0:00:32 > 0:00:33Why's it taking so long?
0:00:35 > 0:00:38It's only been a few minutes. We're witnesses, it'll be fine.
0:00:40 > 0:00:43Ah.
0:00:43 > 0:00:45Thanks for coming in.
0:00:45 > 0:00:46It's fine.
0:00:46 > 0:00:48So... Ruhma, what happened?
0:00:49 > 0:00:51Well, Ruhma was visiting...
0:00:51 > 0:00:54Naughty, Heston, I'm sure Ruhma can speak for herself.
0:00:55 > 0:00:59Well, I was, erm, seeing a mum at the property, mum-to-be,
0:00:59 > 0:01:01and, erm, I heard some cries for help,
0:01:01 > 0:01:05so I went to investigate and that's when I saw that young woman.
0:01:05 > 0:01:07That's Besa?
0:01:07 > 0:01:09Yeah. Yeah, yeah, yeah. That's what she said.
0:01:09 > 0:01:12Erm, I examined her, Rob, and it was really clear she needed some
0:01:12 > 0:01:15medical attention, so I went to get my black bag from the car.
0:01:15 > 0:01:17And that's when I saw Heston.
0:01:17 > 0:01:19Yeah. Ruhma explained the situation.
0:01:19 > 0:01:22The woman looked like she was suffering from sepsis,
0:01:22 > 0:01:23- so we called an...- Ambulance. - ..ambulance.
0:01:23 > 0:01:26And, er, you know the rest.
0:01:26 > 0:01:29And you...just happened...to be...passing?
0:01:29 > 0:01:32Did she say anything about her circumstances? Where she was from?
0:01:32 > 0:01:34Or next of kin?
0:01:34 > 0:01:38Do you know, Rob, it just all happened so quickly...
0:01:38 > 0:01:39Yeah, yeah.
0:01:39 > 0:01:42She didn't say anything while you were waiting for the ambulance?
0:01:42 > 0:01:46- Well, she was in a lot of pain, she was quite delirious.- Yeah.
0:01:46 > 0:01:49Yeah. Had you been to the house before?
0:01:49 > 0:01:53- Sorry? - Have you been to that house before?
0:01:54 > 0:01:56Oh... PHONE RINGS
0:01:56 > 0:01:58Excuse me... I'll just take this.
0:02:00 > 0:02:03Yeah, Rob Hollins. What have you got?
0:02:03 > 0:02:05Right, OK.
0:02:05 > 0:02:08Oh, dear, that's bad timing, isn't it? First day of term.
0:02:08 > 0:02:11Still, I'm sure your tutor will understand.
0:02:11 > 0:02:12Chloe Canning?
0:02:17 > 0:02:20Oh, I am so sorry, you're too late. We close at...
0:02:20 > 0:02:24Six o'clock, I know. Will you tell Jimmi I'm here, please?
0:02:24 > 0:02:26Charlie Ashwell. He's expecting me.
0:02:26 > 0:02:28Oh, right. Well, he's with a patient
0:02:28 > 0:02:31so if you'd like to take a seat? He shouldn't be long.
0:02:38 > 0:02:40SHUTTER CLICKS
0:02:40 > 0:02:42Sorry, what are you doing?
0:02:43 > 0:02:46Taking photographs. I'm... I'm a photographer.
0:02:46 > 0:02:49Right. Well, you can't just come in here and start snapping away.
0:02:49 > 0:02:51Sorry. I... I should have asked permission.
0:02:51 > 0:02:53Yes, you should.
0:02:53 > 0:02:55Would it be OK if I took some photographs?
0:02:55 > 0:02:57There are some really interesting shapes in here
0:02:57 > 0:03:01and I'm working on an assignment prioritising scale, form and focus.
0:03:01 > 0:03:03Please, may I?
0:03:03 > 0:03:06I suppose so. No patients, though.
0:03:10 > 0:03:15Sorry about that. OK... Where were we?
0:03:17 > 0:03:21Ruhma, you were at that property to see a patient, er, I assume.
0:03:21 > 0:03:24- Obviously a pregnant female?- Yeah. - What can you tell me about her?
0:03:24 > 0:03:26Oh...well, I can't really.
0:03:26 > 0:03:30I'm sorry, it's just... It's confidentiality.
0:03:30 > 0:03:31BOTH CHUCKLE
0:03:31 > 0:03:36Yes. It is. Although you are helping with a police enquiry.
0:03:37 > 0:03:38OK, never mind.
0:03:38 > 0:03:42Did you see or hear anyone else while you were at the house?
0:03:42 > 0:03:44I don't... I don't think I did, no.
0:03:44 > 0:03:45Heston?
0:03:46 > 0:03:49Ah, well, we were focused on the patient and her wellbeing,
0:03:49 > 0:03:53not whether there was anyone else in the building.
0:03:53 > 0:03:55Right.
0:03:55 > 0:03:58You see, they have neighbours who said that they saw several
0:03:58 > 0:04:01people leaving the house before the ambulance arrived.
0:04:01 > 0:04:04Are you sure that you...? You didn't see or hear anything at all?
0:04:05 > 0:04:06Sorry.
0:04:08 > 0:04:09Right, here's the thing.
0:04:09 > 0:04:12We suspect that that property is housing illegal immigrants.
0:04:12 > 0:04:16And the young woman that you attended, Besa Kotti,
0:04:16 > 0:04:19we think that she could also be in the country illegally.
0:04:19 > 0:04:22Are you sure you can't remember anything that would throw
0:04:22 > 0:04:24some light on what's going on?
0:04:27 > 0:04:28Where's the baby?
0:04:33 > 0:04:36Wow. Who'd have thought a door handle was so interesting?
0:04:36 > 0:04:38It's not about the door handle, per-se.
0:04:38 > 0:04:41By adjusting depth of field, angle, contrast,
0:04:41 > 0:04:44you can downplay the function and elevate the form.
0:04:44 > 0:04:47Ahh... Would you like to take a photograph of me?
0:04:47 > 0:04:50No. But thanks for the offer, though.
0:04:50 > 0:04:52So you prefer inanimate objects.
0:04:52 > 0:04:55You're a bit dull, visually, even for a portrait study.
0:04:55 > 0:04:59And that shade of green doesn't work with your complexion.
0:05:00 > 0:05:02Oh!
0:05:02 > 0:05:04Problem?
0:05:04 > 0:05:07Well, if the students will insist on putting their feet on the benches.
0:05:07 > 0:05:10Not very hygienic for a doctors' surgery.
0:05:10 > 0:05:12Contaminated surfaces are a leading cause of indirect
0:05:12 > 0:05:16transmission of pathogens - adenovirus, influenza virus,
0:05:16 > 0:05:19rotavirus, norovirus, staphylococcus, salmonella...
0:05:19 > 0:05:22Well, perhaps you'd better wash your hands.
0:05:24 > 0:05:25HE GROANS
0:05:25 > 0:05:27Thank you.
0:05:28 > 0:05:29Better?
0:05:29 > 0:05:31Yeah. Yeah, thanks.
0:05:31 > 0:05:35Ruhma, the woman you were attending is post-partum.
0:05:35 > 0:05:37You examined her - did you not notice that?
0:05:39 > 0:05:42Did you know that the woman had recently given birth?
0:05:42 > 0:05:43Yes.
0:05:43 > 0:05:45So why didn't you tell me?
0:05:45 > 0:05:47Because you didn't ask.
0:05:49 > 0:05:50HE SIGHS
0:05:50 > 0:05:53Would either of you like to tell me what is going on?
0:05:53 > 0:05:55Nothing's going on.
0:05:55 > 0:05:59Right. I am now talking to you as Rob, your friend.
0:05:59 > 0:06:02Generally speaking, it is never a good idea to lie to the police -
0:06:02 > 0:06:05particularly when you're both rubbish at it.
0:06:05 > 0:06:09So I suggest that you go home and think it over.
0:06:09 > 0:06:12Give me a call when you're ready to talk.
0:06:21 > 0:06:23- Your friend's here.- Charlie?
0:06:23 > 0:06:24Yeah, he's in the loo.
0:06:26 > 0:06:29What's he done? Valerie?
0:06:29 > 0:06:32Well, apparently, I'm boring and the surgery's a death trap.
0:06:32 > 0:06:34All right, well, I'm sure he didn't mean to upset you.
0:06:34 > 0:06:37Charlie's social skills are a work in progress.
0:06:37 > 0:06:40It's tricky for people on the spectrum.
0:06:40 > 0:06:43- Autism?- Asperger's.
0:06:43 > 0:06:45Oh, OK, well that explains a lot... His in-depth
0:06:45 > 0:06:50knowledge of micro-organisms and his fascination with office furniture.
0:06:50 > 0:06:52Do you know, he was photographing the legs of the benches?
0:06:52 > 0:06:54Why would you do that?
0:06:54 > 0:06:56Ah, well, Charlie's very talented.
0:06:56 > 0:06:57Yeah, he's been shortlisted for the
0:06:57 > 0:07:00- Arkwright Amateur Photographer of the Year.- Oh.
0:07:00 > 0:07:02So how do you two know each other?
0:07:02 > 0:07:04Well, we met at a photography course and just stayed in touch.
0:07:04 > 0:07:06Do you know, I wouldn't have put you two together.
0:07:06 > 0:07:08Are you some sort of a mentor?
0:07:08 > 0:07:11Ha-ha-ha, I wish. No, Charlie is much better than me.
0:07:11 > 0:07:13But he's great company, once you get past the bluntness.
0:07:13 > 0:07:15Jimmi!
0:07:15 > 0:07:17- Hey! - I've got a new camera.
0:07:17 > 0:07:20It's got an APS-C sensor with a no low-pass filter,
0:07:20 > 0:07:22a hybrid viewfinder...
0:07:22 > 0:07:24All right, just...tell me about on the way, yeah.
0:07:24 > 0:07:25OK, well, I'll lock up, then?
0:07:25 > 0:07:27That's a very good idea.
0:07:27 > 0:07:31Medical centres are a prime target for drug addicts and criminals.
0:07:31 > 0:07:33- Come on, Jimmi.- All right.
0:07:42 > 0:07:44Oh! Good luck with your move!
0:07:44 > 0:07:46Cheers.
0:07:50 > 0:07:52Oh, oh-oh-ho!
0:07:52 > 0:07:54Security's still lax, then.
0:07:54 > 0:07:56What are you doing back here?
0:07:56 > 0:07:59Well, you can't be too careful after what happened to Valerie and Al.
0:07:59 > 0:08:01Aw, are you looking out for me?
0:08:01 > 0:08:04I've had a word with Mrs Tembe about a controlled-entry option
0:08:04 > 0:08:06and a panic alarm. That should be sorted soon.
0:08:06 > 0:08:09Great. So, did you catch your man, earlier?
0:08:09 > 0:08:11He was packing his bags as we arrived.
0:08:11 > 0:08:14Oh. Hey, why don't you stick the kettle on?
0:08:14 > 0:08:16And we will talk about it over a cuppa.
0:08:16 > 0:08:18Yeah, OK.
0:08:19 > 0:08:24Oh, hey. I've just had Heston and Ruhma down the station.
0:08:25 > 0:08:26Tea?
0:08:30 > 0:08:31The winner?
0:08:31 > 0:08:34Well, it's a great shot. Depends, doesn't it?
0:08:34 > 0:08:37Depends on the competition, depends on the judge...
0:08:37 > 0:08:41Brad Masterson... He's amazing. I've got all of his books.
0:08:41 > 0:08:43I know.
0:08:43 > 0:08:45Jimmi Clay.
0:08:45 > 0:08:48- Oh!- Oh.
0:08:48 > 0:08:51It's been absolutely forever. How are you?
0:08:51 > 0:08:53I'm good.
0:08:53 > 0:08:56I thought you might have showed your face at the De Barros retrospective.
0:08:56 > 0:08:59- When was that?- November.
0:08:59 > 0:09:02Just had to pull out all the stops to bring it to Letherbridge.
0:09:02 > 0:09:06Ah, Charlie, this is Aimee. She manages the gallery.
0:09:06 > 0:09:10- Hi.- Nice to meet you. So, what brings you out tonight?
0:09:10 > 0:09:13Moral support. Charlie's been shortlisted.
0:09:14 > 0:09:18Oh, you're THAT Charlie! How marvellous.
0:09:18 > 0:09:22It really is an excellent piece of work. And you're so young.
0:09:22 > 0:09:23Have you seen my entry?
0:09:25 > 0:09:28I'm amazed I made the last ten.
0:09:28 > 0:09:30I mean, it was such a last-minute effort.
0:09:30 > 0:09:33I'm liking what you've done with the light there.
0:09:33 > 0:09:36- Oh...- It's reminiscent of Maisel's work.
0:09:36 > 0:09:37Thank you.
0:09:37 > 0:09:38But without his finesse.
0:09:40 > 0:09:43The ear is a distraction - if that's what it is.
0:09:43 > 0:09:45And your colour balance is out.
0:09:45 > 0:09:49If you shoot it raw you can correct that in post-processing.
0:09:49 > 0:09:52Hmm. Oh, there's Tabitha...
0:09:54 > 0:09:55Excuse me.
0:09:57 > 0:09:59That was a little harsh.
0:09:59 > 0:10:00No, it wasn't.
0:10:00 > 0:10:04Look, I'm not disputing your critical judgment...just,
0:10:04 > 0:10:07you know, does it have to be so blunt?
0:10:07 > 0:10:09I'm supposed to lie about art too?
0:10:09 > 0:10:13No, not "lie", not lie. Just apply the filters.
0:10:15 > 0:10:16Say something positive.
0:10:17 > 0:10:19Brad Masterson.
0:10:30 > 0:10:32Hey, erm...
0:10:32 > 0:10:34..I'm going to the hospital.
0:10:34 > 0:10:36Ruhma...not tonight.
0:10:38 > 0:10:41What are we going to say to Rob?
0:10:41 > 0:10:45I don't really care what we say to Rob, because Besa needs me.
0:10:45 > 0:10:48You've risked your career, mine...
0:10:48 > 0:10:51..and everyone else you've dragged into this!
0:10:52 > 0:10:54There's nothing more you can do.
0:10:54 > 0:10:57Heston, she is scared and she's alone,
0:10:57 > 0:10:59and she doesn't even know where her baby is.
0:10:59 > 0:11:02Her friends will look after the baby until they are reunited.
0:11:02 > 0:11:04Reunited! What?
0:11:04 > 0:11:06Until they stick her on a flight back to Albania,
0:11:06 > 0:11:08the moment that she's well enough to travel?
0:11:08 > 0:11:11She's terrified of being deported.
0:11:11 > 0:11:13That is not going to happen.
0:11:13 > 0:11:16The authorities won't send her home to be murdered.
0:11:16 > 0:11:20Right. Well, I... I hope, I hope that you're right there.
0:11:22 > 0:11:25I'll ring Martin. He'll give me some advice.
0:11:25 > 0:11:27- Tonight?- Oh, Ruhma...
0:11:27 > 0:11:30Look, I'm... I'm going to go, OK.
0:11:30 > 0:11:35Just call me if you've got anything positive to tell her.
0:11:38 > 0:11:39Thank you.
0:11:47 > 0:11:49So, I looked into his eyes, and I realised,
0:11:49 > 0:11:52if I didn't get out of there... he was going to kill me.
0:11:53 > 0:11:55Don't be shy, there's more champagne.
0:11:55 > 0:11:57- Thank you.- Cheers.- Help yourself.
0:11:58 > 0:12:00My heart was racing. My breath burned in my throat...
0:12:00 > 0:12:06Darling, you look amazing. The single life obviously suits you.
0:12:06 > 0:12:07- Thank you!- You're well rid!
0:12:07 > 0:12:09Help yourself to champagne.
0:12:12 > 0:12:15When I finally found the courage to turn round and look,
0:12:15 > 0:12:18he was gone... Melted into the bush.
0:12:20 > 0:12:23Your little friend thinks rather a lot of himself.
0:12:25 > 0:12:26I wouldn't say that.
0:12:26 > 0:12:28Because you haven't lived,
0:12:28 > 0:12:31unless you've been charged by a bull elephant, am I right?
0:12:31 > 0:12:32LAUGHTER
0:12:32 > 0:12:34Excuse me.
0:12:34 > 0:12:36- Yeah?- Can I have your autograph?
0:12:36 > 0:12:37Er...yeah, you got a pen?
0:12:39 > 0:12:41- What's your name?- Charlie.
0:12:42 > 0:12:46Oh, evening, all. Social call?
0:12:46 > 0:12:49Just keeping an eye out.
0:12:49 > 0:12:52So how do YOU feel about the late working hours?
0:12:52 > 0:12:54Oh, a little exposed, if I'm honest.
0:12:54 > 0:12:57But I expect I'll get used to it.
0:12:57 > 0:12:59What about everybody else?
0:12:59 > 0:13:02Well, it's hardly universally popular.
0:13:02 > 0:13:06But, er, well, rotas are definitely an issue.
0:13:06 > 0:13:08I'm covering for Sid tonight.
0:13:08 > 0:13:10Well, yes. Well, Friday night is party night.
0:13:10 > 0:13:15Actually, not in this case. He's moving out.
0:13:15 > 0:13:19So, it looks like my landlady days are over. For the foreseeable.
0:13:19 > 0:13:21Glad to get your place back?
0:13:21 > 0:13:25Not really. You get used to the company, don't you?
0:13:31 > 0:13:35Karen! Your tea is ready, my love.
0:13:35 > 0:13:37Erm, I'll be right with you.
0:13:44 > 0:13:47- Look, look, look! - That was quite a chat.
0:13:47 > 0:13:49He's got 15 cameras!
0:13:49 > 0:13:51Oh, he was always OTT.
0:13:51 > 0:13:5515 cameras, half a dozen houses, cars galore.
0:13:55 > 0:13:58Multiple...everything.
0:13:59 > 0:14:01Do you think I'm in with a chance?
0:14:01 > 0:14:04Whatever happens, I reckon top ten.
0:14:04 > 0:14:07I have to win. I don't even care about the money.
0:14:07 > 0:14:09I want the masterclass.
0:14:09 > 0:14:11Oh...I'm sorry to be the bearer of bad news,
0:14:11 > 0:14:14but you're not going to win.
0:14:14 > 0:14:17But...Brad hasn't announced the result yet.
0:14:17 > 0:14:20See the blonde in the red...?
0:14:20 > 0:14:23- SHE WHISPERS:- She's the winner. - Aimee...
0:14:23 > 0:14:27Charlie, let me give you a lesson in the ways of the world.
0:14:27 > 0:14:31Brad Masterson has the hots for the delectable Etta.
0:14:31 > 0:14:34He's been trying to get her into bed for months.
0:14:34 > 0:14:37This is his big opportunity.
0:14:38 > 0:14:40You mean, he wants to have sex with her?
0:14:40 > 0:14:43Let's just say the one-to-one masterclass will involve
0:14:43 > 0:14:45a lot of "hands on."
0:14:46 > 0:14:51I don't believe you. Brad would never do something like that.
0:14:51 > 0:14:54- Oh, wouldn't he? - Come on, that's enough.
0:14:54 > 0:14:56Everyone knows that Brad Masterson is an old goat
0:14:56 > 0:15:00who uses his status to seduce women.
0:15:00 > 0:15:03Etta's just next on his "to do" list.
0:15:09 > 0:15:10Night, night.
0:15:12 > 0:15:15That's you, Mr Ross. Do you want to go through?
0:15:15 > 0:15:17Thank you.
0:15:23 > 0:15:25Karen?
0:15:26 > 0:15:28Karen...?
0:15:34 > 0:15:35Thank you.
0:15:35 > 0:15:38What you doing? I've got list this long of patients to call!
0:15:38 > 0:15:42So, why do you think that Heston and Ruhma were down at the station?
0:15:42 > 0:15:45- I promised Mrs Tembe that I...- Guess.
0:15:46 > 0:15:51- I haven't got time for this. - You know, don't you?
0:15:51 > 0:15:54The question is - how much do you know?
0:15:54 > 0:15:56- I know you're playing silly beggars. - No, I'm not.
0:15:56 > 0:15:59I tell you that Heston and Ruhma have been down the station,
0:15:59 > 0:16:01and in the time it's taken me to have two cups of tea,
0:16:01 > 0:16:03you haven't asked me why?
0:16:03 > 0:16:06I know you too well, Karen. You're avoiding me.
0:16:06 > 0:16:09You're jumpier than a flea on a trampoline. What's going on?
0:16:11 > 0:16:13So, after fleeing the Favela, I hitched a ride with
0:16:13 > 0:16:16a friendly soldado and I got the first flight out of there.
0:16:16 > 0:16:18SHE LAUGHS
0:16:18 > 0:16:21But enough about me and my glittering career... It's time to
0:16:21 > 0:16:25announce the winner of the Arkwright Amateur Photographer of the Year...
0:16:25 > 0:16:27- Woo!- Yes.
0:16:27 > 0:16:29And the prize goes to...
0:16:32 > 0:16:35..Etta Lerner for her stunning image of a...
0:16:35 > 0:16:36No!
0:16:38 > 0:16:40That's wrong.
0:16:40 > 0:16:42- Oh, we have a dissenter! - HE LAUGHS
0:16:42 > 0:16:45- That's not the best photograph, not by a mile.- Charlie...
0:16:45 > 0:16:47Well, somebody's disappointed not to have won.
0:16:47 > 0:16:49Never mind, son, maybe next year.
0:16:49 > 0:16:52But you've made a mistake. Can't you see?
0:16:52 > 0:16:53Don't be a sore loser.
0:16:53 > 0:16:56I'm not a sore loser. Look, look, look -
0:16:56 > 0:16:58the reflection's poorly framed,
0:16:58 > 0:16:59there's nothing of interest here
0:16:59 > 0:17:02and this is just clutter.
0:17:02 > 0:17:05Listen, I've been taking photographs for 30 years.
0:17:05 > 0:17:09- Yeah!- All right? I've had 14 Time magazine covers. Shush.
0:17:09 > 0:17:11What are your qualifications?
0:17:11 > 0:17:13So, that's what I thought.
0:17:13 > 0:17:16So, if you don't mind, I'd like to present the winner with her award.
0:17:16 > 0:17:18Is that all right? Thank you.
0:17:19 > 0:17:22You just want to have sex with her! That's why she won.
0:17:22 > 0:17:24That's why...
0:17:24 > 0:17:26Charlie, not one more word, please. This way...
0:17:26 > 0:17:28Ladies and gentleman, Etta Lerner.
0:17:28 > 0:17:30SCATTERED APPLAUSE
0:17:35 > 0:17:36Really beautiful shot.
0:17:36 > 0:17:38And you've known this how long?
0:17:40 > 0:17:41Karen, how long?
0:17:42 > 0:17:46A couple of weeks. I don't, I don't approve...
0:17:46 > 0:17:50I know the NHS is stretched as it is.
0:17:50 > 0:17:52I wasn't going to dob her in, either.
0:17:52 > 0:17:55Have you done something that you shouldn't have?
0:17:55 > 0:17:57No! I... I looked the other way, that's all.
0:17:57 > 0:17:59That's all!
0:17:59 > 0:18:01And what exactly was Ruhma doing while you were
0:18:01 > 0:18:02"looking the other way"?
0:18:04 > 0:18:08The... The girl's from Albania, she's pregnant.
0:18:08 > 0:18:13- And Ruhma asked me to arrange a scan at St Phil's.- Right.
0:18:13 > 0:18:16And how does one arrange a scan at St Phil's for an illegal
0:18:16 > 0:18:19immigrant without the authorities finding out?
0:18:19 > 0:18:23- You need an NHS number. - Right. And Ruhma had an NHS number?
0:18:23 > 0:18:25Yeah.
0:18:25 > 0:18:27Was it a dodgy number? Was it fake? Was it stolen?
0:18:27 > 0:18:28I don't know, I don't know.
0:18:29 > 0:18:31Is she in a lot of trouble?
0:18:32 > 0:18:34What do you think?
0:18:38 > 0:18:40He can't do this... He can't...
0:18:40 > 0:18:43Charlie, please, calm down.
0:18:43 > 0:18:46But it's not fair! He didn't even care about the photographs.
0:18:46 > 0:18:48Yeah, well, whatever his reasons, you shouldn't have interrupted.
0:18:48 > 0:18:50She shouldn't have won.
0:18:51 > 0:18:55Well, she has won, so you'll just have to accept it.
0:18:55 > 0:18:57But it's wrong.
0:18:59 > 0:19:02So we can arrange your masterclass. You'll call me, yeah?
0:19:02 > 0:19:04- Thank you. I definitely will.- Good.
0:19:04 > 0:19:06- Congratulations, Etta.- Thank you.
0:19:06 > 0:19:08Very well-deserved.
0:19:09 > 0:19:12I hope the little interruption didn't take the shine off it.
0:19:12 > 0:19:13It's fine.
0:19:13 > 0:19:15- How awful.- Hmm.
0:19:15 > 0:19:20Such a silly, jealous teenager should put such
0:19:20 > 0:19:24a damper on proceedings and make such scandalous assertions.
0:19:24 > 0:19:27- Yeah. Excuse me.- Hmm.
0:19:30 > 0:19:33If you just want to go through.
0:19:34 > 0:19:36So, what happens next?
0:19:36 > 0:19:41Well, that depends on... That depends on the investigation.
0:19:41 > 0:19:43What are you investigating, exactly?
0:19:43 > 0:19:45Can't talk about it.
0:19:45 > 0:19:47Oh, you can come in here and give me the third degree
0:19:47 > 0:19:50but when I need some answers you "can't talk about it"?
0:19:50 > 0:19:54- Correct.- What am I going to tell Ruhma when I see her?
0:19:54 > 0:19:57You need to tell her that she needs to come clean.
0:19:57 > 0:19:59And then you keep your mouth shut.
0:19:59 > 0:20:02Because it's starting to look like she's broken the law, doesn't it?
0:20:02 > 0:20:05And the chances are, she's not the only one.
0:20:07 > 0:20:10Charlie, these things happen. I know it's unfair,
0:20:10 > 0:20:13- but getting upset - it's not going to change anything.- You.
0:20:13 > 0:20:15Get back in there. I want a full public apology.
0:20:15 > 0:20:17You made a completely scurrilous allegation.
0:20:17 > 0:20:20Let's just calm down, shall we?
0:20:20 > 0:20:23- I didn't. - Yeah. You slandered my reputation.
0:20:23 > 0:20:27- No.- Yes! You defamed me in front of witnesses. Now, that is actionable!
0:20:27 > 0:20:30Now, listen. What was said was said in the heat of the moment.
0:20:30 > 0:20:32- So, let's just forget it. - Oh, forget it! No, no, no.
0:20:32 > 0:20:35Because they're not going to forget that little sideshow in there. No.
0:20:35 > 0:20:38You get back in there and you take back every single word.
0:20:38 > 0:20:41- I'm not taking it back. It's true! - Charlie, you don't know that.
0:20:41 > 0:20:43Yes, I do. Everybody knows that
0:20:43 > 0:20:48"Brad Masterson is an old goat who uses his status to seduce women."
0:20:48 > 0:20:51If you don't believe me, ask her.
0:20:52 > 0:20:55He's making it up, obviously.
0:20:55 > 0:20:56She said it! "Brad Masterson..."
0:20:56 > 0:20:58Charlie!
0:20:58 > 0:21:01- She did!- That's a lie.
0:21:01 > 0:21:03I have absolutely no idea why he's pointing the finger at me.
0:21:03 > 0:21:06So, so... You're going to make vile allegations
0:21:06 > 0:21:08and then you are going to blame someone else?
0:21:08 > 0:21:10- That is despicable.- Despicable.
0:21:10 > 0:21:13You know what you are? You know what you are -
0:21:13 > 0:21:16you are a vile little wannabe who can't handle losing.
0:21:16 > 0:21:18He's telling the truth. Because I was there.
0:21:18 > 0:21:20And Aimee told us that Etta was going to win before you made
0:21:20 > 0:21:22the announcement. And she told us why.
0:21:22 > 0:21:23So he could have sex with her.
0:21:23 > 0:21:25- I never said that. - Well, it seems plausible.
0:21:25 > 0:21:28I mean, her work really wasn't up to the standard of some of the others.
0:21:28 > 0:21:30Oh, what do you know? You're just an amateur.
0:21:30 > 0:21:33I know enough. I know Charlie's critique was spot on.
0:21:33 > 0:21:36Listen, I hope you have got a very good legal team
0:21:36 > 0:21:38- because you are going to need it. - Don't be ridiculous!
0:21:38 > 0:21:41I think the damage to my reputation's worth, what,
0:21:41 > 0:21:42- probably a couple of million? - HE LAUGHS
0:21:42 > 0:21:45Oh, listen, don't think you're off the hook either, blabbermouth.
0:21:45 > 0:21:49And if you don't get back in there and apologise, you're going
0:21:49 > 0:21:51to be paying for this for the rest of your sad little life.
0:21:51 > 0:21:54Oh, come one! Really? You silly little man.
0:21:54 > 0:21:57You're going to pick on a kid because he dares to tell the truth?
0:21:57 > 0:21:59If your love-life is anything like the rumours, you'll have
0:21:59 > 0:22:03a string of exes queuing round the block, waiting to stick the boot in.
0:22:03 > 0:22:05Brad has a devoted female fan base...
0:22:05 > 0:22:09Really? Well, any talk of action is bull and you know it. So...
0:22:10 > 0:22:12Come, on Charlie. It's time to go.
0:22:12 > 0:22:14Charlie, Charlie...?
0:22:17 > 0:22:23In my defence, can I just say that he took my words out of context?
0:22:23 > 0:22:25Listen, I'll be e-mailing you my invoice.
0:22:25 > 0:22:26- Invoice?- Mmm.
0:22:26 > 0:22:29But we agreed that you'd waive the fee.
0:22:29 > 0:22:32Yeah, that was before you let your festering bitterness out of the box.
0:22:32 > 0:22:34I'm not bitter.
0:22:34 > 0:22:38You taught me so much.
0:22:38 > 0:22:40Please, reconsider.
0:22:40 > 0:22:41Hmm.
0:22:41 > 0:22:42For old times' sake?
0:22:44 > 0:22:48Come to my office, maybe we could work something out.
0:22:48 > 0:22:51No, thank you. I'm mounting my elephant collection.
0:22:56 > 0:22:57- WHISPERING:- Right.
0:23:05 > 0:23:07I'm sorry. It's hard when our heroes let us down.
0:23:10 > 0:23:12He was a horrible man.
0:23:12 > 0:23:14He wanted to sue me for telling the truth.
0:23:16 > 0:23:20Just because someone's talented, doesn't make them a nice person.
0:23:22 > 0:23:24- You're a nice person. And you're talented.- Hmm.
0:23:27 > 0:23:29- You shouted at him.- Ah, yeah!
0:23:29 > 0:23:33Yeah, I, erm...might have raised my voice just a little, yeah.
0:23:33 > 0:23:35You made him change his mind.
0:23:35 > 0:23:37He didn't have much of a case, really, did he? Not really.
0:23:37 > 0:23:39I was scared.
0:23:39 > 0:23:41What if the court decided I lied?
0:23:41 > 0:23:44It's over now. You don't have to worry about it.
0:23:44 > 0:23:46But what if it happens again?
0:23:46 > 0:23:48I thought I understood the rules.
0:23:48 > 0:23:52I can tell a little lie so I don't hurt somebody's feelings.
0:23:53 > 0:23:55Sometimes it's better to say nothing,
0:23:55 > 0:23:57if it's not important.
0:23:57 > 0:23:59But what if it is important?
0:23:59 > 0:24:02And how do I know if it's important or not?
0:24:02 > 0:24:03I'm so confused.
0:24:03 > 0:24:05Well, relationships are one thing,
0:24:05 > 0:24:07the law is another matter altogether,
0:24:07 > 0:24:09even for people who aren't on the spectrum.
0:24:09 > 0:24:12So, what should I do if something is unfair...
0:24:13 > 0:24:15..but I might get into trouble for it?
0:24:17 > 0:24:21Well... Well, you have to make a judgment. You know...
0:24:21 > 0:24:24What course of action is the least harmful to you and to others?
0:24:24 > 0:24:26Uh... What damage will telling the truth cause,
0:24:26 > 0:24:28and can you live by the consequences?
0:24:35 > 0:24:36- Thank you.- Uh...!
0:24:36 > 0:24:38Are you sure?
0:24:38 > 0:24:40For being on my side. I'm sure.
0:24:42 > 0:24:43Thank you.
0:24:47 > 0:24:49You know I can print a copy of that any time, right?
0:24:49 > 0:24:51Yeah, I do know that, Charlie!
0:25:09 > 0:25:11Hey, Besa.
0:25:12 > 0:25:14I'm here for you.
0:25:16 > 0:25:18We're doing everything we can.
0:25:18 > 0:25:20Erm...
0:25:20 > 0:25:22Heston...Heston knows a solicitor.
0:25:23 > 0:25:25And everything's going to be all right.
0:25:26 > 0:25:28I promise.
0:25:30 > 0:25:32Well, once her legal status is sorted,
0:25:32 > 0:25:35I assume she'll be able to live and work here.
0:25:35 > 0:25:38Well, she must have a strong case, given her history.
0:25:40 > 0:25:44Well, surely she's entitled to representation.
0:25:44 > 0:25:47Sorry, Martin, I'm obviously not making myself very clear -
0:25:47 > 0:25:51she's very likely to be murdered if she's forced to return.
0:25:54 > 0:25:56Well, I can't believe our government would send her home
0:25:56 > 0:25:58to a near certain death!
0:26:02 > 0:26:03Oh, I see.
0:26:13 > 0:26:14SHE SIGHS
0:27:05 > 0:27:06SHE SIGHS
0:27:13 > 0:27:15Mum? Are you, erm, Mum?
0:27:15 > 0:27:17Did you think about what might happen to the rest of us?
0:27:17 > 0:27:20- You'll have to tell Mrs Tembe.- If she does that, we'll all get sacked!
0:27:20 > 0:27:22No-one's going to get sacked.
0:27:22 > 0:27:24Do you...hurt anywhere?
0:27:24 > 0:27:25HE FLINCHES
0:27:25 > 0:27:27It's all right, it's all right.
0:27:27 > 0:27:29This could ruin their careers and mine.
0:27:29 > 0:27:32What do you want me to do, Karen? I'm a police officer.