20/11/2015

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0:00:27 > 0:00:29Hey! So glad you could make it.

0:00:29 > 0:00:30We're so excited!

0:00:32 > 0:00:38You don't have to go in to work today if you don't feel up for it. I can cover for you.

0:00:38 > 0:00:40Wow.

0:00:40 > 0:00:43Somebody should really let them know they're moving in with a murderer.

0:00:45 > 0:00:46Hey, Dad, I made that for you.

0:00:46 > 0:00:47Cheers.

0:00:49 > 0:00:51- You all right?- Yeah.

0:00:51 > 0:00:54Other than the fact I got put on my bottle by an old man.

0:00:54 > 0:00:57Good dig, to be fair. Think my pride's stinging more than me nose.

0:00:57 > 0:00:59I think you did the right thing.

0:00:59 > 0:01:02Don't let Linda hear you say that. She's got the right zig with me.

0:01:02 > 0:01:04That's the understatement of the year!

0:01:04 > 0:01:08L, it's Billy Mitchell. Can't take the geezer seriously. What was I supposed to do?

0:01:08 > 0:01:11You should've told me what was going on as soon as you knew.

0:01:11 > 0:01:13But then you didn't tell me you were seeing Shirley, either.

0:01:13 > 0:01:15Look, we're supposed to be a team.

0:01:15 > 0:01:18- Course we're a team.- Then why am I always the last to know?

0:01:22 > 0:01:25Are you seriously going to act like nothing happened?

0:01:25 > 0:01:26I'm not trying to excuse it.

0:01:26 > 0:01:29OK? But she was trying to mess with your head.

0:01:29 > 0:01:33- Don't let her.- This is textbook denial. You don't want to believe that Ronnie has lost the plot, so

0:01:33 > 0:01:37- you're convincing yourself that she wouldn't have gone through with it. - She wouldn't have.

0:01:40 > 0:01:42You don't believe that. I know you don't.

0:01:42 > 0:01:45- Otherwise you wouldn't have told me about Carl.- I wish I hadn't now.

0:01:45 > 0:01:48And what happened with Carl was very, very different.

0:01:48 > 0:01:52- Yeah, well, it looked pretty similar from where I was standing. - She's my sister, all right?

0:01:52 > 0:01:55And I know exactly what she is and is not capable of.

0:01:55 > 0:01:58Well, I'm not sure that I'd be brave enough to make that call.

0:01:58 > 0:02:01Especially now she's got a house full of kids.

0:02:01 > 0:02:04I can't be doing with this. I'm going out.

0:02:12 > 0:02:15Have you seen Fatboy this morning yet?

0:02:15 > 0:02:20No, my morning has been blissfully idiot-free, thanks. Why?

0:02:20 > 0:02:25I don't know, I just reckon you're going to see an attitude adjustment when you do.

0:02:25 > 0:02:27I thought I told you not to get involved, Vincent.

0:02:27 > 0:02:31Behave yourself. You know I couldn't let that slide, could I?

0:02:31 > 0:02:33You ain't seen Fatboy, have you?

0:02:33 > 0:02:34No.

0:02:35 > 0:02:39Cos normally he's at the car lot around this time.

0:02:39 > 0:02:42That's very, very strange. All right, thanks, Marie. See you later.

0:02:43 > 0:02:45What have you done, Vincent?

0:02:48 > 0:02:50I'll pop your tea down there, all right?

0:02:50 > 0:02:53Listen, there's a great dress in there. Page seven.

0:02:53 > 0:02:54Have a look at it when you're done.

0:02:54 > 0:02:56I'm sick of looking at dresses.

0:02:56 > 0:02:58Everybody gets like that, love.

0:02:58 > 0:03:02Eventually you'll find the perfect one. Then everything will be worth it.

0:03:02 > 0:03:04I don't think anything could feel perfect right now, Mum.

0:03:04 > 0:03:07It's Mick Carter. There's been a change of plan.

0:03:07 > 0:03:10I'm going to need that ready for today.

0:03:34 > 0:03:37Oi, what you doing?

0:03:37 > 0:03:39SHE TUTS

0:03:39 > 0:03:44I remember a time when burglars at least had the decency to wait

0:03:44 > 0:03:46until after dark.

0:03:46 > 0:03:51Yeah, I told Mrs Branning I was going to check her security arrangements.

0:03:51 > 0:03:54Very community spirited of you.

0:03:54 > 0:03:58I'll make sure I tell her what a thorough good job you've done.

0:03:58 > 0:04:02No, there's no need to bother her with all that.

0:04:02 > 0:04:06Course - my memory ain't what it was.

0:04:07 > 0:04:10Especially after a little drink.

0:04:14 > 0:04:17HE SIGHS

0:04:18 > 0:04:20Not that little.

0:04:48 > 0:04:52- This couldn't have worked out any better, you know.- Great, innit?

0:04:52 > 0:04:55- DOORBELL I'll get that.- Thank you.

0:04:56 > 0:05:01- You do understand why this is for the best, though, don't you, Billy? - Yeah, course, course I do.

0:05:01 > 0:05:04I just wouldn't want it to be for ever.

0:05:04 > 0:05:06One step at a time, yeah?

0:05:06 > 0:05:08- Yeah, all right.- Roxy's here.

0:05:08 > 0:05:10- Hi, Rox.- Hey.

0:05:13 > 0:05:14I see you've got a house full.

0:05:14 > 0:05:17Yeah, well, it doesn't make any sense to leave all the rooms empty, does it?

0:05:17 > 0:05:19Roxy, the kids are over the moon.

0:05:19 > 0:05:21- And, Janet, you love your new bedroom, don't you?- Yes.

0:05:21 > 0:05:25We're taking them up Walford Primary later - meet the teachers.

0:05:25 > 0:05:27And, Will, you're looking forward to going back to school

0:05:27 > 0:05:30and it makes sense really, putting Janet on the list to transfer.

0:05:30 > 0:05:33And Kamil's starting as well, so he ain't going to be the only newbie.

0:05:33 > 0:05:35Well, I'm sure you'll love it. Amy does.

0:05:35 > 0:05:39- Auntie Ronnie, you're an angel.- Aw!

0:05:39 > 0:05:42Is that what you are? You're an angel?

0:05:42 > 0:05:45Right, I think maybe we should go upstairs and get unpacked, eh?

0:05:45 > 0:05:48- Yeah, yeah. Come on, then, kids. - Come on, boy.- Come on, darling.

0:05:48 > 0:05:50Are you going to go up and see your room?

0:05:50 > 0:05:53- See you in a minute. See you, lovely.- Come on, up you go.

0:05:58 > 0:05:59I can't work you out.

0:05:59 > 0:06:02Oh, come on, Roxy. You know full well I didn't try and kill Dean.

0:06:02 > 0:06:06What, cos you're so good at it that if you really wanted to kill him, he'd already be dead?

0:06:06 > 0:06:08No. Because you know me, don't you?

0:06:08 > 0:06:11Before there was anyone else, there was always me and you.

0:06:11 > 0:06:15We know what the other one is thinking, we finish each other's sentences.

0:06:15 > 0:06:18- We make each other's lives a misery. - Roxy, look. I'm an idiot, all right?

0:06:18 > 0:06:21I'm overprotective, I'm stubborn, I'm impulsive.

0:06:22 > 0:06:24But I am not a cold-blooded killer.

0:06:27 > 0:06:30Give me one good reason I should believe that.

0:06:30 > 0:06:33Because, Roxy, it would tear me apart if you didn't.

0:06:40 > 0:06:41All right.

0:06:43 > 0:06:44All right.

0:06:49 > 0:06:50Fatboy?

0:07:04 > 0:07:06You can come out.

0:07:20 > 0:07:23How's the moving going, Honey? You all settled in now?

0:07:23 > 0:07:27Yeah, getting there. Just thought I'd pop out for some breakfast, actually.

0:07:27 > 0:07:28Thank you.

0:07:28 > 0:07:29I just hope Ronnie likes ketchup.

0:07:29 > 0:07:30Oh, I'm sure she does.

0:07:36 > 0:07:39Don't get too comfy at Ronnie's, will you, Honey?

0:07:39 > 0:07:40Sorry?

0:07:40 > 0:07:43There's nothing sadder than two people living apart

0:07:43 > 0:07:45when they should be together.

0:07:48 > 0:07:51I'm sure it'll all work out like it's meant to, Les.

0:08:00 > 0:08:01Pam?

0:08:07 > 0:08:11I'm sorry, Les. I just can't talk to you at the moment.

0:08:13 > 0:08:15That's all right.

0:08:16 > 0:08:17I'll go.

0:08:25 > 0:08:28How was I meant to know that Dot weren't coming home?

0:08:29 > 0:08:31So what's the plan, then?

0:08:31 > 0:08:33You just going to stay in here for ever?

0:08:39 > 0:08:42HE GROANS

0:08:59 > 0:09:01You OK?

0:09:01 > 0:09:03Yeah. I spoke to Ronnie.

0:09:04 > 0:09:07And what did she say?

0:09:07 > 0:09:08Exactly what I thought.

0:09:08 > 0:09:11OK? She was just trying to put the frighteners on you.

0:09:11 > 0:09:13She would never have gone through with it.

0:09:13 > 0:09:15- And you believed her?- Yeah, I do.

0:09:15 > 0:09:19Well, you might be able to live with yourself, but I'm not sure I can.

0:09:19 > 0:09:20What's that supposed to mean?

0:09:20 > 0:09:24It means, that unlike you, I have a conscience.

0:09:24 > 0:09:27How am I going to live with myself if somebody else gets hurt?

0:09:27 > 0:09:28You're being ridiculous!

0:09:28 > 0:09:30It's not just me, is it? There's other victims.

0:09:30 > 0:09:33Victims! Carl was a complete scumbag!

0:09:33 > 0:09:35I'm not talking about Carl.

0:09:35 > 0:09:37I'm talking about Charlie.

0:09:39 > 0:09:44- Don't, Dean! Don't even go there. - No, we both thought it. We even spoke about it.

0:09:44 > 0:09:47Then all of a sudden you just looked the other way.

0:09:47 > 0:09:49- It wasn't like that.- No, it wasn't like that. Of course not.

0:09:50 > 0:09:54Because you're no stranger to denial when your sister's concerned.

0:09:54 > 0:09:56You've been doing it long enough.

0:10:01 > 0:10:03You're still here.

0:10:03 > 0:10:07Look, I just wanted to make sure that you was OK.

0:10:07 > 0:10:11Look, you need to think very carefully about the story you're going to tell.

0:10:11 > 0:10:13Neither of us come out looking like a hero.

0:10:14 > 0:10:19Do you really think I want anybody to know about this?

0:10:19 > 0:10:21KNOCK ON DOOR

0:10:21 > 0:10:24Look, I'm serious. Donna can't know about this.

0:10:32 > 0:10:38- Hey, Rox.- Have you got a minute? - I really need to get to...

0:10:38 > 0:10:42- Vincent, hello. Nice to see you somewhere other than sniffing around my sister.- Do I sense jealousy?- No.

0:10:42 > 0:10:46Listen, Rox, can this wait? Cos I am super late and I really need to...

0:10:46 > 0:10:49Look, it'll take one minute. I just really need to know.

0:10:49 > 0:10:52When was the last time you spoke to Charlie?

0:10:52 > 0:10:56- DOT:- Arthur, are you in?

0:10:56 > 0:10:59The milk's still on the step. It'll have gone off.

0:10:59 > 0:11:02What on earth is going on here?

0:11:02 > 0:11:05Sorry about all the mess, Mrs B, and the milk.

0:11:05 > 0:11:07I've been running late recently.

0:11:09 > 0:11:11Visitors, after a long journey. How nice.

0:11:11 > 0:11:15We actually haven't had the pleasure, Mrs Branning.

0:11:15 > 0:11:18I'm Vincent Hubbard. I've just moved into Number 1.

0:11:18 > 0:11:20Dr Legg's old surgery.

0:11:20 > 0:11:23We ain't had a decent doctor, not since Dr Legg left.

0:11:23 > 0:11:26Well, I hope to be half the neighbour he was. But Roxy and I were just leaving.

0:11:26 > 0:11:28Well, don't let me stop you.

0:11:28 > 0:11:33Um, Dot, listen. I know that I'm probably the last person you want to see right now.

0:11:33 > 0:11:35But I really need to talk to you about Charlie.

0:11:37 > 0:11:38Alone.

0:11:41 > 0:11:45Well, that's them all sorted. The kids are buzzin'.

0:11:45 > 0:11:47No need for us to share a room any more.

0:11:47 > 0:11:51Not that I haven't enjoyed our Morecombe and Wise routine.

0:11:51 > 0:11:53Look, Billy.

0:11:56 > 0:11:57You mustn't give up on Honey.

0:11:59 > 0:12:03You must do everything you can to get her back where she belongs.

0:12:03 > 0:12:05Les.

0:12:06 > 0:12:09Just because you really, really want something,

0:12:09 > 0:12:11doesn't mean it's ever going to happen.

0:12:11 > 0:12:13They've got space over there.

0:12:13 > 0:12:16Ronnie can offer them a proper family home.

0:12:16 > 0:12:19Whereas all I've got is Eric and Ernie, innit?

0:12:19 > 0:12:21Les, I didn't mean it that way.

0:12:21 > 0:12:24No, no, no, you're quite right.

0:12:24 > 0:12:26It's high time you got your home back.

0:12:26 > 0:12:28No, no, look.

0:12:28 > 0:12:31There's no rush, OK?

0:12:31 > 0:12:35We might as well enjoy each other's company a bit longer.

0:12:35 > 0:12:37At least till Honey and Pam see the light.

0:12:41 > 0:12:43I never meant to stay two nights,

0:12:43 > 0:12:46only she's such a tonic, that granddaughter of mine.

0:12:46 > 0:12:50Oh, she is a lovely girl, Dotty - I mean, Kirsty.

0:12:50 > 0:12:54Dot, look, I just need to know how Charlie's getting on in Ireland.

0:12:54 > 0:12:58I think the best thing you can do for Charlie and your sister is to leave them be.

0:12:58 > 0:13:02I don't want to get in touch with him, I just really need to know he's OK.

0:13:02 > 0:13:05Well, I don't think that mother of his can be the easiest

0:13:05 > 0:13:07of patients but he must be dealing with it,

0:13:07 > 0:13:10otherwise he'd be back here, wouldn't he?

0:13:10 > 0:13:14- You getting me his number? - No, I just thought you might like a biscuit with your tea.

0:13:14 > 0:13:17No, Dot, honestly - I've taken up enough of your time already.

0:13:17 > 0:13:19Anyway, I've got what I came for.

0:13:19 > 0:13:21Why don't you ask your sister?

0:13:21 > 0:13:24She's the one what keeps me up-to-date.

0:13:26 > 0:13:29You have spoken to him yourself, haven't you?

0:13:29 > 0:13:32No, I've asked Ronnie to get him to phone me, cos he must have lost

0:13:32 > 0:13:39his phone, changed his number. Just like a man, he's thoughtless.

0:13:39 > 0:13:41So basically getting married is about being thankful for what

0:13:41 > 0:13:44you've got, even if it's not quite what you wanted?

0:13:44 > 0:13:46Mick Carter is all you've ever wanted

0:13:46 > 0:13:47since you were 14 years old.

0:13:47 > 0:13:50So you can give over with that kind of talk!

0:13:54 > 0:13:57Are you and him going to give each other the cold shoulder all day?

0:13:57 > 0:14:00He ain't giving me the cold shoulder. He just don't want me to see the gift.

0:14:00 > 0:14:02What gift?

0:14:02 > 0:14:05He knows that he's hurt me, which means there'll be a gift.

0:14:07 > 0:14:09Wow, two visits in one day.

0:14:09 > 0:14:10I must have really messed up this time.

0:14:10 > 0:14:12Yeah. I hope not, Ron.

0:14:15 > 0:14:16Well, go on, then. What is it?

0:14:18 > 0:14:21I need to know what happened to Charlie.

0:14:22 > 0:14:24You know what happened. He left.

0:14:24 > 0:14:27Just like that? Without a thought for Matthew?

0:14:29 > 0:14:31I don't know. You'd have to ask him.

0:14:31 > 0:14:35- All right, well, why don't you get me a number for him, yeah? Have you got one?- No, not on me.

0:14:35 > 0:14:36You'd have to get it off Dot.

0:14:39 > 0:14:40Try again, Ron.

0:14:43 > 0:14:47There are some very small flats with very large price tags in here.

0:14:47 > 0:14:51Look at this one. We bury people in bigger boxes!

0:14:51 > 0:14:53I can't believe it's come to this.

0:14:53 > 0:14:55You know, Nan's looking much happier on her stall.

0:14:55 > 0:14:57I was sure you two would sort things out.

0:14:57 > 0:15:00Yeah, but I've got to face facts. It isn't going to happen.

0:15:00 > 0:15:03However much I want it to.

0:15:04 > 0:15:07I'm sorry, Grandad. You don't deserve to lose your home.

0:15:07 > 0:15:11Bricks and mortar don't make a home, son.

0:15:11 > 0:15:13People do.

0:15:13 > 0:15:18I lost my home the minute I lost your grandmother.

0:15:18 > 0:15:23Which means I'll still be homeless even when I've found a place to live.

0:15:23 > 0:15:26You're acting like you think I've done something to Charlie.

0:15:26 > 0:15:29Well, have you? Cos that's how you deal with problems, isn't it?

0:15:29 > 0:15:32- You either pay them off, or you kill them off.- Oh!

0:15:33 > 0:15:35Look, fine.

0:15:35 > 0:15:38Fine. You're asking me, did I want to hurt him?

0:15:38 > 0:15:41Then yes, I wanted to hurt him.

0:15:41 > 0:15:44The least he could do, after what you both did,

0:15:44 > 0:15:46was to leave me and Matthew in peace.

0:15:48 > 0:15:50What have you done, Ronnie?

0:15:53 > 0:15:55Thanks, Hel.

0:15:55 > 0:15:57PHONE RINGS

0:15:59 > 0:16:01Ronnie.

0:16:01 > 0:16:03All right, tell me what happened.

0:16:07 > 0:16:09All right, all right, I'll sort it.

0:16:09 > 0:16:11I will sort it.

0:16:12 > 0:16:15Come on, then, let's have it.

0:16:15 > 0:16:18- What?- You've obviously been to get me a present, which is meant

0:16:18 > 0:16:22to make me forget everything. Am I right?

0:16:22 > 0:16:25- Yeah.- It ain't going to work this time.

0:16:25 > 0:16:30OK, so you probably...well, you definitely won't want to see what it is, then.

0:16:32 > 0:16:33Course you do.

0:16:35 > 0:16:37Fine, what is it?

0:16:43 > 0:16:47- You got me a wedding dress? - No, I got you THE wedding dress.

0:16:48 > 0:16:51Just after we started seeing each other, your mum went out

0:16:51 > 0:16:56and we bunked off school and we spent the afternoon at yours.

0:16:56 > 0:16:57I remember.

0:16:57 > 0:17:00D'you, erm, remember what we did?

0:17:02 > 0:17:03Course I do.

0:17:03 > 0:17:07No, no, no - that was nice, but...

0:17:07 > 0:17:09No, it was just before that.

0:17:11 > 0:17:15- I made you watch Charles and Di's wedding on VHS.- Mmm.

0:17:15 > 0:17:20And you described to me the exact dress you would have worn

0:17:20 > 0:17:23if you'd have got married then.

0:17:23 > 0:17:24You didn't?

0:17:26 > 0:17:29I know I don't always show it,

0:17:29 > 0:17:33but I've listened to every word you've ever said since we met.

0:17:42 > 0:17:45- Who were you on the phone to? - Vincent.

0:17:45 > 0:17:49Oh, Vincent. I might have known he had something to do with it.

0:17:49 > 0:17:51What now?

0:17:51 > 0:17:52We wait.

0:17:53 > 0:17:56This better not be one of your stupid games, Ronnie.

0:17:56 > 0:17:58PHONE RINGS

0:17:58 > 0:17:59Well, who is it?

0:18:01 > 0:18:03You wanted to know the truth.

0:18:04 > 0:18:06There's no backing out now.

0:18:10 > 0:18:11Hello?

0:18:14 > 0:18:15Charlie!

0:18:17 > 0:18:20Charlie.

0:18:20 > 0:18:23You have no idea how happy I am to hear your voice.

0:18:23 > 0:18:27Excuse me, can I have one of those in a size ten, please?

0:18:27 > 0:18:30- You're a bit less stressed now, then?- Was I stressed?

0:18:30 > 0:18:31I haven't seen you brick it like that

0:18:31 > 0:18:34since Mum caught you upstairs with Leanne Stevens. Remember?

0:18:34 > 0:18:38Yeah, that weren't pretty.

0:18:38 > 0:18:41- Where is Fatboy?- He's at work.

0:18:41 > 0:18:43You know that boy goes on like a girl, innit,

0:18:43 > 0:18:46giving me the silent treatment just because he's wounded.

0:18:46 > 0:18:49You must have really upset him. Cos I ain't never seen Fatboy quiet.

0:18:53 > 0:18:55OK, well, look, thank you for calling.

0:18:55 > 0:18:56I'm glad you're OK.

0:18:58 > 0:19:00All right. Bye.

0:19:05 > 0:19:09He's well, in case you're interested.

0:19:09 > 0:19:14And he still wants a divorce, so that should put a smile on your face.

0:19:14 > 0:19:18Do you know what, Ron? An hour ago I thought that knowing Charlie was alive...

0:19:18 > 0:19:20I thought it would make everything OK.

0:19:20 > 0:19:21And now?

0:19:23 > 0:19:24He's scared of you, Ron.

0:19:25 > 0:19:28The father of your child is so scared of you,

0:19:28 > 0:19:30he doesn't even want to set foot in the country.

0:19:30 > 0:19:32Really? Good. So what?

0:19:33 > 0:19:40So, Charlie might still be alive but you, Veronica -

0:19:40 > 0:19:42you still need help.

0:19:47 > 0:19:49Look, man. I already told you, all right,

0:19:49 > 0:19:51I ain't going to say anything.

0:19:51 > 0:19:54You know, Lee ain't even in this afternoon, so I can't even tell him.

0:19:54 > 0:19:57That look on your face when I opened the cupboard door.

0:19:57 > 0:19:58I've seen it before.

0:19:59 > 0:20:01So?

0:20:01 > 0:20:03Every time a new foster kid arrived at ours.

0:20:06 > 0:20:08That was the look he wore.

0:20:08 > 0:20:12Like he didn't know whether he was going to be greeted with a hug or a fist.

0:20:12 > 0:20:15Yeah, well, I bet it didn't take long to figure out which one you had on offer.

0:20:15 > 0:20:18I told you, I'm not the bad guy, not all the time.

0:20:18 > 0:20:22See you, you see me as a thug. But those kids?

0:20:22 > 0:20:23They saw me as the guy that told them

0:20:23 > 0:20:26that everything was going to be all right.

0:20:26 > 0:20:28Then made sure it WAS.

0:20:28 > 0:20:33But hey, I'm not the only one who has different sides to them, am I?

0:20:33 > 0:20:35How d'you work that one out?

0:20:35 > 0:20:38The Fatboy I'm used to would've been up in my grill the second

0:20:38 > 0:20:39that door opened.

0:20:39 > 0:20:42Yeah, well... It's not like I slept, did I?

0:20:42 > 0:20:47You know, and I was in that cupboard in the dark the whole night, all right?

0:20:47 > 0:20:50So when I came out, my eyes had to adjust to the light.

0:20:50 > 0:20:52Give it up, Fatboy.

0:20:53 > 0:20:55Know when you've been read.

0:20:59 > 0:21:00Are you wearing it?

0:21:00 > 0:21:02Yeah, but you can't come in.

0:21:02 > 0:21:05It's bad luck to see me in it before the wedding day.

0:21:05 > 0:21:11Well, I think we've had our fair share of bad luck, baby. Don't you?

0:21:11 > 0:21:14THEY LAUGH

0:21:16 > 0:21:19It would've been perfect in 1981.

0:21:19 > 0:21:22No. No, I don't think that dress would ever be perfect.

0:21:24 > 0:21:26At least it's put a smile on your face!

0:21:26 > 0:21:28I don't see enough of them any more.

0:21:29 > 0:21:31I know I've got to do better, L.

0:21:31 > 0:21:32You're doing all right.

0:21:35 > 0:21:38And now you can have your present, from the wedding fair.

0:21:40 > 0:21:42Noisy, that dress, ain't it?

0:21:42 > 0:21:44Oh. OK.

0:21:45 > 0:21:47A pair of socks.

0:21:47 > 0:21:49Yeah. Read what's on them.

0:21:50 > 0:21:52"In case you get cold feet."

0:21:54 > 0:21:56I don't need them.

0:21:56 > 0:22:00So how about we look for a different dress and a different pair of socks, yeah?

0:22:00 > 0:22:01Agreed.

0:22:07 > 0:22:10Do you really think that if there was anything to say, that I'd say it to you?

0:22:10 > 0:22:13So who are you going to say it to, then? Them lot out there?

0:22:13 > 0:22:18They only care about you when you're cracking the funnies. Apart from Dot, maybe.

0:22:18 > 0:22:20But I can't see you spilling your guts to her.

0:22:21 > 0:22:26So I'm going to ask you once again, who did this to you?

0:22:33 > 0:22:34It was my mum.

0:22:40 > 0:22:43Do you know, ever since I can remember,

0:22:43 > 0:22:45I've been weighed down by the feeling that

0:22:45 > 0:22:51I've got to keep you safe and I am exhausted with it, Roxy.

0:22:52 > 0:22:57Well, if you're exhausted with it, then stop doing it.

0:22:57 > 0:23:01Yeah, if I'm making a mistake with Dean, then just let me make it.

0:23:01 > 0:23:03- I can't do that.- I know.

0:23:04 > 0:23:08I know you can't, because it's never really about protecting me.

0:23:08 > 0:23:10It's about controlling me.

0:23:11 > 0:23:14You know, I used to think it was when you lost Danielle.

0:23:14 > 0:23:18- Then I thought it was about James. - Don't you dare bring them into this!

0:23:18 > 0:23:22No, but I just thought, you know, when you had someone of your own

0:23:22 > 0:23:25to really look after, maybe you'd let me go.

0:23:25 > 0:23:29But you've got Matthew and you're still trying to pull my strings.

0:23:29 > 0:23:32Is this where you tell me I'm just like Dad?

0:23:33 > 0:23:34No.

0:23:37 > 0:23:38Dad never killed anyone, did he?

0:23:38 > 0:23:40SHE GASPS

0:23:41 > 0:23:44You are unbelievable.

0:23:44 > 0:23:46No, seriously, you are unbelievable.

0:23:46 > 0:23:48St Roxanne?

0:23:48 > 0:23:50Sitting up there on your high horse.

0:23:50 > 0:23:52Do you not remember why I did to Carl what I did?

0:23:53 > 0:23:54I had no choice.

0:23:56 > 0:23:58And the only reason me and Charlie split up

0:23:58 > 0:24:01is because YOU bedded him while I was still in hospital.

0:24:01 > 0:24:04I'm not a saint. I never said I was a saint.

0:24:04 > 0:24:07I make mistakes, I go for the wrong blokes

0:24:07 > 0:24:09but so do a lot of people.

0:24:11 > 0:24:13But what you do is different, Ron.

0:24:13 > 0:24:15It's different, it's like a whole other level.

0:24:16 > 0:24:19Look, it always has been. It always has been.

0:24:19 > 0:24:22- Ever since we were kids.- Are you ever going to let me forget that?

0:24:22 > 0:24:24No, no, I'm not.

0:24:24 > 0:24:28Because I have to look at this in the mirror every single day.

0:24:29 > 0:24:32Just a little reminder of how much you think of me.

0:24:32 > 0:24:34I love you, you know that.

0:24:34 > 0:24:38Nothing says "I love you" like a glass in my face.

0:24:38 > 0:24:40- I'm sorry.- Just save it, Ronnie.

0:24:40 > 0:24:43No, Roxy, I'm sorry, all right? I really am.

0:24:43 > 0:24:45If I could turn back the clocks, I would,

0:24:45 > 0:24:48because maybe that is where all of this started.

0:24:52 > 0:24:54Where all of what started?

0:24:54 > 0:24:57Your need to self-destruct.

0:24:58 > 0:25:00Your feelings of low self-esteem.

0:25:00 > 0:25:04- Are you a psychologist now, are you? - There's got to be some reason for it, Roxy,

0:25:04 > 0:25:07because I am telling you something, it is not normal.

0:25:07 > 0:25:10It is not normal for you to set your sights on every single bloke

0:25:10 > 0:25:11that your sister has.

0:25:11 > 0:25:17It is not normal for you to want to end up with some low-life rapist.

0:25:25 > 0:25:27ROXY GASPS

0:25:27 > 0:25:29Listen to me.

0:25:29 > 0:25:32The only reason you're with Dean is

0:25:32 > 0:25:36because you think you're not worth more than that.

0:25:36 > 0:25:40And the sad truth is, Roxanne, you're right.

0:25:44 > 0:25:47SHE GASPS

0:25:47 > 0:25:49FRONT DOOR CLOSES

0:25:49 > 0:25:54She used to lock me in my room for hours, days at a time.

0:25:56 > 0:25:58Not that I minded being locked up.

0:25:58 > 0:26:02It was time away from her screaming in my face.

0:26:02 > 0:26:06"Arthur, do this", or, "Arthur, you're useless", or, "You're just like your dad".

0:26:07 > 0:26:11I liked the sound of the door being locked.

0:26:11 > 0:26:14I never would have locked you in that cupboard if I'd known.

0:26:14 > 0:26:19One day I had this idea, that I was never going to let her see me

0:26:19 > 0:26:22break or cry again.

0:26:22 > 0:26:25Instead I'd come back with, you know, a smile or a joke.

0:26:26 > 0:26:29And you've been smiling and joking ever since.

0:26:33 > 0:26:38You know what? I actually thought that you was going to kill me.

0:26:38 > 0:26:41And now I'm talking to you like you're my psychiatrist.

0:26:41 > 0:26:44It doesn't take a psychiatrist to know you're putting on a front.

0:26:44 > 0:26:47A loud-mouthed fool of a front, too.

0:26:47 > 0:26:49Well, I see why you've got so many friends.

0:26:49 > 0:26:53You need to drop it. Let Arthur drive for a bit.

0:26:54 > 0:26:56That guy doesn't exist no more.

0:26:56 > 0:26:58He couldn't do a worse job than you're doing now.

0:26:58 > 0:27:00You don't know nothing about me.

0:27:00 > 0:27:02I know that you're stuck in here flogging motors

0:27:02 > 0:27:05when you fancy yourself as a bit of a DJ.

0:27:05 > 0:27:09Yeah, well, you've got to be a lot better than me to go pro.

0:27:09 > 0:27:12No, you need to be brave enough to take a leap.

0:27:12 > 0:27:15I can give you a go at The Albert full-time, if you want.

0:27:18 > 0:27:19Are you offering me a job?

0:27:19 > 0:27:23No, I'm offering Arthur a job. And he needs to show up.

0:27:24 > 0:27:28Fatboy and his pain in the backside self can stay at home.

0:27:28 > 0:27:31And you need to start paying Donna a bit more respect, too.

0:27:33 > 0:27:35Why would you do that for me?

0:27:35 > 0:27:38I told you. I'm not the guy that you think I am.

0:27:44 > 0:27:46You were right about her.

0:27:46 > 0:27:48Hey. Hey!

0:27:51 > 0:27:54I'm just glad you can finally see her for what she is.

0:27:56 > 0:27:58Now you can start to move on, yeah?

0:28:00 > 0:28:01Not yet.

0:28:03 > 0:28:06There's one last thing I've got to do.

0:28:08 > 0:28:11Allow me to introduce Arthur.

0:28:11 > 0:28:13The Albert's new resident DJ.

0:28:14 > 0:28:17OK, but he looks a lot like Fatboy.

0:28:17 > 0:28:20Yeah, well, things ain't always what they seem.

0:28:20 > 0:28:22I ain't nothing like Fatboy.

0:28:22 > 0:28:24- Yeah.- He ain't lying.

0:28:31 > 0:28:34If it makes you feel better, I think you're doing the right thing.

0:28:37 > 0:28:38She needs to be stopped.