0:00:39 > 0:00:41'Of course I'm listening to you, darling.
0:00:41 > 0:00:43'I haven't missed a word that's come out that lovely
0:00:43 > 0:00:47'little mouth of yours since 1992.'
0:00:47 > 0:00:49- Are you nervous?- Nah.
0:00:49 > 0:00:53'Don't get trappy with me. Mick Carter, and don't walk away when I'm talking to you!'
0:00:53 > 0:00:56This is what living in a broken home feels like.
0:00:56 > 0:00:58Any of you seen my car keys?
0:00:58 > 0:01:00And you're 100% sure this won't make him a suspect?
0:01:00 > 0:01:02Just go to your photo shoot, get your hair done,
0:01:02 > 0:01:04have a giggle with the girls...
0:01:04 > 0:01:07- I'm gonna do that while our son's being questioned(!) - Dad, shall we just go?
0:01:07 > 0:01:08Yeah, please Lee. Please.
0:01:08 > 0:01:09We ain't decided yet!
0:01:09 > 0:01:12Mum, I'm going, all right? Everything'll be OK.
0:01:12 > 0:01:13KNOCKING
0:01:13 > 0:01:16Who's that?
0:01:16 > 0:01:18KNOCKING CONTINUES
0:01:20 > 0:01:23All right! All right, all right!
0:01:23 > 0:01:24You'll have the glass in!
0:01:28 > 0:01:30Has he done it yet?
0:01:30 > 0:01:31No.
0:01:31 > 0:01:33Well, don't.
0:01:33 > 0:01:35If this don't come from Billy, it ain't going to look good, is it?
0:01:35 > 0:01:37Should have owned up himself, then, shouldn't he?
0:01:37 > 0:01:39- Hear him out.- He'll do it now.
0:01:39 > 0:01:41All right? I'll go round there and we'll call 'em.
0:01:41 > 0:01:45Is this cos Billy got caught in the flat? Cos that don't look good, does it?
0:01:45 > 0:01:47No, it don't look good. And he's an idiot. But he's innocent.
0:01:47 > 0:01:49I'm trying to find a way that works for everyone.
0:01:49 > 0:01:51And how does this work for us?
0:01:51 > 0:01:53Well, we'll keep Lee's name out of it.
0:01:53 > 0:01:57I mean, changing a statement - that don't look good, either, does it?
0:01:57 > 0:01:59If it means you don't have to go in...
0:02:01 > 0:02:03This is on you, son.
0:02:03 > 0:02:06An hour. This has got to come from Billy.
0:02:15 > 0:02:17I should not have stayed the night.
0:02:17 > 0:02:19That's all right - Abi ain't back till later.
0:02:19 > 0:02:21- It's the people out there I'm worried about.- It's all right.
0:02:21 > 0:02:26We'll just put a jacket over your head, you know, people leaving court, they have a...
0:02:28 > 0:02:29Have your breakfast, at least.
0:02:29 > 0:02:32I don't have time... Oh.
0:02:45 > 0:02:47Bill, I've had a word with the Carters...
0:02:47 > 0:02:49All right, Phil!
0:02:52 > 0:02:54Who else would have a knock like that, eh?
0:02:54 > 0:02:56Cuppa tea, Phil?
0:02:59 > 0:03:01Shouldn't you be on the stall?
0:03:01 > 0:03:02Did Dad send you?
0:03:02 > 0:03:05Erm, Bill, can you tell Lo I've gone to work?
0:03:05 > 0:03:08I'm sure she'd prefer it if you told her your...
0:03:11 > 0:03:14The Carters have agreed to letting us make the call.
0:03:15 > 0:03:17I'm not sure about this, Phil.
0:03:17 > 0:03:20So what do you want to do - wait here, wait for the old bill to come and nick you?
0:03:20 > 0:03:22- Sirens blazing an' all that? - No, but...
0:03:22 > 0:03:23You want Janet to see that, do you?
0:03:23 > 0:03:28No... Ritchie will protect me, right?
0:03:28 > 0:03:31As long as you say what needs to be said.
0:03:35 > 0:03:40Yeah, hello. Yeah, my name's Billy Mitchell.
0:03:41 > 0:03:43I think I might have some information
0:03:43 > 0:03:46about the murder of Lucy Beale.
0:03:50 > 0:03:52It's been an hour.
0:03:52 > 0:03:56As if he was going to go through with it anyway!
0:03:56 > 0:03:57Well, he seemed confident, so...
0:03:57 > 0:04:00I can't see Billy Mitchell standing up to him, somehow.
0:04:00 > 0:04:02I don't see why it matters either way.
0:04:02 > 0:04:05- I thought you was going to do the right thing?- Hold up.
0:04:07 > 0:04:08Text from Phil.
0:04:10 > 0:04:14It's done! The police are coming over later to interview him.
0:04:14 > 0:04:16I don't have to go through with it?
0:04:16 > 0:04:17Don't just walk off.
0:04:17 > 0:04:21How do you know Billy's going to tell the truth? He's probably just going to lie again.
0:04:21 > 0:04:23Well, I for one am going to keep the faith!
0:04:23 > 0:04:25So, L - go and be a super model.
0:04:25 > 0:04:28Nance - go and whack on a pair of manky shorts.
0:04:28 > 0:04:31Lee - you're with me, bar duty. Come on!
0:04:34 > 0:04:37He better not give us any weird hairdos.
0:04:37 > 0:04:40I don't want any rank photos of us hanging round Walford.
0:04:40 > 0:04:41Can you imagine?
0:04:42 > 0:04:45Lauren? Back in the room?
0:04:45 > 0:04:50Sorry. It's just, the car lot's still not open.
0:04:50 > 0:04:52He's probably got someone round there, knowing him.
0:04:52 > 0:04:54Oi! It's not even like that.
0:04:54 > 0:04:57He was actually saying yesterday that he missed me.
0:04:57 > 0:04:59You just want to forgive and forget
0:04:59 > 0:05:01so that you don't have to spend another night with Cora snoring.
0:05:01 > 0:05:04No. No, I don't forgive him! Not at all.
0:05:06 > 0:05:12I dunno, he just seemed... he just seemed lonely.
0:05:12 > 0:05:16There it is, look. Parsley.
0:05:16 > 0:05:18You're right. It is a bit soon.
0:05:18 > 0:05:22Yeah. Bit embarrassing, really.
0:05:22 > 0:05:24You know you like someone when you start using garnish.
0:05:24 > 0:05:26Oi!
0:05:26 > 0:05:30You, um, you said Abi's back later.
0:05:30 > 0:05:32Er, yeah.
0:05:32 > 0:05:38She'll probably come in, dump her bag, then go straight to Jay's.
0:05:38 > 0:05:41I'll be lucky if I get a peck on the cheek, to be honest.
0:05:43 > 0:05:46Lauren'll come back too, you know?
0:05:46 > 0:05:48I was just like that at her age.
0:05:48 > 0:05:50Once she's made her point...
0:05:50 > 0:05:51PHONE RINGS
0:05:51 > 0:05:53Oh, sorry...
0:05:57 > 0:05:59It's work.
0:05:59 > 0:06:01Summerhayes?
0:06:05 > 0:06:07No, no, I was just...
0:06:10 > 0:06:14No. No, I don't have a problem, I just...
0:06:21 > 0:06:25Irving's been replaced, and, er...
0:06:25 > 0:06:30My God, my new guvnor has hated me since we got our shoulder numbers.
0:06:30 > 0:06:32Why have they got rid of him?
0:06:32 > 0:06:34I can't say...but, um...
0:06:34 > 0:06:36I've got to go.
0:06:36 > 0:06:38All right. See you later.
0:06:38 > 0:06:39Bye.
0:06:53 > 0:06:5641 minutes late on his first day.
0:06:56 > 0:06:58And it's only three from his flat to our door, Birdie.
0:06:58 > 0:07:01I'm sure there's an explanation, Les.
0:07:01 > 0:07:02Yeah(!)
0:07:07 > 0:07:09RINGING
0:07:09 > 0:07:12I wanna hear it. You heard Ritchie, you've got no choice.
0:07:12 > 0:07:16- Lola's in.- If you can't convince me, you've got no chance of convincing the old bill, have you?
0:07:16 > 0:07:19- Phil, I know what I've got to say, all right?- Well, then say it!
0:07:19 > 0:07:20Lola is in the bedroom, all right!
0:07:20 > 0:07:23- Well, then, maybe Lola ought to hear it.- What?!
0:07:23 > 0:07:25- Lola! Get out here!- What you doing!?
0:07:25 > 0:07:29If the old bill are going to question her, she needs to know what to tell 'em, don't she?
0:07:29 > 0:07:31- Lola!- All right! What's all the shouting about!?
0:07:31 > 0:07:34I'm trying to get Lexi to sleep in here, you know.
0:07:34 > 0:07:36Billy's got something to tell you.
0:07:36 > 0:07:37What?
0:07:37 > 0:07:40- Is it about yesterday?- Yeah.
0:07:40 > 0:07:44The old bill are going to come and interview me about Lucy.
0:07:44 > 0:07:46But they know it was just a row, right?
0:07:46 > 0:07:50Yeah. But I've got to tell 'em about the key.
0:07:52 > 0:07:56It seems only fair to point out that...
0:07:56 > 0:07:58Peter had access to the flat as well.
0:07:58 > 0:08:00You want to...you want to drag Peter into this?
0:08:00 > 0:08:01Only to muddy the water.
0:08:01 > 0:08:04Yeah, but I don't get it. What's it got to do with him?
0:08:04 > 0:08:07The key was in this flat. I mean, he does live here.
0:08:07 > 0:08:10Yeah, I know that, but he's never been up...
0:08:10 > 0:08:13- Are you setting him up?! - No! No, we're not, Lo.
0:08:13 > 0:08:15You said it would be fine, you said everything would be fine!
0:08:15 > 0:08:18He's been in there, broken! You know that!
0:08:18 > 0:08:20You've got to back Billy up on this.
0:08:20 > 0:08:23He lies in there crying, night after night, and you want to go and make it ten times worse?
0:08:23 > 0:08:25No-one wants this, Lo. He's a good kid!
0:08:25 > 0:08:27But you're innocent, so why do you need to lie for?!
0:08:27 > 0:08:30There's being innocent, and there's looking innocent, ain't there?
0:08:30 > 0:08:34I don't know why I'm listening to this! We're supposed to be a family.
0:08:36 > 0:08:38She'll come round.
0:08:40 > 0:08:42I'm going to be late for work.
0:08:42 > 0:08:45Make sure you're round mine by one o'clock, yeah?
0:08:54 > 0:08:57- What's the problem? - It's just been a tough morning.
0:08:57 > 0:09:00Listen. She ain't going to do it.
0:09:00 > 0:09:01Right.
0:09:01 > 0:09:04Can't you just find someone else?
0:09:04 > 0:09:06Yeah. I'll have to... I'll have to make it work.
0:09:06 > 0:09:09You're really tugging on my heart strings here.
0:09:09 > 0:09:10It can't be that bad?
0:09:10 > 0:09:15Well, you know, I've gone to town on this - photographer, stylist. I'm in for about two grand, Mick.
0:09:15 > 0:09:18All right, all right. I'll have one more go, all right?
0:09:18 > 0:09:19Beautiful.
0:09:22 > 0:09:24I've said, conversation over.
0:09:24 > 0:09:26Look, listen, baby...
0:09:26 > 0:09:31It's just, the kid, he's got a lot riding on this.
0:09:31 > 0:09:33Money, hopes and dreams, and you know...
0:09:33 > 0:09:36- You remember them, don't you? - That's emotional blackmail.
0:09:36 > 0:09:37- Is it working?- No!
0:09:37 > 0:09:40I know who goes in that salon and it ain't mothers with three kids.
0:09:40 > 0:09:42It's trendies with tattoos everywhere
0:09:42 > 0:09:45- and their whole lives ahead of them. I'll look stupid!- Get in there, please!
0:09:45 > 0:09:48Dean ain't going to let that happen. He's going to make you look beautiful.
0:09:48 > 0:09:51Yeah, Mum. He's going to turn you into a proper hipster!
0:09:51 > 0:09:54He'll get you a big pair of clompy shoes and a fixed gear bike.
0:09:54 > 0:09:57You can shut your mouth an' all. You're going, for moral support.
0:09:57 > 0:09:59Well, that's emotional blackmail again, isn't it?
0:09:59 > 0:10:03He's a good kid. And he just wants his Auntie Linda's help.
0:10:05 > 0:10:06OK.
0:10:07 > 0:10:10- Yes?- Yeah, she's going to do it. She's going do it.
0:10:10 > 0:10:11Thank you. And thank you. I promise...
0:10:11 > 0:10:14- it'll be a day you remember. - It better be.
0:10:14 > 0:10:19All right. Just go and enjoy yourself. Go on.
0:10:19 > 0:10:21I must be mad.
0:10:25 > 0:10:27You heard of knocking?
0:10:29 > 0:10:31Been stood in your kitchen ages.
0:10:31 > 0:10:34Yeah, well, I stayed in here for a reason.
0:10:34 > 0:10:36How can you stitch Peter up, Phil,
0:10:36 > 0:10:39when he took Lexi in as if she was his own?
0:10:39 > 0:10:43When the old bill find out Billy had an argument with Lucy...
0:10:43 > 0:10:45He was scared, weren't he?
0:10:45 > 0:10:48..had access to her flat and still didn't say anything...
0:10:48 > 0:10:51Yeah, well, we all had access! Are they going to start pointing the finger at me an' all?
0:10:51 > 0:10:54..and with his criminal record, they'll take him to the cleaners.
0:10:54 > 0:10:57On top of that, you know what people are like round here.
0:10:57 > 0:10:59I don't care. Let 'em talk.
0:10:59 > 0:11:02What, you think he'll still have a job with Ian Beale?
0:11:02 > 0:11:06Eh? Or even at the undertakers, come to that?
0:11:06 > 0:11:08No-one's going to want their Auntie Doris buried by
0:11:08 > 0:11:10some suspected murderer, are they?
0:11:10 > 0:11:12Peter's my boyfriend, Phil.
0:11:14 > 0:11:18Well, you'd better work out what the most important thing is.
0:11:18 > 0:11:22Your latest fella, or the man who took you in...
0:11:23 > 0:11:25..like you was his own.
0:11:32 > 0:11:34Hiya! You made it out, then.
0:11:36 > 0:11:38You two look nice.
0:11:38 > 0:11:41Yeah. Oh, he's a genius! Wait till he does you.
0:11:41 > 0:11:45(Don't worry, they're going to look proper butters next to you.)
0:11:45 > 0:11:47We're never going to get it looking this good at home, are we?
0:11:47 > 0:11:50No, he's going to have to come round mine every morning.
0:11:50 > 0:11:54No point in that, he might as well just stay round every night.
0:11:54 > 0:11:58Can't believe a woman edits this! That's like gender cannibalism.
0:11:58 > 0:12:01One day I'll get you in a lovely A-line dress.
0:12:01 > 0:12:03Nah, you're all right.
0:12:03 > 0:12:05Oi, Mum, if you're really not feeling this,
0:12:05 > 0:12:06shall we go for a pint instead?
0:12:06 > 0:12:08You just dragged me here, told me it would cheer me up!
0:12:08 > 0:12:10No, you're right. Sorry, sorry.
0:12:10 > 0:12:14You reckon this is going to be proper, then, or just Fats with a disposable?
0:12:14 > 0:12:16Imagine!
0:12:16 > 0:12:19They're here! Ladies, this is Ali, make-up,
0:12:19 > 0:12:23her assistant, Gerard, and our wonderful photographer, Philip.
0:12:23 > 0:12:24Let's have a look at you.
0:12:24 > 0:12:28Oh! Very nice. Let's tuck it in at the sides a bit more, yeah?
0:12:28 > 0:12:29Will someone get these girls a drink?
0:12:29 > 0:12:31This is supposed to be a party!
0:12:31 > 0:12:33Right, now, I want you to take your lead off Linda.
0:12:33 > 0:12:35She used to be a professional model,
0:12:35 > 0:12:37and I'm sure there's a lot you can learn off her.
0:12:37 > 0:12:39Right, trouble, let's get you styled.
0:12:51 > 0:12:53Thought it was your first day?
0:12:53 > 0:12:57Oh, I weren't in the mood.
0:12:57 > 0:12:59That's normal. It's work, isn't it?
0:12:59 > 0:13:04That's why they have to pay you to do it.
0:13:04 > 0:13:05What's up?
0:13:05 > 0:13:06Nothing. Listen, I'm...
0:13:06 > 0:13:07No, no. Tell me.
0:13:10 > 0:13:14How comes I don't see you talking to Lola any more?
0:13:14 > 0:13:17I mean, you don't even say goodbye in the mornings.
0:13:17 > 0:13:20She walks past the stall like six times a day.
0:13:20 > 0:13:23Yeah, but you used to give her a little kiss, didn't you?
0:13:23 > 0:13:24Make a point of it.
0:13:24 > 0:13:27What, and this is why you're sat up in here?
0:13:27 > 0:13:31Well, it just seems like you don't want to be around any more.
0:13:31 > 0:13:33Yeah, well, I can move out if you like,
0:13:33 > 0:13:35if I'm bringing you down.
0:13:35 > 0:13:40Don't be stupid. You know that would break Lola's heart.
0:13:40 > 0:13:42Look, I help out round the flat.
0:13:42 > 0:13:46I've been hassling Dean, trying to get her a job.
0:13:46 > 0:13:48I'm always helping out with Lexi.
0:13:48 > 0:13:51I'm sorry I don't always do it with a smile on my face,
0:13:51 > 0:13:52but at least I'm there.
0:13:53 > 0:13:56Yeah, you are. Look, I'm sorry.
0:13:56 > 0:13:58I'm sorry that I came over.
0:13:58 > 0:14:04You know that Jake's trial's just around the corner?
0:14:04 > 0:14:06Peter...Pete...
0:14:11 > 0:14:14Ever since you've come back, you've had something on your nut.
0:14:14 > 0:14:18You've had the Army thing, you've had the Lucy thing.
0:14:18 > 0:14:20All right? It's over now.
0:14:20 > 0:14:22It don't feel like it.
0:14:24 > 0:14:27Listen, you're a free man now, OK?
0:14:27 > 0:14:29You've got your plumbing course coming up.
0:14:29 > 0:14:31Excuse me while I wet myself in excitement.
0:14:31 > 0:14:34Hold up. I thought you wanted to do the plumbing thing?
0:14:34 > 0:14:35You don't want to stay on here.
0:14:35 > 0:14:37Well, you've got Nancy to do that, haven't you?
0:14:37 > 0:14:39Johnny's going to become Rumpole,
0:14:39 > 0:14:42I'm going to sit there cultivating a massive Derby.
0:14:43 > 0:14:46All right? I thought I know where we was all going.
0:14:46 > 0:14:48You know? I thought I knew where you were going.
0:14:48 > 0:14:50I don't know, I never have.
0:14:50 > 0:14:53That's why I joined the Army - something to do.
0:14:53 > 0:14:56All right, so plumbing's just something to do.
0:14:56 > 0:14:57What you need is some fun.
0:14:58 > 0:15:00Yes.
0:15:00 > 0:15:05Yes, yes! So why don't we go to the salon?
0:15:05 > 0:15:09We'll go and see your mother and Whitney.
0:15:09 > 0:15:11No, no, no, no. She hates me.
0:15:11 > 0:15:14She's got the hump. I don't blame her.
0:15:14 > 0:15:15You chose her pal over her.
0:15:15 > 0:15:19Treacles don't take too fondly to that.
0:15:19 > 0:15:21I'm not going to push it, I'm just going to say to you now,
0:15:21 > 0:15:25sometimes you've got to pick something and stick to it.
0:15:25 > 0:15:30OK? Whether or not it's the right thing or not. Stop drifting.
0:15:31 > 0:15:33It's a form of habit.
0:15:34 > 0:15:36Now get that down you, liver.
0:15:39 > 0:15:42It is such a shame to sit inside with Carol all night
0:15:42 > 0:15:45- when your hair's done like this. - Yeah, I know.
0:15:45 > 0:15:46We should at least go to the Vic.
0:15:46 > 0:15:49Well, you'd better prepare to get monstrously chirpsed by my brother.
0:15:49 > 0:15:50Yeah, he can try.
0:15:50 > 0:15:53Oh, shut up, don't act like you don't fall for the chat!
0:15:53 > 0:15:56You can talk! Your dad says, "Oh, I'm really lonely," and you go,
0:15:56 > 0:16:00- "That's all right, I forgive you." - Oi! No. I said I ain't forgiven him yet.
0:16:00 > 0:16:01Yeah, yet!
0:16:01 > 0:16:03You get this close to the girls?
0:16:03 > 0:16:05Yeah, course. It's my job.
0:16:05 > 0:16:07Amazed you didn't get set upon.
0:16:07 > 0:16:09Think they've got a bit of a crush.
0:16:09 > 0:16:10Shut up.
0:16:10 > 0:16:12Are you seeing anyone at the minute?
0:16:12 > 0:16:13No-one special.
0:16:13 > 0:16:15- I'll let 'em know. - You'll do no such thing.
0:16:17 > 0:16:19You look beautiful, Linda.
0:16:21 > 0:16:23Oh, come on, you're a lot worse than me.
0:16:23 > 0:16:27You wait. She's going to be all over your brother like a rash.
0:16:27 > 0:16:30No! He's not interested in me. He was interested in Lucy.
0:16:30 > 0:16:34I know it sounds harsh, but he'd have got bored of her weeks ago.
0:16:34 > 0:16:37And, I'm sorry, but he'll get bored of you an' all.
0:16:37 > 0:16:38Just be warned.
0:16:39 > 0:16:43Ladies and gentlemen, I give you... Linda C.
0:16:51 > 0:16:53Pops!
0:16:59 > 0:17:00There's our man.
0:17:01 > 0:17:05And that's his granddaughter, Lola.
0:17:05 > 0:17:08- Look, I know what you're going to say.- I think you should do it.
0:17:08 > 0:17:09It's like Phil said,
0:17:09 > 0:17:11you're just giving them more to think about, right?
0:17:11 > 0:17:15It don't mean Peter's guilty any more than it means you are.
0:17:15 > 0:17:17But he's your boyfriend, Lo.
0:17:17 > 0:17:20Boyfriend? Pops, he hasn't spoken to me properly in ages.
0:17:20 > 0:17:22He could just get up and leave me for all I know.
0:17:22 > 0:17:24But you...
0:17:24 > 0:17:26I can't lose you, Pops. I can't.
0:17:26 > 0:17:28Come here.
0:17:28 > 0:17:31Oi, you ain't going to lose me.
0:17:31 > 0:17:34- I'm scared they're going to take you away.- They won't. All right?
0:17:34 > 0:17:38Promise. then? Promise me you'll do it, please?
0:17:47 > 0:17:49Guess we should go in.
0:17:49 > 0:17:53Give him a chance to take his jacket off...get nervous.
0:17:57 > 0:18:02I've met him a few times. He's well-known within the community.
0:18:02 > 0:18:04He's liked as far as I can tell.
0:18:05 > 0:18:10I don't want anything from the old investigation to cloud my thinking,
0:18:10 > 0:18:12including any opinions you might have.
0:18:23 > 0:18:24Ritchie.
0:18:24 > 0:18:26Billy. How you doing?
0:18:26 > 0:18:28You clear on what to say?
0:18:28 > 0:18:33Yeah. Peter had access. I saw him with the keys.
0:18:34 > 0:18:36And I saw him leaving the flat a couple of times.
0:18:36 > 0:18:37KNOCKING
0:18:39 > 0:18:41Try and look relaxed, will you?
0:18:42 > 0:18:47Don't offer up unnecessary detail. Keep it simple, you'll be fine.
0:18:47 > 0:18:48He's through there.
0:18:52 > 0:18:54Miss Scott.
0:18:54 > 0:18:57We were expecting DS Bryant.
0:18:57 > 0:18:59What a nice surprise, then.
0:18:59 > 0:19:01OK, well...DI Keeble,
0:19:01 > 0:19:04this is my client, Billy Mitchell.
0:19:04 > 0:19:06You've met DC Summerhayes.
0:19:06 > 0:19:07Yeah.
0:19:08 > 0:19:11Thank you for seeing us away from the station.
0:19:11 > 0:19:16We hear you might have something to tell us about Lucy Beale?
0:19:16 > 0:19:19Yeah, um... See, I...
0:19:20 > 0:19:22I might have...
0:19:24 > 0:19:28..I did have an argument with her the night she died.
0:19:35 > 0:19:38Why are they wearing all that make-up?
0:19:38 > 0:19:40Hang on, Ugly Betty speaks. What's the matter, cuz?
0:19:40 > 0:19:43Nah, I'm just saying that if what you're selling is haircuts,
0:19:43 > 0:19:47well, I don't understand why they have to be covered in slap with all that skin on show.
0:19:47 > 0:19:50What if I got involved as well, huh? Make you feel better?
0:19:50 > 0:19:51Here, budge over!
0:19:51 > 0:19:54Honestly, Nance, you've got to lose the chip.
0:19:54 > 0:19:58It's just good, clean family fun.
0:20:02 > 0:20:06Lucy said that she was going tell her dad about me taking the fish
0:20:06 > 0:20:09and that I'd get the sack probably.
0:20:10 > 0:20:13Then she left and...
0:20:13 > 0:20:15and I never saw her again.
0:20:17 > 0:20:20Why didn't you tell us sooner?
0:20:20 > 0:20:21That's not all.
0:20:23 > 0:20:29I, er...I also had a spare key to the flat upstairs.
0:20:30 > 0:20:32Had a spare key?
0:20:32 > 0:20:33Yeah...
0:20:35 > 0:20:38When I realised I was going to be talking to you, I thought,
0:20:38 > 0:20:43what with the argument over the fish and the spare key,
0:20:43 > 0:20:46that you might stitch me up.
0:20:46 > 0:20:49We're not in the business of stitching people up.
0:20:49 > 0:20:53Yeah, but you don't think like that, do you? I panicked.
0:20:54 > 0:20:56I put it back in the flat.
0:20:58 > 0:21:04Did anyone else have access to this key? Your family, maybe?
0:21:13 > 0:21:14No.
0:21:15 > 0:21:18No, I, erm, I kept it on my key ring.
0:21:20 > 0:21:21Nobody else knew about it.
0:21:30 > 0:21:33- These are amazing.- Yeah, I know. Profile pictures, all of them.
0:21:33 > 0:21:35- Come and have a look, Lind! - Might wait for the prints.
0:21:35 > 0:21:38Fair enough. Right, what we having, girls? My treat.
0:21:38 > 0:21:39- No! This one's on us, innit?- Hm.
0:21:39 > 0:21:41To say thanks. It's been such a nice day!
0:21:41 > 0:21:45Besides, I think the landlady can throw in a free bottle for his troubles.
0:21:45 > 0:21:48And that, Lee, is how you get the keg in the cellar, you know what I mean?
0:21:48 > 0:21:50Shut up! We've not even had a delivery!
0:21:50 > 0:21:54- Busted!- Er, excuse me! Have you not noticed something different?
0:21:54 > 0:21:59Oh, the hair! Look at it!
0:21:59 > 0:22:01Oi, Maestro, that is the business!
0:22:01 > 0:22:03No. I've got to give it to you, cuz. She does look amazing.
0:22:03 > 0:22:06The rubber stamp from Germaine Greer! I can die a happy man.
0:22:06 > 0:22:07Shut up!
0:22:07 > 0:22:09You look gorgeous!
0:22:09 > 0:22:14No time like the present, son. What's the matter with you? Get involved.
0:22:14 > 0:22:15You look bang tidy today.
0:22:15 > 0:22:17I always look bang tidy. Don't I?
0:22:17 > 0:22:19Today. Every day, the next day.
0:22:19 > 0:22:22Easy, easy - this is turning into a relationship!
0:22:22 > 0:22:24Oh, Lee, do you know what - you'd be so lucky.
0:22:24 > 0:22:27Grab a glass, everyone!
0:22:27 > 0:22:28To Dean!
0:22:29 > 0:22:32To the best hairdresser in the world!
0:22:32 > 0:22:36Yeah, to the strongest canister on the Square!
0:22:36 > 0:22:37Cheers!
0:22:40 > 0:22:43Well, thank you, Mr Mitchell. You've been helpful.
0:22:43 > 0:22:46We'll have to call you in to make a formal statement,
0:22:46 > 0:22:49so don't go running off.
0:22:57 > 0:23:00Well, I think it's safe to say you've put yourself front
0:23:00 > 0:23:03and centre of their enquiry.
0:23:03 > 0:23:06Do you, er...do you want to tell me what happened there?
0:23:06 > 0:23:10I couldn't drop him in it, Phil. Not to save myself.
0:23:11 > 0:23:13I ain't like you.
0:23:13 > 0:23:14You what?
0:23:15 > 0:23:21If I'd said his name...him and Lola, they've already got problems.
0:23:21 > 0:23:23He'd leave.
0:23:24 > 0:23:28That might not mean that much to you, but that's my family in that flat.
0:23:28 > 0:23:31While Peter's living there, well, he's as good as mine.
0:23:31 > 0:23:33And it should be the same to you.
0:23:34 > 0:23:39Got one thing to say to you, Billy - you're a total mug.
0:23:39 > 0:23:42No, I ain't. Cos I just done the right thing.
0:23:42 > 0:23:46And you know what, I can walk out of here with my head held high.
0:23:49 > 0:23:51And that's exactly what I'm going to do.
0:23:58 > 0:24:01Yes, the key's back in the flat, according to Mr Mitchell.
0:24:01 > 0:24:04OK. Meet me there in ten.
0:24:08 > 0:24:13Albert Square doesn't change. It's still full of liars.
0:24:13 > 0:24:15What do you mean?
0:24:15 > 0:24:18You didn't get an inkling one of Mr Beale's own employees
0:24:18 > 0:24:19was holding all that back?
0:24:19 > 0:24:24- Well, he didn't do anything to... - Oh, come on, Emma! You're supposed to be our eyes here.
0:24:24 > 0:24:28You give this lot a chance, they'll run rings around you.
0:24:28 > 0:24:30Do better.
0:24:37 > 0:24:40Peter. How you doing?
0:24:41 > 0:24:43You going to pay for that?
0:24:43 > 0:24:45Hm-mm. Look...
0:24:46 > 0:24:48I spoke to Lola, and I'm going to cook dinner tonight.
0:24:48 > 0:24:51Great. Yeah. I appreciate that. Sure she will an' all.
0:24:51 > 0:24:54- Billy?- Mrs Coker!
0:24:54 > 0:24:58I'm so sorry about today. Is Mr Coker mad at me?
0:24:58 > 0:25:00- He was ever so upset with you, Billy.- Yeah, yeah.
0:25:00 > 0:25:04So am I. I found this in your kitchen.
0:25:04 > 0:25:08I was going to show it to Les, but maybe you've got an explanation?
0:25:08 > 0:25:12- Yeah, yeah, of course I have. Do you fancy having a cup of tea?- Yes.
0:25:16 > 0:25:20Two teas, please, Marie. Here you are, look.
0:25:28 > 0:25:33I've dressed more than I can count, Billy. Most you forget.
0:25:33 > 0:25:37Faces in a crowd. But the ones that go before their time...
0:25:38 > 0:25:41I shall never forget Lucy.
0:25:41 > 0:25:43Such a pretty girl.
0:25:45 > 0:25:47Have you shown these to anyone?
0:25:47 > 0:25:48Not yet.
0:25:48 > 0:25:50Good.
0:25:51 > 0:25:54Cos the thing is...
0:25:54 > 0:25:57they're Peter's.
0:25:57 > 0:25:59Peter's?
0:25:59 > 0:26:03I hid them cos all he does is look at them, Pam.
0:26:03 > 0:26:07We'll be watching telly and he'll be flicking through...
0:26:07 > 0:26:10Of course they're Peter's. What was I thinking?
0:26:10 > 0:26:14I could see what it was doing to Lola, so I hid 'em.
0:26:14 > 0:26:18Anyway, Peter went mental. Tore the flat apart.
0:26:18 > 0:26:20Did more harm than good.
0:26:22 > 0:26:28Give them back to him, Billy. Let him grieve, however he needs to.
0:26:28 > 0:26:31Yeah, yeah, I will.
0:26:31 > 0:26:34And listen, tell Les I'll be in as soon as I've sorted all this out.
0:26:34 > 0:26:35I will.
0:26:35 > 0:26:40And Pat...I won't tell Peter that you took them.
0:26:40 > 0:26:41Keep it our secret.
0:26:41 > 0:26:44Oh...right.
0:26:54 > 0:26:57I'll have to get you your own drawer at this rate.
0:26:57 > 0:26:59I'm not staying.
0:26:59 > 0:27:01It's all right. Abi ain't back for another couple of hours.
0:27:01 > 0:27:05- I'm not worried about Abi.- Well, Lauren's hardly gonna show, is she?
0:27:05 > 0:27:07I don't want to meet your kids, Max!
0:27:08 > 0:27:11My new boss has just laid into me. She reckons I've been negligent.
0:27:11 > 0:27:13All right. Well, you'll win her round.
0:27:13 > 0:27:16Yeah, but she's right, though, isn't she?! All this sneaking around!
0:27:16 > 0:27:18You can see Ian Beale's house from your front door!
0:27:18 > 0:27:22- You're just getting worked up. - Yeah, with good reason!
0:27:22 > 0:27:23Look, I'm sorry, Max,
0:27:23 > 0:27:27but I've come to tell you that I can't see you any more.
0:27:28 > 0:27:30I'm sorry.