0:00:02 > 0:00:03- Andy!- Get up, pig!
0:00:03 > 0:00:06- HE GROANS - We kicked the shit out of him.
0:00:06 > 0:00:07You haven't got the balls.
0:00:09 > 0:00:12- He's admitted to finding Finch dead. - Did he see anyone?
0:00:12 > 0:00:15- He went, "No comment". - I'll be in touch.
0:00:15 > 0:00:17'You murdering bastard!'
0:00:17 > 0:00:20Cassie! You look nice.
0:00:20 > 0:00:25I have a life and I like it, I don't need you in it.
0:00:25 > 0:00:28I know where you live, I know where your bird lives.
0:00:28 > 0:00:30I'm worried about you.
0:00:30 > 0:00:33You think about being a copper locked up.
0:00:33 > 0:00:36- I'm heading home, why? - Let's meet there in an hour.
0:00:36 > 0:00:39Argh! I haven't told anyone. I swear to God!
0:00:39 > 0:00:41GUNSHOT
0:00:41 > 0:00:49This programme contains some strong language and scenes which some viewers may find upsetting.
0:01:12 > 0:01:17Andy Stockwell was more than a colleague, more than a friend,
0:01:17 > 0:01:20to me he was the perfect copper.
0:01:20 > 0:01:25Taking everything in his stride... everyone at face value.
0:01:26 > 0:01:30No sides, no agendas, no preconceptions.
0:01:45 > 0:01:47LAUGHTER AND CHATTER
0:01:58 > 0:02:03Remember, whatever notes you put on the back of the forms, you duplicate in your notebooks.
0:02:03 > 0:02:05A bit of attention, a bit of hush.
0:02:08 > 0:02:10OK.
0:02:10 > 0:02:13Callum Rose. Callum Rose. Callum Rose.
0:02:13 > 0:02:18Beaten. Shot dead. Executed.
0:02:18 > 0:02:20Take a good look.
0:02:20 > 0:02:2336 years of age.
0:02:23 > 0:02:27Yes, he was known to us. Yes, he was an associate of Noel Finch,
0:02:27 > 0:02:34and therefore, yes, he may or may not have taken part in the murder of police constable Andy Stockwell.
0:02:34 > 0:02:37That doesn't mean we do nothing.
0:02:37 > 0:02:41Doesn't mean we sit here, rejoice and treat his murder like a non-event.
0:02:44 > 0:02:51We cannot...we do not tolerate gobshites who think that putting a bullet into somebody's head
0:02:51 > 0:02:53is in some way acceptable.
0:02:53 > 0:02:55What, even if that person's another gobshite, sir?
0:02:55 > 0:02:59That's right, Mr Davenport, at best that would be unprofessional, would it not?
0:02:59 > 0:03:04- Correct, sir.- Right, your sergeant has given you the questionnaires,
0:03:04 > 0:03:10they are important, they must be completed, but they are NOT your bible.
0:03:10 > 0:03:15If you think an answer or a comment is worth pursuing, then pursue it.
0:03:15 > 0:03:16Any questions?
0:03:16 > 0:03:22Sir, you said Callum Rose was an associate of Noel Finch, who was also shot.
0:03:22 > 0:03:24No, we're not linking the two murders, not yet.
0:03:24 > 0:03:27- Well, was it the same gun? - No comment.
0:03:27 > 0:03:31- Is that a yes?- No. That's an I know but you don't need to.
0:03:31 > 0:03:38Anyone else? Good. Thank you. Be thorough, be professional.
0:03:40 > 0:03:43How come you never tell us to be professional, Sarge?
0:03:43 > 0:03:45Cos I know you're never anything but, Philip.
0:03:45 > 0:03:48- Are you being facetious, Sarge? - You tell me.
0:03:50 > 0:03:54- Any joy with Cassandra? - No, nothing. Nada.
0:03:54 > 0:03:58Write a letter. I mean it. Letters are kept.
0:04:18 > 0:04:21Sav, let's do our job, shall we?
0:04:25 > 0:04:28POLICE RADIO CRACKLES
0:04:28 > 0:04:31Who's Cassandra? That's a nice name.
0:04:32 > 0:04:36She's an ex, I suppose. A long time ago.
0:04:36 > 0:04:40Oh! Is she trying to play hard to get back?
0:04:40 > 0:04:43She's exercising her right to blank me.
0:05:08 > 0:05:10Sav?
0:05:10 > 0:05:12Ten seconds.
0:05:40 > 0:05:41It's brutal!
0:05:44 > 0:05:47It's getting a bit claustrophobic in here.
0:05:54 > 0:05:56- How old are you, Mr Frazier?- 46.
0:05:56 > 0:05:59- A hard life.- How tall are you?
0:05:59 > 0:06:04- 5'8" in the winter. Why? - It's elimination. Do you live alone?
0:06:04 > 0:06:07It's worse than that, I've got a cat somewhere.
0:06:07 > 0:06:11- Do you like cats? - I don't mind.
0:06:11 > 0:06:14Bastards they are, selfish.
0:06:14 > 0:06:17- Can I make a cup of tea? - No, we're fine.
0:06:17 > 0:06:21No, can I make myself a cup of tea?
0:06:21 > 0:06:27He didn't play much music, but when he did it was loud, kinda bass heavy, know what I mean?
0:06:27 > 0:06:32- What time was this? - I'd just got in from work, so it was just before one.
0:06:32 > 0:06:37I was going to bang on my floor, his ceiling, when it all went quiet.
0:06:38 > 0:06:41And then what?
0:06:41 > 0:06:46Well, nothing. I could lower the telly. What was he in to?
0:06:46 > 0:06:47You heard or saw nothing else?
0:06:47 > 0:06:51I heard the front door go, the front door to the building.
0:06:51 > 0:06:54Looked out the window and saw some guy walking away.
0:06:54 > 0:06:59- Can you describe this guy? - Dark clothing. That's it.
0:06:59 > 0:07:02- How tall was he? - I've no idea.
0:07:02 > 0:07:05Was he...taller than me? Smaller than me?
0:07:05 > 0:07:10I don't know. Taller. I've no idea.
0:07:10 > 0:07:13Was he white, black, Asian?
0:07:13 > 0:07:16He was wearing a hat, I can tell you that much.
0:07:16 > 0:07:18What kind of hat?
0:07:18 > 0:07:20A black, woolly-type hat.
0:07:20 > 0:07:25Well, he was white. I've just saw him, mind's eye. He was white.
0:07:25 > 0:07:28Anything else? What was his build?
0:07:28 > 0:07:31Normal. Medium. Average. Take your pick.
0:07:31 > 0:07:33Was he your killer?
0:07:33 > 0:07:38- We don't know. - Oh...trainers.
0:07:38 > 0:07:42Trainers, yeah. He was wearing...trainers with white edges to the soles.
0:07:42 > 0:07:46You've... not spoken to our detectives?
0:07:46 > 0:07:49- No, no-one.- Then, just tell them what you told us.
0:07:49 > 0:07:54If you can't describe this man, then don't even try, just say what you know.
0:07:54 > 0:07:57What you have given us is a time. Thank you.
0:07:57 > 0:08:00- I'm trying to see his face, I can't. - Then that's what you say.
0:08:00 > 0:08:03What we don't want is the wrong information. OK?
0:08:04 > 0:08:09Erm...our numbers... in case you remember anything else.
0:08:13 > 0:08:15Thanks very much for your time.
0:08:18 > 0:08:19Excuse me! Excuse me!
0:08:19 > 0:08:22I'm sorry but I think there's someone hiding in my shop.
0:08:22 > 0:08:24There's a room upstairs and I heard a noise.
0:08:24 > 0:08:26POLICE RADIO CRACKLES
0:08:46 > 0:08:50- What's through there? - Toilet, wash basin.
0:08:53 > 0:08:55Oh, my God! It only locks from the inside.
0:08:57 > 0:09:00TAPPING
0:09:00 > 0:09:02Hello. Police. Would you like to come out?
0:09:02 > 0:09:05- Hello! - KNOCKING
0:09:05 > 0:09:08I really don't want to force the door, so could you open up, please?
0:09:12 > 0:09:15Oh, my God! What the bloody hell are you doing here?!
0:09:15 > 0:09:17- I have to sleep somewhere. - You know each other?
0:09:17 > 0:09:19- I want him out. - Whose name's on the lease?
0:09:19 > 0:09:22- Who shags the hired help?- I'll tell you both what's going to happen.
0:09:22 > 0:09:26- Miss?- Emma. - If you'd like to go back downstairs with Constable Morgan.
0:09:26 > 0:09:29Sir, if you'd like to put your point of view to me.
0:09:29 > 0:09:32- I want him out of here. - Emma, don't say another word, it won't help.
0:09:32 > 0:09:35- Just so long as you know, I want him out.- She said not another word!
0:09:35 > 0:09:36Swivel!
0:09:40 > 0:09:42I'm not leaving.
0:09:42 > 0:09:46And I don't want to sound confrontational, but you can't make me. I'm going nowhere.
0:09:46 > 0:09:48OK.
0:09:48 > 0:09:50I'm John Paul.
0:09:50 > 0:09:53Bradley...Pearson.
0:09:55 > 0:10:00How long have you been staying here...above the shop?
0:10:00 > 0:10:02Three nights.
0:10:08 > 0:10:11- You were here last night?- Yeah.
0:10:11 > 0:10:14- All night?- All night.
0:10:17 > 0:10:20We're in this street making door-to-door enquiries.
0:10:20 > 0:10:25Some guy was shot just across the road. Sometime after ten.
0:10:25 > 0:10:30- It wasn't me. - Did you see anyone? Hear anything?
0:10:30 > 0:10:33- No.- Do you want to think about that? It's important.
0:10:33 > 0:10:36It's got nothing to do with me! And this has got nothing to do with you!
0:10:36 > 0:10:39This is my shop! I've got every right to be here!
0:10:39 > 0:10:42Still, I would like you to take a moment and think.
0:10:42 > 0:10:45Did you see anyone last night in that street? Anyone at all?
0:10:45 > 0:10:49I don't want to take a moment. With respect, I want you out of here!
0:10:49 > 0:10:51- Morgan:- 'Sav?' - Yeah?
0:10:51 > 0:10:54'She's on the phone arranging to change the locks.'
0:10:54 > 0:10:55For God's sake, Emma!
0:10:55 > 0:10:59- Don't you ever take a step back! - Shouting and screaming isn't going to help.
0:10:59 > 0:11:02- We'll talk to her.- I'm sick of it! I'm sick of her! I'm sick of it!
0:11:02 > 0:11:04- Bradley don't! - What's going on?
0:11:04 > 0:11:09- He took exception to changing the locks.- Just...
0:11:09 > 0:11:10POLICE RADIO
0:11:19 > 0:11:2330 minute break and no more, then we get on with our proper job.
0:11:23 > 0:11:27- Why only 30, Sarge? I need to eat. - Because we're busy and crime won't crack itself.
0:11:39 > 0:11:41No, no, no! No! No!
0:11:41 > 0:11:42No!
0:11:42 > 0:11:44No!
0:11:44 > 0:11:46TV PLAYS LOUDLY
0:11:46 > 0:11:48'Tomorrow will be mainly clear skies...'
0:11:48 > 0:11:49No!
0:12:03 > 0:12:06'The outlook for the weekend is a little brighter,
0:12:06 > 0:12:08- 'with temperatures...' - DOOR SLAMS
0:12:08 > 0:12:12HE SWITCHES TV OFF
0:12:49 > 0:12:51Do you mind if I step inside, Bradley?
0:12:55 > 0:13:01- How are you feeling? - Is she happy now?
0:13:02 > 0:13:04Did she change the locks?
0:13:04 > 0:13:09I think so, yeah. Sorry about that.
0:13:09 > 0:13:12Regarding your arrest, you won't be charged.
0:13:12 > 0:13:15- You'll be cautioned and released. - I won't be cos there's nothing to charge me with.
0:13:15 > 0:13:18It WAS my bathroom.
0:13:25 > 0:13:29I'd like you to think a little bit harder about last night.
0:13:29 > 0:13:32- Bradley, will you look at me, please?- I saw nothing!
0:13:32 > 0:13:34You had fresh food and drink.
0:13:34 > 0:13:37You must have left the flat to buy it. Keep looking at me!
0:13:37 > 0:13:41What time did you leave the flat? What time last night?
0:13:41 > 0:13:44Between 12 and 1.
0:13:44 > 0:13:48Do you remember seeing anything in the street, anyone?
0:13:48 > 0:13:52I practically bumped into some guy.
0:13:52 > 0:13:57- This is between 12 and 1, yeah? - Yeah. Outside the shop. Our shop.
0:13:57 > 0:14:01Do you remember what this guy looked like?
0:14:01 > 0:14:03Can you remember anything about him at all?
0:14:03 > 0:14:07- Keep looking at me!- The only face I can see is you! Your face!
0:14:07 > 0:14:09You keep telling me to look at you!
0:14:09 > 0:14:13- It's not helping? - No, it's not helping! I'm tired!
0:14:19 > 0:14:21And for the record...
0:14:23 > 0:14:26..I didn't shag the hired help.
0:14:26 > 0:14:29I kissed the hired help. Is that the same?
0:14:29 > 0:14:34Is it worse? And suddenly it's all over.
0:14:36 > 0:14:40If she won't listen, maybe you could write a letter.
0:14:40 > 0:14:44Letters are kept, re-read.
0:14:45 > 0:14:49I haven't seen my boy for ten days.
0:14:49 > 0:14:53Do you know how long ten days is in a kid's life?
0:14:53 > 0:14:55A long time.
0:14:59 > 0:15:02Keep thinking about that face.
0:15:02 > 0:15:05But not this face.
0:16:02 > 0:16:03What?
0:16:10 > 0:16:11What?
0:16:16 > 0:16:19I hope you're not upsetting my prisoner.
0:16:21 > 0:16:23- Where did you find him?- We didn't.
0:16:23 > 0:16:26He found us. He gave himself up.
0:16:26 > 0:16:29With his mates being shot, he seems genuinely scared.
0:16:29 > 0:16:31Yeah, but you are going to charge him?
0:16:31 > 0:16:33- Sav, it's early days. - He was there.
0:16:33 > 0:16:36Yes, and he's been formally arrested for it. On suspicion.
0:16:36 > 0:16:39Costello wants to hear what he's got to say, that's all.
0:16:39 > 0:16:42With a view to what? He can't deal.
0:16:42 > 0:16:43He hasn't said a word yet.
0:16:43 > 0:16:46Once you're finished, can I see the tapes?
0:16:46 > 0:16:49Costello's call, mate. Not mine.
0:17:00 > 0:17:03I've just given Bradley Pearson a cup of tea.
0:17:03 > 0:17:07He's still got nothing to say. Anyone else find a witness?
0:17:07 > 0:17:10- Nothing.- You going to write it up?
0:17:10 > 0:17:13SHE SCOFFS Why me? Pearson spoke to you.
0:17:13 > 0:17:14You need the practice.
0:17:14 > 0:17:18- Hey, I was saving that until last! - It's all right, Amanda.
0:17:18 > 0:17:20You can share my biscuit if you want.
0:17:20 > 0:17:23We can start at both ends, work our way into the middle.
0:17:23 > 0:17:26- Oh, Philly! You are gross! - What?
0:17:39 > 0:17:44- Can you state your name clearly, please?- Jonathan Joseph Heinz.
0:17:46 > 0:17:50Can you identify the men in this picture, please?
0:17:50 > 0:17:52Yeah.
0:17:52 > 0:17:53Well, that's me.
0:17:53 > 0:17:58Cal Rose, Noel Finch...
0:17:58 > 0:18:01They're just two guys I met on the day.
0:18:01 > 0:18:03Nathan and Pally.
0:18:03 > 0:18:07After the diner, we went to two or three more bars.
0:18:07 > 0:18:10VOICES CONTINUE
0:18:14 > 0:18:18That was where I bailed, or just after.
0:18:18 > 0:18:20Where's home?
0:18:20 > 0:18:23That night, it was my girlfriend's house. 29 Keenan Avenue.
0:18:23 > 0:18:25I don't know.
0:18:25 > 0:18:27Watched telly, went to bed.
0:18:27 > 0:18:31Did you leave the house at all that night?
0:18:31 > 0:18:34No, I didn't.
0:18:34 > 0:18:35Did you at any time that night
0:18:35 > 0:18:39go to Noel Finch's rented accommodation on 17 Hadley Road?
0:18:39 > 0:18:42No. I. Did. Not.
0:18:45 > 0:18:48Look, I swear on my baby's life,
0:18:48 > 0:18:52I had nothing whatsoever to do with it.
0:18:53 > 0:18:57Let's talk about what happened before you went to the All-American Diner.
0:18:57 > 0:19:01- Why were you there? - Because I got a phone call from Cal.
0:19:01 > 0:19:04Do I fancy a beer?
0:19:04 > 0:19:06Him and Noel had been on it all day.
0:19:06 > 0:19:09Any reason why?
0:19:09 > 0:19:12A big payday.
0:19:12 > 0:19:14Cal told me he'd just earned 10K.
0:19:14 > 0:19:17Doing what?
0:19:17 > 0:19:21He said for carrying boxes out of a dead man's flat.
0:19:21 > 0:19:23Who was the dead man?
0:19:23 > 0:19:25Let's get one thing straight.
0:19:25 > 0:19:28I can tell you things.
0:19:28 > 0:19:31But it's all off the record, know what I'm saying?
0:19:31 > 0:19:34I'm not here to give evidence.
0:19:34 > 0:19:37I just want to get out of town and not be looking over my shoulder.
0:19:37 > 0:19:42So how did Finch and Rose earn the money?
0:19:42 > 0:19:44Who were they working for? Who was their contact?
0:19:44 > 0:19:47RADIO: 'Alpha two to Sav. Five minutes. Where are you?'
0:19:47 > 0:19:50On my way.
0:19:50 > 0:19:53He's telling lies, by the way. Great big bastard lies.
0:19:53 > 0:19:56Just so you know.
0:19:56 > 0:19:58What's in it for me if I tell you?
0:19:58 > 0:20:02We're going round and round here, aren't we?
0:20:02 > 0:20:04How long has he been standing there?
0:20:06 > 0:20:09Do you know what MIT are doing? They're busy doing deals.
0:20:09 > 0:20:12They're having wet dreams about Noel Finch and Callum Rose
0:20:12 > 0:20:15having big-time connections. They've forgotten all about Andy.
0:20:15 > 0:20:19- It's not true. It can't be true. - I've just been listening to them.
0:20:19 > 0:20:20Talking to that bastard Heinz.
0:20:20 > 0:20:24RADIO: 'Lima One to all units. Reported two men attacking
0:20:24 > 0:20:26'an occupied car at the Queen's Dock Retail Park.'
0:20:26 > 0:20:28Thank God for that. Something to do.
0:20:28 > 0:20:33Lima One, Lima One, this is Alpha Two-One responding. Over.
0:20:33 > 0:20:36POLICE SIRENS BLARE
0:20:36 > 0:20:39Get out the way! Alpha Two-One are coming through!
0:21:01 > 0:21:04Amanda, check on the driver.
0:21:04 > 0:21:06Excuse me, sir. You OK? Can you open the door for me, please?
0:21:09 > 0:21:11OK, OK! I stopped, I stopped!
0:21:11 > 0:21:14- Hands behind your back. - I'm not sorry.
0:21:14 > 0:21:17He deserved it. All of it! All of it!
0:21:19 > 0:21:21What does he need an ambulance for?
0:21:21 > 0:21:22We only hit his car.
0:21:24 > 0:21:28- How long has he been seeing your daughter?- She's a child, she's 14.
0:21:28 > 0:21:31Full of hormones. He's a grown hairy-arsed man
0:21:31 > 0:21:34with a nice shiny car.
0:21:34 > 0:21:35How long, do you know?
0:21:35 > 0:21:38Two months, as far as I know.
0:21:40 > 0:21:42Difficult question for you now, sir.
0:21:42 > 0:21:43Are they sleeping together?
0:21:46 > 0:21:49I don't know. Don't even want to think about it.
0:21:51 > 0:21:53Thank you, sir.
0:21:57 > 0:21:59- What have we got? - His name's Adam Reilly.
0:21:59 > 0:22:01He's 25 and he's in love
0:22:01 > 0:22:03with our assailant's daughter.
0:22:03 > 0:22:05She's 14.
0:22:14 > 0:22:17'We're friends. We're not doing anything wrong.'
0:22:17 > 0:22:19Yasmin, would you call Adam your boyfriend?
0:22:19 > 0:22:21- I call him Adam. - Yasmin, don't!
0:22:21 > 0:22:26- She asked! That's what I call him. - Adam told me that he loves you.
0:22:26 > 0:22:29- How do you feel about that? - We care about each other.
0:22:30 > 0:22:33Yasmin, have you slept with Adam Reilly?
0:22:33 > 0:22:34Have you had sex with him?
0:22:34 > 0:22:37No, never. I'm not stupid!
0:22:37 > 0:22:41- Has he ever bought you presents, Yasmin?- Why?
0:22:41 > 0:22:44- Why'd you want to know that? - He's bought her clothes and a watch.
0:22:44 > 0:22:48And I bought him a T-shirt. It's what friends do.
0:22:48 > 0:22:51Maybe we're friends because he finds me interesting to talk to.
0:22:51 > 0:22:53I can hold a conversation.
0:22:53 > 0:22:55The police are involved because my dad tried to kill Adam
0:22:55 > 0:22:59with a baseball bat. Very clever(!)
0:22:59 > 0:23:01Maybe they're in love. It can happen.
0:23:01 > 0:23:04- She's a child. - She's not a child.
0:23:04 > 0:23:05OK, what if she was 13?
0:23:05 > 0:23:08Yeah, and what if she was 15? See?
0:23:08 > 0:23:10Never mind, "See?"
0:23:10 > 0:23:13She might look the part, but she isn't.
0:23:13 > 0:23:15If that was my daughter, I wouldn't like it.
0:23:15 > 0:23:18- Getting broody?- Broody?
0:23:18 > 0:23:21Not this wildcat.
0:23:24 > 0:23:26All right, Dad!
0:23:33 > 0:23:34Dad?
0:23:38 > 0:23:41- Dad?- In here.
0:23:43 > 0:23:45- I've just been in here. - Well, I haven't moved.
0:23:45 > 0:23:48I've been sat here reading Ralph Ellison.
0:23:48 > 0:23:49Invisible Man.
0:23:49 > 0:23:52- Oh, very funny(!) - Oh, you must have seen me.
0:23:52 > 0:23:54Very funny, Dad.
0:23:54 > 0:23:56New trainers?
0:23:56 > 0:23:59- You've only just bought a pair. - I know.
0:24:01 > 0:24:03TELEPHONE RINGS
0:24:03 > 0:24:07- Custody suite, Bridge. - Sarge, it's Sav.
0:24:07 > 0:24:09Just a quick one. Has Bradley Pearson been released yet?
0:24:09 > 0:24:12An hour ago.
0:24:12 > 0:24:14Did he say anything, leave anything, a statement?
0:24:14 > 0:24:15Was he supposed to?
0:24:15 > 0:24:18No. It's just regarding this morning's door-to-doors.
0:24:18 > 0:24:20Whether he remembered something.
0:24:20 > 0:24:22Nothing. Is that it?
0:24:22 > 0:24:24Have you still got Jonjo Heinz?
0:24:24 > 0:24:28- He's being fed and watered as we speak.- Hope he chokes.
0:24:28 > 0:24:29Cheers, Sarge.
0:24:37 > 0:24:40What do you fancy, Dad? Anything in particular?
0:24:40 > 0:24:41Um...
0:24:43 > 0:24:44Not really.
0:24:48 > 0:24:50It's Mum's anniversary today.
0:24:51 > 0:24:54- I forgot.- Oh, that's all right.
0:24:54 > 0:24:58Not something we want to put in our diaries, is it?
0:24:58 > 0:25:00- We can go if you want.- No.
0:25:00 > 0:25:03- We can go right now. - And do what?
0:25:03 > 0:25:05Stare at a lump of granite?
0:25:06 > 0:25:08No.
0:25:08 > 0:25:10No, thank you.
0:25:12 > 0:25:14I dug these out.
0:25:14 > 0:25:16Photographs.
0:25:16 > 0:25:19Most of which I don't think you've seen, or if you have,
0:25:19 > 0:25:22it was a long time ago.
0:25:22 > 0:25:25They date from when me and your mam first met.
0:25:25 > 0:25:28Up until the week before the accident.
0:25:29 > 0:25:33The tin is what our wedding cake came in.
0:25:34 > 0:25:39Anyway, it's proof that she was here and not just a dream.
0:25:41 > 0:25:44I'll get something to eat later.
0:25:47 > 0:25:52- Oh, this is me at full speed, by the way.- You're not funny.
0:25:53 > 0:25:56Your mam used to think I was hilarious.
0:25:56 > 0:25:59It's the only reason she married me.
0:28:08 > 0:28:12Mam, meet Cassie. Cassie, this is me mam.
0:28:22 > 0:28:25You got your speech ready? Eulogy?
0:28:25 > 0:28:27Yeah.
0:28:27 > 0:28:32You can try it out on me, if you like. I've got a window.
0:28:33 > 0:28:37- Do you mind if I don't? - No, no. Not at all.
0:28:39 > 0:28:43It's about the man, is it? Heartfelt?
0:28:43 > 0:28:46Hope so.
0:28:46 > 0:28:48Good.
0:28:50 > 0:28:54No sign of a girlfriend, I suppose?
0:28:54 > 0:28:56Dad, can we talk about football?
0:28:56 > 0:29:00Taken any nice girls to the match recently?
0:29:00 > 0:29:05You're not getting any younger, you know. Sorry, sorry.
0:29:05 > 0:29:08- That was your mother talking, not me.- It sounded like you.
0:29:08 > 0:29:11She's got a sore throat.
0:29:23 > 0:29:27When was the last time I told you I was proud of you?
0:29:31 > 0:29:33Last week. You're late.
0:29:35 > 0:29:37You know, when this is all over...
0:29:39 > 0:29:43..I want you to concentrate on yourself, do you hear me?
0:29:43 > 0:29:44Find some joy.
0:29:44 > 0:29:48Something to make you smile.
0:29:49 > 0:29:52I'm serious. I mean it.
0:30:16 > 0:30:18'More than a colleague. Much more.
0:30:21 > 0:30:24'More than just a good friend.
0:30:31 > 0:30:35'In many ways, for me, Andy Stockwell was a life raft.
0:31:10 > 0:31:16'The start of each shift, we'd have the banter in the locker room.
0:31:16 > 0:31:20'Banter and business on parade.
0:31:22 > 0:31:26'Then we'd be walking out to the patrol car.
0:31:28 > 0:31:30'And without fail,
0:31:30 > 0:31:33'he'd turn to me and say,'
0:31:33 > 0:31:36"Ready to do some good?"
0:31:41 > 0:31:44'He'd say it like it was nothing.'
0:31:45 > 0:31:47A wisecrack.
0:31:49 > 0:31:51But I knew he meant it.
0:31:53 > 0:31:58I knew that this was his simple reason
0:31:58 > 0:32:01for being a police officer.
0:32:06 > 0:32:09Andy Stockwell
0:32:09 > 0:32:12wanted to do some good.
0:32:19 > 0:32:22And in the act of doing good...
0:32:24 > 0:32:27..of doing his job...
0:32:28 > 0:32:30..his duty...
0:32:35 > 0:32:38He was committed...
0:32:40 > 0:32:43..fearless
0:32:43 > 0:32:44and fair.
0:32:56 > 0:33:01This is the man I will remember.
0:33:30 > 0:33:33Aren't you supposed to be getting pissed?
0:33:33 > 0:33:36Soon.
0:33:36 > 0:33:38Very soon.
0:33:38 > 0:33:41Any progress, sir?
0:33:42 > 0:33:44Yeah.
0:33:44 > 0:33:47- Do I need to know? - You might know as much as me,
0:33:47 > 0:33:49you're never too far away.
0:33:52 > 0:33:55Man in the black wool hat from your own interview,
0:33:55 > 0:33:58- he would be interesting to talk to, if we can find him.- No, sir.
0:33:58 > 0:34:03I don't mean any progress with Callum Rose. I couldn't care less who killed him.
0:34:03 > 0:34:07- I mean any progress on Jonjo Heinz? - No comment.
0:34:10 > 0:34:13OK, can I ask a question about Finch?
0:34:13 > 0:34:16- Go on. - After what he did to Andy,
0:34:16 > 0:34:19knowing the house would be a crime scene, why go back?
0:34:19 > 0:34:22The same night, why?
0:34:22 > 0:34:24Unless it was for something important.
0:34:24 > 0:34:27And does it make sense that whoever killed Finch
0:34:27 > 0:34:30might have been in the house looking for the same important stash?
0:34:30 > 0:34:33Which would make Finch's killer an associate,
0:34:33 > 0:34:35like the aforementioned Jonjo Heinz.
0:34:37 > 0:34:39Yeah, that makes sense.
0:34:39 > 0:34:41But what?
0:34:41 > 0:34:43But nothing.
0:34:45 > 0:34:49I keep saying it, but he was there. On the night. He was one of them.
0:34:49 > 0:34:54- The evidence must be there somewhere. - Yeah, but it has to be conclusive.
0:34:55 > 0:34:59Look, we are looking at all three murders.
0:34:59 > 0:35:03We will get to the bottom of all three murders.
0:35:03 > 0:35:08I was about to say, one of your interviewees called, Gerrard Frazier.
0:35:08 > 0:35:12He said he saw the man in the hat from his window, right?
0:35:12 > 0:35:16Saw him walking away, yeah. No description.
0:35:16 > 0:35:19He called to say he saw him cross the road
0:35:19 > 0:35:22and cross the path of another man.
0:35:22 > 0:35:26- And then the second man entered the shop.- Bradley Pearson.
0:35:26 > 0:35:30Bradley Pearson came face-to-face with our killer.
0:35:30 > 0:35:34- Yeah, but can't remember. - I'll be talking to him personally.
0:35:36 > 0:35:38Good luck.
0:35:39 > 0:35:41Sir.
0:35:43 > 0:35:46- Everybody else left the area... - Sav, come on, mate. Taxi's booked.
0:35:46 > 0:35:49- Five minutes.- I'll follow on. - I don't believe you.
0:35:49 > 0:35:52I'll follow on, I promise.
0:35:52 > 0:35:57Sav? You were ace today. You made me want to do some good.
0:36:01 > 0:36:04- TELEPHONE RINGS - I've got it.
0:36:05 > 0:36:07- Hello.- 'Please don't hang up.
0:36:07 > 0:36:09'It's John Paul.'
0:36:11 > 0:36:14- What now?- 'I'm outside.
0:36:14 > 0:36:16'Don't worry, I won't knock.'
0:36:16 > 0:36:18I won't cause trouble.
0:36:18 > 0:36:22But I've got something to say to you. Can I say it to your face?
0:36:25 > 0:36:28- No.- 'I'd really like to see you.
0:36:29 > 0:36:32'I'll wait a while, let you think about it.'
0:36:46 > 0:36:50FRONT DOOR OPENS AND CLOSES
0:36:56 > 0:36:59- Hiya. - Five minutes is all I can do.
0:37:00 > 0:37:04OK. You know I said you looked well?
0:37:04 > 0:37:07I lied.
0:37:07 > 0:37:10OK, you look fantastic. Stunning.
0:37:10 > 0:37:13You always did.
0:37:13 > 0:37:15I knew that.
0:37:15 > 0:37:18But what I didn't realise until now, yesterday in fact,
0:37:18 > 0:37:22was just how young you were when we met.
0:37:22 > 0:37:26- And how brave... - Have you been drinking?
0:37:28 > 0:37:32Yeah, I've been drinking. I've had A drink. There's a reason.
0:37:32 > 0:37:35- As long as I know. - Look, I'm not drunk.
0:37:37 > 0:37:41- You know what, let's just forget it, shall we?- No, I'm here now.
0:37:41 > 0:37:44So you say what you have to say.
0:37:45 > 0:37:48I just did. That was it.
0:37:52 > 0:37:54Cassie, wait.
0:37:56 > 0:38:01I took pictures yesterday of you and Libby.
0:38:01 > 0:38:04- You took pictures? - I'd like to show them to my dad.
0:38:05 > 0:38:07Give them to me. Give them to me now.
0:38:07 > 0:38:08I want to show her to my dad.
0:38:08 > 0:38:10Give them to me! I mean it.
0:38:10 > 0:38:13Isn't there a law against that or something?
0:38:13 > 0:38:15He's her granddad.
0:38:15 > 0:38:17- I want to hit you.- Fine. - I really want to hit you!
0:38:17 > 0:38:22You have got no right to take pictures of my daughter.
0:38:22 > 0:38:25And before you say it, she is not yours and never will be!
0:38:25 > 0:38:27I imagined a civilised conversation.
0:38:27 > 0:38:28I want those pictures and, erm...
0:38:28 > 0:38:32and a written promise that you haven't made any copies or...
0:38:32 > 0:38:34Who's the fella?
0:38:34 > 0:38:385'10", brown jacket, light brown hair. Who is he?
0:38:38 > 0:38:42Is he the reason I'm getting warned off?
0:38:42 > 0:38:45The reason you're getting warned off, John Paul, is you.
0:38:45 > 0:38:47You haven't changed.
0:38:47 > 0:38:49You're still the centre of your world.
0:38:49 > 0:38:52- You're still the most important person.- That's not true.
0:38:52 > 0:38:55And yes, you're right, I was young when we met,
0:38:55 > 0:39:00I was very young, but most of all I must've been stupid and naive,
0:39:00 > 0:39:01because I loved you.
0:39:03 > 0:39:05I want those pictures.
0:39:08 > 0:39:10Cassie, my dad's a good man.
0:39:12 > 0:39:13Cassie!
0:39:47 > 0:39:48You're tense.
0:39:51 > 0:39:53Tense?
0:39:53 > 0:39:56Your dad says you've been quiet
0:39:56 > 0:39:58and you have no life outside of work.
0:39:58 > 0:40:02Is that what you two do all day, talk about me?
0:40:02 > 0:40:05He does. I don't.
0:40:05 > 0:40:08My dad thinks I should have a girlfriend.
0:40:08 > 0:40:10Would it change what we do?
0:40:10 > 0:40:13I don't do hypotheticals.
0:40:13 > 0:40:16Would you replace me?
0:40:16 > 0:40:18You're insulting me, do you know that?
0:40:18 > 0:40:20Sorry.
0:40:21 > 0:40:23Sorry.
0:40:27 > 0:40:29Got something to show you.
0:40:35 > 0:40:37Something I need to show you.
0:40:41 > 0:40:42It's up to you.
0:40:42 > 0:40:45If you don't want to look you don't have to.
0:40:56 > 0:40:58Who is she?
0:40:58 > 0:41:00The big girl's an ex.
0:41:01 > 0:41:03She's pretty.
0:41:05 > 0:41:07The little girl's my daughter.
0:41:10 > 0:41:12Why are you telling me?
0:41:12 > 0:41:15My dad doesn't know. Obviously.
0:41:15 > 0:41:19Up until a couple of weeks ago, I thought they were in the States.
0:41:19 > 0:41:20Now they're not.
0:41:21 > 0:41:24Will he survive the shock if I tell him?
0:41:25 > 0:41:27Do you think I should?
0:41:29 > 0:41:30Who's the guy?
0:41:30 > 0:41:32No idea.
0:41:35 > 0:41:37If you show him his granddaughter, he'll fall in love with her.
0:41:37 > 0:41:39He'll want to see her.
0:41:41 > 0:41:43If you're taking pictures on the sly,
0:41:43 > 0:41:45I'm guessing you're not on speaking terms.
0:41:47 > 0:41:48Not really.
0:41:50 > 0:41:52What do you want to do?
0:41:56 > 0:41:57I want to rewind.
0:41:59 > 0:42:00I want to start again.
0:42:04 > 0:42:07The day I saw them on the beach...
0:42:07 > 0:42:09The day Andy was killed...
0:42:14 > 0:42:16I want that day to start again.
0:42:38 > 0:42:40BOLTS UNLOCK
0:42:54 > 0:42:58'All units, reported a break-in, 13 Noel Road,
0:42:58 > 0:43:00'registered address of Bradley Pearson.'
0:43:00 > 0:43:02Serious incident report.
0:43:02 > 0:43:05A father has taken his young son but remains on the premises.
0:43:05 > 0:43:08His wife suspects he may have a knife. Possible threat to life.
0:43:08 > 0:43:13We are requesting all necessary and appropriate support. Over.
0:43:13 > 0:43:16Bradley, it's Police Constable John Paul Rocksavage.
0:43:16 > 0:43:18Do you recognise my voice?
0:43:18 > 0:43:21We spoke at the shop and in the cell.
0:43:23 > 0:43:25What is it with you and bathrooms, mate?
0:43:26 > 0:43:28How's about you and little Joseph just saying hello
0:43:28 > 0:43:31so we know you're both OK?
0:43:31 > 0:43:33Bradley?
0:43:33 > 0:43:35PHONE RINGS
0:43:45 > 0:43:46Hello?
0:43:46 > 0:43:48'Put her on.'
0:43:48 > 0:43:51OK, Bradley. I'm going to put Emma on the phone, OK?
0:43:52 > 0:43:53(Remain calm.)
0:44:00 > 0:44:03Bradley, stop messing about, you're scaring me.
0:44:03 > 0:44:06- 'Who is he?' - Who's who? The policeman?
0:44:06 > 0:44:08Your man, YOUR man. Who is it?
0:44:08 > 0:44:10I don't understand, what man?
0:44:10 > 0:44:12I wouldn't be surprised if you set it up, the kiss,
0:44:12 > 0:44:14and it was just a kiss, you know it was.
0:44:14 > 0:44:18- I know, I'm sorry.- So who is he?!
0:44:18 > 0:44:21I found a condom wrapper that was on the floor. We don't use them.
0:44:21 > 0:44:23That's got nothing to do with me,
0:44:23 > 0:44:25so will you open the door and we'll talk about it?
0:44:25 > 0:44:27Who else could it be?!
0:44:30 > 0:44:32Open the door, Bradley!
0:44:32 > 0:44:34Open the door and we'll talk about it.
0:44:34 > 0:44:37Isn't that what you want? Bradley!
0:44:39 > 0:44:42Listen, I want you to dial his number on my phone.
0:44:48 > 0:44:49PHONE RINGS
0:44:54 > 0:44:58Bradley? That was me calling you. John Paul.
0:44:59 > 0:45:01You've got my number now.
0:45:01 > 0:45:03If you want to talk to me in private, you can do, OK?
0:45:03 > 0:45:06You just call me anytime you want, OK?
0:45:09 > 0:45:12The Chief Inspector and a negotiator are on the way as soon as possible.
0:45:12 > 0:45:14A negotiator?
0:45:14 > 0:45:15We have to do this properly.
0:45:15 > 0:45:18Oh, my God. Just kick the door in! It's one bolt!
0:45:18 > 0:45:22It might only take five seconds but we're not sure what he'll do.
0:45:22 > 0:45:24POURING WATER
0:45:26 > 0:45:29Bradley? What's going on, mate?
0:45:29 > 0:45:32We're a little bit worried out here. Can you help us out?
0:45:32 > 0:45:34Bradley?
0:45:34 > 0:45:36PHONE BEEPS
0:45:39 > 0:45:41Joseph wants to play with his boats.
0:45:42 > 0:45:45Yeah. He likes that. They do that.
0:45:45 > 0:45:47Oh, my God.
0:45:50 > 0:45:52Anytime you like Bradley, yeah?
0:45:52 > 0:45:53You just call, yeah, anytime, mate.
0:45:55 > 0:45:57Think about writing that letter.
0:46:00 > 0:46:02What we do know is that he's tired and stressed out.
0:46:02 > 0:46:04He believes his wife's having an affair.
0:46:04 > 0:46:07He believes she's about to move someone else into the family home.
0:46:07 > 0:46:10And we also believe that he might be armed.
0:46:10 > 0:46:13The cutlery drawer in the kitchen was open.
0:46:13 > 0:46:14That's it.
0:46:14 > 0:46:17- Right. Thank you.- Sir.
0:46:20 > 0:46:22That's it?
0:46:22 > 0:46:25That's about as good as we get.
0:47:05 > 0:47:06Sav, it's not our problem.
0:47:25 > 0:47:29Liam. I've just seen Jonjo Heinz getting into a car.
0:47:29 > 0:47:31What's going on? How come he's out?
0:47:31 > 0:47:34- No charge.- No charge? Why?
0:47:34 > 0:47:36He was there. I saw him there!
0:47:36 > 0:47:38Sav, we've had nothing back from the labs yet,
0:47:38 > 0:47:41and you know, maybe he could be useful to us.
0:47:41 > 0:47:44- What's that supposed to mean? - All right, look. Keep it down.
0:47:44 > 0:47:45No, go on. What are you saying?
0:47:45 > 0:47:48Costello's watching. This is neither the time or the place.
0:47:48 > 0:47:50Is he helping you find who killed Finch?
0:47:50 > 0:47:52Go away. Costello's watching.
0:47:52 > 0:47:53He was there. He's part of that crew.
0:47:53 > 0:47:55I put it in writing, what more do you want?
0:47:55 > 0:47:58Yeah, we've all read your second time-amended statement.
0:47:58 > 0:48:02And to be honest, I find it at best unreliable.
0:48:02 > 0:48:05- I know what I saw. - I'M TALKING NOW!
0:48:05 > 0:48:08I've cut you some slack because you lost a mate.
0:48:08 > 0:48:12But there's nothing yet to place Jonjo Heinz in the house
0:48:12 > 0:48:14at that time except your blurred say so.
0:48:14 > 0:48:19Should hard evidence emerge to link Mr Heinz with the murder,
0:48:19 > 0:48:21and it might, then we'll act upon it.
0:48:22 > 0:48:26But don't come into my department shouting the odds. Is that clear?
0:48:28 > 0:48:30Received.
0:48:30 > 0:48:31Hard evidence required.
0:49:27 > 0:49:28John Paul.
0:49:37 > 0:49:40- Where are you going? - Out for a walk.
0:49:40 > 0:49:45- At this time of night? Again? - I'll be careful.
0:50:29 > 0:50:31DOOR RATTLES CLOSED
0:50:54 > 0:50:55Jonjo?
0:51:00 > 0:51:02SHE OPENS DOOR
0:51:02 > 0:51:03Jonjo, is that you?
0:52:53 > 0:52:55MOBILE PHONE VIBRATES
0:52:58 > 0:53:00Hello?
0:53:00 > 0:53:03- 'Constable Rocksavage?'- Bradley?
0:53:03 > 0:53:05'Yeah...
0:53:05 > 0:53:06'Just thought I'd give you a call.'
0:53:06 > 0:53:10Cos I haven't got a clue what I'm doing.
0:53:12 > 0:53:14How are you feeling?
0:53:14 > 0:53:15How's your boy?
0:53:15 > 0:53:17Joseph's asleep.
0:53:17 > 0:53:20The wolves are still at the door...
0:53:20 > 0:53:23and I'm still here.
0:53:23 > 0:53:25I'm open to suggestions.
0:53:26 > 0:53:28(Is he on his phone?)
0:53:28 > 0:53:31Not too keen on what I'm thinking about.
0:53:33 > 0:53:35OK. What if, erm...
0:53:37 > 0:53:39What is it you want to happen, next?
0:53:39 > 0:53:42What would you like to happen next?
0:53:42 > 0:53:46What I want right now is not to feel like I feel.
0:53:46 > 0:53:47And I feel like a tool.
0:53:49 > 0:53:52Tell me again, how's Joseph doing?
0:53:53 > 0:53:57He's good. I'm looking at him now. He's sleeping.
0:53:59 > 0:54:02Was he pleased to see you? Was he happy?
0:54:02 > 0:54:03Yeah.
0:54:05 > 0:54:08- I think so, I think he was. - Good judge of character, is he?
0:54:11 > 0:54:14Would it be so hard to open the door?
0:54:14 > 0:54:20Open the door and say what you want. Say what you want to happen next.
0:54:21 > 0:54:25OK, worst case scenario. What if you're right?
0:54:25 > 0:54:28What if Emma has cheated? What then?
0:54:29 > 0:54:31Bradley, what then?
0:54:33 > 0:54:35I'd be gutted.
0:54:35 > 0:54:38Can somebody tell me who the bloody hell he's talking to?
0:54:38 > 0:54:40What would it mean?
0:54:41 > 0:54:44End of the marriage? End of the world?
0:54:44 > 0:54:46End of this mess that you're stuck in?
0:54:46 > 0:54:48Brand new start maybe?
0:54:48 > 0:54:52With Emma, without Emma? What?
0:54:52 > 0:54:54Don't know.
0:54:55 > 0:54:57Me neither.
0:54:58 > 0:55:02But what I do know is that your boy...
0:55:03 > 0:55:07He needs you to open the door and start again.
0:55:09 > 0:55:11He needs you to look after him
0:55:11 > 0:55:14until he's old enough to look after himself.
0:55:14 > 0:55:15He needs you.
0:55:18 > 0:55:20Still there?
0:55:20 > 0:55:21Still here.
0:55:23 > 0:55:25Where are you?
0:55:26 > 0:55:27Still here.
0:55:31 > 0:55:33Anything to tell me?
0:55:33 > 0:55:35Have you remembered that face?
0:55:40 > 0:55:45No. No chance, it's gone. Well gone.
0:55:48 > 0:55:50Not to worry.
0:55:50 > 0:55:52That's your answer.
0:55:52 > 0:55:56You stick to it and concentrate on your boy.
0:55:56 > 0:55:58Deep breath...
0:56:07 > 0:56:08BOLTS UNLOCK
0:56:15 > 0:56:18'"I am an invisible man.'
0:56:18 > 0:56:22"No, I am not a spook like those who haunted Edgar Allan Poe,
0:56:22 > 0:56:25"nor am I one of your Hollywood movie ectoplasms.
0:56:25 > 0:56:31"I am a man of substance, of flesh and bone, fibre and liquids,
0:56:31 > 0:56:35"and I might even be said to possess a mind.
0:56:36 > 0:56:42"I am invisible, understand, simply because people refuse to see me.
0:56:44 > 0:56:47"You wonder whether you aren't simply a phantom in other people's minds.
0:56:47 > 0:56:49"Say, a figure in a nightmare,
0:56:49 > 0:56:53"which the sleeper tries with all his strength to destroy.
0:56:55 > 0:56:58"It's when you feel like this that, out of resentment,
0:56:58 > 0:57:01"you begin to bump people back.
0:57:01 > 0:57:04"And, let me confess, you feel that way most of the time.
0:57:06 > 0:57:08"You ache with the need to convince yourself
0:57:08 > 0:57:11"that you do exist in the real world...
0:57:14 > 0:57:18"That you're a part of all the sound and anguish,
0:57:18 > 0:57:20"and you strike out with your fists.
0:57:23 > 0:57:27"You curse and you swear to make them recognise you."
0:57:42 > 0:57:44Guess who's next?
0:57:44 > 0:57:49All MIT are interested in is who killed the bastard who killed Andy?
0:57:49 > 0:57:53# Hello, conscience How do you do...? #
0:57:53 > 0:57:55What are you, a suspect?
0:57:55 > 0:57:59# You been causing mayhem for much too long... #
0:57:59 > 0:58:03I want your daughter to be my daughter.
0:58:03 > 0:58:07# But loneliness never seems to understand... #
0:58:07 > 0:58:10Those two lads on the dirt bike. I'm looking at them right now.
0:58:10 > 0:58:13'End your pursuit. Do you read?'
0:58:15 > 0:58:19# To go out at night and forget who you are... #
0:58:19 > 0:58:21But I keep pushing and pushing.
0:58:21 > 0:58:25John Paul... What is it?
0:58:25 > 0:58:26# It's all right
0:58:26 > 0:58:29# To go out at night and forget who you are
0:58:29 > 0:58:32# All right
0:58:32 > 0:58:35# Then it's up in the morning and back to the start. #
0:58:37 > 0:58:41Subtitles by Red Bee Media Ltd