0:00:26 > 0:00:27Jase?
0:00:27 > 0:00:28Jason!
0:00:35 > 0:00:37Jase?
0:00:37 > 0:00:39Jason!
0:00:39 > 0:00:40Sorry. Just, erm...
0:00:40 > 0:00:42finishing my kung fu practice.
0:00:42 > 0:00:47- Oh, no, you have it. I'm stuffed. - Go on...I've made it now.
0:00:47 > 0:00:48Suit yourself.
0:00:50 > 0:00:53- Anyway, I'd better go. - Stop.
0:00:53 > 0:00:54Why?
0:00:56 > 0:00:58I put extra chocolate in,
0:00:58 > 0:01:00because of our anniversary...
0:01:00 > 0:01:02It's the day Tony and Jacqui met!
0:01:02 > 0:01:05Oh, right! Yeah... No, I know... I knew.
0:01:05 > 0:01:09No, actually, I...I thought we could do something...tonight,
0:01:09 > 0:01:12cos I wanted to talk to you... about it...
0:01:12 > 0:01:15Let's...go out, do something. Yeah?
0:01:15 > 0:01:17Erm, yeah?
0:01:17 > 0:01:20All right, babe. Have a good day.
0:01:33 > 0:01:35No...
0:01:35 > 0:01:37No!
0:01:37 > 0:01:38Jason!
0:01:38 > 0:01:39Jase!
0:01:56 > 0:01:58His car's not here.
0:01:58 > 0:02:01Daniel, it's early. He'll be here.
0:02:01 > 0:02:03I just don't want him messing things up for us, you know?
0:02:03 > 0:02:05He won't.
0:02:05 > 0:02:07Jimmi's reasonable,
0:02:07 > 0:02:09once he's heard the arguments.
0:02:09 > 0:02:11Depends what side of the bed he gets out off.
0:02:11 > 0:02:15Mind you, having said that, he probably gets out of the same side of the bed every day.
0:02:15 > 0:02:16Naughty!
0:02:17 > 0:02:19You might have more luck getting him on side
0:02:19 > 0:02:22if you tried buttering him up a little bit today, instead.
0:02:26 > 0:02:27Right...
0:02:28 > 0:02:31Sid, please tell me you haven't done a Venn diagram?
0:02:31 > 0:02:32No, I've just done...
0:02:32 > 0:02:33You've done a Venn diagram.
0:02:33 > 0:02:35Why?
0:02:35 > 0:02:36To save time.
0:02:36 > 0:02:39Look, this one's affordability, and this is commutability,
0:02:39 > 0:02:41and this one is proximity to transport links,
0:02:41 > 0:02:44so we only have to recce these 12 streets here.
0:02:44 > 0:02:45Yeah, but it's a dump round there.
0:02:45 > 0:02:48Besides, why do you need "proximity to transport"?
0:02:48 > 0:02:49You've got a car.
0:02:49 > 0:02:50Erm, resale value.
0:02:50 > 0:02:51Oh, here we go...
0:02:51 > 0:02:54Buying a house is the single biggest investment in most people's life.
0:02:54 > 0:02:57If you get the first rung right, you can end up like Daniel and Zara,
0:02:57 > 0:02:59- but if you get it... - AYESHA SNORES
0:02:59 > 0:03:02- Ayesh!- No, sorry! Please carry on, this is fascinating(!)
0:03:02 > 0:03:03I'm being serious.
0:03:03 > 0:03:05Buying a house should be fun.
0:03:05 > 0:03:07Bit less head, bit more heart, Sid.
0:03:07 > 0:03:08Come on, let's go.
0:03:10 > 0:03:13- Good job I lined up some viewings for you, isn't it?- You what?
0:03:13 > 0:03:15I thought we were just going to drive round for a bit!
0:03:15 > 0:03:20RADIO PLAYS FUNKY MUSIC
0:03:26 > 0:03:27Kids are grown up.
0:03:27 > 0:03:30I thought, if I'm ever going to do it...I'm not getting any younger.
0:03:30 > 0:03:32Absolutely.
0:03:32 > 0:03:35Besides, if I didn't, the husband would never let me hear the end of it.
0:03:35 > 0:03:37Been going on about it for years.
0:03:37 > 0:03:39Good for you.
0:03:39 > 0:03:41Bacon, egg and cheese?
0:03:41 > 0:03:43Trust me, it works.
0:03:43 > 0:03:45Yeah, I always dreamt of being in uniform,
0:03:45 > 0:03:47but in my dreams the collar was never this scratchy.
0:03:47 > 0:03:50Toughest part of the job. No-one tells you that.
0:03:50 > 0:03:51Hey, it does work.
0:03:53 > 0:03:55Are we all right doing this?
0:03:55 > 0:03:56Yeah...
0:03:56 > 0:03:59it's Monday morning. Most of the serious criminal fraternity
0:03:59 > 0:04:03- are sleeping off the weekend. - 'All officers in the vicinity of Hollier and Sons Motorworks.
0:04:03 > 0:04:06'Reports of a disturbance. Anyone free to attend?'
0:04:06 > 0:04:07Yes. I know.
0:04:08 > 0:04:107244 to Control.
0:04:10 > 0:04:12Show us attending. ETA two minutes.
0:04:12 > 0:04:15- 'Message received, 7244.' - This had better be good.
0:04:26 > 0:04:28Jim! How you doing?
0:04:28 > 0:04:30- You know... - All right, great, erm...
0:04:30 > 0:04:33So, I wanted to ask you a question...
0:04:33 > 0:04:35Nice shirt.
0:04:35 > 0:04:38- Well, I...I've worn this before. - Yeah?
0:04:38 > 0:04:40I suppose I hadn't... noticed it before. Lovely.
0:04:40 > 0:04:42Erm... Yeah, that's what it was,
0:04:42 > 0:04:45- are you coming to the partners' meeting this afternoon?- Yeah.
0:04:45 > 0:04:47Great, OK... Well, that's all I wanted to know.
0:04:47 > 0:04:49I'll see you there.
0:04:49 > 0:04:50Have a good one.
0:04:54 > 0:04:56Come...
0:04:56 > 0:04:57out...
0:04:57 > 0:04:58here...
0:04:58 > 0:05:01- now! - Maybe she just got her repair bill.
0:05:01 > 0:05:03- You reckon?- No...
0:05:03 > 0:05:04No, slow down.
0:05:04 > 0:05:06Do not do this to me, Jason!
0:05:06 > 0:05:09Sleeping with that slapper! Why do you have to ruin everything?!
0:05:09 > 0:05:11It looks like she needs to let off a bit of steam!
0:05:11 > 0:05:14Come out here!
0:05:14 > 0:05:15- If you just listen to me for...- No!
0:05:15 > 0:05:17Do not do this to me, Jase!
0:05:17 > 0:05:20How could you? Oh!
0:05:20 > 0:05:21Hey, stop it!
0:05:21 > 0:05:24- Come...- I said calm down!
0:05:26 > 0:05:27Calm down.
0:05:27 > 0:05:29Whoa, stop it...
0:05:29 > 0:05:32- All right... - How did you get that bruising, love?
0:05:32 > 0:05:34SHE SOBS
0:05:34 > 0:05:36- KNOCK AT DOOR - Come in.
0:05:38 > 0:05:39Just the man.
0:05:40 > 0:05:41How was your weekend?
0:05:41 > 0:05:45- You know, you're the second person to ask me that today? - Well, it is Monday.
0:05:45 > 0:05:46And?
0:05:46 > 0:05:48- It was phenomenal.- Right.
0:05:48 > 0:05:50How's your week shaping up?
0:05:50 > 0:05:51Why you asking?
0:05:51 > 0:05:52It's my job,
0:05:52 > 0:05:54to make sure you're happy in your work.
0:05:54 > 0:05:55I'm happy in my work.
0:05:55 > 0:05:57Good.
0:05:57 > 0:06:00- And you'd tell me if you weren't? - Doubt it.
0:06:00 > 0:06:01OK...
0:06:01 > 0:06:02Well, thanks for your honesty.
0:06:02 > 0:06:03Jimmi...
0:06:05 > 0:06:07Whether you like it or not, I'm here for the long haul
0:06:07 > 0:06:11and, much as I appreciate the importance of authenticity
0:06:11 > 0:06:13in a good business relationship,
0:06:13 > 0:06:15the need for transparency is also key.
0:06:16 > 0:06:18OK, erm...
0:06:18 > 0:06:20last week I was thinking of leaving, and I changed my mind.
0:06:20 > 0:06:22Oh? And...
0:06:22 > 0:06:24may I ask what brought that change about?
0:06:24 > 0:06:26Actually, it was Mrs Tembe.
0:06:26 > 0:06:27- Really?- I know, yeah.
0:06:27 > 0:06:30She seems to think you're the right man for the job, so...
0:06:31 > 0:06:33Right. Well, that's...
0:06:35 > 0:06:36Well, Jimmi,
0:06:36 > 0:06:39I'm glad you feel you can still be a part of the Mill family,
0:06:39 > 0:06:41particularly given the plans afoot.
0:06:41 > 0:06:43Regarding which, partners' meeting at the end of the day -
0:06:43 > 0:06:44details in your pigeon hole.
0:06:44 > 0:06:48Be great if you could have a look at the figures beforehand.
0:06:48 > 0:06:49Exciting times.
0:06:49 > 0:06:50Glad you're on side.
0:06:56 > 0:06:59You promise me you're going to stay calm, yes?
0:06:59 > 0:07:00Very good.
0:07:02 > 0:07:03OK, it's safe to come out.
0:07:06 > 0:07:09- Right, you two... - I can't trust you any more, Jase.
0:07:09 > 0:07:10- You can! - Why did you sleep with her?
0:07:10 > 0:07:12Why do you have to ruin everything?
0:07:12 > 0:07:14I don't know, I just... I wanted you to listen to me.
0:07:14 > 0:07:15I wanted us to talk.
0:07:15 > 0:07:17I hate you!
0:07:17 > 0:07:19Hey, hey...
0:07:19 > 0:07:21You get off on pushing women around, do you?
0:07:21 > 0:07:22What you talking about?
0:07:22 > 0:07:24I'm talking about the bruising on her arms.
0:07:24 > 0:07:25Don't roll your eyes at me, son.
0:07:25 > 0:07:28- Do you know what you get for assault?- Is he hurting you, love?
0:07:28 > 0:07:30Cos you don't have to put up with it.
0:07:30 > 0:07:33- Why don't you come down the station with me? - Tell them, Annie.- Shut up.
0:07:33 > 0:07:34I haven't touched her.
0:07:34 > 0:07:37But you slept with another woman because you wanted her to listen to you?!
0:07:37 > 0:07:40- I didn't sleep with another woman. - You did, you liar!
0:07:40 > 0:07:42Shut up!
0:07:42 > 0:07:44Like being in the school playground...
0:07:44 > 0:07:46Right, one of you is lying.
0:07:46 > 0:07:48All right, I did...
0:07:48 > 0:07:49cheat, but not...
0:07:49 > 0:07:50in real life.
0:07:50 > 0:07:51Beg your pardon?
0:07:51 > 0:07:53In a game.
0:07:53 > 0:07:54We're gamers.
0:07:54 > 0:07:57It was my avatar slept with another woman, not me.
0:07:57 > 0:07:58Come again?
0:07:58 > 0:08:01£400 to paint over a mural?
0:08:01 > 0:08:04Well, apparently it's, erm...
0:08:04 > 0:08:05it's got bits of gloss in it,
0:08:05 > 0:08:08so they've got to use an oil-based undercoat,
0:08:08 > 0:08:10- and then they've got to let it dry...- Even so.
0:08:10 > 0:08:11And if they do paint the mural, then it won't
0:08:11 > 0:08:15- match the rest of the wall, so they've got to do the whole lot. - Well, that's just...
0:08:15 > 0:08:17- You'll have to find a cheaper quote. - That was the cheapest.
0:08:17 > 0:08:20- £400?- Plus VAT, look...
0:08:25 > 0:08:26We're gamers.
0:08:26 > 0:08:29That's where we met, in Evolutions.
0:08:29 > 0:08:33I'm Tony, a...pimp, and she's Jacqui, a pole-dancer.
0:08:33 > 0:08:34Then we got together in real life.
0:08:34 > 0:08:38I'm sorry, but are you trying to tell me that all of this
0:08:38 > 0:08:40is because your computer pimp guy...
0:08:40 > 0:08:41Avatar.
0:08:43 > 0:08:45..cheated on her...
0:08:45 > 0:08:47- computer girl? - Yeah.
0:08:47 > 0:08:49Exactly. She can't see the difference.
0:08:49 > 0:08:51I've tried talking but...
0:08:51 > 0:08:52- that's why I did it. - I can't trust you now.
0:08:52 > 0:08:54- Annie...- Shh!
0:08:54 > 0:08:56Stop it. This is silly.
0:08:56 > 0:08:59Right, I'm going to tell you what I'm going to do...
0:08:59 > 0:09:03I am going to pretend that this morning never happened,
0:09:03 > 0:09:05even though you did ruin my breakfast,
0:09:05 > 0:09:07and I'm going to give you some advice -
0:09:07 > 0:09:09get some fresh air...
0:09:09 > 0:09:11and get a life, because if I catch you two
0:09:11 > 0:09:14wasting police time again, I WILL take you down the station.
0:09:14 > 0:09:16Do you understand?
0:09:16 > 0:09:18Good.
0:09:19 > 0:09:21Everything OK?
0:09:21 > 0:09:22No damage?
0:09:22 > 0:09:24SQUEALING BRAKES, THUD
0:09:31 > 0:09:33Radio in.
0:09:34 > 0:09:36- 8551 to control... - You OK?
0:09:37 > 0:09:40Are you serious, Ayesh? I can't afford a house round here!
0:09:40 > 0:09:42Sid, buying a house is playing a game.
0:09:42 > 0:09:46That's what it's all about. Everyone bluffs.
0:09:46 > 0:09:49I'm sorry. Look, I just don't feel very comfortable with...
0:09:49 > 0:09:51Oh, you're doing that nervous shoulder thing again, aren't you?
0:09:51 > 0:09:54Drop your shoulders, stop apologising and just play the game.
0:09:54 > 0:09:56Come on, it'll be a laugh.
0:09:56 > 0:09:58Me and Niamh have done this a couple of times.
0:09:58 > 0:10:00Professor. Mrs Vere.
0:10:00 > 0:10:02Actually, I'm Professor Vere.
0:10:02 > 0:10:04I know, I don't look old enough, do I?
0:10:04 > 0:10:06And this is my assistant -
0:10:06 > 0:10:07Genghis.
0:10:07 > 0:10:08Genghi...?
0:10:08 > 0:10:10Isn't he sweet?
0:10:10 > 0:10:12So, this the place?
0:10:12 > 0:10:13Bit small.
0:10:13 > 0:10:15Never mind, we're here now, though.
0:10:15 > 0:10:16So sorry we're late,
0:10:16 > 0:10:18the traffic coming out of Mayfair was a nightmare -
0:10:18 > 0:10:21the sooner we leave the Smoke the better!
0:10:26 > 0:10:27So, what happened?
0:10:27 > 0:10:28I ran into the road.
0:10:28 > 0:10:31Stay still! Simon, will you deal with that?
0:10:31 > 0:10:32Yeah, stay still.
0:10:32 > 0:10:34- I told you, I'm all right. - I don't care.
0:10:34 > 0:10:38- You've had a bang to the head, so you will stay still till the paramedics say otherwise.- Annie?
0:10:38 > 0:10:40Oi, stay back. I told you to stay back.
0:10:40 > 0:10:43- Just let me talk to her... - Stay back, or I'll cuff you.
0:10:43 > 0:10:44- Come on. - Stay where you are.
0:10:44 > 0:10:47Hi, fellas...she's had a bang to the head,
0:10:47 > 0:10:50as far as I know - I don't know to what extent. I think she's a bit...
0:10:50 > 0:10:51Oi!
0:10:54 > 0:10:55ROB SIGHS
0:10:59 > 0:11:00Wow.
0:11:03 > 0:11:04So...
0:11:04 > 0:11:05what do you think then...
0:11:05 > 0:11:07Professor?
0:11:09 > 0:11:10It's OK.
0:11:10 > 0:11:11OK?!
0:11:11 > 0:11:14It doesn't have much...flow.
0:11:14 > 0:11:16I think the room's energy is blocked.
0:11:16 > 0:11:18We'd have to travel Ching Yin
0:11:18 > 0:11:20and get him to feng shui the entire house.
0:11:20 > 0:11:22What's next?
0:11:27 > 0:11:30All you had to do was keep an eye, you stupid, dozy cow!
0:11:30 > 0:11:34Well, maybe she wouldn't have to run if she wasn't so scared of what you might do to her.
0:11:34 > 0:11:36- I don't believe this... - You're staying here!
0:11:36 > 0:11:38No, I'm not - I need to find her.
0:11:38 > 0:11:40Get out of my way.
0:11:40 > 0:11:42You need to calm down first, sir.
0:11:42 > 0:11:44I said, get out of my way.
0:11:44 > 0:11:46She could be anywhere by now, thanks to you.
0:11:46 > 0:11:47Move, you waste of space.
0:11:47 > 0:11:49Right, that's it. You're coming with me.
0:11:49 > 0:11:51I'm arresting you for assaulting a police officer.
0:11:51 > 0:11:54- You do not have to say anything... - Let me go. I haven't done anything!
0:11:54 > 0:11:58No? Fine, well, we'll talk about those bruises down the station then.
0:11:59 > 0:12:02He's obviously knocking her about.
0:12:02 > 0:12:04We don't know for sure.
0:12:04 > 0:12:07Sarge, my sister's been through this, and the police were useless.
0:12:07 > 0:12:09By the time they took her seriously, it was too late.
0:12:09 > 0:12:11We need to take the initiative...
0:12:11 > 0:12:13And we don't have any evidence.
0:12:14 > 0:12:16I've arrested him now.
0:12:16 > 0:12:17Yeah, I can see that.
0:12:22 > 0:12:23£400...
0:12:23 > 0:12:25It's ridiculous!
0:12:29 > 0:12:30What are you doing?
0:12:30 > 0:12:32Emma!
0:12:32 > 0:12:34You've been waiting to do that
0:12:34 > 0:12:36- since the day you walked in here, haven't you?- What?
0:12:36 > 0:12:38You could have at least asked us if we wanted to take
0:12:38 > 0:12:41a photograph before you desecrated Howard's memory!
0:12:41 > 0:12:43- Emma... - Unbelievable.
0:12:43 > 0:12:44Emma!
0:12:49 > 0:12:51You've indicated that you don't need a solicitor,
0:12:51 > 0:12:53will you confirm that for the tape, please?
0:12:53 > 0:12:56I don't need a solicitor, I haven't done anything.
0:12:56 > 0:12:57Have you found Annie?
0:12:57 > 0:12:59No, not yet. She's not answering her phone,
0:12:59 > 0:13:02but we do have officers patrolling, and we've put a search order out.
0:13:02 > 0:13:04Look, I'm sorry I pushed you, all right?
0:13:04 > 0:13:06But, will you... just let me find her?
0:13:06 > 0:13:09Why, so we can get a repeat of this morning's episode?
0:13:09 > 0:13:13No, because she'll do something stupid.
0:13:13 > 0:13:15We need to ask you a few questions first.
0:13:15 > 0:13:19Like, have you any idea how Annie got those bruises on her arm?
0:13:19 > 0:13:22She did it to herself, when she lost her job.
0:13:22 > 0:13:23Most people,
0:13:23 > 0:13:26they don't harm themselves when they lose their jobs.
0:13:26 > 0:13:28Well, MOST people don't think Annie's fat,
0:13:28 > 0:13:29but SHE does.
0:13:29 > 0:13:31She's messed up.
0:13:31 > 0:13:34That's why she prefers being in Evolutions than with me.
0:13:34 > 0:13:36Would you say she's quite an insecure person, then?
0:13:36 > 0:13:39Wow...you're like lightning(!)
0:13:39 > 0:13:41Yes. She hates herself.
0:13:41 > 0:13:45That's why she ran in front of a car, because I think she was trying to kill herself.
0:13:45 > 0:13:47How come you didn't mention that she was suicidal?
0:13:47 > 0:13:50I've been trying to, but you arrested me!
0:13:50 > 0:13:52So, anywhere she might be?
0:13:52 > 0:13:55- Family? - They're in Scotland.
0:13:55 > 0:13:57- Friends? - She doesn't really...
0:13:57 > 0:13:58She's not that sort of person.
0:13:58 > 0:14:00Have you got any idea at all where she could be?
0:14:00 > 0:14:02We do need to find her.
0:14:02 > 0:14:04Oh, right...now you're telling me!
0:14:05 > 0:14:07The only place I can think of is Mortlock Lake.
0:14:07 > 0:14:09She goes there to get her head together, but
0:14:09 > 0:14:12- with my laptop mullered, I've no way of knowing.- Mortlock?
0:14:12 > 0:14:14As in Evolutions?
0:14:14 > 0:14:16It's like being with Inspector Clouseau.
0:14:16 > 0:14:17Yes, Evolutions.
0:14:17 > 0:14:20- Which region?- Orion 6.
0:14:20 > 0:14:21- Why, do you...?- Lower?
0:14:21 > 0:14:23Upper.
0:14:23 > 0:14:25OK.
0:14:25 > 0:14:26Sorry, am I still here?
0:14:26 > 0:14:28Sarge, can I have a word?
0:14:35 > 0:14:37I know where the lake is.
0:14:37 > 0:14:38I thought you said it was in a game.
0:14:38 > 0:14:39It is,
0:14:39 > 0:14:42but if Annie's accessing the game, then I can find her avatar Jacqui
0:14:42 > 0:14:44and get a message to Annie.
0:14:44 > 0:14:45You play this tripe as well?
0:14:45 > 0:14:47Yeah, the whole family does.
0:14:47 > 0:14:49Along with millions of others.
0:14:49 > 0:14:50What are you saying?
0:14:50 > 0:14:53Well, if we create an avatar for you, I could lead you to the lake,
0:14:53 > 0:14:56and then if we find Jacqui, we can get a message through.
0:14:56 > 0:14:59- Are you seriously suggesting that I go on this game?- Sarge...
0:14:59 > 0:15:02no matter what you think about it, for Annie it's reality.
0:15:02 > 0:15:05And anyway, at the moment, it's all we've got.
0:15:07 > 0:15:09- KNOCK AT DOOR - Come in.
0:15:12 > 0:15:13Emma...
0:15:13 > 0:15:17I think I know what's happened here, and I apologise unreservedly.
0:15:17 > 0:15:20The only reason I was doing the work myself is because the decorators
0:15:20 > 0:15:22were trying it on - I was trying to save the practice money,
0:15:22 > 0:15:25but this misunderstanding is completely unacceptable
0:15:25 > 0:15:27and I'm going to speak to Karen about it right away.
0:15:27 > 0:15:28Karen?
0:15:28 > 0:15:31It was her I asked to e-mail everybody on Friday about the mural.
0:15:31 > 0:15:35- Right, well, let's see where this e-mail is, shall we? - Well, she obviously forgot.
0:15:35 > 0:15:37I'd had a number of patient complaints
0:15:37 > 0:15:39that the mural was confusing, what with...
0:15:39 > 0:15:42most of the staff members on it no longer being here.
0:15:42 > 0:15:45I was absolutely clear with Karen that the e-mail should be
0:15:45 > 0:15:49marked high priority given the...sensitivity.
0:15:49 > 0:15:50Erm...I did...
0:15:52 > 0:15:54..get it.
0:15:54 > 0:15:55You did?
0:15:56 > 0:15:58Yes...
0:15:58 > 0:16:02it's just that it appears I didn't read it.
0:16:02 > 0:16:04It was...
0:16:04 > 0:16:06high priority.
0:16:06 > 0:16:07I'm sorry.
0:16:07 > 0:16:09Look, the paint's still wet, I could get a couple of sponges...
0:16:09 > 0:16:11No! You don't have to do that.
0:16:14 > 0:16:16I think Howard's preferred legacy would be
0:16:16 > 0:16:20the continued smooth running of this place, rather than a...
0:16:20 > 0:16:22faded painting.
0:16:22 > 0:16:23Absolutely.
0:16:24 > 0:16:26Anyway...
0:16:26 > 0:16:29they didn't really get the angle of his quiff right!
0:16:30 > 0:16:32- I am sorry.- No...
0:16:32 > 0:16:34I'm just glad we got this cleared up.
0:16:37 > 0:16:40I think...Karen did take some photos.
0:16:42 > 0:16:44Right...thanks.
0:16:50 > 0:16:52Awkward...
0:16:56 > 0:16:58Right, profession?
0:16:58 > 0:17:00What does it really matter?
0:17:00 > 0:17:02Well, it needs to be someone from her world,
0:17:02 > 0:17:04somebody she'd be likely to talk to.
0:17:04 > 0:17:05Erm...
0:17:05 > 0:17:07I'm going to make you a...
0:17:07 > 0:17:08gigolo.
0:17:10 > 0:17:12So, do you want to be 6'2", 6'3"?
0:17:12 > 0:17:14How long's this going to take?
0:17:14 > 0:17:16I'll put 6'3".
0:17:16 > 0:17:18Medium build?
0:17:18 > 0:17:20Muscular!
0:17:21 > 0:17:23Huh!
0:17:23 > 0:17:25I don't believe this.
0:17:25 > 0:17:27Right, name? How about...?
0:17:27 > 0:17:28Rico.
0:17:28 > 0:17:31- Rico.- Rico.
0:17:33 > 0:17:34Right. Can we get started?
0:17:35 > 0:17:38Welcome to Evolution, Sarge.
0:17:41 > 0:17:43Oh...not bad.
0:17:43 > 0:17:46What do you think, Genghis?
0:17:46 > 0:17:48Well...
0:17:48 > 0:17:50there's only one way to know for sure -
0:17:50 > 0:17:51test it out.
0:17:52 > 0:17:53Professor?
0:18:02 > 0:18:04No...as I thought -
0:18:04 > 0:18:05too small.
0:18:05 > 0:18:07We need room for hubby, too.
0:18:16 > 0:18:17Cheers, Mike.
0:18:18 > 0:18:22The GP backed up Jason's story, so they can start tracking the phone now,
0:18:22 > 0:18:25as long as she's using it. How you getting on?
0:18:25 > 0:18:27No sign yet. This lake is massive!
0:18:27 > 0:18:31Well, use your Porsche to drive around, it'll be quicker.
0:18:31 > 0:18:32I've got a Porsche, really?
0:18:32 > 0:18:33Course!
0:18:33 > 0:18:36Ooh, look, on the bench - that's got to be her!
0:18:36 > 0:18:37W-What do I do?
0:18:37 > 0:18:39Control-C to chat. Go up to her.
0:18:39 > 0:18:41- Talk to her.- As Rico...?
0:18:41 > 0:18:44- Doesn't matter. Quick, before she goes.- Hey, sugar...
0:18:44 > 0:18:45What you doing?
0:18:45 > 0:18:47- I'm being Rico.- Oh...
0:18:47 > 0:18:49Sarge, you don't need to talk like that. Just...
0:18:49 > 0:18:53- control-C to chat. - Oh, yeah, yeah...
0:18:53 > 0:18:54Erm...
0:18:54 > 0:18:57Yeah, hi, hey-hey...
0:18:57 > 0:18:58hey, hi, I'm...
0:18:58 > 0:19:00I'm Rico. Do you mind if I join you?
0:19:00 > 0:19:03- COMPUTER BEEPS - OK. Yeah, go on...
0:19:03 > 0:19:05Yeah, erm...
0:19:05 > 0:19:08real nice weather we're having today.
0:19:09 > 0:19:11"You sound like a psycho."
0:19:11 > 0:19:13- Do I?- Go with it.
0:19:13 > 0:19:14Erm...sorry,
0:19:14 > 0:19:17sorry...I don't really talk like that,
0:19:17 > 0:19:19it's just because I'm... a bit nervous.
0:19:19 > 0:19:21I'm, erm...
0:19:21 > 0:19:23I'm nervous because you are...
0:19:23 > 0:19:25amazing. I've seen you before.
0:19:25 > 0:19:27You're the...pole-dancer, aren't you?
0:19:27 > 0:19:30- COMPUTER BEEPS - "OMG, you recognised me!" This is great, keep going.
0:19:30 > 0:19:34Yeah, you're brilliant... I think you're really, really...
0:19:34 > 0:19:37Annie, listen to me, we are worried about you, and so is Jason...
0:19:37 > 0:19:40we need to know where you are. COMPUTER BEEPS
0:19:40 > 0:19:44- She's kicking me. Why is she...? - Yeah, she's blocked you. - PHONE RINGS
0:19:44 > 0:19:46Yeah...?
0:19:46 > 0:19:48OK. Thanks, Mike.
0:19:49 > 0:19:51- Waste of bloody time. - Actually, Sarge, it's not.
0:19:51 > 0:19:53They've managed to track the phone.
0:19:59 > 0:20:00Jimmi!
0:20:00 > 0:20:02Good house calls?
0:20:02 > 0:20:03Fine, yeah.
0:20:03 > 0:20:05You enjoying that?
0:20:06 > 0:20:10Erm, not really, no, but the decorators were trying it on.
0:20:10 > 0:20:12Fortunately, I don't mind getting my hands dirty.
0:20:12 > 0:20:15Did you get a chance to look at those figures?
0:20:15 > 0:20:16Not yet.
0:20:16 > 0:20:18Right, well...my office, 6.30?
0:20:18 > 0:20:20Mm-hmm.
0:20:37 > 0:20:38Annie...!
0:20:38 > 0:20:39Annie, don't run!
0:20:39 > 0:20:41Aargh, my head...
0:20:41 > 0:20:43Aargh...
0:20:43 > 0:20:45- Annie, are you OK? - Oh...
0:20:45 > 0:20:48You've banged your head. We need to get you to hospital.
0:20:48 > 0:20:50I don't want your help, you patronising old...
0:20:50 > 0:20:53- I was wrong...- Ow! - ..and I'm sorry, OK?
0:20:53 > 0:20:56- Oh...- I should've taken you more seriously.
0:20:56 > 0:20:59- Let's get you checked over.- Oh...
0:20:59 > 0:21:02- Ugh! - Come on, let's get you to hospital.
0:21:02 > 0:21:03Come on.
0:21:12 > 0:21:14KNOCK AT DOOR
0:21:20 > 0:21:22I've had a word with the doctor,
0:21:22 > 0:21:25and he wants you to have a chat with the duty psychiatrist.
0:21:25 > 0:21:27Don't worry, I'm not going to do anything stupid.
0:21:28 > 0:21:31You're not supposed to use your phone in here.
0:21:32 > 0:21:33In a minute.
0:21:35 > 0:21:37- What? - You can't, can you?
0:21:37 > 0:21:40- It's not real. - How can you say that?
0:21:40 > 0:21:42It's where I met Jason. That's real!
0:21:42 > 0:21:44Yeah, but Jason did what he did because he thinks you're addicted,
0:21:44 > 0:21:46and he wants you to stop playing the game.
0:21:46 > 0:21:47And do what?
0:21:47 > 0:21:49Stare at the wall all day?
0:21:51 > 0:21:52It stops me from getting lonely.
0:21:52 > 0:21:56Besides, Jason loves me as Jacqui. He thinks I'm sexy.
0:21:56 > 0:21:57I'm sure he prefers you as you.
0:21:57 > 0:21:59Yeah, right!
0:21:59 > 0:22:00Look at me.
0:22:00 > 0:22:02Do you want to lose Jason?
0:22:04 > 0:22:06Please, turn the phone off.
0:22:06 > 0:22:07Jase loves Evolutions.
0:22:07 > 0:22:08Not any more, I don't.
0:22:08 > 0:22:11- You going to switch if off, then? - Why did you sleep with her?
0:22:11 > 0:22:13Because I love you.
0:22:13 > 0:22:15Oh, right...
0:22:15 > 0:22:18so you destroy the one thing I've got going in my life?!
0:22:18 > 0:22:19What?
0:22:19 > 0:22:21What about us?
0:22:21 > 0:22:23I mean, that's if you still want that!
0:22:24 > 0:22:26Turn it off, Annie.
0:22:28 > 0:22:30Yeah, in a minute.
0:22:30 > 0:22:33Oh, fine!
0:22:33 > 0:22:34I tried.
0:22:34 > 0:22:36Where are you going?
0:22:36 > 0:22:37Jase, don't walk out!
0:22:37 > 0:22:41Well, to be fair, love, he does seem to be trying everything,
0:22:41 > 0:22:44- but if you won't take the first step...- I can't! I...
0:22:45 > 0:22:48- ..find it too hard. - There you go.
0:22:48 > 0:22:49That is a start.
0:22:50 > 0:22:52You need to tell him that...
0:22:53 > 0:22:56..otherwise, life is going to start to get a lot more lonely.
0:22:58 > 0:22:59Genghis!
0:22:59 > 0:23:02Where did you get that from? You're unbelievable, you know!
0:23:02 > 0:23:04You can talk, getting in that bath!
0:23:04 > 0:23:06- Told you it'd be a laugh, though. - Yeah.
0:23:06 > 0:23:08- We should do it again, you know. - Yeah.
0:23:08 > 0:23:10No, no, I mean, like... do it properly.
0:23:10 > 0:23:13- I think I'm going to go for it. - You're serious, aren't you?
0:23:13 > 0:23:15Yeah, well...you know, I'm sick of renting, so...
0:23:15 > 0:23:16I want to get on the ladder.
0:23:16 > 0:23:20- Good. - But if you call me Genghis again...!
0:23:20 > 0:23:21Come on, you. Jump in the Bentley.
0:23:29 > 0:23:30Jase...!
0:23:30 > 0:23:31Jason!
0:23:34 > 0:23:35I'm sorry.
0:23:39 > 0:23:40I love you, too.
0:23:46 > 0:23:48You wanted a word, Sarge?
0:23:48 > 0:23:49Yeah. Listen,
0:23:49 > 0:23:51the system is not perfect,
0:23:51 > 0:23:53and I'm really sorry that it failed your sister,
0:23:53 > 0:23:55but don't let it cloud your judgment.
0:23:55 > 0:23:57I know. I'm sorry.
0:23:57 > 0:24:00That's all right. But, apart from that, I would like to thank you,
0:24:00 > 0:24:03because I understood less than half of what happened today,
0:24:03 > 0:24:05so I'm really pleased you knew what you were doing.
0:24:05 > 0:24:07Well, it's called the 21st century, Sarge.
0:24:07 > 0:24:09You should try it.
0:24:09 > 0:24:11- You can go home now.- OK.
0:24:12 > 0:24:14Just one question, sir...
0:24:14 > 0:24:15Go on.
0:24:15 > 0:24:19There was a small part of you that actually enjoyed being Rico today,
0:24:19 > 0:24:21wasn't there?
0:24:21 > 0:24:23Get out.
0:24:23 > 0:24:25- See you tomorrow. - Yeah, see you.
0:24:28 > 0:24:31"Hi, Rico, you're hot. Fancy having some fun?"
0:24:33 > 0:24:35Maybe. PHONE RINGS
0:24:35 > 0:24:36Hello, Rico...Rob!
0:24:37 > 0:24:41No, no, love...no, love... Yes, it is me... Yeah, it's me.
0:24:44 > 0:24:46Thank you, all, for coming.
0:24:46 > 0:24:48You've all had a chance to look at the figures, which...
0:24:48 > 0:24:51I hope you'll agree, stack up pretty convincingly.
0:24:54 > 0:24:57As with any venture, there's the potential for risk,
0:24:57 > 0:25:00but there's also the potential for rewards,
0:25:00 > 0:25:01pretty big rewards.
0:25:03 > 0:25:05Look, I don't want to rake over the figures...
0:25:05 > 0:25:06they work...
0:25:06 > 0:25:09so the question I think we should put on the table is this -
0:25:09 > 0:25:11do we want to take on the risk?
0:25:11 > 0:25:12Which...
0:25:12 > 0:25:16leads me to my broader question this evening -
0:25:16 > 0:25:19what sort of practice do we see ourselves as?
0:25:19 > 0:25:23One that seizes opportunity when it presents...
0:25:23 > 0:25:24or one that coasts?
0:25:25 > 0:25:28What is our identity?
0:25:28 > 0:25:29The floor is open.
0:25:32 > 0:25:34Well, I think it's...
0:25:34 > 0:25:36a great opportunity...
0:25:36 > 0:25:38and I think you've done brilliantly putting it together,
0:25:38 > 0:25:41and, to answer your question personally,
0:25:41 > 0:25:43no, I don't want to coast.
0:25:43 > 0:25:46With the Campus, we virtually run two practices already...
0:25:46 > 0:25:50so adding a third really isn't going to stretch us a great deal.
0:25:50 > 0:25:51I'm in.
0:25:51 > 0:25:52Great.
0:25:52 > 0:25:54Thank you, Daniel.
0:25:54 > 0:25:56Zara?
0:25:57 > 0:26:00I think that we can add value.
0:26:00 > 0:26:02We shouldn't shy away from our strengths.
0:26:02 > 0:26:06We're a highly successful practice and, between us,
0:26:06 > 0:26:09our staff have probably over 100 years of experience.
0:26:09 > 0:26:13I think that makes us best placed to turn King's Green around.
0:26:13 > 0:26:16It would be good for Letherbridge, good for us...
0:26:16 > 0:26:17and I'm in.
0:26:19 > 0:26:20Thank you, Zara.
0:26:22 > 0:26:23Jimmi?
0:26:25 > 0:26:27Erm...
0:26:27 > 0:26:30It's going to mean a lot of extra work, isn't it?
0:26:30 > 0:26:31Not necessarily, no.
0:26:31 > 0:26:35I'd take on the lion's share, and we'd hire in as needed.
0:26:36 > 0:26:38So you won't be sacking anyone?
0:26:38 > 0:26:40Absolutely not.
0:26:40 > 0:26:42We can't be losing experienced members of staff.
0:26:42 > 0:26:44We need to hang on to them...
0:26:44 > 0:26:46value them.
0:26:46 > 0:26:49Well, in that case, I think it's an excellent idea.
0:26:52 > 0:26:53Jimmi, that's...
0:26:53 > 0:26:57I can't think of a better way of bringing Mrs Tembe back to the family.
0:27:06 > 0:27:08- Hi, I'm Steve. - Oh, hello.
0:27:08 > 0:27:10Steve's the baby's dad. He lives here as well.
0:27:10 > 0:27:12OK...
0:27:12 > 0:27:14- I work too. - Yeah, right!
0:27:14 > 0:27:16Maybe the boys should wait outside.
0:27:16 > 0:27:19Adrian Willis, Daniel Granger. This is the senior partner.
0:27:19 > 0:27:21I didn't do anything!
0:27:21 > 0:27:22Don't shout!
0:27:22 > 0:27:27Well, now Mr Goddard has left, I am the new acting practice manager.
0:27:27 > 0:27:28Ugh!