The Eye of Apollo

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0:00:02 > 0:00:06CREEPY MUSIC AND THUNDER

0:00:39 > 0:00:41OWL HOOTS

0:00:47 > 0:00:48Nie.

0:01:03 > 0:01:05Nie!

0:01:05 > 0:01:08SHE SHOUTS IN POLISH

0:01:36 > 0:01:39I reckon the storm caused a surge in the power grid

0:01:39 > 0:01:42because the whole of Kembleford went ka-blooey last night.

0:01:42 > 0:01:46I'm sure I've seen that symbol somewhere before.

0:01:46 > 0:01:48Oh, probably Satanists, Father.

0:01:48 > 0:01:51And the Lord said, "Let there be light."

0:01:51 > 0:01:52Wahey!

0:01:52 > 0:01:55"And the light shineth in darkness,

0:01:55 > 0:01:58"and the darkness recognised it not."

0:02:00 > 0:02:03- Well, at last.- Sorry, Father.

0:02:03 > 0:02:05Not to worry. Everything all right?

0:02:05 > 0:02:08- Yes, but... - Your list of chores.

0:02:10 > 0:02:11Father, why are you going?

0:02:11 > 0:02:16You not had one of these? The whole town's been deluged with them.

0:02:16 > 0:02:18- Yeah...- Your chores!

0:02:18 > 0:02:23Right, Father, let's go and find out what all this nonsense is about.

0:02:24 > 0:02:30You stupid girl. I have spent a whole hour alphabetising those.

0:02:31 > 0:02:33- You sure everything's all right? - Yes, I'm fine.

0:02:35 > 0:02:37Have a good day.

0:02:40 > 0:02:44I make...I make tea?

0:02:44 > 0:02:47Oh, wish I could, darling, but, you know, four more jobs today.

0:02:47 > 0:02:50Storm damage. Terrible thing.

0:02:50 > 0:02:52HE LAUGHS

0:03:05 > 0:03:08CELLO MUSIC

0:03:47 > 0:03:49We come in peace.

0:04:19 > 0:04:22Looks like they've come in their pyjamas.

0:04:22 > 0:04:25And is that supposed to be music?

0:04:26 > 0:04:29Let's both try and keep an open mind, shall we?

0:04:37 > 0:04:38GONG CLANGS

0:04:43 > 0:04:48Good people of Kembleford, our founder and leader, Kalon.

0:05:01 > 0:05:03What a glorious sight.

0:05:04 > 0:05:05Welcome.

0:05:07 > 0:05:09Welcome, all.

0:05:12 > 0:05:17I was covered in mud. I was broken, bloodied.

0:05:17 > 0:05:19There were shells exploding all around me,

0:05:19 > 0:05:21bullets whizzing past my ear.

0:05:21 > 0:05:25I was engulfed in pain, I was paralysed by fear.

0:05:25 > 0:05:28And then it happened.

0:05:29 > 0:05:30A sniper's bullet...

0:05:32 > 0:05:34..through my brain and out through the back of my head.

0:05:35 > 0:05:41And I fell back, staring into the noonday sun, in the mud,

0:05:41 > 0:05:44and barely had I registered what had happened to me,

0:05:44 > 0:05:48when in a burst of pure joy,

0:05:48 > 0:05:51the knowledge of millennia was delivered into my brain.

0:05:53 > 0:05:57From the astral ancestors dwelling within the fiery core of the sun,

0:05:57 > 0:05:59to the deepest recesses of my soul...

0:06:01 > 0:06:04..transported on a ribbon of energy,

0:06:04 > 0:06:0993 million miles across empty space.

0:06:10 > 0:06:14And as this beautiful knowledge, it filled me up, I was pure peace.

0:06:16 > 0:06:17Pure joy.

0:06:19 > 0:06:20Pure hope.

0:06:30 > 0:06:31So much hope.

0:06:43 > 0:06:48I was given a purpose that day - to carry this wisdom to the rest of

0:06:48 > 0:06:53humanity. For the path to happiness lies within the life-giving sun.

0:06:55 > 0:06:58By harnessing its eternal energies...

0:07:00 > 0:07:04..we chase away the demons, we vanquish the loneliness,

0:07:04 > 0:07:10we reach a higher plane where spiritual, emotional and physical

0:07:10 > 0:07:14healing can belong to us all.

0:07:19 > 0:07:22Of course, I don't expect you to take my word for it.

0:07:24 > 0:07:27But I can offer you something that other religions,

0:07:27 > 0:07:29in my experience, can never provide.

0:07:36 > 0:07:37Proof.

0:07:40 > 0:07:41You.

0:07:44 > 0:07:48Come, come forward. Don't be afraid. Come.

0:07:53 > 0:07:55Follow the light, come.

0:07:56 > 0:07:59She can't have finished those chores already.

0:07:59 > 0:08:00I'll be having words with her.

0:08:05 > 0:08:09Welcome. What is your name?

0:08:11 > 0:08:12Susie.

0:08:13 > 0:08:15Susie?

0:08:15 > 0:08:18That's how everybody calls me.

0:08:18 > 0:08:19But your family?

0:08:20 > 0:08:24They called me Zuzanna.

0:08:25 > 0:08:28Zuzanna, what a beautiful name.

0:08:30 > 0:08:35Trust me, Zuzanna. All I want is to open your eyes.

0:08:37 > 0:08:40The astral spirits are with us today.

0:08:41 > 0:08:43They are with us now. I can feel them.

0:08:46 > 0:08:49Sit. Sit.

0:08:51 > 0:08:52Trust me, Zuzanna.

0:08:55 > 0:08:57Sense the sun on your skin.

0:09:01 > 0:09:03Close your eyes.

0:09:04 > 0:09:06Take a deep breath.

0:09:06 > 0:09:08HE INHALES

0:09:08 > 0:09:09Let it go.

0:09:11 > 0:09:13Feel the sun's energy filling you up.

0:09:16 > 0:09:19There is a lonely place inside of you, Zuzanna.

0:09:21 > 0:09:24It's been there a long time.

0:09:24 > 0:09:25Since you were a child.

0:09:27 > 0:09:31Your father....gave his life in battle, yes?

0:09:31 > 0:09:34- Yes.- And your mother passed away, too.- Yes.

0:09:34 > 0:09:39Oh, Zuzanna. Know that the astral spirits of your mother

0:09:39 > 0:09:44and father, your parents, are here now. I can see their faces.

0:09:44 > 0:09:46Oh, Zuzanna.

0:09:47 > 0:09:49They miss you so much.

0:09:49 > 0:09:52They love you so deeply. Can you feel them?

0:09:54 > 0:09:56I.... I...

0:09:56 > 0:09:58Can you feel them?

0:09:58 > 0:10:03Their love? Their warmth? Their joy? Their light? Do you feel them?

0:10:03 > 0:10:07- SHOUTING: Can you feel them? - Yes.- Yes. Yes, yes.

0:10:15 > 0:10:17Mostly Barnum statements.

0:10:17 > 0:10:20Plus some cold reasoning,

0:10:20 > 0:10:22a few high probability deductions...

0:10:23 > 0:10:25..the power of suggestion.

0:10:25 > 0:10:28So you're saying he's a charlatan?

0:10:28 > 0:10:31That I'm not sure of yet. Either he is,

0:10:31 > 0:10:34or he really thinks he has a gift.

0:10:35 > 0:10:40What if I genuinely have a gift. Is that not also a possibility?

0:10:40 > 0:10:44Many things are possible. The question is, what's probable?

0:10:47 > 0:10:50Might I ask what is the meaning of the symbol?

0:10:50 > 0:10:54It represents the duality of night and day, delivered to me

0:10:54 > 0:10:55in a vision by the astral spirits.

0:10:56 > 0:10:58I see.

0:10:58 > 0:10:59Father, surely, you of all people,

0:10:59 > 0:11:03believe in the transcendence of the spirit.

0:11:03 > 0:11:06This is my astral partner, Dominique.

0:11:06 > 0:11:08That's like a wife, is it?

0:11:08 > 0:11:14Oh, so much more. A symbiosis of souls, an amalgamation of destiny.

0:11:14 > 0:11:15Oh, right you are.

0:11:16 > 0:11:20The transcendence of the spirit I'm all for, but turning someone's

0:11:20 > 0:11:24grief into a theatrical event, that I find somewhat dubious.

0:11:24 > 0:11:27I lost my husband and sons in the war.

0:11:27 > 0:11:32Kalon has been my salvation from grief, as he has for everyone here.

0:11:34 > 0:11:37What exactly do you find dubious about that, Father?

0:11:37 > 0:11:40I was hoping for a little ecumenical goodwill.

0:11:42 > 0:11:45I'm truly sorry about your family.

0:11:45 > 0:11:50But understand, I am merely looking after the interests of my flock.

0:11:51 > 0:11:54- And I'm the Big Bad Wolf?- Precisely.

0:11:54 > 0:11:56Nobody's being preyed upon.

0:11:58 > 0:12:02Then might I ask, how much does it cost

0:12:02 > 0:12:04to join your order?

0:12:04 > 0:12:08Nothing. Everything the religion needs, it gets from me.

0:12:08 > 0:12:10Dominique's family is absurdly rich. Banking and such like.

0:12:10 > 0:12:14So you see, our intentions here are completely benign.

0:12:14 > 0:12:18We're not here to swindle your parishioners or steal your souls.

0:12:18 > 0:12:20All we're asking for is a quiet corner of the world

0:12:20 > 0:12:23to practise our faith. Now, that is not too much to ask, is it?

0:12:23 > 0:12:24Will you excuse me?

0:12:31 > 0:12:33So....

0:12:33 > 0:12:36How long have you two been amalgamated?

0:12:42 > 0:12:46I want to thank you for volunteering.

0:12:46 > 0:12:48Astral communion can be an overwhelming experience,

0:12:48 > 0:12:51especially the first time.

0:12:51 > 0:12:54I should like to personally invite you to join us

0:12:54 > 0:12:56- to greet the sun tomorrow morning. - Greet the sun?

0:12:56 > 0:12:58Yes, it is a ritual, the way we start the day.

0:12:58 > 0:13:01- Oh.- Zuzanna.

0:13:03 > 0:13:07I have done hundreds of readings for hundreds of people and not

0:13:07 > 0:13:10since Dominique have I felt a spirit so vibrant, so primed for change.

0:13:12 > 0:13:15Give yourself the chance to be whatever it is you want to be.

0:13:18 > 0:13:20- I don't know.- Trust me.

0:13:24 > 0:13:27Everything you could ever want is in there.

0:13:27 > 0:13:31With time you will be able to communicate with the

0:13:31 > 0:13:34astral spirits of your father and mother

0:13:34 > 0:13:37all by yourself. You will never feel alone again.

0:13:41 > 0:13:425:00 AM.

0:13:54 > 0:13:56All right?

0:13:56 > 0:13:59Yes, I'm fine. See you tomorrow.

0:14:59 > 0:15:02We greet the sun with humble reverence,

0:15:02 > 0:15:06we pay our respects to the ancient astral spirits and thank them

0:15:06 > 0:15:09for showing us the way and for blessing me,

0:15:09 > 0:15:13their humble servant, with the gift of their message.

0:15:13 > 0:15:18We greet thee, we greet thee, we greet thee.

0:15:18 > 0:15:21ALL: We greet thee, we greet thee, we greet thee.

0:15:22 > 0:15:26ALL: We greet thee, we greet thee, we greet thee.

0:15:26 > 0:15:31We greet thee, we greet thee, we greet thee.

0:15:31 > 0:15:36We greet thee, we greet thee, we greet thee.

0:15:36 > 0:15:40We greet thee, we greet thee, we greet thee.

0:15:45 > 0:15:48Father, will you stop playing with your food?

0:15:49 > 0:15:51CHURCH BELLS TOLL

0:15:51 > 0:15:53And she's late again.

0:15:57 > 0:16:00- I'll take a stroll down to the camp. - And what time do you call this?

0:16:00 > 0:16:02Susie's gone.

0:16:08 > 0:16:12What's the matter? Why aren't you communing?

0:16:12 > 0:16:14I...

0:16:14 > 0:16:18- I can't concentrate.- Don't force it.

0:16:18 > 0:16:21Let each thought come and go as it pleases.

0:16:22 > 0:16:24You can do it.

0:16:25 > 0:16:28- What's the point?- Excuse me?

0:16:28 > 0:16:31Ten months I'm here. I can still barely sleep,

0:16:31 > 0:16:33still hobbling about like a cripple.

0:16:33 > 0:16:36You can't expect the transitioning to happen overnight.

0:16:36 > 0:16:39Then when? How much longer do I have to be like this?

0:16:39 > 0:16:41Kalon says it's when your body and spirit...

0:16:41 > 0:16:44- I don't care what Kalon says. - Adam?- He's....

0:16:47 > 0:16:48Adam!

0:16:50 > 0:16:52This is a delicate time.

0:16:52 > 0:16:54She needs to be free of negative influences.

0:16:54 > 0:16:56Negative influences?

0:16:56 > 0:16:59I realise you care about her, but whether you choose to admit it

0:16:59 > 0:17:01or not, you don't want her to change.

0:17:02 > 0:17:04She fulfils a role in your life.

0:17:04 > 0:17:06She makes you feel secure, comfortable.

0:17:06 > 0:17:08More Barnum statements.

0:17:08 > 0:17:10I am normally a very placid man, Father,

0:17:10 > 0:17:12but you are beginning to irritate me.

0:17:12 > 0:17:16Then, trust me, the quickest way to get rid of me is to give in.

0:17:16 > 0:17:20- All I ask is ten minutes. - Come back in a few days...

0:17:21 > 0:17:23..after her initiation.

0:17:37 > 0:17:40Kalon is a vessel for ancient wisdom.

0:17:40 > 0:17:42- How can you be so blind? - That's enough.

0:17:42 > 0:17:44Or do you just look the other way on purpose?

0:17:44 > 0:17:47- I don't know what you're talking about.- Yes, you do.

0:17:47 > 0:17:50Lisa, Daisy.

0:17:50 > 0:17:52Those girls were disruptive to the harmony of the community.

0:17:52 > 0:17:55- So you said at the time. - This is none of your business.

0:17:55 > 0:17:58I think it's the business of everyone here to know

0:17:58 > 0:18:00they're being led by a man of low moral character.

0:18:00 > 0:18:04Kalon is a great man, but he's still a man.

0:18:04 > 0:18:08Yes, I sent those girls away, but I did it before he could be tempted.

0:18:08 > 0:18:13- They wanted him.- Is that right?- Yes.

0:18:13 > 0:18:14And what about the new girl?

0:18:15 > 0:18:17The way he looks at her?

0:18:18 > 0:18:21There's more going on in his head than spiritual enlightenment.

0:18:29 > 0:18:30What are you doing?

0:18:32 > 0:18:36So this is why you're making up lies? Pathetic.

0:18:59 > 0:19:01Right, what I say is we sneak in, we grab her.

0:19:01 > 0:19:04Once we've got her, we can talk some sense into her.

0:19:04 > 0:19:07- There's a word for that.- Brilliant? - Kidnapping. That's it.

0:19:07 > 0:19:08Breaks one of those law-thingies

0:19:08 > 0:19:10you may have heard about from time to time.

0:19:14 > 0:19:17Wait here. Keep a look-out.

0:19:51 > 0:19:54Father! Father.

0:19:54 > 0:19:56You have to leave.

0:19:56 > 0:19:59After those gymnastics? I think not.

0:20:22 > 0:20:25With these people? Really?

0:20:27 > 0:20:28I'm sorry, I know how that sounded.

0:20:30 > 0:20:31It's just, they're so...

0:20:33 > 0:20:37..I really want to say barmy, but I know I'll get into trouble.

0:20:37 > 0:20:41It's no more barmy than any other religion.

0:20:41 > 0:20:45I'm only trying to protect you. You know nothing about this Kalon.

0:20:45 > 0:20:48I suspect that's not even his real name.

0:20:48 > 0:20:52He...he's a great man.

0:20:52 > 0:20:54He has gift.

0:20:54 > 0:20:57I believe there's a rational explanations for his gift.

0:20:57 > 0:21:00You believe what you want, I'll believe what I want.

0:21:00 > 0:21:02What are you doing here? Please leave, now.

0:21:02 > 0:21:05WOMAN SCREAMS

0:21:07 > 0:21:09Dominique!

0:21:12 > 0:21:15It's locked. Dominique!

0:21:15 > 0:21:17I've got some spare keys in the office, down the hallway,

0:21:17 > 0:21:21on the key rack. Dominique! Please, please, hurry!

0:21:23 > 0:21:24Dominique.

0:21:31 > 0:21:33DOMINIQUE SCREAMS

0:21:37 > 0:21:39Dominique! Dominique, please.

0:21:45 > 0:21:46Dominique?

0:22:09 > 0:22:12So, you say there was no-one in the room?

0:22:15 > 0:22:17No other way out?

0:22:18 > 0:22:20Unless the killer could fly.

0:22:24 > 0:22:27Mr...Kalon, is it?

0:22:30 > 0:22:34I'm sorry to ask this, but is there any chance your wife could have...

0:22:37 > 0:22:39- It was suicide? - Was she depressed?

0:22:41 > 0:22:44She was full of sunlight. You ask anyone.

0:22:45 > 0:22:49We did hear her screaming for help.

0:22:49 > 0:22:52She didn't jump. She was pushed.

0:22:52 > 0:22:54She came flying out of window.

0:22:54 > 0:22:58- But you didn't see anyone? - Inspector?

0:22:58 > 0:23:00That must be the master key.

0:23:12 > 0:23:15Right, let's see this room.

0:23:27 > 0:23:31Five-lever mortice, near enough unpickable.

0:23:32 > 0:23:35Check with the groundskeepers there's no other copies.

0:23:39 > 0:23:41Don't touch anything.

0:23:47 > 0:23:48Blood.

0:23:50 > 0:23:52There's no way anyone could have hidden behind the door?

0:23:52 > 0:23:54Under the bed?

0:23:54 > 0:23:56No secret passages?

0:24:00 > 0:24:02Ah! More blood.

0:24:04 > 0:24:07I may be mistaken, but I think that that is paint.

0:24:07 > 0:24:11Now, that on the other hand, that is blood.

0:24:11 > 0:24:15I think we may deduce that she took a bath to wash off the paint

0:24:15 > 0:24:17and then when whatever happened, happened.

0:24:17 > 0:24:21Adam. Dominique's novice. He's a painter.

0:24:22 > 0:24:24He has mental disturbances, shell shock.

0:24:24 > 0:24:27That doesn't necessarily mean he's a murderer.

0:24:27 > 0:24:30Sounds like a good place to start.

0:24:30 > 0:24:32- No!- Ah, Mr Watkins.- I didn't do it.

0:24:33 > 0:24:35What are you doing?

0:24:35 > 0:24:37Unlock this door, now!

0:24:40 > 0:24:41Looks like we've found our man.

0:24:41 > 0:24:43< Officer!

0:24:43 > 0:24:45Perhaps.

0:24:49 > 0:24:51Well, he won't get very far with that limp.

0:24:54 > 0:24:56CREEPY MUSIC

0:24:59 > 0:25:01Are you all right?

0:25:01 > 0:25:04She's in the light. I see her.

0:25:06 > 0:25:07She's at peace.

0:25:09 > 0:25:10She forgives.

0:25:36 > 0:25:38- It was you.- Calm down, Mr Watkins.

0:25:38 > 0:25:41- You did it.- How dare you?

0:25:41 > 0:25:44You wanted her out of the way so you could.... Ask him.

0:25:44 > 0:25:46Ask him about the girls. Lisa, Daisy, ask him!

0:25:46 > 0:25:49- What's he talking about? - It's a private matter.

0:25:49 > 0:25:50Not today, I'm afraid.

0:25:52 > 0:25:55My Dominique had a morbid fear of abandonment, which is not surprising,

0:25:55 > 0:25:57given her loss. But it made her paranoid.

0:25:57 > 0:25:59- She imagined relations.- Imagined?

0:25:59 > 0:26:00Yes, imagined relations between

0:26:00 > 0:26:03myself and certain young women in our community.

0:26:03 > 0:26:06I had to tell them to leave for Dominique's peace of mind.

0:26:06 > 0:26:08- He's lying! He's lying! - Besides, I was nowhere near her.

0:26:10 > 0:26:12And Father Brown can attest to that.

0:26:15 > 0:26:16Problem, Father Brown?

0:26:19 > 0:26:22Groundskeepers confirm there are no other keys.

0:26:22 > 0:26:26Maybe Mr Watkins can enlighten us to how he disappeared into thin air.

0:26:26 > 0:26:29- When will you leave us to mourn? - Forensics are almost finished.

0:26:29 > 0:26:32Once we've taken statements, we'll be off.

0:26:32 > 0:26:35But don't leave town. Investigation's not over yet.

0:26:51 > 0:26:54You obviously have something on your mind, Father.

0:26:54 > 0:26:57You let an innocent man pay for your crime?

0:26:57 > 0:27:00- Who of us is truly innocent? - Then you admit it.

0:27:05 > 0:27:07How did I do it? Split myself in two?

0:27:07 > 0:27:09Well, I haven't fathomed out the details yet.

0:27:09 > 0:27:11but I know the eyes of a murderer.

0:27:11 > 0:27:13I see, that's your proof, is it? My eyes.

0:27:13 > 0:27:15Windows of the soul.

0:27:15 > 0:27:18Then look deeply.

0:27:18 > 0:27:20See that I won't let anything or anyone

0:27:20 > 0:27:23get in the way of spreading the word of the ancients.

0:27:23 > 0:27:25That's why you killed her.

0:27:26 > 0:27:28Because she stood in your way.

0:27:28 > 0:27:31You are not my confessor.

0:27:31 > 0:27:35Then tell me, what sort of a man

0:27:35 > 0:27:38covets another woman on the day of his wife's murder?

0:27:39 > 0:27:42Finally, we get to what this is really about.

0:27:44 > 0:27:45Jealousy.

0:27:46 > 0:27:48I understand you want her back.

0:27:48 > 0:27:51But know this - as surely as night follows day,

0:27:51 > 0:27:53what happened to Dominique was destiny.

0:27:53 > 0:27:56She made way for a brighter spirit, a light

0:27:56 > 0:27:59so pure that it outshines even hers.

0:27:59 > 0:28:03And you will not have her.

0:28:05 > 0:28:07Now get off my property.

0:28:16 > 0:28:19Malcolm. Gather everyone. I have an announcement.

0:28:27 > 0:28:30Father, I heard. What an awful, hideous thing.

0:28:31 > 0:28:35I'll put the kettle on and you can tell me all about it.

0:28:35 > 0:28:38Five-lever mortice lock. Practically unpickable.

0:28:38 > 0:28:41No other keys. Which means what?

0:28:44 > 0:28:46He's been like this since we left the manor.

0:28:46 > 0:28:50She started screaming when we were in the garden.

0:28:52 > 0:28:55It's about 20 seconds to the bedroom door.

0:28:57 > 0:29:00Father, I made you a nice shepherd's pie.

0:29:00 > 0:29:04And I zipped through all of Susie's chores.

0:29:04 > 0:29:06I have no idea what takes her so long.

0:29:06 > 0:29:11Plus, I managed to re-alphabetise all those files,

0:29:11 > 0:29:14and I still had time to bake some of my award-winning strawberry scones.

0:29:14 > 0:29:17Files! We're going back.

0:29:22 > 0:29:24I hate it when he does that.

0:29:32 > 0:29:33You're glowing.

0:29:35 > 0:29:37Give us a moment, please, Rose.

0:29:44 > 0:29:46I want you to have this.

0:29:46 > 0:29:49Dominique wore it on her initiation.

0:29:49 > 0:29:51- I...I couldn't.- She wants you to.

0:29:57 > 0:29:58You're troubled.

0:30:02 > 0:30:05Zuzanna, what is that fear broiling in the pit of your stomach?

0:30:05 > 0:30:06What's it about?

0:30:09 > 0:30:10Let me tell you.

0:30:13 > 0:30:17It is the fear of change, of transformation.

0:30:20 > 0:30:23Allow yourself that feeling.

0:30:23 > 0:30:26Don't be afraid. Befriend it.

0:30:27 > 0:30:29Shake hands with it.

0:30:31 > 0:30:32Let it go.

0:30:56 > 0:31:00If Kalon won't tell us about those girls, maybe something in here will.

0:31:04 > 0:31:06- Where is everyone?- Lisa...

0:31:09 > 0:31:10..and Daisy.

0:31:12 > 0:31:14Family records.

0:31:14 > 0:31:16Medical records.

0:31:18 > 0:31:20Dietary requirements.

0:31:21 > 0:31:24- Nothing untoward.- Now what?

0:31:40 > 0:31:41Wait a minute.

0:32:00 > 0:32:01They're leaving.

0:32:10 > 0:32:12Susie.

0:32:12 > 0:32:15- What are you doing here? - Just listen, that's all I ask.

0:32:15 > 0:32:18If afterwards, you want to stay, I won't stand in your way.

0:32:18 > 0:32:21I give you my word. Adam was right about Kalon.

0:32:21 > 0:32:23And apparently, he's a keen photographer.

0:32:23 > 0:32:24Got quite the collection.

0:32:28 > 0:32:29He's sick, Susie.

0:32:38 > 0:32:40He is sick?

0:32:40 > 0:32:43He? No.

0:32:43 > 0:32:47- You are. Both of you. - But the proof's right there!

0:32:47 > 0:32:48You only see what you want.

0:32:50 > 0:32:53He captures our light.

0:32:53 > 0:32:55- Our spirit. - SID LAUGHS

0:32:55 > 0:32:57See?

0:32:57 > 0:33:00It's...it's not sick.

0:33:00 > 0:33:02It's beautiful.

0:33:02 > 0:33:03Susie, they're planning on leaving.

0:33:05 > 0:33:07I know. I go with them.

0:33:10 > 0:33:12You don't think that's suspicious?

0:33:13 > 0:33:15Would you like to live in house where murder happened?

0:33:17 > 0:33:20- It casts shadow. - Now she's talking like one of them.

0:33:21 > 0:33:22Susie, if you will abscond,

0:33:22 > 0:33:24Inspector Valentine will definitely...

0:33:24 > 0:33:29He knows. They are charging Adam. We are free to go.

0:33:31 > 0:33:32You said you'd leave.

0:33:34 > 0:33:35You gave your word.

0:33:37 > 0:33:40- I did.- How very touching. Now let me show you the door.

0:33:47 > 0:33:48Goodbye, Father.

0:34:18 > 0:34:21She prefers my faith to yours. Can you blame her?

0:34:27 > 0:34:29KEY TURNS IN LOCK

0:34:43 > 0:34:44GONG CLANGS

0:34:55 > 0:34:59Zuzanna, the sun is setting on your old life.

0:34:59 > 0:35:02- Are you ready to be born anew?- Yes.

0:35:02 > 0:35:05Do you open your heart to the ancient astral ancestors?

0:35:06 > 0:35:11Do you embrace their wisdom? Do you accept their truth?

0:35:11 > 0:35:13- Yes.- Then behold the light!

0:35:13 > 0:35:15GONG CLANGS

0:35:15 > 0:35:21By the power of the light, the holy sun, I baptise you.

0:35:43 > 0:35:47Sounds to me like she's found her calling and you just don't like it.

0:35:49 > 0:35:53We are deeply concerned about her safety.

0:35:53 > 0:35:56The pros sols have the final say. There's nothing I can do.

0:35:56 > 0:35:57Has he confessed?

0:35:57 > 0:36:01Mr Watkins was in love with the victim. He's confessed to that.

0:36:01 > 0:36:04- But not to murder?- They rarely do.

0:36:04 > 0:36:06What about my suspicions regarding the lock?

0:36:07 > 0:36:10They're suspicions, not proof, not evidence.

0:36:10 > 0:36:11KNOCK ON DOOR

0:36:11 > 0:36:13Come.

0:36:16 > 0:36:18Thanks, Sergeant.

0:36:21 > 0:36:23Is that the file on Kalon?

0:36:25 > 0:36:28I am not sharing police information with you.

0:36:29 > 0:36:31Susie has been brainwashed.

0:36:33 > 0:36:37She is under the influence of what I believe is a deeply disturbed man.

0:36:38 > 0:36:41The least you can do is give us a chance to help her.

0:36:45 > 0:36:46Please.

0:36:51 > 0:36:52It's too early for all this.

0:36:52 > 0:36:54I'm going to get myself a cup of coffee.

0:36:56 > 0:36:59I'll trust you not to touch anything on my desk.

0:37:12 > 0:37:14Gerald Firth.

0:37:15 > 0:37:19He wasn't lying about his war injury. Spent two months at a

0:37:19 > 0:37:22military hospital in Kent. Bullet wound to the head.

0:37:22 > 0:37:24Most of that time, delirious, paranoid delusions.

0:37:24 > 0:37:26Does that mean he's a conman or he's just nuts?

0:37:26 > 0:37:28Well, I...

0:37:34 > 0:37:37What? What is it?

0:37:37 > 0:37:39I need to speak to Kalon. Now.

0:37:47 > 0:37:51They've gone. We've missed her!

0:38:02 > 0:38:04Perhaps not.

0:38:11 > 0:38:16The master bible. Written over 40 days and 40 nights.

0:38:16 > 0:38:20The wisdom of the ancients pouring out of me in a ceaseless torrent.

0:38:23 > 0:38:26I don't usually allow anyone to touch this.

0:38:42 > 0:38:45What is this?

0:38:45 > 0:38:47One last-ditch attempt to vanquish me?

0:38:48 > 0:38:50Something along those lines, yes.

0:38:52 > 0:38:54What about the small matter of your being my alibi?

0:38:57 > 0:38:59I'll deal with method. Motive, first.

0:38:59 > 0:39:02- Father, please.- I'm sorry, Susie. I have to do this.

0:39:02 > 0:39:07No, Zuzanna. Let us hear his insinuations for the last time.

0:39:09 > 0:39:11Something happened yesterday, did it not...

0:39:12 > 0:39:14that made Dominique realise that you

0:39:14 > 0:39:17- would never change your lecherous ways.- Is that so?

0:39:19 > 0:39:21In all likelihood, to do with Susie.

0:39:23 > 0:39:29Enough to make Dominique threaten the thing you cared most about.

0:39:29 > 0:39:33The thing you told me yourself that you would do anything to protect -

0:39:33 > 0:39:36- your religion. - He's grasping at straws.

0:39:37 > 0:39:40What happened? What did she see?

0:39:40 > 0:39:42Spinning fantasies out of thin air.

0:39:44 > 0:39:47From the moment you saw Susie, you desired her.

0:39:48 > 0:39:49And Dominique knew that.

0:39:52 > 0:39:56Father, this is becoming embarrassing.

0:39:56 > 0:39:58Susie?

0:40:02 > 0:40:04I remember.

0:40:16 > 0:40:19I didn't think of it at the time.

0:40:19 > 0:40:21That's because there was nothing to think about.

0:40:30 > 0:40:33You went to Dominique's room, yes?

0:40:33 > 0:40:35- No.- Yes.

0:40:42 > 0:40:44KNOCK ON DOOR

0:40:44 > 0:40:46- Who is it?- It's me.

0:40:59 > 0:41:01You argued with her.

0:41:02 > 0:41:04I just wanted to capture her light.

0:41:04 > 0:41:07- What? Like the others? - Dominique, please.- It's over.

0:41:09 > 0:41:11- Meaning?- Meaning, by the time I'm finished with you,

0:41:11 > 0:41:13you won't have a penny to your name.

0:41:13 > 0:41:17You'll be ridiculed as a lecherous crank. You disgust me.

0:41:18 > 0:41:20SHOUTING: Why?

0:41:22 > 0:41:26The blood on the rug was from the first time you hit her.

0:41:27 > 0:41:30The blood on the door of the bathroom

0:41:30 > 0:41:32was when you tried to make it look like an accident.

0:41:34 > 0:41:38From far-fetched to outlandish!

0:41:38 > 0:41:40I haven't even started yet.

0:41:41 > 0:41:44Because she wasn't dead, was she?

0:41:49 > 0:41:51Your plan to discover her corpse was thwarted...

0:41:51 > 0:41:54DOMINIQUE SCREAMS

0:41:54 > 0:41:55..when she started screaming.

0:41:59 > 0:42:03So you did the only thing possible, you feigned a locked door.

0:42:03 > 0:42:06It's locked. There are spare keys in the office down the hallway,

0:42:06 > 0:42:09on the key rack. Please hurry! Dominique! Please.

0:42:12 > 0:42:16And when I went to fetch the spare key, you dashed in...

0:42:18 > 0:42:20..you threw her out of a window.

0:42:20 > 0:42:22HE SHOUTS

0:42:22 > 0:42:23SHE SCREAMS

0:42:28 > 0:42:30Dominique! Dominique, please.

0:42:35 > 0:42:38Pure...showmanship.

0:42:38 > 0:42:41No, no, no, he just wants you for himself. He's jealous.

0:42:41 > 0:42:43Susie. Zuzanna.

0:42:50 > 0:42:53Admit it.

0:42:54 > 0:42:58One man of faith to another. Unburden yourself.

0:42:58 > 0:43:01- Why? So you can arrest me? - I only care about your soul.

0:43:01 > 0:43:03Then, you of all people, should understand that this was

0:43:03 > 0:43:06meant it be, it was ordained. The astral spirits...

0:43:06 > 0:43:09There are no astral spirits!

0:43:09 > 0:43:12Says the man who believes in virgin births.

0:43:15 > 0:43:17Sorry.

0:43:32 > 0:43:36- That's you, Gerald. - That's not my name.- But it is.

0:43:38 > 0:43:40It says so, there.

0:43:42 > 0:43:43Look at the doctor...

0:43:45 > 0:43:46..what he's wearing.

0:43:49 > 0:43:51It's the last piece of the puzzle that's been nagging away at me

0:43:51 > 0:43:53since you first arrived.

0:43:54 > 0:43:59I saw plenty of those when I was a chaplain in the army,

0:43:59 > 0:44:01but I never put it together until now.

0:44:03 > 0:44:06You incorporated the stethoscope into your fantasy.

0:44:10 > 0:44:15It became the symbol that the astral aliens planted in your brain.

0:44:15 > 0:44:16No.

0:44:16 > 0:44:18Yes.

0:44:18 > 0:44:19Proof.

0:44:23 > 0:44:25You were in a terrible place.

0:44:25 > 0:44:28Broken. Helpless. Lost.

0:44:28 > 0:44:31You needed a refuge.

0:44:31 > 0:44:33And you created this.

0:44:33 > 0:44:36You dare to come into my house of worship

0:44:36 > 0:44:39and tell me that my god is false?

0:44:39 > 0:44:47SHOUTING: No. No. No! No! No! No! Nooo!

0:44:49 > 0:44:53Oh, God, Dominique. Dominique.

0:44:53 > 0:44:57SHOUTING: I'm sorry!

0:44:57 > 0:44:59I'm so sorry!

0:45:19 > 0:45:23- Do you have anywhere to stay? - Think I might just wander a while.

0:45:27 > 0:45:31Name of a local hostel and if you ever need to talk at all,

0:45:31 > 0:45:32I will be in St Mary's.

0:45:40 > 0:45:42- Mr Firth?- Quiet as a church mouse.

0:45:46 > 0:45:47How'd you know his real name?

0:45:49 > 0:45:52Don't know. Must've read it somewhere.

0:46:01 > 0:46:03Cup of tea?

0:46:05 > 0:46:08I prefer to be alone. Thank you.

0:46:10 > 0:46:11I will see you tomorrow.

0:46:28 > 0:46:30Mind if I join you?

0:46:37 > 0:46:39All I have left.

0:46:41 > 0:46:44I try to picture their faces. But they slip away.

0:46:44 > 0:46:48Maybe the trick is not to try. Let them come to you.

0:46:49 > 0:46:51I just wanted to talk to them.

0:46:53 > 0:46:55You don't need Kalon for that.

0:46:57 > 0:47:01Carry them in your heart, and you can talk to them whenever you want.

0:47:03 > 0:47:06You can talk to me. I'm always here.

0:47:09 > 0:47:12- Time for elevenses.- I have chores.

0:47:12 > 0:47:15Scones first. Chores later.

0:47:16 > 0:47:21Tea and award-winning strawberry scones. What could be better?

0:47:21 > 0:47:25Rumour has it you pinched your scone recipe from Mrs O'Boyle.

0:47:25 > 0:47:28You wash your mouth out with soap, Sid Carter.

0:47:28 > 0:47:31- Just saying what I heard. - I heard same thing.

0:47:31 > 0:47:34Well, I'll have that back, then. And yours, too.

0:48:21 > 0:48:24Subtitles by Red Bee Media Ltd