0:00:02 > 0:00:03The victim is a Lynn Dewhurst.
0:00:03 > 0:00:05We are now looking at a serial offender.
0:00:07 > 0:00:08Clare?
0:00:08 > 0:00:11Do you remember Neil Ackroyd? We were at school together.
0:00:11 > 0:00:13We've not seen each other since fifth form.
0:00:13 > 0:00:16Lynn Dewhurst... Whoever did it raped her with a broken bottle and mutilated her.
0:00:16 > 0:00:18Now, they're accusing me of strangling
0:00:18 > 0:00:19and bottling Lynn Dewhurst.
0:00:19 > 0:00:22How do you know I'm not going to make life difficult for you?
0:00:22 > 0:00:25- What do you want?- £1,000 a month. - I can't, Vicky!
0:00:25 > 0:00:27She's ruined my life. She's untouchable.
0:00:51 > 0:00:53Right, take your seatbelt off. We're here.
0:01:01 > 0:01:02Here.
0:01:04 > 0:01:06Just along here.
0:01:06 > 0:01:09So you told him? You could have just said nothing.
0:01:09 > 0:01:11- He kept on at me, he kept asking. - And did you tell him the rest?
0:01:11 > 0:01:13"And she used to shoot crap up her veins" as well?
0:01:13 > 0:01:15No, of course I didn't!
0:01:15 > 0:01:18You know he's going to go repeating that at school?
0:01:18 > 0:01:20This is Ilinka.
0:01:20 > 0:01:22Ilinka, this is Daniel.
0:01:22 > 0:01:23Say hello.
0:01:23 > 0:01:24Hello.
0:01:24 > 0:01:27- And this is Clare.- Hello.
0:01:27 > 0:01:29Sit down. Sit.
0:01:29 > 0:01:31She doesn't speak any English, so...
0:01:31 > 0:01:34- Tea. Do you want any tea? - I've just boiled the kettle.
0:01:34 > 0:01:35Great.
0:01:39 > 0:01:41Some tea?
0:01:41 > 0:01:43Jako ste ljubazni.
0:01:43 > 0:01:48OK, yeah. So, Ilinka came into our nick this morning - try and smile -
0:01:48 > 0:01:52and she'd escaped from a house up Peveril Lane,
0:01:52 > 0:01:53where she was being kept prisoner,
0:01:53 > 0:01:56along with 21 other women who've been trafficked from Croatia.
0:01:56 > 0:01:58You're kidding?
0:01:58 > 0:02:01She's been shunted from one house to another for over four years.
0:02:01 > 0:02:03Eight of them in every room at this last place.
0:02:03 > 0:02:07She's been doing a ten-hour shift six days a week for £10 a week
0:02:07 > 0:02:09at Bowen's biscuit factory up Rastrick.
0:02:09 > 0:02:12- That's...- Slavery, yeah.
0:02:12 > 0:02:15Anyhow, I got an interpreter on the phone - that took three weeks -
0:02:15 > 0:02:18then I got the OSU, spoke to the trafficking unit in Sheffield
0:02:18 > 0:02:20and we busted them out, the women.
0:02:20 > 0:02:22The only trouble now is housing them.
0:02:22 > 0:02:26Managed to get ten of them in at a women's refuge in Huddersfield,
0:02:26 > 0:02:29six have gone to a hostel in Leeds and five are at the Mission
0:02:29 > 0:02:32waiting for the council to sort out their flights back home
0:02:32 > 0:02:34and Ilinka's going to stay with...
0:02:35 > 0:02:38Winnie? Hi, it's Catherine. Do you want to come across?
0:02:38 > 0:02:40Yeah, she's here.
0:02:42 > 0:02:44I have indeed got the kettle on, Winnie. Ta-ta.
0:02:44 > 0:02:46I always thought Winnie were Polish.
0:02:46 > 0:02:48She's Yugoslavian...as was.
0:02:58 > 0:03:00What's up?
0:03:00 > 0:03:07He has told our Ryan that I...am an alcoholic.
0:03:07 > 0:03:10It wasn't so cut and dried as that, as I've tried to explain.
0:03:10 > 0:03:13Nine years old, and he's telling him stuff he never needed to know.
0:03:13 > 0:03:17He asked. He used the word... "alcoholic".
0:03:17 > 0:03:20- Did he?- I-I didn't...
0:03:20 > 0:03:22- I didn't know what to say. - When was this?
0:03:22 > 0:03:26Last week. It was when you were at the hospice - when Helen died.
0:03:28 > 0:03:30Right, well, tell him you misunderstood,
0:03:30 > 0:03:32you got the wrong end of the stick, and she's not.
0:03:32 > 0:03:34But that's... That's lying.
0:03:34 > 0:03:36He'll think I'm someone who makes stuff up.
0:03:36 > 0:03:40No, he'll think you're someone who gets the wrong end of the stick.
0:03:40 > 0:03:43He's not daft. In fact, he's the opposite of daft.
0:03:43 > 0:03:45He's very bright, he's very perceptive.
0:03:45 > 0:03:49And he'll know straightaway that I'm talking shite - sorry -
0:03:49 > 0:03:51and that'll just reinforce the fact that she is...
0:03:51 > 0:03:54Was...an alcoholic.
0:03:55 > 0:03:58- WINNIE:- It's only me!
0:03:58 > 0:04:00Come on in, Winnie.
0:04:00 > 0:04:01Where is she?
0:04:03 > 0:04:07Oh, jadnice! Sto ti se dogodilo?
0:04:07 > 0:04:10Moram razgovarati sa svojom obitelji! Treba mi telefon.
0:04:10 > 0:04:17Da,da, mozete. Doci kod mene kuci, I koristiti moj telefon.
0:04:20 > 0:04:22Ova policajka je bila jako ljubazna prema meni.
0:04:22 > 0:04:24And it is just for two or three nights
0:04:24 > 0:04:27till the trafficking unit sorts something out. She knows that.
0:04:27 > 0:04:29She's saying you are very kind.
0:04:29 > 0:04:34Mi cemo se brinuti o tebi, draga moja.
0:04:37 > 0:04:39And I am saying you're wonderful...
0:04:39 > 0:04:41as long as we all stay on the right side of you,
0:04:41 > 0:04:44cos, if we don't, you're a pain in the arse.
0:04:47 > 0:04:49MUSIC: Trouble Town by Jake Bugg
0:05:17 > 0:05:19Light left on in the bathroom, again.
0:05:19 > 0:05:21- His bedroom light on, her bedroom light on.- I'm going back up there!
0:05:21 > 0:05:24- You're not up there now. Who's left that?- He did.
0:05:24 > 0:05:27So what? I can't find my calculator.
0:05:27 > 0:05:30So don't pour so much cereal if you're not going to eat it!
0:05:30 > 0:05:32It's all to pay for - it doesn't grow on trees!
0:05:32 > 0:05:34He needs to calm down.
0:05:34 > 0:05:36I do not need to calm down!
0:05:36 > 0:05:39I need to not be surrounded by people who take the p...
0:05:39 > 0:05:41Who take the mickey all the time.
0:05:43 > 0:05:44- See you.- Yup.
0:05:47 > 0:05:48What's up with him?
0:05:48 > 0:05:50- God knows.- Eh?
0:05:51 > 0:05:55It's this killer, it's this bloke who's murdering prostitutes.
0:05:55 > 0:05:57They're tough jobs to work on, I suppose. I don't know.
0:05:57 > 0:05:59No need to take it out on us.
0:06:07 > 0:06:09RADIO: 'In Calderdale in West Yorkshire,
0:06:09 > 0:06:12'police chiefs have called for increased vigilance in the community
0:06:12 > 0:06:16'following the linking of the murder of three women in the area
0:06:16 > 0:06:18'over the last five months.'
0:06:32 > 0:06:35Catherine, you're not going on the house-to-house, are you?
0:06:35 > 0:06:37No. That would be unethical,
0:06:37 > 0:06:39- what with me being prime suspect, etc.- Just checking.
0:06:39 > 0:06:41They're going on the house-to-house,
0:06:41 > 0:06:43so, unless you can find any more staff,
0:06:43 > 0:06:46I'm going to arrest a 15-year-old at Salter Hebble High
0:06:46 > 0:06:49- for dealing skunk behind the science block.- OK, good.
0:06:53 > 0:06:54- Morning.- Morning.
0:06:56 > 0:06:57Morning.
0:07:00 > 0:07:01Do you know how it's grown?
0:07:01 > 0:07:03You don't know and you don't care, I know.
0:07:03 > 0:07:04I'm going to tell you anyway,
0:07:04 > 0:07:06because you never know, it might serve as a wake-up call.
0:07:06 > 0:07:08They find a terraced house, rip everything out -
0:07:08 > 0:07:11including the bathroom, all the fixtures and fittings -
0:07:11 > 0:07:13and fill the whole place with cannabis plants.
0:07:13 > 0:07:16Then they employ a load of illegal immigrants - well, I say "employ",
0:07:16 > 0:07:19I use the term loosely - to chuck a load of seriously unpleasant
0:07:19 > 0:07:22illegal chemicals on them to make them grow far too fast.
0:07:22 > 0:07:23And not only that...
0:07:23 > 0:07:25Once they've ripped the bathroom out
0:07:25 > 0:07:27and there's nowhere to go and do the necessary,
0:07:27 > 0:07:29they shit on the plants.
0:07:29 > 0:07:31No, they really do.
0:07:31 > 0:07:34That's what you're dealing with here.
0:07:34 > 0:07:36That's what you've been handling.
0:07:36 > 0:07:37Human faeces.
0:07:41 > 0:07:44Get in, idiot.
0:07:44 > 0:07:45- RADIO:- 'Catherine?'
0:07:45 > 0:07:47Boss.
0:07:47 > 0:07:48You busy?
0:07:48 > 0:07:50No.
0:07:50 > 0:07:53OK. So, I've just heard, and I thought you'd like to know -
0:07:53 > 0:07:56'the Home Office have given Tommy Lee Royce
0:07:56 > 0:07:58'permission to attend his mother's funeral tomorrow,
0:07:58 > 0:08:00'at the crematorium in Elland.
0:08:00 > 0:08:02'I've just heard, just now,
0:08:02 > 0:08:05'so I thought you deserved to know in advance,
0:08:05 > 0:08:07'before you saw it on the news or in the papers.'
0:08:14 > 0:08:15Right.
0:08:18 > 0:08:23# Orangey carrots and turnips cream
0:08:23 > 0:08:27# Reddening tomatoes that used to be green
0:08:27 > 0:08:31# Brown potatoes in little heaps
0:08:31 > 0:08:35# Down in the darkness where the celery sleeps
0:08:35 > 0:08:39# The apples are ripe The plums are red
0:08:39 > 0:08:43# The broad beans are sleeping in the blankety bed. #
0:08:43 > 0:08:45Woo!
0:08:45 > 0:08:46Sit down, everyone.
0:08:50 > 0:08:54Now, this morning, I'm delighted to tell you
0:08:54 > 0:08:58that we have a new member of staff joining us.
0:08:58 > 0:09:04Miss Wealand has come all the way from Linlithgow in Scotland
0:09:04 > 0:09:08to take over from Mrs Etherington as our new teaching assistant,
0:09:08 > 0:09:11and I'm sure you'd all like to join me
0:09:11 > 0:09:16in giving her a really big, warm welcome.
0:09:16 > 0:09:18One, two, three...
0:09:18 > 0:09:22- ALL:- Welcome to our school, Miss Wealand!
0:09:22 > 0:09:25Thank you, I'm delighted to be here.
0:09:35 > 0:09:36KNOCKS ON DOOR
0:09:45 > 0:09:48SCREAMING
0:09:50 > 0:09:52Is that an approved technique?
0:09:52 > 0:09:54For getting people out of bed, yeah.
0:09:57 > 0:09:58Do you enjoy this job?
0:10:00 > 0:10:03- It's not all house-to-house. - Only, you never look happy.
0:10:07 > 0:10:11If you had to lay your hands on £1,000, just like that,
0:10:11 > 0:10:14- what would you do?- Ask me dad. - What, and he'd just shell out?
0:10:14 > 0:10:16He's a millionaire, so...
0:10:16 > 0:10:18- probably not. - Your dad's a millionaire?
0:10:18 > 0:10:20He's, like, so rich it's boring.
0:10:20 > 0:10:22Wow.
0:10:22 > 0:10:24So, how does he feel about you being a PCSO?
0:10:24 > 0:10:25Oh, you know.
0:10:25 > 0:10:28"Hundreds of millions of pounds spent on her education
0:10:28 > 0:10:30"and she wants to be a bloody policeman."
0:10:30 > 0:10:32- Only not so polite. - HE LAUGHS
0:10:34 > 0:10:36Why do you need £1,000?
0:10:36 > 0:10:37It's complicated.
0:10:43 > 0:10:45You're not exactly a barrel of laughs yourself, you know, kid.
0:10:45 > 0:10:48Yeah, well, it's my mother's funeral tomorrow.
0:10:50 > 0:10:52Is it?
0:10:53 > 0:10:54Oh, God. I'm sorry, I had no idea.
0:10:54 > 0:10:57- I haven't been advertising it. - You shouldn't be at work, Ann.
0:10:57 > 0:10:59I'd go mad at home.
0:11:00 > 0:11:01Was it sudden?
0:11:01 > 0:11:03Cancer.
0:11:05 > 0:11:08I'm sorry. I am sorry.
0:11:10 > 0:11:12KNOCKS ON DOOR
0:11:16 > 0:11:18You could always buy a lottery ticket.
0:11:47 > 0:11:49- You're joking.- Nope.- Sarge? - Yup.- How do you know?
0:11:49 > 0:11:52Gorkem read it on the box just before it got classified.
0:11:52 > 0:11:54She's been questioned cos she left threatening messages
0:11:54 > 0:11:57on Lynn Dewhurst's answering machine days before she died.
0:11:57 > 0:11:59That'll be why she's not been on the house-to-house.
0:11:59 > 0:12:03- She can't do anything connected to the murder inquiry. - That's mad.- It's stupid.
0:12:03 > 0:12:04Yeah, but is it? Lynn Dewhurst.
0:12:04 > 0:12:08So what? She strangled her and stuck a broken bottle up her f...andango.
0:12:08 > 0:12:11I'm not saying she did it. I'm just saying they questioned her over a week ago,
0:12:11 > 0:12:14and she still isn't being given any duties on the job.
0:12:14 > 0:12:16That's how she were the only one off on that raid yesterday
0:12:16 > 0:12:20- with the trafficking unit. - What raid?- Yesterday! She tasered a bloke.- Seriously?
0:12:20 > 0:12:22You people need to get your ears glued to the ground better.
0:12:22 > 0:12:26- You tasered a bloke, Sarge? - Er, food.
0:12:26 > 0:12:29- I did, yeah.- At that house where Ilinka escaped from.- How much do I owe you?
0:12:29 > 0:12:31£2.25. What did it feel like?
0:12:31 > 0:12:33Good, yeah - given that one minute
0:12:33 > 0:12:35there's a bloke coming at you with a baseball bat,
0:12:35 > 0:12:38and the next he's flat on the floor, quivering like fucking jelly.
0:12:38 > 0:12:41SHOUTING
0:12:41 > 0:12:43SHE SPEAKS THEIR LANGUAGE
0:12:43 > 0:12:45Sarge, Sarge, Sarge!
0:12:45 > 0:12:48Get back! Get back! Drop the bat!
0:12:48 > 0:12:49Taser, taser!
0:12:49 > 0:12:52TASER BUZZES MAN GIBBERS
0:12:54 > 0:12:56Oh, shit.
0:12:56 > 0:12:59LAUGHTER
0:13:03 > 0:13:06Obviously, I was trying to shoot him in the chesticles,
0:13:06 > 0:13:08not in the family jewels.
0:13:08 > 0:13:10But you know...
0:13:10 > 0:13:13If you're going to wave a baseball bat around in front of a woman
0:13:13 > 0:13:15who's just completed her taser training,
0:13:15 > 0:13:18you're asking for a bit of excitement.
0:13:18 > 0:13:19Eh, careful, Ann.
0:13:19 > 0:13:22Sarge's got a bottle in her hand, keep your legs together!
0:13:37 > 0:13:39Mr Tekeli...
0:13:39 > 0:13:41perhaps you'd like to take yourself outside
0:13:41 > 0:13:43and check the oil and water in all the patrol vehicles.
0:13:43 > 0:13:47Oh, sorry. Were you in the middle of your dinner? Bad luck.
0:13:47 > 0:13:51Perhaps you'd like to clean your mouth out whilst you're down there.
0:13:54 > 0:13:58- Ann, can you step into my office, love? I need a word with you.- Yup.
0:14:02 > 0:14:03Chop chop!
0:14:04 > 0:14:06It were only a joke.
0:14:14 > 0:14:17Nobody in their right mind thinks that you did that.
0:14:24 > 0:14:26The Home Office are letting Tommy Lee Royce out
0:14:26 > 0:14:28for his mother's funeral...
0:14:30 > 0:14:33..which...is tomorrow.
0:14:35 > 0:14:37Your FLO will be in touch to tell you all this but I heard,
0:14:37 > 0:14:39so I thought you ought to know.
0:14:41 > 0:14:43He'll be closely guarded, there'll be an armed escort,
0:14:43 > 0:14:45he'll be handcuffed at all times.
0:14:45 > 0:14:47They'll have done a full risk assessment
0:14:47 > 0:14:50and an operational order will be in place.
0:14:50 > 0:14:51He'll be in, out,
0:14:51 > 0:14:54and straight back to the same nasty little cell in Gravesend
0:14:54 > 0:14:57that he'll be occupying for the next 500 years.
0:15:00 > 0:15:01Where?
0:15:01 > 0:15:03Where's his mother's funeral?
0:15:05 > 0:15:06Elland.
0:15:09 > 0:15:10Before...mine?
0:15:10 > 0:15:13No, it's after. Later in the afternoon.
0:15:17 > 0:15:19- Right.- You won't see him.
0:15:34 > 0:15:35I said I don't need any help.
0:15:35 > 0:15:37You do need help, love.
0:15:37 > 0:15:40You need all the help you can get with your reading.
0:15:40 > 0:15:43I don't, not if I'm going to play for Man City.
0:15:43 > 0:15:46I told her. I said I spelt it out for her.
0:15:46 > 0:15:48Did you, indeed?
0:15:48 > 0:15:49- Hiya.- Hiya.
0:15:49 > 0:15:52- She talks funny and all. - Funny in what way?
0:15:52 > 0:15:54- She's Scottish.- Who is?
0:15:54 > 0:15:56- His new TA.- Miss Wealand.
0:15:56 > 0:15:59Well, it sounds to me like she's trying to help you,
0:15:59 > 0:16:01so you just try and be nice to her.
0:16:01 > 0:16:02I hate reading.
0:16:02 > 0:16:05Winnie wants you, before you start pouring yourself any tea.
0:16:05 > 0:16:06Don't do that, love.
0:16:14 > 0:16:16KNOCKS ON DOOR
0:16:16 > 0:16:17It's only me, Winnie.
0:16:17 > 0:16:22- Here she is. Now, then, Catherine...- Aww.
0:16:22 > 0:16:24- Thank you, Catherine. - How's she been?
0:16:24 > 0:16:26She's been absolutely fine.
0:16:26 > 0:16:29Good, good. Did you want to see me?
0:16:29 > 0:16:31Look, look at this.
0:16:32 > 0:16:36To je Aurelijina odjeca. Moja prijateljica Aurelija.
0:16:36 > 0:16:39- She had this friend, Aurelia. - Aurelija Petrovic.
0:16:39 > 0:16:42They were shunted from one house to another every few months
0:16:42 > 0:16:47by these people, these men, but they always managed to stay together,
0:16:47 > 0:16:51her and Aurelia, and they became very close.
0:16:51 > 0:16:56Aurelia, as well as working at the biscuit factory, she... They...
0:16:57 > 0:16:59- They made her...- Prostitution?
0:16:59 > 0:17:02Da. Then, one day,
0:17:02 > 0:17:06she thinks about 12 or 13 weeks since,
0:17:06 > 0:17:08she never came back,
0:17:08 > 0:17:11and she has not seen her since.
0:17:11 > 0:17:14And these - and she seems very certain about this -
0:17:14 > 0:17:16are HER clothes.
0:17:16 > 0:17:18The girl they never identified.
0:17:18 > 0:17:22She says they didn't have many clothes, any of them.
0:17:24 > 0:17:26- Aurelia?- Petrovic.- Petrovic.
0:17:26 > 0:17:28OK. Tell her...
0:17:30 > 0:17:32We're going to have to go back down to the station
0:17:32 > 0:17:35and talk about this to the team working on the murders.
0:17:37 > 0:17:41Catherine zeli otici u Sowerby Bridge s tobom
0:17:41 > 0:17:46i razgovarati o ovome sa ljudima koji istrazuju ubojstvo.
0:17:46 > 0:17:49- S policijom?- Da. - Ne, ne, ne, ne.
0:17:49 > 0:17:51She does not want to talk to the police.
0:17:51 > 0:17:53- Why?- Knezevici ce me ubiti.
0:17:53 > 0:17:57She says the Knezevici will kill her.
0:17:57 > 0:18:01She's mentioned these "Knezevici" more than once.
0:18:01 > 0:18:04How? How did she mention them?
0:18:04 > 0:18:07Well... Just as a threat.
0:18:07 > 0:18:10Did she see any of the Knezevics? Ask her.
0:18:10 > 0:18:14Jeste li ikad vidjeli neku od Knezevica?
0:18:14 > 0:18:20Ne, ne, ali jedan od njih je dolazio u kucu ponekad spavati s Aureliajom.
0:18:20 > 0:18:25- What?- One of them used to come to the house, to...
0:18:27 > 0:18:31..do the business with Aurelia.
0:18:31 > 0:18:33But she never saw him.
0:18:33 > 0:18:35Who are they?
0:18:35 > 0:18:37The Halifax mafia.
0:18:37 > 0:18:40Of course it'd be the Knezevics trafficking women.
0:18:40 > 0:18:42That'd be...right up their alley.
0:18:43 > 0:18:46Tell her...this is murder...
0:18:47 > 0:18:50..Knezevics or no Knezevics.
0:18:50 > 0:18:54In fact, good - anything we can get on the Knezevics,
0:18:54 > 0:18:55we have to report it.
0:18:56 > 0:18:58We have to do it for Aurelia...
0:19:00 > 0:19:02..and we have to do it now.
0:19:07 > 0:19:11I don't know why they won't let me sit in and translate for them.
0:19:13 > 0:19:14It's protocol, Winnie.
0:19:14 > 0:19:17They'll have me written off as senile.
0:19:21 > 0:19:24Do you want me to take you home?
0:19:24 > 0:19:25No, no, no, no.
0:19:25 > 0:19:27No, no.
0:19:27 > 0:19:30I'll wait for her.
0:19:30 > 0:19:31Poor lass.
0:19:34 > 0:19:39How do they get into... a pickle like this?
0:19:42 > 0:19:44Do you really want to know?
0:19:46 > 0:19:48Now you'll think I'm senile.
0:19:51 > 0:19:54They promise them a better life, and a job.
0:19:55 > 0:19:59Then, when they get here, they take their passport and their papers,
0:19:59 > 0:20:00siphon off their wages...
0:20:01 > 0:20:05..tell them they're sending it all home to their families,
0:20:05 > 0:20:08along with any letters they write - which, of course, they aren't -
0:20:08 > 0:20:11and they don't know any better.
0:20:11 > 0:20:13The penny only drops months later,
0:20:13 > 0:20:16when they've never had any letters back from their families.
0:20:18 > 0:20:20And then when the penny does drop,
0:20:20 > 0:20:23there's very little they can do about it...
0:20:23 > 0:20:26because the only people they've had any contact with
0:20:26 > 0:20:29are the ones that trafficked them in the first place, and each other.
0:20:29 > 0:20:32- It's evil.- Yep.
0:20:32 > 0:20:35Well, if you know damned well it's the Knezevics doing it,
0:20:35 > 0:20:38- why don't you arrest them? - Oh, Winnie, Winnie...
0:20:40 > 0:20:44They're clever, clever...bastards.
0:20:46 > 0:20:49It's one thing knowing somebody's done something.
0:20:49 > 0:20:51It's a different kettle of fish
0:20:51 > 0:20:54having the evidence to arrest them for it.
0:20:54 > 0:20:55How...
0:20:57 > 0:20:59How did she escape?
0:20:59 > 0:21:02She was on a fag break from Bowen's biscuit factory.
0:21:02 > 0:21:06Morati mi pomoci! Ako me uhvate ubiti ce me!
0:21:06 > 0:21:08Molim vas, pomozite mi.
0:21:08 > 0:21:10Language line.
0:21:10 > 0:21:11'They don't run, normally,
0:21:11 > 0:21:14'cos they've got no idea where they are,'
0:21:14 > 0:21:17and they don't speak any English, and they're terrified.
0:21:17 > 0:21:19So, effectively, they're trapped.
0:21:19 > 0:21:23All they know is where they live and where they work.
0:21:23 > 0:21:25They're taken there and back in a minibus every day.
0:21:25 > 0:21:28That's all they know. That's their life.
0:21:28 > 0:21:31She got over the wall and just ran and ran and ran.
0:21:31 > 0:21:34She'd got no idea where she was going to,
0:21:34 > 0:21:37and, if they'd caught her, they'd have beaten her black and blue.
0:21:40 > 0:21:41Sergeant Cawood.
0:21:41 > 0:21:43- Oh, is this Mrs Babic?- Winnie.
0:21:43 > 0:21:45Andy Shepherd, Detective Superintendent.
0:21:45 > 0:21:47We're very grateful to you, Winnie.
0:21:47 > 0:21:49This has opened up whole new lines of inquiry for us.
0:21:49 > 0:21:51- I wanted to say thank you. - It's my pleasure.
0:21:51 > 0:21:53Can I have a word?
0:22:01 > 0:22:04Ilinka's concerned that she may have been followed -
0:22:04 > 0:22:06here, to the nick.
0:22:07 > 0:22:08- How, sir?- I don't know,
0:22:08 > 0:22:11but you let her go outside for a comfort break, yesterday afternoon?
0:22:11 > 0:22:14- Yeah.- She thinks she saw a car,
0:22:14 > 0:22:18which disappeared as soon as whoever it was driving it saw a uniform.
0:22:18 > 0:22:19- Really?- Yeah.
0:22:19 > 0:22:23So, the concern is that, if she's right,
0:22:23 > 0:22:24whoever it was may have followed you
0:22:24 > 0:22:28when you drove her back to your house later in the day.
0:22:28 > 0:22:30- (Oh, shit.)- Yup.
0:22:30 > 0:22:33But I'd have noticed, I'd have seen if somebody had followed me.
0:22:33 > 0:22:34How sure can you be?
0:22:34 > 0:22:37It isn't as if you were looking for it, is it?
0:22:37 > 0:22:39So, what you've gone and done, inadvertently -
0:22:39 > 0:22:42- and I'm sure with the best of intentions...- No...
0:22:42 > 0:22:44There was nowhere else to take her.
0:22:44 > 0:22:46Nowhere else had any space.
0:22:46 > 0:22:48What you've done is put that little old lady in there
0:22:48 > 0:22:51in a potentially very vulnerable and dangerous position.
0:22:51 > 0:22:53If it's who we think it is, these people don't muck about.
0:22:53 > 0:22:57If they think Ilinka's told us stuff that could compromise them - and she has - they'll kill her.
0:22:57 > 0:23:00They'll put a petrol bomb through the door, they'll do something.
0:23:00 > 0:23:04I've contacted the security people. They're going to put a CP alarm in Winnie's house.
0:23:04 > 0:23:07They're going over there right now, they'll be there when you get back.
0:23:07 > 0:23:10I'm not going as far as an Osman warning - I don't want to freak her out -
0:23:10 > 0:23:12but perhaps you could explain to Winnie what they're doing
0:23:12 > 0:23:16- without causing her any more alarm than we need to.- Yeah.
0:23:16 > 0:23:18And do yourself a favour, Sergeant.
0:23:18 > 0:23:22Hurry up with your alibi for either of the first two murders, and then we can eliminate you.
0:23:22 > 0:23:25No-one is doing this to embarrass you, Catherine.
0:23:25 > 0:23:27It's ticking boxes. We all know it's ridiculous -
0:23:27 > 0:23:30you've got the QPM, you're a credit to the police service.
0:23:30 > 0:23:33We all know you're not a killer.
0:23:33 > 0:23:36Please, just do it. OK?
0:23:37 > 0:23:38Sir.
0:23:41 > 0:23:42(Oh, shit.)
0:23:51 > 0:23:53KNOCKS ON DOOR DOOR OPENS
0:23:57 > 0:23:58You all right?
0:24:01 > 0:24:02- Dad?- Yep.
0:24:06 > 0:24:08You coming downstairs?
0:24:08 > 0:24:10In a minute.
0:24:18 > 0:24:20People keep asking after you.
0:24:20 > 0:24:21Mm.
0:24:33 > 0:24:35- I wish we didn't have a full house. - Yeah.
0:24:37 > 0:24:38Well...
0:24:41 > 0:24:43..they'll all be gone after tomorrow.
0:24:45 > 0:24:48And then it'll be just you and me.
0:24:50 > 0:24:52I'm sorry we don't always see eye to eye,
0:24:52 > 0:24:54because I do love you, you know?
0:24:55 > 0:24:57And I'm proud of you.
0:24:59 > 0:25:01I'm proud of you.
0:25:14 > 0:25:18I sacked this fella at work the other day.
0:25:18 > 0:25:20It's been bothering me.
0:25:20 > 0:25:22- What did he do? - Oh, he made a mistake
0:25:22 > 0:25:25and then he didn't handle it so well and I had to pick up the pieces,
0:25:25 > 0:25:27so I gave him his marching orders.
0:25:27 > 0:25:28- So?- So...
0:25:30 > 0:25:35So, your mother would've persuaded me to give him another chance,
0:25:35 > 0:25:37even though he's had loads already.
0:25:39 > 0:25:44You see, she never gave up on anyone, your mum.
0:25:46 > 0:25:49She never stopped seeing the good in folk.
0:25:50 > 0:25:54It's Tommy Lee Royce's mother's funeral...tomorrow.
0:25:55 > 0:25:57They're letting him out.
0:25:58 > 0:26:00It's at Elland.
0:26:00 > 0:26:02I know.
0:26:02 > 0:26:04Alec rang.
0:26:04 > 0:26:06The Family Liaison Officer.
0:26:06 > 0:26:09I had to do a house-to-house up Bateman Street this morning.
0:26:09 > 0:26:13- Up King Cross.- They should never have made you go up that street.
0:26:13 > 0:26:15I'm not scared of that street.
0:26:15 > 0:26:17And I'm not scared of him.
0:26:19 > 0:26:21I'm not scared of anything.
0:26:23 > 0:26:25See you later. Goodnight.
0:26:25 > 0:26:26Drive safely.
0:26:29 > 0:26:31So, you know where I am.
0:26:31 > 0:26:33And I'll sleep in our conservatory tonight, then I'm handy.
0:26:33 > 0:26:35Don't be so damned silly, you'll freeze.
0:26:35 > 0:26:37Tell her to get some sleep.
0:26:37 > 0:26:41- Catherine kaze san.- Not to worry... - I ne brinite.- ..about anything.
0:26:41 > 0:26:44I'll tell her, I'll tell her, I'll tell her.
0:26:44 > 0:26:45I'm sorry about this.
0:26:45 > 0:26:47You get some sleep yourself, lady.
0:26:47 > 0:26:50- Night-night.- Night-night. - Lock this door.
0:26:50 > 0:26:53Oh, I thought I might leave it wide open
0:26:53 > 0:26:56and put a sign out. "Traffickers this way"(!)
0:26:56 > 0:26:58Oh, and an arrow.
0:26:58 > 0:27:00Boop.
0:27:00 > 0:27:02Yeah, OK. Night-night, Ilinka.
0:27:02 > 0:27:03Night-night.
0:27:04 > 0:27:06Night-night.
0:27:20 > 0:27:22LAUGHTER
0:27:51 > 0:27:54CELL DOOR OPENS
0:27:56 > 0:27:57Good morning.
0:27:59 > 0:28:00Morning, boss.
0:28:00 > 0:28:02I've come to let you know you've been given
0:28:02 > 0:28:06permission by the Home Office to attend your mother's funeral.
0:28:07 > 0:28:09- When?- Today.
0:28:09 > 0:28:11You'll be leaving in half an hour.
0:28:11 > 0:28:13You'll be driven there under armed escort.
0:28:13 > 0:28:16You'll be handcuffed at all times. OK?
0:28:16 > 0:28:18You came straight here from court after your conviction,
0:28:18 > 0:28:21so I'm assuming you've got a suit of some sort?
0:28:21 > 0:28:22Yeah, yeah...
0:28:24 > 0:28:26- They took it off me... - I've sorted that out.
0:28:26 > 0:28:28I'll leave it with you.
0:28:34 > 0:28:35You all right, son?
0:28:47 > 0:28:49Tea?
0:28:49 > 0:28:50Ooh...
0:28:58 > 0:29:01I got the note. Why?
0:29:01 > 0:29:03Oh, er...
0:29:04 > 0:29:05I didn't want to disturb you...
0:29:05 > 0:29:08No, I don't mean "why did you leave a note?",
0:29:08 > 0:29:11- I mean "why are you sleeping in the conservatory?"- Oh.
0:29:12 > 0:29:15Winnie. We put an alarm in her house last night
0:29:15 > 0:29:17in case anybody unsavoury followed Ilinka.
0:29:17 > 0:29:21So...I just thought I'd keep an eye out.
0:29:21 > 0:29:24- You never knock off, do you? - I shouldn't have brought her here.
0:29:24 > 0:29:27Well, I should, because she needed to be somewhere,
0:29:27 > 0:29:30and I don't think they did follow her, but...
0:29:30 > 0:29:32I was stupid not to think about it.
0:29:34 > 0:29:36He's gone -
0:29:36 > 0:29:38Neil.
0:29:38 > 0:29:41He starts his shift at the shop at half past six.
0:29:41 > 0:29:43I had a really good chat with him last night.
0:29:43 > 0:29:46Oh, is that what it was?
0:29:46 > 0:29:47I told him...
0:29:47 > 0:29:49I've got a bit of history.
0:29:50 > 0:29:53It turns out he does too.
0:29:53 > 0:29:55- I know.- You know?
0:29:55 > 0:29:58A couple of drunk and incapables, yeah. I PNC'd him.
0:29:58 > 0:30:00- I didn't think you were supposed to do that.- We're not.
0:30:00 > 0:30:04- Not for personal...- It's a sackable offence. Don't tell him.
0:30:04 > 0:30:06Why didn't you tell ME that you knew?
0:30:06 > 0:30:09I didn't know whether you'd want to hear it or not.
0:30:11 > 0:30:13- When was this? - Five or six years ago.
0:30:13 > 0:30:16You see, that's when his marriage broke down.
0:30:17 > 0:30:19It sounded awful.
0:30:19 > 0:30:25He had a good... I mean, a really good job at the building society.
0:30:25 > 0:30:28- And then he got involved with this woman...- Oh...
0:30:28 > 0:30:31Oh, and you're whiter than white, aren't you?
0:30:31 > 0:30:33- Why did you PNC him? - I don't know, instinct -
0:30:33 > 0:30:38the way he flinched when I took my coat off and he saw my uniform.
0:30:38 > 0:30:43Anyway, it all got very unpleasant, and she started making threats...
0:30:43 > 0:30:45Did she boil his bunny?
0:30:45 > 0:30:48I don't know, but it all became known.
0:30:48 > 0:30:54She told his wife and his kids and he had a breakdown.
0:30:54 > 0:30:57A proper, real deal, nervous breakdown.
0:30:57 > 0:30:59He couldn't speak.
0:30:59 > 0:31:04He lost his family, his house, his job, his self-respect. Everything.
0:31:04 > 0:31:07So, he ended up drinking...
0:31:08 > 0:31:11..and that must be when that happened,
0:31:11 > 0:31:13when he hit rock bottom.
0:31:13 > 0:31:16- Does he drink now?- No. - How do you know?- He told me.
0:31:17 > 0:31:20He's a good person, Catherine.
0:31:20 > 0:31:21He always was.
0:31:23 > 0:31:25At the time of her death,
0:31:25 > 0:31:29Aurelia Petrovic was living at 58 Hibernia Street in Boothtown.
0:31:29 > 0:31:32She was, according to Ilinka, 34 years old.
0:31:33 > 0:31:36Ilinka also told us that she came from a village called Ivanec
0:31:36 > 0:31:39in Northern Croatia, and that she has a mother and a sister there.
0:31:39 > 0:31:43So, let's get hold of Europol.
0:31:43 > 0:31:46Their ground officers should be able to help us trace her family.
0:31:46 > 0:31:48I want as much information on the family as possible.
0:31:48 > 0:31:51When did they last have any contact with Aurelia? I want detail.
0:31:51 > 0:31:54The Hibernia Street address has been secured as a potential crime scene
0:31:54 > 0:31:56and CSI are en route. Let's see what that throws up.
0:31:56 > 0:31:59Let's liaise with the ops room for the Peveril Lane raid,
0:31:59 > 0:32:02because they should be collating full profiles on the women found there
0:32:02 > 0:32:04and this could be crucial to our investigation.
0:32:04 > 0:32:07If Aurelia was trafficked, I want to know when, who by,
0:32:07 > 0:32:09and what she's been doing since she entered the UK.
0:32:09 > 0:32:12Who lived at 58 Hibernia Street? Who visited? Who owns it?
0:32:14 > 0:32:17"I am not going....
0:32:17 > 0:32:24"to ask...you again, George...
0:32:24 > 0:32:28"said...Granny."
0:32:28 > 0:32:32My granny doesn't look like that, like a little old woman.
0:32:32 > 0:32:35She'd know how to deal with this George lad better, and all.
0:32:35 > 0:32:38- What does your granny look like? - She's a policeman. Woman.
0:32:38 > 0:32:40Is she?
0:32:40 > 0:32:43She chases scrotes and druggies and nutters.
0:32:44 > 0:32:46What about your other granny?
0:32:46 > 0:32:49- I haven't got another one. - Your dad's mum.
0:32:49 > 0:32:52We don't talk about me dad. And anyway...
0:32:52 > 0:32:55How did you know Granny isn't me dad's mum?
0:32:55 > 0:32:56I didn't tell you that.
0:32:56 > 0:33:00Oh, I must've just made a lucky guess there, Ryan.
0:33:00 > 0:33:03- Come on, bit more. - Why are you all dressed up?
0:33:04 > 0:33:08- You're very good at diversion tactics, aren't you?- Am I?- Mm-hmm.
0:33:09 > 0:33:12I'm dressed up because I'm going to a funeral this afternoon.
0:33:12 > 0:33:15So is my granny - and my Auntie Clare.
0:33:15 > 0:33:17Is she? Are they?
0:33:17 > 0:33:20I wanted to go as well so I wouldn't have to come to school,
0:33:20 > 0:33:22but they wouldn't let me.
0:33:22 > 0:33:25- Did you know Helen as well, then? - Helen?
0:33:25 > 0:33:26No.
0:33:26 > 0:33:30No, I'm going to someone else's funeral.
0:33:30 > 0:33:32Whose?
0:33:32 > 0:33:33You didn't know her.
0:33:40 > 0:33:42I said, "Stop being a push-over, you pillock.
0:33:42 > 0:33:44"You've got to take decisive action.
0:33:44 > 0:33:46"You can't let yourself get bullied like this.
0:33:46 > 0:33:49"You're a copper, for God's sake - a bloody good one and all".
0:33:49 > 0:33:51THUNDERCLAP
0:33:51 > 0:33:53'I do realise I'm playing with fire,
0:33:53 > 0:33:56'with you being a policeman and everything.'
0:34:02 > 0:34:04DIALLING TONE
0:34:04 > 0:34:05Hello?
0:34:05 > 0:34:07Hi. It's me.
0:34:09 > 0:34:11I've, er...
0:34:13 > 0:34:15You're right.
0:34:15 > 0:34:18You're right, I should leave her. I should have left her years ago.
0:34:18 > 0:34:21So...I'm going to go round this afternoon...
0:34:21 > 0:34:24Well, this evening, after work,
0:34:24 > 0:34:29and I'll get my stuff and...
0:34:29 > 0:34:31that's it, I'll tell her.
0:34:32 > 0:34:35Then I'll be round at yours. Is that all right?
0:34:35 > 0:34:38Well...yeah.
0:34:38 > 0:34:39Yeah, yeah, of course.
0:34:41 > 0:34:44- Great. - Well, you must feel relieved,
0:34:44 > 0:34:47- now you've made that decision. - Yeah, yeah, I do.
0:34:49 > 0:34:52What time will I see you? Shall we say half seven-ish?
0:34:52 > 0:34:53Yeah. Yeah, yeah.
0:34:54 > 0:34:56I'll cook.
0:34:56 > 0:34:59Great, that's fine.
0:34:59 > 0:35:01Great.
0:35:01 > 0:35:02OK.
0:35:03 > 0:35:05Bye.
0:35:40 > 0:35:44There will be a memorial service, a proper one, at the Minster.
0:35:47 > 0:35:50Got the date sorted on that. That's all.
0:35:53 > 0:35:57Mr Gallagher. Sorry, Nev, to interrupt.
0:35:57 > 0:35:59I just wanted to say how sorry I am.
0:36:01 > 0:36:03I tried to catch your eye at the crem,
0:36:03 > 0:36:05but obviously you had a lot on your mind, and I realise
0:36:05 > 0:36:08you probably might not want me here, but I just wanted to say sorry,
0:36:08 > 0:36:10again, about that other business.
0:36:12 > 0:36:13Sean...
0:36:16 > 0:36:18What am I going to do with you? Eh, lad?
0:36:20 > 0:36:22Who's that?
0:36:22 > 0:36:24That is Sean...
0:36:26 > 0:36:28Somebody who works for Nev.
0:36:30 > 0:36:32He's been inside.
0:36:32 > 0:36:35He used to hang about at the Mission just after he got out.
0:36:35 > 0:36:37Helen got him on the straight and narrow
0:36:37 > 0:36:39and he's been working for Nev ever since.
0:36:39 > 0:36:40Balmforth! Sean Balmforth.
0:36:44 > 0:36:46What?
0:36:46 > 0:36:48I was down Stoneyroyd Lane a couple of days ago,
0:36:48 > 0:36:51warning the girls to be extra vigilant with this bastard out there
0:36:51 > 0:36:53doing what he's doing, when this van came creeping along.
0:36:53 > 0:36:56Then, when whoever it was saw me, they sped off.
0:36:56 > 0:36:58So I PNC'd the vehicle, and that was the name that came up as the owner -
0:36:58 > 0:37:00Sean Balmforth.
0:37:01 > 0:37:04You see, that were the thing with Helen.
0:37:04 > 0:37:07Just occasionally, there'd be someone come along, and you'd think,
0:37:07 > 0:37:10"I wouldn't touch that bastard with a barge pole".
0:37:10 > 0:37:13But she never thought like that about anyone, ever.
0:37:14 > 0:37:16- Look, I've got to go.- Eh?
0:37:16 > 0:37:19I've stuff to do. This is your crowd. You stay here.
0:37:19 > 0:37:21I'll pick you up later.
0:37:21 > 0:37:23OK if I take the car?
0:37:23 > 0:37:26- I don't actually know that many people...- Yes, you do. Liz is here.
0:37:28 > 0:37:31OK, but if I get bored, I'll need picking up sooner.
0:37:31 > 0:37:34- I am coming back. - I thought we were stopping.
0:37:35 > 0:37:37I'm just going to slip out.
0:39:42 > 0:39:45I am the resurrection and the life, says the Lord.
0:39:45 > 0:39:50Those who believe in me, even though they die, will live.
0:40:41 > 0:40:46# All things wise and wonderful
0:40:46 > 0:40:49# The Lord God made them all
0:40:51 > 0:40:55# Each little flower that opens
0:40:55 > 0:41:00# Each little bird that sings
0:41:00 > 0:41:04# He made their glowing colours
0:41:04 > 0:41:09# He made their tiny wings
0:41:09 > 0:41:13# All things bright and beautiful
0:41:13 > 0:41:18# All creatures great and small
0:41:18 > 0:41:22# All things wise and wonderful
0:41:22 > 0:41:26# The Lord God made them all. #
0:41:27 > 0:41:29GUESTS CHATTER
0:41:40 > 0:41:44..who died and was buried and rose again for us.
0:41:44 > 0:41:48Unto Him that is able to keep us from falling,
0:41:48 > 0:41:49and to present us faultless
0:41:49 > 0:41:53before the presence of His glory, with exceeding joy,
0:41:53 > 0:41:55to the only wise God our Saviour,
0:41:55 > 0:41:57be glory and majesty,
0:41:57 > 0:41:59dominion and power,
0:41:59 > 0:42:02both now and ever.
0:42:02 > 0:42:03Amen.
0:42:03 > 0:42:08The Father and the Son and the Holy Spirit. Amen.
0:42:27 > 0:42:29What's that fucking bitch doing here?
0:42:30 > 0:42:32Who let that bitch in?
0:42:32 > 0:42:34She killed my mother.
0:42:34 > 0:42:37You killed my mother, you filthy bitch!
0:42:37 > 0:42:39I know what you did!
0:42:39 > 0:42:43You're going to get what's coming to you, you filthy fucking whore!
0:42:43 > 0:42:45Get off me, you bastards!
0:42:45 > 0:42:48You're going to get what's coming to you!
0:42:48 > 0:42:50You filthy fucking whore!
0:42:50 > 0:42:53Get off me, you bastards! Get off me!
0:42:53 > 0:42:56She killed my mother! Get off me!
0:42:56 > 0:42:58You filthy bitch!
0:42:58 > 0:43:00Get off me, you bastards!
0:43:24 > 0:43:26PHONE RINGS
0:43:36 > 0:43:39- Hiya.- Where are you?
0:43:39 > 0:43:42Nowhere. It's my day off. Why, where are you?
0:43:42 > 0:43:44I do my best for you, you know, Catherine.
0:43:44 > 0:43:46What the hell did you go there for?
0:43:48 > 0:43:50I don't know. To make sure.
0:43:51 > 0:43:54- What?!- I don't know.
0:43:54 > 0:43:56Right. Well, I've just had my arse kicked by the Super
0:43:56 > 0:43:58for not explaining to you beforehand...
0:43:58 > 0:44:01if you were so much as thinking of turning up there today,
0:44:01 > 0:44:03it would be considered grossly inappropriate.
0:44:03 > 0:44:05Yeah, piss off, whatever.
0:44:05 > 0:44:07Also... Are you listening?
0:44:07 > 0:44:09Also, you've still not alibied yourself,
0:44:09 > 0:44:12and turning up there at the victim's funeral
0:44:12 > 0:44:15has not helped your case one jot, one iota,
0:44:15 > 0:44:17one tiny little bit.
0:44:17 > 0:44:18I haven't got a case.
0:44:18 > 0:44:22This is really serious, Catherine. You have got a case to answer!
0:44:22 > 0:44:25You found the body, you made threatening phone calls,
0:44:25 > 0:44:28you had a motive, and now you've turned up at the victim's funeral!
0:44:28 > 0:44:30- What motive?- Revenge -
0:44:30 > 0:44:31against Tommy Lee Royce.
0:44:33 > 0:44:37You've demonstrated very, very poor judgment going there today.
0:44:39 > 0:44:41Catherine?
0:44:41 > 0:44:43Yeah, I'm still here.
0:44:43 > 0:44:46Right, well, stop pissing about and get yourself eliminated.
0:44:46 > 0:44:48I can't. I've checked everything.
0:44:49 > 0:44:52My calendar, my pocket book, my smartphone,
0:44:52 > 0:44:53the roster, everything.
0:44:54 > 0:44:56There's nothing.
0:44:57 > 0:44:59I wasn't doing anything with anybody
0:44:59 > 0:45:02who can give me an alibi on those days, so...
0:45:02 > 0:45:05I mean, I probably was, but I've no record of it, all right?
0:45:07 > 0:45:08Boss?
0:45:10 > 0:45:11Mike?
0:45:30 > 0:45:32Hey, Dad.
0:45:36 > 0:45:39- You can have an apple and that's it, OK?- Oh, you're back!
0:45:40 > 0:45:44I've been called out on obs. We're following a suspect.
0:45:44 > 0:45:46Oh, right. How are you feeling?
0:45:48 > 0:45:49Yeah, I'm fine.
0:45:51 > 0:45:53It might be two days. Hopefully not.
0:45:53 > 0:45:55If it's going to be any longer than that, I'll let you know.
0:45:55 > 0:45:58- You need to catch this bastard. - Yeah, we will.
0:45:58 > 0:46:01- Right, see you.- Bye.- Ta-ta.
0:46:03 > 0:46:05Where's he going?
0:46:05 > 0:46:07Work. Always work.
0:46:17 > 0:46:19DOORBELL RINGS
0:46:35 > 0:46:37HE LAUGHS
0:46:37 > 0:46:40So, how's this going to work?
0:46:40 > 0:46:43I mean, I have to be frank -
0:46:43 > 0:46:47I don't feel much like being intimate...
0:46:47 > 0:46:51with the threat of those pictures of me out there somewhere in the ether.
0:46:53 > 0:46:55So, what did she say?
0:46:55 > 0:46:57Amanda, when you told her.
0:46:59 > 0:47:01She said she knew. She said she'd known for a while -
0:47:01 > 0:47:03well, suspected.
0:47:03 > 0:47:07- Did she want to know who I was? - Yeah.- Did you tell her?- No.
0:47:09 > 0:47:13I know you're worried about the children, but we can make it work.
0:47:13 > 0:47:15You can bring them here.
0:47:15 > 0:47:19- There's not room.- Yeah, obviously.
0:47:19 > 0:47:22We'd have to get somewhere bigger.
0:47:22 > 0:47:23At some point, yeah.
0:47:26 > 0:47:30You will have to give me the phone, and anywhere you've backed them up.
0:47:30 > 0:47:33I mean, we have to have that trust back. Don't we?
0:47:33 > 0:47:35Well, I have to.
0:47:36 > 0:47:38So, she didn't go mad?
0:47:39 > 0:47:42- She didn't make a big scene in front of the kids?- No.
0:47:45 > 0:47:47I wonder why...
0:47:49 > 0:47:53Maybe it hadn't sunk in yet. I don't know.
0:47:53 > 0:47:56Maybe she didn't want to make a scene in front of them.
0:47:56 > 0:47:59- She didn't follow you, did she? - I doubt it.
0:48:06 > 0:48:08I made a moussaka.
0:48:25 > 0:48:27There you go.
0:49:02 > 0:49:04You snuck off.
0:49:04 > 0:49:06I had things to do. Is Clare about?
0:49:06 > 0:49:08I think they're in the garden.
0:49:08 > 0:49:11Her and Ann. I think they're having a cigarette.
0:49:13 > 0:49:14She thinks...
0:49:14 > 0:49:18- HE LAUGHS - ..I don't know she smokes.
0:49:18 > 0:49:21Ann, not Clare. I know she smokes.
0:49:39 > 0:49:41Clare?
0:49:41 > 0:49:42Oh, shit, she's here.
0:49:42 > 0:49:45- Evenin', all.- Finally.
0:49:45 > 0:49:46What's going on? What are you doing?
0:49:46 > 0:49:51It's OK, calm down. I just... I just needed something to blur the edges.
0:49:51 > 0:49:53Anyway, where did you disappear off to?
0:49:53 > 0:49:55How much has she had to drink?
0:49:55 > 0:49:58- I don't know, I haven't been counting.- Don't start.
0:49:58 > 0:50:02- Don't start?- She's allowed a drink, it's a funeral.
0:50:02 > 0:50:04Do you want to get in the car?
0:50:04 > 0:50:06Eh, come on, Catherine, she's not 15.
0:50:06 > 0:50:09Yeah, come on, Catherine. No, no, no, no, no, no...
0:50:09 > 0:50:12- Put it down.- I don't need it. - Good. Put it down.
0:50:12 > 0:50:14Why don't you chill?
0:50:14 > 0:50:16Today of all days, to fall off the wagon.
0:50:16 > 0:50:18Helen would've been really proud of you.
0:50:18 > 0:50:21Don't throw that out at me. That's below the belt, that is.
0:50:21 > 0:50:24Right, well, what would she have said?
0:50:24 > 0:50:27- Come on, put it down. - I've been very upset today.
0:50:27 > 0:50:28I know you've been upset,
0:50:28 > 0:50:31but you can make the right decision, right now,
0:50:31 > 0:50:33not to let this go any further. When did she start?
0:50:33 > 0:50:37Can we not talk to me like I'm about six, please,
0:50:37 > 0:50:38or not even present?
0:50:38 > 0:50:41- Clare's an alcoholic. - I didn't know that.
0:50:41 > 0:50:44- That's right, go on, embarrass me. - When did she start?
0:50:44 > 0:50:46- She's not had tonnes. - Who's "she"? The cat's mother?
0:50:46 > 0:50:49I don't want to embarrass you, Clare, I just want you
0:50:49 > 0:50:51to not let this go any further than it has done already.
0:50:51 > 0:50:55I just want you to put that down and I want you to get into the car.
0:50:55 > 0:50:57Please?
0:51:00 > 0:51:02Do you want me to treat you like I'm your sister and I love you,
0:51:02 > 0:51:05or do you want me to treat you like I'm a police officer?
0:51:05 > 0:51:06Which I will do, if I have to.
0:51:06 > 0:51:08- I've not done anything illegal.- Yes.
0:51:08 > 0:51:12But, if you carry on, you and me both know you probably will.
0:51:13 > 0:51:14Well...
0:51:16 > 0:51:19I need a wee before we go, anyway.
0:51:22 > 0:51:23Right.
0:51:34 > 0:51:36I'm sorry, Catherine.
0:51:37 > 0:51:38I had no idea.
0:51:41 > 0:51:42She'll go through your fridge,
0:51:42 > 0:51:47she'll be in your cupboards, finding things to take home with her.
0:51:47 > 0:51:48Oh, fuck. Yeah. Here.
0:51:57 > 0:52:02Thing is, though, how do I know you haven't backed it up somewhere else?
0:52:02 > 0:52:04Because I'm telling you.
0:52:06 > 0:52:09Anyway, it doesn't matter now, does it?
0:52:10 > 0:52:12You're here.
0:52:12 > 0:52:15You made the decision to come here. That's all that matters.
0:52:15 > 0:52:18Even if I had backed it up - which I haven't -
0:52:18 > 0:52:21as long as you're here, it wouldn't matter.
0:52:21 > 0:52:23What if I walked out?
0:52:23 > 0:52:26Would you suddenly remember that you had backed it up somewhere?
0:52:26 > 0:52:28- Are you going to?- No.
0:52:28 > 0:52:30Well, then...!
0:52:31 > 0:52:33- So, have you?- Have I what?
0:52:33 > 0:52:35- Backed it up somewhere?- No.
0:52:35 > 0:52:37Of course you have. I'm not stupid.
0:52:37 > 0:52:41I only used that phone to take the photos and e-mail them to you, so...
0:52:43 > 0:52:45Well, yeah. Technically,
0:52:45 > 0:52:49I could've e-mailed them to my own e-mail address as well -
0:52:49 > 0:52:52and any number of other people - and backed them up.
0:52:52 > 0:52:54But I didn't.
0:52:54 > 0:52:56You're going to have to trust me, John.
0:52:56 > 0:53:00- HE LAUGHS - Trust you?!- Yeah.
0:53:00 > 0:53:04You do realise...you could've killed me with that bloody drug?
0:53:04 > 0:53:08- Where did you get it? - SHE GIGGLES
0:53:08 > 0:53:09The internet.
0:53:09 > 0:53:13Cooked up in someone's back yard? Full of shit?!
0:53:13 > 0:53:15I could be dead.
0:53:15 > 0:53:18- So I wish you had killed me. - Look, we can either...
0:53:18 > 0:53:21Have you any idea of the misery I've been through in the last ten days?
0:53:21 > 0:53:25Look, we can keep going over this, or we can move on.
0:53:25 > 0:53:27I might need to destroy your computer.
0:53:27 > 0:53:29You're not destroying my computer.
0:53:29 > 0:53:32- Did you send them to anyone else? - No.
0:53:32 > 0:53:33Did you?
0:53:33 > 0:53:35No.
0:53:42 > 0:53:43Pudding?
0:54:05 > 0:54:08Stop it! Don't you dare touch my things, you pig!
0:54:08 > 0:54:09Agh, you...
0:54:09 > 0:54:10bitch!
0:54:12 > 0:54:14You've had that coming!
0:54:17 > 0:54:19Calm down... Stop it.
0:54:22 > 0:54:25Get off! Calm down... Get off!
0:54:25 > 0:54:27You get off!
0:54:39 > 0:54:41Get off me!
0:54:41 > 0:54:42Get off me...!
0:54:42 > 0:54:44Get off me!
0:54:44 > 0:54:46Get off me! Get off!
0:54:46 > 0:54:49I'll scream. I'll scream, John!
0:54:49 > 0:54:50You're hurting me!
0:54:50 > 0:54:53- You shouldn't have done it! - SHE SCREAMS
0:54:55 > 0:54:59You shouldn't have done it, you shouldn't have done it!
0:54:59 > 0:55:01SHE CHOKES AND GASPS
0:55:03 > 0:55:05They didn't know that she shouldn't drink.
0:55:05 > 0:55:09- What's she doing now? - I've no idea, but at least she's in.
0:55:09 > 0:55:12Unless she's shinning down the drainpipe.
0:55:12 > 0:55:14FOOTSTEPS COME DOWNSTAIRS
0:55:16 > 0:55:19I'm going outside for a fag...
0:55:20 > 0:55:24..if that's all right with the Gestapo?
0:55:41 > 0:55:43Where's she going to go?
0:55:43 > 0:55:46It's gone 11 o'clock - she'll not get served anywhere.
0:55:46 > 0:55:47What's she doing?
0:55:52 > 0:55:54She's just lighting up.
0:55:54 > 0:55:56She'll go down the Jockey's. They stay open all hours.
0:55:56 > 0:55:58I thought they closed that down.
0:56:00 > 0:56:02She's just smoking.
0:56:12 > 0:56:13Mum.
0:56:15 > 0:56:19- Clare?- Fucking hell!- Clare! - Can you not leave me alone?
0:56:20 > 0:56:23- Where you going? - I'm not going anywhere.
0:56:23 > 0:56:26- I'm coming with you.- OK.
0:56:26 > 0:56:29- I know where you're going. - Whatever.- Don't do this.
0:56:29 > 0:56:34I need some space, I need for you to stop pestering me, Catherine.
0:56:34 > 0:56:36- What about Neil?- What about him?
0:56:36 > 0:56:38You see, this is what it does to you -
0:56:38 > 0:56:41it makes you selfish and small-minded and unpleasant,
0:56:41 > 0:56:43- and that isn't you. - You don't like him.
0:56:43 > 0:56:46- I never said that.- You PNC'd him! - Shh...!
0:56:46 > 0:56:48People don't need to say things,
0:56:48 > 0:56:50you can still tell what they're thinking.
0:56:50 > 0:56:54Just one day - just for one day - will you stop going on at me?!
0:56:54 > 0:56:57No, Clare, this is the day I need to go on at you!
0:56:57 > 0:57:00Please. Please, don't do this. I'm saying it because I love you.
0:57:00 > 0:57:03I'm begging you. I'll beg. I'll beg. I'll do anything.
0:57:03 > 0:57:06I'll be fine. Tomorrow, I'll start again.
0:57:06 > 0:57:08No, tomorrow, you'll need another drink.
0:57:08 > 0:57:11- If you drink now, you'll need more later...- Will you shift?
0:57:11 > 0:57:12I'm sick of you!
0:57:12 > 0:57:15With all your holier-than-thou police bollocks shit!
0:57:17 > 0:57:22If you go down to the Jockey's, one thing will lead to another.
0:57:22 > 0:57:23You know what I'm talking about -
0:57:23 > 0:57:26there's nothing you can't buy down there.
0:57:26 > 0:57:28You're not in charge of me, Catherine!
0:57:28 > 0:57:31Just get out of my life! Go away.
0:57:31 > 0:57:32GO AWAY!
0:57:34 > 0:57:36Right, well, that's it, then.
0:57:36 > 0:57:38The door will be locked when you stagger back,
0:57:38 > 0:57:41and you can bang as loud as you like. You'll not get back in.
0:57:41 > 0:57:43- OK.- I'll leave all your belongings
0:57:43 > 0:57:45and your bits and pieces on the street outside the front door.
0:57:45 > 0:57:48- Whatever. - Oh, and remember -
0:57:48 > 0:57:49there's a fella out there
0:57:49 > 0:57:51murdering and mutilating vulnerable women
0:57:51 > 0:57:53wandering about at night on their own.
0:57:58 > 0:58:00Shit.