0:00:02 > 0:00:03This programme contains graphic violent scenes
0:00:03 > 0:00:05and scenes which some viewers may find upsetting.
0:00:05 > 0:00:07- Get the flash drive. - Renko took it. It's gone.
0:00:07 > 0:00:10We cut her a deal. If she brings you down, her child stays out of prison.
0:00:10 > 0:00:11- Did my dad rape you?- Yes.
0:00:11 > 0:00:12But if you go to prison,
0:00:12 > 0:00:16then your family will have to face what's coming without you.
0:00:16 > 0:00:18So what's taking so long?
0:00:18 > 0:00:21There's nothing to suggest that Hicks killed Butler.
0:00:21 > 0:00:22He's sleeping with the man's wife.
0:00:22 > 0:00:25- Do you think he killed your husband? - Of course he didn't! Jesus!
0:00:25 > 0:00:27For what it's worth, I don't think so, either.
0:00:27 > 0:00:30She told someone where it is and what to do with it,
0:00:30 > 0:00:33someone she can trust, but I don't know who that is.
0:00:33 > 0:00:35When she was 14,
0:00:35 > 0:00:39Renko's parents brought in a complaint of rape against a teacher.
0:00:39 > 0:00:41Noah Underhill.
0:00:44 > 0:00:46LABOURED BREATHING
0:00:50 > 0:00:52DISTANT SIREN
0:01:23 > 0:01:24Do you want to buy some dope?
0:01:24 > 0:01:26Hey! Oi!
0:02:24 > 0:02:27HIS BREATHING BEGINS TO SETTLE
0:02:40 > 0:02:43HE GROANS IN PAIN
0:02:46 > 0:02:48Stop! Please!
0:03:03 > 0:03:05Hello, Dad.
0:04:40 > 0:04:42HE CLEARS HIS THROAT
0:04:51 > 0:04:53Morning.
0:04:53 > 0:04:56You fancy a cooked breakfast? Come on, I'm starving here.
0:04:58 > 0:05:00No, I couldn't, babe. Just woke up.
0:05:00 > 0:05:03Oh, come on, have a proper breakfast.
0:05:03 > 0:05:04I'll do the full works, how's that?
0:05:13 > 0:05:16RUMBLE OF TRAINS
0:05:39 > 0:05:40Have you found your son?
0:05:40 > 0:05:42No, sir.
0:05:42 > 0:05:44And he's been missing how long?
0:05:44 > 0:05:47Just over a week.
0:05:47 > 0:05:50- And you've been looking for him? - Very hard, yeah.
0:05:52 > 0:05:55Your son is the sword that I've got dangling over your head,
0:05:55 > 0:05:59and then suddenly he's gone - bazinga! Penn and Teller,
0:05:59 > 0:06:00disappeared into a puff of magic.
0:06:00 > 0:06:03There was nothing magic about it, I can tell you that much.
0:06:03 > 0:06:05So you didn't suggest to him that he slice himself up
0:06:05 > 0:06:07- and get himself sent to hospital? - Why would I do that?
0:06:07 > 0:06:09Cos it's a lot easier for your boy to
0:06:09 > 0:06:12escape from a hospital than a secure unit.
0:06:12 > 0:06:15And once he's free, so are you,
0:06:15 > 0:06:17of me, of Hicks.
0:06:17 > 0:06:19- That's not what happened. - Then what did?- I don't know.
0:06:19 > 0:06:22I'll tell you when I find him.
0:06:24 > 0:06:27Choose a side, Elaine.
0:06:27 > 0:06:30All right, I'll choose a side when you tell me what this is all about.
0:06:30 > 0:06:32Because we both know that Hicks didn't kill Alex Butler.
0:06:32 > 0:06:35So, come on. Why do you want him so badly?
0:06:35 > 0:06:38What, you still think this is about me?
0:06:38 > 0:06:40That I'm set on revenge because Charlie Hicks shtupped my wife
0:06:40 > 0:06:42at the Christmas party?
0:06:42 > 0:06:46Well, I don't have a wife. I have a husband.
0:06:46 > 0:06:50And none of this has got anything to do with me and what I want.
0:06:50 > 0:06:52This comes from above my head.
0:06:52 > 0:06:56Someone on high wants Charlie Hicks defenestrated.
0:06:56 > 0:06:58- Who on high? - KNOCKING AT DOOR
0:06:58 > 0:07:01- Sorry, guv. Got a call. - That's fine.
0:07:01 > 0:07:04I think DI Renko and I have gone through this morning's agenda.
0:07:04 > 0:07:06Yeah. Thank you, sir.
0:07:08 > 0:07:10- What have we got? - Victim's a Noah Underhill.
0:07:17 > 0:07:19- OK?- Yeah.
0:07:21 > 0:07:23- I'm out the door. Send details. - On their way.
0:07:35 > 0:07:37- Morning, sir.- Morning.
0:07:38 > 0:07:41RADIO CHATTER
0:07:44 > 0:07:46What, that bad?
0:07:58 > 0:08:00- Morning, Keith.- Boss.
0:08:06 > 0:08:08He's divorced, lives alone.
0:08:08 > 0:08:10We think the killer broke into the house while he was out running.
0:08:10 > 0:08:14He liked to run at night. Which is a thing people do, apparently...
0:08:14 > 0:08:15..for reasons.
0:08:18 > 0:08:20The...
0:08:22 > 0:08:24The killer took an ice pick to...
0:08:26 > 0:08:29His genitals, Keith. You can say it.
0:08:29 > 0:08:32The killer took an ice pick to the victim's penis and testicles.
0:08:34 > 0:08:36Well, someone was miffed.
0:08:37 > 0:08:39I mean, why cant we all just get along and stop ice-picking
0:08:39 > 0:08:41- each other's wing-wangs? - THEY CHUCKLE
0:08:48 > 0:08:50Have we got a name?
0:08:50 > 0:08:52Underhill. First name, Noah.
0:08:57 > 0:09:00- Where's Elaine? - She's on her way.
0:09:00 > 0:09:03The guvnor called her in for a talk.
0:09:03 > 0:09:05Listen, just... Just give me a tick.
0:09:12 > 0:09:14MOBILE PHONE RINGS
0:09:17 > 0:09:20- DCI Hicks. - He's a tinker, isn't he?
0:09:22 > 0:09:25- Who is?- Elaine's boy, Daniel, who do you think?
0:09:27 > 0:09:31- What have you done?- I mean, an ice pick to the privates.
0:09:31 > 0:09:33That's got to be a "ten from Len".
0:09:35 > 0:09:40Wait a minute. Are you here? Are you watching this?
0:09:40 > 0:09:43Listen to me, Charlie. Stop looking for me and listen.
0:09:43 > 0:09:46We turned the place over before the first responders got to the scene,
0:09:46 > 0:09:48but we couldn't find the flash drive.
0:09:48 > 0:09:51Oh. Here comes trouble.
0:10:08 > 0:10:10Elaine's about to do all she can to save her child.
0:10:10 > 0:10:12She will dig her own grave in the process.
0:10:12 > 0:10:14All you have to do is get that flash drive
0:10:14 > 0:10:17and she is out of our lives, safely, with no more blood shed.
0:10:17 > 0:10:20Fuck, I can't just go blundering about into a crime scene.
0:10:20 > 0:10:24Well, if it were me, I would follow Elaine.
0:10:24 > 0:10:26She must know where it's hidden.
0:10:26 > 0:10:28Just let her find it and take it from her.
0:10:28 > 0:10:30And then what? What happens to Elaine?
0:10:30 > 0:10:33She's trying to hang you, Charlie.
0:10:33 > 0:10:35Just let her hang herself instead.
0:10:35 > 0:10:37Anyway, I've got to go.
0:10:37 > 0:10:40- Hey.- So, what are we looking at?
0:10:51 > 0:10:54- Morning.- How's it going? - Yeah, tip-top.
0:11:01 > 0:11:05- Do we know what he did for a living? - He was a personal tutor.- For?
0:11:05 > 0:11:08- Rich people with dense kids. - Any funny business?
0:11:08 > 0:11:11You know, with his...pupils?
0:11:13 > 0:11:15- Nothing that we know of. - But that doesn't mean no.
0:11:15 > 0:11:18And revenge for sexual assault would explain the winkle.
0:11:18 > 0:11:19Any forensics?
0:11:19 > 0:11:21Nice trainer print outside, size 8,
0:11:21 > 0:11:25but other than that, he was pretty cautious.
0:11:25 > 0:11:29He? We like someone for it?
0:11:29 > 0:11:31- Not yet, no. - So it's not necessarily a he.
0:11:31 > 0:11:33Well, she'd have to be a strong woman.
0:11:33 > 0:11:36- What, and women can't be strong? - Yeah, Keith, check your privilege.
0:11:36 > 0:11:39- My wife won't let me. - And nothing was taken?
0:11:39 > 0:11:41Well, the place has been turned over, but his computer's still
0:11:41 > 0:11:44here, the TV, the DVD player.
0:11:44 > 0:11:46Haven't found the victim's phone yet, though.
0:11:46 > 0:11:47So the killer took it?
0:11:47 > 0:11:50If he did, he had the presence of mind to power it down.
0:11:50 > 0:11:52So it won't be much use without the password, then?
0:11:52 > 0:11:54Fingerprint detection's capacitive.
0:11:54 > 0:11:57Even if the victim's bleeding out, the killer could have
0:11:57 > 0:11:59used his fingerprint, unlocked the phone, and reset the password.
0:11:59 > 0:12:03Either way, the second he powers up that phone, we'll have him.
0:12:03 > 0:12:05OK, good.
0:14:05 > 0:14:08Well, hello there. George.
0:14:13 > 0:14:15MOBILE PHONE VIBRATES George.
0:14:15 > 0:14:17Boss, the victim's phone's been powered up.
0:14:17 > 0:14:20Nice one. Listen, patch it through, all right?
0:14:21 > 0:14:24He's turned on the phone.
0:14:24 > 0:14:25We've got him.
0:14:31 > 0:14:34- How long is this going to take? - Herbie?
0:14:34 > 0:14:37Not long. We know the phone's still in London.
0:14:37 > 0:14:39We're triangulating the signal now.
0:14:52 > 0:14:54And...boom. Got him.
0:14:56 > 0:14:58He's in here somewhere.
0:14:59 > 0:15:01Sending you the feeds now.
0:15:06 > 0:15:09What about this scabby little nutsack?
0:15:10 > 0:15:13Herbie, can you zoom into the blonde kid playing on his phone?
0:15:13 > 0:15:15- There.- Moving in.
0:15:45 > 0:15:47PHONE PINGS
0:15:53 > 0:15:55What's he doing?
0:15:55 > 0:15:57Herbie, has he seen something? Have you got uniforms on the scene?
0:15:57 > 0:15:59Not yet. Officers are en route.
0:16:07 > 0:16:09Phone's off. We can still keep eyes on him.
0:16:39 > 0:16:42Lost him. Sorry.
0:16:47 > 0:16:50Boss, can I have a word?
0:16:50 > 0:16:52Yeah, of course.
0:16:52 > 0:16:54- What, now?- Yeah, outside.
0:17:05 > 0:17:07I just got a text. It's about my son, Daniel.
0:17:07 > 0:17:09Sorry, I'll have to sit this one out.
0:17:13 > 0:17:15- Is he OK?- Not really, no.
0:17:19 > 0:17:22- Well, I need you here.- Yeah, I know.
0:17:22 > 0:17:23But he comes first.
0:17:29 > 0:17:31Yeah, yeah, sure.
0:17:31 > 0:17:33- Listen, you do what you've got to do.- Right, cheers, boss.
0:17:33 > 0:17:35I'll make up the time.
0:18:06 > 0:18:09SHE WHIMPERS QUIETLY
0:18:29 > 0:18:32SHE BREATHES ERRATICALLY
0:19:05 > 0:19:07You can relax now, Charlie. I think we can take it from here.
0:19:07 > 0:19:10She hasn't got it. Her son's got it. Daniel.
0:19:12 > 0:19:15Listen, Elaine's trying to get to him before the police can.
0:19:15 > 0:19:17She is on her last nerves here, so let me handle this.
0:19:19 > 0:19:22Because she trusts you?
0:19:24 > 0:19:27I wouldn't call it that.
0:19:27 > 0:19:29You should be working for us.
0:19:29 > 0:19:31All right, there's no need to get nasty.
0:19:31 > 0:19:33It's a genuine offer.
0:19:33 > 0:19:36We'll need people like you in the days to come.
0:19:36 > 0:19:38And what is to come?
0:19:38 > 0:19:40Eh? What is it?
0:19:46 > 0:19:49Do you ever read the Bible?
0:19:49 > 0:19:51Only the rude bits.
0:19:54 > 0:19:59"And I looked and behold a pale horse, and his name that sat on him
0:19:59 > 0:20:01"was Death."
0:20:03 > 0:20:05"And Hell followed with him."
0:20:09 > 0:20:12Then why does it even matter?
0:20:12 > 0:20:13Hmm?
0:20:14 > 0:20:16The file and Elaine?
0:20:17 > 0:20:21Cos whatever you do, people are going to know eventually.
0:20:22 > 0:20:23I made a promise.
0:20:23 > 0:20:25What, to the Government?
0:20:25 > 0:20:26HE SCOFFS
0:20:26 > 0:20:29- Sod the Government. - It's not about the Government.
0:20:31 > 0:20:35I just want to hang on to this for as long as I can, Charlie.
0:20:37 > 0:20:38Normality.
0:20:41 > 0:20:44I just want to treasure what we've got, while we've got it.
0:20:49 > 0:20:51You just keep your people out of my way.
0:20:52 > 0:20:55I'll get you your flash drive. And then we're done.
0:21:08 > 0:21:11VIDEO GAME SOUND EFFECTS
0:21:13 > 0:21:15DOORBELL RINGS
0:21:30 > 0:21:31Simone! Hi!
0:21:31 > 0:21:34Hi. Sorry, have you got five minutes?
0:21:36 > 0:21:38Yeah, yeah, of course. Come on in.
0:21:38 > 0:21:41Oh, my God! Oh, congratulations!
0:21:41 > 0:21:42Thanks.
0:21:42 > 0:21:44I mean, come in! Put your feet up.
0:21:44 > 0:21:46- Hey, I've brought cake.- Oh!
0:21:54 > 0:21:56I'm sorry I haven't been round.
0:21:56 > 0:21:59You give someone space because you think they probably need it.
0:21:59 > 0:22:01Then, before you know it, months have gone past
0:22:01 > 0:22:04and you feel like you've abandoned them.
0:22:04 > 0:22:06Nobody abandoned anyone.
0:22:06 > 0:22:08Life moves on. Takes you with it.
0:22:10 > 0:22:11But you still see 'em? The others?
0:22:12 > 0:22:15Sometimes, yeah. Erm...
0:22:15 > 0:22:18Keith makes the effort, drops round the odd shepherd's pie.
0:22:18 > 0:22:21Erm, Herbie, sometimes.
0:22:22 > 0:22:23It's hard for them, you know.
0:22:25 > 0:22:30They see me and then they see this absence, next to me.
0:22:31 > 0:22:34And Charlie? When's the last time you saw him?
0:22:36 > 0:22:37I don't know, really.
0:22:37 > 0:22:39But you do still see him?
0:22:40 > 0:22:43Yeah. Sometimes. I mean - yeah.
0:22:47 > 0:22:51The reason I ask is cos every time I mention your name...
0:22:52 > 0:22:56..ask how you're doing or whatever, he...he clams up.
0:22:57 > 0:22:59He won't talk about you.
0:23:02 > 0:23:04But I know he cares about you.
0:23:07 > 0:23:09Yeah, I know he does.
0:23:09 > 0:23:11I know he cares about us.
0:23:12 > 0:23:18It's just, the thing about Charlie - he likes to look after people.
0:23:19 > 0:23:21It's like a nervous compulsion.
0:23:22 > 0:23:24And you mean so much to him.
0:23:24 > 0:23:26And he loves you.
0:23:27 > 0:23:28But he thinks he let you down.
0:23:30 > 0:23:33You, Alex and Owen.
0:23:34 > 0:23:36But that's not true.
0:23:37 > 0:23:38He didn't.
0:23:40 > 0:23:42Could you just...
0:23:42 > 0:23:45..look him in the eye and tell him it wasn't his fault?
0:23:48 > 0:23:50Alex...
0:23:50 > 0:23:52He died and it...it was horrible.
0:23:54 > 0:23:56But it wasn't his fault.
0:24:07 > 0:24:08KNOCKING
0:24:11 > 0:24:15Fran? Hi, I'm Gretchen Ross from Social Services.
0:24:15 > 0:24:16We spoke on the phone.
0:24:18 > 0:24:20About Daniel Renko?
0:24:20 > 0:24:23Oh, of course, yes. Come in.
0:24:23 > 0:24:25- You'll have to excuse the mess. - Oh, not at all.
0:24:29 > 0:24:32So what can you tell me about Daniel?
0:24:32 > 0:24:34You were his last foster family?
0:24:34 > 0:24:37- That's right.- How was he? How did he fit in?
0:24:39 > 0:24:43Look, there's usually a honeymoon period
0:24:43 > 0:24:45where a child is sizing you up.
0:24:45 > 0:24:48It can be a very anxious time.
0:24:49 > 0:24:52Rejection or abuse by the birth mother has proved
0:24:52 > 0:24:55that they're not worth loving. Not worth trusting.
0:24:55 > 0:24:58Not worth much of anything, really.
0:24:59 > 0:25:00So they act out, trying to
0:25:00 > 0:25:04end a placement before someone else takes it away from them.
0:25:04 > 0:25:07They're disruptive and violent.
0:25:07 > 0:25:12They set fires. Start fights. Self-medicate.
0:25:15 > 0:25:17And Daniel acted out like that?
0:25:17 > 0:25:19He was a very damaged boy.
0:25:21 > 0:25:22We tried our best.
0:25:22 > 0:25:24But he needed more than we could give.
0:25:25 > 0:25:29You are aware that Daniel recently got placed in a secure unit?
0:25:29 > 0:25:33Apparently. I think he attacked his birth mother?
0:25:33 > 0:25:35- That's right.- How is she?
0:25:36 > 0:25:39She's fine. She'll be OK.
0:25:39 > 0:25:41I'm glad to hear she's all right.
0:25:44 > 0:25:47Just over a week ago, Daniel absconded.
0:25:47 > 0:25:49Is there anything you can tell us that might help find him?
0:25:49 > 0:25:52A place he'd go? A friend he'd rely on?
0:25:52 > 0:25:54Not really. Sorry.
0:25:54 > 0:25:57He was very private. He barely spoke.
0:26:06 > 0:26:09Actually, there was a place.
0:26:10 > 0:26:12Somewhere he'd run to, basically,
0:26:12 > 0:26:14back when he was with his previous family.
0:26:14 > 0:26:17And... And where was that? Do you... Do you remember?
0:27:34 > 0:27:36BIRDS FLUTTER
0:27:43 > 0:27:45I know why you did it.
0:27:46 > 0:27:50It wasn't right, but I get it.
0:27:55 > 0:27:56How'd you find me?
0:28:01 > 0:28:02It's my job to find people.
0:28:02 > 0:28:05Is that why you're here, then? For your job?
0:28:05 > 0:28:07No.
0:28:07 > 0:28:10He was a rapist. He deserved it.
0:28:10 > 0:28:12I know, but that's not how it works.
0:28:12 > 0:28:13It should be.
0:28:13 > 0:28:15Some people think so, yeah.
0:28:16 > 0:28:17But not you.
0:28:18 > 0:28:20No. Not me.
0:28:24 > 0:28:25He gave me something.
0:28:31 > 0:28:35He was lying on the floor. He was bleeding.
0:28:35 > 0:28:38He said, "I know why you're here." And he sent me to get this.
0:28:40 > 0:28:41Have you looked at it?
0:28:41 > 0:28:42Why?
0:28:42 > 0:28:44Have you? Have you looked at it?
0:28:46 > 0:28:48No.
0:28:48 > 0:28:49What is it?
0:28:49 > 0:28:51Look, it doesn't matter.
0:28:51 > 0:28:54So, are you here for me? Or you here for this?
0:28:54 > 0:28:56I'm here for you, Daniel. I'm here to help you.
0:28:56 > 0:28:58BIRD FLUTTERS AND CHEEPS
0:29:02 > 0:29:04- Come on!- No!
0:29:04 > 0:29:05Daniel, run!
0:29:06 > 0:29:08DANIEL SHOUTS
0:29:08 > 0:29:10Charlie! Let him go.
0:29:10 > 0:29:11I get the flash drive
0:29:11 > 0:29:15and we forget I ever clapped eyes on Jack the Ripper here.
0:29:15 > 0:29:17Everyone's laughing.
0:29:17 > 0:29:19You're doing this for them?
0:29:19 > 0:29:21No, Elaine. My kids.
0:29:21 > 0:29:23You think you're putting your family first but you're not.
0:29:23 > 0:29:26Tell him to give me the flash drive!
0:29:26 > 0:29:28Or I'll break his arm.
0:29:28 > 0:29:29Tell him!
0:29:32 > 0:29:34I saw the file you gave him.
0:29:34 > 0:29:36How else did he get it?
0:29:36 > 0:29:38You do what you've got to.
0:29:38 > 0:29:39But you were wrong.
0:29:40 > 0:29:42Noah wasn't Daniel's father.
0:29:45 > 0:29:46Bullshit.
0:29:46 > 0:29:49My parents thought he was.
0:29:49 > 0:29:51But he wasn't. He was a good man.
0:29:53 > 0:29:55He was a really good man.
0:29:55 > 0:29:56But he looked like me.
0:29:56 > 0:29:59And now he's dead, not because of Daniel, because of YOU, Charlie!
0:29:59 > 0:30:03- But he looked like me! - No, it's all right, mate.
0:30:03 > 0:30:05No, she's lying.
0:30:05 > 0:30:08Yeah. Yeah, we both know she's a liar.
0:30:08 > 0:30:11I don't think she can help it.
0:30:11 > 0:30:13HICKS GROANS IN PAIN
0:30:13 > 0:30:15Run!
0:30:22 > 0:30:24Daniel! Stop!
0:30:30 > 0:30:32RENKO MOANS IN PAIN
0:30:39 > 0:30:41Daniel! Stop!
0:31:21 > 0:31:24HICKS GRUNTS AND COUGHS
0:31:27 > 0:31:30She was lying.
0:31:30 > 0:31:32He was my dad.
0:31:35 > 0:31:37I know. I know, mate.
0:31:55 > 0:31:58MOBILE PHONE RINGS
0:32:01 > 0:32:06- You catch him?- Not yet. But I will.- No, you won't.
0:32:06 > 0:32:09What, is that supposed be some sort of a threat?
0:32:09 > 0:32:13- You've got no cards to play here, mate.- You think?
0:32:13 > 0:32:16If you had anything on Alex Butler - anything at all -
0:32:16 > 0:32:19- I'd know about it by now. - But what about his wife?
0:32:19 > 0:32:22What, you think Mari's going to believe any of your paranoid
0:32:22 > 0:32:24- bullshit?- What I mean is,
0:32:24 > 0:32:28how's everyone going to react to know that you're screwing her?
0:32:29 > 0:32:31I mean, Charlie Hicks, right?
0:32:31 > 0:32:34He's not perfect but, Christ almighty, he's loyal.
0:32:34 > 0:32:38So what will they think? Mishal, Herbie, George, Keith.
0:32:38 > 0:32:40I mean, that's bad enough...
0:32:42 > 0:32:44..but what about Simone and Hailey?
0:32:47 > 0:32:49PHONE VIBRATES
0:33:00 > 0:33:02You get away from my house.
0:33:02 > 0:33:04I can take it all away.
0:33:04 > 0:33:06All the people you love.
0:33:06 > 0:33:08I can make them detest you,
0:33:08 > 0:33:10and you'll have no-one.
0:33:10 > 0:33:13What, so I get a taste of what it's like to be you?
0:33:13 > 0:33:15Don't pretend you're not terrified.
0:33:15 > 0:33:17See, the funny thing is, Elaine,
0:33:17 > 0:33:21that you think you understand me so well.
0:33:21 > 0:33:24But you don't even understand yourself.
0:33:24 > 0:33:26See, the thing about loving someone -
0:33:26 > 0:33:30and I mean really loving someone -
0:33:30 > 0:33:33is that it's not about them liking you.
0:33:33 > 0:33:37It's about doing what's best for them,
0:33:37 > 0:33:38no matter the cost.
0:33:40 > 0:33:42I mean, look at yourself.
0:33:42 > 0:33:45Look at what you're doing right now.
0:33:45 > 0:33:48- I mean, that's love, that is. - Stay away from my son.
0:33:48 > 0:33:51- He's a murderer!- There's a lot of them around, and in a few months
0:33:51 > 0:33:54it's not going to matter who's a killer and who's not.
0:33:54 > 0:33:57You say one word to Simone...
0:33:57 > 0:33:59..one word...
0:33:59 > 0:34:04- and I will end you. - That's big words, Charlie.
0:34:04 > 0:34:06No, no, no, no.
0:34:06 > 0:34:08We're in a whole other level now.
0:34:08 > 0:34:10You've just taken this to a new place.
0:34:10 > 0:34:11I mean, they send you after me,
0:34:11 > 0:34:14what do I care? You're no threat to me.
0:34:14 > 0:34:16It's not even like I don't like you, because basically I do,
0:34:16 > 0:34:19but if you take this to Simone and
0:34:19 > 0:34:22Hailey, I will kill you, stone dead.
0:34:22 > 0:34:26I will finish you!
0:34:26 > 0:34:28Five years, Charlie.
0:34:28 > 0:34:30Leave my son alone.
0:35:05 > 0:35:07DOOR IS UNLOCKED
0:35:09 > 0:35:12DISTANT SIREN
0:35:12 > 0:35:15Is Stef here?
0:35:15 > 0:35:17Who?
0:35:17 > 0:35:18Stefan?
0:36:04 > 0:36:06Stef.
0:36:09 > 0:36:11Stef.
0:36:11 > 0:36:13- You know him?- Yeah.
0:36:16 > 0:36:18Just wanted to stay for a bit.
0:36:19 > 0:36:21So stay for a bit.
0:36:42 > 0:36:44MOBILE PHONE RINGS
0:36:47 > 0:36:49Hey! Listen, I can't talk right now.
0:36:49 > 0:36:52I'm having a bit of a day here.
0:36:52 > 0:36:54She's pregnant!
0:36:56 > 0:36:58Well, who told you?
0:36:58 > 0:36:59Was it Elaine?
0:36:59 > 0:37:01No-one told me anything, that's the point!
0:37:01 > 0:37:04- Well, how'd you find out? - Like that's what matters?! - Look, I just...
0:37:04 > 0:37:07Sorry, look, I'm trying to follow you here, all right?
0:37:07 > 0:37:09I'm... I'm not following.
0:37:09 > 0:37:11Simone came round.
0:37:11 > 0:37:15- What for? - She wanted me to talk to you.
0:37:15 > 0:37:17- About?- Alex.
0:37:19 > 0:37:21Look, I don't get it. What did she want you to say?
0:37:21 > 0:37:24She knows something's wrong!
0:37:24 > 0:37:26She's scared for you.
0:37:31 > 0:37:33Listen...
0:37:36 > 0:37:40I know we've never spoken about it, because we can't...
0:37:40 > 0:37:42..but I do know what you did for us...
0:37:43 > 0:37:45..and I know what it cost you.
0:37:47 > 0:37:49I know it every second of every day.
0:37:51 > 0:37:56But Simone asked me to talk to you, your wife...
0:37:58 > 0:38:00..so now I'm talking to you.
0:38:05 > 0:38:08This has got to end, me and you.
0:38:11 > 0:38:14It's not good, it's not healthy.
0:38:14 > 0:38:16You need to be a husband to your wife
0:38:16 > 0:38:18and a father to your kids.
0:38:19 > 0:38:21And I need...
0:38:23 > 0:38:25What? What do you need?
0:38:30 > 0:38:32I need to be clear of it.
0:38:34 > 0:38:38I need to stop looking back and start looking towards the future.
0:38:39 > 0:38:42Yeah, well, what future?
0:38:42 > 0:38:44What, I can't have a future without you?
0:38:44 > 0:38:47No, sorry, listen, Mari, that's not what I meant! It's not...
0:38:47 > 0:38:48Mari, listen! Mari!
0:39:43 > 0:39:45PHONE ACTIVATES
0:39:48 > 0:39:50Herbie.
0:39:54 > 0:39:55HE GROANS
0:39:57 > 0:39:59MOBILE PHONE RINGS
0:40:01 > 0:40:04All right, good news or I hang up.
0:40:04 > 0:40:07Victim's phone is back on the grid. We are in business.
0:40:07 > 0:40:08Right, that's great news.
0:40:08 > 0:40:11All right, kick bollocks, scramble everything we've got.
0:40:11 > 0:40:13I'll see you there.
0:40:13 > 0:40:15I'm having that manky little plum for my dinner.
0:40:19 > 0:40:21OK, let's go!
0:40:21 > 0:40:25- RADIO:- Whisky three, currently en root to apprehend. Murder suspect,
0:40:25 > 0:40:28potentially armed and dangerous.
0:40:28 > 0:40:30Armed response unit requested.
0:40:30 > 0:40:33Proceeding to 13 Lombard Close.
0:40:33 > 0:40:35Echo, one, three, Romeo, Charlie.
0:40:37 > 0:40:40Which unit's closest?
0:40:40 > 0:40:43All right, tell her to get there as soon as possible.
0:40:43 > 0:40:44We're en route.
0:40:53 > 0:40:55Hey. I'm looking for Daniel.
0:40:58 > 0:41:01I don't know any Daniels. Sorry.
0:41:01 > 0:41:03Do you mind if I pop in,
0:41:03 > 0:41:05have a look around, see if he's here?
0:41:13 > 0:41:15Hey, Daniel.
0:41:16 > 0:41:18How are you?
0:41:21 > 0:41:24Can you tell me where it is, Daniel?
0:41:24 > 0:41:26Can you help me find a flash drive?
0:41:34 > 0:41:37Did you hide it somewhere?
0:41:37 > 0:41:39Give it to someone?
0:41:43 > 0:41:46Did you give it to Elaine?
0:41:46 > 0:41:49Is that what you did? You gave it to your mum?
0:41:56 > 0:41:58That was good, Daniel.
0:41:58 > 0:42:00Very clever thinking.
0:42:05 > 0:42:07Can I get some more of what he's having?
0:42:09 > 0:42:12How much more?
0:42:12 > 0:42:14A lot.
0:42:33 > 0:42:35SIRENS
0:42:49 > 0:42:51Sshhh. It's OK.
0:42:51 > 0:42:53Sshhh.
0:42:53 > 0:42:55TYRES SCREECH
0:43:03 > 0:43:05LINE RINGING
0:43:05 > 0:43:08Renko's here for the boy. She's got the flash drive.
0:43:08 > 0:43:11Control the situation. We'll be there shortly.
0:43:11 > 0:43:13Roger that.
0:43:13 > 0:43:15Herbie, how long before armed response are on the scene?
0:43:15 > 0:43:17ETA seven minutes. Where are you?
0:43:17 > 0:43:19I'm en route.
0:43:19 > 0:43:22I'll be there in ten, they'll have to start without me.
0:43:30 > 0:43:32Where's Daniel?
0:43:32 > 0:43:34SHE GRUNTS
0:43:39 > 0:43:41GUN CLICKS
0:43:48 > 0:43:51- What did you give him?- Enough.
0:43:52 > 0:43:55But he can still live.
0:43:55 > 0:43:59There's still time, if you can keep him awake,
0:43:59 > 0:44:02get him to Accident and Emergency and give him a shot of naloxone.
0:44:04 > 0:44:06You know what I want.
0:44:09 > 0:44:12Give me that flash drive and he's all yours.
0:44:16 > 0:44:18- So you'll just let me take him? - Absolutely.
0:44:18 > 0:44:21- And I believe that?- Why not?
0:44:21 > 0:44:23I'll have forgotten you both by tea-time.
0:44:32 > 0:44:34OK.
0:44:36 > 0:44:38- How do we do it? - Have you got it on you?
0:44:38 > 0:44:40In my pocket.
0:44:40 > 0:44:42Reach into your pocket.
0:44:42 > 0:44:44Move slowly.
0:44:45 > 0:44:47Throw it to me.
0:44:47 > 0:44:48Underarm.
0:45:14 > 0:45:17Daniel, Daniel, you stay awake, OK?
0:45:17 > 0:45:20I'm getting you out of here but we need that phone.
0:45:20 > 0:45:23Daniel, it's got your fingerprints on it. Your DNA.
0:45:23 > 0:45:25Wake up! Where's the phone?
0:45:27 > 0:45:3030 seconds, we're leaving. Stay awake!
0:45:34 > 0:45:35DOOR SLAMS
0:45:37 > 0:45:38Phone.
0:45:40 > 0:45:41What phone?
0:45:45 > 0:45:49That's all I've got. So take it and give me the phone.
0:45:50 > 0:45:52And your cards.
0:45:52 > 0:45:53Take it and give me the phone
0:45:53 > 0:45:55and I'll let you leave this shitbox with the use of your limbs.
0:46:04 > 0:46:06Mishal? He's powered off his phone.
0:46:06 > 0:46:08- He may be moving on. - We're five minutes out.
0:46:08 > 0:46:11SIREN WAILS
0:46:22 > 0:46:23TYRES SCREECH OUTSIDE
0:46:36 > 0:46:38MEN GRUNT
0:46:49 > 0:46:50What's this?
0:46:50 > 0:46:52Hey, I said that I would take care of it.
0:46:52 > 0:46:55And so you did. Now it's time for us to take over.
0:46:55 > 0:46:56There's no time for this!
0:46:56 > 0:46:58Look, Armed Response are on their way!
0:46:58 > 0:47:01Then follow procedure and wait for them to arrive.
0:47:02 > 0:47:04This will all be over in a moment, Charlie.
0:47:06 > 0:47:08SHOUTING
0:47:16 > 0:47:18TASER CRACKLES
0:47:23 > 0:47:26VOICES ECHO AND FADE
0:47:30 > 0:47:31What happens to Elaine?
0:47:32 > 0:47:36We retrieve the flash drive, after which she's no threat
0:47:36 > 0:47:39and therefore of no interest.
0:47:39 > 0:47:43In a minute or two, the police will arrive to find that Elaine has been protecting her son.
0:47:43 > 0:47:46She'll be arrested and charged with - I don't know -
0:47:46 > 0:47:47withholding evidence?
0:47:47 > 0:47:50Perverting the course of justice?
0:47:51 > 0:47:53You've set her up pretty nicely.
0:47:54 > 0:47:56And what about Daniel?
0:47:59 > 0:48:01Just let her dig her own grave, Charlie.
0:48:41 > 0:48:42It's not here.
0:48:44 > 0:48:49Tell me where it is, or I'll have to let Daniel pass away.
0:48:51 > 0:48:54His breathing's very shallow. It won't be long now.
0:48:54 > 0:48:57Well, that's your plan anyway, isn't it?
0:48:57 > 0:48:59Get what you want. Kill us, cover your tracks.
0:49:00 > 0:49:02It doesn't have to be that way.
0:49:04 > 0:49:06Your time is up.
0:49:06 > 0:49:07I think we both know that.
0:49:07 > 0:49:09But I don't see any reason
0:49:09 > 0:49:12why Daniel can't live.
0:49:18 > 0:49:20BRAKES SCREECH
0:49:31 > 0:49:33HE CHANGES GEAR
0:49:33 > 0:49:35If you hurt me, or my son,
0:49:35 > 0:49:38your dirty secret's all over the newspapers tonight.
0:49:39 > 0:49:41I've been doing this a long time, Elaine.
0:49:43 > 0:49:45I know a bluff when I see one.
0:49:45 > 0:49:48You've had no time to do anything clever with the file.
0:49:48 > 0:49:50So it's no longer in play, is it?
0:49:55 > 0:49:57I think we're probably done here.
0:49:57 > 0:50:00Take her back for interrogation.
0:50:00 > 0:50:03Leave the boy here. His story is over.
0:50:08 > 0:50:11No, no, no, no, no!
0:50:11 > 0:50:12Daniel!
0:50:12 > 0:50:13Just don't!
0:50:13 > 0:50:15No!
0:50:15 > 0:50:17Daniel! No!
0:50:33 > 0:50:35Oh, no! Look!
0:50:35 > 0:50:37There's no way out!
0:50:37 > 0:50:39DISTANT SIRENS
0:50:39 > 0:50:42Except that noise you're hearing is a specialist firearms unit,
0:50:42 > 0:50:44tooled up with semi-automatics.
0:50:45 > 0:50:48Now, you see, if that lot see you lot
0:50:48 > 0:50:51with a gun to a police officer's skull,
0:50:51 > 0:50:53they will shoot you dead ten times over.
0:50:56 > 0:50:57Now, I don't care who you are.
0:50:59 > 0:51:00I don't care who you work for.
0:51:01 > 0:51:03You don't get to kill children.
0:51:05 > 0:51:07Not even mad ones.
0:51:09 > 0:51:13So go on, hop in your wanker tanker and piss off!
0:51:25 > 0:51:27SIRENS APPROACH
0:51:27 > 0:51:28Here they come.
0:51:31 > 0:51:32Ready or not.
0:51:46 > 0:51:47Armed police!
0:51:49 > 0:51:51Armed police!
0:51:53 > 0:51:55- Armed police! - Armed police! Do not move!
0:51:59 > 0:52:01Daniel! Stay with us, mate!
0:52:01 > 0:52:04All right, you hear me? You stay with us!
0:52:04 > 0:52:06Stay with me, OK? Stay with me!
0:52:06 > 0:52:09Do not fall asleep, you understand me?!
0:52:09 > 0:52:13# The Queen was in the parlour Eating all the honey!
0:52:13 > 0:52:16# The King was in the chambermaid And she was in the money... #
0:52:16 > 0:52:20- Wake up, wake up, wake up! - # Balls to your partner, backs against the wall...
0:52:20 > 0:52:23# If you can't get laid on a Saturday night, you'll never get laid at all! #
0:52:23 > 0:52:25Stay with us, Daniel!
0:52:27 > 0:52:30# Balls to your partner, backs against the wall,
0:52:30 > 0:52:34# If you can't get laid on a Saturday night, you'll never get laid at all! #
0:52:49 > 0:52:51- Hey.- Hi.
0:52:51 > 0:52:52Any news?
0:52:53 > 0:52:55He's going to be all right.
0:52:57 > 0:52:59Well, let's be fair -
0:52:59 > 0:53:02I don't know what "all right" actually means in this context.
0:53:02 > 0:53:04Hey, listen, it's not his fault.
0:53:04 > 0:53:06You know, the kid's...
0:53:08 > 0:53:10Well, he's ill.
0:53:10 > 0:53:14We'll take him back to the Secure Unit. We'll tell them...
0:53:15 > 0:53:19..I don't know, we found him sleeping rough at Victoria Station or something.
0:53:19 > 0:53:20OK.
0:53:23 > 0:53:24And what about his dad?
0:53:25 > 0:53:27Noah?
0:53:33 > 0:53:35Yeah, well, we'll think of something.
0:53:36 > 0:53:38And us?
0:53:38 > 0:53:41You do know she's going to come for us twice as hard.
0:53:42 > 0:53:45Yeah, well, not if we've still got that flash drive.
0:53:54 > 0:53:55No!
0:53:57 > 0:53:58No, no.
0:53:58 > 0:54:00I keep my spare keys in that.
0:54:00 > 0:54:01I know.
0:54:01 > 0:54:02That is cheeky.
0:54:06 > 0:54:07But good.
0:54:09 > 0:54:10Very good.
0:54:18 > 0:54:19Charlie...
0:54:22 > 0:54:23You told me once...
0:54:27 > 0:54:29You said you'd protect Daniel if I wasn't about.
0:54:32 > 0:54:33Yeah, I know.
0:54:35 > 0:54:36I thought you were threatening me.
0:54:40 > 0:54:41I know.
0:54:44 > 0:54:45I'm so sorry.
0:54:47 > 0:54:49Hey, come on, don't be.
0:54:53 > 0:54:55Look, you and me...
0:54:55 > 0:54:57It doesn't mean you're not a problem.
0:54:58 > 0:55:02You're just a problem I have to deal with in my own way. OK?
0:55:05 > 0:55:07But I got you so wrong from day one.
0:55:07 > 0:55:10Well, I don't know about that.
0:55:10 > 0:55:12I honestly thought they were right.
0:55:12 > 0:55:14Before I got to know you.
0:55:15 > 0:55:17I thought you killed Butler.
0:55:25 > 0:55:27Elaine, I... I thought you knew.
0:55:33 > 0:55:35Knew what, Charlie?
0:55:51 > 0:55:52It was me.
0:55:54 > 0:55:56I killed him.
0:56:00 > 0:56:02Are you ready for what comes next?
0:56:02 > 0:56:03I think someone's out there
0:56:03 > 0:56:06killing people who believe they want to die.
0:56:06 > 0:56:09No-one trusts you, Charlie. Why should I be the first?
0:56:09 > 0:56:11Did they arrest someone for killing Alex?
0:56:12 > 0:56:13Someone else?
0:56:13 > 0:56:15What kind of man are you?
0:56:15 > 0:56:16A sad man?
0:56:16 > 0:56:18A lonely man?
0:56:18 > 0:56:20A police man?
0:56:20 > 0:56:24What happens to a dirty spy who can't be trusted to keep a secret?
0:56:28 > 0:56:30And that's what you want, really, isn't it?
0:56:30 > 0:56:33Hicks on a plate!