0:00:02 > 0:00:04You seem more on edge than before.
0:00:05 > 0:00:07I received another letter.
0:00:07 > 0:00:09Does this letter urge confession, too?
0:00:09 > 0:00:11Yes.
0:00:12 > 0:00:14Could these letters be from your wife?
0:00:14 > 0:00:16They're not her style.
0:00:16 > 0:00:18But you two are estranged?
0:00:19 > 0:00:21For many years, now.
0:00:23 > 0:00:27Shall we talk about why she left?
0:00:29 > 0:00:30I can be...
0:00:32 > 0:00:34..obstinate, Doctor.
0:00:35 > 0:00:37Evidently.
0:00:38 > 0:00:42To what are these letters urging you to confess?
0:00:42 > 0:00:43That's my business.
0:00:45 > 0:00:47We are bound by privilege here.
0:00:48 > 0:00:50Your secrets will stay secret.
0:00:53 > 0:00:59And what will happen if you don't do what this new letter demands?
0:01:01 > 0:01:05It says, if I don't confess today, then my son will be murdered...
0:01:07 > 0:01:08..tonight.
0:01:41 > 0:01:42SHE PLAYS PIANO
0:01:50 > 0:01:51SHE FINISHES
0:01:51 > 0:01:53APPLAUSE
0:01:53 > 0:01:55That was stunning.
0:01:55 > 0:01:58Anyone would be hard pushed to take the title from you.
0:01:58 > 0:02:00I doubt I'll have to push that hard.
0:02:00 > 0:02:03Now, Mungo Hooter will open the programme
0:02:03 > 0:02:06- and then, you are on second?- Yes.
0:02:07 > 0:02:09And second, overall.
0:02:09 > 0:02:11- Beautiful.- Thank you.
0:02:12 > 0:02:14I believe I have the hall at six.
0:02:14 > 0:02:16Can we not have a few more minutes?
0:02:16 > 0:02:19I mean, young Calvin here has yet to rehearse.
0:02:19 > 0:02:22I don't need a rehearsal. This one's a doddle.
0:02:22 > 0:02:24And what will you be playing?
0:02:25 > 0:02:27It's a surprise.
0:02:29 > 0:02:31Calvin, we're going home.
0:02:31 > 0:02:35Dr Jackson, good luck. I'm sorry to miss it.
0:02:35 > 0:02:36I quite understand.
0:02:40 > 0:02:44Dr Jackson? Sgt Goodfellow, Kembleford Police.
0:02:44 > 0:02:49- You know, I knew it was you from your book.- Oh, to be recognised!
0:02:49 > 0:02:51I'm really looking forward to your talk.
0:02:51 > 0:02:52I can't wait to read the new book.
0:02:55 > 0:02:57This is Inspector Mallory.
0:02:57 > 0:02:59It's not going to be a long one, is it?
0:02:59 > 0:03:01You sound like a sceptic.
0:03:01 > 0:03:04- I am.- Then, I shall do my best to convince you.
0:03:12 > 0:03:15Why wouldn't you say what you're playing?
0:03:15 > 0:03:16Does it matter?
0:03:16 > 0:03:18A lot of people put a lot of hard work into this
0:03:18 > 0:03:20- and he's not taking it seriously. - It's just a bit of fun!
0:03:20 > 0:03:22Calvin, get in the car.
0:03:24 > 0:03:28- I know what you're up to.- I just want to know what he's playing.
0:03:28 > 0:03:30You're sailing very close to the wind.
0:03:30 > 0:03:33If you know what's good for you, I'd back off!
0:03:37 > 0:03:39Everything all right, Rosie?
0:03:39 > 0:03:41We'll see tomorrow.
0:03:44 > 0:03:47APPLAUSE
0:03:47 > 0:03:49As I explain in my book,
0:03:49 > 0:03:53Still Waters - A Journey Into The Deep,
0:03:53 > 0:03:57throughout history, human beings have held the mistaken view
0:03:57 > 0:04:00that we are in control of our experiences.
0:04:02 > 0:04:04What I'd like to convince you of tonight
0:04:04 > 0:04:08is that we are not even in control of our minds.
0:04:08 > 0:04:10You're seriously trying to tell us
0:04:10 > 0:04:13- we're not in control of the way we think?- Yes.
0:04:13 > 0:04:17Your choices, your feelings, your passions
0:04:17 > 0:04:20are all driven by your subconscious mind.
0:04:20 > 0:04:23So, we should say Jack the Ripper wasn't a bad man,
0:04:23 > 0:04:27because he had a difficult childhood(?)
0:04:28 > 0:04:30Yes. In fact, I cover that in chapter five.
0:04:32 > 0:04:34Codswallop.
0:04:34 > 0:04:36Now, may I have a volunteer?
0:04:38 > 0:04:40Er... Yes, thank you.
0:04:42 > 0:04:45- Mordaunt Jackson. - Lady Felicia Montague.
0:04:45 > 0:04:48APPLAUSE
0:04:50 > 0:04:54Would you be so kind as to tell us a little about yourself?
0:04:54 > 0:04:57Your hopes and fears, your interests.
0:04:57 > 0:05:00- I hope I am charitable.- Very good.
0:05:00 > 0:05:02What else? Hobbies, perhaps?
0:05:03 > 0:05:06- I sing. Does that count? - Certainly. What do you sing?
0:05:06 > 0:05:08In the church choir.
0:05:08 > 0:05:12Would you be so kind as to sing for us for now?
0:05:12 > 0:05:14With pleasure. What would you like?
0:05:14 > 0:05:16Whatever you're comfortable with.
0:05:19 > 0:05:22# Morning has broken
0:05:22 > 0:05:25# Like the first morning... #
0:05:28 > 0:05:29Another letter, sir.
0:05:31 > 0:05:33- Who is it for?- You.
0:05:33 > 0:05:36Finally. Rosie Everton is done for.
0:05:43 > 0:05:45Father, I need that for the show.
0:05:49 > 0:05:53Check all the windows, check all the doors. Lock everything.
0:05:53 > 0:05:54We shan't leave the house tonight.
0:05:54 > 0:05:57Nobody comes, nobody goes till the morning. Clear?
0:05:59 > 0:06:00Well, go on!
0:06:02 > 0:06:05- What was that with Rosie Everton? - What of it?- Are we all right?
0:06:07 > 0:06:08Lock up the house.
0:06:08 > 0:06:10Sir.
0:06:11 > 0:06:14# ...of the new day. #
0:06:14 > 0:06:15APPLAUSE
0:06:18 > 0:06:23What can Lady Felicia's performance tell us about her subconscious mind?
0:06:23 > 0:06:24Why do you like to sing?
0:06:26 > 0:06:27It makes me feel good.
0:06:28 > 0:06:30You like to entertain others.
0:06:32 > 0:06:33Freud would say that you require that
0:06:33 > 0:06:36because your subconscious mind feels ignored.
0:06:36 > 0:06:42He would say that is evidence of a personality craving attention.
0:06:42 > 0:06:45Perhaps you feel the need to impress others.
0:06:45 > 0:06:46I see you wear a ring.
0:06:46 > 0:06:50- My wedding ring.- I notice that you touch it when you sing.
0:06:50 > 0:06:51Just habit.
0:06:51 > 0:06:56Heh. Freud would say there are no such things as "just habits".
0:06:56 > 0:06:59He would say they are evidence of something deep-rooted.
0:06:59 > 0:07:03Perhaps the person you wish to impress is your husband.
0:07:04 > 0:07:06He doesn't care for music.
0:07:06 > 0:07:08Then perhaps your singing publicly
0:07:08 > 0:07:12is your way of gaining the attention that he doesn't offer.
0:07:18 > 0:07:20Now, we've interrogated the roots.
0:07:20 > 0:07:22Might you perform the song again?
0:07:24 > 0:07:25Of course.
0:07:30 > 0:07:31# Mor...
0:07:33 > 0:07:35SHE CLEARS HER THROAT
0:07:37 > 0:07:38# M... #
0:07:41 > 0:07:43I think I need a glass of water.
0:07:57 > 0:08:00What was your father talking to Rosie Everton about?
0:08:00 > 0:08:01Why don't you ask him?
0:08:03 > 0:08:06- Did you enjoy your dinner? - It was foul.
0:08:06 > 0:08:09I don't know why he keeps you around.
0:08:09 > 0:08:13You're drunk all the time, you can't cook, nothing is ever in order.
0:08:13 > 0:08:15I think you should turn in, Calvin.
0:08:15 > 0:08:18- I need to practise this new piece. - Wallace?
0:08:20 > 0:08:23- CALVIN PLAYS PIANO - Is the house secure?- Yes, sir.
0:08:26 > 0:08:27Well, er...
0:08:28 > 0:08:31- Don't stay up late. - Goodnight, Father.
0:08:36 > 0:08:37Thank you.
0:08:37 > 0:08:41- Oh, I'm sorry if I upset you. - You didn't.
0:08:41 > 0:08:43I was merely trying to demonstrate...
0:08:43 > 0:08:46I don't mean to pop your balloon, but I've had a sore throat
0:08:46 > 0:08:48coming on for a few days and it merely got the better of me.
0:08:48 > 0:08:51If you don't mind, I need to go home and rest my voice for tomorrow.
0:08:51 > 0:08:53Goodnight.
0:08:56 > 0:08:57Still sceptical?
0:08:58 > 0:09:00If questioning a crook's roots
0:09:00 > 0:09:02shakes the tree enough to get a confession,
0:09:02 > 0:09:05then maybe that's something we can talk about.
0:09:05 > 0:09:08Then, why don't you read about it? On the house.
0:09:08 > 0:09:11With respect, Doc, all this Freud stuff's French to me.
0:09:11 > 0:09:13Freud was Austrian.
0:09:14 > 0:09:16Padre, Dr Jackson. Goodnight.
0:09:18 > 0:09:19May I?
0:09:22 > 0:09:27I've always been fascinated by civilisation and its discontents.
0:09:27 > 0:09:31I'd be curious to hear how a man of the cloth interprets Freud.
0:09:33 > 0:09:34Why are you in Kembleford?
0:09:34 > 0:09:38Publishers clamouring for the follow-up.
0:09:38 > 0:09:40No rest for the wicked, particularly in London,
0:09:40 > 0:09:42so I thought I'd write it here.
0:09:42 > 0:09:45Enjoy it. We're all flawed, Father.
0:09:45 > 0:09:46I suspect, even you.
0:09:48 > 0:09:50- Would you mind...?- Yes.
0:09:53 > 0:09:55Thanks, Doctor.
0:09:57 > 0:10:02CALVIN PLAYS: Nocturne in B-Flat Minor by Frederic Chopin
0:10:07 > 0:10:09HE CHOKES
0:10:35 > 0:10:37Requiescat in pace.
0:10:38 > 0:10:40Amen.
0:10:40 > 0:10:43I am very sorry about your son, Mr Twyman.
0:10:45 > 0:10:48- When did you find him? - This morning, when I woke up.
0:10:49 > 0:10:52I came down and found him here.
0:10:52 > 0:10:55So sorry I'm late.
0:10:55 > 0:10:56Can we help you?
0:10:56 > 0:11:00- Mr Twyman is one of my patients. - Oh, hello, Doctor!
0:11:00 > 0:11:01Good to see you again.
0:11:01 > 0:11:05Goodfellow, how about you do another sweep of the house?
0:11:07 > 0:11:10CAMERA BULB PLINKS
0:11:10 > 0:11:13And was it just you and Calvin in the house, last night?
0:11:14 > 0:11:18And Wallace here, my butler.
0:11:18 > 0:11:22- Any sign of a break-in? - I've got this, Padre.
0:11:22 > 0:11:25The house was securely locked from the inside, I made sure of it.
0:11:26 > 0:11:31Mr Twyman, do you know of anyone who would want to hurt your son?
0:11:33 > 0:11:34Well, do you?
0:11:36 > 0:11:39- Rosie Everton.- The journalist?
0:11:39 > 0:11:42What's she got against your son?
0:11:42 > 0:11:45She thought that he was a threat to her title in the variety show.
0:11:45 > 0:11:48I'm not sure she'd kill for that.
0:11:48 > 0:11:50- GOODFELLOW:- Inspector!- Excuse me.
0:11:53 > 0:11:54Goodfellow?
0:11:54 > 0:11:57The butler's bag, sir.
0:11:57 > 0:12:01- Quite a haul.- WALLACE: I'll not tell you again - get out of my way!
0:12:03 > 0:12:06- Drop it, Wallace!- I didn't hurt him! - I've known him for 20 years.
0:12:06 > 0:12:09- He wouldn't do it.- Then why is he swinging a poker at my officers?
0:12:09 > 0:12:12Please, Mr Wallace. Put it down.
0:12:12 > 0:12:14I didn't hurt him, I swear it.
0:12:14 > 0:12:17I know you didn't do it, Wallace. But this isn't the way to prove it!
0:12:19 > 0:12:22POKER CLANGS
0:12:22 > 0:12:23Right, Mr Wallace...
0:12:27 > 0:12:31At last - the programmes for the variety show.
0:12:31 > 0:12:33Printed with only hours to spare.
0:12:33 > 0:12:35Don't you normally sing in this, as well, Mrs M?
0:12:35 > 0:12:39Given that I'm compering, I didn't think it was appropriate.
0:12:39 > 0:12:42That's a shame. It's really lovely when you sing.
0:12:42 > 0:12:46- Oh, well. Maybe I should... - Where do I come in the programme?
0:12:46 > 0:12:49Straight after Rosie Everton.
0:12:49 > 0:12:52I do hope you're recovered from last night.
0:12:52 > 0:12:55Yes, thank you. I've been resting my voice today.
0:12:55 > 0:12:58Oh, I heard it was a little stage fright.
0:12:58 > 0:12:59Not at all.
0:12:59 > 0:13:04Well, that's good, because Marlon Clifton is going to be our judge.
0:13:04 > 0:13:08I shall make your perfectly-printed programme proud.
0:13:08 > 0:13:09Father.
0:13:11 > 0:13:14Calvin Twyman won't be performing.
0:13:16 > 0:13:19He can't pull out now! He's in the programme.
0:13:20 > 0:13:23- He's dead.- What? - Holy Mother of God!
0:13:23 > 0:13:26Strangled, while playing the piano.
0:13:26 > 0:13:28- How bad was he?- Sidney!
0:13:29 > 0:13:31The police have arrested the butler.
0:13:31 > 0:13:33Lester Wallace?
0:13:33 > 0:13:35I know him from The Red Lion.
0:13:35 > 0:13:37Beaten him a few times at poker.
0:13:37 > 0:13:40He pinches the family silverware for the buy-in.
0:13:40 > 0:13:43Oh, that fits. Rumour has it, he has light fingers.
0:13:43 > 0:13:46- He steals the silver for gambling?! - He wins it back.
0:13:47 > 0:13:51Robert Twyman is pointing the finger at Rosie Everton.
0:13:51 > 0:13:53Oh, Rosie wouldn't hurt a fly.
0:13:53 > 0:13:55She was certainly at that boy's throat last night.
0:13:55 > 0:13:57Yeah, but you wouldn't strangle someone
0:13:57 > 0:13:59over a little singing contest, would you?
0:13:59 > 0:14:00BOTH: "Little"?!
0:14:02 > 0:14:06If you're going to run after a murder,
0:14:06 > 0:14:08why wait until the police arrive?
0:14:10 > 0:14:14When we had a poke around your room, what do you think we found...
0:14:16 > 0:14:18..other than your bags packed?
0:14:27 > 0:14:30£300...
0:14:30 > 0:14:33and all this silver.
0:14:33 > 0:14:34CLANK
0:14:36 > 0:14:39Why has a butler got all this cash and valuables?
0:14:42 > 0:14:45I think you were flogging the Twyman's silver.
0:14:45 > 0:14:48Young Calvin found out and you kept him quiet.
0:14:52 > 0:14:54I want to make a confession...
0:14:57 > 0:14:58..to a priest.
0:15:03 > 0:15:05Make it quick, Padre.
0:15:07 > 0:15:08Mr Wallace.
0:15:10 > 0:15:14Bless me, Father, for I have... changed my mind.
0:15:14 > 0:15:15Oh, that's disappointing.
0:15:15 > 0:15:18- Sorry to waste your time. - That's all right.
0:15:18 > 0:15:21Mr Wallace, do you mind if I just...
0:15:21 > 0:15:22rest my legs?
0:15:27 > 0:15:29Bicycling.
0:15:29 > 0:15:32You've worked for Robert for a long time.
0:15:32 > 0:15:33Yeah, I suppose I have.
0:15:36 > 0:15:39But you don't strike me as the butlering sort.
0:15:39 > 0:15:42I've known a lot of butlers, and they all have delicate hands -
0:15:42 > 0:15:45handling china cups, that sort of thing.
0:15:45 > 0:15:48- You make things.- I did.
0:15:48 > 0:15:52- I was an engineer. - At the aircraft factory?
0:15:52 > 0:15:54Yeah, I was a panel fitter.
0:15:54 > 0:15:56I've heard it's a RIVETING job.
0:15:58 > 0:16:00- Did you kill Calvin? - Of course not.
0:16:00 > 0:16:02Why did you run?
0:16:02 > 0:16:06Because I've had trouble with the police before -
0:16:06 > 0:16:09but I didn't kill him and neither did Mr Twyman.
0:16:10 > 0:16:13- But it was definitely just you and him there?- Yes.
0:16:15 > 0:16:17I really don't know what happened.
0:16:25 > 0:16:27You're not still doing that, are you? I really don't think...
0:16:27 > 0:16:30Robert Twyman wants it to go ahead.
0:16:30 > 0:16:32- What?- The concert.
0:16:32 > 0:16:35He said "the show must go on".
0:16:35 > 0:16:38Now, four hands are better than two.
0:16:40 > 0:16:42Sid.
0:16:42 > 0:16:45I really do have the most terrible scratch in my throat.
0:16:45 > 0:16:49What are you talking about? You haven't shut up all morning.
0:16:49 > 0:16:52- It comes and goes.- Oh, well.
0:16:52 > 0:16:54If you're really feeling poorly,
0:16:54 > 0:16:56I suppose there's only one thing for it.
0:16:56 > 0:16:58I'll take your spot in the show.
0:16:58 > 0:17:02I won't have you muscling in on my limelight.
0:17:02 > 0:17:04Only offering to help.
0:17:04 > 0:17:06Of course you are(!)
0:17:06 > 0:17:08Sydney, I need a pineapple.
0:17:08 > 0:17:09A what-apple?
0:17:09 > 0:17:12What in heaven's name do you need a pineapple for?
0:17:12 > 0:17:16It's what the professionals use. I wouldn't expect you to understand.
0:17:18 > 0:17:20What's a pineapple?
0:17:28 > 0:17:30CLOCK CHIMES
0:17:36 > 0:17:39How will you manage without Mr Wallace?
0:17:44 > 0:17:47- Is there anything I can do to help? - No. No, thank you.
0:17:48 > 0:17:52We can hold the funeral as soon as the police release the body.
0:17:59 > 0:18:04I don't think I have the necessary qualifications to become a butler.
0:18:04 > 0:18:06What did you look for in Mr Wallace?
0:18:07 > 0:18:08He's loyal.
0:18:10 > 0:18:12Bit of a change from being a panel fitter.
0:18:14 > 0:18:17It's all my fault. I...
0:18:17 > 0:18:20I didn't look after my boy, I didn't protect him.
0:18:21 > 0:18:23You can't blame yourself.
0:18:23 > 0:18:27Nobody could have predicted something like this happening.
0:18:27 > 0:18:29Why aren't the police talking to her?
0:18:31 > 0:18:34- You think it's Rosie Everton. Why? - I know how it looks.
0:18:34 > 0:18:37Just me and Wallace in a locked house - but it was her.
0:18:37 > 0:18:40Seems a bit of a stretch...
0:18:40 > 0:18:44- over a talent show. - You don't know what she's like.
0:18:44 > 0:18:47Calls herself a journalist. She's nothing.
0:18:47 > 0:18:50Who gets to 35 and is still sniffing around a local rag?
0:18:50 > 0:18:52I mean, look at this -
0:18:52 > 0:18:56Kembleford's hedge-laying champion, front page news? It's a joke.
0:18:56 > 0:18:59She's just desperate for something to say, the vulture.
0:18:59 > 0:19:03Would she... Would she kill, just to make a headline?
0:19:04 > 0:19:07You don't know how far she'd go to get a story.
0:19:11 > 0:19:12I'm sorry, I'm...
0:19:13 > 0:19:16You must be exhausted.
0:19:16 > 0:19:17I am.
0:19:18 > 0:19:21We'll talk about the eulogy another time.
0:19:33 > 0:19:34It's for you.
0:19:36 > 0:19:41- Goodbye, Father. - Again, my condolences.
0:19:45 > 0:19:46DOOR OPENS
0:19:48 > 0:19:50DOOR SHUTS
0:19:57 > 0:20:00FAINT PIANO PLAYING
0:20:05 > 0:20:07PIANO PIECE FINISHES
0:20:11 > 0:20:13FOOTSTEPS APPROACH WITHIN
0:20:15 > 0:20:18- Hello, Father.- Hello.
0:20:18 > 0:20:21I just wanted to make sure that you knew the concert was going ahead.
0:20:21 > 0:20:23Yes, I'd heard. Thank you.
0:20:25 > 0:20:28- Terrible news, about the boy. - Indeed.
0:20:28 > 0:20:30Robert Twyman thinks you did it.
0:20:30 > 0:20:32SHE LAUGHS
0:20:34 > 0:20:36I think you'd better come inside.
0:20:44 > 0:20:47So, tell me exactly what Robert said.
0:20:49 > 0:20:50He was adamant.
0:20:50 > 0:20:52What, because I was so envious of his son's great talent,
0:20:52 > 0:20:54I shuffled him off(?)
0:20:54 > 0:20:57- Please(!) - Why else would he point the finger?
0:21:04 > 0:21:06You covered the Belcher scandal.
0:21:06 > 0:21:07I did.
0:21:07 > 0:21:10I covered business interest pieces.
0:21:10 > 0:21:12I read that article.
0:21:14 > 0:21:16It was very well-written.
0:21:17 > 0:21:20I won Economics Correspondent Of The Year for it.
0:21:20 > 0:21:24So, why are you writing about hedgerows for the Gazette?
0:21:24 > 0:21:28I just love the local issues - more time to play the piano.
0:21:28 > 0:21:31- And you are a composer, too? - Oh, just tinkering.
0:21:33 > 0:21:36In another life, I could have been a concert pianist.
0:21:36 > 0:21:40Was Robert Twyman the subject of one of your articles?
0:21:40 > 0:21:43- Why would I be interested in him? - You tell me.
0:21:43 > 0:21:45He's a local hero, Father.
0:21:45 > 0:21:48He's a philanthropist, a local luminary -
0:21:48 > 0:21:49he's a good, good man.
0:21:49 > 0:21:54Something tells me that you don't believe that he is.
0:21:54 > 0:21:56There are some men you just don't cross.
0:21:57 > 0:22:00Now, if you'll excuse me, Father, I must rehearse.
0:22:00 > 0:22:01I'll see myself out.
0:22:11 > 0:22:13How long does it take to find a pineapple?
0:22:14 > 0:22:16If you're going to sing in this competition,
0:22:16 > 0:22:18you are going to have to rehearse.
0:22:18 > 0:22:20I can't, until I've had my juice!
0:22:21 > 0:22:24Well, what did Wallace have to say?
0:22:24 > 0:22:25Nothing.
0:22:27 > 0:22:31He had changed his mind about confessing before I arrived.
0:22:31 > 0:22:33Did you know that Lester Wallace
0:22:33 > 0:22:37didn't start out working for Robert Twyman as a butler?
0:22:37 > 0:22:40Before that, he worked in Twyman's aircraft factory.
0:22:40 > 0:22:42Did he?
0:22:42 > 0:22:46If you've got everything, why employ a panel fitter as a butler?
0:22:46 > 0:22:49Well, maybe he just saw the good in the man.
0:22:52 > 0:22:54I think your friend Rosie
0:22:54 > 0:22:56was writing a newspaper article about him
0:22:56 > 0:22:58and I think she was silenced.
0:22:58 > 0:23:00I don't think so.
0:23:00 > 0:23:02Rosie Everton is one of the most formidable women I know.
0:23:02 > 0:23:06I hardly think a man like that could silence a woman like her.
0:23:06 > 0:23:09- Anyway, she was a leading journalist.- Was.
0:23:09 > 0:23:11Well, she chose to pursue the piano.
0:23:11 > 0:23:15Can't begrudge a woman for pursuing her dreams, can you, Father?
0:23:16 > 0:23:17I'm not.
0:23:18 > 0:23:23I'm just suggesting that Robert Twyman may have influenced
0:23:23 > 0:23:24her career change.
0:23:24 > 0:23:26Let me speak to her. I'll see what I can find out.
0:23:26 > 0:23:29- I've known her an awfully long time. - Thank you.
0:23:29 > 0:23:31You are meant to be rehearsing!
0:23:31 > 0:23:36No note shall come out of my mouth until I have my pineapple juice!
0:23:54 > 0:23:56KNOCKS AT DOOR
0:23:57 > 0:23:58Hello?
0:24:06 > 0:24:07Robert?
0:24:14 > 0:24:15SHE SCREAMS
0:24:20 > 0:24:22Can I have my book back now, sir?
0:24:23 > 0:24:28I'm reading the chapter on self-interest, Goodfellow.
0:24:28 > 0:24:30Do you have a problem with sharing?
0:24:30 > 0:24:32- No.- Good.
0:24:32 > 0:24:35Seems like Twyman's bought Wallace an expensive lawyer.
0:24:35 > 0:24:39Doesn't matter. See, there were two people in that house...
0:24:39 > 0:24:40PHONE RINGS
0:24:40 > 0:24:43..Wallace and Twyman.
0:24:43 > 0:24:46And Twyman has no motive.
0:24:46 > 0:24:48Kembleford Police.
0:24:48 > 0:24:52I don't need to read this book to know what a murderer looks like -
0:24:52 > 0:24:55and our murderer looks like Wallace.
0:24:55 > 0:24:56Sir?
0:24:57 > 0:24:59Lady Felicia.
0:25:02 > 0:25:04Hello.
0:25:11 > 0:25:15What were you doing in Rosie Everton's house, Mr Twyman?
0:25:17 > 0:25:18Did you argue?
0:25:21 > 0:25:24Then, how come she ended up dead, Mr Twyman?
0:25:24 > 0:25:25I don't know.
0:25:28 > 0:25:32Did you kill Rosie Everton and did you kill your son, too?
0:25:34 > 0:25:36- I had a dream...- Speak up!
0:25:37 > 0:25:39I had a dream that I did.
0:25:41 > 0:25:43A dream?
0:25:43 > 0:25:46KNOCKS AT DOOR DOOR OPENS
0:25:46 > 0:25:48Father Brown, for Mr Twyman.
0:25:50 > 0:25:52Fine.
0:25:53 > 0:25:55Get me the shrink.
0:26:01 > 0:26:03- She was just lying there.- When?
0:26:05 > 0:26:07When I woke up.
0:26:09 > 0:26:11I knocked...
0:26:11 > 0:26:14She was playing the piano, she couldn't hear, so I went in...
0:26:15 > 0:26:18..and the next thing I remember is...
0:26:21 > 0:26:22..she's dead.
0:26:25 > 0:26:27She died while playing the piano?
0:26:29 > 0:26:30How can I not remember?
0:26:32 > 0:26:34You received a letter, when I left.
0:26:37 > 0:26:39- Yes.- What did it say?
0:26:41 > 0:26:45"If you don't confess, you will die today."
0:26:45 > 0:26:46Confess to what?
0:26:49 > 0:26:51Who's threatening you?
0:26:51 > 0:26:53Her. She was.
0:26:54 > 0:26:56That's why I went to confront her.
0:26:57 > 0:27:01Was Rosie Everton writing a newspaper article about you?
0:27:04 > 0:27:06How can I not remember killing my son?
0:27:09 > 0:27:11How, indeed.
0:27:15 > 0:27:18- Dr Jackson.- Ah. I came as quickly as I could.
0:27:18 > 0:27:20We've caught our killer.
0:27:20 > 0:27:21Who is it?
0:27:21 > 0:27:23Robert Twyman.
0:27:23 > 0:27:26Robert Twyman killed his own son?
0:27:26 > 0:27:28And he's just killed someone else.
0:27:30 > 0:27:33- Who?- Rosie Everton, a local journalist -
0:27:33 > 0:27:35killed at her piano.
0:27:35 > 0:27:36Oh, my dear Lord!
0:27:38 > 0:27:41- Did you know Rosie? - No, no, I didn't.
0:27:41 > 0:27:43The man's completely lost his head.
0:27:43 > 0:27:46I'm going to need you to screw it back on,
0:27:46 > 0:27:48so he can start giving answers.
0:27:48 > 0:27:50What if he doesn't know the answers?
0:27:50 > 0:27:54We caught him red-handed, Padre. He did it.
0:27:54 > 0:27:55Yes, but why?
0:27:57 > 0:28:00Inspector, I think you need to keep an eye on him.
0:28:01 > 0:28:03I believe his life is in danger.
0:28:03 > 0:28:06What are you talking about?
0:28:06 > 0:28:10He received a letter, threatening his life.
0:28:10 > 0:28:12So, he's going to be murdered, as well?
0:28:12 > 0:28:14Apparently so.
0:28:14 > 0:28:16Wouldn't it be better to err on the side of caution?
0:28:16 > 0:28:19Unless the murderer wants to break into a police station,
0:28:19 > 0:28:21I think he'll be safe for now. Dr Jackson?
0:28:23 > 0:28:24Off you pop, Padre.
0:29:00 > 0:29:02DOOR SHUTS
0:29:38 > 0:29:41- I've come to a decision. - Oh, here we go.
0:29:41 > 0:29:43I've decided not to sing.
0:29:43 > 0:29:45Rosie was a dear friend
0:29:45 > 0:29:49and it feels disrespectful to sing in her absence.
0:29:49 > 0:29:52But that's three performers out of the running!
0:29:52 > 0:29:55At this rate, all we'll be left with will be Mungo Hooter!
0:29:55 > 0:29:57I'm afraid that's my final decision.
0:29:57 > 0:29:59- DOOR OPENS - A-ha!
0:30:02 > 0:30:05- I've got it!- Well, she's only gone and thrown in the towel.
0:30:05 > 0:30:08Whoa, whoa! I've been halfway to Hereford for this thing.
0:30:08 > 0:30:10Now you're telling me you don't want it?
0:30:10 > 0:30:13Well, my voice is ruined by screaming, anyway.
0:30:13 > 0:30:16There is nothing wrong with your throat.
0:30:16 > 0:30:18This is about what happened last night, isn't it?
0:30:18 > 0:30:21You are scared of making a fool of yourself...again.
0:30:21 > 0:30:23- No, I'm not.- Yes, you are.
0:30:27 > 0:30:29- Bring it back when it's pulped. - When it's what?
0:30:29 > 0:30:31Extract the juice, Sidney.
0:30:48 > 0:30:52I'm afraid Robert is a deeply-disturbed man.
0:30:53 > 0:30:57It's quite clear he's collapsing into himself.
0:30:58 > 0:31:00Well, what do you suggest?
0:31:02 > 0:31:06Well, there is a method in my book I've explored, but it's a long shot.
0:31:07 > 0:31:11We need to calm him, bring him back around.
0:31:13 > 0:31:17I have conducted several experiments that demonstrate that classical music
0:31:17 > 0:31:21can draw a patient with this kind of psychiatric collapse
0:31:21 > 0:31:23back into cogency.
0:31:25 > 0:31:27It might just be enough for a confession.
0:31:29 > 0:31:31What do you need for it?
0:31:31 > 0:31:34A simple record player should do.
0:31:34 > 0:31:36I could have one brought over.
0:31:36 > 0:31:41I know it's unorthodox, but I think it's worth a shot.
0:31:41 > 0:31:43What do we have to lose?
0:31:49 > 0:31:52- I can't believe he killed his son. - Neither can I.
0:31:53 > 0:31:56I think you two were working together.
0:31:56 > 0:31:58I think you were going to confess and he got to you
0:31:58 > 0:32:00and convinced you to keep quiet.
0:32:00 > 0:32:02What I don't understand is,
0:32:02 > 0:32:04why were you sending the letters?
0:32:04 > 0:32:06I didn't send the letters.
0:32:07 > 0:32:10I think I know why Robert killed Rosie,
0:32:10 > 0:32:13but perhaps you can help me to understand why you killed Calvin.
0:32:13 > 0:32:15I didn't kill Calvin!
0:32:17 > 0:32:18I can only assume...
0:32:20 > 0:32:22..that it was because of the aircraft.
0:32:29 > 0:32:32Rosie Everton may have been sacked from the broadsheets,
0:32:32 > 0:32:34but she was a brilliant journalist.
0:32:34 > 0:32:38Brilliant journalists don't need to break the Official Secrets Act
0:32:38 > 0:32:39to get their stories.
0:32:39 > 0:32:42That's hardly a crime, compared with what you and Robert did.
0:32:42 > 0:32:46- We were found innocent. - No, you weren't convicted.
0:32:49 > 0:32:52You knew you were fitting faulty parts.
0:32:52 > 0:32:55But you put profit over safety.
0:32:57 > 0:32:59When did Calvin find out?
0:32:59 > 0:33:00I... I don't think he did.
0:33:02 > 0:33:04- Then, why kill him?- I didn't!
0:33:04 > 0:33:07Only you and Robert were in the house.
0:33:07 > 0:33:09The door was locked from the inside.
0:33:12 > 0:33:15We weren't the only ones here. But it can't have been her.
0:33:16 > 0:33:19- Rosie Everton. - 'She was only here a few minutes.'
0:33:22 > 0:33:25'After I'd locked up the house, I cooked the Twymans their dinner.
0:33:25 > 0:33:27'Whilst they were eating, I led her in.
0:33:27 > 0:33:29'She copied it down and left.'
0:33:29 > 0:33:31She copied the music?
0:33:32 > 0:33:34Why did you let her in?
0:33:34 > 0:33:36I wanted to keep her on our side.
0:33:36 > 0:33:40She might have lost her job, but she still knew our secrets.
0:33:40 > 0:33:43Calvin had been promised he'd be told in advance
0:33:43 > 0:33:46what the head judges' favourite piece of music was.
0:33:46 > 0:33:48He was a deeply-unpleasant boy.
0:33:48 > 0:33:52I thought she might like to know in advance what advantage he had.
0:33:52 > 0:33:56- So, I invited her over.- How was Calvin promised the inside track?
0:33:56 > 0:33:59The head judge is one of Dr Jackson's patients.
0:33:59 > 0:34:02The man knows everyone. Said he'd just call and ask.
0:34:03 > 0:34:06APPLAUSE
0:34:07 > 0:34:11Welcome to the Kembleford Variety Show.
0:34:11 > 0:34:14Due to certain tragic circumstances,
0:34:14 > 0:34:16there are some changes in the programme,
0:34:16 > 0:34:21but as we say, the show must go on!
0:34:21 > 0:34:24So, without further ado, would you please welcome...
0:34:24 > 0:34:28- Is that it? - Big fruit, not a lot of juice.
0:34:28 > 0:34:31..Mungo Hooter and his six shooter! GUNSHOTS
0:34:34 > 0:34:35KNOCKS AT DOOR
0:34:39 > 0:34:42- Do you have a moment, Doctor? - Of course.
0:34:47 > 0:34:48May I?
0:34:48 > 0:34:50Please.
0:34:54 > 0:34:57Ooh! Knees.
0:34:57 > 0:34:59Not your speciality, I know.
0:35:07 > 0:35:09I read your book from cover to cover.
0:35:12 > 0:35:17The other day, I was trying to remember my father's face
0:35:17 > 0:35:20and you wrote that I should remember in context,
0:35:20 > 0:35:23so I thought of a favourite hymn of his -
0:35:23 > 0:35:24and there he was.
0:35:25 > 0:35:27As clear as day.
0:35:27 > 0:35:29I'm glad you found it therapeutic.
0:35:29 > 0:35:32I admire your work.
0:35:32 > 0:35:36I admire the methods you use to treat vulnerable minds.
0:35:36 > 0:35:37Thank you.
0:35:37 > 0:35:42But I am troubled that you might be using your methods for ill.
0:35:42 > 0:35:46I apologise again, if I embarrassed your friend.
0:35:46 > 0:35:48I'm not talking about Lady Felicia.
0:35:50 > 0:35:52I'm talking about Robert Twyman.
0:35:52 > 0:35:55I believe that you put the weapon into his hands.
0:35:56 > 0:35:58What do you mean?
0:35:58 > 0:36:00I'm not suggesting that you committed the murders.
0:36:02 > 0:36:04I am suggesting that you are responsible.
0:36:06 > 0:36:07How?
0:36:10 > 0:36:11Hypnotism.
0:36:13 > 0:36:16You cover it in great detail - chapter nine.
0:36:18 > 0:36:22# Dear Lord and Father of mankind
0:36:22 > 0:36:25# Forgive our foolish ways. #
0:36:27 > 0:36:28And there he is...
0:36:30 > 0:36:31..my old dad.
0:36:32 > 0:36:37Just that melody connects me to such a clear vision -
0:36:37 > 0:36:38and that's it, isn't it?
0:36:41 > 0:36:42Music is the murder weapon.
0:36:42 > 0:36:44CALVIN PLAYS CHOPIN
0:36:44 > 0:36:47Calvin died because you sent him music,
0:36:47 > 0:36:51- with the promise that it would win the competition. - CALVIN CHOKES
0:36:51 > 0:36:54You knew he would practise it in front of his father.
0:36:54 > 0:36:56And that...
0:36:57 > 0:36:58..would trigger his murder.
0:36:59 > 0:37:01But what you couldn't know
0:37:01 > 0:37:04is that Rosie Everton would copy the music...
0:37:04 > 0:37:05ROSIE PLAYS CHOPIN
0:37:05 > 0:37:07..and would be playing it
0:37:07 > 0:37:11when Robert Twyman visited her this morning.
0:37:12 > 0:37:15Both of them were murdered because you had hypnotised Robert to kill
0:37:15 > 0:37:18when he heard that particular piece of music.
0:37:21 > 0:37:23And why would I do such a thing?
0:37:23 > 0:37:24Vengeance.
0:37:26 > 0:37:29Did Rosie come to you with the information
0:37:29 > 0:37:31she had about the cover-up?
0:37:31 > 0:37:33I...don't follow.
0:37:33 > 0:37:36Perhaps because she knew that your son had died
0:37:36 > 0:37:39at the controls of one of Twyman's faulty aircraft.
0:37:41 > 0:37:42Is that your son?
0:37:46 > 0:37:49I don't believe you're in Kembleford to write a book.
0:37:49 > 0:37:53I think you are here to exact revenge on Robert Twyman.
0:37:54 > 0:37:57You sent him letters to unsettle him
0:37:57 > 0:38:00and you dangled your services in front of him,
0:38:00 > 0:38:03pretending that you could give him some peace.
0:38:05 > 0:38:08But why toy with him?
0:38:08 > 0:38:09Why not just expose him?
0:38:10 > 0:38:12I wanted him to confess.
0:38:13 > 0:38:16To feel the pain of what it's like to lose your own son.
0:38:16 > 0:38:19And how do you feel about Rosie's death?
0:38:21 > 0:38:24She did her best to get justice for your son.
0:38:24 > 0:38:27She lost her job, then she lost her life.
0:38:27 > 0:38:29I... I'm sorry about that.
0:38:31 > 0:38:33Then, confess.
0:38:33 > 0:38:35He's the one that has to confess.
0:38:35 > 0:38:37That's between him and God.
0:38:37 > 0:38:40Vengeance doesn't bring peace.
0:38:42 > 0:38:44Then...what does?
0:38:47 > 0:38:49Forgiveness.
0:38:49 > 0:38:50I fear it may be too late.
0:38:54 > 0:38:55What do you mean?
0:38:58 > 0:39:00The music...
0:39:04 > 0:39:06Well, let's hope this does the trick.
0:39:10 > 0:39:13MUSIC: Nocturne in B-Flat Minor by Frederic Chopin
0:39:17 > 0:39:19Goodfellow, turn it up.
0:39:32 > 0:39:34- Sgt Goodfellow!- What?
0:39:34 > 0:39:37- Turn it off! - Why?- Turn the music off!
0:39:37 > 0:39:39MUSIC STOPS
0:39:39 > 0:39:41What's going on?
0:39:41 > 0:39:42- Padre!- Robert?
0:39:43 > 0:39:45MUSIC RESUMES
0:39:45 > 0:39:46Robert!
0:39:51 > 0:39:53Mr Twyman!
0:39:53 > 0:39:55Stop, Mr Twyman!
0:39:56 > 0:39:58Sgt Goodfellow, turn it off!
0:39:58 > 0:40:01- Please!- Goodfellow!
0:40:01 > 0:40:02MUSIC STOPS
0:40:06 > 0:40:08What the hell is going on?
0:40:10 > 0:40:11LAUGHTER
0:40:13 > 0:40:14- You're on next.- I can't do it.
0:40:14 > 0:40:17There is nothing wrong with your throat.
0:40:17 > 0:40:21I know. But that awful man was right.
0:40:21 > 0:40:23I do just sing for attention.
0:40:23 > 0:40:25- And?- I should sing for myself.
0:40:25 > 0:40:27Well, go out there and do it.
0:40:27 > 0:40:29But what if I can't?
0:40:29 > 0:40:33Lady Felicia, I really hate to be the person to tell you this,
0:40:33 > 0:40:37but you have one of the most beautiful voices I have ever heard.
0:40:37 > 0:40:40Oh. Really?
0:40:40 > 0:40:45Really. So, go out there and do us proud.
0:40:45 > 0:40:46GUNSHOT
0:40:46 > 0:40:47He-hey!
0:41:01 > 0:41:04Doctor. Sorry to interrupt.
0:41:04 > 0:41:08- Have you got a minute? - Er, not really. Needed in London.
0:41:08 > 0:41:09What a shame.
0:41:09 > 0:41:13We were enjoying getting to know you, weren't we, Goodfellow?
0:41:13 > 0:41:14Can't be helped.
0:41:14 > 0:41:18Before you go, would you mind coming in and talking to us
0:41:18 > 0:41:21about the murders of Calvin Twyman and Rosie Everton?
0:41:21 > 0:41:25We'd like to hear a psychoanalyst's view on the matter.
0:41:25 > 0:41:27Of course. I'll follow you in my car.
0:41:27 > 0:41:29No.
0:41:29 > 0:41:30Let me give you a ride.
0:41:32 > 0:41:34By the way, that music you gave us
0:41:34 > 0:41:38didn't quite have the soothing effect one might expect.
0:41:39 > 0:41:40Oh, dear.
0:41:40 > 0:41:43But it certainly helped Robert open up.
0:41:43 > 0:41:45He's singing like a canary.
0:41:47 > 0:41:50With me, Doctor.
0:41:50 > 0:41:51This way, sir.
0:41:56 > 0:41:58CHEERING AND APPLAUSE
0:41:58 > 0:42:01Mungo Hooter, ladies and gentlemen.
0:42:03 > 0:42:08And now, for our next act, Lady Felicia Montague.
0:42:08 > 0:42:10APPLAUSE MUSICAL CUE
0:42:10 > 0:42:12That's your cue.
0:42:14 > 0:42:15Go on, milady!
0:42:24 > 0:42:26Sorry, er...
0:42:26 > 0:42:28Can you start again, please?
0:42:29 > 0:42:31MUSICAL CUE REPEATS
0:42:44 > 0:42:46MUSIC STOPS
0:42:49 > 0:42:51Yes...
0:42:51 > 0:42:53I forgot to mention,
0:42:53 > 0:42:57this is a duet! MUSICAL CUE REPEATS
0:43:05 > 0:43:07# That certain night
0:43:07 > 0:43:10# The night we met
0:43:10 > 0:43:14# There was magic abroad in the air
0:43:15 > 0:43:21# There were angels dining at the Ritz
0:43:21 > 0:43:24# And a nightingale sang
0:43:24 > 0:43:28# In Berkeley Square. #