0:00:35 > 0:00:38MOBILE PHONE RINGS
0:00:41 > 0:00:43Is this to apologise or explain?
0:00:47 > 0:00:48Son?
0:00:48 > 0:00:51Oh come on, Son, don't be like that. We're all right now, aren't we?
0:00:51 > 0:00:53I'm doing what you want me to do, and what everyone else
0:00:53 > 0:00:56wants me to do - I'm seeing the genetics doctor this afternoon,
0:00:56 > 0:00:58so you can all stop going on about it.
0:00:58 > 0:01:00KNOCK ON WINDOW
0:01:21 > 0:01:23KNOCK ON DOOR
0:01:30 > 0:01:32What's happened? Is there some news?
0:01:32 > 0:01:35Have you've not had the TV or radio on this morning then?
0:01:35 > 0:01:36No, why?
0:01:36 > 0:01:38Can I come in?
0:01:38 > 0:01:39Yeah, come through.
0:01:45 > 0:01:46What's with the box?
0:01:46 > 0:01:49It's some of Lucy's belongings. I thought you'd like them back.
0:01:50 > 0:01:53You haven't come here just to tell us that, have you?
0:01:53 > 0:01:55No. Um...
0:01:56 > 0:01:58There's been a development,
0:01:58 > 0:02:01and I wanted you to be the first to know.
0:02:01 > 0:02:02Only sadly...
0:02:03 > 0:02:06Look, I'm not going to bore you with the internal politics of the Met.
0:02:06 > 0:02:09Suffice to say that, somehow, there's been a leak.
0:02:09 > 0:02:11Now, everyone's playing pass the parcel.
0:02:12 > 0:02:14Hand on heart, I don't know the details,
0:02:14 > 0:02:15but the fact is...
0:02:15 > 0:02:20this news - the news that I wanted you to be first to know -
0:02:20 > 0:02:23it's already got into the hands of the press.
0:02:34 > 0:02:36Thanks for helping.
0:02:36 > 0:02:38You're welcome, Denise.
0:02:39 > 0:02:40What do you want?
0:02:40 > 0:02:43I was wondering whether you could put this little ad
0:02:43 > 0:02:45- in your shop window for me. - Yes.
0:02:45 > 0:02:47MOBILE PHONE RINGS
0:02:48 > 0:02:49Hello?
0:02:49 > 0:02:52Just wanted to know how you're doing?
0:02:52 > 0:02:54I'm fine, honestly.
0:02:54 > 0:02:57And you're getting on with Ian OK?
0:02:57 > 0:03:00Listen, I'd really love to stop and chat,
0:03:00 > 0:03:02but I've still not done the papers yet.
0:03:04 > 0:03:06Also, there's someone with me.
0:03:06 > 0:03:09Remember what we said about self-sacrifice?
0:03:11 > 0:03:13Try thinking about yourself for a change.
0:03:13 > 0:03:15Yeah, well, I'm trying...
0:03:15 > 0:03:18not to think at all at the moment.
0:03:19 > 0:03:21You all right?
0:03:21 > 0:03:23Yeah...if a man can ever be all right
0:03:23 > 0:03:25with that woman under his roof.
0:03:26 > 0:03:29Well, try thinking about yourself for a change, yeah?
0:03:31 > 0:03:33I'll see you soon.
0:03:33 > 0:03:34Love you.
0:03:34 > 0:03:36Love you, too.
0:03:37 > 0:03:38How much?
0:03:39 > 0:03:43- What? - For the ad, darling? How much?
0:03:43 > 0:03:45Oh, it's 50p for a day.
0:03:47 > 0:03:50Right, here's two weeks.
0:03:50 > 0:03:51You can keep the change.
0:03:53 > 0:03:55Do you know where else I can put it up?
0:03:55 > 0:03:57Yeah, the caff has got a notice board.
0:03:59 > 0:04:02Hm. Yeah, I'd forgotten that. Thank you.
0:04:03 > 0:04:05Denise?
0:04:08 > 0:04:10Sorry. I'm going to need you to...
0:04:10 > 0:04:12just hold the fort, just for two minutes.
0:04:12 > 0:04:17What do you mean, "hold the fort?" What am I supposed to do?
0:04:17 > 0:04:19When did you find this out?
0:04:19 > 0:04:21Late yesterday afternoon.
0:04:21 > 0:04:24We've got no idea how it got out at the moment.
0:04:24 > 0:04:26I can only apologise.
0:04:26 > 0:04:27Ian?
0:04:30 > 0:04:32Oh.
0:04:32 > 0:04:35I was going to show you something but...
0:04:35 > 0:04:37maybe you already know.
0:04:37 > 0:04:38What?
0:04:45 > 0:04:48Emma just told us. They, uh...
0:04:48 > 0:04:50They think Lucy knew her attacker.
0:04:52 > 0:04:55- TELEVISION:- 'Walford police are investigating claims
0:04:55 > 0:04:57'that local girl Lucy Beale,
0:04:57 > 0:04:59'believed to have been killed in a botched mugging attempt over
0:04:59 > 0:05:02'the Easter weekend was, in fact, murdered.'
0:05:02 > 0:05:05- Patrick!- 'The speculation follows an article in the Walford Gazette
0:05:05 > 0:05:07'which claims that Lucy was killed elsewhere
0:05:07 > 0:05:09'and her body placed on the common.'
0:05:09 > 0:05:11- What do you want? - Looks like she was murdered.
0:05:11 > 0:05:14'The 20-year-old's phone and wallet were missing...'
0:05:14 > 0:05:16I know. I heard it on the radio.
0:05:16 > 0:05:19- That lovely girl.- 'So far, the police have made no arrests
0:05:19 > 0:05:20'in connection with the case...'
0:05:20 > 0:05:24Still, you never know what goes on behind closed doors.
0:05:24 > 0:05:26Meaning what exactly?
0:05:27 > 0:05:28Nothing.
0:05:31 > 0:05:33What do you think you're doing?
0:05:36 > 0:05:39- Since when?- Have you started looking for somewhere else to live, yet?
0:05:40 > 0:05:42I've been asking around.
0:05:44 > 0:05:47If you're putting the kettle on, I could do with a cup of tea.
0:05:50 > 0:05:53Da-da-da...
0:06:01 > 0:06:03What are you doing here?
0:06:03 > 0:06:06- Holding the fort. - So, where's Denise?
0:06:06 > 0:06:08She went across the road.
0:06:08 > 0:06:10Here. Look at that.
0:06:11 > 0:06:13Oh, no...
0:06:14 > 0:06:16This is awful.
0:06:16 > 0:06:18Some sick people out there.
0:06:18 > 0:06:21I've just spoken to Jane. Now, I need to speak to you.
0:06:27 > 0:06:31So, how long have you known it weren't a mugging?
0:06:31 > 0:06:33As soon as forensics established that Lucy
0:06:33 > 0:06:35didn't die where she was found.
0:06:35 > 0:06:38There was no distribution of blood at the scene which
0:06:38 > 0:06:41suggests that the murder took place elsewhere...
0:06:41 > 0:06:44What? So she was just...dumped?
0:06:45 > 0:06:47Yes...
0:06:49 > 0:06:50OK, so, do you have names?
0:06:50 > 0:06:52Are you looking for anyone in particular?
0:06:52 > 0:06:55- No, not as yet. - What about the Carter lad?
0:06:55 > 0:06:58Lee Carter's alibi checks out.
0:06:58 > 0:07:00Look, we have got one significant lead, though,
0:07:00 > 0:07:02which isn't in the paper.
0:07:02 > 0:07:03Go on.
0:07:03 > 0:07:06I know I've asked you this before, Mr Beale,
0:07:06 > 0:07:09but, did you have any hint that Lucy was seeing
0:07:09 > 0:07:11anyone other than Mr Carter?
0:07:11 > 0:07:13Why?
0:07:13 > 0:07:16Her phone records show that she was exchanging a significant number
0:07:16 > 0:07:19of texts and calls with someone in the weeks leading up to her death.
0:07:19 > 0:07:22- Who? - Well, that's the question.
0:07:22 > 0:07:24All the calls were made to a pay-as-you-go phone
0:07:24 > 0:07:26with no registered user.
0:07:27 > 0:07:29You've got no idea who that might have been?
0:07:29 > 0:07:32What kind of texts?
0:07:32 > 0:07:34Well they were, um...
0:07:34 > 0:07:36they were of a clandestine nature.
0:07:37 > 0:07:38What are you saying?
0:07:38 > 0:07:40We need to find this person so that
0:07:40 > 0:07:43we can rule them out of our enquiries.
0:07:44 > 0:07:47That's your way of saying that you reckon they did it, yeah?
0:07:47 > 0:07:48We have to keep an open mind.
0:07:49 > 0:07:52When you say "clandestine"...
0:07:53 > 0:07:56Organising trysts and the like.
0:07:56 > 0:07:57Trysts?
0:07:57 > 0:08:01Sorry. Secret meetings.
0:08:01 > 0:08:03So, Lucy was having it off with this bloke.
0:08:03 > 0:08:05I mean, that's basically what you're saying, yeah?
0:08:07 > 0:08:09Are we likely to know who this person is?
0:08:11 > 0:08:12That is a possibility.
0:08:18 > 0:08:19I've been dumped!
0:08:20 > 0:08:23And when I ask why, I get waves of guilt coming down the phone.
0:08:23 > 0:08:25Now, you know something.
0:08:25 > 0:08:26No!
0:08:26 > 0:08:30I'll ask you again, what did you and her talk about before she left?
0:08:30 > 0:08:32- Nothing.- Shabnam...
0:08:33 > 0:08:35I've been going through it all in my head,
0:08:35 > 0:08:37and I understand she's upset.
0:08:37 > 0:08:40I understand her needing to take Bobby away. But, dumping me?
0:08:40 > 0:08:44And then, at 4am, it occurs to me, of course - Ian.
0:08:44 > 0:08:46It has something to do with her and Ian, doesn't it?
0:08:48 > 0:08:49Shabnam, don't you dare lie to me!
0:08:49 > 0:08:52I need to know the truth.
0:08:52 > 0:08:54It's to do with her and Ian, isn't it?
0:08:58 > 0:08:59Has she slept with him?
0:09:04 > 0:09:06That's all I need to know.
0:09:08 > 0:09:12"20-year-old Lucy ran a successful letting agency
0:09:12 > 0:09:14"near Albert Square, East Walford.
0:09:14 > 0:09:16"Blonde Lucy may have been..."
0:09:16 > 0:09:18Stop reading it now.
0:09:18 > 0:09:20As if the colour of her hair is even relevant.
0:09:22 > 0:09:24- Hi.- You all right?
0:09:24 > 0:09:27The restaurant's still closed so I'm filling in.
0:09:27 > 0:09:28It's better than being laid off.
0:09:31 > 0:09:33Before you ask, I phoned the hospital,
0:09:33 > 0:09:35so, there's no need for this conversation.
0:09:35 > 0:09:38Good. That's not why I'm here, though.
0:09:38 > 0:09:41I waved at you earlier and you ignored me.
0:09:41 > 0:09:45I understand you being confused... I'm a bit confused myself.
0:09:45 > 0:09:47But, we can't pretend it never happened.
0:09:47 > 0:09:49What am I supposed to say?
0:09:49 > 0:09:51I just think we should clear the air.
0:09:51 > 0:09:53- Well, not here and not now. - All right.
0:09:53 > 0:09:56Well, let's grab five minutes when we swap shifts then, yeah?
0:09:56 > 0:09:58Least it weren't your first time.
0:10:00 > 0:10:02- Son....- In a minute.
0:10:06 > 0:10:09I feel sick.
0:10:09 > 0:10:11Fats, go after her will you?
0:10:11 > 0:10:12Listen...
0:10:12 > 0:10:15Look, I know you're nervous about this appointment today,
0:10:15 > 0:10:17so I want to come with you. Kat will look after the stall.
0:10:17 > 0:10:18I'm not even ill yet.
0:10:22 > 0:10:26- There you go.- That copper's still over there. How long's that been now?
0:10:26 > 0:10:28Well, how do you know it's a copper?
0:10:28 > 0:10:30Well, who else is going to be there at this hour?
0:10:30 > 0:10:33Do you think it's to do with what was on the news?
0:10:33 > 0:10:35No, I reckon they know something.
0:10:36 > 0:10:39You still worried about Sonia?
0:10:39 > 0:10:42No, no. I was just thinking about Ian.
0:10:44 > 0:10:47Do you know what, if I wasn't feeling so washed out
0:10:47 > 0:10:49I'd go over there and see him.
0:10:49 > 0:10:51Aye, aye...
0:10:51 > 0:10:52She's coming out with Ian.
0:10:55 > 0:10:59- I'm going to go over there now. - Hey? No, no, no.
0:10:59 > 0:11:01No, you stay here.
0:11:01 > 0:11:03- I'll do it. - Why? What are you up to?
0:11:03 > 0:11:06- Up to?- It's not like you.
0:11:06 > 0:11:10I can be a nice person, Carol. Sometimes I can.
0:11:10 > 0:11:14All right. Well, that is a kind thing to do.
0:11:15 > 0:11:17Do you want me to pop back at lunchtime?
0:11:17 > 0:11:19No, no, no, I'd rather sort it all on my own.
0:11:19 > 0:11:22All right. Well, good luck, then.
0:11:22 > 0:11:23David...
0:11:25 > 0:11:26..you know.
0:11:28 > 0:11:31One of the things I love most about you Carol Jackson,
0:11:31 > 0:11:33is you make me try and be a better person.
0:11:35 > 0:11:37David, you've known me for over 35 years.
0:11:37 > 0:11:41I said "try," I didn't say anything about having succeeded. Ta-ta.
0:11:41 > 0:11:42See you.
0:11:48 > 0:11:52I just want to get some sense of why...
0:11:52 > 0:11:53or who...
0:11:53 > 0:11:58Mr Beale - Ian - I understand your need for answers, but please...
0:11:58 > 0:11:59Leave the detective work to you.
0:12:01 > 0:12:03Look, if you start questioning potential witnesses,
0:12:03 > 0:12:05it's only going to slow things up.
0:12:06 > 0:12:08I understand.
0:12:08 > 0:12:10You've got my number. So, if anything occurs...
0:12:14 > 0:12:15Ian...
0:12:17 > 0:12:20Look, I know we've had our differences in the past, mate,
0:12:20 > 0:12:22and I ain't been too kind to you.
0:12:23 > 0:12:24But, I'm a dad as well...
0:12:24 > 0:12:27Hey, where are you going? Hang on, hang on.
0:12:27 > 0:12:30Look, I just wanted to say if there's anything...
0:12:30 > 0:12:32anything I can do for you...
0:12:33 > 0:12:36- Was it you?- Was what me?
0:12:36 > 0:12:39Was it you sending her the sleazy texts? Arranging to meet her?
0:12:39 > 0:12:40I don't know what you're talking about.
0:12:43 > 0:12:44I wouldn't put anything past you.
0:13:01 > 0:13:03I don't know, Ian, I really don't...
0:13:03 > 0:13:05Has she mentioned a name or anything?
0:13:05 > 0:13:08Look, if I knew anything more I would tell you.
0:13:08 > 0:13:09Please think back, OK.
0:13:09 > 0:13:12You might have thought at the time that it was nothing,
0:13:12 > 0:13:14but, it could be something now.
0:13:14 > 0:13:17Look, Lauren knew her a lot better than I did, so...
0:13:17 > 0:13:20Do you know where she is?
0:13:20 > 0:13:22She was here before, but I think she went home.
0:13:26 > 0:13:28- Wait, I need to speak to you. - Not now, Masood. Please.
0:13:28 > 0:13:31I know, all right? What, anyone would think you hadn't have a clue
0:13:31 > 0:13:33- what I'm talking about. - Now is not a good time.
0:13:33 > 0:13:35I know how I'm supposed to react, Ian.
0:13:35 > 0:13:37"Ian's just lost his daughter. He's all over the place.
0:13:37 > 0:13:40"So what if he's just bedded your girlfriend?"
0:13:40 > 0:13:43- Please, I'm begging you.- To hell with it, Ian. To hell with it.
0:13:43 > 0:13:46I don't care how vulnerable you were or how much comforting you needed.
0:13:46 > 0:13:49Your daughter is barely cold on the slab and you're in bed with Jane.
0:13:51 > 0:13:54You're suffering? Well, good.
0:14:05 > 0:14:08What if the person that killed her...
0:14:08 > 0:14:10was someone that she knew?
0:14:11 > 0:14:14I mean do I know this person as well?
0:14:14 > 0:14:16Are they in my address book?
0:14:16 > 0:14:18Could I possibly bump into them at the Minute Mart?
0:14:18 > 0:14:21I don't know but you can't think like this, Lauren, all right?
0:14:21 > 0:14:23- MOBILE PHONE BEEPS - You're going to send yourself mad.
0:14:23 > 0:14:25Oh, no...
0:14:25 > 0:14:27That's Peter, he wants to see me.
0:14:27 > 0:14:29What am I meant to say to him?
0:14:29 > 0:14:31KNOCK ON DOOR
0:14:32 > 0:14:35I just wish everyone would go away.
0:14:35 > 0:14:38Leave it, leave it, Lauren, all right? Just ignore it.
0:14:59 > 0:15:02- What time do you call this? - Someone's stressed.
0:15:02 > 0:15:05- Yeah, why do you say that? - The fags.
0:15:07 > 0:15:08You've seen the paper, then?
0:15:08 > 0:15:11Listen, before you sit down, go up the Arches, will you?
0:15:11 > 0:15:13- There's a Corsa needs picking up... - Yeah, in a minute.
0:15:14 > 0:15:16Bad business, isn't it, eh?
0:15:18 > 0:15:20I can't even think about it.
0:15:20 > 0:15:22- Nah, not when you've got daughters yourself.- Exactly.
0:15:24 > 0:15:27Ian just knocked on your front door.
0:15:27 > 0:15:29Why?
0:15:29 > 0:15:31I don't know, mate. But, he's on the warpath.
0:15:32 > 0:15:35He's just found out Lucy's been getting texts off this bloke
0:15:35 > 0:15:36on the sly, apparently.
0:15:36 > 0:15:38And before you say anything, he's already accused me,
0:15:38 > 0:15:41so don't start getting offended if he does the same...
0:15:47 > 0:15:50I've been looking for Lauren, she's not in.
0:15:50 > 0:15:51Do you know where she is?
0:15:53 > 0:15:54Ian, I'm really sorry...
0:15:57 > 0:16:00Can you call her? I need to speak to her.
0:16:00 > 0:16:01Yeah, course.
0:16:05 > 0:16:07- Now?- Yeah, I've just got one e-mail to send
0:16:07 > 0:16:09and then I'll do it straightaway.
0:16:17 > 0:16:19He probably reckons Lauren knows something
0:16:19 > 0:16:21about this fellow that Lucy was seeing.
0:16:23 > 0:16:26You going to pick up that Corsa or not? Phil's waiting for you.
0:16:26 > 0:16:30Phil. Always been a bit tacky between me and him.
0:16:32 > 0:16:36Especially after I had that thing with his baby sister.
0:16:36 > 0:16:37Did I ever tell you about that, Max?
0:16:39 > 0:16:40Uh, no.
0:16:40 > 0:16:43Cor, we're going back a bit now. I was what...
0:16:43 > 0:16:4834, 35? She was early twenties.
0:16:48 > 0:16:53Pretty, available, so I was off to the races mate, I tell you.
0:16:57 > 0:17:00Mind you, that's what I was like in them days.
0:17:00 > 0:17:02Something to be said for getting older, eh?
0:17:04 > 0:17:06- Do you want one? - No, you're all right, thanks.
0:17:06 > 0:17:10Mind you, that does explain why he pointed the finger at me earlier on.
0:17:13 > 0:17:15I'm surprised he never said anything to you.
0:17:17 > 0:17:20Well, why are you surprised he didn't say nothing to me?
0:17:21 > 0:17:24Well, you know, whats-her-face.
0:17:24 > 0:17:26Carol told me the whole story.
0:17:26 > 0:17:27- Kacy, was it?- Stacey.
0:17:27 > 0:17:30Yeah, that's the one. How old was she then?
0:17:30 > 0:17:33If you ain't going to pick this motor up, I'll go myself, all right.
0:17:33 > 0:17:35That's all right, I'll go. I can't drink this muck anyway.
0:17:37 > 0:17:39I ain't scared of Phil Mitchell.
0:17:39 > 0:17:41And you've got a call to make.
0:17:47 > 0:17:50Excuse me? What the hell happened to you last night?
0:17:50 > 0:17:52And why was your phone switched off?
0:17:52 > 0:17:54It wasn't switched off. It was out of battery.
0:17:54 > 0:17:57Can we talk about this later, I've got to get to a shift at the caff...
0:17:57 > 0:18:00Not even an apology? Some people would call that rude.
0:18:00 > 0:18:03- All right, I apologise, OK? - That's an apology?
0:18:03 > 0:18:04Well, what do you want me to say?
0:18:04 > 0:18:08I want you to sound like you're taking this relationship seriously.
0:18:08 > 0:18:11- I do!- So, don't you think you owe me an explanation?
0:18:11 > 0:18:12Usual, please.
0:18:15 > 0:18:18So, this is your idea of looking for somewhere else to live, is it?
0:18:20 > 0:18:21I can't go until Tina gets here.
0:18:21 > 0:18:23Well, does she even know you've got an appointment?
0:18:23 > 0:18:25Yes. She's going to be here in a minute.
0:18:25 > 0:18:28I'll take over. You're more important. Just go, will you.
0:18:28 > 0:18:30Give me that.
0:18:30 > 0:18:32And phone me as soon as you get there, yeah,
0:18:32 > 0:18:33and let me know what's happening.
0:18:33 > 0:18:34- Yes, OK.- You all right?
0:18:38 > 0:18:40- What are you playing at? - I'm taking over from her.
0:18:40 > 0:18:42Have you got a problem with that?
0:18:42 > 0:18:45- Sonia?- I've got that appointment.
0:18:45 > 0:18:47Look, I got held up.
0:18:47 > 0:18:49Tosh was giving me ear ache about last night.
0:18:49 > 0:18:53I could hardly tell her the truth, could I? I'm sorry.
0:18:53 > 0:18:55Bianca is in there doing what you should be doing,
0:18:55 > 0:18:56so why don't you get in there and do it.
0:19:02 > 0:19:04I thought we were going to clear the air.
0:19:06 > 0:19:08Trouble in paradise?
0:19:08 > 0:19:09None of your business.
0:19:09 > 0:19:12Ah, is someone feeling a little bit put out?
0:19:12 > 0:19:14Maybe it's time you moved on.
0:19:14 > 0:19:17OK. OK, you want a list?
0:19:17 > 0:19:20The half drunk cups of tea you leave all over the place.
0:19:20 > 0:19:23Hogging the TV, the nail clippings on the bathroom floor.
0:19:23 > 0:19:25That would have been Dexter.
0:19:25 > 0:19:27So, Dexter wears red nail varnish now?
0:19:27 > 0:19:29Yeah, yeah, yeah.
0:19:30 > 0:19:32I ought to be at the launderette by now.
0:19:32 > 0:19:34Let's have this conversation this evening.
0:19:34 > 0:19:37No, no, no. Conversation done. Finito.
0:19:37 > 0:19:38You're kidding me.
0:19:40 > 0:19:43You're not going to throw an old-age pensioner out, are you?
0:19:45 > 0:19:48I'm making a decision.
0:19:48 > 0:19:51I'm giving you a one month's notice and that's official.
0:20:01 > 0:20:03- Hello?- Hello?
0:20:04 > 0:20:07- Hello.- Hi.
0:20:16 > 0:20:17Dad?
0:20:20 > 0:20:23I've done something really stupid.
0:20:23 > 0:20:26I told Ian Beale exactly what I thought of him.
0:20:26 > 0:20:29Oh, you didn't...
0:20:29 > 0:20:32I said he'd used Lucy's death...
0:20:34 > 0:20:35..to get to Jane.
0:20:36 > 0:20:38And now I wish I was dead.
0:20:40 > 0:20:42When did Bianca tell you about Naomi?
0:20:42 > 0:20:45Oh, that was her name. Was it romantic?
0:20:45 > 0:20:46Look, I really need to go.
0:20:48 > 0:20:50ENGINE STUTTERS
0:20:53 > 0:20:55Come on.
0:20:55 > 0:20:56I wonder if it was her dealer.
0:20:57 > 0:20:59What?
0:20:59 > 0:21:00What, you didn't know?
0:21:01 > 0:21:04Cindy told Dad that Lucy was doing coke
0:21:04 > 0:21:06and then he found a bag amongst her stuff.
0:21:08 > 0:21:12Yeah, I know. I'm beginning to feel like I didn't know my sister at all.
0:21:12 > 0:21:14What am I supposed to do with all this stuff?
0:21:14 > 0:21:17It belongs to the business. Just thought you might need it.
0:21:20 > 0:21:22All right? Sorry to interrupt...
0:21:22 > 0:21:24Lauren, I think your dad's trying to get hold of you.
0:21:24 > 0:21:26Yeah, I'm going to go and see him in a minute.
0:21:26 > 0:21:29Any news on this fellow and the texts, Peter?
0:21:29 > 0:21:31How do you know about that?
0:21:31 > 0:21:32Well, your dad told me.
0:21:35 > 0:21:37Lucy was getting some texts from some fellow
0:21:37 > 0:21:39she was seeing apparently.
0:21:41 > 0:21:43I can't take much more of this.
0:21:43 > 0:21:45I'm going to go see my dad.
0:21:45 > 0:21:47Babe, you've forgot the...
0:21:47 > 0:21:50- What you doing here? - Oh, I'm just standing in for Tina.
0:21:50 > 0:21:52Might have a long wait, darling.
0:21:52 > 0:21:55I've just seen her outside the Vic, gassing in her car with Sonia.
0:21:55 > 0:21:56What?!
0:21:57 > 0:21:59Oy!
0:22:00 > 0:22:01Right, go on, try it now.
0:22:04 > 0:22:07Shall I go and get one of the blokes from the garage?
0:22:07 > 0:22:08I just want you to go away.
0:22:09 > 0:22:13- Why are you being like this?- What's the problem?- What's it look like?
0:22:13 > 0:22:15You should've been in the caff ten minutes ago
0:22:15 > 0:22:16and she should be at the hospital.
0:22:16 > 0:22:18Will you two just leave me alone?
0:22:20 > 0:22:21Hurray!
0:22:21 > 0:22:24- I thought I told you to leave her alone.- I was trying to help.
0:22:24 > 0:22:26If she don't want it, it's up to her.
0:22:26 > 0:22:27Ain't nothing to do with you.
0:22:33 > 0:22:35Now it turns out she had a coke habit...
0:22:35 > 0:22:37and another bloke on the go.
0:22:47 > 0:22:48Why don't you go home, Lauren.
0:22:50 > 0:22:51Go on, get some rest.
0:22:53 > 0:22:55Take your mind off things.
0:22:59 > 0:23:00Now I've got all this.
0:23:02 > 0:23:03What is all that?
0:23:04 > 0:23:06Lucy's stuff.
0:23:08 > 0:23:10It's her stuff from the business.
0:23:14 > 0:23:16I can't take it.
0:23:17 > 0:23:20Come on, I'll take care of it. Come here.
0:23:23 > 0:23:25Go home, Lauren.
0:23:29 > 0:23:32I thought I was meant to go see Ian.
0:23:32 > 0:23:35What's the point? You don't know anything, do you?
0:23:36 > 0:23:38He's probably just asking everyone.
0:23:47 > 0:23:49Peter said it just now.
0:23:50 > 0:23:52It's like we didn't really know her at all.
0:24:02 > 0:24:04- Son?- Don't start.
0:24:04 > 0:24:07My car's broken down on Victoria Rd, the Arches is closed...
0:24:07 > 0:24:09I'm looking for Dexter.
0:24:09 > 0:24:10My dad will take you.
0:24:10 > 0:24:12It's too late. I've missed the appointment.
0:24:12 > 0:24:13I'm going to have to call them.
0:24:13 > 0:24:16Mag, look after the stall for a minute. Sonia!
0:24:25 > 0:24:26What time do you call this?
0:24:28 > 0:24:30- You've seen Lauren, then? - Sorry, I just asked you a question.
0:24:32 > 0:24:34Anything interesting?
0:24:40 > 0:24:43- You know what I think, don't you? - I'm not interested.
0:24:43 > 0:24:45I think if I had an important hospital appointment
0:24:45 > 0:24:48and my car needed fixing, I'd have definitely made other arrangements.
0:24:48 > 0:24:49I don't need this.
0:24:50 > 0:24:53Why was Tina so annoyed then, Sonia?
0:24:53 > 0:24:56Sonia? Son, look at me. This is me.
0:24:56 > 0:24:58You want to know? You really want to know?
0:24:58 > 0:25:01Me and Tina kissed. And now, it's one big mess.
0:25:01 > 0:25:03Are you happy, now?
0:25:05 > 0:25:08I've had this feeling nagging away at me ever since
0:25:08 > 0:25:09I found out she'd been murdered.
0:25:09 > 0:25:12Try to shut it down. But, it won't shut up.
0:25:19 > 0:25:21I had another daughter once. Long time ago, now.
0:25:24 > 0:25:26Yeah, I know. Carol told me.
0:25:28 > 0:25:30Do you know, whole years go by
0:25:30 > 0:25:32and I don't even think about her.
0:25:32 > 0:25:33Well, I try not to.
0:25:37 > 0:25:39And then...
0:25:39 > 0:25:41something like this kicks off and, you know,
0:25:41 > 0:25:43you've got no choice.
0:25:43 > 0:25:46You're forced to remember.
0:25:46 > 0:25:48Which is what this feeling's all about.
0:25:54 > 0:25:57Karen. Hard enough even to say her name.
0:26:01 > 0:26:02They were in a car crash.
0:26:05 > 0:26:06I wasn't around.
0:26:09 > 0:26:11But, Ian's around, isn't he?
0:26:13 > 0:26:14Poor bloke.
0:26:19 > 0:26:21I bet he's going through what I never went through, isn't he?
0:26:23 > 0:26:25Anger...
0:26:25 > 0:26:26Grief...all that.
0:26:30 > 0:26:32Do you know, I sort of envy him.
0:26:32 > 0:26:34At least he's getting it out of his system.
0:26:36 > 0:26:37I've still got it.
0:26:39 > 0:26:42So, when he goes and accuses me, that's like a...
0:26:42 > 0:26:45that's like a kick in the goolies, isn't it? I mean, I'm well affronted.
0:26:47 > 0:26:50But, then, there's another part of me that thinks,
0:26:50 > 0:26:51"Well, can you blame him?"
0:26:53 > 0:26:54What, with my track record.
0:26:56 > 0:26:58I'd like to think I'm past all that now but...
0:26:58 > 0:26:59Like hell you are.
0:27:02 > 0:27:03Maybe.
0:27:04 > 0:27:06But, it takes one to know one, don't it?
0:27:09 > 0:27:11Sorry, what are you saying?
0:27:14 > 0:27:17I'm just saying I could imagine a scenario, you know...
0:27:17 > 0:27:20pretty girl, right set of circumstances.
0:27:20 > 0:27:22Just like it was with Sam Mitchell all those years ago.
0:27:27 > 0:27:29But, if it was to get a bit fraught...
0:27:30 > 0:27:32A bit too clingy, maybe?
0:27:34 > 0:27:36If I had more of a temper on me.
0:27:39 > 0:27:40Temper like yours, say.
0:27:47 > 0:27:49I'm not angry with you, Max.
0:27:51 > 0:27:55Me and you, we're more alike than either of us is prepared to let on.
0:27:59 > 0:28:00But, I'm right, aren't I?
0:28:05 > 0:28:06About what?
0:28:08 > 0:28:09Like I said, I'm not angry.
0:28:12 > 0:28:14But, you did do it, didn't you?
0:28:17 > 0:28:18Did what?
0:28:20 > 0:28:21You killed Lucy.