0:00:32 > 0:00:34What are you doing? Why have we stopped?
0:00:35 > 0:00:37What do you want with me?
0:00:38 > 0:00:41Can you please just tell me what this is about?
0:00:41 > 0:00:42We've got her.
0:00:45 > 0:00:46Where are you going?
0:00:50 > 0:00:52Get off me.
0:00:52 > 0:00:54Don't make this any harder on yourself.
0:00:58 > 0:01:00You can't just leave me here!
0:01:05 > 0:01:07LINDA SIGHS
0:01:07 > 0:01:08All right?
0:01:08 > 0:01:12Ah... Stocking up, I see?
0:01:15 > 0:01:16What you talking about?
0:01:16 > 0:01:18I wouldn't worry if I were you,
0:01:18 > 0:01:21I think he brings his own baby oil. So...
0:01:21 > 0:01:23Sorry?
0:01:23 > 0:01:27What, you don't know? I thought Sharon would've cleared it with you.
0:01:27 > 0:01:29- A stripper? - Yeah - full package!
0:01:29 > 0:01:33- Right - that's it! - Mum, I'm joking!
0:01:33 > 0:01:35I wish I'd never agreed to this stupid hen do!
0:01:35 > 0:01:37What?
0:01:37 > 0:01:39Since when did Linda Carter not want an excuse to dress up?
0:01:39 > 0:01:41I wanted something classy!
0:01:41 > 0:01:43You know, like a meal out or a trip to a show.
0:01:43 > 0:01:46But oh, no - I've got to be out there, everyone looking at me.
0:01:46 > 0:01:48What? What's wrong with that?
0:01:48 > 0:01:51I just don't want to be the centre of attention, that's all.
0:01:51 > 0:01:56I'm sorry, this is coming from the woman who sang karaoke at a wake?
0:01:56 > 0:01:57That's different.
0:01:57 > 0:02:00That was a very moving tribute to a much-loved punter.
0:02:00 > 0:02:02Yes - yes, it was.
0:02:02 > 0:02:03Oh, yeah, look, Mum -
0:02:03 > 0:02:07tomorrow's supposed to be your special night with the girls.
0:02:07 > 0:02:09They're all coming because they care about you.
0:02:09 > 0:02:12You can't worry about what anyone else thinks,
0:02:12 > 0:02:13you just got to enjoy yourself.
0:02:13 > 0:02:16Surely you've always wanted a proper hen do?
0:02:16 > 0:02:19And you definitely deserve it.
0:02:22 > 0:02:25I think you'll find my rendition of My Way had the widow in tears.
0:02:26 > 0:02:31Yeah...but maybe not for the right...reasons.
0:02:38 > 0:02:41- SHARON:- I can't believe you did this.- Come on, come on.
0:02:41 > 0:02:42PHONE RINGS
0:02:42 > 0:02:44First time in months I start to feel settled.
0:02:44 > 0:02:47- Turns out I'm living with a killer. - Don't be ridiculous.
0:02:47 > 0:02:49Well, apparently she's murdered a man!
0:02:49 > 0:02:51Not without good reason, I'm sure.
0:02:51 > 0:02:53I think I'm going to shoot off, all right?
0:02:53 > 0:02:55- You're going? - I'm assuming lunch is over.
0:02:55 > 0:02:58- Oh, you're loving this, in't ya? - I am, as it happens.
0:02:58 > 0:03:00What the hell were you thinking?
0:03:00 > 0:03:04- I was trying to help her. - What, by grassing on her?
0:03:04 > 0:03:07Have you got any idea what it's done to her, carrying that guilt around?
0:03:07 > 0:03:09She's a Mitchell, it comes with the territory.
0:03:09 > 0:03:11I mean, of all the evil things you could have done...
0:03:11 > 0:03:13Don't you dare pull that on me! She's my sister.
0:03:13 > 0:03:16Yeah, and you've probably got her banged up for life.
0:03:16 > 0:03:18- No! It's not going to happen. - You know that for sure, do you?
0:03:18 > 0:03:20We're family. We stick together, don't we?
0:03:20 > 0:03:23Family! Don't make me laugh, Billy.
0:03:23 > 0:03:26Where were you when she was trying to poison my fiance?
0:03:26 > 0:03:27Pity she didn't succeed.
0:03:27 > 0:03:31- You know your problem, Roxy? You're selfish.- I don't have to listen to this.
0:03:31 > 0:03:33No, if the police should talk to anyone, it's you.
0:03:35 > 0:03:37Meaning?
0:03:37 > 0:03:39Shacked up with a rapist.
0:03:40 > 0:03:42If Social Services had any sense,
0:03:42 > 0:03:45they'd have taken Amy off you months ago.
0:03:45 > 0:03:46SHOUTING
0:03:46 > 0:03:47- Ben, stop them! - What am I supposed to do?
0:03:47 > 0:03:50- Billy, get this trash out of here! - You don't tell me what to do.
0:03:50 > 0:03:52- Phil...- I'll get him.
0:03:52 > 0:03:53Phil...
0:03:53 > 0:03:55She only did what she thought was right.
0:03:55 > 0:03:58- It's kicking off in there. - BILLY: Don't talk to her like that.
0:03:58 > 0:04:01You know, all I wanted was a quiet lunch.
0:04:01 > 0:04:03But you couldn't even give me that, could you?
0:04:03 > 0:04:05I think you'd better go.
0:04:05 > 0:04:08Oh! Now he speaks! You should be here sorting this out,
0:04:08 > 0:04:10not sloping off to the kitchen.
0:04:10 > 0:04:12- Rox, just go, yeah? - Are you serious?
0:04:12 > 0:04:13You ain't welcome here, Rox.
0:04:13 > 0:04:15I was trying to help her.
0:04:15 > 0:04:17- You grassed her up. - Yeah?
0:04:17 > 0:04:21It's no better than your old man did to you, is it?
0:04:21 > 0:04:23- What's she talking about? - All right, enough, OK? Enough!
0:04:23 > 0:04:26- Phil! I love her.- You've got a funny way of showing it.
0:04:26 > 0:04:28I'll go to the police station, retract my statement...
0:04:28 > 0:04:31- That ain't going to do any good now, is it?- At least let me try!
0:04:31 > 0:04:34Ronnie is not your concern any more. We'll deal with it.
0:04:37 > 0:04:39Oh, right, is that it?
0:04:39 > 0:04:42Are you just all going to turn your back on me, are you?
0:04:42 > 0:04:45- You've only got yourself to blame. - I'm your family as well.
0:04:45 > 0:04:46Not any more, you're not.
0:04:46 > 0:04:49I don't ever want to see you in this house again.
0:05:07 > 0:05:09Hello?
0:05:11 > 0:05:13Anyone?
0:05:23 > 0:05:24Hello!
0:05:30 > 0:05:32- All right, son? - All right.
0:05:32 > 0:05:36Listen, I'm going for a few pints later if you fancy it. I'm buying.
0:05:36 > 0:05:39Nah, I can't, man. I've gotta sort out my set for Vincent. So...
0:05:41 > 0:05:43What was that look for?
0:05:43 > 0:05:44Nothing.
0:05:45 > 0:05:48Nah, nah, nah, mate... If you've got something to say, just say it.
0:05:48 > 0:05:50Look, I don't trust the bloke, that's all.
0:05:50 > 0:05:53- He's had you running round like a skivvy recently.- Skivvy? I ain't no-one's skivvy, man.
0:05:53 > 0:05:56Fats, tell me, how much do you really know about him?
0:05:56 > 0:06:00- He just comes strolling out of nowhere, moves into the biggest place on the Square...- So?
0:06:00 > 0:06:01Come on. You ain't stupid, mate.
0:06:01 > 0:06:04He ain't got that much dough just from running the Albert.
0:06:04 > 0:06:05So what you saying, man?
0:06:07 > 0:06:09I just think he's trouble, that's all.
0:06:18 > 0:06:20What kind of private function?
0:06:20 > 0:06:23Oh, some company in East London. You know the type -
0:06:23 > 0:06:25skinny jeans, backpacks, beards...
0:06:25 > 0:06:26And you expect me to cover?
0:06:26 > 0:06:29- I got business elsewhere. - What kind of business?
0:06:29 > 0:06:33Nothing for you to worry about. OK? All right...
0:06:33 > 0:06:35- Hi. How are you? - Hey, afternoon.
0:06:35 > 0:06:36Hey, boss, boss...
0:06:36 > 0:06:39I was wondering if we could go over our set list for tonight.
0:06:39 > 0:06:41- Um... I'm busy. All right. - Is everything OK?
0:06:41 > 0:06:44I pay you to mix a few tunes, not to ask questions.
0:06:46 > 0:06:48Sergeant Kenny Morris.
0:06:48 > 0:06:50Well, can you tell him that I called?
0:06:52 > 0:06:54Yeah, well, thanks - for nothing.
0:06:56 > 0:06:59I'll have a packet of mints and an apology, please.
0:07:01 > 0:07:04Well, you can have the mints. But um...
0:07:04 > 0:07:07yeah, fresh out of apologies, I'm afraid.
0:07:07 > 0:07:09What gives you the right to accuse my husband?
0:07:09 > 0:07:11- I never accused him. - So what would you call it, then?
0:07:11 > 0:07:15Look, it was the police that said someone had given them my address.
0:07:15 > 0:07:17You know what your problem is, Denise?
0:07:17 > 0:07:19You got too much time on your hands.
0:07:19 > 0:07:21Right, you. Get your coat.
0:07:21 > 0:07:23I got Shrimpy to cover the stall.
0:07:23 > 0:07:25- Where we going? - We've got stuff to sort out.
0:07:25 > 0:07:27Um, I'm trying to talk to my sister here.
0:07:27 > 0:07:29Nothing that can't wait, I'm sure.
0:07:29 > 0:07:32- Yeah, but who's going to cover this place?- Your sister can cover, can't she?
0:07:32 > 0:07:35Oh, no, no, no, no. I'm supposed to be going into town.
0:07:35 > 0:07:38Shouldn't take any more than a couple of hours.
0:07:38 > 0:07:42I don't know what this family's coming to, I really don't.
0:07:42 > 0:07:44I mean, his father would be turning in his grave
0:07:44 > 0:07:45if he could see him now.
0:07:45 > 0:07:47You all right, Dad?
0:07:47 > 0:07:49- Yeah, fine. - Have you called Ritchie?
0:07:49 > 0:07:52- Not yet. No. - Well, what you waiting for?
0:07:52 > 0:07:55Sometimes I wonder who wears the trousers in this house.
0:07:55 > 0:07:56I mean, look at him.
0:07:56 > 0:07:59Are you sure it's just his ankle he broke?
0:07:59 > 0:08:01He'll be fine. Ritchie'll sort it.
0:08:01 > 0:08:02What if they come after the rest of us?
0:08:02 > 0:08:03They won't, Ben.
0:08:03 > 0:08:06Well, you knew about Roxy's boyfriend, didn't you?
0:08:06 > 0:08:09That's perverting the course of justice for one, Sharon.
0:08:09 > 0:08:10She ain't answering.
0:08:10 > 0:08:13- I haven't done anything wrong, and neither has Billy. - Well, don't look at me.
0:08:13 > 0:08:17What do you think pays for all them trips to Portugal, then, Sal, eh?
0:08:17 > 0:08:19Well, what are we going to do about Ronnie?
0:08:19 > 0:08:21It's all right. Dad's got a plan.
0:08:21 > 0:08:22Haven't you, Dad?
0:08:22 > 0:08:24Yeah. Course I have.
0:08:24 > 0:08:26Well, come on then. Let's hear it.
0:08:26 > 0:08:28- Right, where's me coat? - Where're you going?
0:08:28 > 0:08:30Going to sort this mess out.
0:08:35 > 0:08:38- Why did you leave me there? - Well, what could I do?
0:08:38 > 0:08:40I should never have gone to the police.
0:08:40 > 0:08:42What're you talking about?
0:08:42 > 0:08:45- Course you should have. She needs locking up.- She's my sister.
0:08:45 > 0:08:48- Yeah, and look at how she treats you!- What have you done, Rox?
0:08:48 > 0:08:51Roxy's ex, Carl. Ronnie actually bumped the geezer off.
0:08:51 > 0:08:55- Dean!- What? The whole Square is going to know soon.
0:08:55 > 0:08:58- What? And you told the police this? - Of course she did. Ronnie's a nutter.
0:08:58 > 0:09:00I said I'd meet Buster for a bit of lunch.
0:09:04 > 0:09:06I'll close the salon early. All right?
0:09:06 > 0:09:09- And I'll make us some dinner. - You think I want to eat after this?
0:09:09 > 0:09:13Babe, you've done nothing wrong. She's gone, OK?
0:09:13 > 0:09:16You did what you had to do. You'll never see her again.
0:09:16 > 0:09:18- Yeah, but Dean...- But nothing.
0:09:18 > 0:09:20The Mitchells can do one.
0:09:20 > 0:09:23As far as I'm concerned, you're a Wicks now.
0:09:28 > 0:09:29I heard about Ronnie.
0:09:29 > 0:09:31Not now, Shirley, all right?
0:09:32 > 0:09:34- Have you been drinking?- Listen.
0:09:34 > 0:09:38You just tell that boy of yours to keep away from my family, do you hear me?
0:09:46 > 0:09:47What did he say?
0:09:47 > 0:09:49Busy, apparently.
0:09:49 > 0:09:51We'll see about that.
0:09:51 > 0:09:54Excuse me. Could you tell Sergeant Morris that his mum's outside?
0:09:54 > 0:09:57- Carmel! - And, er, don't be palming me off.
0:09:57 > 0:10:01I've come halfway across London to bring him his sandwiches.
0:10:01 > 0:10:02Ham and pickle.
0:10:20 > 0:10:21What're you doing here?
0:10:21 > 0:10:23Get in.
0:10:23 > 0:10:24They said they were police.
0:10:24 > 0:10:27- Just get in and keep your head down, yeah?- Did you know those men?
0:10:27 > 0:10:30- We haven't got much time. - How did you know I'd be here?
0:10:30 > 0:10:34- I'll explain everything. Now, get in now.- Not until you tell me what you're doing here...
0:10:34 > 0:10:36I'm trying to save your life.
0:10:39 > 0:10:42He's still not answering.
0:10:42 > 0:10:44Hold on. Where are YOU going?
0:10:44 > 0:10:46I think I know where he might be.
0:10:50 > 0:10:52Don't know why he's bothering.
0:10:52 > 0:10:54Roxy's already signed her own death warrant.
0:10:54 > 0:10:57Well, it doesn't mean they're going to charge her, does it?
0:10:57 > 0:11:00Oh, hark at her. Dad's a murderer and now she's become an expert.
0:11:00 > 0:11:03- Sal! - How long have you two been courting?
0:11:03 > 0:11:05Nearly a year now.
0:11:05 > 0:11:08Something tells me I won't be needing a new hat.
0:11:08 > 0:11:09Any word on Phil?
0:11:09 > 0:11:10Nothing.
0:11:10 > 0:11:12Well, he'll be down the station with Ritchie.
0:11:12 > 0:11:14It will be all right, won't it?
0:11:14 > 0:11:16Yeah. Yeah, of course. Phil'll sort it.
0:11:42 > 0:11:44All right. We're good.
0:11:45 > 0:11:46What are we doing back here?
0:11:46 > 0:11:49- Just get inside before somebody sees us.- Don't talk to me like that.
0:11:49 > 0:11:53- Get off me..!- Just do as you're told for once. Yeah?
0:11:54 > 0:11:56- Come on.- All right!
0:12:01 > 0:12:03I need to make a phone call first, all right?
0:12:03 > 0:12:07Not until you tell me what I'm doing here.
0:12:07 > 0:12:08This is about Carl, isn't it?
0:12:08 > 0:12:11That's how you knew where to find me.
0:12:13 > 0:12:15Oh, my God. You're working for his family, aren't you?
0:12:15 > 0:12:17You...need to make a choice.
0:12:17 > 0:12:22You either get charged for murder, or you stay and you listen to me.
0:12:22 > 0:12:23Which one's it going to be?
0:12:25 > 0:12:26MUSIC PLAYS UPSTAIRS
0:12:26 > 0:12:28I hear congratulations are in order.
0:12:28 > 0:12:30Sorry?
0:12:30 > 0:12:32Joining the family business.
0:12:32 > 0:12:34Vincent's put a lot of trust in you.
0:12:34 > 0:12:36Oh, yeah, yeah. I won't let him down.
0:12:36 > 0:12:39Better not. This could be the start of something big for you.
0:12:41 > 0:12:44- All right, mate?- 'Ey. - You haven't seen Phil, have you?
0:12:44 > 0:12:46No, not today, bruv. Sorry.
0:12:46 > 0:12:48What's happening upstairs then?
0:12:48 > 0:12:49Some private function.
0:12:49 > 0:12:51I've left Alastair to deal with it.
0:12:54 > 0:12:57PHIL: Oh, you think it's funny. Eh? You think it's funny? Huh?
0:13:08 > 0:13:10I said what you all lookin' at? Eh?
0:13:10 > 0:13:13It's all right, mate. Don't worry. He owns the gaff. You're all right.
0:13:13 > 0:13:14Come on. Get up!
0:13:21 > 0:13:24So Ronnie's in the nick, and you're here drinking.
0:13:24 > 0:13:26You're an embarrassment. You know that?
0:13:26 > 0:13:28- I need another drink. - No, you don't. You need a good slap.
0:13:28 > 0:13:31That champagne in the kitchen. You necked that, didn't you?
0:13:31 > 0:13:33How long's all this been going on?
0:13:34 > 0:13:3630-odd years.
0:13:36 > 0:13:39Look at yourself. You're a mess, Phil.
0:13:39 > 0:13:41Why don't you shut up? Eh?
0:13:44 > 0:13:47- Give it here. - No. You don't need it.
0:13:47 > 0:13:48I said, give it here!
0:13:48 > 0:13:50BOTTLE SMASHES
0:13:56 > 0:13:58KNOCKING AT DOOR
0:14:06 > 0:14:07Yeah. Thanks a lot.
0:14:10 > 0:14:13Who were those men before?
0:14:13 > 0:14:14Acquaintances.
0:14:14 > 0:14:18And how did they know that Roxy was going to the police?
0:14:19 > 0:14:21Because I've got connections.
0:14:21 > 0:14:24What kind of connections?
0:14:24 > 0:14:27Let's just say...I've got friends in special places.
0:14:28 > 0:14:30What's that for?
0:14:39 > 0:14:41I booked you both on a flight at 7:00 from Stansted.
0:14:43 > 0:14:46- What're you talking about? - You can't stay here.- Why not?
0:14:46 > 0:14:49Because the Old Bill are going to charge you with murder, that's why.
0:14:49 > 0:14:51How do you know that?
0:14:51 > 0:14:54Go home, pack your bags and I'll drive you to the airport.
0:14:54 > 0:14:56I'm not going anywhere until you give me some answers.
0:14:56 > 0:14:59- I can only buy you a few more hours. - A few more hours? Why?
0:14:59 > 0:15:01Just trust me, all right?
0:15:01 > 0:15:02Trust you?!
0:15:02 > 0:15:05You bring me here, you don't tell me why,
0:15:05 > 0:15:07you expect me to get on a plane and just disappear?
0:15:07 > 0:15:09I'm doing it for your own good.
0:15:10 > 0:15:13- Those acquaintances of yours... - You don't need to know nothing about them.
0:15:13 > 0:15:17- I thought they were going to kill me.- I would never let that happen.
0:15:17 > 0:15:19Just take the tickets, and go.
0:15:22 > 0:15:24And then what?
0:15:26 > 0:15:29Make a new life for yourself. Forget Carl White ever existed.
0:15:29 > 0:15:32- My life is here. - Not any more, it ain't.
0:15:35 > 0:15:39That poor woman on the stall earlier...
0:15:39 > 0:15:40Did you know her?
0:15:40 > 0:15:44Er, yeah. Yeah, she's a friend of Patrick's.
0:15:45 > 0:15:47Breaks your heart, don't it?
0:15:47 > 0:15:49Yeah.
0:15:50 > 0:15:52See, that's why I hate to think
0:15:52 > 0:15:56that there might be someone out there that's in trouble.
0:15:58 > 0:16:02Right - I've had enough of this. What a way to treat your mother.
0:16:02 > 0:16:05- Carmel, he's not your son. - That's beside the point.
0:16:05 > 0:16:07Mrs Fox?
0:16:07 > 0:16:09And you must be my mother.
0:16:09 > 0:16:12- Yes. I'm very sorry about that. - No, she's not. We want some answers.
0:16:12 > 0:16:14I'm afraid I told you everything I could...
0:16:14 > 0:16:17You rock up at her house, scare the living daylights out of her,
0:16:17 > 0:16:20and yet you can't even give her a name?
0:16:20 > 0:16:22Our custody records are confidential.
0:16:22 > 0:16:24Oh, really? So why have they got my details?
0:16:24 > 0:16:26It could just be their last known address.
0:16:26 > 0:16:28It could be just they plucked it out of thin air.
0:16:28 > 0:16:30- So there's nothing I can do? - I'm sorry.
0:16:30 > 0:16:34YOU'RE sorry? I'm the one lying awake wondering if someone I know's in trouble.
0:16:34 > 0:16:36- Or worse, dead. - Yeah, thanks for that.
0:16:36 > 0:16:39Makes you feel big, does it? Upsetting a grown woman like this.
0:16:39 > 0:16:41As I said before...
0:16:41 > 0:16:44You ought to loosen your collar. It's made you ever so uptight.
0:16:44 > 0:16:47If you'll excuse me. I'm about to go on my lunch.
0:16:47 > 0:16:51Well, don't expect any sandwiches. Or dinner, for that matter.
0:16:53 > 0:16:54Oi, you want something? Do ya?
0:16:54 > 0:16:56- Eh? - Will you just leave it?
0:17:00 > 0:17:02This place needs tidying up.
0:17:03 > 0:17:07You've been sober for what... it's gotta be five years?
0:17:08 > 0:17:09So why now?
0:17:10 > 0:17:13I asked you a question.
0:17:13 > 0:17:15What, you think it's easy, do you?
0:17:15 > 0:17:18Hm? Just walking away from it?
0:17:19 > 0:17:21Well, you've done it before.
0:17:21 > 0:17:23This time it's different.
0:17:23 > 0:17:25Oh, and why is that?
0:17:26 > 0:17:30- Answer me. - Because I need it, that's why.
0:17:32 > 0:17:35You got any idea what it's like in here?
0:17:35 > 0:17:39No, you ain't, have ya? Otherwise you'd need it too.
0:17:41 > 0:17:44Is this because of what happened with Gavin?
0:17:44 > 0:17:47You can't let him get to you like this.
0:18:04 > 0:18:07Goodness only knows what we're going to find in here.
0:18:07 > 0:18:11Body under the stairs. Lead piping...
0:18:11 > 0:18:13- Lead piping?- And I want a lock fixed on that bedroom door
0:18:13 > 0:18:17- until I can find somewhere else for us to stay.- Eh?
0:18:17 > 0:18:21- Come on, Hon, don't talk daft. - Well, it's easy for you to say, Billy, you grew up with all this.
0:18:21 > 0:18:24I'm just a girl from Broadstairs who just happened to marry into the wrong family.
0:18:24 > 0:18:26I can't keep my kids here, Billy.
0:18:26 > 0:18:28Well, where does that leave US?
0:18:28 > 0:18:31It's simple. You either want to be with me, Will and Janet, or you want to be a Mitchell.
0:18:31 > 0:18:33Your choice.
0:18:40 > 0:18:43- All right?- Hey.
0:18:43 > 0:18:46I've got the boys to start clearing up.
0:18:46 > 0:18:48What would I do without you, eh?
0:18:48 > 0:18:52No, I mean it. Us Mitchell women need to stick together.
0:18:52 > 0:18:55- I'm not a Mitchell, though, am I? - Well, as good as.
0:18:55 > 0:18:57Well, I don't think Aunt Sal likes me very much.
0:18:57 > 0:19:00I shouldn't worry, Abi. I don't think she likes anyone.
0:19:01 > 0:19:03Ben tried calling Phil again...
0:19:03 > 0:19:04Still nothing?
0:19:06 > 0:19:08He is going to be all right, isn't he?
0:19:08 > 0:19:12He's just been through the wars these past few weeks. You know.
0:19:12 > 0:19:14Yeah. I know Ben's worried about him.
0:19:14 > 0:19:16Well, he needn't. Take more than this to knock him off his perch.
0:19:18 > 0:19:19So then, what do we do now?
0:19:20 > 0:19:23Well, lock ourselves away, I suppose.
0:19:23 > 0:19:25Wait for the gossip to die down.
0:19:25 > 0:19:26Unless...
0:19:26 > 0:19:28Unless what?
0:19:28 > 0:19:31Well, shouldn't we just style it out?
0:19:31 > 0:19:33Spoken like a true Mitchell.
0:19:37 > 0:19:39- Your boarding passes. - I can't.
0:19:39 > 0:19:41We've already talked about this.
0:19:41 > 0:19:43And what happens when they find me in Ibiza,
0:19:43 > 0:19:45- where do I go then? - That won't happen.
0:19:45 > 0:19:47How do you know that?
0:19:47 > 0:19:50- Cos I can make this go away. - How?
0:19:50 > 0:19:53I already told you, I got... I got friends in the right places.
0:19:53 > 0:19:54Why are you doing this for me, Vincent?
0:19:54 > 0:19:57Because despite everything I still care about you, don't I?
0:19:57 > 0:19:59Look, me and you had something special.
0:19:59 > 0:20:01I don't want to see you get banged up for this.
0:20:03 > 0:20:05How long have we got?
0:20:05 > 0:20:07I'll get you there in time.
0:20:07 > 0:20:09Well, I need some money.
0:20:09 > 0:20:10I went to the bank this morning.
0:20:13 > 0:20:18See, once I know you are safely on the plane,
0:20:18 > 0:20:21I shall go back and pick up the rest of your things.
0:20:30 > 0:20:32Ronnie...!
0:20:32 > 0:20:34Oh, boss! I got my set list for tonight, man.
0:20:34 > 0:20:36- Yeah, not right now. Yeah? - Oh, oh, OK.
0:20:36 > 0:20:41- Can I leave it inside and you can sign off on it later... - Whatever.- OK...
0:20:47 > 0:20:50SHE PANTS
0:21:12 > 0:21:15MUSIC: Waiting In Vain by Bob Marley and the Wailers
0:21:24 > 0:21:26I keep getting this terrible thought,
0:21:26 > 0:21:28- what if it's one of my kids? - Oh, don't say that.
0:21:28 > 0:21:30Not my Libby, she's got her head screwed on.
0:21:30 > 0:21:33- But Chelsea, she's... - When did you last speak to her?
0:21:33 > 0:21:35It was a couple of weeks ago, but she...
0:21:35 > 0:21:37Excuse me! That's my house.
0:21:37 > 0:21:38Dee! Dee...
0:21:38 > 0:21:40Oh, don't worry, Helen's looking after the shop.
0:21:41 > 0:21:42Did you know about this?
0:21:42 > 0:21:45- Well, I did try and tell you. - Tell me what?
0:21:45 > 0:21:47Well - Tony, he's just over there...
0:21:47 > 0:21:50- Tony?- Yeah, Tony. He's just having a look at some improvements.
0:21:50 > 0:21:52What sort of improvements?
0:21:52 > 0:21:56- Just a few cosmetic changes, that's...that's all.- Such as?
0:21:56 > 0:21:59Well, you know, like a lick of paint, couple of bookshelves...
0:21:59 > 0:22:02Oh. That's brilliant, because we're such big readers.
0:22:03 > 0:22:06All right. I'm chopping it in half.
0:22:07 > 0:22:09- Come again? - Well, look at the size of it,
0:22:09 > 0:22:11- you don't need all that space. - I don't believe this.
0:22:11 > 0:22:15Listen - you and Patrick can still live in your bit. I'm just selling off the rest.
0:22:15 > 0:22:17Oh! That's all right, what am I worrying about?
0:22:17 > 0:22:19- I think you need a drink. - Make it a large one.
0:22:19 > 0:22:21What about me?
0:22:21 > 0:22:22BANGING ON DOOR
0:22:22 > 0:22:25Ronnie. Open the door.
0:22:28 > 0:22:31I'm not leaving here until you talk to me.
0:22:31 > 0:22:33Ronnie. Open up!
0:22:34 > 0:22:37Do you think he's in on it too? Like Bonnie and Clive?
0:22:38 > 0:22:41Wouldn't put anything past him.
0:22:43 > 0:22:46- She ain't here. - Where is she?
0:22:46 > 0:22:49Well, if she wanted you to know that, she would've told you, wouldn't she?
0:22:51 > 0:22:53Now, you listen, right.
0:22:53 > 0:22:57You, William and Janet are all the family that I need, OK?
0:22:57 > 0:22:59- You really mean that? - Yes. I do really mean it.
0:22:59 > 0:23:01- PHONE RINGS - Just get this...
0:23:03 > 0:23:04Hello, Jay.
0:23:06 > 0:23:08Well... Bit difficult right now...
0:23:10 > 0:23:13- OK, give me five minutes. - That didn't take long, did it?
0:23:13 > 0:23:15- It's Phil. - Oh, do you know what, just go.
0:23:15 > 0:23:17It's quite obvious where your priorities are.
0:23:24 > 0:23:26Are you sure we're supposed to be in here?
0:23:26 > 0:23:30I'd rather that than give this lot something to gossip about.
0:23:30 > 0:23:33Right, Tracey, can we have a white wine and a G&T, please?
0:23:33 > 0:23:36I hear you're making the arrangements for Linda's hen do.
0:23:36 > 0:23:38Yeah. Yeah, more fool me, eh?
0:23:38 > 0:23:40I want it to be special for her.
0:23:40 > 0:23:42Not get caught up in all this Christmas madness.
0:23:42 > 0:23:43So what're you doing?
0:23:43 > 0:23:44You'll find out soon enough.
0:23:44 > 0:23:46Then I'd better give this to you now.
0:23:46 > 0:23:49Elaine left it for you to give to Linda as a surprise.
0:23:49 > 0:23:51Rather not, if you don't mind.
0:23:53 > 0:23:55You seen Phil today?
0:23:55 > 0:23:57- He's busy. - Family business.
0:23:57 > 0:23:58Is that what you call it?
0:23:58 > 0:23:59What you getting at?
0:23:59 > 0:24:03You really don't know your husband, do you?
0:24:07 > 0:24:11MUSIC: Stir It Up by Bob Marley and the Wailers
0:24:58 > 0:25:01- What's wrong with him? - Well, he's been drinking, hasn't he?
0:25:01 > 0:25:04- Since when?- Don't know. Just help me get him out of here, yeah?
0:25:04 > 0:25:06Right, come on, Phil. Coming back to mine.
0:25:06 > 0:25:08Get off me, will you?
0:25:08 > 0:25:10Look at the state of you. You're a mess.
0:25:10 > 0:25:12That's good. Coming from you.
0:25:12 > 0:25:14Oh, don't start all that again.
0:25:14 > 0:25:17Oh, Billy, look at ya. Always the runt of the litter, in't ya?
0:25:17 > 0:25:20Don't even rise to it, Bill, let's just get him out before Sharon finds out.
0:25:20 > 0:25:22Too late.
0:25:27 > 0:25:29Oh, come on then, Pearly.
0:25:29 > 0:25:32Let's get you out of that stinky nappy.
0:25:32 > 0:25:34Yeah...?
0:25:34 > 0:25:36What you doing here?
0:25:36 > 0:25:39Oh, I was just doing my... my set list for Vincent.
0:25:40 > 0:25:42OK - not so fast.
0:25:42 > 0:25:44No...
0:25:47 > 0:25:49Is that your set list?
0:25:49 > 0:25:53Ne-Yo, Rudimental?
0:25:53 > 0:25:55Nah... You see, what you need is some classics.
0:25:55 > 0:25:59Like...Luther, Whitney, Janet Kay, Bob Marley...
0:25:59 > 0:26:02Ki...Ki...Kimmy, I would love to but I really got to go.
0:26:02 > 0:26:06Listen - Vincent might pay your wages but half that bar is mine through marriage.
0:26:06 > 0:26:08So let me just amend some of this, yeah?
0:26:08 > 0:26:10Yeah, fine... But I've really got to go and find Vincent.
0:26:10 > 0:26:14- Oh, actually - I want to talk to you about him...- Let's do that. But let's do it later. All right?
0:26:14 > 0:26:19So I will see you later, Kimmy. Pearly, I'll see you later. Bye!
0:26:21 > 0:26:23- (Oh...) - DOOR CLOSES
0:26:35 > 0:26:37What the hell are you doing?
0:26:38 > 0:26:41Look, I'll claim self-defence.
0:26:41 > 0:26:44ANYTHING is better than running from the police for the rest of my life.
0:26:44 > 0:26:45What if you slip up?
0:26:45 > 0:26:47Mm?
0:26:47 > 0:26:50Look, If I've learnt anything from Phil, it's how to cover my tracks.
0:26:51 > 0:26:54- I'm not going to let you do this. - You don't have a choice.
0:26:54 > 0:26:56- Listen...- If you don't get your hands off me, I swear...
0:26:56 > 0:27:00There is nothing you can say to them that I don't know already.
0:27:00 > 0:27:02And what are you, the police?
0:27:05 > 0:27:08Oh, my God. You are, aren't you?