0:00:27 > 0:00:31And then, in dreaming
0:00:31 > 0:00:35The clouds methought would open and show riches
0:00:35 > 0:00:37Ready to drop down on me...
0:00:53 > 0:00:55That when I waked
0:00:55 > 0:00:57I cried to dream again.
0:01:31 > 0:01:32Heston?
0:01:32 > 0:01:36Yeah, I'm not really here. I'm looking for my, erm...
0:01:36 > 0:01:38Ah, thank you.
0:01:38 > 0:01:40And look how popular we are.
0:01:40 > 0:01:44Oh, yes, well, I, er, I have so much to get through before my trip.
0:01:44 > 0:01:45And The Mill...
0:01:45 > 0:01:48Just nonstop babble and interruptions. I know.
0:01:50 > 0:01:52So, are you looking forward to going back to Botswana?
0:01:52 > 0:01:55Oh, yes. Yes, er, a friend of mine
0:01:55 > 0:01:59has organised a trip to the Okavango River.
0:01:59 > 0:02:02And another has invited me to lunch at a spot
0:02:02 > 0:02:06overlooking the Gaborone Dam, and there is a grand
0:02:06 > 0:02:11multi-denominational prayer day at Christ the King Cathedral.
0:02:11 > 0:02:12Well, that will be a highlight.
0:02:12 > 0:02:15Well, you can get a taste of your trip today.
0:02:15 > 0:02:16Nyaqa Dale Setshwane,
0:02:16 > 0:02:20it's her first book since winning the Nobel Prize.
0:02:20 > 0:02:22It was a proud moment for Botswana.
0:02:22 > 0:02:26Ah, yes, it was an incredible achievement.
0:02:26 > 0:02:27Oh, so you know her?
0:02:29 > 0:02:30Why would I know her?
0:02:32 > 0:02:33Because you're both from Botswana.
0:02:35 > 0:02:38It is impractical to suggest that I am acquainted with
0:02:38 > 0:02:40everyone from Botswana.
0:02:40 > 0:02:42Yes, but you do know her work?
0:02:42 > 0:02:45Er, her earlier novels, yes.
0:02:45 > 0:02:49And I am a great admirer of her writing.
0:02:49 > 0:02:52Well, she's giving a talk at the university this afternoon
0:02:52 > 0:02:54which I am attending after a lunchtime concert.
0:02:54 > 0:02:56Oh, thrash metal or house?
0:02:56 > 0:02:59No, it's the university orchestra
0:02:59 > 0:03:01playing Sibelius' setting of The Tempest.
0:03:01 > 0:03:04Then they're doing a production of the play in the evening.
0:03:04 > 0:03:06Don't tell me you're going to that too.
0:03:06 > 0:03:07I'm making the most of my day off.
0:03:07 > 0:03:10Oh, he really is a vulture for culture.
0:03:10 > 0:03:12On my days off, I prefer to get a bit of fresh air.
0:03:12 > 0:03:14Well, chacun a son gout.
0:03:14 > 0:03:17Anyway, would you like to come to the talk?
0:03:17 > 0:03:21Oh, I would love to, but I have a costings report to finish.
0:03:21 > 0:03:23We could have a bite to eat at the Icon.
0:03:23 > 0:03:25I will try my best.
0:03:26 > 0:03:29- No arrests? - No. No arrests.
0:03:30 > 0:03:32We're just following the money.
0:03:32 > 0:03:33All right.
0:03:33 > 0:03:36As far as I know, the uni's never had major,
0:03:36 > 0:03:39major drug problems, just lower category stuff.
0:03:40 > 0:03:43But there's always someone who wants to sell them something.
0:03:43 > 0:03:46Apparently this new guy who has moved in got the drugs
0:03:46 > 0:03:48coming in from Coventry.
0:03:48 > 0:03:50But he's going to grow more dealers.
0:03:50 > 0:03:53Even if we take him out, he'll have left a network.
0:03:53 > 0:03:55So what are you suggesting?
0:03:55 > 0:03:57Nick them all, burn the chain.
0:03:57 > 0:04:00Is that before or after we get the main man?
0:04:00 > 0:04:01You think I'm a bucket head, don't you?
0:04:01 > 0:04:04No, I don't. I'm just agreeing with the gaffer's strategy.
0:04:06 > 0:04:07Oh, come on, admit it.
0:04:07 > 0:04:10You just want to play super-cops and whizz round, thief-taking,
0:04:10 > 0:04:12like The Professionals.
0:04:12 > 0:04:13Professional what?
0:04:15 > 0:04:17The Professionals? TV show?
0:04:18 > 0:04:20Bodie and Doyle?
0:04:20 > 0:04:21Who?
0:04:21 > 0:04:23Good grief.
0:04:23 > 0:04:27I'm just pulling your leg. Course I know The Professionals.
0:04:27 > 0:04:28My grandad told me about them.
0:04:30 > 0:04:31You cheeky...!
0:04:34 > 0:04:36I've just got this for you to sign, Mrs Tembe.
0:04:36 > 0:04:37Thank you.
0:04:40 > 0:04:42A Woman Is An Island.
0:04:42 > 0:04:46I think if I was an Island, I would like to be Gran Canaria.
0:04:48 > 0:04:51Maybe not, it's a bit windy. Perhaps Menorca.
0:04:51 > 0:04:53Cos it's not as flashy as its neighbour,
0:04:53 > 0:04:55but it's got subtle charms and hidden depths.
0:04:55 > 0:04:56How about you?
0:04:58 > 0:04:59What?
0:04:59 > 0:05:02What island would you be?
0:05:02 > 0:05:05I think the title is a metaphor.
0:05:05 > 0:05:07It might not be so specific.
0:05:07 > 0:05:09Hmm, yeah.
0:05:09 > 0:05:11Yeah, I suppose it's suggesting that we're all out there
0:05:11 > 0:05:14on the seas and oceans of life,
0:05:14 > 0:05:17seemingly anchored, but meanwhile we're all feeling adrift.
0:05:20 > 0:05:23- I suppose I better let you get on. - Thank you. Thank you.
0:05:38 > 0:05:43- AUTHOR:- "Outside my mother's house was a motopi, or shepherd's tree."
0:05:43 > 0:05:48- MRS TEMBE:- "I would sit in its shade and watch beyond the dark penumbra,
0:05:48 > 0:05:51"the breeze stirring the dust
0:05:51 > 0:05:55"like red waves caressing a dark, still shore.
0:05:55 > 0:06:00"And I would hear the sea in that landlocked place."
0:06:02 > 0:06:03Hello.
0:06:08 > 0:06:09That was an exchange, right?
0:06:10 > 0:06:12Yep.
0:06:12 > 0:06:13Hold on! Hold on!
0:06:13 > 0:06:15Instinct.
0:06:15 > 0:06:16Instinct...
0:06:18 > 0:06:22Right, now we can see where laddo goes next.
0:06:25 > 0:06:26145 over 103.
0:06:28 > 0:06:30I'm afraid that's borderline hypertension.
0:06:30 > 0:06:34I've been trying to eat more healthily. And I've lost four kilos.
0:06:34 > 0:06:38Yeah, what about other factors, like stress, work?
0:06:38 > 0:06:41I've got a fair bit on. There's marking, seminars.
0:06:41 > 0:06:43I'm directing a play, and acting in it.
0:06:43 > 0:06:46- The Tempest?- Yeah. - You're taking a lot on.
0:06:46 > 0:06:48Oh, no, it's not the theatre. I love theatre.
0:06:48 > 0:06:50It's the extra stuff, like, erm...
0:06:50 > 0:06:52For instance, the head of department is ill
0:06:52 > 0:06:55and there's this writer visiting today and I've got to host
0:06:55 > 0:06:58but I'd forgotten, because this morning I had a...
0:07:00 > 0:07:01Had a what?
0:07:01 > 0:07:03It was just a kind of...episode.
0:07:03 > 0:07:06An episode? So, what, like dizziness?
0:07:06 > 0:07:07Or a blackout?
0:07:07 > 0:07:09Maybe a bit dizzy.
0:07:09 > 0:07:12- You know that with the... - Brugada Syndrome, I know.
0:07:12 > 0:07:15My father had it and he died at the age of 32.
0:07:15 > 0:07:18I suppose I was lucky, finding out I had it too.
0:07:19 > 0:07:23I would still like you to go ahead with the electrophysiological study.
0:07:23 > 0:07:25- Yeah, I...- It's what the specialists are advising.
0:07:25 > 0:07:28It's important for us to see whether you need an ICD.
0:07:29 > 0:07:31I don't need a pacemaker.
0:07:31 > 0:07:33It's not a pacemaker. It just sits under the skin
0:07:33 > 0:07:37and it gives the heart the rhythmic stimulation it needs.
0:07:37 > 0:07:39I'll think about it.
0:07:39 > 0:07:41Thing is, you've been thinking about it for a while.
0:07:41 > 0:07:44OK, I'll think about it some more. Thanks, Doctor.
0:07:52 > 0:07:54You've got to stop following me.
0:07:54 > 0:07:56Don't flatter yourself. I'm here to see the doctor.
0:07:58 > 0:08:00But, when are you going to tell her the truth about us?
0:08:00 > 0:08:02That would ruin everything.
0:08:03 > 0:08:05For who?
0:08:05 > 0:08:06I can't deal with this right now.
0:08:06 > 0:08:10Because you don't want to deal with it, do you?
0:08:10 > 0:08:11If you don't tell her, I will.
0:08:17 > 0:08:20Ah, right, I'm off to lunch with Dr Carter.
0:08:20 > 0:08:21Oh, have fun.
0:08:23 > 0:08:25HE EXHALES
0:08:25 > 0:08:26That's it, OK.
0:08:28 > 0:08:29What's that mean?
0:08:29 > 0:08:33Er, well, your peak flow has dropped off a little bit since last time.
0:08:33 > 0:08:34Is that serious?
0:08:34 > 0:08:37It's something to look at. You're still a non-smoker?
0:08:37 > 0:08:40- Yeah.- OK. Anything else changed since last time?
0:08:40 > 0:08:41Like what?
0:08:41 > 0:08:45Lifestyle factors, stress, deadline pressures?
0:08:46 > 0:08:49OK, well, look, there's always the university counselling service.
0:08:49 > 0:08:52I don't need anyone telling me what my problems are!
0:08:52 > 0:08:54It's not really about telling you what...
0:08:55 > 0:08:57I know what my problem is.
0:08:59 > 0:09:01- Aashiq... - PHONE RINGS
0:09:01 > 0:09:03Hello?
0:09:03 > 0:09:04Oh! I'm so sorry.
0:09:10 > 0:09:11Ah, he's gone.
0:09:11 > 0:09:13Oh, Daniel.
0:09:13 > 0:09:16Erm, he had some tablets.
0:09:16 > 0:09:17- Tablets?- Pills.
0:09:17 > 0:09:21Well, did they look like prescription medication, or...?
0:09:21 > 0:09:24They were in a plastic bag and there was quite a lot of them.
0:09:24 > 0:09:25Funny way to carry them, if they were.
0:09:25 > 0:09:27OK. All right, I'll make a call.
0:09:43 > 0:09:45Keep an eye on him.
0:09:45 > 0:09:47I'm going to have a quick word in the surgery.
0:09:47 > 0:09:48Sarge.
0:09:54 > 0:09:55What's going on?
0:09:55 > 0:09:57Rob wanted to know about the boy who just left.
0:09:57 > 0:09:59Aashiq Pierce.
0:09:59 > 0:10:00Yeah. Yeah, Mr Pierce is a patient.
0:10:00 > 0:10:04He also may be a person of interest to us.
0:10:04 > 0:10:05- Really?- Yeah.
0:10:05 > 0:10:07Valerie said that she saw him
0:10:07 > 0:10:09drop a bag containing a large amount of white pills.
0:10:09 > 0:10:13Does that sound like something that you might have prescribed to him?
0:10:13 > 0:10:15No, no. So this is about narcotics?
0:10:15 > 0:10:19That's our focus, yeah. Anyway, thanks for your help.
0:10:44 > 0:10:47Mrs Setshwane, I am so sorry.
0:10:47 > 0:10:49I was expecting Professor Halloran.
0:10:49 > 0:10:52Clare, Professor Halloran, is ill, I'm afraid.
0:10:52 > 0:10:53And, you are...?
0:10:53 > 0:10:55Er, Misal Khatib. Lecturer in drama.
0:10:55 > 0:10:58Drama? Really?
0:10:58 > 0:11:00I am so sorry to interrupt...
0:11:00 > 0:11:02Ah. A pen?
0:11:02 > 0:11:03Oh, I, er...
0:11:05 > 0:11:08- Here... - And to whom shall I inscribe it?
0:11:08 > 0:11:10Oh, er, Dr Carter.
0:11:11 > 0:11:14You are a medical doctor or PhD?
0:11:14 > 0:11:17Neither, it is for Dr Heston Carter.
0:11:17 > 0:11:20A medical doctor, he's a colleague.
0:11:20 > 0:11:22I very much enjoyed reading it.
0:11:24 > 0:11:25Your accent...?
0:11:25 > 0:11:28Yes. I, er, I am also from Botswana.
0:11:28 > 0:11:29Ah.
0:11:31 > 0:11:34Did the book have resonance?
0:11:34 > 0:11:35Yes. Yes, it did.
0:11:37 > 0:11:39- So, where's lunch?- Lunch?
0:11:39 > 0:11:42Yes, I was told I was going to be provided with lunch upon arrival.
0:11:42 > 0:11:45Professor Halloran didn't mention anything about lunch.
0:11:45 > 0:11:46Really?
0:11:46 > 0:11:49Well, er, I am about to meet Dr Carter for lunch.
0:11:49 > 0:11:50You are very welcome to join us.
0:11:50 > 0:11:52It seems my best offer.
0:11:52 > 0:11:54Great. And thank you, erm...?
0:11:54 > 0:11:57Oh, Mrs Winifred Tembe.
0:11:57 > 0:12:01Practice Manager at The Mill Health Centre and The Campus Surgery.
0:12:01 > 0:12:02Right.
0:12:02 > 0:12:05So, Mrs Setshwane, I will see you after I've done the, erm...
0:12:05 > 0:12:07- You are not joining us?- No.
0:12:07 > 0:12:09I, er... I'm in the middle of a rehearsal
0:12:09 > 0:12:11for a performance this evening.
0:12:11 > 0:12:16Ah, well, it is always best to lay bare one's priorities.
0:12:16 > 0:12:20Yes. Erm, I'll be there to introduce you at the lecture room.
0:12:20 > 0:12:23Right. Well, er, this way.
0:12:27 > 0:12:29So, er, how is it you chose to come to
0:12:29 > 0:12:33the University of Letherbridge to talk about your book?
0:12:33 > 0:12:37The head of the English department here is a friend of my publishers.
0:12:37 > 0:12:40If only she had deigned to grace us with her presence.
0:12:40 > 0:12:44Well, it is hardly her fault that she is unwell.
0:12:44 > 0:12:45Excuses!
0:12:48 > 0:12:50- Thank you.- Thank you.
0:12:52 > 0:12:53This glass is dirty.
0:12:55 > 0:12:56Just replace it.
0:12:58 > 0:13:02Now, if only there was something that seemed palatable,
0:13:02 > 0:13:05if merely by description.
0:13:05 > 0:13:06Hello, hello.
0:13:06 > 0:13:09Ah, Dr Carter, this is...
0:13:09 > 0:13:13Mrs Setshwane. Yes, I know. It is an honour to meet you.
0:13:13 > 0:13:16And it would be an even greater honour...
0:13:16 > 0:13:18She has already signed it.
0:13:18 > 0:13:20Then it will take pride of place on my bookshelf.
0:13:22 > 0:13:24So, er, how was the concert?
0:13:24 > 0:13:28Oh, charming, but you have to make allowances for
0:13:28 > 0:13:30a university orchestra, but they gave a good performance.
0:13:30 > 0:13:32Of what?
0:13:32 > 0:13:34Sibelius' setting of The Tempest.
0:13:34 > 0:13:37Sibelius. The Silence of Jarvenpaa.
0:13:39 > 0:13:40Oh, I don't know that one.
0:13:40 > 0:13:44It is a term used to describe the last 32 years of his life,
0:13:44 > 0:13:46where he wrote almost nothing.
0:13:47 > 0:13:50Maybe he felt he had created everything he needed to.
0:13:50 > 0:13:53A creator does not stop creating.
0:13:53 > 0:13:57That is the abandonment of an oath with one's talent.
0:13:57 > 0:13:58Thank you.
0:13:58 > 0:14:00The Waldorf salad.
0:14:00 > 0:14:04I trust even here you can put five simple ingredients together.
0:14:04 > 0:14:05Yes.
0:14:08 > 0:14:10What's he up to?
0:14:10 > 0:14:12I don't know, but he knew the key code.
0:14:13 > 0:14:17Ah, hello, Mr Pierce.
0:14:17 > 0:14:18Police.
0:14:18 > 0:14:21Would you mind telling us what you were doing in there?
0:14:24 > 0:14:29I, er, I really did enjoy the description of
0:14:29 > 0:14:31the little girl under the motopi tree.
0:14:33 > 0:14:37Yes, I was very impressed with the symbolism in that.
0:14:38 > 0:14:42It reminded me very much of home, of Botswana.
0:14:42 > 0:14:46Fortunately for me, I will be returning in a couple of days.
0:14:46 > 0:14:51And are you intending to, once again, sit under a motopi tree?
0:14:52 > 0:14:54Well, er...
0:14:54 > 0:14:58Actually, it is something I used to do in the village of my aunt.
0:15:00 > 0:15:02Isn't that the same for the girl in the book?
0:15:02 > 0:15:06It's what she's thinking about, er, when the storm happens.
0:15:06 > 0:15:09Yeah, but she does not go back.
0:15:09 > 0:15:12When the storm subsides and she is safely harboured,
0:15:12 > 0:15:17she does not thank a God who does not exist or go back to
0:15:17 > 0:15:19a childhood created only by nostalgia.
0:15:22 > 0:15:25My childhood was, er, very happy.
0:15:26 > 0:15:31And the motopi tree in Kweneng was not created by nostalgia.
0:15:31 > 0:15:38Ah, Kweneng, where David Livingstone arrived heralding empire
0:15:38 > 0:15:42and Christianity and the simple people lined up
0:15:42 > 0:15:43for servitude and baptism.
0:15:45 > 0:15:47That is enough.
0:15:47 > 0:15:48Er, Mrs Tembe...
0:15:48 > 0:15:53No, I am not going to stay here and be insulted by this...hypocrite!
0:15:54 > 0:15:59I do not care how many prizes or baubles you have won,
0:15:59 > 0:16:03you take the life stuff of our country and our people,
0:16:03 > 0:16:05you take our beliefs and our traditions
0:16:05 > 0:16:08and you use them as metaphors and motifs,
0:16:08 > 0:16:11and in person, they mean absolutely nothing to you.
0:16:11 > 0:16:14You do not understand the literary voice.
0:16:14 > 0:16:18I understand YOUR literary voice, and it is the voice of betrayal.
0:16:18 > 0:16:22- Who have I betrayed? - Your readers!
0:16:22 > 0:16:28You cannot draw on a country for your words and your sales
0:16:28 > 0:16:32and play the part of the great Botswanan writer
0:16:32 > 0:16:37on the world stage and in private hold it in contempt!
0:16:37 > 0:16:39It is not contempt.
0:16:39 > 0:16:43Well, that is what it feels like to me.
0:16:43 > 0:16:48But I am just a simple woman who has grown from a simple girl...
0:16:48 > 0:16:52- Hmm.- ..for whom sitting under the motopi tree in her country
0:16:52 > 0:16:54is a deep and treasured memory.
0:16:56 > 0:16:58Sorry, excuse me.
0:17:01 > 0:17:03I really don't know what to say.
0:17:03 > 0:17:04There is nothing to say.
0:17:05 > 0:17:08She is the type of my countrywomen who considers
0:17:08 > 0:17:11the home place as a kind of Eden.
0:17:12 > 0:17:14Now, it's almost time for my talk.
0:17:14 > 0:17:16Would you be kind enough to escort me?
0:17:21 > 0:17:22What's going on?
0:17:22 > 0:17:23We're police.
0:17:23 > 0:17:25Are you arresting him?
0:17:25 > 0:17:26Yes. And you are?
0:17:26 > 0:17:29Misal Khatib. I teach here. What are the grounds, what's he...?
0:17:29 > 0:17:32They say I've been dealing drugs.
0:17:32 > 0:17:33What?
0:17:33 > 0:17:35We did witness a transaction with a second party.
0:17:35 > 0:17:37And he had these on him,
0:17:37 > 0:17:39which is technically possession with intent to supply.
0:17:39 > 0:17:41They're not illegal.
0:17:41 > 0:17:43- So you say. - They're not, they're nootropics.
0:17:43 > 0:17:46- What?- Cognition enhancers. They help you concentrate, study.
0:17:46 > 0:17:48There's nothing illegal in them.
0:17:48 > 0:17:51- You were still selling them. - Just to make a bit of extra cash.
0:17:51 > 0:17:53How can you arrest him when he says the drugs aren't illegal?
0:17:53 > 0:17:55Well, we don't know that until we've tested them.
0:17:55 > 0:17:58And there's also trespass.
0:17:58 > 0:18:00- What? Where?- Your office.
0:18:00 > 0:18:02PHONE RINGS
0:18:02 > 0:18:04What were you doing in there?
0:18:11 > 0:18:13Husna.
0:18:13 > 0:18:15Look, I know you've been trying to call...
0:18:17 > 0:18:20Husna, I can...
0:18:20 > 0:18:21Husna?!
0:18:25 > 0:18:27You told her!
0:18:27 > 0:18:30That's what I was doing in your office, getting her number.
0:18:30 > 0:18:32- She needed to know. - No, she didn't!
0:18:32 > 0:18:36- Whoa, whoa, whoa, cool it! - Mr Khatib?- Argh!- Heston!
0:18:36 > 0:18:39- What's happening? - I think it's palpitations.
0:18:39 > 0:18:41Do you have a history of heart disease?
0:18:41 > 0:18:43I've got Brugada Syndrome.
0:18:43 > 0:18:45I saw Dr Granger this...
0:18:46 > 0:18:49Mr Khatib? Mr Khatib!
0:18:49 > 0:18:51- Is he going to be OK?- Let's get him in the recovery position.
0:18:51 > 0:18:52Is he going to be OK?!
0:18:52 > 0:18:54- Who are you?- I'm his son.
0:18:57 > 0:18:59The woman is dreadful!
0:19:00 > 0:19:02- I think it's a shame.- What is?
0:19:02 > 0:19:05That you didn't get along, because you've got so much in common.
0:19:05 > 0:19:09Geography, geography is the only thing we have in common.
0:19:11 > 0:19:13A Woman Is An Island.
0:19:13 > 0:19:15Her book. I mean, that says something, doesn't it?
0:19:15 > 0:19:19Yes, that she is isolated because she is intolerable.
0:19:19 > 0:19:23All those years away from home, family.
0:19:23 > 0:19:25I reckon it's all just a front.
0:19:25 > 0:19:27She's probably just really lonely.
0:19:28 > 0:19:30Some people do that, don't they?
0:19:32 > 0:19:34Mrs Tembe, this is not like you.
0:19:34 > 0:19:36She must have really got to you.
0:19:36 > 0:19:38I need to go over to The Mill.
0:19:38 > 0:19:39I will get back as soon as I can.
0:19:45 > 0:19:47Take your time.
0:19:47 > 0:19:48I'm OK.
0:19:48 > 0:19:50Well, a blackout can't be taken lightly.
0:19:50 > 0:19:52It happens sometimes. You get used to it.
0:19:52 > 0:19:56This Brugada syndrome, something else you were hiding?
0:19:56 > 0:19:58No.
0:19:58 > 0:20:00But it is something else we need to talk about.
0:20:00 > 0:20:03What, you could have passed it on to me?
0:20:03 > 0:20:06It's genetic, you might be at risk. There's a simple test...
0:20:06 > 0:20:08So I wasn't worthy enough to be told?
0:20:08 > 0:20:11- It's nothing about being...- It is!
0:20:13 > 0:20:16I bring shame on you.
0:20:16 > 0:20:18Right from when I was born!
0:20:18 > 0:20:19I was a student when you were born.
0:20:19 > 0:20:22My parents were traditional, they wouldn't have accepted it.
0:20:24 > 0:20:27But you know I split up from your mum anyway.
0:20:27 > 0:20:29And you know she died?
0:20:29 > 0:20:30Yes.
0:20:30 > 0:20:33What happened to you after losing your mother?
0:20:33 > 0:20:35I was in care.
0:20:36 > 0:20:38In foster homes.
0:20:39 > 0:20:42And all the while I was hoping my dad would
0:20:42 > 0:20:43care enough to come and get me.
0:20:44 > 0:20:46But he never did.
0:20:48 > 0:20:50I really think we should phone an ambulance.
0:20:50 > 0:20:54I can't go to hospital tonight because I've got a performance.
0:20:54 > 0:20:56- I'm Prospero.- I'm looking forward to the performance,
0:20:56 > 0:20:59but I don't think we should put that before your health.
0:20:59 > 0:21:01I will go to hospital tomorrow, I promise.
0:21:01 > 0:21:04And that, erm, pacemaker thing they're suggesting...
0:21:04 > 0:21:07- ICD? - Yeah, I'll have one of them fitted.
0:21:07 > 0:21:09But really, I've put too much into this.
0:21:11 > 0:21:14Well, it's against my advice, but it is your decision.
0:21:14 > 0:21:16- Time to go, son. - You're not still arresting him?
0:21:16 > 0:21:19- I'm afraid so. - I'm not pressing charges.
0:21:19 > 0:21:22It's not just down to you. Plus, there's the drugs.
0:21:22 > 0:21:24He's already told you the drugs are legal.
0:21:24 > 0:21:26- PHONE RINGS - Sergeant Hollins.
0:21:29 > 0:21:31Right, OK. Thank you.
0:21:32 > 0:21:34Well, it looks like we've got our main man.
0:21:34 > 0:21:36Told you, nothing to do with me.
0:21:36 > 0:21:38Yeah, but we've still got some questions
0:21:38 > 0:21:39and we need to test those pills.
0:21:39 > 0:21:42But if Aashiq's right, you can't keep him in.
0:21:42 > 0:21:44I'll see what my boss says.
0:21:46 > 0:21:48Dr Carter...
0:21:48 > 0:21:49Oh, Mrs Tembe?
0:21:49 > 0:21:51I am getting late for my talk.
0:21:51 > 0:21:53- Yeah, yeah... - It is just through there.
0:21:53 > 0:21:57Look, I wanted to apologise for what I said.
0:21:57 > 0:22:00It's fine. I suppose you will not be attending.
0:22:01 > 0:22:06Well, I did enjoy some aspects of the, well, the earlier chapters.
0:22:10 > 0:22:14This too was one of the dark places of the Earth.
0:22:14 > 0:22:18So Conrad had said, his parallel with the Congo.
0:22:19 > 0:22:24But London was a dark place still and the sea had brought her there.
0:22:26 > 0:22:28She gazed into the grey water,
0:22:28 > 0:22:32eddying fast in its channels as it exited Waterloo Bridge,
0:22:32 > 0:22:36or the Ladies' Bridge, as it was sometimes called,
0:22:36 > 0:22:38due to the workforce that constructed it
0:22:38 > 0:22:41being of a solely female composition.
0:22:42 > 0:22:47And it bore the neatness and cleanness and fresh precision
0:22:47 > 0:22:50that you would expect of a woman's hand,
0:22:50 > 0:22:54the care over her creation.
0:22:57 > 0:22:59But that was scant comfort
0:22:59 > 0:23:04as she thought of sitting in the shadow of the motopi tree.
0:23:09 > 0:23:11Think I should just, erm...
0:23:11 > 0:23:13Excuse me.
0:23:13 > 0:23:15Thank you very much.
0:23:19 > 0:23:21Sorry. Excuse me.
0:23:21 > 0:23:25I had the child when I was an undergraduate in London.
0:23:25 > 0:23:27The father was a music promoter.
0:23:27 > 0:23:29He didn't stay around for long.
0:23:30 > 0:23:33My parents would never have accepted it.
0:23:33 > 0:23:36I could not support a child, so I had to give him up.
0:23:38 > 0:23:40When I heard that young man today, I...
0:23:40 > 0:23:43So your son never tried to seek you out
0:23:43 > 0:23:45and you never tried to find him?
0:23:45 > 0:23:48When I was married, my husband, Martin,
0:23:48 > 0:23:50suggested I try and find him.
0:23:50 > 0:23:51But to no avail.
0:23:53 > 0:23:57As a child, in Botswana, I always dreamt of the sea.
0:23:58 > 0:24:03And the sea took me away to London, to having my child.
0:24:04 > 0:24:08He is the only part of my past I have ever wanted to get back to.
0:24:10 > 0:24:13So you are not the same as your character in your novel.
0:24:14 > 0:24:17You do not need memories of where you are from.
0:24:17 > 0:24:22The memories, yes. An imaginary arcadia, no.
0:24:23 > 0:24:29The past is another country and I am a citizen of the present.
0:24:31 > 0:24:34I think it's time for me to leave now.
0:24:34 > 0:24:36You are not going back to the talk?
0:24:36 > 0:24:38I mean, obviously, if you feel unable...
0:24:38 > 0:24:41I feel I have exposed myself quite enough.
0:24:42 > 0:24:43I need a taxi.
0:24:46 > 0:24:49Much as I would like to be of further assistance,
0:24:49 > 0:24:54I always think it is better to feel impelled rather than compelled.
0:24:54 > 0:24:58I am sure you of all people appreciate the difference.
0:25:01 > 0:25:02Mrs Tembe?
0:25:03 > 0:25:07Well, I, er, I wish you well on your journey home.
0:25:07 > 0:25:10I am very much looking forward to mine.
0:25:19 > 0:25:20Now I want
0:25:20 > 0:25:23Spirits to enforce, art to enchant...
0:25:24 > 0:25:31And my ending is despair, Unless I be relieved by prayer,
0:25:31 > 0:25:37Which pierces so that it assaults Mercy itself and frees all faults.
0:25:39 > 0:25:42As you from crimes would pardoned be...
0:25:43 > 0:25:47Let your indulgence set me free.
0:26:08 > 0:26:11- That was fantastic. - Thank you.- How are you feeling?
0:26:11 > 0:26:13Erm, better. Much better.
0:26:13 > 0:26:16I would have come for the beginning but they didn't let me out in time.
0:26:16 > 0:26:17Are they charging you?
0:26:17 > 0:26:19No. No, the drugs were what I said they were.
0:26:22 > 0:26:23I'm sorry.
0:26:23 > 0:26:24For what?
0:26:26 > 0:26:27Enrolling here.
0:26:29 > 0:26:30Forcing things.
0:26:32 > 0:26:34But it was the only thing I could think of.
0:26:36 > 0:26:39Maybe you needed to force things.
0:26:39 > 0:26:41Husna. Erm...
0:26:42 > 0:26:45This is Aashiq...my son.
0:26:46 > 0:26:47Hello.
0:26:51 > 0:26:52Shall we?
0:26:57 > 0:27:00It, er, it sounds as if it is raining.
0:27:00 > 0:27:02Perhaps you can
0:27:02 > 0:27:06"command the elements to silence and work the peace of the present."
0:27:06 > 0:27:09Well, I could try my best.
0:27:09 > 0:27:10You always do.
0:27:16 > 0:27:17Hello, Eric!
0:27:21 > 0:27:24I hardly think that qualifies him for a job of this magnitude.
0:27:24 > 0:27:25Well, Mrs Tembe rates him.
0:27:25 > 0:27:29It sounds to me like he's being a slob who's not pulling his weight.
0:27:29 > 0:27:31What have you done with Christine?
0:27:31 > 0:27:32She's dead, Dad!
0:27:32 > 0:27:34How many more times do I have to tell you?
0:27:34 > 0:27:38Your wife, my mum, is dead, and she's not coming back!