0:00:47 > 0:00:49# Hey, little sister
0:00:49 > 0:00:52# What have you done?
0:00:54 > 0:00:56# Hey, little sister Who's the only one... #
0:00:56 > 0:00:58Oi, oi.
0:00:58 > 0:01:01MUFFLED MUSIC CONTINUES
0:01:07 > 0:01:10# It's a nice day for a white wedding... #
0:01:12 > 0:01:15What on earth are you doing?
0:01:15 > 0:01:17Practising for the wedding. Be careful of my record.
0:01:17 > 0:01:21- You're not playing that at the wedding.- Yeah. Billy Idol. Legend.
0:01:21 > 0:01:24Ian, I'm not so sure, you know. It's meant to be a first dance.
0:01:24 > 0:01:26I don't even think I'd know how to dance to that.
0:01:26 > 0:01:28Not without a pole.
0:01:28 > 0:01:31- That's enough.- And why is there a for sale sign outside the house?
0:01:31 > 0:01:34Because the house is for sale? I did tell you.
0:01:34 > 0:01:37- I didn't think you meant it. - Well, now you know I do, OK?
0:01:37 > 0:01:40The Registry Office had a cancellation for Friday.
0:01:40 > 0:01:43The estate agent's lining up viewings. Things are coming together.
0:01:43 > 0:01:47I'm in the middle of my exams. This is one of the most important times of my life.
0:01:47 > 0:01:48Why are you doing this to me?!
0:01:48 > 0:01:51Lucy, it's not all about you, OK?
0:01:51 > 0:01:56It's about all of us. Me and Mandy'll be married Friday.
0:01:56 > 0:01:58The estate agent will have sold the house,
0:01:58 > 0:02:01we'll ALL be moving onto bigger and better things. OK?
0:02:01 > 0:02:03I don't understand. What is the rush?
0:02:03 > 0:02:07- What is so urgent that you have to jeopardise my future? - There is no rush. OK?
0:02:07 > 0:02:12There is no panic. Tell you what, it is like the great man said, OK?
0:02:12 > 0:02:14Nice day to start again.
0:02:16 > 0:02:19- I was not gawping, all right? - If it's being flaunted...
0:02:19 > 0:02:21It's not being flaunted, is it?
0:02:21 > 0:02:23- HE SIGHS - While the Kat's away...
0:02:23 > 0:02:26Michael, Kat's not away, is she?
0:02:26 > 0:02:29She's not living it large in Marbella, tanning herself day after day, is she?
0:02:29 > 0:02:32She's looking after her dad. Her sick dad.
0:02:32 > 0:02:35- All right.- And Tommy.
0:02:35 > 0:02:39- Listen to me. Could be worse, couldn't it?- It's worse.
0:02:39 > 0:02:41Whoa, whoa, whoa. Where's the fire?
0:02:41 > 0:02:44Up Mo's backside if she's not careful. She finished all the milk.
0:02:44 > 0:02:47- Crying over spilt milk, eh? - Do I look like I'm crying? I'm going to get more.
0:02:47 > 0:02:51Babe, listen. Don't worry about it. Take some from the pub's store.
0:02:51 > 0:02:54Can't have a young girl going hungry, can we?
0:02:55 > 0:02:57- Sorry, I've got it. - No, no, I'll get it.
0:02:57 > 0:02:59HE CHUCKLES
0:03:03 > 0:03:05Thanks.
0:03:08 > 0:03:11- Alfie?- Jean, you've got a habit of sneaking up on people, darling.
0:03:11 > 0:03:13I didn't mean to sneak. This came for you.
0:03:13 > 0:03:15Jean, what you doing, sweetheart?
0:03:15 > 0:03:18This is my personal credit card statement.
0:03:18 > 0:03:21I know I opened it by mistake. I'm so sorry.
0:03:21 > 0:03:23You've missed a payment, Alfie.
0:03:23 > 0:03:25Yeah, don't worry about it. I'll take care of it.
0:03:25 > 0:03:28You shouldn't miss payments, Alfie. The interest...
0:03:28 > 0:03:30It was either this or the weekly shop. All right?
0:03:30 > 0:03:32- Does Kat know?- Kat's not here!
0:03:32 > 0:03:35I'll take care of it. It'll be fine.
0:03:41 > 0:03:44I was 13 when this came out in 1982.
0:03:44 > 0:03:47D'you know what, I didn't just like Billy Idol, right?
0:03:47 > 0:03:50I wanted to be Billy Idol.
0:03:50 > 0:03:52There was this girl at school, Sally Bateman.
0:03:52 > 0:03:56Thinking about it, she looked a bit like your mum.
0:03:56 > 0:03:59- I didn't half have the hots for her...- Dad.
0:03:59 > 0:04:02I always reckoned I was going to marry Sally Bateman,
0:04:02 > 0:04:07and Billy Idol was going to be play White Wedding at our wedding.
0:04:07 > 0:04:09- Why are you telling me this?- Dunno.
0:04:09 > 0:04:15Everything just seemed simpler back then. Cooler.
0:04:15 > 0:04:18Is that what you want? To be cool?
0:04:18 > 0:04:20No.
0:04:20 > 0:04:22Nah, not any more.
0:04:22 > 0:04:24What do you want, then?
0:04:25 > 0:04:28I want to be happy.
0:04:28 > 0:04:30I want to be safe.
0:04:30 > 0:04:33You know, running away isn't going to make you happy.
0:04:34 > 0:04:36Who says I'm running away?
0:04:36 > 0:04:39The for sale sign. This marriage.
0:04:39 > 0:04:43Leaving home, your business, friends and family.
0:04:43 > 0:04:47The business will still be here and my family's coming with me, OK?
0:04:47 > 0:04:50Yeah? What about Ben? Your brother. Remember?
0:04:50 > 0:04:52What about Ben? He's made his choices, all right?
0:04:52 > 0:04:54What is that supposed to mean?
0:04:54 > 0:04:57Ben's a Mitchell, OK? He's not part of this family. He's...
0:04:59 > 0:05:02We're leaving. He's staying. OK?
0:05:02 > 0:05:04And that's all there is to it.
0:05:04 > 0:05:08Look, I know this all happened a bit quick but...
0:05:08 > 0:05:11And I know I've been... I haven't been myself lately.
0:05:11 > 0:05:15I've been getting really stressed. And that needs to stop.
0:05:15 > 0:05:18And Friday, it will. OK? You'll understand.
0:05:18 > 0:05:20I've got my Business Studies exam.
0:05:23 > 0:05:26Well, it was supposed to be breakfast in bed
0:05:26 > 0:05:29but seeing as you're up, you've got eggs, bacon, toast...
0:05:29 > 0:05:31Who stole my beans?! >
0:05:33 > 0:05:37- Which one of you tea-leaves...? - All right, look. It wasn't her. It was me.
0:05:37 > 0:05:40How was I supposed to know they was your beans?
0:05:40 > 0:05:41You label your beans?
0:05:41 > 0:05:44- I label all my foodstuffs.- Why?
0:05:44 > 0:05:46Because when I was in the....
0:05:46 > 0:05:48To stop scavengers like you nicking 'em.
0:05:48 > 0:05:51- That's mine! - Not according to the tin.
0:05:51 > 0:05:55OK, the beans are yours. The rest's ours, yeah?
0:06:00 > 0:06:03- You happy now?- Yeah.
0:06:04 > 0:06:07You're not going to let him get away with that, are you?
0:06:09 > 0:06:13- He said what?- That you made your own choices. That you're a Mitchell.
0:06:13 > 0:06:14I don't know. He was acting really weird.
0:06:14 > 0:06:17Ian's never really played with a full deck, has he?
0:06:17 > 0:06:20No, I mean manic. Bringing the wedding forward,
0:06:20 > 0:06:22- selling the house.- What? Why?
0:06:22 > 0:06:25He said we're moving away.
0:06:25 > 0:06:27Said he's got no friends or family left here.
0:06:27 > 0:06:30I've never seen him like this. Mandy's wound him up so tight,
0:06:30 > 0:06:32he's all over the place, arranging the wedding.
0:06:32 > 0:06:36- You've got to do something. Talk some sense into him.- Me?
0:06:36 > 0:06:39Yeah, you're his brother! In fact, you're his best man, aren't you?
0:06:39 > 0:06:43Yeah, well, I don't think so. I dunno. Not any more, anyway.
0:06:43 > 0:06:47Why not? What is going on between you two?
0:06:47 > 0:06:48You said it yourself.
0:06:48 > 0:06:51Mandy's got him not knowing whether he's coming or going.
0:06:51 > 0:06:54But I'll have a word with him.
0:06:54 > 0:06:57- Let him know what a big mistake he's making.- Thank you.
0:06:59 > 0:07:01What are you going to do?
0:07:01 > 0:07:03Whatever it takes.
0:07:03 > 0:07:06People find out that Ian's leaving, they'll start asking questions.
0:07:06 > 0:07:08We can't have people asking questions, can we?
0:07:09 > 0:07:11It's just a missed payment. Alfie'll sort it.
0:07:13 > 0:07:15It's not just that though.
0:07:15 > 0:07:17We've missed a few bills.
0:07:19 > 0:07:21He didn't even have enough money for the weekly shop.
0:07:22 > 0:07:26Will there be some money coming through from my investment?
0:07:26 > 0:07:29No, no. That's a long term thing, Jean. You need to...
0:07:29 > 0:07:31That's a 'big picture' type deal, know what I mean?
0:07:31 > 0:07:34I don't care about big pictures, I just want to help.
0:07:34 > 0:07:37He's just missed a few bills. It's not the Greek national debt.
0:07:37 > 0:07:41Slight overreaction. Why don't you just chuck in for the weekly shop?
0:07:41 > 0:07:44Well, I would but all my money's in the investment.
0:07:46 > 0:07:50Well, just have to get another job then.
0:07:50 > 0:07:52- Tide us over temporarily. - That's a good idea.
0:07:58 > 0:08:00And now there's a for sale sign out front.
0:08:00 > 0:08:03Wonder what he's planning to do with the caff.
0:08:04 > 0:08:06I should probably call Jane.
0:08:07 > 0:08:09It's him, isn't it?
0:08:09 > 0:08:12- Who is who? - The man you're mooning over.
0:08:12 > 0:08:14- I'm not mooning over anyone. - Yeah, right.
0:08:14 > 0:08:17So, what do you say to a nice night in?
0:08:17 > 0:08:18What, as opposed to a murder scene?
0:08:18 > 0:08:21Oh, how many times can I say I'm sorry?
0:08:21 > 0:08:23I've got Sasha tonight.
0:08:23 > 0:08:26I was thinking about the three of us. We could watch a couple of DVDs.
0:08:26 > 0:08:28What, like a snuff movie, yeah?
0:08:28 > 0:08:32That depends. Do they find Nemo in a shallow grave?
0:08:33 > 0:08:35Oh, come on, Ray. I'm trying here.
0:08:35 > 0:08:37You'll have to try harder than DVDs on a school night.
0:08:38 > 0:08:41Do you reckon a guy and girl can ever be just friends?
0:08:41 > 0:08:44- Hello, Sally, meet Harry. - I'm being serious.
0:08:44 > 0:08:49Yes, guys can be friends with girls. It's just really hard.
0:08:49 > 0:08:51Especially if one person isn't trying as much as the other.
0:08:51 > 0:08:53I'm trying.
0:08:53 > 0:08:56I saw you this morning, in your nightie.
0:08:56 > 0:08:59Oh, come on, Rox. It's not fair.
0:08:59 > 0:09:04Not to you and not to him. Someone's going to get hurt.
0:09:07 > 0:09:09Wait, he put his name on a can of beans?!
0:09:09 > 0:09:13Not even just his beans. The weirdo labels everything. I checked.
0:09:13 > 0:09:15Please tell me my brother defended your honour?
0:09:15 > 0:09:18My honour? He didn't even defend the beans!
0:09:18 > 0:09:22What was I supposed to do? Look, it was the bloke's beans. He's got a point.
0:09:22 > 0:09:24Tyler's labelling his food as well.
0:09:24 > 0:09:27SHE CLUCKS LIKE A CHICKEN
0:09:27 > 0:09:31I'm not a chicken, all right. I'm just waiting for the right time.
0:09:31 > 0:09:33Lay a few ground rules, set him straight.
0:09:33 > 0:09:36Well, listen, I'm not having him taking over that house.
0:09:36 > 0:09:38He'll be labelling that TV next.
0:09:38 > 0:09:39SHE CONTINUES CLUCKING
0:09:39 > 0:09:41I'm sorry, I'm sorry.
0:09:41 > 0:09:4312.30, Town Hall. That's it.
0:09:43 > 0:09:46Brilliant. I'll see you then. Bye.
0:09:46 > 0:09:47That's the photographer booked!
0:09:50 > 0:09:53You're not still worried about Lucy, are you?
0:09:54 > 0:09:58- Maybe she's got a point. - What, about Billy Idol?- No.
0:09:58 > 0:10:01About the wedding and moving.
0:10:01 > 0:10:04I mean, Ian, it's all happening so fast.
0:10:06 > 0:10:07Are you running away?
0:10:11 > 0:10:13What if I am, OK?
0:10:13 > 0:10:15It's a big wide world out there and...
0:10:17 > 0:10:19..maybe I've outgrown this place.
0:10:19 > 0:10:23All the people I cared about, they're long gone.
0:10:23 > 0:10:27There's nothing left for me here. Nothing but ghosts.
0:10:27 > 0:10:29So, yeah, if I am running away...
0:10:30 > 0:10:32..perhaps we're running away to a better place.
0:10:32 > 0:10:37Once we're married, OK, everything will be fine.
0:10:38 > 0:10:40Ian, I haven't even got a dress.
0:10:40 > 0:10:44Tell you what, how about you take yourself into town,
0:10:44 > 0:10:48go get yourself the sort of dress you've always dreamed of?
0:10:48 > 0:10:50Might come to a little bit more than that, hun.
0:10:51 > 0:10:55Yeah, it will, won't it? OK, tell you what, take this one.
0:10:55 > 0:10:58You can remember the PIN, can't you? Usual one.
0:10:58 > 0:10:59OK.
0:11:02 > 0:11:04- See you.- Bye.
0:11:10 > 0:11:13# It's a nice day for a white wedding... #
0:11:13 > 0:11:14You forgot something, love?
0:11:17 > 0:11:20(ALFIE) Yeah, I know. What colour is it?
0:11:20 > 0:11:22No, no, no. That's not what I said.
0:11:22 > 0:11:24You're not listening, that's not what I...
0:11:25 > 0:11:28I'm not being useless, all right?
0:11:28 > 0:11:30I just want to make a decision with you.
0:11:30 > 0:11:32HE SIGHS
0:11:32 > 0:11:33No, I know I'm not there.
0:11:33 > 0:11:36But at the same time, you're not here, are you?
0:11:37 > 0:11:40No, I'm not saying it's your fault. It's no-one's fault.
0:11:40 > 0:11:43It's just a fact, that's all. Kat?
0:11:43 > 0:11:46Kat? Kat?
0:11:47 > 0:11:49Sorry.
0:11:50 > 0:11:54Mo said you were here. I didn't mean to...
0:11:54 > 0:11:56You know what, it's a bad time, I'll go.
0:11:58 > 0:12:00Oi! You all right?
0:12:03 > 0:12:05Yeah. I'm good. Never been better.
0:12:07 > 0:12:09Ian, calm down, will you? I just want to talk to you.
0:12:09 > 0:12:11Give me a call or send me a text or something.
0:12:11 > 0:12:14- Just stay away from me. - I was asked to come by Lucy.- What?!
0:12:14 > 0:12:17She thinks you're acting weird, like you've got something to hide.
0:12:17 > 0:12:19I do. We all do, don't we?
0:12:19 > 0:12:21- Which is why it's important to act normal.- Normal?
0:12:21 > 0:12:23That's a laugh. What is normal about this?
0:12:23 > 0:12:27Not pulling the plug on your life, on Lucy's. What are you thinking?
0:12:27 > 0:12:30I was thinking about getting her as far away from here as possible.
0:12:30 > 0:12:32I'd have thought that's what you wanted.
0:12:34 > 0:12:35Oh, no. You...
0:12:35 > 0:12:38You want me here so you can keep me under control, don't you?
0:12:38 > 0:12:43Well, someone's got to, ain't they? Eh? Go back to your job.
0:12:43 > 0:12:47Earn money. Take care of your family. And act normal.
0:12:47 > 0:12:50Now, we had a deal, remember?
0:12:50 > 0:12:52We don't want anyone asking any questions.
0:12:52 > 0:12:54Cos you're in this as deep as anyone else.
0:13:05 > 0:13:10Oh. £1,000. Cash. Interest compounded daily.
0:13:10 > 0:13:14What was it you said on Saturday? Short term bridging loan?
0:13:14 > 0:13:16A creditor might be a little bit nervous to see this.
0:13:16 > 0:13:18Janine, you'll get your money, one way or another.
0:13:18 > 0:13:21OK, well, I like the sound of "another."
0:13:27 > 0:13:28Duvet covers.
0:13:28 > 0:13:31- What?- Exactly. That's what me and Kat were arguing about.
0:13:31 > 0:13:36Can you believe it? Duvet covers for Tommy. Ben 10 or In The Night Garden.
0:13:36 > 0:13:38These are very important decisions, Alfie.
0:13:38 > 0:13:40Tell me about it. You know, big decision to make.
0:13:40 > 0:13:43THEY LAUGH
0:13:43 > 0:13:46Not sure Kat sees it like that though.
0:13:48 > 0:13:50You miss her, don't you?
0:13:53 > 0:13:56You should go to them.
0:13:56 > 0:14:00What, just pack up and go? I've got responsibilities.
0:14:00 > 0:14:03At least that's what I keep telling myself.
0:14:03 > 0:14:08Funny, you know, at times like this, the Slaters pull together as a family.
0:14:10 > 0:14:13I'll never be a Slater. Not really.
0:14:15 > 0:14:17But, you know, I do understand it.
0:14:17 > 0:14:21It's just that, you know, at times like this,
0:14:21 > 0:14:24I get lonely, miss my family, you know?
0:14:24 > 0:14:25Yeah, I know.
0:14:28 > 0:14:30PHONE RINGS
0:14:30 > 0:14:33It's only Ian. I'll talk to him later.
0:14:33 > 0:14:34SHE CLEARS THROAT
0:14:34 > 0:14:36So what did you want?
0:14:39 > 0:14:40I'm going to move out.
0:14:40 > 0:14:43- What?- I know you said it's OK, I know you said it's OK but...
0:14:44 > 0:14:47It's getting awkward with Mo and Jean and everything.
0:14:47 > 0:14:50No, you don't have to do that, darling. Not on their account.
0:14:50 > 0:14:54- All right, Alfie?- Hey, you all right? All right, girls?- Hiya.
0:14:57 > 0:15:00Right. I should go.
0:15:00 > 0:15:02Hey, listen. No, Rox.
0:15:02 > 0:15:04How about tonight me and you go and get something to eat?
0:15:04 > 0:15:08Maybe I dunno, grab a curry or something. Be lonely together, eh?
0:15:09 > 0:15:13- Yeah, I'd really like that. - Yeah, me too.
0:15:13 > 0:15:17- Catch you later then, yeah?- Bye. - See you later. Take care.
0:15:17 > 0:15:19All right, Mush? Where's Tyler?
0:15:20 > 0:15:23Gone to see a man about a label.
0:15:23 > 0:15:25What I'm trying to say is that maybe for the good of the house,
0:15:25 > 0:15:28we should all just try and muck in together. Yeah?
0:15:28 > 0:15:32I mean, this whole labelling thing, it's a bit weird, innit?
0:15:34 > 0:15:39Tell me, Tyler, are you aware of the term Top Dog?
0:15:39 > 0:15:42- No.- Then let me enlighten you.
0:15:43 > 0:15:47It's a prison term. It's how the hierarchy is set.
0:15:47 > 0:15:51Who sleeps where. Who does what to whom. That sort of thing.
0:15:51 > 0:15:56Now, it's called Top Dog because that's how it works in nature,
0:15:56 > 0:16:00amongst wolves and such. It's very important to have structure.
0:16:00 > 0:16:04To know who's boss. Otherwise, it's just chaos.
0:16:04 > 0:16:09It's nothing personal, but it's how the pack leader, that's me,
0:16:09 > 0:16:13keeps the bitch, that's you, in check.
0:16:13 > 0:16:18Now I choose to mark my hierarchy by labelling my foodstuffs.
0:16:19 > 0:16:22But there are other ways I can mark my territory.
0:16:25 > 0:16:26We'll keep the labels, eh?
0:16:26 > 0:16:30Yeah. Let's keep the labels, mate.
0:16:35 > 0:16:39You looking for work? Only Janine could do with another cleaner.
0:16:39 > 0:16:40Janine?
0:16:40 > 0:16:45Yeah. At Butcher's Joints. I'm Executive Director of Operations.
0:16:45 > 0:16:49I don't think so, Billy. Me and that woman hardly get on.
0:16:49 > 0:16:51Yeah, you and most people round here.
0:16:51 > 0:16:54We've all had run-ins with her, including myself.
0:16:54 > 0:16:57But Michael, he'll put in a good word for you. Won't you, Michael?
0:16:57 > 0:17:00I've got plenty of options.
0:17:00 > 0:17:02Yeah, Alfie? Listen, do me a favour.
0:17:02 > 0:17:05Give us a call about the wedding as soon as possible. Bye.
0:17:07 > 0:17:09I know you and her have got history.
0:17:09 > 0:17:11But I also know how hard it is out there at the moment.
0:17:11 > 0:17:14I'd be your line manager, Jean. Just let me do all the talking
0:17:14 > 0:17:17and hopefully you won't deal with her at all.
0:17:17 > 0:17:19Come on, Jean. I'm desperate here.
0:17:27 > 0:17:31Let me guess, having put the wedding off, Dad decided to soften the blow?
0:17:31 > 0:17:36Put the wedding off? I've just bought the dress!
0:17:36 > 0:17:40By the way, your dad wants us to meet him tonight in the caff.
0:17:40 > 0:17:42Some sort of family summit.
0:17:42 > 0:17:44DOOR SLAMS
0:17:44 > 0:17:47I don't get it. What does he mean by marking his territory?
0:17:47 > 0:17:49Don't dwell on it, bruv.
0:17:49 > 0:17:52What can we do? I don't want to go back there in his "territory". I won't do it.
0:17:54 > 0:17:56We'll make our own territory.
0:17:59 > 0:18:01You're leaving? Why?
0:18:01 > 0:18:05Why do you think? Mandy.
0:18:05 > 0:18:07I hate her.
0:18:07 > 0:18:09I hate her hair. I hate her nose.
0:18:09 > 0:18:13I hate her lopsided, cutesy, little smile.
0:18:13 > 0:18:17- I just want to scratch her eyes out. - Hey, whoa!
0:18:17 > 0:18:18I mean, I don't get it.
0:18:18 > 0:18:21I know you don't want to leave. cos that's rubbish, innit?
0:18:21 > 0:18:23Why does Mandy get to you so much?
0:18:23 > 0:18:27Do you think she's trying to take your mum's place or something?
0:18:27 > 0:18:30Are you kidding? No-one can replace my mum.
0:18:30 > 0:18:31My dad's tried hard enough.
0:18:31 > 0:18:34Not even my mum could replace my mum. He just doesn't love her. OK?
0:18:34 > 0:18:37- He can't.- Why?
0:18:37 > 0:18:38Cos I'm not going to let him.
0:18:40 > 0:18:42Karaoke? >
0:18:42 > 0:18:44- Yuck.- Wendy houses?
0:18:44 > 0:18:47- She's 13, not three. - You're not helping.
0:18:47 > 0:18:51Look, I don't want to do anything. And I can't. I've got to practise.
0:18:51 > 0:18:53- What for?- Dance recital.
0:18:53 > 0:18:56- You like dancing?- I love it.
0:18:56 > 0:18:58- She's really good at it. - Why didn't you say so?
0:18:58 > 0:19:04Listen, you're looking at the former Under-17s National Bogling champion.
0:19:04 > 0:19:08Hey, you want to nail that dance recital, you are in the right place.
0:19:08 > 0:19:12Put some music on, Mr DJ. Let's get this party started!
0:19:12 > 0:19:14Yeah!
0:19:15 > 0:19:17You're going to do it, then?
0:19:17 > 0:19:20Yep. I've got an interview with Billy tomorrow.
0:19:20 > 0:19:23You despise Janine, with good reason.
0:19:24 > 0:19:28I went to the Job Centre today. It was full.
0:19:30 > 0:19:32Young people.
0:19:32 > 0:19:34Old people.
0:19:34 > 0:19:37Mums. Dads.
0:19:39 > 0:19:41Sick. Healthy.
0:19:42 > 0:19:44Disabled.
0:19:46 > 0:19:49And the girl behind the counter, she was doing her best
0:19:49 > 0:19:52but you could see in her eyes that...
0:19:54 > 0:19:57You don't have to respect your employer.
0:19:58 > 0:20:01- But you have to respect yourself. - Hm.
0:20:03 > 0:20:07Anyway, when my investment comes through it will give me
0:20:07 > 0:20:11the greatest of joys to tell Janine where she can shove her job.
0:20:15 > 0:20:16You look nice, babe.
0:20:16 > 0:20:19Thank you. Do you think I should maybe dress down a bit?
0:20:19 > 0:20:22Depends on what you're trying to achieve.
0:20:22 > 0:20:25Rox, he doesn't love you, all right? He's told you that.
0:20:25 > 0:20:28What he's told me and what he means are two very different things.
0:20:28 > 0:20:32OK? I offered to move out and he asked me to stay.
0:20:32 > 0:20:35There's something there, Christian, I know it.
0:20:38 > 0:20:41- Ooh!- All right, Jean? - Don't you look nice?
0:20:41 > 0:20:44- Alfie, I've...- No. Me first.
0:20:44 > 0:20:47Jean, I want to apologise for the way I spoke to you this morning.
0:20:47 > 0:20:49It was bang out of order. I've just...
0:20:49 > 0:20:51Just got a lot on my mind at the moment, you know.
0:20:51 > 0:20:53I know. That's why I'm getting another job
0:20:53 > 0:20:55to help with the housekeeping.
0:20:55 > 0:20:58- No, no, sweetheart. You don't have to do that.- Yes, I do.
0:21:00 > 0:21:04You know, Jean, you have got one big heart, you have.
0:21:04 > 0:21:06- So do you.- See you later.
0:21:06 > 0:21:08Alfie?
0:21:08 > 0:21:12Kat misses you terribly, you know.
0:21:12 > 0:21:15I know you think us Slaters are a tight bunch
0:21:15 > 0:21:20but she's there for them. What she needs is you.
0:21:32 > 0:21:34Are you ready to order?
0:21:35 > 0:21:38I think I'm going to leave it another five minutes.
0:21:42 > 0:21:44CARTOON PLAYS
0:21:50 > 0:21:55'..3% in the last 13 weeks. Total sales increased 5%.
0:21:55 > 0:21:59'Retail like-for-like sales at its North American unit...
0:21:59 > 0:22:02It's interesting, Gillian, talking about retailers expanding abroad...'
0:22:20 > 0:22:23You'll never guess who I had a visit from. Uncle Phil!
0:22:23 > 0:22:25There's a surprise.
0:22:25 > 0:22:29I went to see Ben. I was upset and Phil offered to help.
0:22:29 > 0:22:33Both me and Phil, right, when we talked about it this morning,
0:22:33 > 0:22:36want what's best for our families.
0:22:36 > 0:22:38Selling the house, our family home, is that what's best?
0:22:38 > 0:22:42Leaving your businesses and dragging your kids away from their friends
0:22:42 > 0:22:44- is what's best? - Lucy, just calm down.
0:22:44 > 0:22:48After everything we've been through, after what you've built here,
0:22:48 > 0:22:51you're just going to throw it away to marry her?
0:22:51 > 0:22:54You don't love her. He doesn't love you.
0:22:54 > 0:22:56And how do you know that?
0:22:56 > 0:22:57Because she's not Mum!
0:22:57 > 0:23:01- What's this got to do with your mum? - It's always got to do with Mum.
0:23:01 > 0:23:04Even that girl you were blabbering on about...
0:23:04 > 0:23:06Sally?
0:23:06 > 0:23:08Sally Bateman. She looked like Mum. No surprise.
0:23:08 > 0:23:11Everyone you've ever loved kind of looked like Mum.
0:23:11 > 0:23:14She's the closest of the lot.
0:23:14 > 0:23:16I do not look like Cindy Beale.
0:23:16 > 0:23:19No, you're right. You're just a pale imitation.
0:23:19 > 0:23:21- Lucy, that's enough, all right? - It's not your fault, Mandy.
0:23:21 > 0:23:25No-one will ever measure up. But you don't want to, do you?
0:23:25 > 0:23:28- You're waiting for the right moment to run away.- Oh, shut up!
0:23:28 > 0:23:32You'll bleed Dad dry until there's nothing left then move on to the next.
0:23:32 > 0:23:35The pathetic thing is you pretend that you can change.
0:23:35 > 0:23:38- At least my mum was honest. - You know what...
0:23:38 > 0:23:41- Stay there.- No.- Stay there. Bobby, wait by the door, please.
0:23:42 > 0:23:44Now.
0:23:45 > 0:23:48Come here. I know what you're playing at.
0:23:48 > 0:23:51I'm trying to help you. I'm trying to help us.
0:23:51 > 0:23:55You know what, you are so like your mum sometimes, it scares me.
0:23:56 > 0:23:59In a good way?
0:23:59 > 0:24:04Your mum was a lying, cheating, murderous slapper
0:24:04 > 0:24:07who would do whatever it took to get her own way.
0:24:07 > 0:24:09Is that "in a good way"?
0:24:10 > 0:24:11Now, you take Bobby home
0:24:11 > 0:24:14and don't you ever pull a stunt like that again.
0:24:22 > 0:24:23Mo, you seen Alfie?
0:24:23 > 0:24:26- Not since he left.- Left?
0:24:26 > 0:24:30He's gone to see Kat and Tommy, and about time too.
0:24:30 > 0:24:32Ah, that reminds me.
0:24:34 > 0:24:36He left you this.
0:24:49 > 0:24:53OK, Sasha! Dance recital take one!
0:24:53 > 0:24:55MUSIC: "Poker Face" by Lady Gaga
0:24:55 > 0:24:57Good, ain't she?
0:24:57 > 0:25:00She's...original.
0:25:02 > 0:25:03TUMBLING AND CRASHING
0:25:03 > 0:25:06It's OK. I'm not hurt!
0:25:06 > 0:25:09What you doing awake, young lady, huh?
0:25:28 > 0:25:30What is it, love?
0:25:33 > 0:25:40Do you know, I can only remember being truly happy once as a child.
0:25:43 > 0:25:46One memory. Isn't that pathetic?
0:25:46 > 0:25:48Depends on the memory.
0:25:49 > 0:25:53It was Easter. She made pancakes with syrup.
0:25:54 > 0:25:59And we ate the lot. We were laughing and throwing stuff at each other.
0:26:02 > 0:26:06Thing is, like... Why that time?
0:26:06 > 0:26:09You know, why only that time?
0:26:11 > 0:26:16When we're married, it'll be pancake and syrup every day.
0:26:16 > 0:26:17Promise?
0:26:17 > 0:26:21I have to. It's all I have.
0:26:23 > 0:26:25And no-one can take it away from me, not now.
0:26:30 > 0:26:32Cheers.
0:26:34 > 0:26:36Hi. This is Mandy Salter.
0:26:36 > 0:26:38My fiance, Ian Beale, made a booking with you.
0:26:38 > 0:26:42I'm sorry, there's been a mix-up and we have to cancel the Registry Office for Friday.
0:26:42 > 0:26:46Feel free to offer it to someone else. Thank you.
0:26:54 > 0:26:56Whatever it takes.
0:27:07 > 0:27:09So he's definitely moving, then?
0:27:09 > 0:27:11I just got a text from Lola
0:27:11 > 0:27:14saying that Ian's getting married the day after tomorrow. Mad house.
0:27:15 > 0:27:20- Going to be all right having the afternoon off? Show support and that. - Yeah. Yeah, course.
0:27:23 > 0:27:26Come on, George. I'll throw in a fish supper for you and the wife.
0:27:27 > 0:27:30I know it hardly covers the cost of the arrangements.
0:27:31 > 0:27:36It's just a little sweetener until the end of the month. That's all.
0:27:37 > 0:27:40Cheers, mate. I really do appreciate it.
0:27:40 > 0:27:43It's 12.30 at the town hall. Bring the kids, yeah?
0:27:43 > 0:27:45All right, mate. Bye.
0:27:47 > 0:27:49So the catering's cancelled?
0:27:49 > 0:27:50Thank you.
0:27:54 > 0:27:56What are you smiling at?
0:27:56 > 0:27:58SHE SHUDDERS
0:27:58 > 0:27:59Someone walk over your grave?
0:27:59 > 0:28:02There she is. My beautiful bride-to-be.
0:28:02 > 0:28:05- Got you a nice cuppa. Sit and I'll bring you some toast.- Ta.
0:28:05 > 0:28:07- I am working here. - KNOCK ON DOOR
0:28:07 > 0:28:12- Get that for us, love. - Love? Don't you mean cheating, murderous slapper?
0:28:12 > 0:28:16D'you know what, I hardly slept a wink after last night.
0:28:16 > 0:28:18I just lay there, listening to you breathe.
0:28:19 > 0:28:25- That is creepy.- I was just thinking, "There she is. The woman I love."
0:28:25 > 0:28:29I can't have estate agents snooping round. I'm meant to be revising.
0:28:29 > 0:28:32- Ian, I'm not even dressed yet! - We did book.
0:28:32 > 0:28:35The wedding, I tell you, everything is just starting to come together.
0:28:35 > 0:28:38It's going to be the best wedding you've ever had.
0:28:38 > 0:28:41- How many do you think I've had?! - Could we just take a quick look?
0:28:41 > 0:28:43- Yeah. Feel free. Just go round.- Dad!
0:28:43 > 0:28:46Love, I tell you. It is going to be magical.
0:28:46 > 0:28:48- What, like when you married Cindy? - What?
0:28:48 > 0:28:50Cos it won't, Ian.
0:28:50 > 0:28:52Yeah, you might've booked a Registry Office
0:28:52 > 0:28:56and, yeah, I expect you'll turn up, but what else?
0:28:56 > 0:28:59- Have you even ordered a cake yet? - Oh, cake!
0:28:59 > 0:29:00Guess not.
0:29:00 > 0:29:03Ian, you're looking for Cindy Beale mark two.
0:29:03 > 0:29:05I'm barely Mandy Salter mark one.
0:29:05 > 0:29:07What are we doing?
0:29:17 > 0:29:19Excuse me, excuse me. Masood!
0:29:20 > 0:29:22Masood! Wait!
0:29:24 > 0:29:26Whoa, whoa, you look terrible.
0:29:26 > 0:29:28You got anything for number 45?
0:29:28 > 0:29:30I dunno yet.
0:29:30 > 0:29:33- Well, come on, it's important. - There is an order, Ian.
0:29:33 > 0:29:37At last! My beautifully altered bridesmaid dresses.
0:29:37 > 0:29:40- Bridesmaids. - Mandy has got bridesmaids, right?
0:29:46 > 0:29:51Yes! Right, Town Hall Registry Office, 12.30 tomorrow.
0:29:51 > 0:29:55Make sure you're there. Bring the missus. It's going to be magical. You don't want to miss it, OK? Yes!
0:29:58 > 0:30:00You want to watch all three Twilight films tonight? Why?
0:30:00 > 0:30:03- Thought you hated them? - That was before the werewolf.
0:30:03 > 0:30:07- DOORBELL RINGS - Nah, me and Oscar are going to watch this Jason Statham film.
0:30:07 > 0:30:09I'm not having my little boy watch that nonsense!
0:30:09 > 0:30:12What's Twilight? That's nonsense, innit?
0:30:12 > 0:30:14- Just topless werewolves running about.- No!
0:30:14 > 0:30:16It's about abstinence, no nookie before marriage.
0:30:16 > 0:30:17You two should have tried it.
0:30:17 > 0:30:20Oi! I heard that! Hello, Jay.
0:30:20 > 0:30:23- Your post, ma'am!- Thank you.
0:30:23 > 0:30:25- Morning, everyone. - Jay, back me up, mate.
0:30:25 > 0:30:27They think they're watching the Twilight films tonight.
0:30:27 > 0:30:30Ain't that Jason Statham film on tonight?
0:30:30 > 0:30:33Yes, exactly. Well done. You've just earned yourself a driving lesson.
0:30:33 > 0:30:36- No, that does not mean you've won! - Yes, it does.- No. Tell him.
0:30:36 > 0:30:40- Family's a numbers game. One, two, three.- So he's part of the family now?- Yes, he is.
0:30:40 > 0:30:43You can't go now. You'll have to take him later. You've booked...
0:30:43 > 0:30:46We're only going round the square. Come on, Jay.
0:30:46 > 0:30:47Did you come to see me or my dad?
0:30:47 > 0:30:50Sorry, sweet cheeks. I thought you was working today.
0:30:50 > 0:30:53- I am. So leave me alone! - SHE SNORTS
0:30:54 > 0:30:56Why you here?
0:30:56 > 0:30:59Washing up? I'm beginning to feel like an house husband.
0:30:59 > 0:31:02Billy, get Whitney on the phone for me, would you?
0:31:02 > 0:31:04Charming. It's the mornings when I love you most.
0:31:04 > 0:31:08Tell her the dresses have arrived and sound her out about moving in...
0:31:08 > 0:31:10again.
0:31:10 > 0:31:12- I've got to interview Jean. - I'm sure you can manage both.
0:31:12 > 0:31:15You're not trying that woman? She'll sink the business!
0:31:15 > 0:31:18I need cleaners. I need to know if these dresses fit.
0:31:18 > 0:31:21And I need to know if I have to put my entire empire on hold,
0:31:21 > 0:31:24while I play peek-a-boo for the next five years!
0:31:27 > 0:31:30I'm Mandy Salter and I'm not getting on that boat!
0:31:30 > 0:31:32Come on, Alfie, pick your phone up.
0:31:32 > 0:31:35Look, you're supposed to be sharing the workload with me because you're my best man.
0:31:35 > 0:31:37Give me a call back, please!
0:31:37 > 0:31:41- By the way, I borrowed that money I found in your jeans.- How much?
0:31:41 > 0:31:44Listen, I was thinking... Bridesmaids. It just occurred to me.
0:31:44 > 0:31:45Have you asked anyone?
0:31:45 > 0:31:48Ian, I'm going to get my nails done for YOUR wedding.
0:31:48 > 0:31:51- You know, what more do you want from me?- Mand!
0:31:52 > 0:31:55- Take it no-one said yes.- You do it.
0:31:55 > 0:31:58Yeah! Mandy would love to have you as her bridesmaid.
0:31:58 > 0:32:00- I mean, she loves you.- Are you mad?
0:32:00 > 0:32:03- Do it for me, then.- What, after how you spoke to me yesterday?
0:32:03 > 0:32:05When did you last do anything for me?
0:32:05 > 0:32:07When did you do anything to deserve it?
0:32:09 > 0:32:11- Thanks, Maria.- It's Marie.
0:32:12 > 0:32:14Smells like compost.
0:32:14 > 0:32:17Yeah, it calms you down.
0:32:17 > 0:32:20I don't need calming. I need Ray to see what I see. The truth!
0:32:20 > 0:32:22Right, you've lost me.
0:32:22 > 0:32:27His daughter's dancing. The flailing limbs. The dis-coordination.
0:32:27 > 0:32:29- Dis-coordination? - As in un-rhythmicality.
0:32:29 > 0:32:33The girl dances like corn bouncing on a hotplate and not in a good way.
0:32:33 > 0:32:35Ah, you're just mean.
0:32:35 > 0:32:38Mean? He's the one bigging her up like she's the love child
0:32:38 > 0:32:40of Justin Timberlake and Usher.
0:32:40 > 0:32:42And before you say it, I know they're two blokes
0:32:42 > 0:32:44but this love child was IVF!
0:32:44 > 0:32:47Yes. Yes, Kim. That's exactly how IVF works.
0:32:47 > 0:32:50I'm sorry, but is this a science class or is it
0:32:50 > 0:32:52a Kim gets it off her resplendent chest session?
0:32:52 > 0:32:56Maybe you should just take her to one of your Kimba classes.
0:32:56 > 0:32:58Do me a favour.
0:32:58 > 0:33:01You should be happy, Dad. You get to spend the day with me.
0:33:01 > 0:33:05Oh, look at this. My two favourite women all under one roof.
0:33:05 > 0:33:08- You all right, babe? - Yeah, yeah, I'm fine.
0:33:08 > 0:33:10Only Sasha can't go to her school trip today
0:33:10 > 0:33:13because someone forgot to bring home a letter for me to sign.
0:33:13 > 0:33:16- I don't care how cotton mills work. - You can't stay at the Vic all day.
0:33:16 > 0:33:20Oh, right. Kim was just saying that she would love to...
0:33:20 > 0:33:21KIM KICKS HER
0:33:21 > 0:33:24..to take your Sasha... SHE COUGHS
0:33:24 > 0:33:28..to one of her Kimba classes, you know.
0:33:28 > 0:33:33Yeah. That's a wicked idea. So long as it doesn't involve gravestones!
0:33:34 > 0:33:38What do you reckon, babe? Want to show 'em how it's done?
0:33:38 > 0:33:39Bust a couple of moves, yeah?
0:33:39 > 0:33:41HE LAUGHS
0:34:00 > 0:34:02- Bridesmaid! - Oh, Ian! You frightened me.
0:34:02 > 0:34:05Mandy would love to have you as her bridesmaid.
0:34:05 > 0:34:06No, I'm Janine's.
0:34:06 > 0:34:08What are you? About a size ten?
0:34:08 > 0:34:12I'm an eight. Ian, I haven't agreed to anything.
0:34:12 > 0:34:16- Lauren, he wants me to be Mandy's bridesmaid. - I thought you were Janine's?
0:34:16 > 0:34:19It'd make her so happy on her special day. Please.
0:34:19 > 0:34:21- I can always slip you 50 later. - Well, ain't that a bit cheap?
0:34:21 > 0:34:25- 100?- No, I mean bribing people to like your wife.
0:34:25 > 0:34:29I know. It's a hassle. There's fittings and dress rehearsals and all the rest of it.
0:34:29 > 0:34:30All right. You do it then.
0:34:30 > 0:34:33We've got that appointment thing, ain't we, with my mum?
0:34:33 > 0:34:37So we're well late already. Sorry.
0:34:37 > 0:34:40Look, you'll still come along to the service, won't you?
0:34:40 > 0:34:44Town Hall Registry Office. Tomorrow. 12.30. Yeah? It'll be magical!
0:34:44 > 0:34:46PHONE RINGS
0:34:46 > 0:34:48Alfie, where you been?
0:34:49 > 0:34:53Yeah, listen, mate. This is important, OK? We forgot bridesmaids!
0:34:55 > 0:34:58What d'you mean you're not coming back?
0:34:58 > 0:35:02The thing is I've got an interview with Billy in, um, 15 minutes!
0:35:02 > 0:35:05So you put the money in and expect other people to do the hard work?
0:35:05 > 0:35:09No! No. I just don't know how helpful I'll be.
0:35:09 > 0:35:12Not very if you don't learn the figures.
0:35:12 > 0:35:13Jean.
0:35:14 > 0:35:16Look out there.
0:35:18 > 0:35:19Go on.
0:35:19 > 0:35:24A boxing gym is the heartbeat of a community.
0:35:25 > 0:35:28Don't just nod. You've got to feel it.
0:35:30 > 0:35:33You know, that's Walford.
0:35:34 > 0:35:36The big, the small.
0:35:37 > 0:35:39The rich, the poor.
0:35:41 > 0:35:44That's the community, Jean. Just beating.
0:35:46 > 0:35:49You don't just put money into something like that.
0:35:49 > 0:35:51Got to put your soul into it as well.
0:35:53 > 0:35:55Right.
0:35:55 > 0:36:00Well, we'd better get started, then.
0:36:06 > 0:36:08It was just so weird. Like, desperate.
0:36:08 > 0:36:11Maybe Mandy just really likes you.
0:36:11 > 0:36:12No-one said yes, more like.
0:36:12 > 0:36:15Yeah, forget maid of honour, maid of last resort.
0:36:15 > 0:36:17That's even more reason for you to do it.
0:36:17 > 0:36:19- Babe, don't get involved.- Hello?
0:36:19 > 0:36:22If you want to chip in, you can pay like everyone else.
0:36:22 > 0:36:24I've already said yes to Janine.
0:36:24 > 0:36:27It'll have to be you then, won't it? I mean, how awful must it be
0:36:27 > 0:36:29knowing you haven't got a single friend in the world?
0:36:29 > 0:36:31Er, no. The guilt trip is not working.
0:36:31 > 0:36:33- You're done.- Lovely. Cheers.
0:36:33 > 0:36:36Oh, d'you know they're moving house as well?
0:36:36 > 0:36:38Yep, saw the sign up this morning.
0:36:38 > 0:36:42Look at your face, look. It's going to be a disaster.
0:36:42 > 0:36:44Oh, hello, Mandy! What can I do for you?
0:36:44 > 0:36:46Um, nails. I suppose.
0:36:46 > 0:36:50Right. Lovely. Thanks for the chop.
0:36:50 > 0:36:51Don't get involved.
0:36:54 > 0:36:57- What was he on about?- No idea.
0:36:58 > 0:37:02OK, Kimba-ettes, thank you so much. Sorry about the change of venue.
0:37:02 > 0:37:05They double-booked me. Come on, Jackie. Come on, Jackie.
0:37:05 > 0:37:08Don't worry, their heads have been busted.
0:37:11 > 0:37:12You OK there, Sasha?
0:37:12 > 0:37:15I'm just doing my thing.
0:37:15 > 0:37:17Yeah? Well, it's my class. And it's MY thing now.
0:37:17 > 0:37:20So watch and learn!
0:37:20 > 0:37:22OK. Let's go. Un, deux, trois, quatre!
0:37:22 > 0:37:26Come on! And the arms! Bend your back, bend your back.
0:37:26 > 0:37:29Give me the arms. Arms!
0:37:29 > 0:37:34You must be very excited at the moment with everything that's going on.
0:37:35 > 0:37:37With the wedding and...
0:37:40 > 0:37:42Lauren says you're moving house.
0:37:43 > 0:37:46Can't be great for Lucy, can it, with the exams coming up?
0:37:49 > 0:37:52Why does everybody assume it's my fault?
0:37:52 > 0:37:56You know, I was minding my own business, working in the club
0:37:56 > 0:38:01and Ian dragged me back here and everything is my fault ever since.
0:38:03 > 0:38:06Hang on, I haven't finished...
0:38:07 > 0:38:09You haven't paid me.
0:38:10 > 0:38:13I always thought there's a lyrical quality to your speech.
0:38:13 > 0:38:15I mean, you'd make a perfect best man for me.
0:38:15 > 0:38:18Ian, bruvver, why you telling me stuff I already know?
0:38:18 > 0:38:21I was thinking you could have a word with Lauren and Whitney. I can pay.
0:38:21 > 0:38:23I mean, do I look like a window cleaner to you?
0:38:23 > 0:38:27I mean, where does it say in my job description window cleaner?
0:38:27 > 0:38:28I do this the whole day.
0:38:28 > 0:38:31I sell my soul the whole day, and for what, man?
0:38:31 > 0:38:33When I go home, the selling stops, all right?
0:38:33 > 0:38:35That is Fats' time, that is my time.
0:38:35 > 0:38:38I put on some tunes. I get down with the ladies. All right?
0:38:38 > 0:38:41I don't do Bar Mitzvahs or weddings, bruv. Best man? What you thinking?
0:38:42 > 0:38:44Did I just hear right?
0:38:44 > 0:38:47Alfie's gone away. He's dumped me in it.
0:38:47 > 0:38:50And he's your best bet?
0:38:50 > 0:38:53I was just passing, OK? Phil, it's none of your business.
0:38:53 > 0:38:57Well, you acting weird, pulling a shotgun wedding, selling your house, that's my business.
0:38:57 > 0:39:01- Now have I got something to worry about?- Thought you'd be pleased.
0:39:09 > 0:39:11You all right?
0:39:11 > 0:39:13SHE SIGHS
0:39:13 > 0:39:15Yeah. Time travelling.
0:39:17 > 0:39:20You know, one day I'll have worked here my whole life.
0:39:20 > 0:39:23- Can I sit down?- Yeah.
0:39:25 > 0:39:26You know, Mandy,
0:39:26 > 0:39:30you don't seem like someone that's getting married in two days.
0:39:30 > 0:39:32How should I seem?
0:39:32 > 0:39:36Excited. Scared. Maybe up and down, left and right.
0:39:36 > 0:39:39You just seem...down.
0:39:40 > 0:39:44Well, there's not a lot to get up about.
0:39:44 > 0:39:49My mum said I'd mess it up. Who am I to argue, eh?
0:39:50 > 0:39:52Mothers, eh?
0:39:53 > 0:39:55Ain't you one?
0:39:55 > 0:40:00Yeah. Somewhere across town, one of my girls is hating me for something I've said without thinking.
0:40:00 > 0:40:02No, my mum meant it.
0:40:05 > 0:40:07You know, Mandy, when you're a mum
0:40:07 > 0:40:09you spend so much of your life being ignored
0:40:09 > 0:40:12that it's easy to forget how much your words mean to your kids.
0:40:12 > 0:40:15I could say something to a mate and it's forgotten in minutes.
0:40:15 > 0:40:18But I say something to one of my babies,
0:40:18 > 0:40:20and they remember it for ever.
0:40:20 > 0:40:23They hate me for it.
0:40:23 > 0:40:24Yeah, that's true.
0:40:24 > 0:40:29You're getting married, Mandy. You should get your mum's blessing.
0:40:32 > 0:40:37Well, she's in hospital. I don't even know how bad it is.
0:40:38 > 0:40:40That's even more reason then.
0:40:44 > 0:40:49You know where I am...if you need your nails finishing.
0:40:53 > 0:40:57- That's well above inflation so we can put that back into the business. - PHONE RINGS
0:40:59 > 0:41:01Oh, that's Billy!
0:41:01 > 0:41:04He says if I don't go now, I've lost the job.
0:41:04 > 0:41:09Jean, look. Jean, look. Look at this kid. See this kid?
0:41:09 > 0:41:11He loves nicking cars.
0:41:11 > 0:41:16Loves it. But when he's here, we can keep him out of trouble.
0:41:16 > 0:41:19Me and Jack, we lack a woman's touch, Jean. You know?
0:41:19 > 0:41:21He looks so young.
0:41:21 > 0:41:25Yeah. If you can think of this place as a home...
0:41:26 > 0:41:29..then it needs a mother. Every boy needs his mum, right?
0:41:33 > 0:41:37What's this? You fancy a bit of sparring do you, Jean?
0:41:39 > 0:41:43See, look. He loves having you here. We all love having you here, Jean.
0:41:44 > 0:41:47Come on. Let's go and celebrate. Let's have a drink.
0:41:47 > 0:41:50- Celebrate?- Yeah, yeah. Celebrate. You're going to be rich, Jean.
0:41:50 > 0:41:53You're going to be very, very rich. Forget Billy. Come on.
0:41:56 > 0:41:58Hey, babe. How'd it go?
0:41:58 > 0:42:01Standard was pretty low. Can I get changed upstairs?
0:42:01 > 0:42:03Course you can.
0:42:04 > 0:42:07She says my standards are low and you just smile?
0:42:07 > 0:42:11So come on, then. How good was she? Bet they couldn't keep up, huh?
0:42:11 > 0:42:13And now you're doing it! You're slagging off my class.
0:42:13 > 0:42:15Babe, I didn't mean any harm by it.
0:42:15 > 0:42:17I don't mean no harm by this.
0:42:17 > 0:42:19That girl's dancing is unholy. It's un-bubblicious.
0:42:19 > 0:42:25- You telling her different sets her up for one almighty fall. - HE LAUGHS
0:42:25 > 0:42:28Does my face say laugh? No, it says run for cover.
0:42:28 > 0:42:31What, you being serious?
0:42:31 > 0:42:34Right. Well, thanks for looking after her, yeah?
0:42:34 > 0:42:36- I'm just saying...- I know she's not the best, all right.
0:42:36 > 0:42:40But what am I supposed to do? Put her down because she wouldn't win Strictly?
0:42:40 > 0:42:42Suppose not.
0:42:42 > 0:42:44Course I'm going to encourage her.
0:42:44 > 0:42:47That's what you do when you're a parent. You big up your kids.
0:42:47 > 0:42:49Sorry.
0:42:52 > 0:42:55When I see that girl, I see everything she can be.
0:42:57 > 0:42:59You just see everything that she can't.
0:43:01 > 0:43:05- I dunno why you put up with me. - Cos I love you.
0:43:09 > 0:43:11Is it?
0:43:11 > 0:43:13You all right there, babe?
0:43:13 > 0:43:15I love you too!
0:43:15 > 0:43:17Your mother's just out of recovery.
0:43:17 > 0:43:20If you wait a sec, I'll take you through. The others are here too.
0:43:20 > 0:43:22Recovery?
0:43:23 > 0:43:25What others?
0:43:27 > 0:43:30Jack. You and Lauren, you're close, yeah?
0:43:30 > 0:43:32Yeah. She's my niece.
0:43:32 > 0:43:35What I mean is, she's a nice girl, isn't she?
0:43:35 > 0:43:37It'd be great to have her at the wedding.
0:43:37 > 0:43:38Town Hall, 12.30. You as well.
0:43:38 > 0:43:42This is nice. I'm five minutes late and you get a ringer in already!
0:43:42 > 0:43:44Well, he sat down, uninvited.
0:43:44 > 0:43:47Marie, nice cup of tea for me, please, beautiful.
0:43:47 > 0:43:49- So what's he been on about? - This isn't a joke, OK?
0:43:49 > 0:43:52So far he's established that Lauren's my niece and that she's a very nice girl.
0:43:52 > 0:43:55He'll be pointing out that we're brothers next.
0:43:55 > 0:43:58I thought Lauren would like to be bridesmaid for Mandy.
0:43:58 > 0:44:01I've got this one. Let me get this straight. Mandy is your aunt?
0:44:01 > 0:44:05- Fiancee!- What? You're marrying your aunt?- Your family, Ian. God.
0:44:05 > 0:44:08I'm still trying to work out how Phil's son is your brother.
0:44:08 > 0:44:10Can you just shut up, please?
0:44:10 > 0:44:13- Ooh! Charming!- That's no way to ask for a favour, is it?
0:44:13 > 0:44:16- I need a bridesmaid, OK! - THEY LAUGH
0:44:16 > 0:44:17No, no. Mandy needs a bridesmaid.
0:44:17 > 0:44:19Forgive me if I get this wrong,
0:44:19 > 0:44:21but isn't that normally the job of the bride?
0:44:21 > 0:44:24- She ain't having cold feet, is she? - What did you say?
0:44:24 > 0:44:26- He's only joking.- Truth hurt?- Derek.
0:44:26 > 0:44:28No. She loves me.
0:44:28 > 0:44:30I've had strippers fall in love with me.
0:44:30 > 0:44:32They probably meant it until my money ran out.
0:44:32 > 0:44:34You take that back.
0:44:34 > 0:44:36See, what you've got to remember,
0:44:36 > 0:44:38is there's always someone with more dough to tempt 'em away.
0:44:38 > 0:44:40- Don't you push me.- Or what?
0:44:40 > 0:44:43You ain't going to ask me to be your bridesmaid?
0:44:43 > 0:44:46Right, that's it! We're closing the caff! Come on, all of you. Out!
0:44:46 > 0:44:49- I haven't had my cuppa tea yet! - I am not a joke, all right?
0:44:49 > 0:44:51- Go on, everybody out. - I haven't finished!
0:44:51 > 0:44:53- You think I'm a joke, just get out!- What?
0:44:53 > 0:44:55Come on, Jack.
0:44:56 > 0:44:58Sorry about this place. It's disgusting.
0:44:58 > 0:45:00They've had a dance class in here or something.
0:45:00 > 0:45:02No, no, it's all right.
0:45:02 > 0:45:07I was wondering what my son would make of his mum
0:45:07 > 0:45:09becoming a business woman.
0:45:10 > 0:45:12A venture capitalist, no less!
0:45:12 > 0:45:14SHE LAUGHS
0:45:15 > 0:45:18Cheers.
0:45:26 > 0:45:31This is my daughter Stacey.
0:45:31 > 0:45:35And Sean, my son.
0:45:35 > 0:45:40I'll tell him later. Well, I'll tell his picture.
0:45:40 > 0:45:41We chat all the time.
0:45:42 > 0:45:45Sounds bonkers, I know.
0:45:47 > 0:45:50I think it's important to stay in touch with people
0:45:50 > 0:45:52when they're not there.
0:45:52 > 0:45:55Especially when they're not there. Don't you think?
0:45:55 > 0:45:58- I don't have any pictures.- Ah.
0:45:59 > 0:46:02- Not even of your mum?- No.
0:46:08 > 0:46:12- What is it?- There was a picture.
0:46:13 > 0:46:15In their bedroom.
0:46:16 > 0:46:18Old black and white one, portrait.
0:46:18 > 0:46:21One of those old portraits. That's right.
0:46:23 > 0:46:26She's young in it. She's younger than me.
0:46:26 > 0:46:30Really odd when you see your parents as children, isn't it?
0:46:30 > 0:46:33It's like an intrusion.
0:46:33 > 0:46:37Yeah. She's wearing a white frilly dress with a bow.
0:46:41 > 0:46:45And she's not happy about it. She's wearing one of these round her neck.
0:46:49 > 0:46:51What happened to it?
0:46:51 > 0:46:54Oh, my dad took it down.
0:46:54 > 0:46:56Said she wasn't that person any more.
0:46:56 > 0:46:59Oh, you never know. He might still have it.
0:47:00 > 0:47:03He might be talking to her like I talk to Sean.
0:47:04 > 0:47:06Lucky him.
0:47:10 > 0:47:12Lauren won't be involved in that wedding now.
0:47:12 > 0:47:16- He's barred from the Bhajee. - What's with the mothers' meeting?
0:47:16 > 0:47:18We've just been expelled from the caff.
0:47:18 > 0:47:21Ian didn't quite get Derek's sense of humour.
0:47:21 > 0:47:24He went mad, slung us all out. Look, poor Marie.
0:47:24 > 0:47:27Look, she's all upset. Come here, darling, come here.
0:47:27 > 0:47:30- Where is he now? - Said something about the chippy.
0:47:31 > 0:47:35Oh, don't go after him, Max. Max!
0:47:38 > 0:47:40Who...?
0:47:40 > 0:47:41Um, that's not my mum.
0:47:41 > 0:47:43Lorraine Hardy?
0:47:43 > 0:47:46No. Lorraine Stephens.
0:47:46 > 0:47:48Oh, I'm terribly sorry.
0:47:48 > 0:47:52- If you'd just like to come back to the day room.- What's wrong?
0:47:52 > 0:47:53If you'd just like to come this way.
0:48:03 > 0:48:05KNOCK ON DOOR
0:48:08 > 0:48:10You OK, Ian?
0:48:18 > 0:48:20Is the stall closed an' all?
0:48:20 > 0:48:22- It ain't funny.- Who said it was?
0:48:24 > 0:48:27People can mock me cos I want to have a best man at my wedding but...
0:48:27 > 0:48:30But to laugh at Mandy? Why shouldn't she have a magical day?
0:48:30 > 0:48:32And a beautiful dress and bridesmaids?
0:48:32 > 0:48:34Course, mate. Course she deserves all that.
0:48:34 > 0:48:37Your Lauren doesn't think so or my Lucy.
0:48:37 > 0:48:38Sad thing is, she don't either.
0:48:40 > 0:48:45Look, Ian, I'm sorry about my brothers. They can be idiots.
0:48:45 > 0:48:47All I've got, right, I've got a venue,
0:48:47 > 0:48:49I've got a honeymoon and I've got a fiancee.
0:48:49 > 0:48:52I don't even know how many people are turning up.
0:48:52 > 0:48:55Ian, why don't you just call it off, mate?
0:48:55 > 0:48:59Because it'll make her feel worthless. OK?
0:48:59 > 0:49:02She needs to have a beautiful day so...
0:49:03 > 0:49:06..so she knows how beautiful she is.
0:49:14 > 0:49:16So what we got here?
0:49:16 > 0:49:20Car. I know just the man for the car.
0:49:20 > 0:49:23Do you a good deal, an' all. Cake.
0:49:25 > 0:49:27Sounds like best man talk.
0:49:31 > 0:49:34Go on, then, Ian. Go on, I guess so.
0:49:34 > 0:49:37No, you can't. I've got...
0:49:37 > 0:49:39Don't expect a big speech, all right? I don't do 'em.
0:49:50 > 0:49:52Here I am...again.
0:49:54 > 0:49:57I am sorry about earlier.
0:49:58 > 0:50:00I can be clumsy with words.
0:50:02 > 0:50:05She was very religious, my mother.
0:50:07 > 0:50:10Heaven and...hell.
0:50:11 > 0:50:14Very, very real to her.
0:50:16 > 0:50:21This - St Christopher, he is - is the patron saint of travel.
0:50:22 > 0:50:25She gave my brother Craig one as well.
0:50:25 > 0:50:30She said that he couldn't help her where she was going.
0:50:35 > 0:50:40Imagine that. Imagine sending yourself to hell.
0:50:44 > 0:50:47You said that this place needed a mum.
0:50:51 > 0:50:54Would you like a hug? Us mums are good at hugs.
0:51:07 > 0:51:10He's gone mad, all right. He's proper lost it, Dad.
0:51:10 > 0:51:13- What you talking about?- Ian! He threw everyone out the chippy and the caff.
0:51:13 > 0:51:16Shut 'em down. Apparently he was screaming in the street.
0:51:16 > 0:51:19- When was this?- This afternoon. They're all talking about it at school.
0:51:19 > 0:51:22Everyone is talking about it! Maybe that's what he wants though.
0:51:22 > 0:51:25Maybe he wants people to know cos he wants it off his shoulders.
0:51:25 > 0:51:29That's why he's losing it. Dad, you've got to do something.
0:51:30 > 0:51:32Hello, love. You want some lunch?
0:51:33 > 0:51:35What's up?
0:51:37 > 0:51:39I'm Ian Beale's best man.
0:51:40 > 0:51:41What? You said not to get involved!
0:51:43 > 0:51:44What's happened?
0:51:44 > 0:51:47Well, sort of volunteered, didn't I?
0:51:47 > 0:51:50Oh. That's lovely of you.
0:51:50 > 0:51:52I thought that Ben was Ian's best man?
0:51:52 > 0:51:55What on earth are you going to say in your speech?
0:51:55 > 0:51:58Talk about all the mad adventures that you two have been on?
0:51:58 > 0:52:00If you need help, ask me.
0:52:00 > 0:52:02Why you so keen?
0:52:02 > 0:52:05Jane's been so worried about Bobby since she left.
0:52:05 > 0:52:07Ian and Mandy married, that'll be the stability he needs.
0:52:07 > 0:52:09- PHONE RINGS - Hello, Max Branning?
0:52:09 > 0:52:10What's up, Jay?
0:52:10 > 0:52:12Nothing.
0:52:12 > 0:52:14You're joking me?
0:52:15 > 0:52:16Max?
0:52:21 > 0:52:25Ian, it's Max. Yeah, your best man.
0:52:25 > 0:52:27Listen, mate, I called the Registry Office on the way back
0:52:27 > 0:52:30and they've just got back to me.
0:52:30 > 0:52:33There's something you need to know.
0:52:37 > 0:52:39What's up with you?
0:52:40 > 0:52:43This morning you said...
0:52:43 > 0:52:46Catering! Cancelled by Mandy Salter.
0:52:46 > 0:52:49Registry Office, cancelled by Mandy Salter. Were you going to tell me?
0:52:49 > 0:52:51Were you going to let me turn up and find out that way?
0:52:51 > 0:52:54Were you even going to bother turning up yourself?
0:52:54 > 0:52:56- I don't understand.- Do you know what I have gone through today?
0:52:56 > 0:52:58How much pride I've had to swallow?
0:52:58 > 0:53:02- I've had some...- To try and give you a magical day. Your special day.
0:53:02 > 0:53:06People warned me off you, OK? And I wouldn't have it.
0:53:06 > 0:53:08I said no. She is not a slapper. She is not a gold digger
0:53:08 > 0:53:11- She is capable of love. - Oh, shut up!
0:53:11 > 0:53:12Just shut up!
0:53:15 > 0:53:16I went to see my mum today.
0:53:18 > 0:53:20I got there but I was...
0:53:21 > 0:53:23I was too late.
0:53:26 > 0:53:28My mum's dead.
0:53:46 > 0:53:49THEY GIGGLE
0:53:53 > 0:53:55You were doing a good job, then.
0:54:01 > 0:54:03HE LAUGHS
0:54:03 > 0:54:05What's funny?
0:54:05 > 0:54:07It's amazing how you become like your parents, innit?
0:54:07 > 0:54:11I was just about to tell you to use a glass.
0:54:11 > 0:54:13No.
0:54:13 > 0:54:14Good run?
0:54:14 > 0:54:16Yeah, yeah, it was good for thinking.
0:54:16 > 0:54:18And what d'you come up with?
0:54:18 > 0:54:20It might be nice to have dinner tonight.
0:54:20 > 0:54:24I'm not doing anything this evening, that'd be very nice, thank you.
0:54:24 > 0:54:26Yeah. Yeah, funny.
0:54:26 > 0:54:28No, I meant me and Whit - romantically.
0:54:28 > 0:54:32Are you saying that my presence isn't conducive to romance?
0:54:32 > 0:54:35No... No, I'm not saying that. It's just, it might...
0:54:35 > 0:54:37- HE LAUGHS - I'm only joking!
0:54:37 > 0:54:40I'll be out your way, son, don't worry.
0:54:42 > 0:54:46Yeah, well, that's my offer. 40 below the asking price.
0:54:46 > 0:54:49And I can pay cash.
0:54:49 > 0:54:52I'm sure that that will appeal to Mr Beale,
0:54:52 > 0:54:55given that he doesn't seem to have any.
0:55:01 > 0:55:03Dad.
0:55:03 > 0:55:05Shhh!
0:55:05 > 0:55:08- How's Mandy?- She's asleep.
0:55:08 > 0:55:11Has she said anything? About yesterday?
0:55:11 > 0:55:14No. I think cancelling everything, it was like a reflex action...
0:55:14 > 0:55:16So what now?
0:55:16 > 0:55:20Well, it's up to all of us to help her get through it, isn't it.
0:55:20 > 0:55:22You're not thinking of going ahead with the wedding?
0:55:22 > 0:55:23Dad, her mum has just...
0:55:23 > 0:55:26Look, it's a decent way to celebrate her life, OK.
0:55:26 > 0:55:28And you're going to make a fantastic bridesmaid.
0:55:28 > 0:55:32Just don't mention it to her when she wakes up. Let her... You know.
0:55:37 > 0:55:39Are you having a laugh? It's 8 o'clock in the morning!
0:55:39 > 0:55:41Erm, I'm doing this to pass my exams.
0:55:41 > 0:55:44Oh, "Pass my exams." Live a little.
0:55:44 > 0:55:46- What, like you? - Oh, you're so good.
0:55:46 > 0:55:50Look at that - Ian Beale. He wants me to put everything back on.
0:55:50 > 0:55:52They must have sorted things out, then.
0:55:52 > 0:55:55How do you sort out a dead mum that quick?
0:55:56 > 0:55:57What?
0:55:57 > 0:56:01Well, a bit of consideration. Mandy must be devastated.
0:56:01 > 0:56:04Yeah, your best-man speech is going to be a real tear-jerker then(!)
0:56:04 > 0:56:05Shut up, Lauren.
0:56:05 > 0:56:10You're just put out cos me and Jay won the TV-remote wars last night.
0:56:11 > 0:56:13You got exams today?
0:56:13 > 0:56:15English and Science.
0:56:16 > 0:56:18- Feeling OK about them?- What?!
0:56:18 > 0:56:21Dad, I ain't slept a wink. Last night, I spoke to Lola,
0:56:21 > 0:56:23she was, you know, telling me how Ian had this mad look in his eyes
0:56:23 > 0:56:25when he threw her out the chippy.
0:56:25 > 0:56:27- You know, like a zombie. - Well, I'll sort it.
0:56:27 > 0:56:29He could send us down for this.
0:56:29 > 0:56:31I'll sort it, OK? One way or another.
0:56:35 > 0:56:38SHE GASPS Tyler, stop it!
0:56:38 > 0:56:41I'm late for work! Don't make me bring the pain.
0:56:41 > 0:56:44All right, all right. Guess who's got a free house tonight...
0:56:44 > 0:56:47Let me guess. Must be someone I know, or you wouldn't bother asking.
0:56:47 > 0:56:50- Oh, OK.- Tamwar? - All right, all right.
0:56:50 > 0:56:51I guess I'll have to invite someone else
0:56:51 > 0:56:55- for a beautiful, candle-lit dinner for two, then.- Oh, really?
0:56:56 > 0:56:58See you later. Don't bring Tamwar.
0:56:58 > 0:57:00I won't.
0:57:00 > 0:57:02There you are! Have you been avoiding my minions?
0:57:02 > 0:57:04Because it's tantamount to avoiding me.
0:57:04 > 0:57:07No, I've been busy with work and Tyler.
0:57:07 > 0:57:09- OK, so have you given it much thought?- What?
0:57:09 > 0:57:12Moving in! Billy said that he'd left a message.
0:57:12 > 0:57:14I thought Michael would be moving in? He's the dad.
0:57:14 > 0:57:17And what is that supposed to mean?
0:57:17 > 0:57:18Nothing. Nothing, it's just...
0:57:18 > 0:57:21most girls would die to have some sharply dressed go-getter
0:57:21 > 0:57:22in the house.
0:57:22 > 0:57:24Oh, please, Michael is not moving in!
0:57:24 > 0:57:26Look, is this a yes or a no?
0:57:26 > 0:57:28Because if it's a no, can you please just say so.
0:57:28 > 0:57:30Janine, it's going to be all right, OK?
0:57:30 > 0:57:33You're going to cope. Mums always do.
0:57:33 > 0:57:36Janine? I didn't mean anything...
0:57:38 > 0:57:41No, I'm not accepting 40 below.
0:57:41 > 0:57:43Well, this is London, right?
0:57:43 > 0:57:45The prices go up. It's simple economics.
0:57:45 > 0:57:48Well, you're the estate agent, not me.
0:57:49 > 0:57:51Oh, Ian. Are you all right?
0:57:51 > 0:57:52Tanya.
0:57:52 > 0:57:55I just dropped in to see how Mandy's doing.
0:57:55 > 0:57:56Yeah, she's asleep.
0:57:56 > 0:57:59Max told me about her mum. It's crazy, we were only talking about her yesterday.
0:57:59 > 0:58:01Has she ask you to be bridesmaid?
0:58:01 > 0:58:03No. Why? She wouldn't, would she?
0:58:04 > 0:58:06She must be distraught, poor girl.
0:58:06 > 0:58:08Yeah, it's really knocked her for six.
0:58:08 > 0:58:11But it's good that she's got something to focus on.
0:58:11 > 0:58:14Oh, right. So, you're still going ahead with everything?
0:58:14 > 0:58:16Only Max said she cancelled the venue.
0:58:16 > 0:58:19Yeah, it's only a quick phone call. Easily done.
0:58:19 > 0:58:22- Right, you think she'll be up to that tomorrow, do you?- Yeah.
0:58:22 > 0:58:25Thanks for coming round. She'll really appreciate it.
0:58:25 > 0:58:28OK, well, look, if you need us to take Bobby off your hands...
0:58:28 > 0:58:32- Yeah, absolutely. She'll be touched. - You know where we are...- See you.
0:58:32 > 0:58:35It's not my fault you've ended up the best man!
0:58:35 > 0:58:38I told you not to go after him!
0:58:38 > 0:58:41Here, look, let me make it up to you. I'll make amends.
0:58:41 > 0:58:44Come out with me for a nice drink tonight, just the two of us, eh?
0:58:44 > 0:58:45I want to give little Tyler and Whitney space.
0:58:45 > 0:58:50- PHONE RINGS - Hold up, it's the venue. Hang on. Hello? Yeah.
0:58:50 > 0:58:53What, the card was declined?
0:58:53 > 0:58:57Yeah, well, you said the admin fee was only 50 quid!
0:58:57 > 0:58:59And it was still declined, yeah? Hold up, hold up.
0:58:59 > 0:59:01I've got to sort this out, Del, sorry.
0:59:01 > 0:59:04Hang on, let me just grab the card for you. Hang on.
0:59:04 > 0:59:06Well, good luck!
0:59:06 > 0:59:08Yeah, I know I'm going to be very, very rich...
0:59:08 > 0:59:12Wahey! It's just that I need some money now.
0:59:14 > 0:59:17So I was wondering if you might have a word with Billy
0:59:17 > 0:59:20and tell him that it was your fault I missed the interview yesterday.
0:59:20 > 0:59:22Well, not your fault exactly...
0:59:22 > 0:59:24Course I can. It's fine, it's fine.
0:59:24 > 0:59:26- Just leave it with me.- Thanks.
0:59:27 > 0:59:29I've seen Million Dollar Baby - the answer's no.
0:59:29 > 0:59:32What? No, it's Janine, actually...
0:59:32 > 0:59:35- Is she OK?- Why?
0:59:35 > 0:59:38Well, she asked me to move in again earlier and I said no...
0:59:38 > 0:59:42This is ridiculous. She'll have Billy living there before me!
0:59:42 > 0:59:46- Aren't bridesmaids supposed to get new dresses?- I'm not sure about the red one, but the green one is OK.
0:59:46 > 0:59:49- Can't I wear black? - No, you can't wear black.
0:59:49 > 0:59:53It's not very sensitive, is it? The green one will be lovely.
0:59:53 > 0:59:54How you doing, love?
0:59:56 > 0:59:59What time is it? Why didn't you wake me?
0:59:59 > 1:00:01Cos I thought you deserved to have a lie in, OK?
1:00:01 > 1:00:03Now, come on. Come and sit yourself down.
1:00:03 > 1:00:06Marie's going to cover the cafe, so we haven't got to worry about that.
1:00:06 > 1:00:10Now, you just relax and I'll go and make you a nice cup of tea.
1:00:10 > 1:00:11About the funeral...
1:00:11 > 1:00:15Ian, you can stick her in the allotment with the cabbages and carrots for all I care.
1:00:15 > 1:00:17Right...
1:00:17 > 1:00:19What about the wedding?
1:00:20 > 1:00:22Ian...
1:00:24 > 1:00:26I can't go through with it. Not tomorrow.
1:00:26 > 1:00:28Yes, you can.
1:00:28 > 1:00:32No, Ian, I just need a little bit of time.
1:00:32 > 1:00:34I'm not saying never. I'm not.
1:00:34 > 1:00:36Just a couple of weeks.
1:00:36 > 1:00:38You're overreacting.
1:00:38 > 1:00:41My mum has just died.
1:00:41 > 1:00:43KNOCKING AT DOOR
1:00:48 > 1:00:51All right, Ian. It's your card, mate, it's been rejected.
1:00:53 > 1:00:56What do you mean it's been rejected? I only just got it!
1:00:56 > 1:00:59- Ian, it wouldn't go through, mate. - What?! Oh, come with me.
1:01:00 > 1:01:02What do you mean he said no?
1:01:02 > 1:01:05All right, well, did you tell him that I offered to pay cash?
1:01:05 > 1:01:06KNOCK AT DOOR
1:01:06 > 1:01:11OK, in that case, revise my offer down by 10,000.
1:01:11 > 1:01:15Yes, down. And then if he still says no,
1:01:15 > 1:01:18you can tell him that the money I lent him at the weekend,
1:01:18 > 1:01:20I would like back. Thank you.
1:01:20 > 1:01:22You're not buying another place, are you?
1:01:22 > 1:01:24What did you want?
1:01:24 > 1:01:27That's very rude. I heard you were upset, yeah?
1:01:27 > 1:01:29- But that was ten minutes ago... - Must be Whitney.
1:01:29 > 1:01:31Yeah. She was worried.
1:01:31 > 1:01:34Not worried enough to move in though, right?
1:01:34 > 1:01:35Why would you even want her to?
1:01:35 > 1:01:38Because I'm not going to let this baby get in the way of my business.
1:01:38 > 1:01:40With the genes that baby's getting,
1:01:40 > 1:01:42she'll be pulling a hostile takeover in months.
1:01:42 > 1:01:45I'm being serious, Michael, all right? I've got to get on.
1:01:45 > 1:01:51Well, listen, I'm not moving until you ask me to move in, OK?
1:01:51 > 1:01:53Because you've asked every other no-mark in the Square.
1:01:53 > 1:01:57So, whenever you're ready. In your own time.
1:02:06 > 1:02:08Is that right, Ian?
1:02:11 > 1:02:13Well, I guess that's it, mate, innit?
1:02:13 > 1:02:16The money for the funeral - it must have come out the account.
1:02:16 > 1:02:19Right. Must have been expensive, was it?
1:02:19 > 1:02:20Lend it to me.
1:02:20 > 1:02:23Come on, Max. Look, you know I'm good for it, OK?
1:02:23 > 1:02:26I've got the caff, I've got the chippy, I've got the house...
1:02:26 > 1:02:29I'll pay you back, it's just a cash-flow thing.
1:02:29 > 1:02:31It's not that, it's not that, all right?
1:02:31 > 1:02:33I ain't being funny, but it's Mandy, innit?
1:02:33 > 1:02:36- You know, she's the one who's cancelled all this.- She's grieving!
1:02:36 > 1:02:38Yeah, she still is. It ain't been 24 hours, Ian.
1:02:38 > 1:02:42- She don't want to get married tomorrow...- She does want to!
1:02:42 > 1:02:45She just doesn't realise it yet, OK?
1:02:47 > 1:02:49If you don't want to be my best man, just say,
1:02:49 > 1:02:51and I can find someone else.
1:02:51 > 1:02:52Ian, I'm not saying that, all right?
1:02:52 > 1:02:54Then help me! I tell you what,
1:02:54 > 1:02:56we get the smaller room at the registry office,
1:02:56 > 1:02:59we're not going to do any food or flowers or anything.
1:02:59 > 1:03:02Just me, Mandy, you, Lucy and Bobby. It'll cost a couple of hundred quid.
1:03:02 > 1:03:05I thought you said you wanted it to be a magical day?
1:03:05 > 1:03:08It will be magical. Just seeing that ring on her finger.
1:03:10 > 1:03:15Max, please, in 48 hours' time I could be stood on that deck,
1:03:15 > 1:03:18sipping champagne, just watching the sunset go down.
1:03:18 > 1:03:22And all this... This stuff with Mandy's mum and the money...
1:03:22 > 1:03:23It'll all be in the past.
1:03:25 > 1:03:26Please, Max.
1:03:26 > 1:03:30You've got to help me get on that ship. With my wife.
1:03:31 > 1:03:32Please.
1:03:34 > 1:03:37Who else have you tried? Beale, have you tried Beale?
1:03:37 > 1:03:38Oh, come on, calm down, please.
1:03:38 > 1:03:41No. You're asking all these different people to help you out
1:03:41 > 1:03:42and I'm right here.
1:03:42 > 1:03:44I've asked someone to help me with my baby,
1:03:44 > 1:03:47I need someone to help, so I offered Whitney a job.
1:03:47 > 1:03:49Whitney, that ex-pro...
1:03:49 > 1:03:51- Stop. What about meal times? - What about meal times?
1:03:51 > 1:03:55I can do meal times. I am available for meal times.
1:03:55 > 1:03:57Yeah, I can come and sit round the table, I can eat dinner.
1:03:57 > 1:04:00- What, like happy families?- Yeah. Just like on the telly, you know.
1:04:00 > 1:04:02All sitting round, eating cornflakes.
1:04:02 > 1:04:05- Oh, please! Don't you think it's just a bit drastic?- Drastic?
1:04:05 > 1:04:08We're having a baby together and you're talking about drastic?
1:04:08 > 1:04:10How about this, look, right...
1:04:12 > 1:04:15Let's have dinner tonight. Just me and you.
1:04:15 > 1:04:17And then I can stay. How about that?
1:04:17 > 1:04:21And I can wake up in the morning, we could have breakfast.
1:04:21 > 1:04:22Then I go to work.
1:04:22 > 1:04:24But then I'd come back, we could have dinner again.
1:04:24 > 1:04:26Then I stay again. See, there's a pattern emerging.
1:04:26 > 1:04:28We could just do that ad infinitum.
1:04:28 > 1:04:31So, like, you accidentally move in?
1:04:31 > 1:04:34Yeah. Yeah, why stop now?
1:04:34 > 1:04:35Go on, girl.
1:04:35 > 1:04:37You know you'd love it.
1:04:43 > 1:04:46I've been looking for you. What's this about you shutting the caff
1:04:46 > 1:04:49- and going out in the street, shouting?- Billy. Buy my car.
1:04:49 > 1:04:51Oh, yeah, like I can afford a new motor.
1:04:51 > 1:04:53- Oi, oi, I'm talking to you. - 500 quid.
1:04:53 > 1:04:56Let me see, I've got... £2.70?
1:04:57 > 1:04:59Oi, why are you doing this?
1:04:59 > 1:05:02I'm going to do this without Max, or Ben, or anyone else.
1:05:02 > 1:05:03- I can do it on my own.- Max?
1:05:03 > 1:05:07Yeah, I'm going to be jetting off to paradise this time tomorrow.
1:05:11 > 1:05:13That's not how it looks in the book, man!
1:05:13 > 1:05:15Oh, what is that disgusting smell?
1:05:15 > 1:05:18What's this? Extreme Cooking?
1:05:18 > 1:05:21A couple of lugs of this, a drizzle of that - I've got vomit.
1:05:21 > 1:05:22Oh, what are you doing?!
1:05:22 > 1:05:24It says, look, the longer you cook it the better,
1:05:24 > 1:05:27- so I thought I'd start early... - No, what are you doing cooking
1:05:27 > 1:05:29chilli con carne for a young girl?
1:05:29 > 1:05:32This is supposed to be a romantic meal.
1:05:32 > 1:05:34Bit of fish. Light pasta dish.
1:05:34 > 1:05:38She's a beautiful young woman, not a rugby prop forward.
1:05:38 > 1:05:40How do you know so much about it then?
1:05:40 > 1:05:41Common sense.
1:05:41 > 1:05:42Oh, you amaze me, you really do.
1:05:42 > 1:05:45I don't know how you've lasted this long.
1:05:45 > 1:05:47Right, bin all this and we'll start from scratch.
1:05:47 > 1:05:50Now, what shall we do? Something fancy...
1:05:51 > 1:05:53Something she'll respond to.
1:05:53 > 1:05:55And you know how to cook, do you?
1:05:55 > 1:05:59When it's the difference between sitting in a cell for a ten stretch
1:05:59 > 1:06:02or learning how to make lasagne, it ain't long before you're pinnied up
1:06:02 > 1:06:05and standing in front of a cooker. Well, do you want me to help you, or don't you?
1:06:05 > 1:06:07I've got a poker game I could be organising.
1:06:07 > 1:06:09Please, please, mate. Help me.
1:06:09 > 1:06:12Good. Right. Let's get down the shops.
1:06:12 > 1:06:14Now, you are the sous chef,
1:06:14 > 1:06:16I am head chef,
1:06:16 > 1:06:18which means that I am in charge,
1:06:18 > 1:06:22and you are nothing but a maggot on the sole of my shoe.
1:06:22 > 1:06:24- There's no change there then! - Well... Come on.
1:06:28 > 1:06:30All right, Phil?
1:06:30 > 1:06:32This about Jay?
1:06:32 > 1:06:35- Ian.- Oh, right.
1:06:35 > 1:06:37Don't bother kicking off, cos I'm done.
1:06:37 > 1:06:39That's it. You know, I don't mind helping him out,
1:06:39 > 1:06:40but I'm not going to lend him money.
1:06:40 > 1:06:42I just want to know what he said to you.
1:06:42 > 1:06:44He said he needed a best man. Which is fine.
1:06:44 > 1:06:47I don't mind picking up the phone, saying a few words,
1:06:47 > 1:06:49but I ain't going to lend him money, Phil, not the state he's in.
1:06:49 > 1:06:51Well, the last I heard Ben was his best man.
1:06:51 > 1:06:54Well, he told me Ben had exams or something, I don't know.
1:06:54 > 1:06:56Still, if Ben wants the job back, that's fine.
1:06:56 > 1:06:58Well, how much short is he?
1:06:58 > 1:07:00500. Not likely, is it?
1:07:00 > 1:07:03Before you know it, you've given him your credit card
1:07:03 > 1:07:05and he's flying her off to Disneyland
1:07:05 > 1:07:07in a Minnie Mouse helicopter.
1:07:07 > 1:07:09Phil, you ain't going to see that money back.
1:07:09 > 1:07:12I don't care. I just want you to do your job properly
1:07:12 > 1:07:14and then Ben can stop worrying about his brother.
1:07:14 > 1:07:17Do me a favour, calm him down before he gets himself sectioned.
1:07:17 > 1:07:21You're going to need more than this, Phil. For the car an' all that.
1:07:21 > 1:07:23I'll sort the car.
1:07:29 > 1:07:31I lost my mum.
1:07:32 > 1:07:36So? What, you want to be best friends now, do you?
1:07:36 > 1:07:38Dead Mums Brigade?
1:07:38 > 1:07:40I was just saying...
1:07:40 > 1:07:42- Right, I'm selling the car. - Stop selling everything!
1:07:42 > 1:07:45- No, everything's falling into place. - I need to get out of here.
1:07:45 > 1:07:49No. You can't. I've got a surprise for you, OK? An announcement.
1:07:49 > 1:07:51- What?- It deserves a bit of ceremony, OK.
1:07:51 > 1:07:54Everything's got to be perfect, hasn't it?
1:07:54 > 1:07:56So, I'm going to go get us a curry and a bottle of wine.
1:07:56 > 1:07:59Look, I promise, everything's got to be perfect, all right?
1:07:59 > 1:08:03Just stay there, yeah? Have you got any money?
1:08:03 > 1:08:04I thought you'd sold the car?
1:08:04 > 1:08:06Make sure she doesn't leave.
1:08:08 > 1:08:10Potato rosti. Sounds well-posh.
1:08:10 > 1:08:13Yeah, and all you've done is fry up a couple of potatoes.
1:08:13 > 1:08:16I'm amazed they had you doing this inside, mate.
1:08:16 > 1:08:20Well, I met this guy, fellow con. Quite a funny story, actually.
1:08:20 > 1:08:21Oh, yeah? Go on.
1:08:21 > 1:08:25Well, I'd been in about a year, right.
1:08:25 > 1:08:27So I get a call up to the warden's office.
1:08:28 > 1:08:30I walk in, he's looking at me,
1:08:30 > 1:08:34he says, "I'm sorry, Branning, it's a Dear John."
1:08:34 > 1:08:35Dear John? What's that?
1:08:35 > 1:08:37It's a letter you get from your missus,
1:08:37 > 1:08:39when she's informing you it's all over.
1:08:39 > 1:08:40Oof! Ouch.
1:08:40 > 1:08:42No greater ouch, mate.
1:08:42 > 1:08:45There's nothing you can do about it on the inside.
1:08:45 > 1:08:47You see, the screws, they all read your mail,
1:08:47 > 1:08:48so he knew what to expect.
1:08:48 > 1:08:50He's looking at me, he goes,
1:08:50 > 1:08:53"Branning, you need the doctor."
1:08:53 > 1:08:56Do you know what he gave me?
1:08:56 > 1:09:00Three sleeping pills. Three sleeping pills for a broken heart.
1:09:00 > 1:09:02Did she give a reason?
1:09:02 > 1:09:05Pain of separation, she put it down to.
1:09:05 > 1:09:07Should have tried it from my side!
1:09:07 > 1:09:09Anyway, couple of days later, a geezer comes up to me.
1:09:09 > 1:09:13Heard I'd had a Dear John. He'd had one the week before.
1:09:13 > 1:09:15What, this is your chef mate, yeah?
1:09:15 > 1:09:19Yeah. We used to sit in my cell, planning our escape.
1:09:19 > 1:09:23How we were going to win our women back in an hail of bullets!
1:09:23 > 1:09:25See? You can do romance!
1:09:25 > 1:09:27And then we realised
1:09:27 > 1:09:30that it was easier to have nothing on the outside.
1:09:30 > 1:09:32And that's when he taught me how to cook.
1:09:32 > 1:09:34Well, thank God for that,
1:09:34 > 1:09:37because this salmon and rosti is going to go down a storm.
1:09:37 > 1:09:39There you go.
1:09:39 > 1:09:43It'll be done soon and then I'm off to the dogs.
1:09:43 > 1:09:44Dogs? I thought you was going poker?
1:09:46 > 1:09:47Yeah, poker.
1:09:50 > 1:09:52- Think I got the shakes. - Let me do it, then...
1:09:52 > 1:09:53I'm joking!
1:09:54 > 1:09:56Did you get on it last night?
1:09:58 > 1:10:00You are going to look so beautiful.
1:10:00 > 1:10:02Tyler's going to do himself a mischief when he sees you.
1:10:02 > 1:10:04Shut up!
1:10:04 > 1:10:06Don't wiggle about, cos I'm going to ruin it.
1:10:06 > 1:10:10Well, hurry up. I know you want a drink at the Vic.
1:10:10 > 1:10:11I like it.
1:10:15 > 1:10:17KNOCKING AT DOOR
1:10:19 > 1:10:21All right, Max?
1:10:21 > 1:10:25- You all right, Mandy? Come in. - Thanks.
1:10:25 > 1:10:28Tanya's still at work, I think. She'll be back soon.
1:10:30 > 1:10:33I'm... I'm sorry, you know, for your loss.
1:10:33 > 1:10:35Have I lost something?
1:10:35 > 1:10:38I'm always doing that.
1:10:38 > 1:10:40My purse...
1:10:40 > 1:10:42car keys...
1:10:42 > 1:10:45You know, anything that's not physically attached to me...
1:10:45 > 1:10:47- SHE SOBS - I'm so sorry.
1:10:47 > 1:10:51It's all right. Come here. Come here.
1:10:51 > 1:10:54Dad, we're just popping out...
1:10:57 > 1:11:00- Come on, Mandy, it's all right. - I'm so sorry.
1:11:00 > 1:11:02It's OK, it's all right. Come here.
1:11:02 > 1:11:04DOOR OPENS
1:11:06 > 1:11:09- How'd they go?- All right.
1:11:09 > 1:11:11I dunno, I missed out a couple of questions.
1:11:11 > 1:11:14- Well, at least they're over. - What about Ian?
1:11:14 > 1:11:17Well, Max is best man, so hopefully it'll keep him in line.
1:11:17 > 1:11:20- Why Max?- He trusts him, I dunno.
1:11:20 > 1:11:22It's always Max. Everywhere I look.
1:11:22 > 1:11:25Well, maybe he'll sort his head out.
1:11:25 > 1:11:27Yeah, maybe he can't.
1:11:27 > 1:11:29I mean, what if... I dunno...
1:11:29 > 1:11:33But what if he makes a call when he's safe on the other side of the world?
1:11:33 > 1:11:38Stop making up all these fantasies, will you? You're as bad as Ian.
1:11:38 > 1:11:39- Is that mine?- Yep.
1:11:39 > 1:11:42I forgot my wallet, you'll have to stick it on the tab.
1:11:42 > 1:11:45You still owe me for the sandwich you didn't let me finish yesterday!
1:11:45 > 1:11:48- What was that worth - a quid? Stick it on the tab.- Oi, hang on! - It's all right. I'll get it.
1:11:53 > 1:11:55Oi!
1:11:56 > 1:11:58What's all that about?
1:11:58 > 1:12:00She wanted a curry. She hasn't eaten all day.
1:12:00 > 1:12:03We need to talk. Cos I ain't having you sailing off and running away.
1:12:03 > 1:12:06- I told you. This time tomorrow I'll be gone.- You ain't going anywhere.
1:12:06 > 1:12:10- You ain't going on no cruise, and you ain't selling your house. - You can't tell me what to do!
1:12:10 > 1:12:13- Me and you, we had a deal, yeah? - Her mum died, OK?
1:12:13 > 1:12:15If I can't convince her to marry me,
1:12:15 > 1:12:18to come on this honeymoon and make a fresh start, then it is over!
1:12:18 > 1:12:20Now, that might suit you,
1:12:20 > 1:12:23but if it is over, then I have got nothing to live for, OK?
1:12:23 > 1:12:25Do you understand me?
1:12:25 > 1:12:27- Ian, mate, just calm down, yeah.? - Mate?!- Just take it easy.
1:12:27 > 1:12:30You've taken on too much, just put something off...
1:12:30 > 1:12:32I haven't taken on too much, it's my life!
1:12:32 > 1:12:35- What about our life?- You threw it away!- Just leave him alone.
1:12:35 > 1:12:38You might think I'm the one who's cracking up, but it's not, OK?
1:12:38 > 1:12:41It's you two that are cracking up.
1:12:41 > 1:12:43Don't worry about me, worry about each other.
1:12:43 > 1:12:45Phil, please! Phil! Please, Phil!
1:12:45 > 1:12:48You're just itching to talk, aren't you? It's just bursting out of you!
1:12:48 > 1:12:50No! I'm not the one who does that, am I?
1:12:50 > 1:12:52Now, Ben... Ben is your brother, yeah?
1:12:52 > 1:12:55And me, I'm like a step-dad. So you and me,
1:12:55 > 1:12:57we're like family, really, aren't we, yeah?
1:12:57 > 1:12:59And betraying your family is the ultimate.
1:12:59 > 1:13:01Betraying your family
1:13:01 > 1:13:04is crossing the line. Do you understand me?
1:13:06 > 1:13:09I won't... I won't.
1:13:09 > 1:13:11I just...
1:13:11 > 1:13:13want to get married.
1:13:15 > 1:13:16It's all I've got left.
1:13:29 > 1:13:31Come on, then. I'll walk you round there.
1:13:31 > 1:13:32I quite like being a chaperone.
1:13:32 > 1:13:35Ha! I'd say more "personal taxi".
1:13:35 > 1:13:37Oi!
1:13:37 > 1:13:40Look at you, smiling from ear to ear.
1:13:40 > 1:13:43Well, I just...
1:13:43 > 1:13:45I never thought I'd get here again.
1:13:45 > 1:13:47What, Albert Square?
1:13:47 > 1:13:49No. You know the...
1:13:49 > 1:13:52You know the butterfly feeling in your tummy?
1:13:52 > 1:13:54SHE SNORTS
1:13:54 > 1:13:59And I have come a long way from all that stuff with Rob.
1:13:59 > 1:14:02Yeah, it's about time someone made a fuss of you,
1:14:02 > 1:14:03cos you're all right.
1:14:03 > 1:14:05Oh, I'm all right, am I?
1:14:05 > 1:14:07Yes. You really are.
1:14:10 > 1:14:12THEY GIGGLE
1:14:12 > 1:14:14Ah, just the man.
1:14:14 > 1:14:17If you've come to tell me I'm on washing-up duty, I've clocked off.
1:14:17 > 1:14:19No, no, no, I've had a word with her. Won't happen again.
1:14:21 > 1:14:23I appreciate that. Thanks, Michael.
1:14:23 > 1:14:27That's all right, Billy. I like you. That's why I wanted to have a word.
1:14:27 > 1:14:28Oh, yeah?
1:14:28 > 1:14:31Yeah. When you bring someone in to any business,
1:14:31 > 1:14:34everything they do, EVERYTHING, reflects on you, yeah?
1:14:34 > 1:14:38If they're great, everybody loves you. If they're terrible...
1:14:39 > 1:14:43I know it's unfair, but that's just the deal of being a worker bee.
1:14:43 > 1:14:47Now I'm a big fan of you, Billy, like I said.
1:14:47 > 1:14:50And that's why I don't want Janine blaming you
1:14:50 > 1:14:51if someone else messes up.
1:14:51 > 1:14:54You need to ask yourself the serious question,
1:14:54 > 1:14:56"Do I feel comfortable having someone like Jean..."
1:14:58 > 1:15:01"..represent me?" Yeah?
1:15:01 > 1:15:05Sorry, sorry, sorry. I'm at sixes and sevens today!
1:15:06 > 1:15:09Oh! That's better, right, OK.
1:15:09 > 1:15:12I'm sorry, I dunno why I came here...
1:15:12 > 1:15:16It's all right. Don't be silly, it's fine.
1:15:16 > 1:15:18What was it, you didn't want to be alone?
1:15:20 > 1:15:23Probably too late for that.
1:15:23 > 1:15:25You grow up a certain way, don't you?
1:15:26 > 1:15:29Yeah, yeah. Yeah, I guess you do, yeah.
1:15:31 > 1:15:35How can you cry for someone you hate?
1:15:35 > 1:15:38Mandy, look it ain't really my place to say but, you know,
1:15:38 > 1:15:42maybe all this is, you know, a chance to move on, innit.
1:15:43 > 1:15:45I need a lot of time to think.
1:15:45 > 1:15:49Well, you know, you'll get that on the cruise, won't you?
1:15:51 > 1:15:53- What cruise?- The honeymoon.
1:15:53 > 1:15:57I weren't meant to say anything. Ian managed to sort the tickets out.
1:15:57 > 1:15:59I think you're going the day after tomorrow.
1:15:59 > 1:16:04Right. So that's what the big announcement's all about.
1:16:04 > 1:16:07Yeah, well, sounds like you could do with a break.
1:16:07 > 1:16:10And you ain't got to worry about the funeral,
1:16:10 > 1:16:11that's all taken care of.
1:16:11 > 1:16:13Who's taken care of it?
1:16:13 > 1:16:14Well, Ian has.
1:16:14 > 1:16:16But I told him, I told him not to bother.
1:16:16 > 1:16:18Well she needs burying, don't she?
1:16:21 > 1:16:25She's my mum, Max! Not yours.
1:16:25 > 1:16:27Not Ian's. She's mine.
1:16:27 > 1:16:30And if I say let her rot in them allotments, then just let her rot!
1:16:34 > 1:16:36Your rosti does not look like Mussolini.
1:16:36 > 1:16:38You don't even know who Mussolini is.
1:16:38 > 1:16:40Yeah, but it's a potato, ain't it!
1:16:44 > 1:16:46Your boy's been cooking up a storm!
1:16:46 > 1:16:48You look beautiful.
1:16:48 > 1:16:50Thanks.
1:16:50 > 1:16:51Please, madam.
1:16:53 > 1:16:54Three plates.
1:16:54 > 1:16:56Careful, they're hot, them.
1:16:56 > 1:17:00Yeah, I thought there was plenty of food, so, you know, I asked Derek.
1:17:00 > 1:17:03Yeah, right, right.
1:17:03 > 1:17:07You know what, it's always the way, innit.
1:17:07 > 1:17:10You do the cooking and you lose your appetite.
1:17:10 > 1:17:12No, there's plenty of food to go round, right, Ty?
1:17:12 > 1:17:15Yeah. Yeah, I mean you've done most of the work, mate.
1:17:15 > 1:17:18Nah.
1:17:18 > 1:17:20I'll grab mine later.
1:17:27 > 1:17:29Right, so it's just us then.
1:17:29 > 1:17:31Yep.
1:17:31 > 1:17:34So, I guess we can switch the romance back on now then, yeah?
1:17:41 > 1:17:45- Tell Mandy I'm dishing up. Just got to lay the table.- She's gone.
1:17:45 > 1:17:46What?
1:17:46 > 1:17:48You booked a funeral?
1:17:48 > 1:17:50It's OK, you haven't left...
1:17:50 > 1:17:52When I asked you, I asked you not to?
1:17:52 > 1:17:54- He was trying to help.- Don't!
1:17:55 > 1:17:58Lucy, just don't. Not with this, all right?
1:17:58 > 1:18:01So what, you think that was going to work, did you?
1:18:01 > 1:18:02Put her in the ground.
1:18:02 > 1:18:05Just sweep her under the carpet and everything goes away?
1:18:05 > 1:18:09No. No, that's not how I saw it in my head, no.
1:18:09 > 1:18:12Mandy, what I thought, right, was, I'd get us a nice curry
1:18:12 > 1:18:14and a bottle of wine,
1:18:14 > 1:18:18I'd set the table nicely, light some candles and then...
1:18:20 > 1:18:21Then I'd give you these.
1:18:23 > 1:18:26Look, I just thought that if we could get married, OK,
1:18:26 > 1:18:29and we can get on the plane,
1:18:29 > 1:18:32a couple of hours, you'd be in paradise.
1:18:33 > 1:18:36Look, there'd be no more caff, no more chippy,
1:18:36 > 1:18:38no more Albert Square, no more being laughed at.
1:18:41 > 1:18:43And I thought, once you were on that ship,
1:18:43 > 1:18:47you'll have time to relax and think and...
1:18:47 > 1:18:52maybe you'd realise then that what your mum said was wrong, OK?
1:18:52 > 1:18:56She's the one who couldn't be loved.
1:18:56 > 1:18:59She's the one who's messed up.
1:18:59 > 1:19:05She wanted it to be you, but it's not you, is it?
1:19:05 > 1:19:07It can't be you. Because...
1:19:07 > 1:19:11Because I love you.
1:19:11 > 1:19:14Look, I just thought that, once we'd buried her, OK...
1:19:16 > 1:19:20..you could start to look forward, instead of always looking back.
1:19:21 > 1:19:25But I don't know how I feel about what's happened.
1:19:27 > 1:19:30You don't need to know how you feel about all that.
1:19:30 > 1:19:33You just need to know how you feel about me.
1:19:38 > 1:19:39Um...
1:19:39 > 1:19:44why don't you set the table for dinner and I'll go and get changed.
1:19:50 > 1:19:52Here she is! My new flatmate.
1:19:52 > 1:19:54Hello.
1:19:54 > 1:19:56Hello. How about a celebratory bitter lemon?
1:19:56 > 1:19:57Lovely, thank you.
1:19:57 > 1:20:00A celebratory bitter lemon?
1:20:00 > 1:20:02We're moving in together.
1:20:02 > 1:20:05Michael, that woman is not a nice woman.
1:20:06 > 1:20:09She's the mother of my unborn child, Jean.
1:20:12 > 1:20:15Well, I've got some news.
1:20:15 > 1:20:17Billy gave me the job!
1:20:17 > 1:20:20So what you said worked.
1:20:20 > 1:20:23He said, us worker bees have to stick together.
1:20:23 > 1:20:25I'm in your debt!
1:20:29 > 1:20:32- There you go.- Thank you.
1:20:32 > 1:20:35I'm going to need a photo of you.
1:20:35 > 1:20:36What for?
1:20:36 > 1:20:37My wallet.
1:20:39 > 1:20:41SHE CHUCKLES
1:20:54 > 1:20:58Well, he certainly knows how to make a girl feel special, doesn't he?
1:20:58 > 1:21:01Oh, yeah, he's upstairs, emptying a bottle of aftershave
1:21:01 > 1:21:03all over himself, as we speak.
1:21:03 > 1:21:06You know, it's going to be so nice,
1:21:06 > 1:21:09not having you around on this honeymoon.
1:21:10 > 1:21:12I'm not going to let you marry my dad.
1:21:14 > 1:21:16Oh, I'm going to marry him.
1:21:16 > 1:21:17Just to ruin your day.
1:21:19 > 1:21:20All set?
1:21:20 > 1:21:21Mm-hm.
1:21:30 > 1:21:32Morning.
1:21:34 > 1:21:36Morning.
1:21:42 > 1:21:45In two hours,
1:21:45 > 1:21:47you will be Mrs Beale.
1:21:50 > 1:21:53You know, I could, um... I could kill a cup of tea.
1:21:53 > 1:21:55Ah, cup of tea.
1:21:55 > 1:21:57Hey presto!
1:21:58 > 1:22:01See? I've thought of everything.
1:22:01 > 1:22:02Thank you.
1:22:02 > 1:22:04Once you've had your cup of tea,
1:22:04 > 1:22:08I'm going to do you a nice, extra-special wedding breakfast,
1:22:08 > 1:22:10of pancakes and syrup -
1:22:10 > 1:22:13just like you said you liked when you were a kid.
1:22:14 > 1:22:16That's really sweet of you.
1:22:18 > 1:22:21I want to treat you nice.
1:22:21 > 1:22:24I want you to have all the things that you've always wanted.
1:22:26 > 1:22:31I don't want you to ever feel scared or lonely or cold, or anything else.
1:22:32 > 1:22:34Not while I'm around.
1:22:37 > 1:22:39You know...
1:22:40 > 1:22:44Ian, you, um... You don't have to try so hard.
1:22:45 > 1:22:47I'm just me,
1:22:47 > 1:22:49I'm nothing special. Just Mandy.
1:22:49 > 1:22:53I mean, we're getting married in a registry office.
1:22:53 > 1:22:55It's hardly Will and Kate.
1:22:55 > 1:22:57We could be getting married in a dustbin
1:22:57 > 1:22:59in the middle of Bridge Street,
1:22:59 > 1:23:01and it would still be the most romantic day of my life.
1:23:52 > 1:23:56Is it going to be a themed wedding? Nightwear?
1:23:56 > 1:23:59- I just got up.- Oh, right.
1:23:59 > 1:24:02Where's the lucky man? He's calmed down a bit, has he?
1:24:02 > 1:24:04Yeah, for a bloke who's going to his own execution,
1:24:04 > 1:24:05he's in a pretty good mindset.
1:24:05 > 1:24:08All right, great. Well, tell him I'm around, will you?
1:24:08 > 1:24:10I've sorted out some drinks at the Vic
1:24:10 > 1:24:11and sorted the car out,
1:24:11 > 1:24:14so, tell him if he needs anything to give me a shout, yeah?
1:24:14 > 1:24:17- Cheers.- How's he doing?
1:24:17 > 1:24:19Yeah, not bad, I think.
1:24:19 > 1:24:23- I'm just going to go and get some cigarettes.- Nervous?- No.
1:24:23 > 1:24:26- Just a craving.- No, is Ian nervous? - I don't know, Phil.
1:24:26 > 1:24:31- I ain't seen him. And your bloke with the Roller, he's definitely still coming?- Yeah, course.
1:24:38 > 1:24:41- Where's your dress?- Upstairs.
1:24:41 > 1:24:45- Oh, right. Do me a favour. Can you go get Bobby ready for me?- Dad!
1:24:45 > 1:24:46Lucy, please.
1:24:46 > 1:24:50Just be a loving, dutiful daughter for once in your life, OK?
1:24:50 > 1:24:51Make me happy. Please.
1:24:51 > 1:24:55- I was going to say I have an exam this afternoon. I've got to be back by one.- Yeah, you will be, OK?
1:24:55 > 1:24:58It's a simple ceremony. In and out, we'll be done in an hour.
1:24:58 > 1:25:00Now, please, just go and get Bobby ready.
1:25:00 > 1:25:02Oh, and give Mandy a shout, as well.
1:25:06 > 1:25:09KNOCK AT DOOR Yeah, come in.
1:25:13 > 1:25:15Do you mind?!
1:25:15 > 1:25:18Poor Dad. It's not a pretty sight.
1:25:18 > 1:25:20Shut the door, will you?
1:25:20 > 1:25:23You know, it's not too late to do a runner.
1:25:23 > 1:25:25- You could always jump out the window.- You know what?
1:25:25 > 1:25:29So could you. I reckon it's about time you left home.
1:25:29 > 1:25:32You know, saw a bit of the big wide world.
1:25:32 > 1:25:34Dad wants you downstairs.
1:25:34 > 1:25:37Special wedding breakfast. Isn't it exciting(?)
1:25:38 > 1:25:41I can keep my mouth shut.
1:25:41 > 1:25:43I will. I have. Phil, I'm not going to say anything.
1:25:43 > 1:25:46- I swear.- I want to believe you, Ian, I really do.
1:25:46 > 1:25:47I've got my head together.
1:25:47 > 1:25:51Because if I can't, I'm going to have to make a decision. I really don't want to do that.
1:25:51 > 1:25:53But it might just come down to that
1:25:53 > 1:25:54You...
1:25:54 > 1:25:57Ben. I have to choose.
1:25:57 > 1:25:59No, you don't.
1:25:59 > 1:26:01You don't have to, Phil. You don't have to choose. I promise you.
1:26:01 > 1:26:03I am 100% reliable.
1:26:03 > 1:26:07Well, I am going to be close
1:26:07 > 1:26:09and I am going to be watching, all right?
1:26:11 > 1:26:13Enjoy the wedding.
1:26:31 > 1:26:33Mandy, Lucy, Bobby - breakfast!
1:26:48 > 1:26:50Whose is that?
1:26:50 > 1:26:52That's Mandy's, innit?
1:26:52 > 1:26:53You are joking?
1:26:53 > 1:26:56I thought Ian was meant to be having cash-flow problems.
1:26:56 > 1:26:58It's a gift, innit? It's from Phil.
1:26:58 > 1:27:00Oh, yeah, right. Of course it is.
1:27:00 > 1:27:04- Because those two love each other so much.- Max!
1:27:04 > 1:27:07Can you give us a hand, darling. I need someone with a head for heights.
1:27:07 > 1:27:09All right, give me a sec.
1:27:11 > 1:27:15Hello, Ian. I'd like a word with you.
1:27:15 > 1:27:18I can't talk now. I'm having a crisis. Lucy. Lucy!
1:27:18 > 1:27:21- What is going on?- Nothing, love. Nothing at all. Hiya.
1:27:21 > 1:27:25- Bride-to-be. You must be really excited.- Yeah. Size six.
1:27:25 > 1:27:28- Why don't you go back upstairs and try it on, love.- What?
1:27:28 > 1:27:31- Please, Just go try it on, for me. Please.- Did you want me?- Go on.
1:27:31 > 1:27:33- Dad?- Yeah, I'll be back in a minute.
1:27:35 > 1:27:37Ooh, strawberries.
1:27:41 > 1:27:43What's the problem?
1:27:43 > 1:27:46You told me you were skint and you've got a white Rolls-Royce
1:27:46 > 1:27:47waiting to take you to the church.
1:27:47 > 1:27:51- Registry office!- Whatever.- A Rolls?
1:27:51 > 1:27:54Don't pretend like you don't know. Ian!
1:27:54 > 1:27:59If you can afford to pay for that, then you can afford to pay me.
1:27:59 > 1:28:01I can...
1:28:01 > 1:28:02What... I can't.
1:28:02 > 1:28:05I didn't pay for that. Just ask Max, he'll explain.
1:28:05 > 1:28:10- Oh, he did. He said Phil bought it as a present. Not likely.- Phil?
1:28:10 > 1:28:12That's what he said.
1:28:12 > 1:28:14Now, I suggest you hand over some cash,
1:28:14 > 1:28:16otherwise I'm going to get really nasty.
1:28:16 > 1:28:19Janine, I can't. I haven't got a penny!
1:28:19 > 1:28:22What, so you can afford that, a wedding, a honeymoon,
1:28:22 > 1:28:23and a fancy dress?
1:28:23 > 1:28:24- It's cleaned me out, OK?- Wrong.
1:28:24 > 1:28:26I'm going to clean you out.
1:28:26 > 1:28:28You're not going to be able to sell that house,
1:28:28 > 1:28:29because I'm going to own it.
1:28:29 > 1:28:34Janine, please. Have a heart, will you? It's my wedding day!
1:28:34 > 1:28:36You're getting married yourself soon, aren't you?
1:28:36 > 1:28:38So, come on, give us a break, yeah?
1:28:38 > 1:28:40No. Remember, Ian,
1:28:40 > 1:28:43I was the girl you paid fifty quid to have sex with.
1:28:43 > 1:28:45When I had no friends, no money,
1:28:45 > 1:28:48you were first in line, and I don't forget things like that.
1:28:48 > 1:28:52So, I want a thousand pounds in cash by five o'clock today,
1:28:52 > 1:28:55otherwise I'm going to call the lawyers.
1:29:01 > 1:29:03Max!
1:29:05 > 1:29:08- Max.- Ian, do you know what time it is?- Yeah.
1:29:08 > 1:29:10That car...
1:29:10 > 1:29:12Janine said Phil paid for it.
1:29:12 > 1:29:14Yeah, yeah, pretty generous an' all.
1:29:14 > 1:29:17- Otherwise you'd be going on a bike, Ian.- He paid for it, yeah?
1:29:17 > 1:29:20- It's a favour. A mate of his. - Right, and that driver?
1:29:20 > 1:29:24- I think he's a mate of Phil's. - I don't like the look of him, Max.
1:29:24 > 1:29:26I really don't like the look of him.
1:29:26 > 1:29:28Well, he's no oil painting, I'll give you that.
1:29:28 > 1:29:29Look, just get rid of him.
1:29:29 > 1:29:33- What?- Just get rid of him. You drive, yeah?- Ian?
1:29:33 > 1:29:37I am not getting in the car with him. I'm just not, OK! I'm not.
1:29:39 > 1:29:41And don't tell Phil, yeah?
1:29:50 > 1:29:52- I'm SO hungry.- No, that's good.
1:29:52 > 1:29:55It's good to have an appetite, it really is.
1:29:55 > 1:29:57But... Just tuck this in here,
1:29:57 > 1:30:01because I don't want you getting anything on your suit, OK? Good lad.
1:30:04 > 1:30:06What are you doing? Why aren't you dressed yet?!
1:30:06 > 1:30:09Why haven't you got your bridesmaid's dress on?
1:30:09 > 1:30:10What's the rush?
1:30:10 > 1:30:13Mandy's ring. Mandy's wedding ring, I put it here.
1:30:13 > 1:30:15It's completely disappeared. Have you taken it?
1:30:15 > 1:30:17No. What do you think I am?
1:30:19 > 1:30:21Where are you going, Dad?
1:30:23 > 1:30:24What are you doing?
1:30:26 > 1:30:29- Where's your mum's wedding ring? - I don't know.
1:30:29 > 1:30:33- Where's Mum's wedding ring, I need... - Dad! Dad!
1:30:33 > 1:30:35Dad. You've got no right.
1:30:35 > 1:30:37Give me that box. That's my stuff. That's my stuff!
1:30:37 > 1:30:39- I need it. I need it.- Give it to me!
1:30:39 > 1:30:41I just need it.
1:30:41 > 1:30:45- That's Mum's. That's Mum's wedding ring.- What's she going to do, complain?- How could you?
1:30:45 > 1:30:48How could you?! Do you think I'm stupid?
1:30:48 > 1:30:50Do you think that ring just miraculously disappeared?
1:30:50 > 1:30:53Bobby, go back in there and I'll deal with you in a minute, OK?
1:30:53 > 1:30:54Please, son. Go back in there.
1:30:54 > 1:30:57Lucy, you took the ring. I know you took the ring!
1:30:57 > 1:30:59- What is going on?- Nothing. Nothing.
1:30:59 > 1:31:02Oh, doesn't she look beautiful? You look so beautiful, love.
1:31:02 > 1:31:03Doesn't she, Lucy? Doesn't she?
1:31:03 > 1:31:06Here, try the bouquet.
1:31:06 > 1:31:08I bet you'll look as pretty as a picture!
1:31:08 > 1:31:10- Lucy!- If you marry that...
1:31:10 > 1:31:12If you marry that, she will destroy your life.
1:31:13 > 1:31:16You just don't stop, do you?
1:31:16 > 1:31:19- He's my dad. He's got no-one else to protect him. - He doesn't need protecting, Lucy.
1:31:19 > 1:31:21He's a grown man.
1:31:21 > 1:31:24What, and you love him, do you? You're head-over-heels?
1:31:24 > 1:31:27Lucy, that is enough, please. That is enough.
1:31:27 > 1:31:30My feelings are my business. Not yours.
1:31:30 > 1:31:34But don't. Don't pretend you care about him, Lucy, cos you don't.
1:31:34 > 1:31:35All you care about is yourself.
1:31:35 > 1:31:39You don't understand. You don't understand what he's been through.
1:31:39 > 1:31:44- You think you're so different from the others! What makes YOU so different?- Lucy, that's enough, OK?
1:31:44 > 1:31:47I need you to put your bridesmaid's dress on. Go and put your dress on.
1:31:47 > 1:31:49- I'll go and put my suit on, OK?- Dad.
1:31:49 > 1:31:52Please. Don't do this. She'll hurt you. Look at her.
1:31:52 > 1:31:54You can see it in her eyes.
1:31:54 > 1:31:56Mum broke your heart and you never recovered.
1:31:56 > 1:31:58Never.
1:31:58 > 1:32:00Mel was hot, blonde, bit like Mum.
1:32:00 > 1:32:04Laura, she was just a safe bet, nice. Jane was the same.
1:32:04 > 1:32:07But now you're trying it with her. Look at her.
1:32:07 > 1:32:09LOOK at her! She's a scuzzy, second-rate version
1:32:09 > 1:32:11of my beautiful mother
1:32:11 > 1:32:13and it ain't going to make you happy.
1:32:13 > 1:32:15No-one will make you happy like Mum did!
1:32:15 > 1:32:17No, your mum did not make me happy.
1:32:17 > 1:32:19- She did not make me happy, OK? - But you loved her.
1:32:19 > 1:32:21You loved her till it drove you mad.
1:32:21 > 1:32:22No, no, no, no!
1:32:22 > 1:32:25Stop talking about your mum, please, OK? Don't talk about any of them.
1:32:25 > 1:32:27All of them, they were just a mistake, all right?
1:32:27 > 1:32:30Mandy is the right woman for me, OK? She is the right woman for me.
1:32:30 > 1:32:31I adore her, she adores me
1:32:31 > 1:32:35and we are going to be very happy together. Aren't we? Aren't we?
1:32:35 > 1:32:37- She can't even answer.- Aren't we?
1:32:39 > 1:32:41Yes, Ian.
1:32:41 > 1:32:43You see?
1:32:43 > 1:32:44Now, come on, let's just...
1:32:44 > 1:32:46I got a ring, let just try it on, yeah.
1:32:46 > 1:32:48- That's it.- What you doing? - It's a new ring, OK?
1:32:48 > 1:32:49- Let's see if it fits. - It's Mum's ring.- No.
1:32:49 > 1:32:52- Don't listen to her, please. - Ian, please! Ow. OW!
1:32:52 > 1:32:53Right, it's perfect, OK.
1:32:53 > 1:32:55Now, you finish, go and get ready.
1:32:55 > 1:32:57Go and put your dress on. I'm going to put my suit on.
1:32:57 > 1:33:01- Then we'll go to the registry office. - Ian, it's not even time. - We'll go early and wait, OK?
1:33:01 > 1:33:03No! I'm not going to let you do this.
1:33:03 > 1:33:05You're going to have to choose.
1:33:05 > 1:33:06It's me or her. You have to choose.
1:33:06 > 1:33:09You can't make me do that.
1:33:09 > 1:33:10You can't make me do that.
1:33:10 > 1:33:12Peter don't want to know.
1:33:12 > 1:33:14Do you really want me gone too?
1:33:14 > 1:33:17Dad, I'm your little girl. We don't need her. We're a family.
1:33:19 > 1:33:22Please, Dad. You're going to have to choose.
1:33:22 > 1:33:25I can't.
1:33:25 > 1:33:27- You have to.- No.
1:33:27 > 1:33:28Ian, it's OK. You can say.
1:33:28 > 1:33:31- No, no, no, I can't. I can't.- Choose!
1:33:31 > 1:33:34Ian, choose.
1:33:45 > 1:33:47I choose Mandy.
1:33:49 > 1:33:51- What?!- I choose Mandy.
1:33:51 > 1:33:54- You can't.- No, I've chosen Mandy. - I'm your daughter.
1:33:55 > 1:33:58No, that's it. That's all of it.
1:33:58 > 1:34:00I have. I've chosen Mandy, OK?
1:34:00 > 1:34:05- I'll go. I'll leave. I mean it. You'll never see me again! - Fine, go! Just get out of here.
1:34:05 > 1:34:07Just take your coat and your bag, and just go.
1:34:07 > 1:34:09Go, Lucy. Just go.
1:34:09 > 1:34:12Dad! Dad! Dad! What are you doing?
1:34:12 > 1:34:14Look, just take this, it's all I got left.
1:34:14 > 1:34:17No. Dad, you're mad. You're sick.
1:34:22 > 1:34:23Dad...
1:34:27 > 1:34:29- Where's Lucy gone?- She's gone out.
1:34:31 > 1:34:34Right, come on, Mand, let's get going.
1:34:34 > 1:34:37My bouquet... It's ruined.
1:34:37 > 1:34:42That's OK. No, it's fine. Look, I can fix it. I can. I can fix it.
1:34:42 > 1:34:46No, no, you can't. You can't.
1:34:46 > 1:34:49It's just a bouquet, OK. We don't actually need it. Come on, let's...
1:34:49 > 1:34:51Ian, I haven't got a bouquet and I haven't got a bridesmaid.
1:34:51 > 1:34:54I just think, you know, maybe we need to rethink all this, because...
1:34:54 > 1:34:57No, no, it's all right. It's all right. Just calm down.
1:34:57 > 1:35:00- I'll get another bouquet. I'll be back, promise. - You're not even dressed!
1:35:00 > 1:35:02Everything's fine, OK. Everything's perfect.
1:35:04 > 1:35:06Don't get your suit dirty.
1:35:10 > 1:35:12Stick some flowers together - anything.
1:35:12 > 1:35:14I'll get you the money. I'll be back.
1:35:21 > 1:35:23Tanya, where's Max?
1:35:23 > 1:35:25- He's getting the car, I think. - I need money.
1:35:25 > 1:35:27Nice sarnies.
1:35:27 > 1:35:30- She's really upset.- Luce? Luce?
1:35:30 > 1:35:32- That money I gave you earlier, where is it?- What?
1:35:32 > 1:35:33Where's that money? I need it.
1:35:33 > 1:35:36- What is wrong with you?! - Is it in there?
1:35:36 > 1:35:39- Will you calm down? - Thank you for sticking your nose in. I- beg your pardon...
1:35:39 > 1:35:42I just spent the last half-hour putting these decorations up.
1:35:42 > 1:35:44I never asked you to. It looks pathetic.
1:35:44 > 1:35:47I don't want it. All I want to do is get married. Lucy, where's the money. Thanks.
1:35:47 > 1:35:50- Ian! Come outside.- No.
1:35:50 > 1:35:51No, I'm not going anywhere with you.
1:35:51 > 1:35:54I know what you're playing at. I've seen that driver of yours
1:35:54 > 1:35:56- and I'm not going with him. - Come outside.- No!
1:35:56 > 1:35:59Get your hands off me. Otherwise I'll tell everyone what you've done.
1:35:59 > 1:36:02What you both did, OK? How'd you like that, eh? You'd like that?
1:36:02 > 1:36:05I think you've been on the bubbly already, ain't you?
1:36:05 > 1:36:07You go and have a good time, mate, all right.
1:36:07 > 1:36:08Yeah, I'm going to.
1:36:08 > 1:36:11Cos pretty soon I'm going to be happily married.
1:36:11 > 1:36:12Just you wait and see.
1:36:12 > 1:36:14Just wait and see.
1:36:16 > 1:36:18Ian, I've sorted out another motor.
1:36:18 > 1:36:19Just keep the engine running.
1:36:22 > 1:36:24There you go. Keep the change.
1:36:30 > 1:36:32In a minute, OK? In a minute.
1:36:34 > 1:36:36Mandy?
1:36:36 > 1:36:37Mandy!
1:36:49 > 1:36:51What you doing?
1:36:51 > 1:36:54You need to get dressed. You need to put your dress on.
1:36:56 > 1:36:59I'm not going to be getting changed, Ian.
1:36:59 > 1:37:01Look. I've got you a bouquet. Here. Take it.
1:37:01 > 1:37:03Ian.
1:37:05 > 1:37:07I'm going.
1:37:08 > 1:37:10What?
1:37:11 > 1:37:13You better take this.
1:37:13 > 1:37:15No. I can't. It's yours. You need to put it on.
1:37:15 > 1:37:17We don't have to wait till the registry office.
1:37:17 > 1:37:20- Ian...- Look, it'll go on. - I don't want it on!
1:37:20 > 1:37:21Do you understand?
1:37:21 > 1:37:23Why not?
1:37:23 > 1:37:25I don't want that ring on my finger.
1:37:26 > 1:37:27Why not?
1:37:28 > 1:37:30Are you really that blind?
1:37:30 > 1:37:33Look at you.
1:37:33 > 1:37:35Look at us.
1:37:35 > 1:37:36- What I've done to you.- No.
1:37:36 > 1:37:39No, I'm fine.
1:37:39 > 1:37:41I'm fine.
1:37:41 > 1:37:44I've just been a bit busy, you know, what with one thing and another.
1:37:44 > 1:37:45I just got a little bit...
1:37:45 > 1:37:47Look, I just need to get changed, OK?
1:37:47 > 1:37:49It'll take me ten minutes. Maybe five.
1:37:49 > 1:37:52Yeah, I'll do that. Just wait there. You'll see.
1:37:52 > 1:37:55Ian, I won't be here when you come back down.
1:37:56 > 1:37:57No, you will.
1:37:57 > 1:37:59You will.
1:37:59 > 1:38:01No, I won't. I'm going.
1:38:01 > 1:38:03I mean it.
1:38:05 > 1:38:07You can't.
1:38:07 > 1:38:09No, you can't.
1:38:09 > 1:38:11Because I love you.
1:38:11 > 1:38:13I want... I want to marry you.
1:38:14 > 1:38:17Well, I don't feel the same.
1:38:20 > 1:38:23Was it... Was it something I did?
1:38:23 > 1:38:25Was it something I said? No.
1:38:25 > 1:38:26Was it something Lucy said?
1:38:26 > 1:38:28If it was something Lucy said,
1:38:28 > 1:38:30you can't pay any attention, because she's just a selfish brat.
1:38:30 > 1:38:33She is. She is just a selfish brat.
1:38:33 > 1:38:36You just chucked your daughter out the house, Ian.
1:38:36 > 1:38:38Is it because I hesitated?
1:38:38 > 1:38:40Is that it? Is it? But I had to.
1:38:40 > 1:38:42I had to. Just think, OK?
1:38:42 > 1:38:44Cos Lucy...
1:38:44 > 1:38:46I wanted you. I did.
1:38:46 > 1:38:48I wanted you.
1:38:48 > 1:38:50Why?
1:38:50 > 1:38:51Why do you want me?
1:38:53 > 1:38:55What do you think I'm going to do?
1:38:55 > 1:38:57Solve all your problems? Make you happy?
1:38:57 > 1:39:00Make YOU feel better about yourself?
1:39:00 > 1:39:03Yeah, yeah, you have. You will. You do.
1:39:03 > 1:39:05No, Ian. I won't.
1:39:05 > 1:39:07You think I will.
1:39:07 > 1:39:09You know, you hope I will.
1:39:09 > 1:39:12You know, you think you'll stick that ring on my finger
1:39:12 > 1:39:15and everything's going to be OK, you're whole world will change.
1:39:16 > 1:39:19But it won't, Ian. It won't.
1:39:19 > 1:39:22Because you'll still be middle-aged.
1:39:24 > 1:39:28And I will still be empty...
1:39:28 > 1:39:29and disgusting
1:39:29 > 1:39:32and a complete waste of space.
1:39:32 > 1:39:36- No, no, why are you saying that? - Because it's true, Ian. It's true.
1:39:36 > 1:39:38I've been here before.
1:39:38 > 1:39:40You know, this close to getting married, and I never do it.
1:39:40 > 1:39:42And do you want to know why?
1:39:42 > 1:39:47It's because I don't want anybody that close to me,
1:39:47 > 1:39:51I don't want people to see me for who I really am.
1:39:51 > 1:39:53Look, I've been that close to you, haven't I?
1:39:53 > 1:39:55I like you. I like what I see.
1:39:55 > 1:39:57What? What is that, Ian?
1:39:57 > 1:40:00Some second-rate version of Cindy?
1:40:00 > 1:40:02No. No. No. That was just Lucy spouting off, OK?
1:40:02 > 1:40:04That was Lucy, OK? That's not true. That is not true.
1:40:04 > 1:40:07Ian, the truth is
1:40:07 > 1:40:11you don't see me at all.
1:40:11 > 1:40:13You don't.
1:40:13 > 1:40:15You know, I'm just the girl.
1:40:15 > 1:40:21I'm just the girl that you could never get when you were sixteen.
1:40:22 > 1:40:26You know, the girl that would never look at you.
1:40:26 > 1:40:28You know, the one that always went off with the fit bloke.
1:40:28 > 1:40:32But now you think you can get me, Ian.
1:40:32 > 1:40:36You think you can wrap me up and keep me all to yourself
1:40:36 > 1:40:38with your house and your money.
1:40:38 > 1:40:40But you can't, Ian. You can't.
1:40:40 > 1:40:42Because it doesn't work, you know?
1:40:42 > 1:40:43It doesn't work upstairs
1:40:43 > 1:40:46and it ain't working downstairs either.
1:40:46 > 1:40:48No, look.
1:40:48 > 1:40:50Look, I know I've had some problems in the bedroom.
1:40:50 > 1:40:53I know, but it's stress, OK? It's stress, all right? I'm fine.
1:40:53 > 1:40:55I am fine. I'll go see a doctor. I will.
1:40:55 > 1:40:57No, Ian.
1:40:57 > 1:41:02Darling, you don't need to go and see a doctor.
1:41:02 > 1:41:06You just need someone that loves you as much as...
1:41:06 > 1:41:07As much as you love them.
1:41:10 > 1:41:14I really care about you, I do.
1:41:14 > 1:41:16You're a good bloke.
1:41:16 > 1:41:22Underneath it all, you're sweet and you're vulnerable.
1:41:22 > 1:41:25You're a bit messed up, you know, like me.
1:41:28 > 1:41:29But we don't fit.
1:41:31 > 1:41:34We don't.
1:41:34 > 1:41:36And you know it.
1:41:40 > 1:41:42Don't go.
1:41:44 > 1:41:47Please, don't go.
1:41:48 > 1:41:50I can't.
1:41:52 > 1:41:54I can't get it all wrong again.
1:42:01 > 1:42:02Sorry.
1:42:21 > 1:42:23Please. Please!
1:42:23 > 1:42:26Please, don't go. Just listen, just listen, OK?
1:42:26 > 1:42:27You're not thinking straight.
1:42:27 > 1:42:30Look, you're scared, OK?
1:42:30 > 1:42:33It's only natural. So am I.
1:42:33 > 1:42:35But as soon as you're married and you're Mrs Beale,
1:42:35 > 1:42:39you'll have the most devoted husband ever, OK? I won't leave your side.
1:42:39 > 1:42:40Not for one second, I promise you.
1:42:42 > 1:42:45What makes you think that is what I want?
1:42:47 > 1:42:48Do you know anything about me?
1:42:50 > 1:42:53I lost my mother two days ago, Ian.
1:42:53 > 1:42:55Do you care?
1:42:55 > 1:42:57Do you care how I feel?
1:42:58 > 1:43:01She didn't love me one bit. Not one bit.
1:43:01 > 1:43:06And now she's gone, I've got no-one and I still don't want this,
1:43:06 > 1:43:08I still don't want to settle.
1:43:08 > 1:43:09So, do you get it now, Ian?
1:43:09 > 1:43:12Do you understand?
1:43:14 > 1:43:18I thought... I thought I could make myself love you, Ian.
1:43:18 > 1:43:20But I just can't.
1:43:20 > 1:43:21Please, Mand. Mand. Mand.
1:43:21 > 1:43:24Please, please don't. Please, don't go.
1:43:24 > 1:43:26I'll die if you go. I'll die.
1:43:26 > 1:43:29I really will. Please.
1:43:29 > 1:43:31Please, Mandy, don't go.
1:43:31 > 1:43:35- Ian, get up, you're making a fool of yourself.- I don't care! OK?
1:43:36 > 1:43:41Mandy, please, just give me a chance. Please, I'm begging you.
1:43:43 > 1:43:46Marry me. Please.
1:43:46 > 1:43:51Just one chance. Please, Mandy, please. I'm begging you.
1:43:51 > 1:43:54Marry me. Please?
1:43:58 > 1:44:00Bye, Ian.
1:44:00 > 1:44:02Mand?
1:44:05 > 1:44:06Mandy!
1:44:10 > 1:44:15Ian, darling, are you all right?
1:44:21 > 1:44:25Did she hear me? Do you think she heard me?
1:44:25 > 1:44:28Yeah, yeah, she definitely heard you, mate.
1:44:30 > 1:44:32He's watching me.
1:44:32 > 1:44:34Max, look. He's watching me.
1:44:36 > 1:44:39Do you think he told her?
1:44:39 > 1:44:43- Did you tell her to go? Did you?- Dad!
1:44:43 > 1:44:45- Did you tell her to go?!- Dad?
1:44:45 > 1:44:47What are you doing?
1:44:47 > 1:44:49She's gone, love.
1:44:49 > 1:44:52She's left me.
1:44:52 > 1:44:55Just like all of them
1:44:55 > 1:44:57None of them like me.
1:44:57 > 1:45:02None of them. None of them love me. Why?
1:45:02 > 1:45:05- Why?- Ian, why don't you come back inside, darling?
1:45:05 > 1:45:07- We'll have a sit down and... - No, it's all right.
1:45:07 > 1:45:09Come on, Dad.
1:45:09 > 1:45:12Come on. Come on.
1:45:16 > 1:45:19Do you think I should go after her?
1:45:19 > 1:45:20Come on.
1:45:31 > 1:45:33Why don't you sit down?
1:45:36 > 1:45:38I can't sit down.
1:45:38 > 1:45:41I can't sit down. Cos...
1:45:43 > 1:45:47I've got things to do. I have... I've got things to do.
1:45:47 > 1:45:49- Look at the mess in there.- Dad...
1:45:49 > 1:45:51I've got to...
1:45:53 > 1:45:56I've got to phone the registry office
1:45:56 > 1:45:58and I need to phone the cruise.
1:45:58 > 1:46:00Why don't you make Bobby breakfast?
1:46:00 > 1:46:02- He's really hungry, aren't you, Bobby?- Yeah.
1:46:02 > 1:46:06You could make him that lovely breakfast you were talking about. Pancakes and syrup.
1:46:06 > 1:46:09Yeah, yeah, pancakes and...
1:46:09 > 1:46:12- Yeah, pancakes and syrup. - Yeah. Look, it's all here.
1:46:12 > 1:46:16- What do you say? - Yeah, yeah, pancakes and syrup.
1:46:16 > 1:46:19Bobby, you go and watch telly.
1:46:19 > 1:46:21I'll be right back.
1:46:21 > 1:46:23Yeah.
1:46:24 > 1:46:26I'll do Bobby's breakfast, yeah?
1:46:32 > 1:46:33Yeah, pancakes and syrup.
1:47:09 > 1:47:11TV PLAYS
1:48:08 > 1:48:10SILENCE
1:48:10 > 1:48:14FOOTSTEPS
1:48:16 > 1:48:18PAPER BAG RUSTLES
1:48:25 > 1:48:27BROOM SWEEPS
1:48:31 > 1:48:33I mean, he's not making any sense at all.
1:48:33 > 1:48:36- Do you think we should call a doctor?- Yeah, Lauren.
1:48:36 > 1:48:38- Go and get a doctor. - I'll go. I'll go.
1:48:38 > 1:48:42Why don't you go home and just keep an eye on him.
1:48:43 > 1:48:44Lucy.
1:48:44 > 1:48:46How bad is he?
1:48:46 > 1:48:48I don't know. He keeps acting all weird.
1:48:48 > 1:48:51If you're worried,
1:48:51 > 1:48:53you know, if he does anything strange, says anything crazy,
1:48:53 > 1:48:56you just give me a call, yeah?
1:48:56 > 1:48:58I'll be there. Night or day.
1:48:58 > 1:48:59Thanks, Phil.
1:49:27 > 1:49:30Bobby, where's Dad?
1:49:31 > 1:49:34Dad? Dad!
1:49:51 > 1:49:52Dad!
1:49:52 > 1:49:53Dad!
1:49:55 > 1:49:57Dad!
1:49:59 > 1:50:01POUNDING OF FOOTSTEPS
1:50:43 > 1:50:46Subtitles by Red Bee Media Ltd