18/07/2014

0:00:27 > 0:00:30- Is there a problem? - Can we come in, Billy?

0:00:30 > 0:00:32We're just about to eat.

0:00:32 > 0:00:36It's about Lucy Beale. I saw you with her on Good Friday.

0:00:37 > 0:00:39- What? - The night she died.

0:00:41 > 0:00:43We need to do this inside.

0:00:47 > 0:00:48DOOR BUZZER

0:00:56 > 0:00:58Lauren, please open the door.

0:00:58 > 0:01:01- Why?- Well, cos I want to sort things out, that's why.

0:01:01 > 0:01:04Look, I'm sorry about just now, it's just, I've got a lot on my plate,

0:01:04 > 0:01:06ain't I? Lauren, I ain't going anywhere, all right?

0:01:06 > 0:01:07Not till we've talked.

0:01:07 > 0:01:10All right, well, you can stay out there all night for all I care.

0:01:24 > 0:01:26Lo, do me a favour, take Lexi and Janet for a walk, eh?

0:01:26 > 0:01:27But we just ordered pizza.

0:01:28 > 0:01:30Pops, what's wrong with you?

0:01:30 > 0:01:33- Maybe we should come back later. - Why are you guys even here, anyway?

0:01:33 > 0:01:38- We just need to speak with Billy. - What, about the electric?

0:01:38 > 0:01:42- How about Lola takes you down the park, eh? For ice cream? - Pops, I'm skint.

0:01:42 > 0:01:46- That's all I've got, for the pizza. - Right, no, I ain't going...

0:01:46 > 0:01:50- For once, will you not argue with me?- Pops!- Please, just go!

0:01:50 > 0:01:55- Right, come on, then. Let's go. - Go on. Go down the park.

0:01:55 > 0:01:57Come on then.

0:02:06 > 0:02:09- Sorry, mate, we're closing. - Actually, I'm here about Lola.

0:02:09 > 0:02:14- Why don't you give her a trial, see how it goes?- Cos I honestly don't think she'd fit in.

0:02:14 > 0:02:18It's just she's been struggling a bit at the moment. You'd really help if you just gave her a break.

0:02:18 > 0:02:20Mate, I get it. Things are tough. But Lola's not my problem.

0:02:20 > 0:02:24- I'm surprised she's yours, to be honest.- What's that mean?

0:02:24 > 0:02:26It's a lot to take on, an 18-year-old with a toddler.

0:02:26 > 0:02:30Rather you than me. I mean, why tie yourself down?

0:02:30 > 0:02:32You're a good looking lad. Get out there.

0:02:32 > 0:02:34Live a little. That's all I'm saying.

0:02:34 > 0:02:36Yeah, Lola's right. You are an idiot.

0:02:39 > 0:02:43Come on. You can't expect me to believe you can't remember anything.

0:02:43 > 0:02:45- It was months ago!- I know what I saw. Lucy had the hump

0:02:45 > 0:02:48and you two were definitely having a barney over something.

0:02:48 > 0:02:52Stop lying. Tell us what it was about. We're wasting our time.

0:02:52 > 0:02:55- Let's just let the police sort it out.- All right, all right, wait.

0:02:55 > 0:02:58Just give me a minute to think, will ya?

0:03:01 > 0:03:06Hang on, I do remember her coming in for chips that night.

0:03:06 > 0:03:09And if I remember rightly, she couldn't be bothered to wait.

0:03:09 > 0:03:12- What?- I was frying a fresh batch.

0:03:12 > 0:03:15She got the hump because she had to hang about.

0:03:15 > 0:03:17I was up to my neck in it so I told her where to go.

0:03:17 > 0:03:20- And that's it? - Yeah. That's all it was.

0:03:20 > 0:03:23So did you tell the police that you saw Lucy the night she died?

0:03:23 > 0:03:26- No. Course you didn't. - Who the hell do you think you are?

0:03:26 > 0:03:28Coming in here, accusing me of all sorts, eh?

0:03:28 > 0:03:31Lee, he's full of it. Come on, let's just go to the police.

0:03:31 > 0:03:33And say what? I've just told you what happened.

0:03:33 > 0:03:35We'll tell them about the key as well.

0:03:35 > 0:03:38And about you sneaking around the flat where Lucy's blood was found.

0:03:38 > 0:03:40How do we know you weren't in there the night she died?

0:03:40 > 0:03:44Well, what are you trying to say? I told you, we had a stupid row.

0:03:44 > 0:03:47She kicked off, I never see her again, I swear!

0:03:47 > 0:03:51You. I thought you were supposed to be my mate.

0:03:51 > 0:03:53Jake is already banged up for killing Lucy.

0:03:53 > 0:03:57- He swears he's innocent. - Do you really think that I'm capable of murder? Do ya?

0:03:57 > 0:03:59No. No. We ain't saying that.

0:04:00 > 0:04:03- Maybe it was an accident. - Nah, nah, nah.

0:04:03 > 0:04:06You ain't pinning this on me just because your alky mate says that he's innocent.

0:04:06 > 0:04:10- Come on, Billy. Just tell us what you're hiding.- Get out!

0:04:10 > 0:04:13What, did she have something on you? Or maybe she turned you down.

0:04:13 > 0:04:14Get out!

0:04:17 > 0:04:20The key, Billy. You never gave us it back.

0:04:22 > 0:04:23Sling your hook.

0:04:47 > 0:04:49Emma? Yeah, it's only me.

0:04:50 > 0:04:53Er, yeah, it's going really well with Lauren.

0:04:53 > 0:04:55Listen, I don't know if you're back at work already

0:04:55 > 0:04:58but why don't you come over later?

0:04:58 > 0:05:00Abi's going to be staying with her mum, so...

0:05:02 > 0:05:05Er, yeah, so maybe I'll see you later.

0:05:08 > 0:05:10All right, Lauren. Where are you going?

0:05:11 > 0:05:14Lauren, don't be like this. This is stupid. Just give me five minutes.

0:05:14 > 0:05:17That's all I'm asking, all right? Five minutes, and if you don't

0:05:17 > 0:05:20like what I've got to say, that's it, I'll leave you alone.

0:05:27 > 0:05:29- DOOR CLOSES - Pops? Pops.

0:05:29 > 0:05:31- We've got a visitor.- Hey.

0:05:34 > 0:05:37Hey. Hello, Mrs Coker.

0:05:37 > 0:05:40Ain't got that tenner, have you, for the pizza bloke?

0:05:41 > 0:05:45You could have this tomorrow. I made a casserole to celebrate you passing your trial.

0:05:45 > 0:05:48Oh, thank you, that's very kind of you.

0:05:48 > 0:05:51Tending the dead isn't for the faint-hearted, Billy.

0:05:51 > 0:05:54I think your grandad may have found his calling.

0:05:54 > 0:06:00And how are my two favourite girlies? Oh, look at you!

0:06:01 > 0:06:05- You sorted it out?- Yes, yes. Sorted. - Was it about the electric?- Lo!

0:06:05 > 0:06:08I'm really sorry, I don't mean to be rude but I've got to nip out.

0:06:08 > 0:06:11I've got to go and check the rota at the chippy.

0:06:11 > 0:06:14But Lola's here. I mean, stay and have a cup of tea if you want.

0:06:14 > 0:06:17- I won't be long. - Oh, yes, I think I will!

0:06:17 > 0:06:19Les is out with his cronies to a dinner do,

0:06:19 > 0:06:21and I don't want to be stuck in on my own, do I?

0:06:21 > 0:06:25There you go, then. Stick the kettle on, Lo. Won't be long.

0:06:25 > 0:06:26Bye.

0:06:33 > 0:06:35All right?

0:06:35 > 0:06:37Yeah. You?

0:06:38 > 0:06:39Yeah.

0:06:40 > 0:06:43I...I got my job.

0:06:45 > 0:06:46Trial at Mr Coker's.

0:06:46 > 0:06:48- Oh, congrats, man.- Thanks.

0:06:48 > 0:06:51Look, they're all having pizza in there.

0:06:51 > 0:06:54Hawaiian Special.

0:06:54 > 0:06:56Anyway, see ya.

0:07:07 > 0:07:10Mick told me what happened. So did you get a written confession?

0:07:10 > 0:07:14- Ain't funny, Shirl! - Look, Billy Mitchell is many things but he's not a killer.

0:07:14 > 0:07:16Well, he was lying about something. It was obvious.

0:07:16 > 0:07:18Yeah. It did feel like he was holding something back.

0:07:18 > 0:07:21That don't make him a murderer. You put yourselves on the line, for what?

0:07:21 > 0:07:23Yeah, for once I agree with Shirley.

0:07:23 > 0:07:25We can't keep going round in circles.

0:07:25 > 0:07:27You went and had it out with him. So, now what?

0:07:27 > 0:07:30There is only one thing to do. Go to the police.

0:07:30 > 0:07:33- Yeah, and I still say let it go. - This is doing my nut in.

0:07:33 > 0:07:34Where're you going?

0:07:34 > 0:07:36Shop. I need a sugar fix.

0:07:36 > 0:07:37I dunno. What do you reckon, Dad?

0:07:39 > 0:07:41You know we're behind you. It's just...

0:07:41 > 0:07:45The old bill are going to want to know why you've changed your story.

0:07:45 > 0:07:47Billy could say you've been putting the screws on him.

0:07:47 > 0:07:49I just want you to be sure.

0:08:00 > 0:08:02Billy.

0:08:05 > 0:08:06I just wanted to say, this...

0:08:06 > 0:08:08this is nothing personal.

0:08:08 > 0:08:11Nothing personal?! Are you having a laugh?

0:08:11 > 0:08:14Just be straight with me, all right? Is there anything you ain't telling us?

0:08:14 > 0:08:16No!

0:08:16 > 0:08:17How do you know your poxy nephew

0:08:17 > 0:08:21- ain't got nothing to do with this, eh?- Lee?- Yeah, Lee!

0:08:21 > 0:08:24He was the one who was following Lucy that night.

0:08:24 > 0:08:26You want to think about that, eh?

0:08:49 > 0:08:52- Come on, the house ain't going to clean itself. - I just finished work!

0:08:52 > 0:08:56Just get off your lazy backside.

0:08:56 > 0:08:58Phil! I'm in trouble.

0:09:04 > 0:09:08- Everything all right? - Yeah. Yeah, everything's fine.

0:09:08 > 0:09:11- Billy's taking his time.- Er, yeah, you wouldn't mind watching Janet?

0:09:11 > 0:09:14I'm just going to put Lexi's pyjamas on, if you don't mind.

0:09:14 > 0:09:16Hello?

0:09:16 > 0:09:21Pops, it's me. Will you just call me back, all right?

0:09:21 > 0:09:23One minute, my day's going great,

0:09:23 > 0:09:25next minute I've got the Carters mob-handed at the door!

0:09:25 > 0:09:26Just calm down and tell me why.

0:09:26 > 0:09:29- They said I had something to do with Lucy's murder!- What?!

0:09:29 > 0:09:30DOOR CLOSES

0:09:30 > 0:09:32The front door was wide open.

0:09:32 > 0:09:34Anyone could have walked in.

0:09:34 > 0:09:36How are you feeling?

0:09:36 > 0:09:39Erm, yeah, yeah, I'm fine. Denny wants another DVD.

0:09:39 > 0:09:42- Do you want another painkiller? - Stop fussing.

0:09:43 > 0:09:46Jay, Jay, put the kettle on, will you? Billy, go with him.

0:09:50 > 0:09:52You look tired.

0:09:52 > 0:09:55Well, I don't know how. I've hardly lifted a finger for weeks.

0:09:56 > 0:09:59Look, Phil, just keep the doors locked, eh? It's better to be careful.

0:09:59 > 0:10:02Sharon, you're safe, all right? I promise you.

0:10:02 > 0:10:05Like I said, I'm fine. It's just common sense.

0:10:05 > 0:10:08Just call me if you need anything, yeah?

0:10:08 > 0:10:09Yeah.

0:10:17 > 0:10:21Why the hell would they accuse you of murdering Lucy?

0:10:22 > 0:10:25- Well, answer the question. - All right, all right!

0:10:27 > 0:10:29The night she died...

0:10:30 > 0:10:34..she caught me nicking fish from the chippy.

0:10:34 > 0:10:38She threatened to tell Ian so we had this blazing row and...

0:10:38 > 0:10:40well, I thought no-one else knew, but then...

0:10:40 > 0:10:43Lee Carter says that he seen us arguing.

0:10:43 > 0:10:45Did he hear what the row was about?

0:10:46 > 0:10:48- You sure? - Yeah, I'm...positive.

0:10:49 > 0:10:50What did you tell him?

0:10:50 > 0:10:53I just made up some story about her giving me grief

0:10:53 > 0:10:55about having to wait for her chips.

0:10:55 > 0:10:57Did he believe you?

0:10:57 > 0:11:00- Ain't much of a story.- I didn't have time to think, you know?

0:11:01 > 0:11:03Well, it's just your word against Lee's, ain't it?

0:11:03 > 0:11:05Keep your mouth shut about the stolen fish,

0:11:05 > 0:11:07you've got nothing to worry about.

0:11:09 > 0:11:10Well, is there something else?

0:11:10 > 0:11:12Spit it out, will ya?

0:11:16 > 0:11:18I had a key...

0:11:18 > 0:11:19to Tina's flat.

0:11:19 > 0:11:22A spare key, I had it from Butcher's Joints.

0:11:22 > 0:11:25Don't tell us you was in there, please.

0:11:25 > 0:11:27Well, were you?

0:11:28 > 0:11:31Billy, tell us the facts, come on!

0:11:31 > 0:11:33I was rigging the switchboard.

0:11:33 > 0:11:37I was running our leccy off of their meter.

0:11:37 > 0:11:41Tina caught me in there the other day red-handed. Now they all think I was in the flat the night Lucy died.

0:11:41 > 0:11:43Jay...

0:11:44 > 0:11:46..get lost for a minute, will you?

0:11:48 > 0:11:49Just do it.

0:11:59 > 0:12:00So what happened after the row?

0:12:01 > 0:12:03Nothing. She took off.

0:12:03 > 0:12:05Billy, if you're hiding something, I need to know.

0:12:05 > 0:12:08Are you seriously asking me if I killed her?!

0:12:08 > 0:12:12- You said she threatened to go to Ian.- Yes, but, Phil...

0:12:12 > 0:12:15I know, I know how much you need that job.

0:12:15 > 0:12:18You seriously think I'd kill a young girl for a poxy job at a chippy?!

0:12:20 > 0:12:22Come on, Phil!

0:12:22 > 0:12:25I know I've done a lot of bad things in my time, but I'm not a killer!

0:12:28 > 0:12:31What about Lee? Did he say...? Did he say anything else before he left?

0:12:31 > 0:12:34Do you think he would have gone straight to the old bill?

0:12:34 > 0:12:36Not sure. I've only just chucked 'em out, ain't I?

0:12:40 > 0:12:41Where you going?

0:12:41 > 0:12:43To the Vic.

0:12:43 > 0:12:45See if I can't sort out your mess.

0:13:02 > 0:13:04Well, this was worth it(!)

0:13:04 > 0:13:08Well, there's only so many times I can say "sorry", Lauren.

0:13:08 > 0:13:10- I know. I just want you to mean it. - Yeah, and I do mean it.

0:13:10 > 0:13:13I came to see you earlier to talk about it, and you just...

0:13:13 > 0:13:14You weren't bothered at all.

0:13:14 > 0:13:16Yeah, well, I'm here now, all right?

0:13:16 > 0:13:18That's all that matters. So, let's talk.

0:13:18 > 0:13:20All right, fine. Er, why did you sleep with my best mate?

0:13:21 > 0:13:24Cos I have not stopped thinking about it.

0:13:24 > 0:13:28I keep thinking, you know, all the times she must've been lying to me.

0:13:28 > 0:13:31Or sneaking around behind my back with you.

0:13:31 > 0:13:34And I am still so angry with her!

0:13:34 > 0:13:37Hi. Tea to go, please.

0:13:39 > 0:13:41What do you want me to say, Lauren?

0:13:42 > 0:13:43All right, it was wrong

0:13:43 > 0:13:46- and it shouldn't have happened. - Well, why did it?

0:13:48 > 0:13:51Because she was vulnerable. And I was weak.

0:13:52 > 0:13:56She was messed up. And you were taking advantage.

0:13:56 > 0:13:58Yeah, I couldn't help myself.

0:13:58 > 0:13:59Do you know how disgusting that is?

0:13:59 > 0:14:03Yes. All right, Lauren? I do. And... it ain't easy talking about it.

0:14:05 > 0:14:08I just never thought about all the people it could hurt.

0:14:08 > 0:14:11All you do is hurt people, though, Dad.

0:14:11 > 0:14:14Mum. Bradley.

0:14:14 > 0:14:16I mean, what kind of person sleeps with their son's girlfriend?

0:14:22 > 0:14:24You ain't never going to change.

0:14:24 > 0:14:27All you care about is yourself, Dad.

0:14:28 > 0:14:30You're the most selfish person I've ever met.

0:14:35 > 0:14:37Oh, cavalry's arrived.

0:14:37 > 0:14:40- You been to the old bill?- Not yet.

0:14:40 > 0:14:43I do hope you ain't come here to cause agg, Phil.

0:14:43 > 0:14:46I ain't come here for any aggro here, mate. I ain't Billy's baby sitter either.

0:14:46 > 0:14:49- Why are you here, then?- Billy told me what happened the night,

0:14:49 > 0:14:51what REALLY happened the night that Lucy died.

0:14:51 > 0:14:53He said that you lot came on a bit heavy.

0:14:53 > 0:14:56And, well, he panicked. Didn't know what to say.

0:14:56 > 0:15:01But what really happened is, the night that Lucy died,

0:15:01 > 0:15:03she gave it the big I am.

0:15:03 > 0:15:05Went in the chippy. Tried to take some money out the till.

0:15:05 > 0:15:08- Why would she do that? - Got no idea.

0:15:08 > 0:15:09Billy don't know either.

0:15:09 > 0:15:12Maybe she wanted some coke or something like that.

0:15:12 > 0:15:15Anyway, Billy was worried that he was going to get the blame

0:15:15 > 0:15:17for the money going out the till. So he stopped her.

0:15:17 > 0:15:19She flipped, and he slung her out.

0:15:19 > 0:15:23- So why didn't he tell us that in the first place?- Cos he's stupid.

0:15:23 > 0:15:24Yeah. You're not wrong.

0:15:24 > 0:15:26Anyway, if you do go to the old bill,

0:15:26 > 0:15:28that's what he's going to tell 'em.

0:15:28 > 0:15:31You got to ask yourself, is it worth it?

0:15:42 > 0:15:45They found her blood in the kitchen, didn't they?

0:15:45 > 0:15:47That's what I read.

0:15:51 > 0:15:53So if you were messing about with wires...

0:15:55 > 0:15:58..then that's where your prints will be.

0:15:58 > 0:15:59By the electric box.

0:16:00 > 0:16:03So just tell them you went nowhere near the kitchen.

0:16:08 > 0:16:10Where you going? Oi, Bill!

0:16:16 > 0:16:19- I knew he was holding something back.- What if Phil's lying?

0:16:19 > 0:16:23It fits, though. What Phil said about Lucy. It could easily explain what happened that night.

0:16:23 > 0:16:25In that case, think about Ian.

0:16:25 > 0:16:27You go to the police, word's bound to get out.

0:16:27 > 0:16:31Does he really need to know his daughter was trying to steal from him the night she died?

0:16:31 > 0:16:34Are you just going to stand there like a lemon?

0:16:34 > 0:16:36Well, I don't know any more.

0:16:36 > 0:16:38- Are you really that gullible? - Look, I've made my decision.

0:16:40 > 0:16:43- Look, it's not worth it.- Lee! - Nance, just let it go. Please.

0:16:43 > 0:16:46- I'll go to the police myself.- Listen to me, don't go dragging my boy

0:16:46 > 0:16:49into this. He's made his decision. You're going to respect it.

0:16:49 > 0:16:51Maybe Mick's right. What's it going to achieve?

0:16:51 > 0:16:56As much as we believe Jake's innocent, I just think we're clutching at straws blaming Billy.

0:16:56 > 0:16:58Can everyone just drop it, please?

0:17:02 > 0:17:04Just let her cool off.

0:17:04 > 0:17:05You OK?

0:17:11 > 0:17:14- Usual?- Yeah, I want to ask you a favour first.

0:17:14 > 0:17:17I'm having a photo shoot set up at Blades tomorrow.

0:17:17 > 0:17:18- I wondered if you'd be a model.- Me?!

0:17:18 > 0:17:21Yeah. Don't look so surprised. You'd be perfect.

0:17:21 > 0:17:23Now's not really a good time, Dean.

0:17:51 > 0:17:53What if I can't ever trust you again?

0:17:53 > 0:17:56Look, I know it ain't going to happen overnight, Lauren.

0:17:57 > 0:18:02Look, I miss you. And Abi misses you. Tramp, he misses you.

0:18:04 > 0:18:07Look, just one last chance, that's all I'm asking. OK?

0:18:09 > 0:18:13- And you can move home any time you like.- Don't push it.

0:18:16 > 0:18:19All right. I'll leave you to it, shall I? OK?

0:18:33 > 0:18:38- Peter, listen, I'm really sorry, I just wanted to...- It's fine. It's fine, I understand.

0:18:38 > 0:18:42- Really?- Yeah. I mean, he's your dad. What're you going to do?

0:18:44 > 0:18:46You fancy the pub? My shout.

0:18:46 > 0:18:48- Yeah, all right. - PHONE RINGS

0:18:51 > 0:18:53- Everything all right?- Yeah.

0:19:13 > 0:19:15DOOR CLOSES

0:19:21 > 0:19:24What the hell are you doing? I swear to God, you come near me...

0:19:26 > 0:19:28I was just bringing them back, OK?

0:19:30 > 0:19:31Get out.

0:19:38 > 0:19:40Lexi went out like a light.

0:19:40 > 0:19:43Oh, wow! Who did this?

0:19:43 > 0:19:46Oh, wow, who's that meant to be then?

0:19:46 > 0:19:51- Oh! It's Billy and Les, isn't it? In their best bib and tucker.- Is it?

0:19:51 > 0:19:52It's very good!

0:19:53 > 0:19:57Erm, Pam, you couldn't do me a big favour, could you?

0:19:57 > 0:20:00- I don't believe this!- What was I meant to do? Tie him to the chair?

0:20:02 > 0:20:04Where've you been?

0:20:04 > 0:20:07Well, anyway, I think I managed to get through to Lee, so...

0:20:07 > 0:20:10all you've got to do is get a grip and sit tight, yeah?

0:20:13 > 0:20:16- Well, don't say "thanks" or anything, will you(?) - I've blown it, Phil.

0:20:24 > 0:20:26I'm, er, sorry if I was a bit off before.

0:20:26 > 0:20:29I've been meaning to say...

0:20:29 > 0:20:33all that stuff you heard last week, after my party,

0:20:33 > 0:20:35do me a favour and keep it to yourself?

0:20:37 > 0:20:39The kids don't know we ain't married...

0:20:39 > 0:20:40No, course.

0:20:41 > 0:20:45But that being said, one good turn does deserve another.

0:20:46 > 0:20:49- How about that photo shoot? - My modelling days are long gone.

0:20:49 > 0:20:53You actually modelled? You've definitely still got it.

0:20:53 > 0:20:54And what would you know?

0:20:54 > 0:20:58I know that some women get more stunning with age. Elle Macpherson,

0:20:58 > 0:21:01- Cindy Crawford, Linda Carter... - SHE LAUGHS

0:21:01 > 0:21:03I mean, what is it that grandad says?

0:21:03 > 0:21:05"The older the berry, the sweeter the juice."

0:21:07 > 0:21:09- Now I know what he meant! - If Mick hears you talking like that.

0:21:09 > 0:21:11Oh, I've asked Lauren and Whitney as well.

0:21:11 > 0:21:14You want me to pose with a couple of girls half my age?

0:21:14 > 0:21:16- You've got to be joking.- Come on.

0:21:16 > 0:21:18They've got nothing on you. You show 'em how it's done.

0:21:18 > 0:21:21You would be doing me a massive, massive favour as well.

0:21:21 > 0:21:23I've blown the budget on the photographer.

0:21:23 > 0:21:25He's good. He's really good.

0:21:26 > 0:21:29- Go on, then.- Yeah?

0:21:29 > 0:21:30That's great!

0:21:33 > 0:21:35I've just caught Billy in our kitchen.

0:21:35 > 0:21:38- Doing what? - He said he was returning these...

0:21:40 > 0:21:42Now, we go to the police.

0:21:46 > 0:21:51- I back you up, don't I? I back you up and you make me look like a total mug.- It ain't like that!

0:21:51 > 0:21:53If Sharon weren't upstairs I'd kick you round this kitchen.

0:21:53 > 0:21:56- Please, listen to me,- Nah, nah, nah! You listen to me, yeah?

0:21:56 > 0:21:58I want to know everything that happened the night Lucy died.

0:21:58 > 0:22:01- I told you I didn't do it.- One!

0:22:01 > 0:22:04One more lie out of you, and you - listen to me - you're on your own!

0:22:04 > 0:22:08I swear to ya! I swear, I never touched her!

0:22:08 > 0:22:11If my own family start doubting me, what's that lot out there going to think, eh?

0:22:11 > 0:22:14- So what was you doing over there then?- Wiping prints.

0:22:14 > 0:22:15Why?

0:22:15 > 0:22:19Because I was in the kitchen as well. More than once.

0:22:20 > 0:22:22I nicked the odd tin of beans, some eggs...

0:22:22 > 0:22:24You are unbelievable.

0:22:24 > 0:22:26My prints could be anywhere, couldn't they?

0:22:26 > 0:22:27So what?

0:22:28 > 0:22:31Billy, you are a world-class idiot, you know that?

0:22:31 > 0:22:34The old bill would've dusted that place from top to bottom months ago.

0:22:34 > 0:22:37They ain't going to go back now, are they? What was you thinking?

0:22:37 > 0:22:40- I don't know.- Well, you might as well go and hand yourself in.- What?

0:22:40 > 0:22:44Well, the Carters are bound to go to the old bill now, ain't they?

0:22:44 > 0:22:48- What are you doing? - Calling Ritchie, that's what I'm doing. Calling Ritchie.

0:22:48 > 0:22:51Calling her about what?

0:23:06 > 0:23:08I'm a bit surprised to see you back here...

0:23:08 > 0:23:10after what you might've heard in the cafe.

0:23:11 > 0:23:13Who am I to judge?

0:23:15 > 0:23:18I, erm, I don't want to come between you and your family, though.

0:23:18 > 0:23:20Course you won't.

0:23:34 > 0:23:37PHONE RINGS

0:23:37 > 0:23:40I've just got to see who it is.

0:23:40 > 0:23:42I've just got to see who it is. Just hold on.

0:23:47 > 0:23:49What, is it work?

0:24:03 > 0:24:07- You ever feel like life's just passing you by?- All right, grandad!

0:24:07 > 0:24:12Just I had plans. Inca trail. Great Barrier reef. Not...

0:24:12 > 0:24:15shacked up in some dingy flat up to my eyes in nappies.

0:24:15 > 0:24:18Well, at least you don't live with your nan.

0:24:20 > 0:24:25- What is up?- Nothing. I just thought I'd have more to look forward to.

0:24:27 > 0:24:29That's more like it.

0:24:31 > 0:24:34- I'd better go.- Wait!

0:24:34 > 0:24:37I can't let this one go.

0:24:37 > 0:24:39It's a bit late in the day, though, now, eh? Go tomorrow instead.

0:24:39 > 0:24:41Why, so you can talk him out of it?

0:24:41 > 0:24:44Tosh. I'll go to the police first thing in the morning. I promise.

0:24:46 > 0:24:47He'll be OK.

0:24:49 > 0:24:51I was struggling.

0:24:52 > 0:24:54Having an extra mouth to feed.

0:24:54 > 0:24:58No, I believe you, Pops. It'll be all right anyway, won't it, Phil?

0:24:58 > 0:25:00The police will see that he didn't kill her, right?

0:25:00 > 0:25:02KNOCK AT DOOR

0:25:09 > 0:25:11I'm sorry, Lo.

0:25:12 > 0:25:13I've let you down.

0:25:14 > 0:25:19You, Janet, Lexi.

0:25:19 > 0:25:23No, you wouldn't have got yourself into this mess if...

0:25:23 > 0:25:25if I'd have been bringing money in.

0:25:25 > 0:25:29Hey, no, no, no. Don't be silly.

0:25:30 > 0:25:34All right? Don't you ever think like that.

0:25:37 > 0:25:40Jay, go stick the telly on. Lola, go with him.

0:25:42 > 0:25:44Go on. It's all right.

0:25:45 > 0:25:47This is bread and butter stuff for Ritchie.

0:25:59 > 0:26:01I haven't a clue.

0:26:01 > 0:26:04She asked me to mind the girls and off she went.

0:26:06 > 0:26:08- Eh? - SHE CHUCKLES

0:26:08 > 0:26:10He's not here either!

0:26:11 > 0:26:14Oh, yes.

0:26:14 > 0:26:18Oh, Janet's been as good as gold.

0:26:18 > 0:26:20Well, she's fast asleep now.

0:26:20 > 0:26:23- CUP SMASHES - Oh, fiddlesticks!...

0:26:23 > 0:26:25No, I'm fine. I just broke a cup.

0:26:27 > 0:26:29I'll call you back, Les.

0:26:29 > 0:26:31Oh, Pamela!

0:27:06 > 0:27:09Cards on the table, it doesn't look good.

0:27:09 > 0:27:10OK, so I was in the flat, right.

0:27:10 > 0:27:16There's no denying that. But why would they think I'd be in there with Lucy? I mean, it don't make sense.

0:27:16 > 0:27:18What if she was never in the flat?

0:27:18 > 0:27:20But they found her blood and her earring.

0:27:20 > 0:27:25You had a key. They could accuse you of putting them there to frame Jake.

0:27:25 > 0:27:28HE SCOFFS That's ridiculous!

0:27:28 > 0:27:30What, you don't think they'd stitch you up?

0:27:30 > 0:27:33- But, Jake...- Jake was so off his head the night Lucy died

0:27:33 > 0:27:36he could hardly stand up. They stitched him up.

0:27:36 > 0:27:38You don't think they'd do it to you?

0:27:38 > 0:27:41They can't pin this one on me.

0:27:41 > 0:27:44For once in my life I got too much to lose.

0:27:44 > 0:27:46I've got a family to look after.

0:27:46 > 0:27:48And what about Janet, eh?

0:27:48 > 0:27:50I've only just got her back. What happens to her if I go down?

0:27:50 > 0:27:54- What about the key? Could anyone else have got hold of it?- No.

0:27:54 > 0:27:56No-one else knew about it. Was only me.

0:27:59 > 0:28:02You're not the only one who lives in the flat, though, are you?

0:28:04 > 0:28:06There's Peter.

0:28:09 > 0:28:12I think I'll leave you just for a minute.

0:28:22 > 0:28:24I don't get it.

0:28:27 > 0:28:30What about Peter?

0:28:30 > 0:28:32You could say...

0:28:32 > 0:28:36that he knew about the key.

0:28:36 > 0:28:39I mean, he could've got his hands on it the night that...

0:28:39 > 0:28:42that Lucy was killed. Couldn't he?

0:28:42 > 0:28:44That's sick.

0:28:44 > 0:28:47Don't you think that poor kid's been through enough already?

0:28:47 > 0:28:50Well, the way I see it is that Peter...

0:28:50 > 0:28:52Peter...

0:28:52 > 0:28:54he's your only way out.

0:28:54 > 0:28:58It's either him...or you.

0:29:02 > 0:29:04'Of course I'm listening to you, darling.

0:29:04 > 0:29:06'I haven't missed a word that's come out that lovely

0:29:06 > 0:29:10'little mouth of yours since 1992.'

0:29:10 > 0:29:12- Are you nervous?- Nah.

0:29:12 > 0:29:16'Don't get trappy with me. Mick Carter, and don't walk away when I'm talking to you!'

0:29:16 > 0:29:18This is what living in a broken home feels like.

0:29:18 > 0:29:20Any of you seen my car keys?

0:29:20 > 0:29:22And you're 100% sure this won't make him a suspect?

0:29:22 > 0:29:25Just go to your photo shoot, get your hair done,

0:29:25 > 0:29:26have a giggle with the girls...

0:29:26 > 0:29:29- I'm going to do that while our son's being questioned(!) - Dad, shall we just go?

0:29:29 > 0:29:30Yeah, please Lee. Please.

0:29:30 > 0:29:32We ain't decided yet!

0:29:32 > 0:29:34Mum, I'm going, all right? Everything'll be OK.

0:29:34 > 0:29:36KNOCKING

0:29:36 > 0:29:38Who's that?

0:29:38 > 0:29:40KNOCKING CONTINUES

0:29:42 > 0:29:45All right! All right, all right!

0:29:45 > 0:29:46You'll have the glass in!

0:29:50 > 0:29:52Has he done it yet?

0:29:52 > 0:29:53No.

0:29:53 > 0:29:55Well, don't.

0:29:55 > 0:29:58If this don't come from Billy, it ain't going to look good, is it?

0:29:58 > 0:30:00Should have owned up himself, then, shouldn't he?

0:30:00 > 0:30:01- Hear him out.- He'll do it now.

0:30:01 > 0:30:04All right? I'll go round there and we'll call 'em.

0:30:04 > 0:30:07Is this cos Billy got caught in the flat? Cos that don't look good, does it?

0:30:07 > 0:30:09No, it don't look good. And he's an idiot. But he's innocent.

0:30:09 > 0:30:12I'm trying to find a way that works for everyone.

0:30:12 > 0:30:13And how does this work for us?

0:30:13 > 0:30:15Well, we'll keep Lee's name out of it.

0:30:15 > 0:30:19I mean, changing a statement - that don't look good, either, does it?

0:30:19 > 0:30:21If it means you don't have to go in...

0:30:23 > 0:30:25This is on you, son.

0:30:25 > 0:30:28An hour. This has got to come from Billy.

0:30:52 > 0:30:54I should not have stayed the night.

0:30:54 > 0:30:56That's all right - Abi ain't back till later.

0:30:56 > 0:30:59- It's the people out there I'm worried about.- It's all right.

0:30:59 > 0:31:03We'll just put a jacket over your head, you know, people leaving court, they have a...

0:31:05 > 0:31:07Have your breakfast, at least.

0:31:07 > 0:31:10I don't have time... Oh.

0:31:23 > 0:31:25Bill, I've had a word with the Carters...

0:31:25 > 0:31:26All right, Phil!

0:31:29 > 0:31:32Who else would have a knock like that, eh?

0:31:32 > 0:31:34Cuppa tea, Phil?

0:31:36 > 0:31:38Shouldn't you be on the stall?

0:31:38 > 0:31:40Did Dad send you?

0:31:40 > 0:31:43Erm, Bill, can you tell Lo I've gone to work?

0:31:43 > 0:31:46I'm sure she'd prefer it if you told her your...

0:31:48 > 0:31:51The Carters have agreed to letting us make the call.

0:31:52 > 0:31:54I'm not sure about this, Phil.

0:31:54 > 0:31:57So what do you want to do - wait here, wait for the old bill to come and nick you?

0:31:57 > 0:31:59- Sirens blazing an' all that? - No, but...

0:31:59 > 0:32:01You want Janet to see that, do you?

0:32:01 > 0:32:05No... Ritchie will protect me, right?

0:32:05 > 0:32:09As long as you say what needs to be said.

0:32:12 > 0:32:17Yeah, hello. Yeah, my name's Billy Mitchell.

0:32:18 > 0:32:21I think I might have some information

0:32:21 > 0:32:23about the murder of Lucy Beale.

0:32:27 > 0:32:29It's been an hour.

0:32:29 > 0:32:33As if he was going to go through with it anyway!

0:32:33 > 0:32:35Well, he seemed confident, so...

0:32:35 > 0:32:37I can't see Billy Mitchell standing up to him, somehow.

0:32:37 > 0:32:39I don't see why it matters either way.

0:32:39 > 0:32:42- I thought you was going to do the right thing?- Hold up.

0:32:44 > 0:32:46Text from Phil.

0:32:47 > 0:32:51It's done! The police are coming over later to interview him.

0:32:51 > 0:32:53I don't have to go through with it?

0:32:53 > 0:32:54Don't just walk off.

0:32:54 > 0:32:58How do you know Billy's going to tell the truth? He's probably just going to lie again.

0:32:58 > 0:33:00Well, I for one am going to keep the faith!

0:33:00 > 0:33:02So, L - go and be a super model.

0:33:02 > 0:33:05Nance - go and whack on a pair of manky shorts.

0:33:05 > 0:33:08Lee - you're with me, bar duty. Come on!

0:33:12 > 0:33:14He better not give us any weird hairdos.

0:33:14 > 0:33:17I don't want any rank photos of us hanging round Walford.

0:33:17 > 0:33:18Can you imagine?

0:33:19 > 0:33:23Lauren? Back in the room?

0:33:23 > 0:33:27Sorry. It's just, the car lot's still not open.

0:33:27 > 0:33:29He's probably got someone round there, knowing him.

0:33:29 > 0:33:31Oi! It's not even like that.

0:33:31 > 0:33:34He was actually saying yesterday that he missed me.

0:33:34 > 0:33:36You just want to forgive and forget

0:33:36 > 0:33:39so that you don't have to spend another night with Cora snoring.

0:33:39 > 0:33:42No. No, I don't forgive him! Not at all.

0:33:43 > 0:33:49I dunno, he just seemed... he just seemed lonely.

0:33:49 > 0:33:53There it is, look. Parsley.

0:33:53 > 0:33:55You're right. It is a bit soon.

0:33:55 > 0:33:59Yeah. Bit embarrassing, really.

0:33:59 > 0:34:01You know you like someone when you start using garnish.

0:34:01 > 0:34:03Oi!

0:34:03 > 0:34:08You, um, you said Abi's back later.

0:34:08 > 0:34:09Er, yeah.

0:34:09 > 0:34:15She'll probably come in, dump her bag, then go straight to Jay's.

0:34:15 > 0:34:19I'll be lucky if I get a peck on the cheek, to be honest.

0:34:21 > 0:34:23Lauren'll come back too, you know?

0:34:23 > 0:34:25I was just like that at her age.

0:34:25 > 0:34:27Once she's made her point...

0:34:27 > 0:34:28PHONE RINGS

0:34:28 > 0:34:30Oh, sorry...

0:34:34 > 0:34:36It's work.

0:34:36 > 0:34:38Summerhayes?

0:34:42 > 0:34:44No, no, I was just...

0:34:47 > 0:34:51No. No, I don't have a problem, I just...

0:34:59 > 0:35:02Irving's been replaced, and, er...

0:35:02 > 0:35:07My God, my new guvnor has hated me since we got our shoulder numbers.

0:35:07 > 0:35:09Why have they got rid of him?

0:35:09 > 0:35:12I can't say...but, um...

0:35:12 > 0:35:13I've got to go.

0:35:13 > 0:35:15All right. See you later.

0:35:15 > 0:35:16Bye.

0:35:30 > 0:35:3341 minutes late on his first day.

0:35:33 > 0:35:36And it's only three from his flat to our door, Birdie.

0:35:36 > 0:35:38I'm sure there's an explanation, Les.

0:35:38 > 0:35:39Yeah(!)

0:35:44 > 0:35:47RINGING

0:35:47 > 0:35:49I want to hear it. You heard Ritchie, you've got no choice.

0:35:49 > 0:35:53- Lola's in.- If you can't convince me, you've got no chance of convincing the old bill, have you?

0:35:53 > 0:35:56- Phil, I know what I've got to say, all right?- Well, then say it!

0:35:56 > 0:35:57Lola is in the bedroom, all right!

0:35:57 > 0:36:00- Well, then, maybe Lola ought to hear it.- What?!

0:36:00 > 0:36:02- Lola! Get out here!- What you doing!?

0:36:02 > 0:36:06If the old bill are going to question her, she needs to know what to tell 'em, don't she?

0:36:06 > 0:36:09- Lola!- All right! What's all the shouting about!?

0:36:09 > 0:36:12I'm trying to get Lexi to sleep in here, you know.

0:36:12 > 0:36:14Billy's got something to tell you.

0:36:14 > 0:36:15What?

0:36:15 > 0:36:17- Is it about yesterday?- Yeah.

0:36:17 > 0:36:22The old bill are going to come and interview me about Lucy.

0:36:22 > 0:36:24But they know it was just a row, right?

0:36:24 > 0:36:28Yeah. But I've got to tell 'em about the key.

0:36:30 > 0:36:33It seems only fair to point out that...

0:36:33 > 0:36:35Peter had access to the flat as well.

0:36:35 > 0:36:38You want to...you want to drag Peter into this?

0:36:38 > 0:36:39Only to muddy the water.

0:36:39 > 0:36:42Yeah, but I don't get it. What's it got to do with him?

0:36:42 > 0:36:45The key was in this flat. I mean, he does live here.

0:36:45 > 0:36:47Yeah, I know that, but he's never been up...

0:36:47 > 0:36:50- Are you setting him up?! - No! No, we're not, Lo.

0:36:50 > 0:36:53You said it would be fine, you said everything would be fine!

0:36:53 > 0:36:55He's been in there, broken! You know that!

0:36:55 > 0:36:57You've got to back Billy up on this.

0:36:57 > 0:37:01He lies in there crying, night after night, and you want to go and make it ten times worse?

0:37:01 > 0:37:02No-one wants this, Lo. He's a good kid!

0:37:02 > 0:37:05But you're innocent, so why do you need to lie for?!

0:37:05 > 0:37:08There's being innocent, and there's looking innocent, ain't there?

0:37:08 > 0:37:12I don't know why I'm listening to this! We're supposed to be a family.

0:37:14 > 0:37:15She'll come round.

0:37:17 > 0:37:19I'm going to be late for work.

0:37:19 > 0:37:23Make sure you're round mine by one o'clock, yeah?

0:37:32 > 0:37:34- What's the problem? - It's just been a tough morning.

0:37:34 > 0:37:37Listen. She ain't going to do it.

0:37:37 > 0:37:39Right.

0:37:39 > 0:37:41Can't you just find someone else?

0:37:41 > 0:37:44Yeah. I'll have to... I'll have to make it work.

0:37:44 > 0:37:46You're really tugging on my heart strings here.

0:37:46 > 0:37:48It can't be that bad?

0:37:48 > 0:37:52Well, you know, I've gone to town on this - photographer, stylist. I'm in for about two grand, Mick.

0:37:52 > 0:37:55All right, all right. I'll have one more go, all right?

0:37:55 > 0:37:56Beautiful.

0:37:59 > 0:38:01I've said, conversation over.

0:38:01 > 0:38:04Look, listen, baby...

0:38:04 > 0:38:08It's just, the kid, he's got a lot riding on this.

0:38:08 > 0:38:10Money, hopes and dreams, and you know...

0:38:10 > 0:38:13- You remember them, don't you? - That's emotional blackmail.

0:38:13 > 0:38:14- Is it working?- No!

0:38:14 > 0:38:17I know who goes in that salon and it ain't mothers with three kids.

0:38:17 > 0:38:19It's trendies with tattoos everywhere

0:38:19 > 0:38:23- and their whole lives ahead of them. I'll look stupid!- Get in there, please!

0:38:23 > 0:38:26Dean ain't going to let that happen. He's going to make you look beautiful.

0:38:26 > 0:38:28Yeah, Mum. He's going to turn you into a proper hipster!

0:38:28 > 0:38:32He'll get you a big pair of clompy shoes and a fixed gear bike.

0:38:32 > 0:38:34You can shut your mouth an' all. You're going, for moral support.

0:38:34 > 0:38:37Well, that's emotional blackmail again, isn't it?

0:38:37 > 0:38:41He's a good kid. And he just wants his Auntie Linda's help.

0:38:42 > 0:38:43OK.

0:38:44 > 0:38:47- Yes?- Yeah, she's going to do it. She's going do it.

0:38:47 > 0:38:49Thank you. And thank you. I promise...

0:38:49 > 0:38:51- it'll be a day you remember. - It better be.

0:38:51 > 0:38:56All right. Just go and enjoy yourself. Go on.

0:38:56 > 0:38:58I must be mad.

0:39:02 > 0:39:04You heard of knocking?

0:39:06 > 0:39:08Been stood in your kitchen ages.

0:39:08 > 0:39:11Yeah, well, I stayed in here for a reason.

0:39:11 > 0:39:14How can you stitch Peter up, Phil,

0:39:14 > 0:39:17when he took Lexi in as if she was his own?

0:39:17 > 0:39:20When the old bill find out Billy had an argument with Lucy...

0:39:20 > 0:39:22He was scared, weren't he?

0:39:22 > 0:39:25..had access to her flat and still didn't say anything...

0:39:25 > 0:39:29Yeah, well, we all had access! Are they going to start pointing the finger at me an' all?

0:39:29 > 0:39:32..and with his criminal record, they'll take him to the cleaners.

0:39:32 > 0:39:34On top of that, you know what people are like round here.

0:39:34 > 0:39:37I don't care. Let 'em talk.

0:39:37 > 0:39:40What, you think he'll still have a job with Ian Beale?

0:39:40 > 0:39:43Eh? Or even at the undertakers, come to that?

0:39:43 > 0:39:45No-one's going to want their Auntie Doris buried by

0:39:45 > 0:39:48some suspected murderer, are they?

0:39:48 > 0:39:50Peter's my boyfriend, Phil.

0:39:51 > 0:39:56Well, you'd better work out what the most important thing is.

0:39:56 > 0:39:59Your latest fella, or the man who took you in...

0:40:00 > 0:40:02..like you was his own.

0:40:10 > 0:40:11Hiya! You made it out, then.

0:40:13 > 0:40:15You two look nice.

0:40:15 > 0:40:18Yeah. Oh, he's a genius! Wait till he does you.

0:40:18 > 0:40:22(Don't worry, they're going to look proper butters next to you.)

0:40:22 > 0:40:25We're never going to get it looking this good at home, are we?

0:40:25 > 0:40:27No, he's going to have to come round mine every morning.

0:40:27 > 0:40:31No point in that, he might as well just stay round every night.

0:40:31 > 0:40:35Can't believe a woman edits this! That's like gender cannibalism.

0:40:35 > 0:40:38One day I'll get you in a lovely A-line dress.

0:40:38 > 0:40:40Nah, you're all right.

0:40:40 > 0:40:42Oi, Mum, if you're really not feeling this,

0:40:42 > 0:40:43shall we go for a pint instead?

0:40:43 > 0:40:46You just dragged me here, told me it would cheer me up!

0:40:46 > 0:40:47No, you're right. Sorry, sorry.

0:40:47 > 0:40:51You reckon this is going to be proper, then, or just Fats with a disposable?

0:40:51 > 0:40:53Imagine!

0:40:53 > 0:40:56They're here! Ladies, this is Ali, make-up,

0:40:56 > 0:41:00her assistant, Gerard, and our wonderful photographer, Philip.

0:41:00 > 0:41:02Let's have a look at you.

0:41:02 > 0:41:05Oh! Very nice. Let's tuck it in at the sides a bit more, yeah?

0:41:05 > 0:41:07Will someone get these girls a drink?

0:41:07 > 0:41:08This is supposed to be a party!

0:41:08 > 0:41:11Right, now, I want you to take your lead off Linda.

0:41:11 > 0:41:12She used to be a professional model,

0:41:12 > 0:41:14and I'm sure there's a lot you can learn off her.

0:41:14 > 0:41:17Right, trouble, let's get you styled.

0:41:28 > 0:41:30Thought it was your first day?

0:41:30 > 0:41:34Oh, I weren't in the mood.

0:41:34 > 0:41:36That's normal. It's work, isn't it?

0:41:36 > 0:41:41That's why they have to pay you to do it.

0:41:41 > 0:41:42What's up?

0:41:42 > 0:41:44Nothing. Listen, I'm...

0:41:44 > 0:41:45No, no. Tell me.

0:41:48 > 0:41:51How comes I don't see you talking to Lola any more?

0:41:51 > 0:41:54I mean, you don't even say goodbye in the mornings.

0:41:54 > 0:41:58She walks past the stall like six times a day.

0:41:58 > 0:42:00Yeah, but you used to give her a little kiss, didn't you?

0:42:00 > 0:42:02Make a point of it.

0:42:02 > 0:42:05What, and this is why you're sat up in here?

0:42:05 > 0:42:08Well, it just seems like you don't want to be around any more.

0:42:08 > 0:42:10Yeah, well, I can move out if you like,

0:42:10 > 0:42:12if I'm bringing you down.

0:42:12 > 0:42:17Don't be stupid. You know that would break Lola's heart.

0:42:17 > 0:42:20Look, I help out round the flat.

0:42:20 > 0:42:23I've been hassling Dean, trying to get her a job.

0:42:23 > 0:42:25I'm always helping out with Lexi.

0:42:25 > 0:42:28I'm sorry I don't always do it with a smile on my face,

0:42:28 > 0:42:29but at least I'm there.

0:42:30 > 0:42:34Yeah, you are. Look, I'm sorry.

0:42:34 > 0:42:36I'm sorry that I came over.

0:42:36 > 0:42:41You know that Jake's trial's just around the corner?

0:42:41 > 0:42:43Peter...Pete...

0:42:49 > 0:42:51Ever since you've come back, you've had something on your nut.

0:42:51 > 0:42:55You've had the Army thing, you've had the Lucy thing.

0:42:55 > 0:42:57All right? It's over now.

0:42:57 > 0:42:59It don't feel like it.

0:43:01 > 0:43:04Listen, you're a free man now, OK?

0:43:04 > 0:43:07You've got your plumbing course coming up.

0:43:07 > 0:43:08Excuse me while I wet myself in excitement.

0:43:08 > 0:43:11Hold up. I thought you wanted to do the plumbing thing?

0:43:11 > 0:43:12You don't want to stay on here.

0:43:12 > 0:43:15Well, you've got Nancy to do that, haven't you?

0:43:15 > 0:43:17Johnny's going to become Rumpole,

0:43:17 > 0:43:20I'm going to sit there cultivating a massive Derby.

0:43:21 > 0:43:23All right? I thought I know where we was all going.

0:43:23 > 0:43:26You know? I thought I knew where you were going.

0:43:26 > 0:43:27I don't know, I never have.

0:43:27 > 0:43:30That's why I joined the Army - something to do.

0:43:30 > 0:43:33All right, so plumbing's just something to do.

0:43:33 > 0:43:34What you need is some fun.

0:43:36 > 0:43:37Yes.

0:43:37 > 0:43:42Yes, yes! So why don't we go to the salon?

0:43:42 > 0:43:47We'll go and see your mother and Whitney.

0:43:47 > 0:43:49No, no, no, no. She hates me.

0:43:49 > 0:43:51She's got the hump. I don't blame her.

0:43:51 > 0:43:53You chose her pal over her.

0:43:53 > 0:43:56Treacles don't take too fondly to that.

0:43:56 > 0:43:59I'm not going to push it, I'm just going to say to you now,

0:43:59 > 0:44:02sometimes you've got to pick something and stick to it.

0:44:02 > 0:44:08OK? Whether or not it's the right thing or not. Stop drifting.

0:44:09 > 0:44:10It's a form of habit.

0:44:12 > 0:44:14Now get that down you, liver.

0:44:17 > 0:44:20It is such a shame to sit inside with Carol all night

0:44:20 > 0:44:22- when your hair's done like this. - Yeah, I know.

0:44:22 > 0:44:23We should at least go to the Vic.

0:44:23 > 0:44:26Well, you'd better prepare to get monstrously chirpsed by my brother.

0:44:26 > 0:44:27Yeah, he can try.

0:44:27 > 0:44:30Oh, shut up, don't act like you don't fall for the chat!

0:44:30 > 0:44:33You can talk! Your dad says, "Oh, I'm really lonely," and you go,

0:44:33 > 0:44:37- "That's all right, I forgive you." - Oi! No. I said I ain't forgiven him yet.

0:44:37 > 0:44:38Yeah, yet!

0:44:38 > 0:44:40You get this close to the girls?

0:44:40 > 0:44:42Yeah, course. It's my job.

0:44:42 > 0:44:44Amazed you didn't get set upon.

0:44:44 > 0:44:46Think they've got a bit of a crush.

0:44:46 > 0:44:48Shut up.

0:44:48 > 0:44:49Are you seeing anyone at the minute?

0:44:49 > 0:44:51No-one special.

0:44:51 > 0:44:53- I'll let 'em know. - You'll do no such thing.

0:44:54 > 0:44:56You look beautiful, Linda.

0:44:58 > 0:45:00Oh, come on, you're a lot worse than me.

0:45:00 > 0:45:04You wait. She's going to be all over your brother like a rash.

0:45:04 > 0:45:07No! He's not interested in me. He was interested in Lucy.

0:45:07 > 0:45:11I know it sounds harsh, but he'd have got bored of her weeks ago.

0:45:11 > 0:45:14And, I'm sorry, but he'll get bored of you an' all.

0:45:14 > 0:45:15Just be warned.

0:45:17 > 0:45:20Ladies and gentlemen, I give you... Linda C.

0:45:29 > 0:45:30Pops!

0:45:36 > 0:45:37There's our man.

0:45:39 > 0:45:42And that's his granddaughter, Lola.

0:45:42 > 0:45:45- Look, I know what you're going to say.- I think you should do it.

0:45:45 > 0:45:47It's like Phil said,

0:45:47 > 0:45:49you're just giving them more to think about, right?

0:45:49 > 0:45:52It don't mean Peter's guilty any more than it means you are.

0:45:52 > 0:45:54But he's your boyfriend, Lo.

0:45:54 > 0:45:58Boyfriend? Pops, he hasn't spoken to me properly in ages.

0:45:58 > 0:46:00He could just get up and leave me for all I know.

0:46:00 > 0:46:01But you...

0:46:01 > 0:46:04I can't lose you, Pops. I can't.

0:46:04 > 0:46:06Come here.

0:46:06 > 0:46:08Oi, you ain't going to lose me.

0:46:08 > 0:46:11- I'm scared they're going to take you away.- They won't. All right?

0:46:11 > 0:46:15Promise. then? Promise me you'll do it, please?

0:46:24 > 0:46:26Guess we should go in.

0:46:26 > 0:46:30Give him a chance to take his jacket off...get nervous.

0:46:34 > 0:46:39I've met him a few times. He's well-known within the community.

0:46:39 > 0:46:41He's liked as far as I can tell.

0:46:42 > 0:46:47I don't want anything from the old investigation to cloud my thinking,

0:46:47 > 0:46:49including any opinions you might have.

0:47:00 > 0:47:01Ritchie.

0:47:01 > 0:47:04Billy. How you doing?

0:47:04 > 0:47:06You clear on what to say?

0:47:06 > 0:47:10Yeah. Peter had access. I saw him with the keys.

0:47:11 > 0:47:14And I saw him leaving the flat a couple of times.

0:47:14 > 0:47:15KNOCKING

0:47:16 > 0:47:18Try and look relaxed, will you?

0:47:19 > 0:47:24Don't offer up unnecessary detail. Keep it simple, you'll be fine.

0:47:24 > 0:47:26He's through there.

0:47:29 > 0:47:31Miss Scott.

0:47:31 > 0:47:35We were expecting DS Bryant.

0:47:35 > 0:47:37What a nice surprise, then.

0:47:37 > 0:47:39OK, well...DI Keeble,

0:47:39 > 0:47:41this is my client, Billy Mitchell.

0:47:41 > 0:47:43You've met DC Summerhayes.

0:47:43 > 0:47:44Yeah.

0:47:46 > 0:47:48Thank you for seeing us away from the station.

0:47:48 > 0:47:53We hear you might have something to tell us about Lucy Beale?

0:47:53 > 0:47:56Yeah, um... See, I...

0:47:58 > 0:47:59I might have...

0:48:01 > 0:48:05..I did have an argument with her the night she died.

0:48:13 > 0:48:15Why are they wearing all that make-up?

0:48:15 > 0:48:18Hang on, Ugly Betty speaks. What's the matter, cuz?

0:48:18 > 0:48:20Nah, I'm just saying that if what you're selling is haircuts,

0:48:20 > 0:48:24well, I don't understand why they have to be covered in slap with all that skin on show.

0:48:24 > 0:48:27What if I got involved as well, huh? Make you feel better?

0:48:27 > 0:48:29Here, budge over!

0:48:29 > 0:48:31Honestly, Nance, you've got to lose the chip.

0:48:31 > 0:48:35It's just good, clean family fun.

0:48:39 > 0:48:43Lucy said that she was going tell her dad about me taking the fish

0:48:43 > 0:48:46and that I'd get the sack probably.

0:48:48 > 0:48:50Then she left and...

0:48:50 > 0:48:53and I never saw her again.

0:48:55 > 0:48:57Why didn't you tell us sooner?

0:48:57 > 0:48:59That's not all.

0:49:01 > 0:49:06I, er... I also had a spare key to the flat upstairs.

0:49:07 > 0:49:10Had a spare key?

0:49:10 > 0:49:11Yeah...

0:49:12 > 0:49:15When I realised I was going to be talking to you, I thought,

0:49:15 > 0:49:20what with the argument over the fish and the spare key,

0:49:20 > 0:49:24that you might stitch me up.

0:49:24 > 0:49:27We're not in the business of stitching people up.

0:49:27 > 0:49:31Yeah, but you don't think like that, do you? I panicked.

0:49:32 > 0:49:34I put it back in the flat.

0:49:36 > 0:49:41Did anyone else have access to this key? Your family, maybe?

0:49:50 > 0:49:51No.

0:49:52 > 0:49:55No, I, erm, I kept it on my key ring.

0:49:57 > 0:49:59Nobody else knew about it.

0:50:07 > 0:50:10- These are amazing.- Yeah, I know. Profile pictures, all of them.

0:50:10 > 0:50:13- Come and have a look, Lind! - Might wait for the prints.

0:50:13 > 0:50:15Fair enough. Right, what we having, girls? My treat.

0:50:15 > 0:50:16- No! This one's on us, innit?- Hm.

0:50:16 > 0:50:19To say thanks. It's been such a nice day!

0:50:19 > 0:50:22Besides, I think the landlady can throw in a free bottle for his troubles.

0:50:22 > 0:50:25And that, Lee, is how you get the keg in the cellar, you know what I mean?

0:50:25 > 0:50:27Shut up! We've not even had a delivery!

0:50:27 > 0:50:32- Busted!- Er, excuse me! Have you not noticed something different?

0:50:32 > 0:50:36Oh, the hair! Look at it!

0:50:36 > 0:50:38Oi, Maestro, that is the business!

0:50:38 > 0:50:41No. I've got to give it to you, cuz. She does look amazing.

0:50:41 > 0:50:43The rubber stamp from Germaine Greer! I can die a happy man.

0:50:43 > 0:50:45Shut up!

0:50:45 > 0:50:46You look gorgeous!

0:50:46 > 0:50:51No time like the present, son. What's the matter with you? Get involved.

0:50:51 > 0:50:53You look bang tidy today.

0:50:53 > 0:50:55I always look bang tidy. Don't I?

0:50:55 > 0:50:56Today. Every day, the next day.

0:50:56 > 0:50:59Easy, easy - this is turning into a relationship!

0:50:59 > 0:51:02Oh, Lee, do you know what - you'd be so lucky.

0:51:02 > 0:51:04Grab a glass, everyone!

0:51:04 > 0:51:05To Dean!

0:51:06 > 0:51:09To the best hairdresser in the world!

0:51:09 > 0:51:13Yeah, to the strongest canister on the Square!

0:51:13 > 0:51:14Cheers!

0:51:17 > 0:51:21Well, thank you, Mr Mitchell. You've been helpful.

0:51:21 > 0:51:24We'll have to call you in to make a formal statement,

0:51:24 > 0:51:26so don't go running off.

0:51:35 > 0:51:38Well, I think it's safe to say you've put yourself front

0:51:38 > 0:51:40and centre of their enquiry.

0:51:40 > 0:51:43Do you, er...do you want to tell me what happened there?

0:51:43 > 0:51:47I couldn't drop him in it, Phil. Not to save myself.

0:51:48 > 0:51:50I ain't like you.

0:51:50 > 0:51:51You what?

0:51:52 > 0:51:59If I'd said his name...him and Lola, they've already got problems.

0:51:59 > 0:52:00He'd leave.

0:52:01 > 0:52:05That might not mean that much to you, but that's my family in that flat.

0:52:05 > 0:52:08While Peter's living there, well, he's as good as mine.

0:52:08 > 0:52:11And it should be the same to you.

0:52:12 > 0:52:16Got one thing to say to you, Billy - you're a total mug.

0:52:16 > 0:52:20No, I ain't. Cos I just done the right thing.

0:52:20 > 0:52:23And you know what, I can walk out of here with my head held high.

0:52:26 > 0:52:28And that's exactly what I'm going to do.

0:52:35 > 0:52:39Yes, the key's back in the flat, according to Mr Mitchell.

0:52:39 > 0:52:42OK. Meet me there in ten.

0:52:46 > 0:52:50Albert Square doesn't change. It's still full of liars.

0:52:50 > 0:52:52What do you mean?

0:52:52 > 0:52:55You didn't get an inkling one of Mr Beale's own employees

0:52:55 > 0:52:57was holding all that back?

0:52:57 > 0:53:01- Well, he didn't do anything to... - Oh, come on, Emma! You're supposed to be our eyes here.

0:53:01 > 0:53:05You give this lot a chance, they'll run rings around you.

0:53:05 > 0:53:07Do better.

0:53:15 > 0:53:17Peter. How you doing?

0:53:19 > 0:53:20You going to pay for that?

0:53:20 > 0:53:22Hm-mm. Look...

0:53:23 > 0:53:26I spoke to Lola, and I'm going to cook dinner tonight.

0:53:26 > 0:53:28Great. Yeah. I appreciate that. Sure she will an' all.

0:53:28 > 0:53:31- Billy?- Mrs Coker!

0:53:31 > 0:53:35I'm so sorry about today. Is Mr Coker mad at me?

0:53:35 > 0:53:38- He was ever so upset with you, Billy.- Yeah, yeah.

0:53:38 > 0:53:42So am I. I found this in your kitchen.

0:53:42 > 0:53:45I was going to show it to Les, but maybe you've got an explanation?

0:53:45 > 0:53:49- Yeah, yeah, of course I have. Do you fancy having a cup of tea?- Yes.

0:53:53 > 0:53:57Two teas, please, Marie. Here you are, look.

0:54:06 > 0:54:10I've dressed more than I can count, Billy. Most you forget.

0:54:10 > 0:54:14Faces in a crowd. But the ones that go before their time...

0:54:16 > 0:54:18I shall never forget Lucy.

0:54:18 > 0:54:20Such a pretty girl.

0:54:22 > 0:54:24Have you shown these to anyone?

0:54:24 > 0:54:26Not yet.

0:54:26 > 0:54:27Good.

0:54:29 > 0:54:32Cos the thing is...

0:54:32 > 0:54:34they're Peter's.

0:54:34 > 0:54:36Peter's?

0:54:36 > 0:54:40I hid them cos all he does is look at them, Pam.

0:54:40 > 0:54:44We'll be watching telly and he'll be flicking through...

0:54:44 > 0:54:48Of course they're Peter's. What was I thinking?

0:54:48 > 0:54:51I could see what it was doing to Lola, so I hid 'em.

0:54:51 > 0:54:55Anyway, Peter went mental. Tore the flat apart.

0:54:55 > 0:54:57Did more harm than good.

0:55:00 > 0:55:05Give them back to him, Billy. Let him grieve, however he needs to.

0:55:05 > 0:55:08Yeah, yeah, I will.

0:55:08 > 0:55:11And listen, tell Les I'll be in as soon as I've sorted all this out.

0:55:11 > 0:55:12I will.

0:55:12 > 0:55:17And Pat...I won't tell Peter that you took them.

0:55:17 > 0:55:18Keep it our secret.

0:55:18 > 0:55:21Oh...right.

0:55:31 > 0:55:34I'll have to get you your own drawer at this rate.

0:55:34 > 0:55:36I'm not staying.

0:55:36 > 0:55:39It's all right. Abi ain't back for another couple of hours.

0:55:39 > 0:55:42- I'm not worried about Abi.- Well, Lauren's hardly going to show, is she?

0:55:42 > 0:55:44I don't want to meet your kids, Max!

0:55:46 > 0:55:49My new boss has just laid into me. She reckons I've been negligent.

0:55:49 > 0:55:51All right. Well, you'll win her round.

0:55:51 > 0:55:54Yeah, but she's right, though, isn't she?! All this sneaking around!

0:55:54 > 0:55:56You can see Ian Beale's house from your front door!

0:55:56 > 0:55:59- You're just getting worked up. - Yeah, with good reason!

0:55:59 > 0:56:00Look, I'm sorry, Max,

0:56:00 > 0:56:04but I've come to tell you that I can't see you any more.

0:56:06 > 0:56:07I'm sorry.

0:56:57 > 0:56:59I still think it's a shame.

0:56:59 > 0:57:02That new style - I thought it was a strong look.

0:57:02 > 0:57:06Yeah, well, I ain't betraying Mario. He's been doing my hair for years.

0:57:06 > 0:57:08Yeah, all right, all right. Calm down.

0:57:08 > 0:57:12I knew yesterday would make me feel old. Should never have let you talk me into doing it.

0:57:12 > 0:57:15You know, my favourite part of the day is waking up,

0:57:15 > 0:57:17and looking at you...

0:57:17 > 0:57:19with no foundation, no lippy...

0:57:20 > 0:57:23Just you. The bit no-one else gets to see.

0:57:46 > 0:57:48Thanks for breakfast, Phil.

0:57:51 > 0:57:53What, you waiting for the knock?

0:57:53 > 0:57:54Yeah, well, he did the decent thing.

0:57:54 > 0:57:56Decent?

0:57:57 > 0:58:00- Right, should we get out of here, then?- Yeah. See ya later.

0:58:00 > 0:58:02Egg and cress.

0:58:02 > 0:58:03That's 20 quid.

0:58:07 > 0:58:09How did it go with the police?

0:58:14 > 0:58:17Bin men should have come by now, shouldn't they?

0:58:17 > 0:58:19- What?- Nothing.

0:58:19 > 0:58:23Come on, watch your step. Down we go.

0:58:23 > 0:58:24There we go.

0:58:24 > 0:58:26Can we go to the clothes shop?

0:58:26 > 0:58:28Pops. That's that copper, ain't it?

0:58:30 > 0:58:31Yeah.

0:58:31 > 0:58:33Could you watch the stall?

0:58:33 > 0:58:35- Yeah.- Thanks.

0:58:42 > 0:58:44Are you here to see my dad?

0:58:44 > 0:58:45- And you are?- Peter.

0:58:47 > 0:58:48Beale.

0:58:48 > 0:58:50Sorry for your loss. Can we go in?

0:58:51 > 0:58:54They're going to tell them about me and Lucy, ain't they?

0:58:54 > 0:58:55You don't know that.

0:59:01 > 0:59:02Come on, you must have a favourite.

0:59:02 > 0:59:05Yeah, but there's just, you know, so many to choose from.

0:59:05 > 0:59:08Check out the one with the dog-eared page.

0:59:08 > 0:59:10He can't be serious.

0:59:10 > 0:59:12It's the police.

0:59:18 > 0:59:19You always just say "fine"!

0:59:19 > 0:59:22That's because it is! Now come on, we're going to be late.

0:59:22 > 0:59:25- Right, Dad. What do you think? How do I look?- Er, yeah, fine.

0:59:25 > 0:59:29Accept it! You look fine! East London University ain't going to know what's hit it.

0:59:29 > 0:59:31Now come on, Abs, please.

0:59:31 > 0:59:36- All right, Dad, I'll see you later. - All right, see you later. - Bye.- Cheers, mate.

0:59:40 > 0:59:44Hold up. You two need a lift anywhere or anything?

0:59:44 > 0:59:46Probably be easier to get a train, won't it?

0:59:46 > 0:59:48Jay, would you calm down, all right?

0:59:48 > 0:59:50You could make it less obvious what uni you want me to go to.

0:59:50 > 0:59:53I'm impartial, all right? It's completely up to you.

0:59:53 > 0:59:58You can go to a university in London that's got 16.8 million people living in it alone,

0:59:58 > 0:59:59or you can go to Liverpool.

0:59:59 > 1:00:01The choice is completely yours.

1:00:05 > 1:00:07Lauren?

1:00:10 > 1:00:13What's all this?

1:00:13 > 1:00:14Er, me moving back home?

1:00:23 > 1:00:26Here you go. Oh, you did say two sugars, didn't you?

1:00:26 > 1:00:27Yeah. Perfect. Thanks.

1:00:29 > 1:00:33So there's a bit to update you on. Some of it promising...

1:00:33 > 1:00:36I don't want to seem rude or anything, but where's DCI Irving?

1:00:36 > 1:00:39He's been assigned to another division.

1:00:39 > 1:00:43We've got a new DCI and I've been drafted in as their man on the ground so in future...

1:00:43 > 1:00:48Hey, hey... aren't you supposed to have continuity or something?

1:00:48 > 1:00:51Well, it can be a good thing to change up an investigation.

1:00:51 > 1:00:54- So who's been demoted? Him or you? - Peter.

1:00:54 > 1:00:57You, um... You said you'd got some updates for us.

1:00:57 > 1:00:59Due to new witness statements,

1:00:59 > 1:01:03it's looking like the CPS won't proceed with the prosecution

1:01:03 > 1:01:05and the defence have applied for bail.

1:01:05 > 1:01:08- I don't understand, sorry. - You're letting Jake go?

1:01:08 > 1:01:11If he gets bail, he could be out by the end of the week.

1:01:11 > 1:01:14You're letting the man who killed my daughter go free?

1:01:14 > 1:01:18No, we're not doing that. I don't think we've found them yet.

1:01:18 > 1:01:20So what changed your mind?

1:01:20 > 1:01:22So what are these new statements, then?

1:01:22 > 1:01:24I can't go into that

1:01:24 > 1:01:26but they have cast doubt on Mr Stone's involvement.

1:01:26 > 1:01:28Why can't you go into it?

1:01:28 > 1:01:31We are making progress, Mr Beale.

1:01:31 > 1:01:33Hang on - you've had the wrong person locked up for weeks, right,

1:01:33 > 1:01:35- and you call that progress?!- Ian.

1:01:35 > 1:01:38Well, at least it'll stop us wasting time pursuing the wrong suspect.

1:01:38 > 1:01:41I knew he wasn't guilty! I've said it all along. Haven't I, Dad?

1:01:41 > 1:01:44- How come I know more than you? - We're never going to get them, are we?

1:01:44 > 1:01:47- They're just going to be out there, laughing at us.- Course they are.

1:01:47 > 1:01:50I bet you don't even have a suspect, do you?

1:01:50 > 1:01:52You haven't got a clue.

1:01:52 > 1:01:55We understand that this is a very emotional time for all of you.

1:01:55 > 1:01:58- Is this why Irving got taken off the case?- It was decided that a fresh pair of eyes...

1:01:58 > 1:02:00Oh, don't give them that training manual bull.

1:02:00 > 1:02:04OK, the CPS aren't going to prosecute Mr Stone

1:02:04 > 1:02:06and, yes, I appreciate that's painful.

1:02:06 > 1:02:09But your daughter's killer isn't laughing.

1:02:09 > 1:02:10They have been.

1:02:10 > 1:02:14They've been sitting back, watching us go after Mr Stone. But now?

1:02:15 > 1:02:18It's bad news for you.

1:02:18 > 1:02:20But it's terrifying for them.

1:02:20 > 1:02:22Pops.

1:02:22 > 1:02:23What's taking them so long?

1:02:23 > 1:02:26Look, I know you didn't do anything wrong,

1:02:26 > 1:02:29but you're stood here and you don't half look suspicious.

1:02:29 > 1:02:31I'm a bloke, ain't I? I'm out with my family.

1:02:31 > 1:02:33If they are telling them in there,

1:02:33 > 1:02:36do you really want to be around to find out?

1:02:36 > 1:02:39No. Well, how about you take Janet down your allotment

1:02:39 > 1:02:41and I'll call you when they come out, all right?

1:02:41 > 1:02:43Come on.

1:02:46 > 1:02:48And I was just laying there last night,

1:02:48 > 1:02:52Nan snoring her head off. I was thinking of all the rules

1:02:52 > 1:02:54that I'd have to lay down if I did come back here.

1:02:54 > 1:02:58So, no secrets. No lies.

1:02:58 > 1:02:59Yeah, course.

1:02:59 > 1:03:02And then I thought, what is the point?

1:03:02 > 1:03:05Why am I going to give you rules that you're just going to break?

1:03:05 > 1:03:08You know, you're you. I'm me.

1:03:08 > 1:03:12We've either got to get on with it or...

1:03:12 > 1:03:13that's it.

1:03:16 > 1:03:17So what are you saying?

1:03:18 > 1:03:22I'm saying that after my shift, I'd like to come back here.

1:03:23 > 1:03:25Yeah.

1:03:29 > 1:03:30Come here.

1:03:33 > 1:03:34You all right?

1:04:08 > 1:04:11Hmm. Following me now, are you? You weirdo.

1:04:11 > 1:04:13Oh, come on. Your place to here's 100 yards away.

1:04:13 > 1:04:17Following someone 100 yards ain't weird. But if I followed you to work, however...

1:04:17 > 1:04:21OK... Now, you see this thing you've got going on here, this chat.

1:04:21 > 1:04:23Has it ever got results, or what?

1:04:25 > 1:04:30All right, all right. Look, to tell you the truth, I wanted...

1:04:30 > 1:04:33Look, I wanted to ask you out for a drink or something.

1:04:33 > 1:04:36I think I made myself clear yesterday, Lee, OK?

1:04:36 > 1:04:38I'm no-one's flavour of the week.

1:04:38 > 1:04:40No-one's.

1:04:43 > 1:04:46Oi! Know when you're beaten.

1:04:46 > 1:04:47Ow!

1:04:49 > 1:04:53Investigations can hit walls. No new calls. No new leads.

1:04:53 > 1:04:56We are nowhere near that. We have fresh lines of inquiry.

1:04:56 > 1:04:59We're still out there looking for Lucy's phone and her purse.

1:04:59 > 1:05:02- We will find the person who did this. - If they haven't left the country.

1:05:02 > 1:05:05- KNOCK ON DOOR - I'll just...

1:05:05 > 1:05:07These new witnesses. Do we know them?

1:05:07 > 1:05:09I would ask you to let us do our job.

1:05:09 > 1:05:12We will inform you as soon as there's something you should hear.

1:05:12 > 1:05:14It's Emma.

1:05:14 > 1:05:16Sorry I'm late.

1:05:16 > 1:05:18Summerhayes.

1:05:18 > 1:05:20We'll let ourselves out.

1:05:24 > 1:05:27Have they, um... Have they explained everything?

1:05:27 > 1:05:31Yeah... Um, look, do you know who these new witnesses are?

1:05:32 > 1:05:35I thought I saw you here yesterday!

1:05:35 > 1:05:36You do know, don't you?!

1:05:44 > 1:05:45BIRDSONG

1:05:54 > 1:05:57Janet, what the hell are you playing at?!

1:05:57 > 1:06:00- It's all right, Billy, it's OK... - No, no, you weren't brought up like that.

1:06:00 > 1:06:03- You was brought up to respect for people.- Billy, she's just playing.

1:06:03 > 1:06:06We're going home now. No carnations, no geraniums. Nothing!

1:06:06 > 1:06:09Hey, Billy, Billy, Billy. She's just being a kid. OK?

1:06:11 > 1:06:14OK, sorry.

1:06:14 > 1:06:16Sorry, mate, tough times, you know.

1:06:16 > 1:06:18I bet. How is Peter?

1:06:20 > 1:06:24Oh, come on, Billy, make yourself comfortable in the deck chair,

1:06:24 > 1:06:27and I'll take Janet over to have a look at the geraniums!

1:06:29 > 1:06:33# One geranium, two geranium three geranium, four

1:06:33 > 1:06:38# Five geranium, six geranium seven geranium, more. #

1:06:38 > 1:06:41I was... I was just... tying up some loose ends.

1:06:41 > 1:06:43- That's rubbish.- Give her some space.

1:06:43 > 1:06:45Yeah, if you weren't here to see us, who did you see?

1:06:45 > 1:06:48I saw you walking down Bridge Street away from the square.

1:06:48 > 1:06:51- So does that mean it's someone on the square?- Peter, calm down.

1:06:51 > 1:06:54- I can't tell you...- You know!

1:06:54 > 1:06:57You're our liaison officer. You're here to help us.

1:06:57 > 1:06:59I don't have the authority!

1:06:59 > 1:07:01Look, if I tell you, I will lose my job.

1:07:01 > 1:07:04Emma, please, just give us something. What about the earring?

1:07:04 > 1:07:07What about the blood? I mean, just because there's new witness statements

1:07:07 > 1:07:11doesn't take away the fact they were found in his flat.

1:07:11 > 1:07:14But it might change how they got there.

1:07:18 > 1:07:21Look, at least they're being honest with us now.

1:07:21 > 1:07:24No, I reckon they've got more than a witness.

1:07:24 > 1:07:27I just saw the way Bryant and Keeble looked. They've got a suspect.

1:07:27 > 1:07:29I can tell you that that's not true.

1:07:31 > 1:07:35So what am I supposed to do? Just forgive Jake?

1:07:35 > 1:07:37You told me he was guilty.

1:07:37 > 1:07:39I was wrong.

1:07:39 > 1:07:43If he's innocent, darling, there's nothing to forgive him for.

1:07:43 > 1:07:46Come on, I didn't mean it to sound like that...

1:07:46 > 1:07:48but it's true, ain't it?

1:07:48 > 1:07:52You don't want them to put the wrong person inside. That ain't justice.

1:07:55 > 1:07:57I get up in the morning, I see his face.

1:07:57 > 1:08:00I go to bed at night, I see his face.

1:08:00 > 1:08:02Where you going?

1:08:02 > 1:08:04Anywhere there's no coppers.

1:08:10 > 1:08:12Ian wants to go for a swim.

1:08:12 > 1:08:14You think he found out about Billy?

1:08:14 > 1:08:16Well, there's only one way to find out, ain't there?

1:08:16 > 1:08:18- You all right to manage?- Course.

1:08:18 > 1:08:20Give us a kiss.

1:08:20 > 1:08:21Mwah!

1:08:25 > 1:08:27Thought I showed you how to style it yourself?

1:08:27 > 1:08:28Didn't fancy it.

1:08:28 > 1:08:31You might change your mind when you see this.

1:08:31 > 1:08:33I personally think he's really got a hold of you there.

1:08:33 > 1:08:35Take it. Put it up.

1:08:37 > 1:08:39Don't touch me again. It ain't welcome.

1:08:39 > 1:08:41And it weren't invited.

1:08:41 > 1:08:44Right, what's your poison today, Al? You back on the rum?

1:08:44 > 1:08:45SHE LAUGHS

1:08:51 > 1:08:53- How are ya? - Yeah, I'm good. You all right?

1:08:53 > 1:08:55So that's two bacon and egg butties with tea...

1:08:55 > 1:08:57and one full English without, yeah?

1:08:57 > 1:09:01- Excuse me! - Yeah, hang on a minute, love.

1:09:01 > 1:09:04- Unless you want your sausages raw. - Thank you.

1:09:04 > 1:09:07You must have come across your fair share of difficult women.

1:09:07 > 1:09:09Are we talking about the cafe, or my sexual preference?

1:09:09 > 1:09:11Cos right now either would be true.

1:09:11 > 1:09:14No, no, romantically and that. It's just Whitney, she just won't...

1:09:14 > 1:09:16What, respond to your charms?

1:09:17 > 1:09:22- Yeah.- Ah, Lee. You're so incompetent yet so well trained.

1:09:22 > 1:09:23I'll tell you what.

1:09:23 > 1:09:26I will share the secret to winning a difficult girl's heart...

1:09:26 > 1:09:28If you help me for the rest of the shift.

1:09:28 > 1:09:30Done!

1:09:37 > 1:09:40Where've you been? The police went past ages ago.

1:09:40 > 1:09:42Is everything all right?

1:09:42 > 1:09:44Thanks for watching the stall.

1:09:44 > 1:09:46Well, what did the police say?

1:09:46 > 1:09:50- Sorry, it's none of my business. - They're granting Jake bail.

1:09:50 > 1:09:53- Why?- Well, they don't think he did it any more.

1:09:53 > 1:09:55New witnesses have come forward.

1:09:55 > 1:09:57Oh, did they say who?

1:09:57 > 1:10:00Apparently being Lucy's twin doesn't give me a right to know.

1:10:03 > 1:10:04Listen, Peter...

1:10:04 > 1:10:06I just want to be on my own, all right?

1:10:16 > 1:10:17There we go...

1:10:17 > 1:10:19Oh, it's nearly finished.

1:10:19 > 1:10:22OK, come on, let's go and get some more water.

1:10:22 > 1:10:24Come on, we go over here...

1:10:28 > 1:10:30PHONE RINGS

1:10:31 > 1:10:33Lo... What happened?

1:10:34 > 1:10:36They didn't tell him?

1:10:36 > 1:10:39Oh, thank God for that.

1:10:39 > 1:10:41Yeah... Me too.

1:10:42 > 1:10:44No. We'll be back in a little bit.

1:10:45 > 1:10:47All right, love ya.

1:10:48 > 1:10:50Right, you two! We are going to go to the boozer.

1:10:50 > 1:10:52Because I deserve a beer!

1:10:52 > 1:10:56Wow, OK, I'll put that there. Let's go with Billy.

1:10:56 > 1:11:00Come on, good girl, ain't ya?

1:11:00 > 1:11:02Thanks, mate.

1:11:02 > 1:11:03- Ian?- Yeah, in here.

1:11:05 > 1:11:08Cheers for this, Mick... I just...I just needed to get out.

1:11:08 > 1:11:10- Swim's as good an excuse as any. - Don't worry about it.

1:11:10 > 1:11:13After last time's fiasco, I think I need to up my training.

1:11:13 > 1:11:16- You don't fancy driving, do you? - Well, you normally drive.

1:11:16 > 1:11:20I usually stare out the window, on the verge of wetting myself.

1:11:20 > 1:11:22The, er...police have dropped the charges against Jake.

1:11:24 > 1:11:25How come?

1:11:26 > 1:11:29New evidence. New witness statement, I dunno.

1:11:30 > 1:11:32They tell you who?

1:11:34 > 1:11:37Listen, I was thinking about you and Linda.

1:11:39 > 1:11:41Oh, yeah?

1:11:41 > 1:11:44How do you cope with Lee being away?

1:11:44 > 1:11:48I mean, not knowing how your child is.

1:11:48 > 1:11:53I mean, where they are. How they are. If they're hurt.

1:11:53 > 1:11:54Who hurt him.

1:11:55 > 1:11:57It's just the worst thing...

1:11:57 > 1:11:59Ian. Sit down, please.

1:12:01 > 1:12:04I'll have a big glass of lemonade and a big plate of chips, please.

1:12:04 > 1:12:06And the same for me too.

1:12:06 > 1:12:10- Patrick, listen, mate, I'm a bit skint. I can't sub you.- No, no, it's all right, it's on me.

1:12:10 > 1:12:13I'd still be sitting in my deck chair if it wasn't for you. What are you having?

1:12:13 > 1:12:17I'll have a bottle of beer, please, and I'll get this little one sat down.

1:12:17 > 1:12:18He actually followed you to work?

1:12:18 > 1:12:21Oh, yeah. He was hiding behind the stalls and everything.

1:12:21 > 1:12:24- It was so funny. - That is, like, full-on stalker.

1:12:24 > 1:12:27Yeah, I know! I can't believe I've got a stalker - it's great!

1:12:27 > 1:12:30I don't think you're meant to look so happy about it.

1:12:30 > 1:12:32It's all right if I join you, ain't it?

1:12:34 > 1:12:35Shut up.

1:12:37 > 1:12:39I frog-marched her down there,

1:12:39 > 1:12:41and then I'm not allowed an opinion cos I'm biased.

1:12:41 > 1:12:45Just ended up rowing all day. She's going to go to Liverpool, I'm telling you...

1:12:45 > 1:12:46Just buy her some chocolates.

1:12:46 > 1:12:49It's uni, Phil. It's a bit more than a few sweets.

1:12:52 > 1:12:54You... You had any calls?

1:12:54 > 1:12:57Just heard from Lola. The police haven't told Ian.

1:12:57 > 1:13:00So looks like I ain't a suspect, doesn't it?

1:13:00 > 1:13:02- There he is! What are you hiding?! - What?

1:13:02 > 1:13:05Don't come the innocent with me! What are you hiding?

1:13:05 > 1:13:08Billy, you do not keep quiet about something like this -

1:13:08 > 1:13:11- why were you fighting with my little girl?- Let's take this somewhere else.

1:13:11 > 1:13:15No! He's had plenty of time to get his story straight. Now why were you fighting with her?

1:13:15 > 1:13:19- I didn't hide anything, I swear! - I bet you've got her purse and her phone, haven't you?

1:13:19 > 1:13:23- Now come on, turn out your pockets! - This ain't the place, Ian! - Turn out your pockets!

1:13:23 > 1:13:25ALL SHOUT

1:13:29 > 1:13:32- Any mustard, please? - Yep, yep, two secs mate, two secs.

1:13:32 > 1:13:33Here you go, fellas.

1:13:33 > 1:13:35That's the right order, yeah?

1:13:35 > 1:13:38Here you go, ladies, here you go.

1:13:38 > 1:13:40You asked me to help you earlier. Not run the place on my own.

1:13:40 > 1:13:42Yeah, give me a sec.

1:13:43 > 1:13:45Was that mustard, mate, yeah? Mustard?

1:13:55 > 1:13:57Clean out of mustard, I'm afraid, mate.

1:13:57 > 1:13:59Plenty of herbs, though.

1:14:02 > 1:14:06See, me and that man. We was just messing about. Being silly.

1:14:08 > 1:14:11We'll be laughing about it tomorrow, best mates again.

1:14:11 > 1:14:14Yeah? And don't think I've forgotten about your chips.

1:14:14 > 1:14:19As soon as I've sorted this all out, we're straight round McKlunkys, OK?

1:14:19 > 1:14:20All right, I'll see you in a bit.

1:14:23 > 1:14:27- I'll be back for her in a bit. - Yeah, fine.

1:14:27 > 1:14:29Just need to find Peter.

1:14:29 > 1:14:31Whit, you know that I would never...

1:14:31 > 1:14:33Yeah...

1:14:33 > 1:14:35Just get it sorted, Billy, yeah?

1:14:35 > 1:14:36Yeah.

1:14:36 > 1:14:39Right, I think I've got some oven chips in the freezer... Yeah?

1:14:39 > 1:14:41Come on, then...quick!

1:14:41 > 1:14:44Come on, then, you go with Whitney. See you in a bit.

1:14:51 > 1:14:55- Right, I'm off. - Don't you want to know the secret to winning over Whitney?

1:14:55 > 1:14:58I'm more worried about all the green you got stuffed behind the microwave.

1:14:58 > 1:15:01Please don't tell no-one. Tosh don't even know.

1:15:01 > 1:15:04- Without it we can't have a baby, right, so... - What, the baby that skunk built?

1:15:04 > 1:15:07It ain't skunk. It's just normals. Lee, please.

1:15:07 > 1:15:09Tosh is desperate for a baby.

1:15:09 > 1:15:12Either way, you could still do a bird for it, Teen.

1:15:12 > 1:15:15Not much use to the kid in there, are ya?

1:15:15 > 1:15:18It's temporary, all right. Just to raise the money. Please don't tell no-one.

1:15:18 > 1:15:20Of course not, you nutter.

1:15:20 > 1:15:23But just doing it here - what if a punter grasses you up?

1:15:23 > 1:15:25You're taking a massive risk.

1:15:25 > 1:15:28I'm being careful, all right. Just a few more weeks, and then I'm done.

1:15:28 > 1:15:29All right, it's your life.

1:15:29 > 1:15:32Do you know what? I've grafted for it - I might as well find out.

1:15:32 > 1:15:34What's this big secret?

1:15:34 > 1:15:37- Oh, er, no, you won't want to know. - No, go on, try me.

1:15:37 > 1:15:39Well, usually I just get my boobs out.

1:15:39 > 1:15:43They're pretty banging so it normally does the trick.

1:15:43 > 1:15:44Soz.

1:16:39 > 1:16:42- Watch yourself.- Sorry, sorry...

1:16:47 > 1:16:50It's going to get you, it's going to get you.

1:16:52 > 1:16:53You all right, babe?

1:16:53 > 1:16:57All right, just been walking round.

1:16:58 > 1:17:00I knew that Jake wasn't guilty.

1:17:02 > 1:17:04Listen, Lo,

1:17:04 > 1:17:08I'm sorry I've been so horrible lately. It's just...

1:17:08 > 1:17:10it's just the stress of it, you know?

1:17:10 > 1:17:14- It's just been so much...- Come here. It's all right... It's OK...

1:17:17 > 1:17:19Peter, mate, I wanted to tell you myself...

1:17:19 > 1:17:22- No, no...- Whatever they've said, it wasn't like that, OK...

1:17:22 > 1:17:23Whatever who said?

1:17:28 > 1:17:30Cheers.

1:17:30 > 1:17:31Special occasion?

1:17:31 > 1:17:33- An apology. - Aren't these the cheapest box?

1:17:33 > 1:17:35They're the second cheapest.

1:17:35 > 1:17:37Oh, Ian's not answering.

1:17:37 > 1:17:39Well, go find him. I can manage here.

1:17:39 > 1:17:43Denise? I've just seen Ian heading down towards Billy's. He ain't happy.

1:17:43 > 1:17:44Ah, thank you.

1:17:46 > 1:17:48Cheers.

1:17:48 > 1:17:52- Peter, try to calm down. - Why should I calm down?

1:17:52 > 1:17:57- It's Peter, he's going to kill him! I need your help! - Peter...Please!- Peter! Leave it!

1:17:57 > 1:18:00Every day! Every breakfast. Every dinner. You said nothing!

1:18:00 > 1:18:03Leave it! Leave it! Now we will deal with this.

1:18:03 > 1:18:07But we will not deal with it like this, OK? Do you understand me?

1:18:10 > 1:18:12I shouldn't have done what I did in the Vic, all right?

1:18:12 > 1:18:14That's not the way to get the truth out of someone.

1:18:14 > 1:18:17Now that we are calm, and rational...

1:18:19 > 1:18:23..you're going to sit down and explain yourself to me. OK.

1:18:26 > 1:18:28What kind of surprise?

1:18:28 > 1:18:31A proper one.

1:18:31 > 1:18:33Now, I don't know why you binned it.

1:18:33 > 1:18:37As soon as I saw it, I thought, "I've got to put that up."

1:18:37 > 1:18:40Pride of place in my kitchen so that every morning I can see

1:18:40 > 1:18:44my beautiful wife smiling down at me while I finish off my fried slice.

1:19:00 > 1:19:02GIGGLING

1:19:09 > 1:19:12- You sure about this? - I just want to forget about today.

1:19:21 > 1:19:23Look, I, um...

1:19:26 > 1:19:29I know it doesn't make it right, but...

1:19:31 > 1:19:32..things have been really tough lately.

1:19:35 > 1:19:38And a couple of bits of fish every week...

1:19:38 > 1:19:44Well, it didn't exactly make us flush, but it didn't half help.

1:19:44 > 1:19:49Anyway, I tried to explain this to Lucy but...

1:19:50 > 1:19:51..she was disgusted with me.

1:19:53 > 1:19:55Called me a thief.

1:19:57 > 1:20:00She said you only gave me that job out of pity...

1:20:01 > 1:20:04Look, I know I should have told the police...

1:20:07 > 1:20:09..but I was ashamed.

1:20:12 > 1:20:17I was ashamed that her last hours were spent shouting at me.

1:20:17 > 1:20:20Maybe if she hadn't had been so angry...

1:20:20 > 1:20:23I was scared, Ian.

1:20:26 > 1:20:27It looks bad, don't it?

1:20:31 > 1:20:32But you've got to believe me, Ian.

1:20:34 > 1:20:37As a dad, I couldn't do that.

1:20:40 > 1:20:43Not for a couple of bits of fish, Ian.

1:20:43 > 1:20:45Not for a part-time job.

1:20:45 > 1:20:46Did you know?

1:20:48 > 1:20:51Please, Ian. You've got to believe me.

1:20:55 > 1:20:56You won't ever rob from me again?

1:20:56 > 1:20:58No. No, never.

1:20:58 > 1:21:01Then I'll expect to see you at work tomorrow.

1:21:03 > 1:21:06What about the other thing?

1:21:06 > 1:21:10I made a decision about Jake and I was wrong.

1:21:10 > 1:21:13Now I can't say whether I believe you or not.

1:21:13 > 1:21:15I can't make decisions any more.

1:21:17 > 1:21:19So that's for the police.

1:21:36 > 1:21:38Come here...

1:21:38 > 1:21:40It's all starting again, isn't it?

1:21:47 > 1:21:49Come on, darling.

1:21:55 > 1:21:57It'll be all right, I mean, Abi ain't back for another hour.

1:21:57 > 1:22:01Yeah, but there's no need to take risks, is there?

1:22:01 > 1:22:03- Can I get a glass of water? - Ah, yeah, of course.- Thank you.

1:22:13 > 1:22:16Right. Bye. I'll see you later.

1:22:18 > 1:22:21- I'll call you.- See you later.

1:22:37 > 1:22:42SPADE HITS EARTH

1:23:14 > 1:23:15PHONE RINGS

1:23:15 > 1:23:17Ian?

1:23:17 > 1:23:19Phone!

1:23:22 > 1:23:24PHONE RINGS

1:23:24 > 1:23:25Ian?

1:23:30 > 1:23:32- Who's R?- What?

1:23:32 > 1:23:36- Do you want me to answer it? - Erm, no, no. It's all right.

1:23:36 > 1:23:38- Who is it?- Who?

1:23:38 > 1:23:42- R?- Erm, supplier.- Oh, only it's the second time they've rung,

1:23:42 > 1:23:46- and I thought, you know, might be important.- Well, it's not.

1:23:46 > 1:23:49OK. All right, well, come on, this is ready now.

1:23:49 > 1:23:52I'm sorry, OK? I didn't get much sleep.

1:23:54 > 1:23:56It was easier when we thought it was Jake.

1:23:56 > 1:23:59- I mean, at least that way I had someone to hate. Now...- OK.

1:23:59 > 1:24:02OK, Ian, you just breathe, yeah?

1:24:02 > 1:24:04Try and take it easy on yourself.

1:24:04 > 1:24:06Some things, you know, are just out of your control.

1:24:06 > 1:24:09PHONE RINGS

1:24:09 > 1:24:11Who's this now?

1:24:11 > 1:24:14- Just leave it.- No, I can't.

1:24:16 > 1:24:18Hello?

1:24:18 > 1:24:21Emma. No, no, it's fine.

1:24:28 > 1:24:30You do not call me. Do you understand?

1:24:30 > 1:24:31I call you.

1:24:34 > 1:24:36Says he still feels sick.

1:24:36 > 1:24:38I think he's just trying it on.

1:24:38 > 1:24:40Well, he can stay with me, eh? Keep me company.

1:24:40 > 1:24:43- Listen, I'll stay if you want. - No, you've missed a lot, looking out for me.

1:24:43 > 1:24:46- I've only got a few things to sort. - A day off school won't do any harm.

1:24:46 > 1:24:50- It wouldn't be the end of the world if I didn't do them. - Look, go. Really, I'll be fine.

1:24:50 > 1:24:52- All right.- OK. See ya.

1:25:11 > 1:25:14- Lola thought Peter was going to rip Billy's head off!- But he didn't.

1:25:14 > 1:25:16Yeah, but obviously then they believe he didn't do it.

1:25:16 > 1:25:20- Abs, just don't get involved.- Yeah, but where does that leave Jake?

1:25:20 > 1:25:22- There's no hot water. - Yeah, I had to wash my hair.

1:25:22 > 1:25:26You shouldn't leave it running, cos everyone else just gets cold water.

1:25:26 > 1:25:28- KNOCKING ON DOOR - Please be Jay.

1:25:30 > 1:25:32What do you want to do for tea, then?

1:25:32 > 1:25:35It's all right, I'll sort something out.

1:25:35 > 1:25:37It's good to have you back, Lauren.

1:25:39 > 1:25:42Sorry I had the hump yesterday.

1:25:42 > 1:25:43Oh, it doesn't matter.

1:25:43 > 1:25:46Oh, thank you. I'll just go get my bag.

1:25:46 > 1:25:48Yeah, I'm going to go as well, actually.

1:25:48 > 1:25:51I'll have that. See you later, Jay.

1:25:51 > 1:25:53See you later.

1:25:59 > 1:26:01- You all right?- I saw you.

1:26:03 > 1:26:07- Sorry?- I came in here last night.

1:26:08 > 1:26:09All right...

1:26:09 > 1:26:11She's a copper, Max!

1:26:11 > 1:26:13You're in your house snogging a copper?

1:26:13 > 1:26:16Sorry, forgot my phone. See you later.

1:26:16 > 1:26:17See you later.

1:26:23 > 1:26:25So what?

1:26:25 > 1:26:28- The copper investigating Lucy's murder! That don't seem a bit weird?- No, not really.

1:26:28 > 1:26:31Are you serious? In the middle of the investigation?

1:26:33 > 1:26:36- Well, you said anything to Abi?- No.

1:26:36 > 1:26:38Well, don't, cos I've only just got my girls home.

1:26:38 > 1:26:40So the last thing I need is you sticking a spanner in the works.

1:26:42 > 1:26:45HE HUMS TO HIMSELF

1:27:36 > 1:27:39- You all right?- Been better.

1:27:39 > 1:27:43- Where you going?- Got to go make a formal statement, ain't I?

1:27:43 > 1:27:44- See ya.- See ya.

1:27:46 > 1:27:48Babe, do you want any breakfast or anything?

1:27:48 > 1:27:50No, thanks.

1:27:50 > 1:27:52- Everything sorted?- Yeah.

1:27:55 > 1:27:58- You busy today?- I wish.

1:27:58 > 1:28:00Only Sharon's stuck at home with Dennis,

1:28:00 > 1:28:02could do with a bit of company and...

1:28:02 > 1:28:05Well, give her a manicure, pedicure, whatever she wants. Just cheer her up, yeah?

1:28:05 > 1:28:09Yeah, no worries. How is she, though? Is she getting better?

1:28:09 > 1:28:11- Yeah. Yeah, she's getting there.- Good.

1:28:11 > 1:28:14- Ta.- Cheers.- See ya.

1:28:18 > 1:28:20DOOR BANGS OPEN

1:28:20 > 1:28:21Sorry! Practising headers.

1:28:21 > 1:28:24Get dressed and downstairs now!

1:28:24 > 1:28:25Go on!

1:28:32 > 1:28:34- Hiya.- Can I get a tea?- Yeah.

1:28:34 > 1:28:38- You OK?- Yeah. Erm, sorry I lost it last night.

1:28:38 > 1:28:41- Everything all right with Lola? - Yeah, fine. You?

1:28:41 > 1:28:42Well, I couldn't sleep,

1:28:42 > 1:28:45so I sat up all night reading a wedding magazine.

1:28:45 > 1:28:47- That's a weird one.- Yeah, I know.

1:28:47 > 1:28:50Just ask me anything you want to know about beach weddings, I'm your man.

1:28:50 > 1:28:52- PHONE RINGS - Hello?

1:28:52 > 1:28:56It's good, you know, you and Denise getting married. Something to look forward to...at last.

1:28:56 > 1:28:58Yeah.

1:29:01 > 1:29:03Was that who I think it is?

1:29:03 > 1:29:06It's Jake, he's out. He's coming to the flat later.

1:29:14 > 1:29:16So, you lied?

1:29:16 > 1:29:19I didn't feel very well.

1:29:19 > 1:29:22- But not sick?- A bit sick.

1:29:22 > 1:29:25- Of maths.- It was a test!

1:29:25 > 1:29:28OK. Well, let's just spend a quiet day together, eh?

1:29:28 > 1:29:29You and me.

1:29:29 > 1:29:32Why don't you play your game for an hour and then later on...

1:29:32 > 1:29:33DOOR CLOSES

1:29:35 > 1:29:38Hey. Sorry, I should have called.

1:29:38 > 1:29:39Phil asked me to pop round.

1:29:42 > 1:29:44- Thank you. - New set of bridal mags are in.

1:29:44 > 1:29:47Ooh, can I have one(?)

1:29:47 > 1:29:49Two packets of my usual and a disposable, please.

1:29:49 > 1:29:52Ian asked me to order these.

1:29:52 > 1:29:55- Lucky girl. - There you go, thank you.

1:29:58 > 1:30:00Cheers.

1:30:02 > 1:30:05So he's still planning it, then, even with all this going on?

1:30:05 > 1:30:07Yeah, I don't know,

1:30:07 > 1:30:10- maybe it's his way of trying to escape it all, you know?- And you?

1:30:12 > 1:30:16A little while ago you were going to leave him. And now?

1:30:16 > 1:30:19- You cannot marry him out of pity, Denise.- I'm not!

1:30:19 > 1:30:22- Marrying him?- No, pitying him. He's a good man.

1:30:22 > 1:30:24He's in a bad way, just...

1:30:25 > 1:30:28Hiya. I've just been to check up on Peter, see how he's bearing up.

1:30:28 > 1:30:30But, listen, I've had an idea about the wedding, OK?

1:30:30 > 1:30:33It's this thing that I've seen, it's called Trash The Dress.

1:30:33 > 1:30:34- Ian...- No, listen.- I don't...

1:30:34 > 1:30:37Listen, love. They do it at all these beach weddings.

1:30:37 > 1:30:38It's like a crazy celebration,

1:30:38 > 1:30:42- I saw it in the mag, where you trash the dress...- OK, OK, Ian...

1:30:42 > 1:30:46Look, love, I don't think that...

1:30:46 > 1:30:47Ian...

1:30:47 > 1:30:50this...with the investigation starting again...

1:30:50 > 1:30:53- What?- ..is the right time for us to be thinking about a wedding.

1:30:53 > 1:30:55Yeah, but it gives us something to look forward to.

1:30:55 > 1:30:59Yeah, but, you know? Let's just...

1:30:59 > 1:31:01We'll just press pause, you know?

1:31:01 > 1:31:04Just until things go back to normal.

1:31:09 > 1:31:12There you go, sweetheart, OK?

1:31:17 > 1:31:20Yeah, no, Phil just reckoned you could do with a bit of a pamper,

1:31:20 > 1:31:23being stuck in with Denny ill and that.

1:31:23 > 1:31:25Well, he's not that ill.

1:31:25 > 1:31:27He playing you up again?

1:31:27 > 1:31:29You wait, Lexi'll be the same -

1:31:29 > 1:31:31they test the boundaries.

1:31:31 > 1:31:32Trust me, she already does.

1:31:34 > 1:31:36So, how's Billy holding up?

1:31:37 > 1:31:40Yeah, no, he's not that great.

1:31:40 > 1:31:43And he only nicked some fish. But it doesn't stop him worrying about

1:31:43 > 1:31:45what the police are going to do.

1:31:45 > 1:31:48- Yeah, but he's innocent, Lola, so I'm sure...- So was Jake.

1:31:48 > 1:31:51They still banged him up, didn't they?

1:31:51 > 1:31:55Anyway... Right, I've got some sparkly one,

1:31:55 > 1:31:58or what about this? Korean hot candy pink?

1:31:58 > 1:32:00Go on, then.

1:32:01 > 1:32:03Oh, gosh, man. The sun's shining.

1:32:03 > 1:32:05How often does this happen in England?

1:32:05 > 1:32:08- We can go to the caff or to the Vic? - No, no, it's not the same.

1:32:08 > 1:32:10If you want lunch, we got pies and a bag of salad at home.

1:32:10 > 1:32:14Bag of salad?! I got lettuce, radishes, the whole lot.

1:32:14 > 1:32:15- Home grown.- Right.

1:32:15 > 1:32:19Yeah, man, we could sit down and hear the birds singing.

1:32:19 > 1:32:21Feel the sun on your face.

1:32:21 > 1:32:24Taste the fruit of my labour -

1:32:24 > 1:32:26and time out from your troubles, too.

1:32:27 > 1:32:30So, you really want to do this?

1:32:30 > 1:32:33- I do.- Oh, Patrick, it's just... It's the middle of the day,

1:32:33 > 1:32:34it's just when the shop gets busy.

1:32:34 > 1:32:36I'll cover, it's no problem.

1:32:36 > 1:32:39OK, so you don't want to spend quality time with an old man?

1:32:39 > 1:32:41Oh, come on, that's not what I'm saying.

1:32:41 > 1:32:45Sounds as though business before family.

1:32:47 > 1:32:49You know what, Patrick? I would love to come.

1:32:51 > 1:32:52Yeah, man.

1:32:55 > 1:32:56He should be here by now.

1:32:59 > 1:33:01DOORBELL RINGS

1:33:16 > 1:33:18HE LAUGHS

1:33:18 > 1:33:20Oh, I've missed you!

1:33:21 > 1:33:22I've missed you guys.

1:33:24 > 1:33:27Patrick, you're not overdoing it, are you? You know, digging and that?

1:33:27 > 1:33:29Out here, on your own, at your age.

1:33:29 > 1:33:33Don't worry, man, I find time to chill out, you know?

1:33:33 > 1:33:36Have my drink, listen to cricket on the radio.

1:33:36 > 1:33:37Yeah, well, you deserve that.

1:33:39 > 1:33:40And what about you?

1:33:41 > 1:33:43I'm fine.

1:33:43 > 1:33:47You don't have to put on this iron-lady act with me, you know?

1:33:47 > 1:33:50You know what it's been like with the investigation.

1:33:50 > 1:33:54There's Jake, Billy, Peter...

1:33:54 > 1:33:58Ian's just...clinging on by his fingernails.

1:33:58 > 1:34:00And Denise?

1:34:00 > 1:34:03Well, there's a lot of other people's feelings that come before mine.

1:34:03 > 1:34:05Not to me, there isn't.

1:34:06 > 1:34:09Well...this is lovely.

1:34:09 > 1:34:13Yeah, well, like you said, I ain't getting any younger.

1:34:13 > 1:34:16Well, that's all the more reason to not be out here grafting.

1:34:16 > 1:34:18Well, I'm not a young man any more.

1:34:18 > 1:34:21Patrick, are you trying to tell me something?

1:34:23 > 1:34:26I just wanted to see you settled, you know?

1:34:26 > 1:34:28- Put my mind at rest.- Settled?

1:34:29 > 1:34:33You did have second thoughts about marrying Ian.

1:34:33 > 1:34:37And...I mean... you're still together.

1:34:37 > 1:34:38I'm not leaving him now.

1:34:40 > 1:34:44Is it because you don't want to or is it because you can't?

1:34:44 > 1:34:46- Does it matter?- To me it does.

1:34:49 > 1:34:52Hey! This is quiche.

1:34:53 > 1:34:54Where did you get quiche?

1:34:56 > 1:34:57Ian.

1:34:57 > 1:34:59HE GROANS

1:35:01 > 1:35:04- They're quite good. - Oh, really?- Yeah.

1:35:04 > 1:35:06Oh, good, well, I can do them again if you want?

1:35:06 > 1:35:07Before you go back to work.

1:35:07 > 1:35:10Well, I think I'll be back sooner than that.

1:35:10 > 1:35:11Yeah, I wouldn't rush, though.

1:35:11 > 1:35:14Roxy's doing a really good job at covering at The Albert.

1:35:14 > 1:35:16Well, I wouldn't get too comfortable if I was her.

1:35:16 > 1:35:19- BEEPING - Right, that'll be the jackets.

1:35:19 > 1:35:21I put in an extra, if you want to stay?

1:35:21 > 1:35:24- Yeah. Yeah, no, that'd be really nice.- OK, cool.

1:35:24 > 1:35:26I'll just get some coleslaw.

1:35:26 > 1:35:30- No! Your nails, be careful! - Yeah, sorry. I'll just get Denny.

1:35:30 > 1:35:32Denny?

1:35:36 > 1:35:38Denny?

1:35:41 > 1:35:43Denny?

1:35:46 > 1:35:47Denny?

1:35:52 > 1:35:55- What're you doing?- Nothing.

1:35:55 > 1:35:57Get away from there. Lunch is ready.

1:35:57 > 1:36:00- I'm just looking.- I said get away.

1:36:00 > 1:36:01Phil's got some cool stuff.

1:36:01 > 1:36:03I said no!

1:36:06 > 1:36:08Oh, Denny...

1:36:08 > 1:36:10- Dennis!- Denny, I'm sorry!

1:36:20 > 1:36:22Denny!

1:36:24 > 1:36:26Denny!

1:36:29 > 1:36:31- Ian asked you to talk to me? - Only because he was worried...

1:36:31 > 1:36:34- He couldn't do it himself? - ..you were getting cold feet.

1:36:34 > 1:36:37Want to spend the rest of your life with someone, but you got to go behind their back?

1:36:37 > 1:36:40- Like you said, he's in the middle of a nightmare.- Exactly.

1:36:40 > 1:36:44How is he supposed to think straight with all of this hanging over him?

1:36:45 > 1:36:48- Are your feet getting cold?- No.

1:36:50 > 1:36:52Babe, you know you can tell me.

1:36:52 > 1:36:55- Oh, it's different this time.- Is it?

1:36:57 > 1:37:00Not because he asked me I'm going to do his bidding, you know.

1:37:01 > 1:37:02Listen to me.

1:37:04 > 1:37:08You don't have to marry him because he is in a state.

1:37:08 > 1:37:11- I want to stay. - Nobody's judging you, babe.

1:37:11 > 1:37:12Thank you, Patrick.

1:37:16 > 1:37:19All this talking...it helps.

1:37:22 > 1:37:24He's a good man.

1:37:25 > 1:37:28He might not be the King Of The Carnival!

1:37:28 > 1:37:30Can you imagine?!

1:37:30 > 1:37:34Ian in silver lame and all peacock feathers!

1:37:34 > 1:37:36THEY LAUGH

1:37:39 > 1:37:41Baby...

1:37:41 > 1:37:43do you love him?

1:37:46 > 1:37:50All I want to know, baby, is that...you're happy.

1:38:00 > 1:38:02It's not fair. You're innocent.

1:38:02 > 1:38:04This is your home.

1:38:04 > 1:38:06I shouldn't even be here - conditions of my bail.

1:38:06 > 1:38:10- You've got to stay. - Yeah, come on, the case against you's been dropped, right?

1:38:10 > 1:38:11I'm not totally out of the frame.

1:38:11 > 1:38:15You wouldn't have been nicked in the first place, if it weren't for that Lauren.

1:38:15 > 1:38:17My brief reckons it's just a formality

1:38:17 > 1:38:19before they drop the charges, but...

1:38:19 > 1:38:22We would've laid on, you know, proper drinks and all that, but...

1:38:22 > 1:38:25- Yeah, you know, we thought it might not be...- Clean and sober.

1:38:25 > 1:38:30I swear to God. One day at a time, but I am not having another drink.

1:38:30 > 1:38:31Good for you.

1:38:33 > 1:38:37- I should go.- No, no, stay for a bit more cake, come on!

1:38:37 > 1:38:40That's, like, only the third cake I've ever bought in my entire life.

1:38:40 > 1:38:43DOORBELL RINGS

1:38:43 > 1:38:45- You expecting anyone?- No.

1:38:45 > 1:38:47No. Just stay there.

1:38:52 > 1:38:55- What do you want?- I know he's here.

1:38:55 > 1:38:57He doesn't want to see you.

1:39:12 > 1:39:14Yeah, it's goat's cheese.

1:39:14 > 1:39:18I've been baking. It makes me...feel better.

1:39:18 > 1:39:22Oh, looks nice. Could serve it at the wedding, veggie option.

1:39:22 > 1:39:24I'm not exactly sure there's going to be one.

1:39:24 > 1:39:26What, a vegetarian option?

1:39:26 > 1:39:31No, wedding. Denise wants to press the pause button again.

1:39:31 > 1:39:33I'm sorry, but it's just a pause, yeah?

1:39:36 > 1:39:39There you go. Table one, classic, well done.

1:39:46 > 1:39:48What are you doing here?

1:39:48 > 1:39:51Like I said, I want my money.

1:39:51 > 1:39:53Just go away. I've already paid you.

1:39:53 > 1:39:55I need more if you want me to keep my mouth shut.

1:39:55 > 1:39:57You're not getting any more.

1:39:57 > 1:40:01No? Then I'll tell the police where you were that night.

1:40:01 > 1:40:04Do you know what? You're disgusting, do you know that?

1:40:04 > 1:40:07Me? You're the one that goes kerb-crawling

1:40:07 > 1:40:09after a row with your daughter!

1:40:09 > 1:40:10Just go away, will you?

1:40:10 > 1:40:12I mean it, I'm going to tell the police.

1:40:12 > 1:40:14Oh, right, and what you going to tell them?

1:40:14 > 1:40:19Do you really think they're going to believe a person like you?

1:40:19 > 1:40:21You want to find out?

1:40:21 > 1:40:23No, I'll tell you what I want, I want you to go away permanently.

1:40:23 > 1:40:26So why don't you go and buy yourself a big rock of crack

1:40:26 > 1:40:29and then go and find some gutter you can crawl away and die in?

1:40:37 > 1:40:39Hiya.

1:40:39 > 1:40:43- You OK, darling? You look stressed. - No, I'm fine. I'm just...

1:40:43 > 1:40:48a little bit jangled, you know? With the investigation, the wedding, not the wedding. It's...

1:40:48 > 1:40:51Ian, look, I don't like seeing you this wound up. Come here.

1:40:57 > 1:41:01Only if it's completely knackered. If it's just worn, leave it, yeah?

1:41:01 > 1:41:04- Phil! Dennis has gone.- Where?

1:41:04 > 1:41:06I don't know, he just ran out the front door.

1:41:06 > 1:41:10- Sharon... Sharon was shaking him. - She was what? Why?

1:41:10 > 1:41:11I don't know.

1:41:15 > 1:41:18What you did...was very sweet.

1:41:19 > 1:41:21Was it?

1:41:21 > 1:41:24Naughty, but very sweet.

1:41:25 > 1:41:28And you're right, you know? What Patrick thinks,

1:41:28 > 1:41:30it does mean a lot to me.

1:41:30 > 1:41:31Yeah, he's like a father.

1:41:31 > 1:41:35His blessing... is very important to me.

1:41:35 > 1:41:36But you know what?

1:41:36 > 1:41:38it's not nearly as important as you.

1:41:40 > 1:41:43- I'm not trashing any dress.- No, no.

1:41:48 > 1:41:50Does that mean...we're back on?

1:41:52 > 1:41:55- No quiche. Outside catering. - Right, outside...

1:41:55 > 1:41:58And I get to choose the first dance.

1:41:59 > 1:42:02So it that a yes, then?!

1:42:02 > 1:42:06Yeah. We've got to have something to look forward to, haven't we?

1:42:10 > 1:42:12Well, he can't have gone far, can he?

1:42:12 > 1:42:15The market, the Square, the allotment and the park, yeah?

1:42:15 > 1:42:17Now, we all split up, but we stay in touch, right?

1:42:17 > 1:42:19He's here.

1:42:19 > 1:42:21You had us worried, you little monkey.

1:42:21 > 1:42:23Have you told him what Sharon done?

1:42:23 > 1:42:25Yeah.

1:42:25 > 1:42:28Jay, can you leave us alone for a minute?

1:42:28 > 1:42:29Is it true?

1:42:31 > 1:42:34Lo, do us a favour and take Denny back to your gaff, yeah?

1:42:34 > 1:42:35That's not the Sharon that I know.

1:42:35 > 1:42:38Come on, we can watch a bit of telly at mine, yeah?

1:42:38 > 1:42:40Least not before you started messing with her head.

1:42:40 > 1:42:42- Shirley, leave it, all right? - She's a bag of nerves.

1:42:42 > 1:42:45I told you, leave it, all right? This is my business.

1:42:45 > 1:42:46No, THIS is your fault.

1:42:47 > 1:42:51That's the woman you're supposed to be in love with.

1:42:51 > 1:42:52Is that what you call love?

1:42:57 > 1:42:58You could've ruined his life.

1:42:58 > 1:43:00It's your fault he's got to leave the Square.

1:43:00 > 1:43:03It doesn't matter about all that now.

1:43:03 > 1:43:07No, they're right. I'm sorry about the police.

1:43:07 > 1:43:08I don't blame you.

1:43:08 > 1:43:11- Yeah, but, if it wasn't for me... - It's OK.

1:43:11 > 1:43:12I mean it.

1:43:15 > 1:43:17I lost control.

1:43:17 > 1:43:21All I could think about was booze and you.

1:43:23 > 1:43:25If I'm honest, you did me a favour.

1:43:25 > 1:43:28There's no way I could get Bella back in my life

1:43:28 > 1:43:30if I was still drinking.

1:43:32 > 1:43:33Where are you going to go?

1:43:36 > 1:43:39- I don't know.- Yeah, but you're coming back, though, aren't you?

1:43:39 > 1:43:42- After all this has died down.- No.

1:43:42 > 1:43:45Yes, you are. When they find out who really done it.

1:43:45 > 1:43:47I can't.

1:43:48 > 1:43:50I'm sorry.

1:44:16 > 1:44:18DOOR CLOSES

1:44:20 > 1:44:25You spoil him, Sharon. You know, that's what you do.

1:44:25 > 1:44:27How many times have I told you that you spoil him?

1:44:27 > 1:44:30That's the kind of mum you are, not... Not this.

1:44:30 > 1:44:31I know.

1:44:34 > 1:44:36You're not...

1:44:36 > 1:44:38You're not violent. That's not you.

1:44:40 > 1:44:41But I'm not me, am I, Phil?

1:44:44 > 1:44:47What those men did, it...

1:44:47 > 1:44:49It's not just physical...

1:44:52 > 1:44:54I just don't feel me.

1:44:55 > 1:44:57I don't feel me.

1:44:57 > 1:44:59I've... I called the doctor.

1:45:01 > 1:45:03Denny's fine, I promise you.

1:45:03 > 1:45:05For you.

1:45:11 > 1:45:13Let's give you a bit of time.

1:45:13 > 1:45:15OK, thanks.

1:45:21 > 1:45:24Sneaking away, it's going to look like you're guilty.

1:45:24 > 1:45:26I'm not sneaking.

1:45:26 > 1:45:28Yeah, but that's what people are going to think.

1:45:28 > 1:45:32Doesn't matter what anybody else thinks. Only Bella.

1:45:35 > 1:45:38Well, at least... At least you can start again now.

1:45:38 > 1:45:42Yeah. Yeah, I will. We will.

1:45:44 > 1:45:46Just not around here.

1:45:46 > 1:45:48I really hope everything works out for you.

1:45:49 > 1:45:51Thanks.

1:45:51 > 1:45:53It will.

1:45:54 > 1:45:56You know, I made a mess of being a husband.

1:45:59 > 1:46:01I'm not going to mess up being a dad.

1:46:09 > 1:46:11I'll see ya.

1:46:43 > 1:46:47KNOCKING ON DOOR

1:46:56 > 1:46:58Hey, hey, hey!

1:46:58 > 1:47:00You looking for Ian?

1:47:00 > 1:47:02Wait, don't I know you?

1:47:02 > 1:47:04- I'm looking for Denise.- Oh, she's...

1:47:04 > 1:47:07Poor cow's still engaged to that pathetic piece of work, isn't she?

1:47:10 > 1:47:12Mmm! What's going on here?

1:47:12 > 1:47:15I thought we'd do a family movie night, you know? Get a pizza.

1:47:15 > 1:47:17Just like the good old days.

1:47:20 > 1:47:23- What was that for?- Nothing.

1:47:23 > 1:47:26- We'll sort the pizzas, you sort the film, yeah?- Yeah, all right.

1:47:26 > 1:47:28You ain't choosing it.

1:47:35 > 1:47:39So I've decided I'm not going to say anything...

1:47:39 > 1:47:42to Abi, about Summerhayes.

1:47:44 > 1:47:46Cheers.

1:47:46 > 1:47:49She's much happier back here, so...

1:47:50 > 1:47:54But...you and Lucy.

1:47:54 > 1:47:56I mean, you were sleeping with her.

1:47:56 > 1:47:59And now you're sleeping with the officer investigating her murder.

1:47:59 > 1:48:01Yeah.

1:48:01 > 1:48:04Well, I didn't plan it out like that, did I?

1:48:06 > 1:48:08Want a beer?

1:48:15 > 1:48:18I've been thinking.

1:48:19 > 1:48:22You're right. You know, it's only an affair.

1:48:24 > 1:48:26I'm going to bin it.

1:48:26 > 1:48:27- Really?- Yeah.

1:48:29 > 1:48:32I only just got my girls back, you know?

1:48:32 > 1:48:35It's not the right time to start anything, is it?

1:48:35 > 1:48:36You go through.

1:48:54 > 1:48:58Hey, you all right? It's only me.

1:48:58 > 1:49:00Well, I was thinking about you.

1:49:01 > 1:49:04Yeah, something like that.

1:49:04 > 1:49:05Well, I would ask you what you're wearing,

1:49:05 > 1:49:08but I'm scared it would involve handcuffs.

1:49:10 > 1:49:12Listen, when can I see you?

1:49:20 > 1:49:23Simplest way of looking at it is post-traumatic stress disorder -

1:49:23 > 1:49:26the body and mind's reaction to shock.

1:49:26 > 1:49:29You know, I just feel jumpy, like...

1:49:29 > 1:49:32like my heart's thumping all the time.

1:49:32 > 1:49:34A severe shock, the attack at your bar,

1:49:34 > 1:49:36knocks the whole system out of sync.

1:49:36 > 1:49:40I can give you something to counteract the anxiety.

1:49:40 > 1:49:43Well, I'm not sure.

1:49:43 > 1:49:44Pills?

1:49:44 > 1:49:49For the anxiety. They'll mellow your mood.

1:49:49 > 1:49:50What do you think?

1:49:50 > 1:49:54What I'd suggest is a prescription for a few weeks.

1:49:54 > 1:49:55Just to get over this hump.

1:49:56 > 1:50:00I think, given your levels of anxiety, there's a strong argument.

1:50:03 > 1:50:07Thanks. Thanks very much. You all right to see yourself out?

1:50:07 > 1:50:09Call me, any time.

1:50:09 > 1:50:11I appreciate it.

1:50:14 > 1:50:15I shouldn't be taking anything.

1:50:15 > 1:50:18You heard what he said. You need them this time, don't you?

1:50:18 > 1:50:22Yeah, but I... Come on, Phil, you know what I can be like.

1:50:22 > 1:50:24Something's got to be done, ain't it?

1:50:28 > 1:50:31- Chinese lanterns? - What do you think? Bit naff?

1:50:31 > 1:50:33It's dangerous.

1:50:33 > 1:50:35No, they sell them down the cash-and-carry.

1:50:35 > 1:50:37You light this little oil burner inside

1:50:37 > 1:50:38and then they just float up into the sky.

1:50:38 > 1:50:41We could let them off in the gardens, the allotment or something.

1:50:41 > 1:50:43And set fire to Patrick's shed?

1:50:43 > 1:50:44No, look, a whole bunch of them, all right?

1:50:44 > 1:50:46Every table could light one.

1:50:46 > 1:50:48No, actually, it does sound sort of lovely.

1:50:48 > 1:50:50It will be. I mean, just imagine, right?

1:50:50 > 1:50:54All these lanterns just floating over a dark Walford sky.

1:50:55 > 1:50:58Your big day is going to be legend.

1:51:00 > 1:51:01Oh!

1:51:01 > 1:51:03Oh, Patrick, you made me jump.

1:51:03 > 1:51:05- You OK?- I just wanted a word.

1:51:05 > 1:51:07- Oh, right, you coming in, then? - With Ian.

1:51:07 > 1:51:10I think I've got a tot of rum in the cupboard,

1:51:10 > 1:51:12- we've got something to celebrate.- In private.

1:51:12 > 1:51:15Ah, right, I'll leave you to it, then.

1:51:15 > 1:51:17I'll be in in a minute, love.

1:51:19 > 1:51:21I know.

1:51:21 > 1:51:24I know all about your filthy little secret!