0:00:02 > 0:00:13This programme contains some strong language
0:00:16 > 0:00:18Like your own company, do you?
0:00:18 > 0:00:20Don't you?
0:00:20 > 0:00:23I was born here. I haven't got a choice.
0:00:23 > 0:00:25- We've all got a choice, Delme. - Right.
0:00:30 > 0:00:32Good.
0:00:35 > 0:00:38Oh, arrived at the farm.
0:00:38 > 0:00:40- It's for you.- Thanks.
0:00:44 > 0:00:47PHONE RINGS
0:02:01 > 0:02:04POLICE RADIO
0:02:21 > 0:02:26Call came in this morning, sir. Didn't leave a name. Said there was something up here we should see.
0:02:26 > 0:02:30- Did we get the caller's number?- Pay as you go, sir. Untraceable. Male caller.- Victim's name?
0:02:30 > 0:02:32- Idris Williams.- Victim's car?
0:02:32 > 0:02:35- I believe so.- Find out when it was last driven.- Yes, sir.
0:03:05 > 0:03:08CAMERA SHUTTER
0:04:13 > 0:04:14Trauma to the back of the head.
0:04:16 > 0:04:17Single blow.
0:04:21 > 0:04:22Time of death?
0:04:23 > 0:04:25Working on it.
0:04:41 > 0:04:44NEEDLE ON RECORD PLAYER
0:05:03 > 0:05:07TENOR SINGS OPERA
0:06:03 > 0:06:05It's like stepping back in time.
0:06:14 > 0:06:17Cameras. I don't see any cameras.
0:06:19 > 0:06:20Stolen?
0:07:05 > 0:07:08Idris Williams. 69 years old.
0:07:08 > 0:07:11Lives alone. No wife. No children.
0:07:11 > 0:07:13What's the latest on the car?
0:07:13 > 0:07:15Regularly taxed and serviced until six years ago.
0:07:15 > 0:07:17Hasn't been driven since.
0:07:17 > 0:07:18So how does he get about?
0:07:18 > 0:07:22He doesn't. Idris doesn't go out into the real world.
0:07:22 > 0:07:24The world comes to him.
0:07:24 > 0:07:26- Sir?- Nearest shop? Four miles away, you say?
0:07:26 > 0:07:28- Pont Erwyd, sir. - That's too far to walk.
0:07:28 > 0:07:31There was food in the freezer. Find out who does deliveries.
0:07:31 > 0:07:34- What about neighbours? - Closest farm is two miles away, sir.
0:07:34 > 0:07:36Talk to them. See what they know.
0:07:36 > 0:07:38Let's get the name and addresses of every farm hand
0:07:38 > 0:07:41and mechanic that's ever worked on that mountain.
0:07:41 > 0:07:45It may be a ghost town now but go back ten years,
0:07:45 > 0:07:47Parc-y-Boda was a fully functioning farm.
0:07:47 > 0:07:51Get on to local pawn brokers and see if anyone's been trying to off-load camera gear.
0:07:51 > 0:07:53- You think it might have been a robbery?- It's a line of inquiry.
0:07:53 > 0:07:58- No sign of forced entry. Suggests the victim knows his killer. - Or he doesn't lock the door.
0:08:01 > 0:08:05The man liked to take pictures. Thousands of them. Trees.
0:08:05 > 0:08:09Rivers. Mountains. Look at them. What's missing?
0:08:13 > 0:08:14Faces.
0:08:15 > 0:08:19Hundreds of images, and not one single face.
0:08:19 > 0:08:21The man likes his own company.
0:08:21 > 0:08:23He must have shared these pictures with somebody.
0:08:23 > 0:08:25Let's find out who else gets to see these photographs.
0:08:25 > 0:08:28Maybe he didn't want anybody else to see them.
0:08:28 > 0:08:30They look pretty depressing to me.
0:08:32 > 0:08:34What's this place?
0:08:34 > 0:08:35That could be anywhere.
0:08:35 > 0:08:39Old wrecks like that are ten-a-penny round here, sir.
0:09:10 > 0:09:11Moving out?
0:09:13 > 0:09:17The world's gone digital - haven't you heard?
0:09:17 > 0:09:19Is that your father's name above the door?
0:09:21 > 0:09:23Who's asking?
0:09:23 > 0:09:27I'm here about an old customer of his. Idris Williams.
0:09:30 > 0:09:32Lived up on the mountain.
0:09:34 > 0:09:37Something happened?
0:09:37 > 0:09:39We found his body this morning.
0:09:41 > 0:09:43It looks like Mr Williams was murdered.
0:09:44 > 0:09:48I thought perhaps your father might remember him. Is he about?
0:09:51 > 0:09:54Dad passed away nine years ago.
0:09:54 > 0:09:59I'm sorry. What about you?
0:09:59 > 0:10:01Do you know the man I'm talking about?
0:10:05 > 0:10:07Sorry, I don't remember him.
0:10:10 > 0:10:12He used to shop here.
0:10:12 > 0:10:14Him and half of Aberystwyth.
0:10:16 > 0:10:19Well, if you do remember anything...
0:10:19 > 0:10:21..give me a call.
0:10:23 > 0:10:25It's a nice shop.
0:11:03 > 0:11:05Did you know him?
0:11:05 > 0:11:08I went up to the farm a couple of times in my vet training days
0:11:08 > 0:11:10to see how things were done.
0:11:10 > 0:11:13- And since then? - Not really my patch.
0:11:13 > 0:11:16The vet's name was Vaughan. Thomas Vaughan.
0:11:16 > 0:11:19Do you remember where this Thomas Vaughan was based?
0:11:19 > 0:11:21He had a practice over Tregaron way, I think.
0:11:21 > 0:11:23Used to come over in his Triumph.
0:11:23 > 0:11:24What are you doing?
0:11:24 > 0:11:28Phoning the office. We need to talk to him.
0:11:28 > 0:11:30You'll have to dig him up first.
0:11:30 > 0:11:32Old Vaughan's been dead 30 years.
0:11:34 > 0:11:36It was an odd thing, you know.
0:11:36 > 0:11:40When he died, there were three or four of us in the running to take over.
0:11:40 > 0:11:45Old Caradog Williams, Idris's father, had over 300 acres up there.
0:11:45 > 0:11:47Dairy herd, sheep - it was quite an operation.
0:11:47 > 0:11:50He'd have been one hell of a client.
0:11:51 > 0:11:54- I take it you didn't get the call? - No, nobody did.
0:11:55 > 0:11:58Caradog Williams passed away shortly after,
0:11:58 > 0:12:01and over a period of 12 months, Idris sold the herd,
0:12:01 > 0:12:04got shot of all the machinery, and shut the whole place down.
0:12:06 > 0:12:08The Williams place hasn't been farmed in decades.
0:12:10 > 0:12:12MATHIAS: 'What sort of a man does that?'
0:12:12 > 0:12:14'A man who's had enough.'
0:12:14 > 0:12:16Enough of what? Running a farm?
0:12:16 > 0:12:18He wouldn't be the first.
0:12:18 > 0:12:19'No, I don't buy it.'
0:12:19 > 0:12:22Why didn't he just get somebody in to run the farm for him?
0:12:22 > 0:12:25Perhaps he preferred to be alone, didn't like people,
0:12:25 > 0:12:27found it hard to form relationships?
0:12:27 > 0:12:30- 'Or maybe he was making a statement.'- Such as?
0:12:30 > 0:12:33Erasing the past, his father's legacy.
0:12:33 > 0:12:35'Leaving it all to rot.'
0:12:35 > 0:12:38'A statement? For whose benefit? You saw the photos.'
0:12:38 > 0:12:42The only person in Idris's world was Idris.
0:12:42 > 0:12:45'No, there was somebody else, we just haven't found them yet.'
0:12:45 > 0:12:47Talk later.
0:12:48 > 0:12:53Results from pathology. Time of death - Monday pm.
0:13:58 > 0:14:00THUMP
0:14:00 > 0:14:01OWL HOOTS
0:14:56 > 0:14:58DOOR CREAKS
0:16:19 > 0:16:21That's right. Williams, Idris Williams.
0:16:21 > 0:16:22His father's name was Caradog.
0:16:22 > 0:16:25Look at the date. It was taken a week ago.
0:16:26 > 0:16:30- You think this is the killer?- Or the last person to see Idris alive.
0:16:33 > 0:16:35- Sir?- Yeah. - According to the Land Registry,
0:16:35 > 0:16:38the farm never belonged to Idris.
0:16:38 > 0:16:41In October 1982, ownership of the farm transferred.
0:16:41 > 0:16:44- Transferred? To who? - The Guild, sir.
0:17:03 > 0:17:06DCI Mathias?
0:17:06 > 0:17:08Herbert Rees, Master of the Guild.
0:17:08 > 0:17:11- RADIO:- His body was discovered at the farm after police received
0:17:11 > 0:17:14an anonymous call. Police are keen to identify the caller...
0:17:16 > 0:17:19Under the terms of the agreement, Idris was made, what they call,
0:17:19 > 0:17:22- a non-paying tenant. - A tenant on his own farm?
0:17:22 > 0:17:24From a legal standpoint, yes.
0:17:24 > 0:17:26But in practical terms, as long as Idris remained
0:17:26 > 0:17:29living on the mountain, he was free to do as he pleased with the estate.
0:17:29 > 0:17:31It was his home after all.
0:17:39 > 0:17:42- Must be an expensive place to run. - We manage.
0:17:42 > 0:17:45My apologies for the mess. We're in the middle of renovations.
0:17:46 > 0:17:47Here we are.
0:17:52 > 0:17:54Caradog Williams?
0:17:54 > 0:17:58Master of the Guild from 1958 until his death in 1982.
0:17:58 > 0:18:01- The man was greatly admired. - Is that right?
0:18:03 > 0:18:05His civic record speaks for itself.
0:18:05 > 0:18:08And what about his record as a father?
0:18:08 > 0:18:11The relationship between Caradog and his son was complicated.
0:18:11 > 0:18:13How?
0:18:14 > 0:18:17Idris's mother died when he was very young.
0:18:17 > 0:18:18Brain haemorrhage. Sudden.
0:18:18 > 0:18:21Rumour has it he had a breakdown. The boy was never the same again.
0:18:21 > 0:18:24- And their relationship afterwards? - Caradog had a farm to run.
0:18:24 > 0:18:28Idris was never going to be strong enough to take over the business.
0:18:28 > 0:18:30- But Idris stayed there his whole life.- Yes.
0:18:30 > 0:18:34He ran the accounts until his father's death.
0:18:34 > 0:18:35And after that?
0:18:36 > 0:18:38There was nothing to account for.
0:18:40 > 0:18:44You must have known Idris. Had dealings with him. How did you find him?
0:18:44 > 0:18:47Cordial. Quiet.
0:18:47 > 0:18:50You didn't sense any bitterness in the man? Any anger?
0:18:50 > 0:18:52Not that I recall. Why?
0:18:54 > 0:18:56You don't think it was cruel of Caradog
0:18:56 > 0:18:58to deny his own son his inheritance like that?
0:18:58 > 0:19:01As far as I know, Idris was happy with the arrangement.
0:19:01 > 0:19:04The man had no children. This way he got to live on the mountain
0:19:04 > 0:19:07without any concern for the future. Security.
0:19:07 > 0:19:10- Isn't that what everybody wants? - That depends on the price.
0:19:13 > 0:19:15Where were you on Monday afternoon and evening, Mr Rees?
0:19:17 > 0:19:20- I was in court in the afternoon and here in the evening.- Alone?
0:19:20 > 0:19:22No. With the other members.
0:19:24 > 0:19:27First Monday of the month. A little ritual of ours.
0:19:29 > 0:19:32Parc-y-Boda. Idris's farm, right?
0:19:32 > 0:19:35- Yes, it's the only farm for miles around.- Ah.
0:19:35 > 0:19:37Well, what's this over here?
0:21:15 > 0:21:17- Tramp?- Maybe.
0:22:29 > 0:22:32Talygroes has been empty for the last 40 years.
0:22:32 > 0:22:36The man who used to live there was called Eric Roberts. Died 1974.
0:22:36 > 0:22:39After he died, ownership of the farm was passed to his neighbour.
0:22:39 > 0:22:41- Caradog Williams.- Yes.
0:22:41 > 0:22:45Sir! Cambria Meat Supplies. They've got a driver, Dylan Bevan.
0:22:45 > 0:22:48- Delivers meat to the farm once a month.- Last delivery?
0:22:48 > 0:22:50Monday. Hasn't been seen since.
0:23:05 > 0:23:08Drives a blue Fiat. Registration N186 JRK.
0:23:08 > 0:23:11- Any sign of it? - No, usually parked out front.
0:23:11 > 0:23:13We're trying to trace it now.
0:23:13 > 0:23:14Clear!
0:23:28 > 0:23:32- Sian!- Sir?- There's a photograph of a little girl in uniform. Find out who she is.
0:23:32 > 0:23:34Sir!
0:23:41 > 0:23:43I'll call forensics.
0:23:45 > 0:23:48Sian, we've found the victim's cameras.
0:23:52 > 0:23:55Little girl's name is Ffion. She's a pupil in Maes-y-Dderwen.
0:23:55 > 0:23:57- The mother's name is Ceri Jones. - Clean?
0:23:57 > 0:24:01Police were called out at Christmas. Domestic. She moved out after that.
0:24:01 > 0:24:03- We got an address?- Yep.
0:24:09 > 0:24:11- Good work.- Thank you, sir.
0:24:32 > 0:24:34Ceri Jones?
0:24:35 > 0:24:36Do you mind if we come in?
0:24:41 > 0:24:43Yeah, I know the place.
0:24:43 > 0:24:46We used to go up there sometimes.
0:24:48 > 0:24:51- What about Mr Williams? Did you ever meet him?- Once.
0:24:53 > 0:24:56Me and Dyl had a row and he drove off.
0:24:56 > 0:24:58Used to do it all the time.
0:24:58 > 0:24:59Thought it was funny.
0:25:01 > 0:25:03The, erm, the old man saw me crying
0:25:03 > 0:25:06and came out into the field, and gave me a glass of water.
0:25:06 > 0:25:07How did you find him?
0:25:09 > 0:25:11He seemed kind of sad to me.
0:25:12 > 0:25:14Living up there on his own, I'm not surprised.
0:25:16 > 0:25:18What about Dylan? Did he ever talk about him?
0:25:19 > 0:25:22Not really. Didn't have much to do with him.
0:25:22 > 0:25:25- You don't know of any issues between them?- No.
0:25:33 > 0:25:34Ffion...
0:25:41 > 0:25:43Don't worry, Ffion. She won't bite.
0:25:53 > 0:25:55How often does Dylan see Ffion?
0:25:57 > 0:26:00- Is that your decision or his? - Does it make a difference?
0:26:00 > 0:26:03Doesn't a man have a right to see his daughter?
0:26:09 > 0:26:11Is this Dylan?
0:26:12 > 0:26:14It could be anyone.
0:26:14 > 0:26:16You recognise the farm?
0:26:17 > 0:26:20- Yeah, I know it. - When you and Dylan went up there?
0:26:20 > 0:26:22The place gave me the creeps.
0:26:22 > 0:26:24What about Dylan? Did it give him the creeps?
0:26:25 > 0:26:26Why don't you ask him?
0:26:28 > 0:26:31I know what happened over Christmas, Ceri.
0:26:31 > 0:26:35- I should never have called the police.- No, you were scared. You were right to call.
0:26:35 > 0:26:37No. I was tired.
0:26:37 > 0:26:39Tired of all the promises, tired of all the drinking.
0:26:39 > 0:26:41Does Dylan smoke?
0:26:42 > 0:26:44I mean what brand?
0:26:44 > 0:26:46Whatever he can get his hands on.
0:26:50 > 0:26:53You're not in any kind of trouble, you know that, don't you?
0:26:53 > 0:26:56I'm just trying to work out what kind of man he is.
0:27:38 > 0:27:42'Cruelty to animals. Could suggest psychotic tendencies.'
0:27:42 > 0:27:44Didn't you pull the wings off butterflies when you were a kid?
0:27:44 > 0:27:47No, I didn't actually.
0:27:47 > 0:27:48'Oh.'
0:27:48 > 0:27:50That was the lab, sir.
0:27:50 > 0:27:52- There's a film in one of the cameras we found at the scene.- And?
0:27:52 > 0:27:55It's been exposed to the light. They're doing what they can.
0:27:55 > 0:27:57- 'I'm on my way back.'- OK.
0:28:00 > 0:28:02- This doesn't make any bloody sense. - What doesn't?- Talygroes.
0:28:12 > 0:28:15This is the land boundary in 1971,
0:28:15 > 0:28:16three years before Eric Roberts died,
0:28:16 > 0:28:18the last time Talygroes was listed.
0:28:20 > 0:28:22Now look at the boundary here in 1948.
0:28:23 > 0:28:25- They're different. - I know, sir, but there's more.
0:28:25 > 0:28:281956.
0:28:28 > 0:28:301962.
0:28:30 > 0:28:311967.
0:28:31 > 0:28:34Talygroes gets smaller and smaller every time.
0:28:34 > 0:28:36So Roberts is winding it down.
0:28:36 > 0:28:39- Selling it off piece by piece. - That's what I thought but...
0:28:39 > 0:28:42These are the accounts of Caradog Williams' place.
0:28:42 > 0:28:44Look at them.
0:28:44 > 0:28:46No record of any payments to his neighbour. Nothing.
0:28:46 > 0:28:50Why would Roberts do that? Hand his land over like that for no money?
0:28:50 > 0:28:52Exactly.
0:28:52 > 0:28:53Maybe the farm was too much for him.
0:28:53 > 0:28:56He had nobody else to leave it to, no kids.
0:28:56 > 0:28:58No. No, no, there were children at Talygroes.
0:28:58 > 0:29:01There were notches cut into the doorframe. Find out what happened to them.
0:29:06 > 0:29:07Caradog Williams?
0:29:07 > 0:29:09I thought perhaps you knew him, sir?
0:29:09 > 0:29:12Now why would you think that? Never met the man.
0:29:12 > 0:29:16What about his son, Idris Williams? Did you know him?
0:29:16 > 0:29:18- No-one did.- Herbert Rees did.
0:29:18 > 0:29:20Herbert Rees has an alibi.
0:29:20 > 0:29:23What's the latest on Bevan? You think he's left town?
0:29:23 > 0:29:26Traffic are still trying to trace his car, sir.
0:29:26 > 0:29:29- You think he might strike again? - We're doing everything we can.
0:29:29 > 0:29:31- KNOCK ON DOOR - Sir?
0:29:32 > 0:29:35There were two children in Talygroes, a boy and a girl.
0:29:35 > 0:29:37The youngest, Aneirin, left Aber in the late '60s,
0:29:37 > 0:29:40moved up north, Bethesda way. Died 2008.
0:29:40 > 0:29:42The older girl, Enid, never married.
0:29:42 > 0:29:46- She was still living at Talygroes with her father when he died. - And after that?
0:29:46 > 0:29:49When Caradog took over the land, she was moved off the mountain,
0:29:49 > 0:29:51put in a house on the old road to Borth.
0:29:55 > 0:29:57Enid Roberts. Find out what she knows.
0:29:57 > 0:30:01- Shouldn't we be concentrating on Bevan?- Sian can handle Bevan.
0:30:01 > 0:30:04These maps, right, they're 70 years old. Where are you going with this?
0:30:04 > 0:30:06Idris took photos of landscapes.
0:30:06 > 0:30:09- Apart from the ruin at Talygroes. - So?
0:30:09 > 0:30:12Someone had his photograph taken up there. Who is he?
0:30:12 > 0:30:15- Why didn't he want anyone else to see him?- Have you run this past Prosser?
0:30:15 > 0:30:17Do I have to?
0:30:17 > 0:30:22Idris Williams may have withdrawn from the world but it doesn't mean he's lost interest in it.
0:30:22 > 0:30:25He may be an old recluse to everyone else, but he's not to me.
0:30:36 > 0:30:38Photo from the victim's camera, sir.
0:31:31 > 0:31:33When was it taken?
0:31:34 > 0:31:35Three weeks ago.
0:31:37 > 0:31:39- You were up at the farm?- Yes.
0:31:41 > 0:31:44Is that the last time you saw Idris Williams?
0:31:46 > 0:31:48When did you last see him, Nia?
0:31:49 > 0:31:51Monday.
0:31:51 > 0:31:53What time?
0:31:53 > 0:31:57- Late afternoon. Four? Five? - How long were you up there?
0:31:58 > 0:32:02Not long. Minutes. He... He was different. Agitated.
0:32:02 > 0:32:04He wouldn't let me into the house. He told me I should go.
0:32:04 > 0:32:07- You think there was somebody there with him?- Yeah.
0:32:07 > 0:32:08- Did you see anybody?- No.
0:32:08 > 0:32:12A car parked in the yard? A delivery van?
0:32:12 > 0:32:14Does the name Dylan Bevan mean anything to you?
0:32:16 > 0:32:18- He delivers meat to the farm. - I don't know him.
0:32:20 > 0:32:23When I asked you yesterday if you knew Idris Williams, you told me no.
0:32:23 > 0:32:26But you've just told us you were up at the farm.
0:32:26 > 0:32:28Why didn't you tell us this yesterday?
0:32:29 > 0:32:32- I didn't want anyone to know I'd been up there.- Why not?
0:32:37 > 0:32:39Were you having an affair with Idris Williams?
0:32:42 > 0:32:44- It's more complicated than that. - Go on.
0:32:47 > 0:32:50We had something for a couple of years...
0:32:53 > 0:32:57..and I called it off a year ago when my husband found out.
0:32:59 > 0:33:01You promised your husband that it was over?
0:33:01 > 0:33:04You promised him that you wouldn't go up there again.
0:33:04 > 0:33:06But you did.
0:33:08 > 0:33:10Did you still have feelings for Idris?
0:33:12 > 0:33:14Did Idris still have feelings for you?
0:33:21 > 0:33:24I think the person who took this picture loved you very much.
0:33:36 > 0:33:39- 'You mustn't tell my husband.' - Why not?'
0:33:39 > 0:33:42I've let him down before. I can't do it to him again.
0:33:45 > 0:33:48Where were you Monday night? After you left the farm?
0:33:48 > 0:33:50- Home.- Alone?- Yes.
0:33:50 > 0:33:53- I'm going to have to speak with your husband.- You already have.
0:33:55 > 0:33:59It's Herbert Rees. You met him at the Guild.
0:34:20 > 0:34:22Do you think she's telling the truth?
0:34:24 > 0:34:27I know the difference between grief and guilt.
0:34:32 > 0:34:33Herbert Rees.
0:34:33 > 0:34:36His wife was having an affair with Idris Williams.
0:34:36 > 0:34:39Alibi checked out, sir. There were nine of them at the Guild.
0:34:39 > 0:34:42All of them willing to testify. You want to bring him in, sir?
0:34:42 > 0:34:45No. No, he's a solicitor. He'd be all over us.
0:34:45 > 0:34:47Find out what you can.
0:34:47 > 0:34:49Phone records, business interests, associates. Everything.
0:35:43 > 0:35:47They've found Bevan's van, sir. Off Bridge Street.
0:35:47 > 0:35:48He's still in Aber.
0:36:00 > 0:36:02KNOCK ON DOOR
0:36:05 > 0:36:06KNOCK ON DOOR
0:36:37 > 0:36:40TENSE SLOW BEAT
0:36:43 > 0:36:44CRIES OUT
0:36:50 > 0:36:52Mathias.
0:36:53 > 0:36:55Is Daddy still in the house with you now?
0:36:55 > 0:36:57He's in the kitchen with Mammy.
0:36:57 > 0:37:01'OK, just do as I say, all right? Stay where you are. It's very important.'
0:37:01 > 0:37:03Don't go into the kitchen.
0:37:03 > 0:37:06BANGING AND SCREAMS
0:37:06 > 0:37:09- He's hurting her.- I'm on my way, Ffion. Just stay where you are.
0:37:09 > 0:37:11Keep her talking.
0:37:13 > 0:37:16We need back up now. And get an ambulance up there!
0:37:24 > 0:37:25Ffion?
0:37:27 > 0:37:28Ffion?
0:37:53 > 0:37:54Ceri?
0:39:02 > 0:39:03Dylan?
0:39:11 > 0:39:15'Did it make you feel good? Knocking her about like that?
0:39:15 > 0:39:17'Did it make you feel like a man?'
0:39:17 > 0:39:21And killing Idris Williams. Did it make you feel like a man too?
0:39:21 > 0:39:23- I didn't kill him. - So what happened then, Dylan?
0:39:24 > 0:39:26I went up there like I always do.
0:39:26 > 0:39:29Put the meat in the freezer. Picked up my money.
0:39:29 > 0:39:31The door was open. There was nobody about.
0:39:31 > 0:39:33Had you been in the house before?
0:39:35 > 0:39:38But you knew the old man took pictures. You knew he had cameras in the house.
0:39:38 > 0:39:41- And you took them. - You don't know what it's like.
0:39:41 > 0:39:44My little girl means everything to me and I got nothing to give her.
0:39:44 > 0:39:46And you decided to help yourself?
0:39:46 > 0:39:48She deserves the best.
0:39:55 > 0:39:56He was on the floor
0:39:56 > 0:39:58'in the kitchen.
0:39:59 > 0:40:01'I didn't see him at first.'
0:40:01 > 0:40:03Pushed open the door and...
0:40:04 > 0:40:06There was nothing I could do.
0:40:06 > 0:40:09The back of his head was all messed up.
0:40:09 > 0:40:11There was blood...
0:40:12 > 0:40:15'You didn't try and help him?'
0:40:15 > 0:40:17The man was dead.
0:40:17 > 0:40:20I got back in the van. I left.
0:40:20 > 0:40:23It was only when I got back to Aber I realised I still had the cameras.
0:40:23 > 0:40:26But you knew we'd be looking for you.
0:40:26 > 0:40:28If you are so innocent, why did you go to Ceri's?
0:40:28 > 0:40:30- Why not come straight to me? - I needed to talk to her.
0:40:30 > 0:40:33- To shut her up? - To stop her feeding you lies.
0:40:33 > 0:40:36Like the fact you beat the crap out of her at Christmas? Those lies?
0:40:36 > 0:40:38You've seen my record. GBH, ABH.
0:40:38 > 0:40:40A few words from her, and it's over for me.
0:40:40 > 0:40:44Tonight, why didn't you run?
0:40:48 > 0:40:50To prove to her that I didn't do it.
0:40:54 > 0:40:58I didn't kill the old man! He was already dead!
0:40:58 > 0:41:01I called the police. What more could I do?
0:41:05 > 0:41:08The anonymous call, sir.
0:41:11 > 0:41:13I couldn't get it out of my head.
0:41:15 > 0:41:16The old man...
0:41:18 > 0:41:20..lying there.
0:41:25 > 0:41:26- An opportunist?- Yes.
0:41:26 > 0:41:29But his fingerprints were everywhere.
0:41:29 > 0:41:31Everywhere except the kitchen, sir.
0:41:31 > 0:41:33He's the last person I'd put on my Christmas list, sir,
0:41:33 > 0:41:35but we've checked his mobile phone records.
0:41:35 > 0:41:38He definitely made the call.
0:41:38 > 0:41:39So we release him?
0:41:39 > 0:41:41No, we eliminate him from our enquiry.
0:41:41 > 0:41:44But we charge him under section 47 for assault.
0:41:44 > 0:41:45Where next?
0:42:05 > 0:42:07I've got an address for Enid Roberts.
0:42:07 > 0:42:10An old people's home on the front.
0:42:10 > 0:42:13I'll get onto it first thing in the morning. Good night.
0:42:57 > 0:42:59We try and encourage them to eat together.
0:42:59 > 0:43:02Gets them out of their rooms for a bit, breaks up the day.
0:43:02 > 0:43:04But not Enid?
0:43:05 > 0:43:08Enid likes to keep herself to herself.
0:43:08 > 0:43:10Any particular reason?
0:43:10 > 0:43:13Early stages dementia. She has good days and bad days.
0:43:13 > 0:43:16But we do what we can.
0:43:22 > 0:43:23Miss Roberts?
0:43:53 > 0:43:54Idris Williams.
0:44:48 > 0:44:51MATHIAS: 'Tell me everything you know about Talygroes.'
0:44:51 > 0:44:53I can't help you, I'm afraid.
0:44:53 > 0:44:55Really?
0:44:55 > 0:44:57A man called Eric Roberts used to live there.
0:44:57 > 0:44:59Next to Idris Williams' place.
0:44:59 > 0:45:00Before my time.
0:45:00 > 0:45:03That's a pity. See, I've been trying to work out
0:45:03 > 0:45:08why Mr Roberts handed over his land to our friend in the frame there.
0:45:10 > 0:45:12I can't help you with that. Like I said...
0:45:12 > 0:45:13Before your time.
0:45:15 > 0:45:18Must be worth quite a bit, the Caradog estate.
0:45:18 > 0:45:20Hard to say.
0:45:20 > 0:45:23At least now that his son's dead, you'll get to cash in.
0:45:23 > 0:45:25I take it the Guild has plans?
0:45:25 > 0:45:27- Oh, we haven't really thought about it.- No?
0:45:27 > 0:45:30Hardly seemed appropriate while the man was still living there.
0:45:30 > 0:45:32Of course.
0:45:34 > 0:45:36Must have been galling for you,
0:45:36 > 0:45:40watching Idris idle away the years on that mountain.
0:45:40 > 0:45:43And then to find out that he was screwing your wife.
0:45:47 > 0:45:50Still, the man took a lovely photo.
0:45:54 > 0:45:55I haven't got time for this.
0:45:55 > 0:45:58I've have more important things to do with my morning.
0:45:58 > 0:45:59More important than murder?
0:46:20 > 0:46:22I think you've known for weeks about the affair.
0:46:22 > 0:46:24- The fact it was still going on. - No comment.
0:46:24 > 0:46:27She was up there three weeks ago posing for photographs.
0:46:27 > 0:46:30Maybe you went up there to get something signed,
0:46:30 > 0:46:32- saw her car in the yard? - No comment.
0:46:32 > 0:46:35The moment you found out about it, that's when it became personal.
0:46:35 > 0:46:38All those years of not being able to get your hands on Idris' land,
0:46:38 > 0:46:42all those years of waiting while the Guild fell into ruin.
0:46:45 > 0:46:46Was that a question?
0:46:50 > 0:46:52No comment.
0:46:57 > 0:47:00I didn't kill Idris Williams.
0:47:00 > 0:47:03As I've already told you, I was at the Guild.
0:47:12 > 0:47:14- Let him go.- Sir?
0:47:14 > 0:47:16The man has an alibi. We have no reason to hold him.
0:47:16 > 0:47:18- Direct motive. - We've got to do better than that.
0:47:18 > 0:47:19He knows more than he's letting on.
0:47:19 > 0:47:22Something happened on that mountain. More than just murder.
0:47:22 > 0:47:25People don't hand over their land like that for no reason.
0:47:25 > 0:47:27Tom, the history of what happened up there is long gone.
0:47:27 > 0:47:29Eric Roberts, Caradog Williams...
0:47:29 > 0:47:31The people with the answers are dead.
0:47:31 > 0:47:35You need to concentrate on the case. Stop chasing ghosts, Tom!
0:47:56 > 0:47:57It's the last one on the end.
0:47:57 > 0:47:59Thank you, Carol.
0:48:08 > 0:48:09Carol!
0:48:19 > 0:48:21- She's gone.- Shit.
0:48:41 > 0:48:42Enid!
0:48:50 > 0:48:52I should've stopped him.
0:48:54 > 0:48:55I should've stopped him.
0:48:59 > 0:49:00I'll call an ambulance.
0:49:05 > 0:49:08I should've stopped him.
0:49:23 > 0:49:24DCI Mathias?
0:49:39 > 0:49:42- Somebody should be here when she wakes up.- I'll stay.
0:50:19 > 0:50:21RINGING TONE
0:50:28 > 0:50:30'Hello. It's Meg. Leave a message.'
0:50:32 > 0:50:36I know you're there, Meg. Pick up the phone, please.
0:50:43 > 0:50:46PHONE RINGS Meg?
0:50:46 > 0:50:47What is it, Lloyd?
0:50:47 > 0:50:49He's letting him go.
0:50:49 > 0:50:51'Have you been through all the documents?'
0:50:51 > 0:50:53Still going through them now, sir.
0:50:53 > 0:50:56Yeah, well, keep going. Rees is involved somehow. He has to be.
0:50:56 > 0:50:59- The man has too much to gain. - I'll keep looking, sir.
0:51:24 > 0:51:27- What else do we know about Talygroes?- Sir?
0:51:27 > 0:51:30The same day she finds out about Idris Williams' murder,
0:51:30 > 0:51:33Enid Roberts tries to kill herself.
0:51:33 > 0:51:35It's too much of a coincidence.
0:51:35 > 0:51:37Something about Idris' murder upset her.
0:51:37 > 0:51:39Took her back to a place, a time.
0:51:39 > 0:51:42"I should have stopped him. I should have stopped him."
0:51:42 > 0:51:43Who was she talking about?
0:52:54 > 0:52:57- Look at the date.- 1943.
0:52:57 > 0:53:01The middle of the Second World War. You don't think that's odd?
0:53:01 > 0:53:04I guess it explains why the man couldn't visit.
0:53:04 > 0:53:08You think Enid and her German pen-friend here had a child together?
0:53:08 > 0:53:10- How else do you explain it? - She'd be 17.
0:53:10 > 0:53:12It happens.
0:53:12 > 0:53:15Lloyd, when was the first land transfer between
0:53:15 > 0:53:18Talygroes and the Williams' place?
0:53:18 > 0:53:19'48, sir.
0:53:19 > 0:53:21I'll get a copy and put it back where I found it
0:53:21 > 0:53:22before she wakes up.
0:54:25 > 0:54:28HE BLOWS A SINGLE NOTE
0:55:10 > 0:55:11Sir.
0:55:11 > 0:55:15Provisional Planning Application for Parc-y-Boda, the Williams place.
0:55:15 > 0:55:17They want to build 60 turbines, sir.
0:55:17 > 0:55:21Bottom of page eight - look who's behind it.
0:55:21 > 0:55:23Herbert Rees.
0:56:11 > 0:56:12Herbert?
0:57:45 > 0:57:47DOOR BANGS
0:57:55 > 0:57:56Herbert!
0:58:00 > 0:58:03BANGING AND MUFFLED SHOUTING
0:58:13 > 0:58:15HE GRUNTS
0:58:26 > 0:58:30- PHONE RINGS - What is it?!
0:58:30 > 0:58:33He's gone. Herbert Rees has been kidnapped.
0:58:33 > 0:58:34What are you talking about?
0:58:34 > 0:58:37Get over to the Guild, call Soco and secure the building.
0:58:37 > 0:58:40- Are you OK?- Oh, I'm fine. There's just someone I need to see.
0:58:42 > 0:58:44FAINT SIREN WAILS
0:58:44 > 0:58:46FAINT BARKING
0:58:55 > 0:58:58- I heard him come in. - But you didn't speak?
0:58:58 > 0:59:00I was in bed. We sleep in separate rooms.
0:59:00 > 0:59:03I heard him on the landing, and I...
0:59:03 > 0:59:06- And then he left? For the Guild? - Yeah.
0:59:06 > 0:59:08Was he going there to meet someone?
0:59:08 > 0:59:10This is important, Nia.
0:59:10 > 0:59:12Was Herbert himself involved in something?
0:59:12 > 0:59:14Something he couldn't control?
0:59:14 > 0:59:16- (No. He'd never do that.) - Are you sure?
0:59:18 > 0:59:21Have you noticed anything out of the ordinary in the last few weeks?
0:59:21 > 0:59:24Phone calls late at night, meetings, changes in his mood?
0:59:26 > 0:59:29Well, if you remember anything, please, just...
0:59:33 > 0:59:34Are you OK?
0:59:37 > 0:59:38Do you want me to call someone?
0:59:38 > 0:59:40There's no-one to call.
1:00:01 > 1:00:02Forensics are checking the bloods now.
1:00:02 > 1:00:05- And the caretaker?- I've spoken to him. He's on his way in.
1:00:05 > 1:00:08- No sign of forced entry. - Do you think Herbert Rees knew his attacker?
1:00:08 > 1:00:10If it was the same person that killed Idris Williams,
1:00:10 > 1:00:13why didn't he do the same thing to Herbert Rees? Why kidnap him?
1:00:13 > 1:00:16Because Herbert has got something the killer wants.
1:00:16 > 1:00:17Get on to Traffic.
1:00:17 > 1:00:20We need CCTV of all the roads in and out of the town
1:00:20 > 1:00:22between 8:00 and 10:30pm.
1:00:35 > 1:00:36Are you OK?
1:00:38 > 1:00:40The killer has shown his hand.
1:00:41 > 1:00:44This isn't just about Idris Williams.
1:00:44 > 1:00:47It goes back further than that.
1:00:47 > 1:00:48This is about his father.
1:00:50 > 1:00:51About history.
1:00:54 > 1:00:57- What's the latest on Enid?- No change.
1:00:57 > 1:01:00- I'll make sure I'm there when she wakes up.- Good. Good.
1:01:02 > 1:01:04You got any contacts at the university?
1:01:04 > 1:01:06A couple of old boyfriends. Why?
1:01:55 > 1:01:56BIRDSONG
1:01:59 > 1:02:01Professor Yorath?
1:02:03 > 1:02:04DCI Mathias.
1:02:04 > 1:02:05Mared not with you, then?
1:02:05 > 1:02:08She's been called away. She sends her regards.
1:02:08 > 1:02:10She told you I was an insomniac?
1:02:10 > 1:02:12She mentioned it, yes.
1:02:12 > 1:02:14Good.
1:02:15 > 1:02:16Right.
1:02:16 > 1:02:20Wenn wir marschieren.
1:02:20 > 1:02:21Together we march.
1:02:21 > 1:02:22They were...they were sold
1:02:22 > 1:02:25and manufactured in Germany in the early 1940s.
1:02:25 > 1:02:26To servicemen?
1:02:26 > 1:02:29To soldiers on duty with the Waffen-SS and the Wehrmacht
1:02:29 > 1:02:31and to civilians. Where did you get this?
1:02:31 > 1:02:34We found it up at the Idris Williams farm.
1:02:34 > 1:02:36You might have read about it in the paper.
1:02:36 > 1:02:38Any idea how it might have got up there?
1:02:38 > 1:02:41Memorabilia of the period is very popular.
1:02:41 > 1:02:43- Was...was Idris a collector? - No.
1:02:43 > 1:02:46I've got something to show you.
1:02:56 > 1:02:58Prisoner-of-war camps?
1:02:58 > 1:02:59Detention camps.
1:02:59 > 1:03:03For German and Italian prisoners of war.
1:03:03 > 1:03:05You see, the whole of the UK was littered with them.
1:03:05 > 1:03:08There were...there were 15 different sites in Wales alone.
1:03:08 > 1:03:09How come I've never heard of them?
1:03:09 > 1:03:12Well, you know, they were knocked down, flattened
1:03:12 > 1:03:14as soon as the war was over.
1:03:15 > 1:03:19This is, er... This is all that's left now.
1:03:25 > 1:03:27And this place...?
1:03:27 > 1:03:29- Henllan Bridge.- Yeah.
1:03:29 > 1:03:31Do you think the mouth organ came from there?
1:03:31 > 1:03:34No. Henllan Bridge was built for Italian prisoners of war only.
1:03:34 > 1:03:36But, you see, there was another camp, a sister camp
1:03:36 > 1:03:39that didn't exist officially.
1:03:39 > 1:03:42- For German soldiers? - Yes. And there's more.
1:03:42 > 1:03:45According to local sources, in September 1943,
1:03:45 > 1:03:47five German prisoners of war escaped.
1:03:47 > 1:03:50Two of them were picked up within half a mile of Henllan Bridge,
1:03:50 > 1:03:52but three of them were never caught.
1:03:52 > 1:03:54So, what happened to the three that got away?
1:03:55 > 1:03:58Well, that's the point. Nobody knows.
1:04:04 > 1:04:06CONSTANT BEEPING
1:04:09 > 1:04:11FLAMES CRACKLE
1:04:12 > 1:04:13SCREAMING
1:04:28 > 1:04:30Nothing.
1:04:30 > 1:04:34Daily reports from mainland Europe and a load of local stuff.
1:04:34 > 1:04:36- But nothing on Henllan Bridge? - Nothing.
1:04:36 > 1:04:39What about the Guild? Anything back from Forensics?
1:04:39 > 1:04:42DS Owens is chasing them now. There is something else, sir.
1:04:42 > 1:04:46I've been looking into their accounts. The place is in arrears.
1:04:46 > 1:04:48Two renovation companies waiting to be paid,
1:04:48 > 1:04:51one of them threatening legal action.
1:04:51 > 1:04:52Good work, Lloyd!
1:04:56 > 1:04:59- Oh, I'm sure it happened, all right. - Why no mention of it in the papers?
1:04:59 > 1:05:04Anything to do with escapees was more than likely censored.
1:05:04 > 1:05:06Mr Bracken and his Ministry of Information,
1:05:06 > 1:05:08always stealing our best stories.
1:05:09 > 1:05:13You're lucky - stories tended to be pulled at the last minute.
1:05:13 > 1:05:16So they were written up, just didn't make it into the paper.
1:05:18 > 1:05:20Here we are.
1:05:20 > 1:05:24October...1943.
1:05:24 > 1:05:26Does it say the prisoners' names?
1:05:26 > 1:05:28Impatient bugger, aren't you?
1:05:28 > 1:05:29Occupational hazard.
1:05:29 > 1:05:33Short on facts, I'm afraid. More of a reaction piece.
1:05:33 > 1:05:34To the rumours?
1:05:34 > 1:05:37Stories like this had a habit of trickling out.
1:05:37 > 1:05:41The whole purpose of censorship was to starve the story of oxygen.
1:05:41 > 1:05:42Hope it would go away.
1:05:42 > 1:05:46But you're talking about German soldiers running around Aberystwyth.
1:05:46 > 1:05:47People are going to talk.
1:05:47 > 1:05:50Here we are, got himself a witness.
1:05:50 > 1:05:55An old farm hand says he saw the Germans up on the ridge.
1:06:08 > 1:06:11RAPID BEEPING
1:07:11 > 1:07:13The men were headed west.
1:07:13 > 1:07:15From some place called Carn yr Awel.
1:07:15 > 1:07:17- The ridge, sir.- Do you know it?
1:07:17 > 1:07:20Used to go up there with my father before he was ill.
1:07:23 > 1:07:25There's only one way down from there, sir.
1:07:25 > 1:07:28Look at the first place it leads you.
1:07:28 > 1:07:30Talygroes.
1:07:30 > 1:07:32Sir, something in from Traffic.
1:07:40 > 1:07:42One of the cameras on the prom picked this up.
1:07:48 > 1:07:50Freeze it there.
1:07:50 > 1:07:53Go in on the van, see if you can get the plates.
1:07:58 > 1:08:00Let's get a trace of it, quick.
1:08:06 > 1:08:08FOOTSTEPS
1:08:18 > 1:08:19HE SPLUTTERS
1:08:19 > 1:08:21GASPS FOR BREATH
1:08:22 > 1:08:24Wake up!
1:08:26 > 1:08:27You've got work to do.
1:08:28 > 1:08:30Please!
1:08:39 > 1:08:42The van was registered to a Mr Aneirin Roberts. He died 2008.
1:08:42 > 1:08:44- Enid's brother?- Yes, sir.
1:08:44 > 1:08:46Do we know if he had any children?
1:08:46 > 1:08:49- A son. We're trying to trace him. - Why didn't we pick this up before?
1:08:49 > 1:08:52- Aneirin left Aber in the '60s. We didn't realise...- Find him!
1:08:54 > 1:08:55Yes, sir.
1:08:59 > 1:09:00PHONE RINGS
1:09:04 > 1:09:06Mathias.
1:09:09 > 1:09:11Nia.
1:09:16 > 1:09:18WAVES CRASH
1:09:18 > 1:09:20BIRDSONG
1:09:21 > 1:09:23I promised my husband it was over.
1:09:23 > 1:09:26Promised him I wouldn't see Idris again, but...
1:09:26 > 1:09:28I couldn't do it.
1:09:28 > 1:09:30For a couple of years, yes, but in the end...
1:09:32 > 1:09:34..I couldn't stay away.
1:09:34 > 1:09:36Knowing he was up there on his own.
1:09:38 > 1:09:40The sweetest, gentlest man.
1:09:42 > 1:09:44The kindest soul.
1:09:45 > 1:09:48Herbert knew Idris and my father were friends.
1:09:50 > 1:09:53That's why he sent me up there... to Parc-y-Boda.
1:09:53 > 1:09:55To see if I could...
1:09:56 > 1:09:58..persuade Idris to move off the mountain.
1:09:58 > 1:10:00Herbert sent you up there?
1:10:00 > 1:10:02The first time, yes.
1:10:03 > 1:10:05He thought the connection with Dad would help.
1:10:05 > 1:10:07- Did it?- (I don't know.)
1:10:09 > 1:10:12I don't think Idris would have moved. Not for anybody.
1:10:14 > 1:10:16Every day he spent on that mountain
1:10:16 > 1:10:18was another nail in his father's coffin.
1:10:18 > 1:10:20Why did Idris hate his father so much?
1:10:22 > 1:10:23Caradog was a bully.
1:10:25 > 1:10:27All Idris ever wanted was a father.
1:10:30 > 1:10:32In the end, the mountain was all Idris had.
1:10:35 > 1:10:37It was everything to him.
1:10:37 > 1:10:39Not everything, Nia.
1:10:47 > 1:10:49You loved him, didn't you?
1:10:52 > 1:10:53With all my heart.
1:11:07 > 1:11:09Tom.
1:11:09 > 1:11:13I've just had Hywel from the Cambrian Herald in my office
1:11:13 > 1:11:16going on about German prisoners of war.
1:11:16 > 1:11:18Idris Williams is dead,
1:11:18 > 1:11:20Herbert Rees is missing, and what do I see?
1:11:20 > 1:11:22My top man running around Aberystwyth,
1:11:22 > 1:11:24chasing after the bloody Luftwaffe.
1:11:26 > 1:11:29- The two things are linked, sir. - They'd better be.
1:11:53 > 1:11:57Otto Ernst, Christian Sommer,
1:11:57 > 1:12:00Lukas...Lukas Schmidt.
1:12:00 > 1:12:03Find out if any of these men made it back to Germany.
1:12:03 > 1:12:06They were last seen headed towards Talygroes.
1:12:06 > 1:12:08Now, we need to know where they went from there.
1:12:08 > 1:12:10- Yep, I'm on it.- Thanks, DS Owens.
1:12:53 > 1:12:55She loved him.
1:12:56 > 1:12:57She was young.
1:12:57 > 1:12:58So?
1:13:00 > 1:13:01PHONE RINGS
1:13:05 > 1:13:08- Sian? - The prisoners never made it home.
1:13:08 > 1:13:10They were officially declared dead in the late '70s.
1:13:10 > 1:13:13What about family, descendants?
1:13:13 > 1:13:16Christian Sommer had a daughter, Eva Sommer, born 1943.
1:13:16 > 1:13:171943?
1:13:20 > 1:13:22That's who the letter's to.
1:13:22 > 1:13:24"Your loving father."
1:13:24 > 1:13:28He was saying goodbye to his little girl in case he didn't make it home.
1:13:28 > 1:13:32Get a number for this Eva Sommer, find out what she knows.
1:13:32 > 1:13:35- You sure that's a good idea, sir? - Hold on.
1:13:35 > 1:13:38She doesn't know her father and we don't know what happened to him.
1:13:38 > 1:13:40Is it fair to go stirring things up like that?
1:13:43 > 1:13:44- Do it.- 'Yes, sir.'
1:13:46 > 1:13:48So, how come Enid ended up with the letter?
1:13:50 > 1:13:54Maybe Christian Sommer gave it to her to send on.
1:13:54 > 1:13:56You saw her back there.
1:13:57 > 1:13:59Maybe she couldn't bear to let it go.
1:13:59 > 1:14:03Maybe the letter is the only thing she has left to remember him by.
1:14:03 > 1:14:05Her only memory.
1:14:10 > 1:14:12FOOTSTEPS
1:14:14 > 1:14:16Hello.
1:14:18 > 1:14:19Hello?
1:14:43 > 1:14:45Herbert Rees said he was at the Guild
1:14:45 > 1:14:48the night Idris Williams was murdered. Can you vouch for that?
1:14:48 > 1:14:50I was here all night. Saw him with my own eyes.
1:14:50 > 1:14:52- You weren't aware of him behaving oddly?- No more than the rest.
1:14:52 > 1:14:54He was with the others the whole time?
1:14:54 > 1:14:57Yeah. He did nip out the back to make a call at one point,
1:14:57 > 1:14:59- but other than that... - Make a call?- Yeah.
1:14:59 > 1:15:01- How long was he gone?- Five minutes.
1:15:03 > 1:15:05I thought DC Ellis said there were no record of any calls?
1:15:05 > 1:15:08Nothing came up. Perhaps he has another phone.
1:15:08 > 1:15:10Perhaps he didn't make a call.
1:15:15 > 1:15:17How far back does that thing go?
1:15:17 > 1:15:20- Three weeks.- Can you show me the night in question?
1:15:20 > 1:15:21Yeah, I can try.
1:15:35 > 1:15:39I must've got it wrong. There's nothing here.
1:15:39 > 1:15:41Stop it there.
1:15:41 > 1:15:42Play it again.
1:15:45 > 1:15:46There!
1:15:46 > 1:15:49Look at the time. 8:43.
1:15:49 > 1:15:50Rewind it.
1:15:52 > 1:15:53Play it again.
1:15:54 > 1:15:57There's 20 minutes missing.
1:15:57 > 1:15:58He deleted it.
1:15:58 > 1:16:00Or he turned the camera off before going outside.
1:16:00 > 1:16:04- You say all the other members were inside?- Yeah, that's right.
1:16:04 > 1:16:06And they're the only ones to have keys to this place?
1:16:06 > 1:16:08Yeah, more or less.
1:16:08 > 1:16:09More or less?
1:16:09 > 1:16:13The only other people with keys are the boys from the Esplanade.
1:16:18 > 1:16:20- Yeah, we do the odd function for them.- How do you find them?
1:16:20 > 1:16:22Not too quick paying their bills.
1:16:22 > 1:16:24Apart from that, they're the same as everybody else here.
1:16:24 > 1:16:27What about Herbert Rees? Have you had anything to do with him?
1:16:27 > 1:16:30He's a humourless bugger. I try and stay out of his way if I can.
1:16:30 > 1:16:32He sent you down here, did he?
1:16:32 > 1:16:35Were any of your staff up at the Guild last night?
1:16:35 > 1:16:37- Last night? No. - You're definitely sure about that?
1:16:37 > 1:16:39We had a wedding on. It was all hands on deck.
1:16:39 > 1:16:41Nobody left early?
1:16:41 > 1:16:42Nobody off sick?
1:16:42 > 1:16:43Well, there's Jo.
1:16:43 > 1:16:45- Jo?- Joseph Roberts.
1:16:45 > 1:16:48Well, he's been off for ten days. Stomach bug or something.
1:16:48 > 1:16:49How long has he worked for you?
1:16:49 > 1:16:52Couple of years. Hard worker. From north Wales.
1:16:52 > 1:16:54Have you got an address for him?
1:16:54 > 1:16:57He lives with his auntie, I think. On the old road to Borth.
1:16:57 > 1:17:00I got it written down in the office.
1:17:06 > 1:17:08RAPID CLICKING
1:17:08 > 1:17:09BREATHES HARD
1:17:41 > 1:17:42BREATHES DEEPLY
1:18:09 > 1:18:10VEHICLE APPROACHES
1:18:52 > 1:18:54We should wait for back up.
1:19:23 > 1:19:24The place is empty.
1:19:24 > 1:19:26ENGINE REVS
1:19:30 > 1:19:31Shit!
1:19:40 > 1:19:41TYRES SCREECH
1:19:53 > 1:19:55BIRD'S WINGS FLUTTER
1:20:51 > 1:20:53FAINT POLICE RADIO
1:20:58 > 1:21:00CAMERA SHUTTER CLICKS
1:22:20 > 1:22:23He was one of the boys from the Esplanade.
1:22:25 > 1:22:27I found him in my office one day.
1:22:28 > 1:22:30He'd spotted the painting.
1:22:31 > 1:22:32He was upset.
1:22:34 > 1:22:37He said his family had been cheated out of their land.
1:22:37 > 1:22:40That it was all Caradog Williams' fault.
1:22:40 > 1:22:41And was it?
1:22:41 > 1:22:43No.
1:22:45 > 1:22:48It wasn't Caradog who killed those soldiers.
1:22:48 > 1:22:50It was Eric Roberts.
1:22:50 > 1:22:51Joseph's grandfather.
1:22:55 > 1:22:56'They were sheltering in his barn.
1:22:58 > 1:23:01'Roberts' daughter Enid found them up there.
1:23:02 > 1:23:04'She took pity on them.'
1:23:05 > 1:23:09Started going to see them at night, taking them food.
1:23:09 > 1:23:11One of them was injured.
1:23:11 > 1:23:14She...got close to him.
1:23:14 > 1:23:17How long were they there?
1:23:17 > 1:23:19I don't know. Days, a week.
1:23:21 > 1:23:26Roberts caught his daughter running back from the barn one night.
1:23:27 > 1:23:29He asked her what was going on, she told him.
1:23:31 > 1:23:32He took things into his own hands.
1:23:35 > 1:23:37He torched the barn.
1:23:38 > 1:23:40Let them burn.
1:23:42 > 1:23:44'Caradog had heard the men screaming.
1:23:44 > 1:23:47'He went up there the next morning.
1:23:47 > 1:23:49'Saw what his neighbour had done.'
1:23:50 > 1:23:52'And he blackmailed him?'
1:23:53 > 1:23:55The men came to an agreement.
1:23:55 > 1:23:58Just like the one between you and Joseph Roberts.
1:23:59 > 1:24:00Was this him?
1:24:02 > 1:24:03Do you recognise the place?
1:24:05 > 1:24:07What happened, Herbert?
1:24:07 > 1:24:09The man wanted his land back.
1:24:12 > 1:24:14What was I supposed to do?
1:24:14 > 1:24:15Be straight with him.
1:24:15 > 1:24:18Tell him that it wasn't possible.
1:24:18 > 1:24:21But instead of that, you made a deal with him.
1:24:21 > 1:24:24"Get rid of Idris Williams and I'll give you your land back."
1:24:24 > 1:24:29Joseph came to the Guild, didn't he, the night Idris was murdered?
1:24:29 > 1:24:30He came to tell you what he'd done.
1:24:30 > 1:24:33He came to tell you he'd kept to his side of the bargain,
1:24:33 > 1:24:35now it was up to you to keep to yours.
1:24:35 > 1:24:37That's why you turned off the security cameras.
1:24:37 > 1:24:39You didn't go outside to make a phone call,
1:24:39 > 1:24:42you went outside to meet the killer!
1:24:42 > 1:24:45You got a desperate man to do your dirty work for you.
1:24:45 > 1:24:47A man who'd lost his father.
1:24:47 > 1:24:49Lost his inheritance. Lost everything!
1:24:49 > 1:24:52You used him, and then you turned him away!
1:24:52 > 1:24:54We're up to our necks in debt!
1:24:58 > 1:25:02I...I tried talking to Idris. He didn't want to listen.
1:25:02 > 1:25:04'So you sent Joseph up there.
1:25:07 > 1:25:09'Just like you sent Nia up there before him.'
1:25:12 > 1:25:14She never loved you, Herbert.
1:25:20 > 1:25:22I should never have married her.
1:25:24 > 1:25:26She's ruined everything.
1:25:26 > 1:25:27No. She didn't.
1:25:29 > 1:25:31You did that all by yourself.
1:25:39 > 1:25:41You were right about the mountain, Tom.
1:25:45 > 1:25:47Sir, they've found the van.
1:25:53 > 1:25:54Have we got a position?
1:25:54 > 1:25:56It was abandoned on the B4275
1:25:56 > 1:25:59just north of the junction with the A651.
1:25:59 > 1:26:02- I'll call out a search team. - No need. He's not trying to get away.
1:26:02 > 1:26:03- What?- He's trying to go home.
1:26:06 > 1:26:08- Tom?- You saw his house. His place was like a shrine.
1:26:08 > 1:26:11Talygroes was everything to him. Where else would he go?
1:26:13 > 1:26:14RUSTLING
1:26:16 > 1:26:18BIRDSONG
1:26:26 > 1:26:29SIRENS WAIL
1:26:34 > 1:26:36FAINT POLICE RADIO
1:27:17 > 1:27:19- Joseph?- Stay away from me!
1:27:19 > 1:27:20Put the lighter down, Joseph.
1:27:24 > 1:27:26I know what happened to the prisoners.
1:27:27 > 1:27:30I know what your grandfather did to them.
1:27:31 > 1:27:33It wasn't your fault.
1:27:42 > 1:27:45We lost everything.
1:27:45 > 1:27:47Our land, our future.
1:27:47 > 1:27:50Everything.
1:27:50 > 1:27:52I know.
1:27:52 > 1:27:55I know what my grandfather did was wrong,
1:27:55 > 1:27:57but when are we going to stop paying for his sins?
1:28:01 > 1:28:02Talygroes.
1:28:04 > 1:28:07All his life, my dad spoke of nothing else.
1:28:10 > 1:28:12This is where he grew up!
1:28:12 > 1:28:16Even at the end, cooped up in his little flat,
1:28:16 > 1:28:17coughing his guts up!
1:28:19 > 1:28:21He never forgot!
1:28:21 > 1:28:25I sat with him...right till the end.
1:28:25 > 1:28:26You were a good son.
1:28:29 > 1:28:31Do you have any idea what it's like...
1:28:33 > 1:28:35..to watch someone close to you dying like that?
1:28:37 > 1:28:38Yes.
1:28:42 > 1:28:45He was a lonely man miles away from home, dying.
1:28:46 > 1:28:49He should've been here, on the mountain, where he belonged!
1:28:49 > 1:28:50I know, I know.
1:28:54 > 1:28:58The doctors said it was dust from the quarry that killed him.
1:29:00 > 1:29:02You blame Caradog Williams, don't you?
1:29:03 > 1:29:06All I wanted was the farm back, that's all.
1:29:08 > 1:29:09I thought Idris would understand.
1:29:09 > 1:29:12I tried talking to him, tried to reason with him.
1:29:12 > 1:29:15Begged him to help me, but he wouldn't! He wouldn't listen!
1:29:20 > 1:29:22I just wanted back what was ours.
1:29:24 > 1:29:26Joseph? Joseph!
1:29:28 > 1:29:29Hey.
1:29:31 > 1:29:33It's going to be all right.
1:29:33 > 1:29:34Do you hear me?
1:29:37 > 1:29:39All the pain...
1:29:40 > 1:29:42..all the suffering...
1:29:44 > 1:29:45..it ends here.
1:29:47 > 1:29:49It ends now.
1:29:59 > 1:30:00Thank you.
1:30:08 > 1:30:09No!
1:30:09 > 1:30:11FIRE ROARS
1:30:21 > 1:30:23Sir, please, you've got to come now!
1:30:29 > 1:30:31GLASS SHATTERS
1:30:46 > 1:30:48GLASS SHATTERS
1:31:15 > 1:31:17BIRDSONG
1:31:17 > 1:31:19RUSTLING
1:31:32 > 1:31:33FAINT CHATTER
1:31:36 > 1:31:38POIGNANT INSTRUMENTAL
1:31:39 > 1:31:41BIRDSONG
1:32:26 > 1:32:28WAVES CRASH
1:32:30 > 1:32:32BIRDSONG
1:32:33 > 1:32:35BREATHES HARD