0:00:32 > 0:00:35FAINT SHOUTS AND THUDDS
0:00:38 > 0:00:40SHOUTS CONTINUE
0:00:46 > 0:00:50WIND HOWLS
0:01:28 > 0:01:30DOOR UNLOCKS
0:01:39 > 0:01:41Hey! We thought we'd let you sleep.
0:01:41 > 0:01:43I had to drop Amy at nursery anyway.
0:01:43 > 0:01:47We went to the shops to get eggs for brekky breakfast, didn't we?
0:01:47 > 0:01:49Yes, we did. Oh, you were low on foil. So I got you some,
0:01:49 > 0:01:53but they didn't have any. So I got you clingfilm, actually.
0:01:54 > 0:01:56Who's the postcard from?
0:01:56 > 0:01:58- Amira.- Ahh!
0:01:58 > 0:02:02- Mummy.- Yes, Mummy. Mummy's in Rome. Paris first, now Rome.
0:02:02 > 0:02:05- Glamorous Mummy, travelling the world.- Yeah.- Yeah.
0:02:05 > 0:02:08She says she misses you very much and can't wait to see you.
0:02:08 > 0:02:10- Babe, we should try Rome for our honeymoon.- Yeah.
0:02:10 > 0:02:12Hey, where you going? Slow down.
0:02:12 > 0:02:15- You don't open up for hours yet. - I know, but...- No buts.
0:02:15 > 0:02:19It's a local curry house, not some multinational conglom...thingy.
0:02:19 > 0:02:21- Conglomerate.- Whatever.
0:02:21 > 0:02:25It's not "whatever" though, is it? It's me trying to provide for my family.
0:02:25 > 0:02:26Don't shout.
0:02:26 > 0:02:28I'm not shout...
0:02:30 > 0:02:32I'm not shouting. I'm sorry.
0:02:34 > 0:02:35I just didn't sleep much.
0:02:35 > 0:02:37I'm not surprised.
0:02:38 > 0:02:40You're going to have to slow down, Sy.
0:02:40 > 0:02:42I can't slow down.
0:02:44 > 0:02:47- I used to be good at this. - And you still are.
0:02:47 > 0:02:50But providing for your family isn't just about money.
0:02:50 > 0:02:52This is the good life.
0:02:54 > 0:02:55Try enjoying it.
0:02:56 > 0:02:58Please don't guilt-trip me.
0:02:58 > 0:03:01I'm not guilt-tripping you, I is truth-tripping you.
0:03:01 > 0:03:03CHRISTIAN CHUCKLES
0:03:03 > 0:03:06Look, it was Tam's fault the business went down, not yours.
0:03:06 > 0:03:10All right? it's not worth killing yourself over. It's his mess.
0:03:12 > 0:03:14- What we going to do now? Huh?- Horse.
0:03:17 > 0:03:19- ROXY:- Michael?
0:03:21 > 0:03:24Michael, do you want your eggs poached or scrambled?
0:03:26 > 0:03:27Michael!
0:03:41 > 0:03:44Um...excuse me. There's a, um...
0:03:44 > 0:03:47There's a delivery guy downstairs and he wants your signature.
0:03:47 > 0:03:49Why can't you sign for it?
0:03:49 > 0:03:51Well, he said he wants the manager's signature,
0:03:51 > 0:03:53because of duplicate copies or something? I don't know.
0:03:53 > 0:03:55I ain't the manager, am I?
0:03:55 > 0:03:56- Well,- I- ain't the manager.
0:03:56 > 0:04:00But if you're open to discussion on a promotion, then I'm sure we can make this happen.
0:04:00 > 0:04:01Or not.
0:04:07 > 0:04:08You know...
0:04:10 > 0:04:13You know, I would go with the rouge, you know.
0:04:13 > 0:04:16You know, it's classy. It's the word of amor, as they say in Spain.
0:04:16 > 0:04:17And you know what, Philly Boy?
0:04:17 > 0:04:21You... You are a ladies man. Just like Fats, you know.
0:04:21 > 0:04:23Do you mind if I call you Phil...ly...Boy?
0:04:23 > 0:04:24OK.
0:04:32 > 0:04:33Er...Mr Mitchell?
0:04:33 > 0:04:34You still here?
0:04:34 > 0:04:37Um, remember I said I have to leave a bit earlier today
0:04:37 > 0:04:39to do the gig tonight?
0:04:39 > 0:04:41I just wanted you to know that you're welcome to come...
0:04:41 > 0:04:43and obviously you get a free ticket, innit.
0:04:43 > 0:04:45All you got to do is just ask, yeah?
0:04:48 > 0:04:50HE EXHALES
0:04:52 > 0:04:53- QUIETLY:- Mr Mitchell?
0:04:53 > 0:04:54WHAT?!
0:04:54 > 0:04:57The delivery guy. Downstairs. He's a little bit angry. Just...
0:04:57 > 0:04:58HE SIGHS
0:05:01 > 0:05:04Yeah, he's great. He's great. He's got a killer left-jab on him.
0:05:04 > 0:05:06You should definitely have a look at him.
0:05:06 > 0:05:08All right.
0:05:08 > 0:05:10Listen, I've got to go - there's someone on the other line.
0:05:10 > 0:05:12Yep, cheers then.
0:05:12 > 0:05:14Michael Moon.
0:05:17 > 0:05:18Right.
0:05:19 > 0:05:22So what does that mean? What are you saying?
0:05:22 > 0:05:23- ROXY WHISPERS:- Michael?
0:05:23 > 0:05:26- I tell you what, why don't you just...- Michael!
0:05:26 > 0:05:29..do what you can do, yeah? And just get back to me.
0:05:29 > 0:05:30All right, thanks. Cheers.
0:05:30 > 0:05:33I took a guess. I went with scrambled.
0:05:34 > 0:05:36- I'm not hungry. - Dippy eggs and soldiers?
0:05:36 > 0:05:38- I'm not hungry. - Nobody's too old for dippy eggs...
0:05:38 > 0:05:40SHUT UP! I'm not hungry!
0:05:40 > 0:05:41SHE SCOFFS
0:05:43 > 0:05:46So what was that? Is that joke, I don't get the punchline?
0:05:46 > 0:05:47No, you're the punchline, Rox!
0:05:47 > 0:05:50I don't want you coming into my house and making me eggs!
0:05:50 > 0:05:52I don't want you buying me foil!
0:05:54 > 0:05:57Sorry if I've done something to offend you, Michael.
0:05:57 > 0:05:59I would appreciate it if you told me now.
0:05:59 > 0:06:02All right. GET OUT!
0:06:07 > 0:06:09Do you know what, it is like one step forward
0:06:09 > 0:06:12and 20 steps back with you, Michael!
0:06:12 > 0:06:14MICHAEL! OI!
0:06:16 > 0:06:19- Fine. Make your own eggs. - SHE SIGHS
0:06:30 > 0:06:32DOOR SLAMS
0:06:50 > 0:06:51- Roxy?- No, Phil, not now.
0:06:51 > 0:06:54Just one minute. Just come here, will you?
0:06:56 > 0:06:59You don't fancy giving me a hand with this lot, do you?
0:06:59 > 0:07:00No, funnily enough, I don't.
0:07:00 > 0:07:03Jean signed for it. It's all been double-ordered.
0:07:03 > 0:07:06- I ain't your skivvy, all right? - I'm not asking you to be.
0:07:06 > 0:07:09I mean... You've got the experience, ain't you?
0:07:09 > 0:07:12- You know how this place works, how the orders work.- What are you saying?
0:07:12 > 0:07:14I'm asking you to come work for me...
0:07:14 > 0:07:16I'm asking you to come and run this place.
0:07:16 > 0:07:17What about Kat and Alfie?
0:07:17 > 0:07:20Well, I don't see them, do you?
0:07:25 > 0:07:27Er, excuse me... I saw...
0:07:27 > 0:07:30- Come back. I saw that.- What?
0:07:30 > 0:07:31Open it.
0:07:31 > 0:07:32No.
0:07:32 > 0:07:34It's not a question, Abi. Open the bag.
0:07:40 > 0:07:42What's that?
0:07:42 > 0:07:44What do you mean?
0:07:44 > 0:07:46I thought you were stealing your dad's whisky.
0:07:46 > 0:07:49I'm not Lauren, and I'm helping Lola.
0:07:49 > 0:07:51You're helping...? Helping her what?
0:07:51 > 0:07:54- Clean. Problem? - Yeah, there is a PROBLEM, actually.
0:07:54 > 0:07:57My problem is that you should be concentrating on your schoolwork...
0:07:57 > 0:08:00Well, I have a free period, so you can chill out.
0:08:00 > 0:08:01No, I won't "chill out", dude.
0:08:01 > 0:08:03- Oh, you are so embarrassing.- Abi!
0:08:03 > 0:08:07Abi, free periods were designed for you to catch up with your schoolwork, all right?
0:08:07 > 0:08:10They're not for you to go hanging around with...ASBO Annie
0:08:10 > 0:08:13and whatever other waifs and strays her kind associate with.
0:08:13 > 0:08:15"Her kind"? You are such a snob!
0:08:15 > 0:08:18I'm not a snob. I resent that.
0:08:19 > 0:08:20Abi!
0:08:20 > 0:08:24Abi. Don't you walk away from me, young lady.
0:08:24 > 0:08:26Dad, Mum's being a proper snob.
0:08:26 > 0:08:28Max!
0:08:28 > 0:08:31Oi, any time you feel like chipping in?
0:08:32 > 0:08:34Abs, yeah, listen to your mum, will you?
0:08:37 > 0:08:38Right, ready?
0:08:38 > 0:08:40Listen to me. I am loaning you that money, OK?
0:08:40 > 0:08:43and you will return it to me once it turns a healthy profit.
0:08:43 > 0:08:45- And what if I can't turn a profit? - Syed, then...
0:08:45 > 0:08:47Hello.
0:08:47 > 0:08:49I thought you'd be at work.
0:08:49 > 0:08:51I had holiday to take. You staying?
0:08:51 > 0:08:54- Your mother's got samosas in the kitchen. - No, no, no, he was just going.
0:08:54 > 0:08:58Came to check on his mother. Bathroom won't clean itself.
0:08:58 > 0:08:59Fun holiday(!)
0:08:59 > 0:09:00Mm.
0:09:03 > 0:09:05When I finish here, I am going to the bank.
0:09:05 > 0:09:08- No. - And then I am giving you that money.
0:09:08 > 0:09:12This is as much about protecting Tamwar as it is about you. Agreed?
0:09:12 > 0:09:13Ma...
0:09:14 > 0:09:17Roberts, you heard of him? Coach Roberts.
0:09:17 > 0:09:20He's got a chain of barbers over the East End. No?
0:09:20 > 0:09:22Well, anyway, 5K he's offering.
0:09:22 > 0:09:24For merchandising, for logos. You know, ringside stuff.
0:09:24 > 0:09:26Right. And what does he want?
0:09:26 > 0:09:29Kudos, I suppose. He always bangs on about family, this geezer.
0:09:29 > 0:09:32- He made good, wants to give back. - Why are we getting involved now?
0:09:32 > 0:09:33"Why now?" Why not now?
0:09:33 > 0:09:35What do you want me to do about it?
0:09:35 > 0:09:37- I want you to schmooze him.- Oh...
0:09:37 > 0:09:39I want you to put on that famous Branning charm.
0:09:39 > 0:09:42- Go on, like you're laying on that bit of fluff you got.- Yeah?
0:09:42 > 0:09:45Well, you say that to Sharon's face, go on, I'll give you the 5K myself.
0:09:45 > 0:09:47You all right, Jack? You all right, Michael?
0:09:47 > 0:09:48You all right, mate? Hello.
0:09:48 > 0:09:51- Cup of tea and an orange juice, please.- Yeah.
0:09:51 > 0:09:53- You seen the left foot on him? - Yeah?
0:09:53 > 0:09:56Yeah, he's like Ramos, Iniesta and Messi all rolled into one, ain't ya?
0:09:56 > 0:09:59- Oi, where's your patriotism? - I lost that after Italia '90.
0:09:59 > 0:10:02That's when you lost your barnet, weren't it? So why ain't he at school?
0:10:02 > 0:10:05Well, he's "ill". Ain't you, eh? Not well.
0:10:05 > 0:10:08"Ill"? Yeah, not too ill to play football though.
0:10:09 > 0:10:10- See ya.- See ya.
0:10:10 > 0:10:11See ya later.
0:10:14 > 0:10:16Abs, what are you doing here?
0:10:16 > 0:10:19I thought you were meant to be studying?
0:10:19 > 0:10:22This is part of studying. It's a...social outreach programme.
0:10:24 > 0:10:25You lying to me?
0:10:25 > 0:10:26No.
0:10:32 > 0:10:36"Social outreach programme"?
0:10:36 > 0:10:38Nice one.
0:10:38 > 0:10:40- So gullible.- Come on, hurry up.
0:10:40 > 0:10:42We've got the B&B to do before lunch. Come on.
0:10:43 > 0:10:45I can't believe you were looked over.
0:10:45 > 0:10:47I can't believe YOU were looked over.
0:10:47 > 0:10:50No, nobody knows this place better than you.
0:10:50 > 0:10:52You know what? Supposedly she starts on Monday
0:10:52 > 0:10:54and she's already on the payroll. I know!
0:10:54 > 0:10:58You're the decorators, can't you bring the paint?
0:10:58 > 0:11:00Well, I don't know, do I?
0:11:01 > 0:11:03Oh, yeah, thanks a lot(!) Thanks. I'll do that.
0:11:07 > 0:11:08HE SIGHS
0:11:16 > 0:11:18I'm going out. Um...
0:11:18 > 0:11:21If there's any problems, ring Roxy. Not me.
0:11:24 > 0:11:26- Hello, Mum.- Argh!
0:11:26 > 0:11:28Are you trying to give me a heart attack or something?!
0:11:28 > 0:11:31I didn't mean to scare you, but I do want to run something by you.
0:11:31 > 0:11:33- I can't. I need to get to the bank. - It's about Sy.
0:11:33 > 0:11:36Has he changed his mind about your partnership?
0:11:36 > 0:11:38No. But he is totally stressed out.
0:11:38 > 0:11:42I don't know, I just thought things are so good between all of us,
0:11:42 > 0:11:45it would be nice for us to get together, help take his mind off things.
0:11:45 > 0:11:47And what exactly would this get-together entail?
0:11:47 > 0:11:50Just a small, intimate gathering.
0:11:50 > 0:11:51Break some bread, you know?
0:11:51 > 0:11:55"Break some bread"? Is that some kind of gay metaphor?
0:11:55 > 0:11:59No, it is not a "gay metaphor". Is Masood free or not?
0:11:59 > 0:12:01Masood is free when I tell him he is free.
0:12:01 > 0:12:04Secrets to a successful marriage - take note.
0:12:04 > 0:12:06- Is that a yes?- Er...
0:12:07 > 0:12:10Right, we need four of the beers.
0:12:10 > 0:12:12Two ciders.
0:12:12 > 0:12:13And one crate of...
0:12:14 > 0:12:17No, TWO crates of Prosecco.
0:12:17 > 0:12:20And coffee mornings - I think we're going to have to knock them on the head.
0:12:20 > 0:12:21Joey!
0:12:24 > 0:12:27Oh, you're not Joey.
0:12:27 > 0:12:29I, er... I need your help. It's important.
0:12:29 > 0:12:31What's happened?
0:12:33 > 0:12:34Like I said, I need your help.
0:12:34 > 0:12:36Look, I'm a bit busy right now.
0:12:38 > 0:12:39Phil, wait.
0:12:40 > 0:12:42You're going to owe me for this one.
0:12:43 > 0:12:44HE CHUCKLES
0:12:45 > 0:12:47Thank you. There you go.
0:12:47 > 0:12:49Cheers.
0:12:49 > 0:12:51Right, order 78.
0:12:51 > 0:12:52Yeah, that's me.
0:12:52 > 0:12:54Hi.
0:12:54 > 0:12:56- Back again?- Back again.
0:12:56 > 0:12:57Food that good, was it?
0:12:57 > 0:12:58The food was OK.
0:12:58 > 0:13:00Right. Well, enjoy.
0:13:01 > 0:13:04Actually, now I'm here, do you mind if I eat in?
0:13:04 > 0:13:06- Sure, yeah. I'll plate it up for you.- You do that.
0:13:06 > 0:13:07Sorry?
0:13:07 > 0:13:09I said, you do that.
0:13:09 > 0:13:12Right. Well, take a seat.
0:13:17 > 0:13:20Yeah. We'll put Ollie in with Ethan.
0:13:21 > 0:13:22Give him a couple of rounds,
0:13:22 > 0:13:25then we'll rotate him with the other boys.
0:13:25 > 0:13:28Then we'll get Coach Roberts in here, ply him with Scotch.
0:13:28 > 0:13:30- Job's a good 'un.- Yeah, whatever.
0:13:34 > 0:13:37A bit of enthusiasm wouldn't go amiss, Jack.
0:13:37 > 0:13:38Everything all right?
0:13:40 > 0:13:41Why?
0:13:42 > 0:13:44Well, I just bumped into Roxy on the way here.
0:13:44 > 0:13:45How is she?
0:13:45 > 0:13:48I think you know how she is.
0:13:49 > 0:13:51Now, do you want to tell me what's going on?
0:13:51 > 0:13:54- Jenny.- Mr Moon.
0:13:54 > 0:13:55How are you? Come in, please.
0:13:57 > 0:13:59- Jack Branning. Nice to meet you.- Hi.
0:14:01 > 0:14:04So I take it that's my cue to leave then, yeah?
0:14:06 > 0:14:08Nice meeting you. Speak to you in a bit.
0:14:11 > 0:14:13- You all right?- Yeah.
0:14:15 > 0:14:16Let me show you...
0:14:17 > 0:14:19- See you again soon, yeah? - Thank you. Bye.
0:14:30 > 0:14:31Get you a whisky?
0:14:31 > 0:14:33Take a seat.
0:14:44 > 0:14:47- Sorry if I bored you yesterday. - Ah, you didn't bore me.
0:14:47 > 0:14:50- In fact, you made me feel better about my own life.- Charming(!)
0:14:50 > 0:14:52No, seriously.
0:14:52 > 0:14:54Nice to meet someone with drive and ambition.
0:14:54 > 0:14:56Ah, the long road to success?
0:14:56 > 0:14:59Feel like I've broken down on the M1.
0:14:59 > 0:15:01Well, if your car breaks down, fix it.
0:15:01 > 0:15:03If you can't fix it, hitch-hike.
0:15:05 > 0:15:07Come for a drink with me.
0:15:13 > 0:15:15I-I'm working.
0:15:15 > 0:15:17Tonight?
0:15:22 > 0:15:24I don't normally have to ask twice.
0:15:26 > 0:15:27But first time for everything.
0:15:38 > 0:15:39Guess who?
0:15:39 > 0:15:41- CHRISTIAN LAUGHS - Easy tiger!
0:15:41 > 0:15:43What are you doing here?
0:15:43 > 0:15:44Well, that is charming, innit?
0:15:44 > 0:15:46I'm here to say you have the night off.
0:15:46 > 0:15:50Your rather dashing boyfriend is whisking you away for a little surprise.
0:15:50 > 0:15:51You didn't book those tickets, did you?
0:15:51 > 0:15:55- No, you said you didn't want to go. - I don't!
0:15:55 > 0:15:57Besides which, I'm working tonight.
0:15:59 > 0:16:01I'm Danny. I'm a regular.
0:16:01 > 0:16:04- Good food, eh? - Yeah, well, the service is better.
0:16:04 > 0:16:07Yeah, well not tonight, stud, because you are mine.
0:16:07 > 0:16:10Before you start panicking, I've already arranged cover,
0:16:10 > 0:16:13so you can just chill, OK?
0:16:13 > 0:16:15Happy?
0:16:15 > 0:16:16I bet he is.
0:16:19 > 0:16:21See you, Danny.
0:16:28 > 0:16:30JACK CLEARS HIS THROAT
0:16:30 > 0:16:31No, thanks.
0:16:33 > 0:16:35So, do you want to tell me who that fit blonde was?
0:16:37 > 0:16:40She's just some bird doing a bit of business for me, that's all.
0:16:40 > 0:16:42What, for the gym?
0:16:42 > 0:16:44No.
0:16:55 > 0:16:58Listen, you want to get here. You need to get here now.
0:16:59 > 0:17:01I don't know, just something ain't right.
0:17:03 > 0:17:06- All right, keep 'em closed. - Christian, I'm going to trip over.
0:17:06 > 0:17:08Ready? Ta-da!
0:17:09 > 0:17:13- Hey, what are you doing here? - Oh, nice to see you too, son(!)
0:17:13 > 0:17:16No, I mean... Actually, that is what I mean. What are you doing here?
0:17:16 > 0:17:20Christian thought it would be nice for all of us to spend time together.
0:17:20 > 0:17:21I've got Ludo!
0:17:21 > 0:17:24All right, sit down. Food's in the oven.
0:17:24 > 0:17:25Where's Yas?
0:17:25 > 0:17:28Oh, AJ'S got her and Kamil, we've got the night off.
0:17:28 > 0:17:31Whether he still has them at the end of the night is another matter.
0:17:31 > 0:17:34- That reminds me, I wanted to show you Yasmin's room.- Yes.
0:17:34 > 0:17:37- Syed, take this. - Mum, what are you doing?
0:17:37 > 0:17:40- Syed, now please. - I told you, I don't want it.
0:17:40 > 0:17:42- Syed, just take it!- Mum, no.
0:17:42 > 0:17:43- Nice, isn't it?- Yeah, it's great!
0:17:43 > 0:17:45So what can I do to help?
0:17:45 > 0:17:48- Zee, come and have a look at this. - OK.
0:17:53 > 0:17:56Sy, we have waited a hell of a long time for your parents
0:17:56 > 0:17:59to even feel comfortable enough to be in this house for dinner.
0:17:59 > 0:18:01Yet here they are.
0:18:01 > 0:18:03So, please, make an effort.
0:18:03 > 0:18:06- I'm fine. - Well, tell your face that, eh?
0:18:13 > 0:18:15- What you doing here?- I called her.
0:18:15 > 0:18:18- Why don't you turn around and do one?- OK, I told you.
0:18:18 > 0:18:21- What do you think you're playing at? - Where's Scarlett?- In the office.
0:18:21 > 0:18:24- You've left her in the office?! - Yeah, I left her in the office.
0:18:24 > 0:18:26What's it got to do with you? She's a baby.
0:18:26 > 0:18:28Look, he's here, he's here.
0:18:28 > 0:18:30Coach Roberts? Hello.
0:18:30 > 0:18:32- All right, son?- Yeah great. Legend.
0:18:32 > 0:18:35- Jack Branning, my business partner. - Nice to meet you.
0:18:35 > 0:18:36Nice place you've got.
0:18:36 > 0:18:38Yeah, and these are two of our brightest prospects
0:18:38 > 0:18:40- Ain't they, Jack? - Yeah, they are. Yeah.
0:18:40 > 0:18:45So why don't you do me a favour and jog on. Very good.
0:18:45 > 0:18:46Why don't I give you a guided tour?
0:18:51 > 0:18:54Babe, give it a break, will you? You're giving me an earache.
0:18:54 > 0:18:57Why? Cos I don't want my daughter hanging out with the wrong crowd?
0:18:57 > 0:19:00What do you want me to do? Go over to her and tell her she can't go out?
0:19:00 > 0:19:03Well, yeah, if that's what it takes.
0:19:03 > 0:19:04I want you to do SOMETHING.
0:19:12 > 0:19:14- Abi, say goodnight.- What?
0:19:14 > 0:19:17You're going to have dinner with me and your mum.
0:19:17 > 0:19:19- We're only talking. - Yeah, chill out, man.
0:19:19 > 0:19:21If I want your input, I'll ask for it.
0:19:21 > 0:19:23- I'm not hungry. - It weren't a question.
0:19:23 > 0:19:26- Dad!- Come on.- Get off me! You're embarrassing me.
0:19:26 > 0:19:27Mum, tell him.
0:19:27 > 0:19:28Sorry, darling.
0:19:28 > 0:19:30Come on, sit down.
0:19:30 > 0:19:33Have a bit of respect, will you? For me and your mum.
0:19:33 > 0:19:34Well, they're my friends.
0:19:34 > 0:19:37Yeah, you want to start looking for some new ones, don't you?
0:19:37 > 0:19:40This is so unfair. I didn't do anything.
0:19:40 > 0:19:43"Social outreach programme"? You think I was born yesterday?
0:19:45 > 0:19:47Oh, hello. You look like you've been having fun.
0:19:47 > 0:19:49Oh, don't you start.
0:19:49 > 0:19:52I've spent the best part of the day looking at 50 shades of white.
0:19:52 > 0:19:53Right, I think I owe you a drink.
0:19:53 > 0:19:56Nah, I best get back to Denny. Ian's baby-sitting.
0:19:56 > 0:19:58Have one. It's on the house.
0:19:58 > 0:20:00- No, I shouldn't.- Oh, go on. - But I will.
0:20:00 > 0:20:02Do you want a hand taking this lot upstairs first?
0:20:02 > 0:20:05No, there's more in the motor. I'll get Max to give me a hand.
0:20:05 > 0:20:06Nice of me to offer(!)
0:20:06 > 0:20:09Right, well, I need the little girls' room.
0:20:09 > 0:20:11So G&T, please. Double.
0:20:16 > 0:20:17I know what you're doing.
0:20:17 > 0:20:19Done it before myself.
0:20:19 > 0:20:20Oh, I'm sure it'll look lovely,
0:20:20 > 0:20:23fresh coat of paint and all that, you know.
0:20:23 > 0:20:25But it doesn't hide the fact, does it?
0:20:25 > 0:20:27What fact?
0:20:27 > 0:20:30That you're on your own. Just like me.
0:20:37 > 0:20:39This kid here, this Ethan - he's got a great jab on him.
0:20:39 > 0:20:41And that's what we want to do, you know?
0:20:41 > 0:20:45We want to get a bit of money and bring young talent in...
0:20:45 > 0:20:47so we want to get you on the firm if you'd be interested.
0:20:47 > 0:20:51Yeah, definitely. That's something we can talk about, yeah.
0:20:52 > 0:20:54Very sharp.
0:20:54 > 0:20:55Excuse me.
0:20:56 > 0:20:58What you doing? Oi, what you doing?
0:20:58 > 0:21:00- Seriously, what is your problem? - You are.
0:21:00 > 0:21:03Yeah, I kind of guessed that. Do you mind telling me why?
0:21:03 > 0:21:05Don't take my kid from under my nose, twice in a day.
0:21:05 > 0:21:06Is that what this is about?
0:21:06 > 0:21:09Cos I took Scarlett to the shops? Get a grip!
0:21:09 > 0:21:11Runs in the family, don't it?
0:21:14 > 0:21:15You... Pathetic.
0:21:17 > 0:21:20Don't turn your back on me! Oi! Oi! I'm talking to you.
0:21:20 > 0:21:22- Ssh!- Michael...
0:21:23 > 0:21:24..do you want to calm down?
0:21:28 > 0:21:30SCARLETT CRIES
0:21:33 > 0:21:35Do you know what?
0:21:35 > 0:21:38I am an absolute sucker for a happy ending.
0:21:38 > 0:21:42Ugh. Sentimental tripe. That's what that was.
0:21:42 > 0:21:45What about the bit with the boy playing the drums?
0:21:45 > 0:21:47That was powerful stuff.
0:21:47 > 0:21:49Boy playing the drums? That was not powerful!
0:21:49 > 0:21:52That was drums and boy. Bang, bang.
0:21:52 > 0:21:54Masood...
0:21:54 > 0:21:56have you been crying?
0:21:56 > 0:21:57No, of course I haven't been crying.
0:21:57 > 0:21:59Oh, you're such a girl.
0:21:59 > 0:22:01Just pass the tissues, will you?
0:22:01 > 0:22:02Yes, of course, baby diddums.
0:22:04 > 0:22:06We j'adore that movie, don't we?
0:22:06 > 0:22:08- Yeah.- Well, one OK-ish scene.
0:22:08 > 0:22:09Which one?
0:22:09 > 0:22:12You know, when she goes up to the bedroom and she's all like,
0:22:12 > 0:22:15"Oh, I need to cry. No, I'm not going to cry. Oh, I need to cry.
0:22:15 > 0:22:16"No, no I'm a really strong woman."
0:22:16 > 0:22:18Oh! Cry already!
0:22:18 > 0:22:20- That's our favourite scene. Isn't it, babe?- Yeah.
0:22:20 > 0:22:21OK...
0:22:21 > 0:22:23who's for Ludo?
0:22:23 > 0:22:24- Me!- Yes, me!
0:22:24 > 0:22:27Actually, I'm pretty tired.
0:22:27 > 0:22:28Well, OK then. We don't have to.
0:22:28 > 0:22:30What about another movie?
0:22:30 > 0:22:33- I'll just go to bed.- Actually, Zee, we should be getting home.
0:22:33 > 0:22:35- What?! I'm having fun. - It's getting late.
0:22:35 > 0:22:37It's not getting late, Masood.
0:22:37 > 0:22:40OK, fine. You crybaby.
0:22:41 > 0:22:43I'll show you out.
0:22:43 > 0:22:45- What is wrong with you?- Nothing.
0:22:45 > 0:22:46Come on, Zee.
0:22:46 > 0:22:49Listen, thanks for coming over, yeah? We had a really good time.
0:22:49 > 0:22:51Thank you for having us. Mwah!
0:22:51 > 0:22:53- Didn't we, Sy?- Yeah.
0:22:56 > 0:22:58- What was all that about? - I don't know.
0:22:58 > 0:23:00Why are we being ushered out?
0:23:00 > 0:23:02- Is it because of what I said about the film?- No.
0:23:02 > 0:23:04That boy can be so sensitive sometimes.
0:23:04 > 0:23:06OK. Thank you for the lovely evening. Goodnight.
0:23:06 > 0:23:08Listen, you tell him, Christian. Sort him out.
0:23:08 > 0:23:10- Goodnight.- Goodnight.
0:23:17 > 0:23:18What?
0:23:18 > 0:23:21I thought you had everything you ever wanted.
0:23:21 > 0:23:24Can't you at least pretend to be happy.
0:23:24 > 0:23:25I am.
0:23:26 > 0:23:28I'm going to bed.
0:23:53 > 0:23:57Make sure you lock up when you're done.
0:23:57 > 0:23:59You sure you're going to be all right with him?
0:23:59 > 0:24:01Yeah, I'll be fine, thanks. Go on, go.
0:24:11 > 0:24:12What do you want?
0:24:14 > 0:24:19Well, believe it or not, Michael, I'm actually worried about you.
0:24:19 > 0:24:21How touching(!)
0:24:22 > 0:24:25OK. All right. Fine. See you later.
0:24:26 > 0:24:28Eight days.
0:24:31 > 0:24:35She left the country eight days ago.
0:24:35 > 0:24:37I don't know where she's gone.
0:24:40 > 0:24:42They found her car at Heathrow.
0:24:45 > 0:24:48She...left these.
0:24:48 > 0:24:49The rings.
0:24:52 > 0:24:55But that's not all she's left, is it?
0:24:57 > 0:24:58Look...
0:24:59 > 0:25:02Me... I understand me.
0:25:04 > 0:25:06You know, I know... I know about me.
0:25:08 > 0:25:12But how can you do that? How can you leave someone like that?
0:25:12 > 0:25:14What kind of person does that?
0:25:19 > 0:25:20Look...
0:25:20 > 0:25:23Michael, listen, I'm...
0:25:23 > 0:25:25I don't know.
0:25:25 > 0:25:27It's OK. You...
0:25:27 > 0:25:31You're not the first person in the world to be a single parent, are you?
0:25:33 > 0:25:35I guess at least you know now.
0:25:36 > 0:25:39You know for certain she's gone and she's not coming back, is she?
0:25:39 > 0:25:40Hm?
0:25:42 > 0:25:43Michael.
0:25:44 > 0:25:47You're not alone with this, OK?
0:25:47 > 0:25:49Oi, you've got me.
0:25:50 > 0:25:54You've got family. You've got people who really want to help you.
0:25:56 > 0:25:59And you...have got Scarlett, Michael.
0:26:04 > 0:26:06Today.
0:26:06 > 0:26:07Today, you...
0:26:09 > 0:26:12You took...my baby away.
0:26:13 > 0:26:15And you didn't... And...
0:26:16 > 0:26:18And then you brought her back.
0:26:18 > 0:26:22I know and I'm sorry, I didn't mean to scare you.
0:26:22 > 0:26:24Yeah, you don't understand. I didn't care.
0:26:28 > 0:26:29I was relieved.
0:26:31 > 0:26:33I was relieved that she'd gone.
0:26:35 > 0:26:37And I was DISAPPOINTED...
0:26:39 > 0:26:42..when you brought her back.
0:26:42 > 0:26:45Ooh! That's hardcore. I'm a monster.
0:26:52 > 0:26:54Michael.
0:26:54 > 0:26:58Michael, you get up NOW and you hold her. Get up.
0:26:58 > 0:27:00Get up.
0:27:00 > 0:27:02Michael.
0:27:02 > 0:27:03Get up.
0:27:30 > 0:27:31- What?- Take her.
0:27:31 > 0:27:33- SCARLETT CRIES - Michael?- Just take her.- Michael!
0:27:33 > 0:27:35Michael, what are you doing?
0:27:35 > 0:27:38Michael? Michael!
0:27:38 > 0:27:39CRYING CONTINUES
0:27:39 > 0:27:40Michael!
0:28:12 > 0:28:15Subtitles by Red Bee Media Ltd