0:00:28 > 0:00:32DRILLING
0:00:56 > 0:00:58I'd be lost without you.
0:01:03 > 0:01:04LAUGHTER IN DISTANCE
0:01:04 > 0:01:06- Woody!- What? Stop it.
0:01:06 > 0:01:07No, you stop it!
0:01:34 > 0:01:36Bex was up half the night, looking in every bag and coat
0:01:36 > 0:01:38for that bit of paper.
0:01:38 > 0:01:40Do you think it'll help them find Louise?
0:01:40 > 0:01:42- CAR HORN - Nothing new from the police.
0:01:42 > 0:01:45Think they're desperate enough, they'll try anything now.
0:01:45 > 0:01:47These gasworks!
0:01:47 > 0:01:49Yeah, you do try anything if you're desperate.
0:01:51 > 0:01:52Don't go there, Stace.
0:01:52 > 0:01:54- I'm not going anywhere.- What's that?
0:01:54 > 0:01:57Well, I'm just saying, they didn't burn it, did they, Michelle?
0:01:57 > 0:01:58They didn't even trash it.
0:01:58 > 0:02:01You do know that he's got your dad's bench round ours now in bits?
0:02:01 > 0:02:03Yeah, there is a gouge out the back,
0:02:03 > 0:02:06there are screws missing and she's written "Bernadette" on it.
0:02:06 > 0:02:07Let me tell you now, those Taylors,
0:02:07 > 0:02:10they are not welcome here. I will not serve them, end of.
0:02:10 > 0:02:12They don't strike me as massive fruit-and-veg eaters.
0:02:12 > 0:02:14Sorry, but the police reckon that one of them
0:02:14 > 0:02:16was actually kipping on it.
0:02:16 > 0:02:18All that shows, Stace, is that they're thick.
0:02:18 > 0:02:20No, Martin, all that shows is that you've forgotten
0:02:20 > 0:02:22what it's like to be up against it.
0:02:22 > 0:02:24Oh, come on, right. It don't take a genius, does it?
0:02:24 > 0:02:26Beanbag is a tenner.
0:02:26 > 0:02:29Or you get a bit of foam, cut it out to size, five squid-oolies.
0:02:29 > 0:02:32Well, maybe they don't have a spare "five squid-oolies".
0:02:32 > 0:02:33No, no. I'm with Martin on this.
0:02:34 > 0:02:36It is about respect, Stace.
0:02:36 > 0:02:38People like the Taylors don't know the meaning of the word.
0:02:38 > 0:02:40Never mind family.
0:02:46 > 0:02:48- Caution. - Yes! You're a good kid.
0:02:48 > 0:02:51- Stepping up like that, son. - Nice one, mate.- Thanks.
0:02:51 > 0:02:53Mum can't get sent down when you're having a baby.
0:02:53 > 0:02:55Nah, and neither can you.
0:02:55 > 0:02:58Cos you're going to be taken on by MKF Motors!
0:02:58 > 0:03:01MKF Motors don't take people on. It is well known, Mum.
0:03:01 > 0:03:02Yeah, I know.
0:03:02 > 0:03:05But Keanu is never late for work, is he, Keegs?
0:03:05 > 0:03:07You know, he's always the first one there,
0:03:07 > 0:03:10he's never taken a day off, and he's the best at servicing them vans.
0:03:10 > 0:03:13I mean, if they don't give him a contract today,
0:03:13 > 0:03:15they ain't giving no-one a contract today.
0:03:15 > 0:03:17Yes, that is what I just said, Mum.
0:03:17 > 0:03:19Well, if they don't, then I'll have to have a word, won't I?
0:03:19 > 0:03:21And if you do get your contract, yeah,
0:03:21 > 0:03:24I'll be buying you a drink, son.
0:03:24 > 0:03:26Yeah. Out of your first wages.
0:03:30 > 0:03:31Morning.
0:03:31 > 0:03:33Yep.
0:03:33 > 0:03:35Mick. I...
0:03:35 > 0:03:37I just wanted to say thanks.
0:03:38 > 0:03:41- For what? - Well, for making us feel so welcome.
0:03:41 > 0:03:45You know, this engagement party. It's big of you.
0:03:46 > 0:03:49Cos I know that...
0:03:49 > 0:03:52me and you have never got on.
0:03:52 > 0:03:55I think we should just put it all behind us and...
0:03:55 > 0:03:58You know, no hard feelings, mate.
0:03:58 > 0:04:00Let's not get on the mate one, eh?
0:04:00 > 0:04:02You ain't welcome here, you'll never be welcome here.
0:04:02 > 0:04:05Don't my woman pay you to pull pints in Watford?
0:04:05 > 0:04:07No? You ought to get back there, ain't you, son?
0:04:09 > 0:04:10Yeah.
0:04:10 > 0:04:13Understanding woman, your missus, ain't she?
0:04:14 > 0:04:18She knows I've got a few things I got to sort out here first, so...
0:04:18 > 0:04:19Ta-ta.
0:04:25 > 0:04:27Here you are.
0:04:27 > 0:04:28Ta.
0:04:36 > 0:04:38You turning into an alkie?
0:04:39 > 0:04:41Dad used to put whisky in his tea.
0:04:41 > 0:04:44What do you want me to do? There ain't no milk left.
0:04:44 > 0:04:47No. Or juice, or bread, or cereal.
0:04:48 > 0:04:50Anyone hear them last night?
0:04:50 > 0:04:52Yeah, I nearly got up and threw a bucket of water over them.
0:04:52 > 0:04:54- LAUGHING:- I had to put my headphones on.
0:04:54 > 0:04:56Oh, you don't mind, then?
0:04:57 > 0:05:00- No, course.- What?
0:05:02 > 0:05:05- While you were away, I... - She forgot was a lesbian.
0:05:05 > 0:05:07Oi, no! Thank you!
0:05:07 > 0:05:09Don't pass judgment on my sexuality.
0:05:09 > 0:05:12Oh, leave off. What, you slept with Woody?
0:05:12 > 0:05:13No.
0:05:13 > 0:05:14We never slept.
0:05:16 > 0:05:18She know about this? Whitney? About her fiance?
0:05:18 > 0:05:19Oh, chill out, Dad.
0:05:19 > 0:05:22It was just a one-off. You know, they weren't together.
0:05:22 > 0:05:23And it ain't a secret.
0:05:23 > 0:05:26She's on the rebound, Teen. After Lee. It ain't been easy for her.
0:05:26 > 0:05:29That's all she needs, isn't it? That tart messing her about.
0:05:29 > 0:05:31- Overreact...much? - That's a bit harsh, ain't it?
0:05:31 > 0:05:35Look, Whitney can look after herself. It's no big deal.
0:05:35 > 0:05:37Why's that, Mother? You had a go on him an' all?
0:05:39 > 0:05:40It's not your business, Mick.
0:05:45 > 0:05:47So I said to him, "That's not a problem,
0:05:47 > 0:05:50"but he needs to make sure he's booked it by four," you know?
0:05:53 > 0:05:58Right, so the Wiltshire project. The plan is...
0:06:13 > 0:06:15Why didn't we know, Phil?
0:06:15 > 0:06:16What?
0:06:16 > 0:06:20Anything at all about Louise's life before. What happened with Lisa
0:06:20 > 0:06:23and her mental health.
0:06:23 > 0:06:27All the stuff that Louise could tell Bex but she couldn't tell us.
0:06:27 > 0:06:30I told you, Lisa's always been a drama queen, ain't she?
0:06:30 > 0:06:33Oh, has she? Bless her. Flaky little idiot.
0:06:33 > 0:06:36It'll be her hormones, most probably.
0:06:36 > 0:06:37Or just the fact that she's a girl.
0:06:37 > 0:06:39Yeah, but she ain't, though, is she?
0:06:39 > 0:06:42She's a middle-aged woman who still thinks the world revolves around her.
0:06:42 > 0:06:44She makes her own choices.
0:06:44 > 0:06:46She shoots people, she kidnaps sick kids
0:06:46 > 0:06:48so don't get all bleeding hearts about it.
0:06:48 > 0:06:51Lisa's one of life's victims.
0:06:51 > 0:06:53She has a diagnosis, Phil!
0:06:53 > 0:06:56A mental health team, medication.
0:06:56 > 0:06:58That ain't my problem. And neither is she.
0:06:58 > 0:06:59But she is Louise's.
0:07:00 > 0:07:04You know, no wonder your daughter never wanted to talk about her.
0:07:04 > 0:07:06And that's my fault, and all, is it?
0:07:06 > 0:07:08Phil...
0:07:08 > 0:07:09Phil!
0:07:11 > 0:07:13Look, we need to call the police.
0:07:13 > 0:07:16Lisa might not be here but we need them on side.
0:07:16 > 0:07:18They need to know we're following the rules.
0:07:18 > 0:07:20All right. Good idea. Well, you wait here.
0:07:20 > 0:07:22She's my daughter, ain't she?
0:07:35 > 0:07:37TEXT MESSAGE ALERT
0:07:55 > 0:07:57Um...
0:07:57 > 0:07:58I need to leave.
0:07:58 > 0:08:01Yeah, sure. Any hassle, say you got my go-ahead.
0:08:01 > 0:08:03No... I don't mean early, Josh.
0:08:08 > 0:08:09First in, last out.
0:08:10 > 0:08:13Not one foot wrong. Passed with flying colours.
0:08:13 > 0:08:15It's very impressive.
0:08:15 > 0:08:16And come September,
0:08:16 > 0:08:19you'll have a level three certificate on your way to you...
0:08:19 > 0:08:21- Keanu Taylor.- OK.
0:08:21 > 0:08:24You're an apprenticeship success story, Keanu.
0:08:24 > 0:08:26Qualification through structured training.
0:08:26 > 0:08:29Bags of valuable practical skills development,
0:08:29 > 0:08:31career prospects greatly enhanced.
0:08:31 > 0:08:33And you've been earning while you've been learning.
0:08:33 > 0:08:37And you don't leave with a student loan weighing you down, do you, eh?
0:08:37 > 0:08:39Smart lads like you are what keep me in business.
0:08:54 > 0:08:55KNOCK ON DOOR
0:08:57 > 0:08:58Am I leaving?
0:09:01 > 0:09:03Your tutor at college didn't explain?
0:09:05 > 0:09:07It's always the same over the summer holidays.
0:09:07 > 0:09:08My hands are tied, son.
0:09:08 > 0:09:10Minimum wage.
0:09:10 > 0:09:12If I could offer you a job, I would, but I can't.
0:09:12 > 0:09:13OK...
0:09:13 > 0:09:16Well, you complete the course, you reach 18,
0:09:16 > 0:09:20your price to me nearly doubles and I can't afford you...
0:09:20 > 0:09:21Keanu.
0:09:22 > 0:09:24I got overheads, you understand?
0:09:26 > 0:09:28And come September I got a brand-new batch of apprentices all ready
0:09:28 > 0:09:30and eager to benefit like you did.
0:09:33 > 0:09:35I'll tell you what I can give you, though.
0:09:37 > 0:09:39A cracking reference.
0:09:41 > 0:09:42I'm an idiot.
0:09:44 > 0:09:47I am a heartless, selfish person.
0:09:49 > 0:09:51Josh, if you knew...
0:09:51 > 0:09:52Where's this coming from?
0:09:52 > 0:09:54Steven.
0:09:58 > 0:10:00He deserves more than this. So much more.
0:10:02 > 0:10:03We all do.
0:10:04 > 0:10:08And every day that I'm here, I'm stopping us.
0:10:08 > 0:10:11- Now what's he said? - No. It's not him.
0:10:13 > 0:10:15This is not his fault. It's me.
0:10:15 > 0:10:19I'm the one that keeps looking at you. It's in my head.
0:10:21 > 0:10:24I'm the one sitting here, wishing that things could be different.
0:10:24 > 0:10:27So, Lauren? listen to yourself.
0:10:27 > 0:10:31No, no. You don't understand. I can't.
0:10:33 > 0:10:35This is not the life that I've got.
0:10:36 > 0:10:38This place, you...
0:10:40 > 0:10:42I know that you don't get it.
0:10:43 > 0:10:45But...this is a fantasy.
0:10:46 > 0:10:47Your world.
0:10:49 > 0:10:51And...
0:10:51 > 0:10:53I'm just not meant to be here.
0:10:59 > 0:11:00You're resigning.
0:11:02 > 0:11:03Yeah.
0:11:06 > 0:11:08This is torture, though, ain't it?
0:11:08 > 0:11:10Us being so close and there's no hope.
0:11:14 > 0:11:15None?
0:11:19 > 0:11:22I know that I said we were going to make this work.
0:11:24 > 0:11:26I'm sorry for that, Josh.
0:11:27 > 0:11:28Cos I was wrong.
0:12:22 > 0:12:24Do I look like a stalker to you?
0:12:24 > 0:12:27If I could just see a photograph of your daughter, sir?
0:12:27 > 0:12:28Do you have a photo on your phone?
0:12:28 > 0:12:31Or on you at all? As in she is your daughter, sir.
0:12:31 > 0:12:32Just hotel policy.
0:12:32 > 0:12:35I'm not a photo-on-your-phone sort of person.
0:12:35 > 0:12:38Look, her name's Louise Mitchell. She's tall, she's got blonde hair.
0:12:38 > 0:12:42Her mum's a bit darker. Shorter.
0:12:42 > 0:12:44Trippy sort of woman, really.
0:12:45 > 0:12:48Look, mate. It's been a long day, all right?
0:12:48 > 0:12:51I'm knackered, I been worried out of my mind about her.
0:12:51 > 0:12:52It's a straightforward question.
0:12:52 > 0:12:54Are they staying here, or not?
0:12:55 > 0:12:57Just one second, sir.
0:13:00 > 0:13:03If I could just see some form of identification from yourself
0:13:03 > 0:13:06before I release that information, sir. Just hotel policy.
0:13:06 > 0:13:09Do you have any identification on you? A driving licence, passport?
0:13:09 > 0:13:11Utility bill?
0:13:11 > 0:13:15Ah! Yeah, as it happens, I've got a utility bill, a council tax bill
0:13:15 > 0:13:18and a couple of other bits in the car. I won't be a second.
0:13:18 > 0:13:19Very good, sir, right you are.
0:13:34 > 0:13:36Hey, are we all right?
0:13:36 > 0:13:38Course we're all right.
0:13:38 > 0:13:40Look, I know you don't like him, but he's a nice bloke.
0:13:40 > 0:13:44- Yeah.- He is. He treats me right.
0:13:44 > 0:13:46Listen, darling, I don't want to upset you.
0:13:46 > 0:13:47It's the last thing I want to do.
0:13:48 > 0:13:51Someone should tell you. Last time he was here...
0:13:53 > 0:13:56- ..he had a bit of a roll about with Tina and...- Oh, I know.
0:13:57 > 0:14:00- Oh.- Everyone's got a past, ain't they?
0:14:00 > 0:14:02Course they have. Course they have.
0:14:03 > 0:14:06I'm going to go and sort the barrel store out
0:14:06 > 0:14:09and put the prosecco on ice and probably bleach the carzies.
0:14:09 > 0:14:11Do you know what?
0:14:11 > 0:14:14Ain't nothing to do with me who you fall in love with, is it?
0:14:14 > 0:14:16- So if you're happy, I'm happy. - Yeah.- All right?
0:14:16 > 0:14:18Mick, would you walk me down the aisle, please?
0:14:19 > 0:14:22You can say no if it's awkward, or if you don't want to.
0:14:24 > 0:14:26It's stupid, it's just that Ryan, and Helen,
0:14:26 > 0:14:28they're going to be on honeymoon.
0:14:29 > 0:14:32I can't think of anyone else I'd rather give me away.
0:14:35 > 0:14:37I'd be honoured.
0:14:37 > 0:14:39Yeah?
0:14:39 > 0:14:41Thank you.
0:14:41 > 0:14:42Thanks, Mick.
0:14:51 > 0:14:54Mick, why don't we go on holiday?
0:14:54 > 0:14:56- What, me and you?- Why not?
0:14:57 > 0:15:00Time. Money. The fact that the last time you set foot in a caravan,
0:15:00 > 0:15:02you set it on fire.
0:15:02 > 0:15:04You're a pub landlord, Mick. Drinking in the morning.
0:15:04 > 0:15:08- Golden rule. - Shut up. This ain't nothing.
0:15:08 > 0:15:10Well, I don't think Linda would see it like that.
0:15:23 > 0:15:26HE KNOCKS ON DOOR
0:15:28 > 0:15:30Excuse me, can you open the door, please?
0:15:30 > 0:15:32Can you open the door? No, course you can't.
0:15:32 > 0:15:34It's hotel policy I suppose, isn't it?
0:15:34 > 0:15:37Lou. Lou, are you in there? Lou!
0:15:37 > 0:15:38Lou, can you hear me?
0:15:39 > 0:15:41Lou. Lou, please.
0:15:41 > 0:15:43Please open the door.
0:15:43 > 0:15:44Lou.
0:15:44 > 0:15:46Lou...
0:15:50 > 0:15:51Oh, thank God.
0:15:52 > 0:15:54Are you all right?
0:15:55 > 0:15:57Is your mum in there?
0:15:59 > 0:16:01Go away, Dad.
0:16:02 > 0:16:05Lou! Lou, what are you doing?
0:16:05 > 0:16:07Lou! Lou!
0:16:25 > 0:16:27Now every second that passes
0:16:27 > 0:16:30is an extra second that my daughter is in there and in danger.
0:16:30 > 0:16:32And anything... Anything, Dominic,
0:16:32 > 0:16:34that happens to her while she's in there, I will hold you
0:16:34 > 0:16:36personally responsible for. Now am I getting through to you?
0:16:36 > 0:16:39- SHOUTING:- Am I getting through to you?!
0:16:39 > 0:16:42KEYS JANGLE
0:16:47 > 0:16:48- Lou?- Dad!
0:16:48 > 0:16:51- SCREAMING - Argh!
0:16:58 > 0:17:01Right. Let's get this party started, hey?
0:17:01 > 0:17:03CHEERING
0:17:11 > 0:17:13It weren't me. It weren't me.
0:17:13 > 0:17:15- Mum, it's all right. - She told me. She told me.
0:17:15 > 0:17:17Put the phone down, you mental cow.
0:17:17 > 0:17:20- Call the police.- Mum. Just give me the phone, please.
0:17:20 > 0:17:21Devil on his shoulder.
0:17:21 > 0:17:24- Devil on his shoulder. - Tell Dave on security. Ambulance.
0:17:24 > 0:17:26Put the phone down! Put the phone down!
0:17:26 > 0:17:28Put it down!
0:17:33 > 0:17:36- Oh, darling, look at the state of you.- It's not her fault.
0:17:36 > 0:17:39- It's all right, it's all right. - Dad...- It's all right, darling, I'm here now.
0:17:39 > 0:17:40It's all right.
0:17:40 > 0:17:43Has someone called an ambulance? Call an ambulance!
0:17:43 > 0:17:45Darling, darling...
0:17:45 > 0:17:46Oh, no.
0:17:46 > 0:17:48No... No. What have you done?
0:17:48 > 0:17:51- Devil on his shoulder. Devil on his shoulder...- What've you done?!
0:17:51 > 0:17:54Open your eyes, open your eyes! and you look at what you've done!
0:17:54 > 0:17:58Now I swear. I swear, if she dies I will track you down.
0:17:58 > 0:18:01I will track you down and I will break you, you stupid, weak,
0:18:01 > 0:18:03- pathetic woman!- Phil!
0:18:16 > 0:18:17Well, what's the matter with you?
0:18:22 > 0:18:26- They don't want me.- Oh, darling.
0:18:26 > 0:18:28That's all right, it's a waste of time anyway.
0:18:29 > 0:18:31They don't want me, Mum.
0:18:31 > 0:18:35Oh, come here. It's all right. Oh!
0:18:40 > 0:18:43I moved some stuff around. Dad didn't mind.
0:18:43 > 0:18:45I know Whit's your best mate so...
0:18:54 > 0:18:56Hey, dance with me.
0:18:56 > 0:18:59- I've already danced with you. - Come on, dance with her.
0:18:59 > 0:19:01- You'll have to get used to doing what you're told soon, mate.- Oi!
0:19:01 > 0:19:05She's not marrying me for my dancing abilities, are you, babe?
0:19:05 > 0:19:07Have a dance.
0:19:07 > 0:19:09- Has he been drinking since breakfast?- He's all right.
0:19:09 > 0:19:11How many have you had, Dad?
0:19:11 > 0:19:13Dance with the bird.
0:19:15 > 0:19:18What's the matter with you? Go on. She's asked you to dance, ain't she?
0:19:18 > 0:19:20Calm down, Mick, mate, have a glass of water.
0:19:20 > 0:19:23- What do you mean have a glass... Who you talking to?- Mick!
0:19:29 > 0:19:31Come on, you've had a skinful, old feller.
0:19:31 > 0:19:33Let's get you up, come on.
0:19:44 > 0:19:47- Lou. Louise.- Is she breathing?
0:19:47 > 0:19:49Yeah, yeah, she's breathing.
0:19:49 > 0:19:50Lou, Lou, can you hear me?
0:19:51 > 0:19:53Thank God. Come on, darling.
0:19:53 > 0:19:55Come on, lets get you up, come on.
0:19:55 > 0:19:57Come on, let's get you up.
0:19:57 > 0:20:00I know it hurts. Come on, it's all right.
0:20:00 > 0:20:03It's OK, Lisa.
0:20:03 > 0:20:04It's OK.
0:20:04 > 0:20:06No. No.
0:20:06 > 0:20:08He hurts you, though. He hurts you.
0:20:08 > 0:20:11Says you done terrible, terrible things. It weren't you.
0:20:11 > 0:20:13Weren't your fault. Don't want to know.
0:20:13 > 0:20:15Mum...
0:20:16 > 0:20:18Yes.
0:20:18 > 0:20:19Oh, yes, I am.
0:20:19 > 0:20:22- Wherever I am. - I want to go with Mum.
0:20:22 > 0:20:25- No, no, no. You need to see a doctor.- Mum, I promised!
0:20:25 > 0:20:27Lisa, come on. Come on.
0:20:28 > 0:20:30Hospital...
0:20:32 > 0:20:33We go together.
0:20:36 > 0:20:39Come on, come on.
0:20:44 > 0:20:45Sharon...
0:20:45 > 0:20:47are you mad?
0:20:47 > 0:20:50What, "Mad, stupid woman"?
0:20:50 > 0:20:52No, Phil. I'm not.
0:20:52 > 0:20:56Now, do you really still think that none of this is your fault?
0:21:07 > 0:21:09I should go.
0:21:09 > 0:21:11Do you want me to go?
0:21:11 > 0:21:14Cos I will, I'll leave. I'll get a job again.
0:21:16 > 0:21:18I'll do anything, Mick, not to make you unhappy,
0:21:18 > 0:21:19so do you want me to go?
0:21:22 > 0:21:24No.
0:21:25 > 0:21:27Right, well, then something's got to give, ain't it?
0:21:30 > 0:21:33I know you don't want to talk about...
0:21:33 > 0:21:34what happened with us.
0:21:36 > 0:21:38So don't talk.
0:21:38 > 0:21:40Just listen.
0:21:44 > 0:21:45I love you.
0:21:48 > 0:21:49You're my main man.
0:21:51 > 0:21:53I know that you're the one I'm going to be running to
0:21:53 > 0:21:54for the rest of my life.
0:21:56 > 0:21:58Whether it's here or the other side of the world.
0:22:02 > 0:22:04And if things were different...
0:22:06 > 0:22:10If there weren't 20 years between us.
0:22:10 > 0:22:11And Lee.
0:22:14 > 0:22:18And if you weren't happily married to the best woman you've ever met.
0:22:19 > 0:22:21But you are.
0:22:25 > 0:22:27I think we both...
0:22:30 > 0:22:32We both were in a bad place, weren't we?
0:22:34 > 0:22:36Things got mixed up and...
0:22:38 > 0:22:40You and me, us like that, it's...
0:22:42 > 0:22:43It ain't real.
0:22:46 > 0:22:47And going away...
0:22:49 > 0:22:50..helped me move on.
0:22:54 > 0:22:55I love you.
0:22:56 > 0:22:58And you love Linda.
0:23:01 > 0:23:03And I love Woody.
0:23:05 > 0:23:06This is my home, Mick.
0:23:09 > 0:23:12This is the only place that I've ever really felt like
0:23:12 > 0:23:13I've fitted, you know?
0:23:19 > 0:23:20But I will go.
0:23:23 > 0:23:25I can't stay, not if we can't...
0:23:25 > 0:23:28Not if we can't put this behind us. Not if you can't move on.
0:23:31 > 0:23:35All I want is the two blokes that I love the most in the world...
0:23:37 > 0:23:38..to be mates.
0:23:43 > 0:23:45Can you do that for me, Mick?
0:23:48 > 0:23:51I need you to decide if you can do that.
0:24:14 > 0:24:15El...
0:24:22 > 0:24:25I don't care what's going on there any more.
0:24:26 > 0:24:28When you get this...
0:24:31 > 0:24:32..come home.
0:24:34 > 0:24:37Come home, now, please.
0:24:40 > 0:24:42Or there'll be nothing to come back to.