44 > 0:02:47Oh, come on, love. It's meant to be a compliment.
0:02:47 > 0:02:49You are wasted, being a waitress.
0:02:49 > 0:02:52Why don't you get up on here and give our boys a little demo?
0:02:52 > 0:02:55- Any more drinks? - Just a quick bump and grind!
0:02:55 > 0:02:59- LAUGHTER What the...?!- I'm so sorry.
0:02:59 > 0:03:02You better sort that out. Or I'll be having a word with your boss.
0:03:02 > 0:03:03Don't bother.
0:03:03 > 0:03:07I'm more than happy to call the manager over myself and tell him
0:03:07 > 0:03:09just how you were groping her.
0:03:09 > 0:03:11Tell you what, why don't you clean yourself up?
0:03:11 > 0:03:13No, it's fine, honestly.
0:03:13 > 0:03:15Are you sure?
0:03:15 > 0:03:17I've got a better idea.
0:03:17 > 0:03:20Why don't you and your mates pay the bill and get out?
0:03:23 > 0:03:25I'm having a word with the manager of this joint.
0:03:25 > 0:03:29She ain't getting away with this. No way!
0:03:33 > 0:03:36Interesting to see the director's approach.
0:03:36 > 0:03:38It seems to me that the story
0:03:38 > 0:03:42has elements that are somewhat misogynistic.
0:03:42 > 0:03:45Interesting. Is that how you see it?
0:03:45 > 0:03:50- Well, I will reserve judgment until I have watched.- A wise approach.
0:03:50 > 0:03:53It is a tough pitch for a contemporary audience to accept.
0:03:53 > 0:03:55- But each version can be so different.- Yes.
0:03:55 > 0:03:59- Well, I like to keep an open mind. - I couldn't agree more.
0:03:59 > 0:04:01- TANNOY:- Ladies and gentlemen,
0:04:01 > 0:04:04tonight's performance of Cosi Fan Tutte is about to begin.
0:04:06 > 0:04:08Shall we?
0:04:09 > 0:04:12You're not even going to listen to my side?
0:04:12 > 0:04:14You know what? Doesn't matter! I quit!
0:04:20 > 0:04:22- Lovely to see you.- You too.
0:04:22 > 0:04:25Brought you this. Hope it's drinkable.
0:04:25 > 0:04:28Let's give it a go. Come through.
0:04:28 > 0:04:30So, how have you been? How's work?
0:04:30 > 0:04:33Um... Yeah, yeah. Good. Um...
0:04:34 > 0:04:37Hey.
0:04:37 > 0:04:39Get any big tips?
0:04:39 > 0:04:41No, worst day ever.
0:04:41 > 0:04:43Why? What happened?
0:04:43 > 0:04:46Remember that guy that got barred from the club?
0:04:46 > 0:04:50Asian, pointy shoes, fancies himself?
0:04:50 > 0:04:53Turned up with his mates. Got me fired.
0:04:53 > 0:04:55What? How?
0:04:55 > 0:04:56Doesn't matter.
0:05:01 > 0:05:03What about the rent though?
0:05:03 > 0:05:05- I know. - You got this month's though, yeah?
0:05:07 > 0:05:10Bel, I'm not losing this flat. It took me ages to find and
0:05:10 > 0:05:13- I really like it! - It's so expensive.
0:05:13 > 0:05:14You just need to earn more money.
0:05:14 > 0:05:17- I know where this is going. - I don't get your problem.
0:05:17 > 0:05:19They're two dancers short tonight. You could earn the rent in
0:05:19 > 0:05:21- a couple of hours. - You know how I feel about it!
0:05:21 > 0:05:25You had one bad experience, it's par for the course.
0:05:25 > 0:05:28Forget it, do the job, and take the cash. It's really easy money.
0:05:30 > 0:05:32Up to you.
0:05:32 > 0:05:35But I don't think you've got much choice.
0:05:40 > 0:05:42I'll give you a lift.
0:05:49 > 0:05:52Heston was right about the seats. Ideal.
0:05:52 > 0:05:55Yes. I'm very much looking forward to it.
0:05:59 > 0:06:02Try these. Perfect for close ups.
0:06:02 > 0:06:04Right.
0:06:04 > 0:06:06Thank you.
0:06:09 > 0:06:12MUSIC STARTS
0:06:12 > 0:06:14APPLAUSE
0:06:14 > 0:06:17The practice has such a wide range of patients.
0:06:17 > 0:06:20Age, social background, ethnicity... I'm getting to see the broadest
0:06:20 > 0:06:23spectrum of conditions, really hands on.
0:06:23 > 0:06:25That's exactly what you wanted, wasn't it?
0:06:25 > 0:06:27I really think it never would have occurred to
0:06:27 > 0:06:31- me to go into medicine if it hadn't been for you. - Nah, you'd have found your way.
0:06:31 > 0:06:33Yeah, but seeing what you did for me - it's like one of those
0:06:33 > 0:06:37moments people talk about, you know? Just a kid and then suddenly,
0:06:37 > 0:06:40I realised I wanted to be a doctor, I wanted to save lives.
0:06:40 > 0:06:42Please start.
0:06:42 > 0:06:44Thanks. And you've had such a massive influence on me.
0:06:44 > 0:06:47Plus there's all the support you've given me since,
0:06:47 > 0:06:49which I've needed...I don't know how many times.
0:06:49 > 0:06:53You got this far because you're a really good doctor, remember?
0:06:54 > 0:06:56I really do love the work.
0:06:56 > 0:06:59The challenge of each new patient, really trying to understand
0:06:59 > 0:07:02why they're here and how I can best help them.
0:07:02 > 0:07:06Sounds like it's working out really well for you at the Mill.
0:07:06 > 0:07:08Yeah. Yeah, yeah. It's great.
0:07:13 > 0:07:17MUSIC PLAYS
0:07:22 > 0:07:27- Come on, mate.- See? Told you it'd work. Cheers, mate.
0:07:27 > 0:07:30- Here, why don't you get the first round in?- Yeah, sure.
0:07:30 > 0:07:32I'll hold on here till that bouncer's gone.
0:07:32 > 0:07:35- Save me a seat. Front row, yeah? - You know it.
0:07:49 > 0:07:51- Hey! It's you! - You're not allowed back here.
0:07:51 > 0:07:53Oh, nice welcome(!)
0:07:53 > 0:07:55- How about an apology? - Get out of my way!
0:07:55 > 0:07:58I'll call the manager. You've already been barred.
0:07:58 > 0:07:59Calm down, yeah?
0:07:59 > 0:08:02Let's forget about all that stuff before because I need to tell
0:08:02 > 0:08:05- you something. - He'll call the police.
0:08:05 > 0:08:07You need to leave!
0:08:07 > 0:08:13You are beautiful. Seriously. Absolutely gorgeous.
0:08:13 > 0:08:15Why don't you come home with me?
0:08:15 > 0:08:17I can pay. See?
0:08:17 > 0:08:19Back off. I mean it.
0:08:19 > 0:08:21Top dollar.
0:08:21 > 0:08:24- I swear, if you so much as touch me...- Oh, come on.
0:08:24 > 0:08:26Don't be like that.
0:08:27 > 0:08:29Oof!
0:08:31 > 0:08:33Bel! Hurry up! You're on!
0:08:36 > 0:08:38What happened?
0:08:38 > 0:08:41He tried to... Police, please.
0:08:41 > 0:08:43- He assaulted me.- Wait, Bel. Hang on.- Bella West.
0:08:43 > 0:08:46I'm at Himeros on Allthorn Street.
0:08:46 > 0:08:48Urgh...
0:08:52 > 0:08:54I'm so pleased it's working out for you, Sid.
0:08:54 > 0:08:57You had that slightly rocky start, didn't you?
0:08:57 > 0:09:00Water under the bridge now.
0:09:00 > 0:09:03You mean, all that time worrying about you was wasted?
0:09:06 > 0:09:11So, um, what's your long-term ambition then? To become a partner?
0:09:11 > 0:09:13I think that's a long way off.
0:09:13 > 0:09:15Well, not necessarily.
0:09:15 > 0:09:20You're a good doctor. I'm sure your senior colleagues recognise that.
0:09:20 > 0:09:24So, um, anyway, how are things at your place? Busy?
0:09:29 > 0:09:32Sid, why don't you tell me why you're really here?
0:09:36 > 0:09:38Cos I...
0:09:38 > 0:09:40think I might be about to lose my job.
0:09:44 > 0:09:46HE WINCES
0:09:49 > 0:09:53- Coincidence, running into you again. - It's going to need stitches, right?
0:09:53 > 0:09:56No. And there's no sign of concussion either.
0:09:56 > 0:09:57My head is throbbing.
0:09:57 > 0:10:00- Well, that's probably an overactive imagination.- What did you say?
0:10:00 > 0:10:03I said, you might need some medication,
0:10:03 > 0:10:05but you can always go to A&E, if you prefer.
0:10:05 > 0:10:07- KNOCK ON DOOR - Come in.
0:10:07 > 0:10:09Ready to make your statement?
0:10:09 > 0:10:11Yeah. That girl deserves what she's got coming to her.
0:10:11 > 0:10:15- Stealing from me.- You're happy he's fit?- Oh, absolutely.
0:10:15 > 0:10:16You knock yourself out.
0:10:16 > 0:10:18- Oh, you've already done that, haven't you?- Funny(!)
0:10:18 > 0:10:21I'm the one who was assaulted, remember?
0:10:21 > 0:10:23Interview room one, please.
0:10:28 > 0:10:29Everything OK?
0:10:29 > 0:10:33- Yes, fine. - Sure? Yes. Why wouldn't it be?
0:10:39 > 0:10:44- Are you sure you want to carry on with this, Bel?- He assaulted me.
0:10:46 > 0:10:50He was off his face. Anyway, goes with the territory, doesn't it?
0:10:51 > 0:10:53What?
0:10:53 > 0:10:55Forget it.
0:10:56 > 0:10:59Look, I'm just saying if you tell them you want to drop it,
0:10:59 > 0:11:02- we can just get out of here.- What? And just let him get away with it?
0:11:02 > 0:11:05But it's his word against yours, isn't it?
0:11:06 > 0:11:09You can tell them. You saw him.
0:11:10 > 0:11:12I came in after.
0:11:12 > 0:11:13I can't lie, Bel, can I?
0:11:16 > 0:11:18Look, you do realise, if you press charges,
0:11:18 > 0:11:21we'll probably end up losing our jobs?
0:11:21 > 0:11:22I don't care.
0:11:22 > 0:11:24I'm never going back there.
0:11:28 > 0:11:32- So, you're saying that she approached you?- Yeah.
0:11:32 > 0:11:34I came out of the gents and she was just waiting.
0:11:34 > 0:11:36Then what happened?
0:11:36 > 0:11:41Well, she said I could have a dance there and then if I had the cash.
0:11:41 > 0:11:44Sounds a bit strange, doesn't it, in the corridor?
0:11:44 > 0:11:46Yeah, but I've had a lot to drink, haven't I?
0:11:46 > 0:11:51- So I suppose she saw her chance. - Yeah. Then she assaulted you?
0:11:51 > 0:11:55She came in, right close, kneed me one. In the nuts.
0:11:55 > 0:11:57And you know what that pain is right, like?
0:11:57 > 0:11:59I do.
0:11:59 > 0:12:02So, I blacked out, fell down.
0:12:02 > 0:12:05And when I came round, my wallet was next to me on the floor,
0:12:05 > 0:12:07but all the cash had gone.
0:12:07 > 0:12:12- Yeah. What about the head injury? - Maybe she whacked me or something.
0:12:12 > 0:12:15Or maybe you hit it against the wall, as you fell down.
0:12:15 > 0:12:17Like I say, I blacked out.
0:12:17 > 0:12:21- So, er, can I go?- No.
0:12:21 > 0:12:23- Why?- Because I think you're lying.
0:12:25 > 0:12:28HE SIGHS LOUDLY
0:12:29 > 0:12:33Excuse me, do you know what's happening about my friend?
0:12:33 > 0:12:35I'm not a police officer. I'm a doctor.
0:12:35 > 0:12:36Who's your friend?
0:12:36 > 0:12:39Bella West. It's just I've got to go back to work.
0:12:39 > 0:12:42Oh, well, I think she's still being interviewed,
0:12:42 > 0:12:45- but if you've already given your statement, then...- I haven't.
0:12:45 > 0:12:49I didn't see anything. I was dancing the whole time.
0:12:49 > 0:12:52Right, so...she was alone when she was attacked?
0:12:53 > 0:12:56- That must have been very scary. - He was pretty drunk.
0:12:56 > 0:12:59Yeah, well, it's bad enough having to work there,
0:12:59 > 0:13:01without being assaulted.
0:13:01 > 0:13:03You don't feel you're being exploited, working there?
0:13:03 > 0:13:05No.
0:13:05 > 0:13:08The punters know they can't touch us.
0:13:08 > 0:13:11Clearly, they don't.
0:13:11 > 0:13:15- And you don't know anything about the money?- What money?
0:13:17 > 0:13:20Look, do you know when Bella's going to be done?
0:13:20 > 0:13:23Can't be sure. But if I were you, I'd stick around.
0:13:23 > 0:13:25I think she's going to need some support.
0:13:38 > 0:13:42The last aria was marvellous. The leads are certainly on form tonight.
0:13:43 > 0:13:45So, what did you think?
0:13:45 > 0:13:49Well, the singing is beautiful, but I'm really not sure about the story.
0:13:49 > 0:13:51I know what you mean.
0:13:51 > 0:13:56The whole fiance swapping goes back to the 13th century, apparently.
0:13:56 > 0:13:59- But I don't know how well it translates.- Oh, my goodness.
0:13:59 > 0:14:02- Didn't expect to see him here. - Who?- Four o'clock.
0:14:02 > 0:14:04My four o'clock.
0:14:04 > 0:14:06For goodness' sake, don't make any eye contact,
0:14:06 > 0:14:09otherwise he'll be difficult to shift.
0:14:09 > 0:14:14- Who?- Someone from work.- Doesn't look like your conventional opera lover.
0:14:14 > 0:14:16Definitely more heavy metal than Mozart.
0:14:16 > 0:14:20- Maybe he's landed an evening job, lugging backstage.- Don't worry.
0:14:20 > 0:14:21I think he's moving away.
0:14:21 > 0:14:23Well, he cannot be that bad.
0:14:23 > 0:14:26He just stands too close, talks too much, stays too long.
0:14:26 > 0:14:27You know the type.
0:14:27 > 0:14:30The type that tests your professional tolerance.
0:14:30 > 0:14:32Heston, you know me. I don't have any.
0:14:32 > 0:14:34HE CHUCKLES
0:14:34 > 0:14:36He's lying. You know he is.
0:14:36 > 0:14:40- But you do admit to kneeing him... - Only because he grabbed me.
0:14:40 > 0:14:44- So it's- self-defence? Yeah. He was drunk, he hit his head on the wall.
0:14:44 > 0:14:45OK.
0:14:45 > 0:14:49You mentioned an incident that had happened earlier at the Icon bar.
0:14:49 > 0:14:51Yeah, I waitress there.
0:14:51 > 0:14:54He came in with his mates, he was hassling me, making comments.
0:14:54 > 0:14:57I dropped a tray, he complained to my manager, I quit.
0:14:57 > 0:15:00You know, he might suggest that you were out for revenge.
0:15:00 > 0:15:03I didn't even know he was in the club. He's supposed to be barred.
0:15:03 > 0:15:05- He tried it on with me there once before.- Really?
0:15:05 > 0:15:07Funnily enough, he never mentioned that.
0:15:07 > 0:15:11- They never should have let him in. Check with the club.- I'll do that.
0:15:12 > 0:15:15Did you touch his wallet?
0:15:15 > 0:15:16No.
0:15:17 > 0:15:21As soon as he fell over, I called the police.
0:15:21 > 0:15:23- Ask- Fi. I will.
0:15:23 > 0:15:26And we will be checking all the CCTV cameras because it does seem
0:15:26 > 0:15:29that he had a rather large amount of money with him that's not
0:15:29 > 0:15:32- been accounted for. - I never touched it!- It's OK.
0:15:32 > 0:15:34No-one's been charged with anything yet,
0:15:34 > 0:15:36so there's no need to worry too much.
0:15:36 > 0:15:39'I do really love working at the Mill,'
0:15:39 > 0:15:43it's just I'm not getting the same feeling back.
0:15:44 > 0:15:48Are you sure this isn't more about a lack of confidence, Sid,
0:15:48 > 0:15:50given your history?
0:15:50 > 0:15:55No. I've picked up on enough hints and signs to feel it coming.
0:15:55 > 0:15:57Last in, first out.
0:15:57 > 0:15:58Right.
0:16:00 > 0:16:03That's a real shame. So, what are you going to do?
0:16:03 > 0:16:05Have a look around?
0:16:06 > 0:16:10Well, um, you asked me why I came.
0:16:10 > 0:16:13Well, basically, I was wondering if, um...
0:16:13 > 0:16:16You want a job at Priestfield.
0:16:22 > 0:16:24Are you leaving?
0:16:24 > 0:16:27- Yeah, I've got to get back. - What did you tell them?
0:16:27 > 0:16:28Just what I saw.
0:16:28 > 0:16:30You know he's accusing me now?
0:16:30 > 0:16:31Of what?
0:16:31 > 0:16:34Assaulting him and nicking his cash!
0:16:34 > 0:16:38I know. There's CCTV, isn't there? They'll know he's lying.
0:16:38 > 0:16:42I told you, you're better off just dropping this, then he will too.
0:16:42 > 0:16:44See you back at the flat.
0:16:44 > 0:16:46Fi!
0:16:46 > 0:16:47Fi?
0:16:49 > 0:16:53- You can't seriously believe his story?- No, of course not.
0:16:53 > 0:16:55But I've just been told that the CCTV camera that we really
0:16:55 > 0:16:57needed to work in the corridor was out. So,
0:16:57 > 0:17:02- unless her friend saw anything... - She told me she didn't see a thing.
0:17:02 > 0:17:05So, his word against hers then.
0:17:05 > 0:17:06Mm.
0:17:10 > 0:17:14It is such a wonderful and amazing spectacle.
0:17:14 > 0:17:19- It is a shame that for some, it is far too...- Expensive.- Expensive.
0:17:19 > 0:17:24No, I agree. But it just reinforces the idea that all opera is elitist.
0:17:24 > 0:17:27Stop fretting, Charles. He's easy to spot.
0:17:27 > 0:17:29Yes, but trust me, much harder to shake off.
0:17:29 > 0:17:31Are you still talking about your colleague?
0:17:31 > 0:17:33That's stretching the term.
0:17:33 > 0:17:35I've got nothing against him,
0:17:35 > 0:17:37but we just don't want a good evening ruined, do we?
0:17:37 > 0:17:40- He can't be that bad. - No, you're right. He's far worse.
0:17:40 > 0:17:43OK, well, what's so terrible about him?
0:17:43 > 0:17:47Imagine a teenage hard rock fan with a loud mouth,
0:17:47 > 0:17:52no dress sense or manners, transposed into a grown man's body.
0:17:52 > 0:17:55Basically, he's just not OOU.
0:17:56 > 0:18:00- I am sorry, what is OOU?- One Of Us.
0:18:02 > 0:18:05- What were we saying about being elitist?- Oh, God!
0:18:05 > 0:18:07He's heading straight for us.
0:18:07 > 0:18:10- Eyes to the left, don't look. - Really, Charles?
0:18:10 > 0:18:11Brace yourself, incoming.
0:18:11 > 0:18:13- Hi!- Hello.
0:18:15 > 0:18:17Hi, everyone!
0:18:24 > 0:18:26There you go.
0:18:31 > 0:18:33You OK?
0:18:33 > 0:18:35Had better days.
0:18:35 > 0:18:36Yes, I'm sure.
0:18:36 > 0:18:39Losing two jobs is pretty tough.
0:18:39 > 0:18:41I hated the club anyway.
0:18:41 > 0:18:45- Felt horrible the whole time, but... - The money?
0:18:45 > 0:18:47Fi reckons it's empowering.
0:18:47 > 0:18:49Yeah, right(!)
0:18:49 > 0:18:51This is such a mess.
0:18:51 > 0:18:54I've got no money, no job, and my rent is way overdue.
0:18:56 > 0:18:58Do you want to call your mum?
0:19:00 > 0:19:01We kind of fell out.
0:19:01 > 0:19:03- Ah.- My fault.
0:19:03 > 0:19:05Mainly.
0:19:06 > 0:19:09Well, maybe that's even more reason to call her.
0:19:15 > 0:19:18Well, of course, you know Sister Hanif and Mr Gupta.
0:19:18 > 0:19:22- And this is Dr Carter.- Hi, everyone.
0:19:22 > 0:19:25- What a surprise to see you here. - I know. I surprised myself.
0:19:25 > 0:19:29- It's good to try something new though, isn't it?- No, it really is.
0:19:29 > 0:19:32- And you are enjoying it so far? - It was a cracking first half.
0:19:32 > 0:19:33Beautiful.
0:19:33 > 0:19:36That lead soprano has got a great pair of lungs on her, ain't she?
0:19:36 > 0:19:38Beats Meatloaf hands down!
0:19:38 > 0:19:40- So, where are you sitting? - I'm super close.
0:19:40 > 0:19:42Can almost see the beads of sweat on their faces.
0:19:42 > 0:19:45- Really?- Yeah. And the ticket was cheap as chips.
0:19:45 > 0:19:47Not restricted view or anything.
0:19:47 > 0:19:51No, they have this last minute special deal, but only online.
0:19:51 > 0:19:54Well, I will have to look into it. I would really like to come again.
0:19:54 > 0:19:55Me too.
0:19:55 > 0:19:58There can't be many people that know about it cos there's empty
0:19:58 > 0:19:59seats either side of me.
0:19:59 > 0:20:02Join me, if you like. Try the seats out.
0:20:02 > 0:20:07Sorry. What am I talking about? No, you're here with your friends.
0:20:07 > 0:20:12- Um, no. No, I would really like to join you.- Right.
0:20:12 > 0:20:14Great.
0:20:14 > 0:20:17- TANNOY:- Ladies and gentlemen, please take your seats,
0:20:17 > 0:20:18as the second half of...
0:20:18 > 0:20:22- We'd better, er...- Excuse me. I'm going to sit with my friend.
0:20:22 > 0:20:24- Cheers.- Enjoy.
0:20:29 > 0:20:33Can you explain why you neglected to mention the incident that had
0:20:33 > 0:20:35happened at the Icon bar earlier?
0:20:35 > 0:20:37It's got nothing to do with this. I've been robbed.
0:20:37 > 0:20:40We've got witnesses that saw you physically harass her,
0:20:40 > 0:20:42make suggestive and offensive comments.
0:20:42 > 0:20:45- Was that just a coincidence? - Yeah. So what?
0:20:45 > 0:20:48And the fact that you'd already been banned from the Himeros club
0:20:48 > 0:20:51for, surprise, surprise, physically harassing the very same woman.
0:20:51 > 0:20:54- That's just a coincidence as well, is it?- You're twisting this.
0:20:54 > 0:20:57Why don't you take a moment to stop and think?
0:20:57 > 0:20:59There are CCTV cameras all over that club.
0:20:59 > 0:21:03We will find out exactly what happened.
0:21:03 > 0:21:05Do you want to go back over your statement?
0:21:07 > 0:21:10- My head really hurts. - Yeah, mine too.
0:21:10 > 0:21:14Are you sure that she approached you in that corridor?
0:21:15 > 0:21:18No.
0:21:18 > 0:21:19Not exactly.
0:21:19 > 0:21:21I'd had a lot to drink.
0:21:21 > 0:21:24Can you be sure that she gave you a whack over the head?
0:21:25 > 0:21:27Maybe I slipped.
0:21:27 > 0:21:31- I could have banged my head.- And are you sure that she took your money?
0:21:34 > 0:21:36No.
0:21:36 > 0:21:38No.
0:21:38 > 0:21:39OK.
0:21:40 > 0:21:42Last chance.
0:21:42 > 0:21:45Do you want to carry on with this statement?
0:21:52 > 0:21:54He withdrew the statement.
0:21:54 > 0:21:56Yes, I heard.
0:21:58 > 0:22:00I didn't take that money, honestly.
0:22:00 > 0:22:02I know.
0:22:04 > 0:22:06Did your mum ring back?
0:22:06 > 0:22:07No.
0:22:08 > 0:22:10So, what are you going to do?
0:22:10 > 0:22:13Find a new job, somewhere else to live.
0:22:13 > 0:22:15I can always crash on a mate's floor for a couple of nights.
0:22:15 > 0:22:17And what about rent?
0:22:17 > 0:22:20- I don't know.- Well, maybe you should talk to Fi.
0:22:20 > 0:22:23I'm sure she'll have a solution.
0:22:23 > 0:22:27- Yeah.- Anyway, good luck, Bella.
0:22:27 > 0:22:29This is for you.
0:22:29 > 0:22:30Oh.
0:22:34 > 0:22:35Keep drawing.
0:22:35 > 0:22:37You're very good.
0:22:37 > 0:22:39Thanks.
0:22:39 > 0:22:40I will.
0:22:50 > 0:22:52You know me and the way it works,
0:22:52 > 0:22:54you'd know exactly what you were getting.
0:22:54 > 0:22:57And I'm always at my best when I'm in a secure environment.
0:22:57 > 0:22:59I just think it'd be a bit of a win-win,
0:22:59 > 0:23:02plus I could learn so much more from working with you.
0:23:02 > 0:23:05That is, if you're recruiting at the moment.
0:23:06 > 0:23:10- Well, as it happens, we do have a vacancy, but...- Seriously?
0:23:10 > 0:23:13But we've already re-advertised for the third time.
0:23:13 > 0:23:15The other partners are very fixed on what they want,
0:23:15 > 0:23:19- so it's by no means straightforward. - Of course, but...- Let me finish.
0:23:19 > 0:23:23What I'm trying to say is that you need to be 100% certain this
0:23:23 > 0:23:24is what you're after.
0:23:24 > 0:23:26Don't get ahead of yourself. There are no guarantees.
0:23:26 > 0:23:31I'm totally sure, I promise. I think it would just...be perfect.
0:23:34 > 0:23:38I think we'd be lucky to have you. I think you'd fit in really well.
0:23:38 > 0:23:43So, I'll talk to the team. Second round of interviews is on Friday.
0:23:44 > 0:23:45Thank you.
0:23:45 > 0:23:47Thank you so much.
0:23:49 > 0:23:53DOOR CLOSES
0:23:53 > 0:23:56- Hey, I was getting worried. What happened?- It's all sorted.
0:23:56 > 0:23:58Everything dropped.
0:23:59 > 0:24:02Oh, my God! Great!
0:24:02 > 0:24:04Do you want a drink?
0:24:04 > 0:24:08- No, thanks. I just came to get my stuff.- What?
0:24:08 > 0:24:10You heard me.
0:24:10 > 0:24:12What about the rent though?
0:24:12 > 0:24:14You already have it. Don't you?
0:24:19 > 0:24:21Do you need a hand...?
0:24:24 > 0:24:26Right.
0:24:26 > 0:24:30OK. Well, I'll be in my room, if you need anything.
0:24:32 > 0:24:36MOBILE RINGS
0:24:41 > 0:24:42Mum?
0:24:42 > 0:24:46# Cosi Fan Tutte by Mozart. #
0:24:46 > 0:24:49The set was a really clever design too.
0:24:49 > 0:24:53- The way it moved between locations. - The whole thing was most effective.
0:24:55 > 0:24:58Well, I, er... Well, I'd better go and find my friends.
0:24:58 > 0:25:01Yeah, of course. Yeah.
0:25:07 > 0:25:10- I hope you all enjoyed it as much as I did.- I thought it was wonderful.
0:25:10 > 0:25:14- Sublime.- Completely matched my expectations. Exceeded them, even.
0:25:14 > 0:25:17So, how were the cheap seats?
0:25:17 > 0:25:20Oh, they were not cheap. They were very comfortable.
0:25:20 > 0:25:22Very comfortable indeed!
0:25:31 > 0:25:35# Cosi Fan Tutte by Mozart. #
0:26:16 > 0:26:21- I'm so glad you enjoyed it. It really was marvellously staged.- Mm.
0:26:21 > 0:26:24The whole evening has been a revelation.
0:26:24 > 0:26:26Hello again.
0:26:26 > 0:26:27Oh!
0:26:30 > 0:26:34Right. Well, erm, I'd better... Bye.
0:26:34 > 0:26:37JJ, wait.
0:26:37 > 0:26:41I... I wondered if you would like to meet for lunch.
0:26:41 > 0:26:44You mean on a date?
0:26:44 > 0:26:46Er... Well, yes.
0:26:46 > 0:26:47Absolutely! Definitely!
0:26:47 > 0:26:49How about tomorrow?
0:26:49 > 0:26:52Tomorrow?
0:26:52 > 0:26:55- Yes. Yes, tomorrow would be good. - Excellent.
0:26:55 > 0:26:58Right, well, I'll call you, shall I?
0:26:59 > 0:27:01Great. Right.
0:27:01 > 0:27:03Bye, then.
0:27:03 > 0:27:05Again.
0:27:10 > 0:27:13Well... Shall we go?
0:27:26 > 0:27:30- Well, you want this house. That's why you're poisoning us.- Oh!
0:27:30 > 0:27:34- What's going on?- The truth hurts!
0:27:34 > 0:27:37Sorry, Charles. I think she's made her choice.
0:27:39 > 0:27:42- I am so sorry. This is a mistake. - It's par for the course.
0:27:42 > 0:27:44Don't worry.
0:27:44 > 0:27:46Shall we?