0:00:31 > 0:00:33Save something for the weekend.
0:00:33 > 0:00:36I can't get that last bit of push from them.
0:00:36 > 0:00:38Any bigger and you'll have to get your work shirts tailored.
0:00:38 > 0:00:40Again.
0:00:40 > 0:00:41It'll be worth it.
0:00:41 > 0:00:42Maybe.
0:00:44 > 0:00:46So are you going for a spray tan before the party
0:00:46 > 0:00:48or am I on polishing duty?
0:00:48 > 0:00:50Like I'd deny you a huff and a buff.
0:00:50 > 0:00:52Come on - home, change, then doctor's.
0:00:52 > 0:00:54What do you mean? I'm going like this.
0:00:56 > 0:00:57- Really?- Yeah.
0:01:03 > 0:01:04Take a seat.
0:01:06 > 0:01:08So, any plans for your afternoon off?
0:01:08 > 0:01:11Two-for-one jelly shots, sky diving?
0:01:11 > 0:01:12Shoe shopping.
0:01:12 > 0:01:15I haven't got anything, you know, pretty, summery,
0:01:15 > 0:01:18just practical stuff. So I thought I'd treat myself.
0:01:18 > 0:01:21Right, well, Jolly Polly's has got 50% off on the high street at the moment.
0:01:21 > 0:01:22Oh, brilliant.
0:01:22 > 0:01:25Oh, actually, I ordered a pair of shoes from there last week.
0:01:25 > 0:01:26Could you see if they've...
0:01:26 > 0:01:27they've arrived?
0:01:29 > 0:01:32- Oh, hi, Trudi.- Hi, Val. Hi, Ayesha.
0:01:32 > 0:01:33Hey.
0:01:36 > 0:01:37Can I help?
0:01:37 > 0:01:39Yeah, I'd...
0:01:39 > 0:01:42Oh, this is Liam, my life partner. I wasn't sure - have you met?
0:01:42 > 0:01:44I think I'd remember.
0:01:44 > 0:01:45Definitely.
0:01:45 > 0:01:47I know, he's a policeman to boot.
0:01:47 > 0:01:49A man in uniform does something to you, right?
0:01:49 > 0:01:50Yeah!
0:01:50 > 0:01:53Mostly helps me across the road.
0:01:53 > 0:01:54Sorry?
0:01:54 > 0:01:58Lollipop man, near me. Sorry, that was a joke only I would understand.
0:01:58 > 0:02:00Yeah. Anyway, he would like to see a doctor.
0:02:00 > 0:02:02Yeah, if there's one free.
0:02:02 > 0:02:03Yeah. Are you registered with us?
0:02:03 > 0:02:04Yeah. Liam Adler.
0:02:08 > 0:02:09VALERIE HUMS
0:02:09 > 0:02:12Yeah, there you are. Got you.
0:02:12 > 0:02:13And you've got me.
0:02:13 > 0:02:16Always the bridesmaid. Come on through.
0:02:16 > 0:02:17Won't be long.
0:02:21 > 0:02:22Adonis!
0:02:24 > 0:02:26Sorry?
0:02:26 > 0:02:27Er...
0:02:27 > 0:02:30- A-don't think it'll be long. - Oh.- Dr Vere.
0:02:30 > 0:02:34That's who you're seeing. So take a seat.
0:02:39 > 0:02:41I've spent the whole night rejecting ideas.
0:02:41 > 0:02:44It shouldn't be this difficult.
0:02:44 > 0:02:47I think she probably wants something quite modest.
0:02:47 > 0:02:50I just want to do something big, demonstrative.
0:02:50 > 0:02:52- Really?- Go on.
0:02:52 > 0:02:54No, I'm not hiding the ring in the blancmange!
0:02:54 > 0:02:55Really?
0:02:55 > 0:02:58Too many horror stories from the operating theatre.
0:02:58 > 0:03:00Yeah. That is a risk we can ill afford.
0:03:00 > 0:03:05So we're not talking about just some coy suggestion across a restaurant table?
0:03:05 > 0:03:07"We're not getting any younger, so how about it, darling?"
0:03:07 > 0:03:09Definitely not.
0:03:09 > 0:03:11Can you imagine?
0:03:11 > 0:03:13I booked a table for two at Maison De Fous,
0:03:13 > 0:03:15we go for a stroll in the park,
0:03:15 > 0:03:19we swing by the Jewellery Quarter and she can pick her own ring.
0:03:20 > 0:03:25- I see.- Simple, quiet, dignified.
0:03:25 > 0:03:27RUHMA: I want to beat him at his own game.
0:03:27 > 0:03:32So, his big passions are Shakespeare, Mozart, Hanif, of course.
0:03:32 > 0:03:35With Hanif throwing serious shade on the other two.
0:03:35 > 0:03:38Did I ever tell you, I really like the way you think?
0:03:38 > 0:03:43Right, OK. So, the question is what and how?
0:03:43 > 0:03:46But getting down on one knee is traditional.
0:03:46 > 0:03:50It's a bit showy, isn't it? Less is more.
0:03:50 > 0:03:54Really, Dr Carter? When has less is more
0:03:54 > 0:03:56been the way you have lived your life?
0:03:56 > 0:03:59Where is that exuberant man I once knew?
0:03:59 > 0:04:01Treading through a minefield of commitment.
0:04:01 > 0:04:06Well, you need to go back to your opera collection and get some passion into your heart.
0:04:10 > 0:04:11Shouldn't be long now.
0:04:13 > 0:04:14OK.
0:04:14 > 0:04:16Dr Vere's very good.
0:04:16 > 0:04:21All our doctors are. Actually, all my colleagues are. Oh!
0:04:21 > 0:04:23Do you know Rob Hollins at the police station?
0:04:23 > 0:04:25Sergeant Hollins?
0:04:25 > 0:04:28Yeah! Yeah, his wife, Karen, is my co-worker.
0:04:28 > 0:04:31- You may have met her.- Er...
0:04:31 > 0:04:35You'd remember if you had - very chatty, everyone loves her.
0:04:35 > 0:04:40And ironically, for a policeman's wife, she doesn't take any prisoners.
0:04:40 > 0:04:41I'm sorry, I just realised
0:04:41 > 0:04:44there's something I need to do at the station.
0:04:44 > 0:04:46I'm going to have to see the doctor another time.
0:04:46 > 0:04:49Well, I'm sure he'll only be another minute.
0:04:49 > 0:04:51Listen, can you let Trudi know?
0:04:51 > 0:04:54I mean, it's important, and it really can't wait. Thank you.
0:05:01 > 0:05:06Right, so far, we have hiring a light opera company - impractical.
0:05:06 > 0:05:08Quick trip to Venice.
0:05:08 > 0:05:09Yeah, proposing on a gondola,
0:05:09 > 0:05:12which I just don't think is going to happen by Friday.
0:05:14 > 0:05:16Maybe we just have to accept that tomorrow is too soon.
0:05:16 > 0:05:19No way! I refuse to admit defeat.
0:05:19 > 0:05:24We are three bright, capable women, and this is not rocket science
0:05:24 > 0:05:27although, if we put our minds to that, I'm sure we could ace it.
0:05:27 > 0:05:29Before we go any further,
0:05:29 > 0:05:32how is Heston going to feel about being proposed to?
0:05:32 > 0:05:34Lucky?
0:05:34 > 0:05:38Yeah, but, come on - he has pretty clear boundaries where men and women are concerned.
0:05:38 > 0:05:40Yeah, traditional roles.
0:05:40 > 0:05:41Old-fashioned.
0:05:41 > 0:05:47Come on, he's hardly a dinosaur. Bow ties and lapsang souchong are a far cry from white van man.
0:05:47 > 0:05:49Well, look, let's put it another way -
0:05:49 > 0:05:52would Daniel feel emasculated if you proposed?
0:05:52 > 0:05:56I refuse to answer that. Now let's go to the Icon.
0:06:00 > 0:06:01Thanks, Ayesha.
0:06:05 > 0:06:06Is he still with the doc?
0:06:06 > 0:06:11Um... He had to leave. He told me to tell you that he's gone to the station.
0:06:11 > 0:06:14Really? He's not doing a shift today. Did he get a call?
0:06:14 > 0:06:15Not that I'm aware of.
0:06:15 > 0:06:18Oh, well, he'll have his reasons.
0:06:18 > 0:06:20- See you.- Take care.
0:06:26 > 0:06:33PHONE RINGS
0:06:33 > 0:06:34Hi, love.
0:06:34 > 0:06:37'Hiya, just checking in, see how you're doing.'
0:06:37 > 0:06:41Yeah, you know. Same old, same old. Like I've never been away.
0:06:41 > 0:06:42You?
0:06:42 > 0:06:46Yeah, all right. A bit lights are on, but the brain's not home.
0:06:48 > 0:06:49Missing Marnie.
0:06:50 > 0:06:55'Missing all the mess. It was part of her, wasn't it?
0:06:56 > 0:06:58'Are you listening to me?'
0:06:58 > 0:06:59You're welcome, yeah.
0:07:01 > 0:07:03What? Anyway.
0:07:03 > 0:07:05So, first day back at work.
0:07:05 > 0:07:07'Do you want to meet up for lunch?'
0:07:07 > 0:07:10Ah, well, the thing is, it's a bit of a tight squeeze, work-wise.
0:07:10 > 0:07:14Oh. It's just I'm... I'm feeling rubbish, you know.
0:07:16 > 0:07:20It's the worst part about fostering so far, I tell you.
0:07:20 > 0:07:25I know, it's been tough. But, you know, at work, something else to think about.
0:07:25 > 0:07:27'Back in the saddle and soldiering on.'
0:07:28 > 0:07:31Pretty much. We will get through this, love.
0:07:31 > 0:07:37'Yeah, see, this is why I was singing your praises yesterday. You're right, I know you are.'
0:07:37 > 0:07:42But... Well, if you can't make lunch, how about we go out for our tea?
0:07:44 > 0:07:45Karen...
0:07:45 > 0:07:47'Nothing fancy, you know.'
0:07:47 > 0:07:48Just not home.
0:07:50 > 0:07:55The thing is, I've already said yes to a night out with the lads.
0:07:55 > 0:07:58'You know, sort of a welcome back thing for me.'
0:07:59 > 0:08:00Please, Rob.
0:08:02 > 0:08:05Love, I've got to go. I'm up to my neck in it, but...
0:08:05 > 0:08:07'I won't be late.
0:08:07 > 0:08:09'And I'll see you soon. OK?
0:08:09 > 0:08:10'OK, bye.'
0:08:24 > 0:08:27Oh, still here? Obviously.
0:08:30 > 0:08:31Is everything all right?
0:08:33 > 0:08:40It's Liam. Something's wrong, I just know there is.
0:08:40 > 0:08:41Well, it can't be too serious,
0:08:41 > 0:08:43not if he changed his mind about seeing the doctor.
0:08:43 > 0:08:46I know my man, Val.
0:08:46 > 0:08:48Yeah, but, like you say, he's a man, isn't he?
0:08:48 > 0:08:52Men do that - they back out of appointments cos they're afraid it's going to be bad news.
0:08:52 > 0:08:53That was only for athlete's foot.
0:08:56 > 0:08:59He's been distracted, secretive, you know,
0:08:59 > 0:09:02and I thought that it might be his work, you know,
0:09:02 > 0:09:04some undercover thing, but...
0:09:04 > 0:09:06And now you think there's someone else?
0:09:07 > 0:09:09Well, now I do, yeah!
0:09:09 > 0:09:11Sorry, no, ignore me.
0:09:11 > 0:09:14Why didn't I think of that? I mean, he's got the opportunities.
0:09:14 > 0:09:16What, because of the uniform thing?
0:09:16 > 0:09:19Because he sometimes does hen parties.
0:09:19 > 0:09:25You know, like beefcake stuff. Not the full strip, just cheesy baby oil and loincloth.
0:09:25 > 0:09:29Sitting on the bride's lap, you know, wiggling, flexing his glutes.
0:09:29 > 0:09:32Oh. I can why he'd be popular. Yay, glutes!
0:09:34 > 0:09:36I thought of it, encouraged it.
0:09:36 > 0:09:38Do the police know?
0:09:38 > 0:09:42No. It's not like he does it in uniform.
0:09:42 > 0:09:45It's strictly on the down-low, you know, cash in hand.
0:09:45 > 0:09:48Only pin money. It's just a bit of fun.
0:09:48 > 0:09:53Oh. So he's with groups of women who admire him?
0:09:53 > 0:09:56And why wouldn't they? You did...and Ayesha.
0:09:58 > 0:10:00This is all my fault.
0:10:00 > 0:10:03Well, it does rather sound like you've staked him out and rung the dinner bell.
0:10:06 > 0:10:09So, what about you and Daniel, then? Has he ever proposed?
0:10:10 > 0:10:12Well, he very nearly did once,
0:10:12 > 0:10:14but I can assure you I nipped it in the bud.
0:10:14 > 0:10:16Now he makes noises about it every so often,
0:10:16 > 0:10:18but only for tax reasons.
0:10:18 > 0:10:19Last of the great romantics.
0:10:19 > 0:10:21Joe has started to ask questions,
0:10:21 > 0:10:23but I just don't really see the point.
0:10:23 > 0:10:25- Love?- Well, we have that.
0:10:25 > 0:10:28We just don't need an outdated social convention to validate it.
0:10:29 > 0:10:32I mean, the whole marriage thing is so passe to me.
0:10:32 > 0:10:36But that won't get in the way of your career as a wedding planner.
0:10:37 > 0:10:43Oh, well! Horses for courses, Ruhma! I do not mean you and Heston.
0:10:43 > 0:10:46It's quite different for Daniel and myself.
0:10:46 > 0:10:50Let's order. We'll "passe" on the alcohol, shall we?
0:10:56 > 0:10:59So, what did you think was the problem if it wasn't cheating?
0:11:01 > 0:11:03I did wonder if it was steroids.
0:11:03 > 0:11:05He's been getting bigger lately.
0:11:05 > 0:11:08He's got thighs you can ski down these days.
0:11:08 > 0:11:12You know, and he's been...not there.
0:11:12 > 0:11:13Remote?
0:11:13 > 0:11:16Yeah. Not moody, just not himself.
0:11:16 > 0:11:20Well, I'm no expert, but steroids can change someone's mood.
0:11:21 > 0:11:27Has he... Sorry, I'm not normally this nosy, but how are things, bedroom-wise?
0:11:30 > 0:11:34Well, a bit of a drought, to be frank, you know.
0:11:34 > 0:11:37I mean, he's affectionate, cuddles and kisses, but no.
0:11:39 > 0:11:42He's more interested in his own body than mine.
0:11:42 > 0:11:44Well, steroids can do that.
0:11:44 > 0:11:48Think about it - if he's in the police, he's hardly likely to be taking anything illegal, is he?
0:11:49 > 0:11:50I can't stand this.
0:11:54 > 0:11:57Hi, where did you dash off to in such a rush?
0:11:58 > 0:12:01Hi, sorry. I had to check something at the station.
0:12:01 > 0:12:02I had some paperwork due.
0:12:02 > 0:12:04'Oh, right. Are you still there?'
0:12:04 > 0:12:07No, I'm actually going to the gym. Look,
0:12:07 > 0:12:11I'm sorry I bailed on the doctor's. You are OK getting home, right?
0:12:11 > 0:12:12'Yeah, I suppose.'
0:12:12 > 0:12:15Just don't be there all day.
0:12:16 > 0:12:17I won't. Love you.
0:12:19 > 0:12:21That settles it.
0:12:21 > 0:12:22Oh, good.
0:12:22 > 0:12:25I mean, he's definitely up to something - he's going to the gym.
0:12:25 > 0:12:28- And that's bad? - We went this morning.
0:12:28 > 0:12:31Why don't you just ask him? Put your mind at rest.
0:12:33 > 0:12:34I suppose.
0:12:35 > 0:12:40I just wish that there was some way that I could find out without him knowing.
0:12:40 > 0:12:45Still, I'll just head home and wait for him.
0:12:45 > 0:12:50I just feel so unsupported, you know, just like I'm facing my demons alone.
0:12:53 > 0:12:54Trudi.
0:12:59 > 0:13:02So, what does Heston really like?
0:13:02 > 0:13:04What's at the heart of him?
0:13:04 > 0:13:09Er... He likes good food, am-dram, champagne.
0:13:09 > 0:13:11A questionable taste in neck attire.
0:13:11 > 0:13:14What about a bow tie with a ring knotted into it?
0:13:14 > 0:13:19No. I don't know why, that just makes me think of a bull with a ring through its nose.
0:13:20 > 0:13:22All right. A bottle of champagne with a ring in it?
0:13:22 > 0:13:24How are you going to get it inside?
0:13:24 > 0:13:27I think we're missing a trick with the whole opera thing.
0:13:27 > 0:13:29- Now, I know we talked about hiring a company...- Which was impractical.
0:13:29 > 0:13:31Yeah, but there are some beautiful arias.
0:13:31 > 0:13:35She's right. I mean, you know, opera is very over the top,
0:13:35 > 0:13:36but then so is a wedding day.
0:13:38 > 0:13:41I've got it. Madama Butterfly.
0:13:41 > 0:13:42You dress up as a geisha.
0:13:42 > 0:13:44Cultural appropriation.
0:13:44 > 0:13:49No, I know it, I know it. "One day, my love will return."
0:13:49 > 0:13:55Oh, that aria is beautiful, but she goes and kills herself in the end because he's met someone else.
0:13:55 > 0:13:58Point taken. But to die for love...
0:13:58 > 0:14:01Yeah, I'll stick to living for it, thank you very much.
0:14:07 > 0:14:09That's his car, so he's definitely here.
0:14:09 > 0:14:11Are you going to make sure?
0:14:11 > 0:14:13He's where he said he'll be.
0:14:13 > 0:14:15I think I'm just getting worked up with all the other stuff.
0:14:15 > 0:14:18There's no real evidence, is there?
0:14:18 > 0:14:20- There he is!- Don't let him see us!
0:14:25 > 0:14:27Where's he going?
0:14:27 > 0:14:28See, I knew something was up.
0:14:30 > 0:14:33Hand me my sunglasses. They're in the glove compartment.
0:14:33 > 0:14:34No, really, just take me home...
0:14:34 > 0:14:37No, no, you stay right there. I am going in!
0:14:49 > 0:14:51So?
0:14:51 > 0:14:54My mind is as blank as that board.
0:14:56 > 0:14:57Very well.
0:15:02 > 0:15:05Which is all you need, apparently.
0:15:05 > 0:15:07What is the stumbling block here?
0:15:08 > 0:15:12I can't say with any confidence that I know what Ruhma wants.
0:15:12 > 0:15:16This is the woman I want to marry. I don't even know if she wants a proposal.
0:15:16 > 0:15:17Faint heart, Dr Carter.
0:15:17 > 0:15:20This is not the time for cold feet.
0:15:22 > 0:15:23We need a different approach.
0:15:23 > 0:15:25Such as?
0:15:25 > 0:15:28Looking at your fear of her reaction to your proposal.
0:15:28 > 0:15:30Have you considered asking Shak?
0:15:30 > 0:15:33Oh, I could ask his permission to marry his mother?
0:15:33 > 0:15:35See what he thinks his mother might do.
0:15:36 > 0:15:38He and Alia are in the middle of exams.
0:15:38 > 0:15:40This is the last thing they need.
0:15:44 > 0:15:46And you've brought some with you?
0:15:46 > 0:15:48Yeah.
0:15:48 > 0:15:49How long have you been...
0:15:50 > 0:15:52A few months.
0:15:52 > 0:15:57Just out of curiosity, how does it make you feel?
0:15:57 > 0:16:01Different. I mean, it's not what I expected.
0:16:01 > 0:16:06Do you feel changed? For the better?
0:16:06 > 0:16:07Look, have you booked a room?
0:16:07 > 0:16:10Yes. Shall we?
0:16:10 > 0:16:12Er, payment.
0:16:12 > 0:16:13I've left the cash up there.
0:16:15 > 0:16:16Come on.
0:16:23 > 0:16:26It's on the fourth floor. Stupid of me,
0:16:26 > 0:16:28but I'm superstitious about odd numbers.
0:16:28 > 0:16:30You don't look the superstitious type.
0:16:30 > 0:16:32- Looks can be deceiving.- Yeah.
0:16:46 > 0:16:47PLATES CLATTER
0:16:58 > 0:16:59So?
0:16:59 > 0:17:01Well, he met up with someone.
0:17:01 > 0:17:02Some scrubber from the gym?
0:17:02 > 0:17:05No, a man, a businessman.
0:17:05 > 0:17:08It sounded like some kind of a deal.
0:17:08 > 0:17:12Steroids? I knew it. How could he?
0:17:12 > 0:17:17I don't know but, from what I overheard, Liam is selling, not buying.
0:17:17 > 0:17:21Selling? What's he playing at?
0:17:21 > 0:17:22Of all the stu... I mean, is he...
0:17:22 > 0:17:25He's risking our whole future!
0:17:26 > 0:17:29I know, but at least he's being cautious.
0:17:29 > 0:17:32They're going to some room on the fourth floor. He's not doing it in the bar.
0:17:32 > 0:17:37That doesn't matter, does it? I mean, if he's caught or if he's blackmailed, it's game over.
0:17:37 > 0:17:38What room is he in?
0:17:38 > 0:17:41I don't know. Are you sure you want to confront him like this?
0:17:41 > 0:17:43I'm stopping this before it goes too far.
0:17:54 > 0:17:55407.
0:18:00 > 0:18:02Yes?
0:18:02 > 0:18:04What the...
0:18:04 > 0:18:05Trudi?
0:18:05 > 0:18:07Holy Moley!
0:18:07 > 0:18:10Oh, wow! This is not what it looks like.
0:18:13 > 0:18:15All right.
0:18:15 > 0:18:17We do not have any ideas, but we do have a venue.
0:18:17 > 0:18:20- If we can just get some... - I have less than 24 hours.
0:18:20 > 0:18:26If you can contrive a way of getting there before her, the early bird catches the worm.
0:18:26 > 0:18:28I'm more like a permanently confused pigeon.
0:18:28 > 0:18:29If it is a country hotel...
0:18:29 > 0:18:32- Or an increasingly bewildered ostrich.- Dr Carter!
0:18:32 > 0:18:35I'm sorry, Mrs Tembe. Thank you for your help.
0:18:35 > 0:18:38But I have to prepare for afternoon surgery. Excuse me.
0:18:38 > 0:18:39But...
0:18:42 > 0:18:44Muscle worship?
0:18:44 > 0:18:47I flex and pose, like a body-building contest.
0:18:47 > 0:18:48For him?
0:18:48 > 0:18:49Not just him.
0:18:49 > 0:18:51This is my first time.
0:18:51 > 0:18:53What for? If you're doing this, then...
0:18:53 > 0:18:56For money. Why do you think?
0:18:56 > 0:18:58So, how does this work?
0:18:59 > 0:19:01OK, well, there are people...
0:19:01 > 0:19:03- Men.- Men, who are willing to pay
0:19:03 > 0:19:06to appreciate the work I've put into myself.
0:19:06 > 0:19:08It's not sordid.
0:19:08 > 0:19:09Then why come here?
0:19:09 > 0:19:12Privacy. I don't feel so...
0:19:12 > 0:19:15- On display?- Yeah.- Yeah, but you are, though, aren't you?
0:19:15 > 0:19:17- Er...- See this definition?
0:19:19 > 0:19:24How his traps and deltoids give his upper body that shape?
0:19:24 > 0:19:26It's perfect.
0:19:27 > 0:19:29Like a Michelangelo drawing brought to life.
0:19:29 > 0:19:33Exactly. Do you see?
0:19:33 > 0:19:35Yeah, I can - any time I go to the gym.
0:19:35 > 0:19:38There's loads of blokes that look like this.
0:19:38 > 0:19:41No, not to this level of perfection.
0:19:42 > 0:19:46It's a combination of genetics and hard work.
0:19:46 > 0:19:49Takes real discipline to get to this.
0:19:50 > 0:19:52Only a few can.
0:19:52 > 0:19:53Baby oil, too?
0:19:55 > 0:19:56To show the definition.
0:19:57 > 0:20:01This is all just too creepy.
0:20:01 > 0:20:06Look, men like Brandon, they don't just pay up - they encourage me.
0:20:06 > 0:20:09And they don't leer or grab or grope like the women at the hen parties.
0:20:09 > 0:20:11That's just fun!
0:20:11 > 0:20:15Well... Yeah, it can get a little bit...rugby scrum.
0:20:15 > 0:20:17The minute the tequila gets passed round,
0:20:17 > 0:20:19the fairy wings come off and it's open season.
0:20:19 > 0:20:23See? I'm treated with dignity here.
0:20:23 > 0:20:25And admiration for what he's achieved.
0:20:25 > 0:20:27Thank you.
0:20:27 > 0:20:32OK, some guys, they like to rub in the baby oil, OK?
0:20:32 > 0:20:35I mean, just really rub it in to appreciate the muscle tone.
0:20:35 > 0:20:36But that's it.
0:20:36 > 0:20:37Nothing sexual at all?
0:20:37 > 0:20:38Nope.
0:20:40 > 0:20:44I can't believe you allow yourself to be ogled by another man.
0:20:44 > 0:20:47Really? I mean, I get paid, like, four times the amount I would spending
0:20:47 > 0:20:51- the night fighting off a bunch of drunk women.- Four times?
0:20:51 > 0:20:52Top of his game.
0:20:54 > 0:21:01Look, you said you wanted to visit your sister in America, right?
0:21:01 > 0:21:03Well, soon, I'll have enough money to take you.
0:21:03 > 0:21:06Just from standing there? Guns out?
0:21:06 > 0:21:07Nothing more.
0:21:12 > 0:21:15Right, I've decided - ultra-traditional.
0:21:15 > 0:21:18- If it ain't broke... - Then there's traditional, and there's traditional.
0:21:18 > 0:21:20- Meaning? - There's no reason not to embellish.
0:21:20 > 0:21:22Give yourself a romantic setting, for starters.
0:21:22 > 0:21:23What about a string quartet?
0:21:23 > 0:21:25Or a country hotel?
0:21:25 > 0:21:26I'm way ahead of you there.
0:21:26 > 0:21:29I could go down on one knee. That would really throw him.
0:21:30 > 0:21:32Can I... can we organise this by tomorrow?
0:21:32 > 0:21:33Of course we can.
0:21:33 > 0:21:37Just... I want to do it right, I don't want to rush.
0:21:37 > 0:21:40Maybe I should just plan it for Heston's birthday.
0:21:40 > 0:21:43No! No, no, no. With the three of us organising, we will definitely nail it for tomorrow.
0:21:43 > 0:21:45OK, what about this? Haseldine Hall - perfect, yeah?
0:21:45 > 0:21:47That is exactly what I had in mind.
0:21:47 > 0:21:50Right, I'm going to phone the music department at the university.
0:21:50 > 0:21:52Hello, yes. I wonder, do you have a table for two...
0:21:52 > 0:21:54- That's for the string quartet? - For tomorrow?
0:21:54 > 0:21:57- They could definitely point us in the right direction. - Jackpot! Hold on a moment.
0:21:57 > 0:22:00They do have a table, and it's in a prime position - it's a cancellation.
0:22:00 > 0:22:03- This is really happening. - Oh, hello, could I speak to your music faculty, please?
0:22:03 > 0:22:06Yes, please, we would love to book that. It's in the name of Hanif.
0:22:08 > 0:22:12Hey, hi. I'd really like to go somewhere nice for lunch tomorrow.
0:22:12 > 0:22:15Yeah, I've booked us a table at Maison De Fous.
0:22:15 > 0:22:18Luke's got some fantastic new Icelandic treats.
0:22:18 > 0:22:20Well, no, I've booked somewhere, too.
0:22:20 > 0:22:22- 'Where?'- Hold on.
0:22:22 > 0:22:26- It's a country hotel and... - Haseldine Hall.- Haseldine Hall.
0:22:26 > 0:22:28Cos I didn't want to risk you forgetting.
0:22:28 > 0:22:31Well, I didn't! I booked this a month ago.
0:22:31 > 0:22:32'We've been there loads of times.
0:22:32 > 0:22:35'And this is much better cos it's really, really special.'
0:22:35 > 0:22:37And so, that's what we're going to do.
0:22:37 > 0:22:39And I will speak to you later. Bye.
0:22:39 > 0:22:41Bulldozed him! Hello, sorry to keep you waiting.
0:22:41 > 0:22:43Did you need a credit card number?
0:22:43 > 0:22:45Yeah, hello, we'd like to enquire
0:22:45 > 0:22:48about hiring your string quartet, if possible.
0:22:48 > 0:22:51- Yes.- Absolutely. Can you put candles on her table?
0:22:51 > 0:22:52Well, probably for about 100.
0:22:52 > 0:22:54And flowers.
0:22:54 > 0:22:58I just wish you'd told me. I was imagining all sorts.
0:22:59 > 0:23:01You're right, I should have told you.
0:23:02 > 0:23:03I had thought about it.
0:23:05 > 0:23:07And you're all right with all this?
0:23:07 > 0:23:10I do get something out of posing.
0:23:10 > 0:23:13I mean, you have a go at me for spending so much time at the gym,
0:23:13 > 0:23:14but we both benefit.
0:23:15 > 0:23:20I always did. You can pose for me any time.
0:23:22 > 0:23:26- Private shows?- Yeah.- No gropings?
0:23:27 > 0:23:29I tell you what. I'll give you mates rates.
0:23:29 > 0:23:33But right now, Brandon's paying for my time, so...
0:23:33 > 0:23:35- Yeah, right. Um, I'll get out of your way.- Yeah.
0:23:38 > 0:23:40- See you later.- I'll see you later.
0:23:44 > 0:23:46Well, nice to meet you.
0:23:48 > 0:23:51Have fun or... Yeah.
0:24:21 > 0:24:25Uh! I don't know. All that worrying for nothing.
0:24:25 > 0:24:26What am I like, Val?
0:24:27 > 0:24:28Well, it was a shock.
0:24:28 > 0:24:33Oh, totally. But I should focus on the positive, right?
0:24:35 > 0:24:38I should thank my lucky stars I have someone like him.
0:24:38 > 0:24:39He's the real deal, you know?
0:24:39 > 0:24:42He does seem to care about you.
0:24:42 > 0:24:44And he's doing all that to give me a luxury holiday.
0:24:46 > 0:24:48I should have more faith.
0:24:48 > 0:24:52But it's made me think - maybe lay off the hen parties
0:24:52 > 0:24:54cos, you know, I didn't realise.
0:24:54 > 0:24:58He did seem unhappy, women treating him like that.
0:24:58 > 0:25:02And it's funny because I'd see the way that guys look at him in the gym, you know,
0:25:02 > 0:25:04and I'd put two and two together.
0:25:04 > 0:25:08And he would never, ever seem to recognise.
0:25:08 > 0:25:10Well, at least, I thought.
0:25:10 > 0:25:11Actually...
0:25:15 > 0:25:17..I promised Ayesha I'd pick up some shoes.
0:25:17 > 0:25:19Ooh, shoe shopping? Let's go!
0:25:31 > 0:25:37PHONE RINGS
0:26:02 > 0:26:04I'd nearly given up hope.
0:26:04 > 0:26:06Sorry, got side-tracked.
0:26:06 > 0:26:08Oh, brilliant, thanks. I owe you.
0:26:08 > 0:26:09Not a problem.
0:26:09 > 0:26:10Are you OK?
0:26:12 > 0:26:14I had a funny day.
0:26:14 > 0:26:16I always thought honesty was the best policy,
0:26:16 > 0:26:19even if you were saying something that no-one wanted to hear.
0:26:19 > 0:26:20Something happened?
0:26:22 > 0:26:25There was just more to it than they were both letting on.
0:26:26 > 0:26:28'You could just tell.'
0:26:28 > 0:26:32Same again. No - scotch, double.
0:26:32 > 0:26:35'Something about the way Liam was behaving.
0:26:35 > 0:26:38'And I don't know what good it would do to tell Trudi.
0:26:38 > 0:26:41'She strikes me as a shoot-the-messenger type.
0:26:42 > 0:26:46'Some things are difficult to hear and harder to say.'
0:26:57 > 0:27:05MUSIC PLAYS
0:27:22 > 0:27:25Mrs Tembe? We can relax.
0:27:25 > 0:27:27I've just had my light bulb moment.
0:27:34 > 0:27:35You can do it.
0:27:37 > 0:27:39- HESTON:- It's a complete and unmitigated disaster!
0:27:39 > 0:27:41I'm too old and unfit.
0:27:41 > 0:27:44I don't know why I thought this was even possible, or both.
0:27:44 > 0:27:46Your dress looks like someone has had an industrial accident
0:27:46 > 0:27:48- in a paint factory!- I don't care!
0:27:48 > 0:27:50I just want to wear something that makes me
0:27:50 > 0:27:53look presentable and I want to be there on time. And that is all.