0:00:58 > 0:01:00MUEZZIN CHANTS
0:02:07 > 0:02:10IN FRENCH:
0:03:05 > 0:03:06Non.
0:03:38 > 0:03:40THEY SPEAK FRENCH
0:04:04 > 0:04:05Oui.
0:04:18 > 0:04:22SHOUTING AND BANGING
0:05:40 > 0:05:41SIREN
0:05:51 > 0:05:53SIREN
0:06:12 > 0:06:13Saw you breathing.
0:06:13 > 0:06:15Did not.
0:06:16 > 0:06:17Hurry up.
0:06:21 > 0:06:23IN FRENCH:
0:06:28 > 0:06:30Ah, oui, d'accord.
0:06:30 > 0:06:31Merci, merci.
0:07:08 > 0:07:09Let's go.
0:07:28 > 0:07:29Dr Hill?
0:07:29 > 0:07:32- Yes...? - I'm going to get you out of here.
0:07:32 > 0:07:35I know you're in pain, but you have to move quickly and do exactly what I say.
0:07:35 > 0:07:37- Do you understand?- Yes.- OK.
0:07:39 > 0:07:40- Where are we going?- Somewhere safe.
0:07:48 > 0:07:50You're not Government, are you? Who hired you?
0:07:50 > 0:07:52Do you want to get out of here or not?
0:08:09 > 0:08:10You're on time.
0:08:10 > 0:08:14Well, I thought I'd make the effort, seeing as it's a special occasion.
0:08:26 > 0:08:28How's that head?
0:08:29 > 0:08:31Where are you taking me? What going on?
0:08:34 > 0:08:35Yeah.
0:08:35 > 0:08:37You need a rest, Doc.
0:08:39 > 0:08:41- You're good to go.- See you at base.
0:08:41 > 0:08:42Let's go.
0:08:45 > 0:08:47Vite! Vite!
0:09:28 > 0:09:30HUBBUB OF VOICES
0:09:44 > 0:09:45You shouldn't be here.
0:09:45 > 0:09:47I missed you.
0:09:49 > 0:09:51So how much longer are we going to keep doing this?
0:09:52 > 0:09:55- We should go.- Keel's going to catch on to us, sooner or later.
0:09:55 > 0:09:56He might.
0:09:56 > 0:09:59Let's leave on our own terms while we still can.
0:10:04 > 0:10:06What is it?
0:10:10 > 0:10:12- There's something I have to tell you.- OK.- Not now.
0:10:12 > 0:10:16- Well, when?- Cafe Khalil, four o'clock. Don't be late.
0:10:16 > 0:10:18- I won't.- Right.
0:11:06 > 0:11:07IN ARABIC:
0:11:29 > 0:11:31IN ARABIC:
0:11:38 > 0:11:40IN ARABIC:
0:12:01 > 0:12:03SCREAMING
0:12:15 > 0:12:17COCK CROWS
0:15:42 > 0:15:42Thanks.
0:15:45 > 0:15:47- BABY GURGLES - Hello, you.
0:18:00 > 0:18:03'Let's leave on our own terms while we still can.
0:18:03 > 0:18:05'There's something I have to tell you.
0:18:05 > 0:18:08- 'Not now...- Well, when? - Café Khalil, four o'clock.
0:18:08 > 0:18:10'Don't be late.'
0:18:53 > 0:18:54Let's read it again.
0:18:55 > 0:18:58This is the story of the Snow Maiden.
0:18:58 > 0:19:00Once upon a time...
0:19:00 > 0:19:02- He looks funny. - He looks very handsome.
0:19:07 > 0:19:08I did it!
0:19:11 > 0:19:12Come on, in you get.
0:19:15 > 0:19:16Goodbye, house.
0:19:20 > 0:19:22You stay nice and dry.
0:22:37 > 0:22:38I'll take it.
0:23:37 > 0:23:39The very second I open my eyes each morning,
0:23:39 > 0:23:43I consider the infinite variables of chaos that can occur during a working day,
0:23:43 > 0:23:47because I like to be one step ahead. I don't like to be on the back foot.
0:23:47 > 0:23:48I don't like it at all.
0:23:48 > 0:23:50But I'm on the back foot now,
0:23:50 > 0:23:54because of all the infinite variables of chaos I pondered this morning,
0:23:54 > 0:23:57the one that never crossed my mind was that you'd be standing in front of me.
0:24:00 > 0:24:02An explanation would be good.
0:24:02 > 0:24:04I decided to retire.
0:24:04 > 0:24:06That decision's not yours to make.
0:24:06 > 0:24:08Good thing I changed my mind, then.
0:24:09 > 0:24:11What's up?
0:24:13 > 0:24:14Sam?
0:24:14 > 0:24:14Deacon.
0:24:14 > 0:24:17I thought you were dead.
0:24:18 > 0:24:19Guess not.
0:24:21 > 0:24:24You disappeared without trace for over a year.
0:24:24 > 0:24:28I've had daily signals placed in 24 newspapers for the last six months.
0:24:28 > 0:24:30I haven't been reading the papers.
0:24:31 > 0:24:34- Where did you go?- Sightseeing.
0:24:34 > 0:24:35"Sightseeing"?
0:24:35 > 0:24:38Mmm, I was tired.
0:24:38 > 0:24:40I needed a change of scenery.
0:24:42 > 0:24:46- I'd be happy to take a polygraph. - You can beat a polygraph.
0:24:46 > 0:24:50- We need to know where you've been, Sam.- And I don't want to tell you.
0:24:50 > 0:24:53But if the question is whether you can still trust me, you can.
0:24:53 > 0:24:54Do you expect to come back to work?
0:24:54 > 0:24:58- I'm your best operative. - I put my neck on the block for you.
0:24:58 > 0:25:00I still have to report up, you know.
0:25:00 > 0:25:03I still have to deal with the questions, did you think about that?
0:25:03 > 0:25:07- Did you think about the chaos you unleashed?- Do I get my job back?
0:25:08 > 0:25:10There's the door.
0:25:30 > 0:25:33DOOR CLOSES We need her back.
0:25:33 > 0:25:34You know that.
0:25:35 > 0:25:37So does she.
0:25:51 > 0:25:53PHONE RINGS
0:25:57 > 0:25:58Yes?
0:25:58 > 0:26:00Be here tomorrow. 0800.
0:26:19 > 0:26:23Well, well! Look who dragged her ass back in the door.
0:26:23 > 0:26:24Hasan. Good to see you too.
0:26:26 > 0:26:28Nice boots.
0:26:29 > 0:26:30Thanks.
0:26:30 > 0:26:32Put your tongue back in your head.
0:26:32 > 0:26:33Sam, right?
0:26:33 > 0:26:34Ian Fowkes.
0:26:34 > 0:26:36Fowkes is ex-Special Forces.
0:26:36 > 0:26:38He's new to the private sector.
0:26:38 > 0:26:40My first op, actually.
0:26:40 > 0:26:42Really looking forward to working with you.
0:26:42 > 0:26:44Uh-huh.
0:26:48 > 0:26:50- Morning.- Morning.
0:26:50 > 0:26:52- Morning.- Morning.
0:26:53 > 0:26:55Let's start.
0:26:55 > 0:27:00OK, target is Jack Turner, he worked the Docks mid- to late...
0:27:00 > 0:27:01Sorry I'm late.
0:27:04 > 0:27:06You're back.
0:27:07 > 0:27:09Looks like it.
0:27:09 > 0:27:11I'd have brought a cake if I'd known.
0:27:12 > 0:27:14Zoe.
0:27:14 > 0:27:19As I was saying, Jack Turner, he worked the docks in the mid- to late-'70s.
0:27:19 > 0:27:21Extortion, blackmail...
0:27:21 > 0:27:22you name it.
0:27:22 > 0:27:24Then, after they shut down, he went into property.
0:27:24 > 0:27:26He made a killing on the Docklands.
0:27:27 > 0:27:33He obviously upset a few people because in 1996 his eldest son, John, was found murdered and mutilated.
0:27:34 > 0:27:38Jack played the markets shrewdly and now runs his investments out of a townhouse off Regent's Park.
0:27:38 > 0:27:40Personal wealth in excess of £300 million.
0:27:40 > 0:27:42- WHISTLES - Blimey!
0:27:42 > 0:27:45There are questions regarding how Mr Turner accumulated his wealth.
0:27:45 > 0:27:49Some of his business associates have disappeared or turned up dead.
0:27:49 > 0:27:53Mr Turner is currently bidding to acquire the Upper Khyber Dam,
0:27:53 > 0:27:55it's a billion-pound hydroelectric facility.
0:27:55 > 0:27:59The Pakistani Minister for Privatisation is auctioning it off to the highest bidder,
0:27:59 > 0:28:01against fierce political opposition.
0:28:01 > 0:28:03There's a presidential candidate, Fatima Zahir,
0:28:03 > 0:28:08she's vowed to block the sale if she wins the election next month.
0:28:08 > 0:28:10A billion-pound utility seems a bit out of Mr Turner's league.
0:28:10 > 0:28:12He's staking his entire fortune on it.
0:28:12 > 0:28:16So he'll use all his old tricks to ensure he wins.
0:28:16 > 0:28:18- And our client wants us to ensure that he loses?- Yeah.
0:28:18 > 0:28:22But not until we find out what Mr Turner's game really is.
0:28:22 > 0:28:25The agenda behind the agenda.
0:28:25 > 0:28:26What's our play?
0:28:26 > 0:28:28Sam will be the draw.
0:28:28 > 0:28:29And the target?
0:28:29 > 0:28:31Stephen Turner, Jack's surviving son.
0:28:31 > 0:28:39Stephen's public-school educated, he's a lawyer, widowed with a young son, Edward, aged ten.
0:28:39 > 0:28:42They live in the Regent's Park house with Jack.
0:28:44 > 0:28:47- What happened to the mother? - Suicide, last year.
0:28:47 > 0:28:51Jack Turner is controlling and aggressive. It won't be easy getting to Stephen,
0:28:51 > 0:28:54- or giving him a reason to trust you. - I assume you have a plan.
0:28:54 > 0:28:57Study the files. We have a lot of prep and not a lot of time.
0:29:07 > 0:29:09- Good job, Zoe. - Thanks.
0:29:09 > 0:29:10You good?
0:30:16 > 0:30:18What did you expect? I'm a spy.
0:30:25 > 0:30:26Nice place.
0:30:27 > 0:30:29You've seen it. You can go now.
0:30:29 > 0:30:31I knew you'd come back, Sam.
0:30:31 > 0:30:34You couldn't stay away, even if it meant they'd try killing you again.
0:30:34 > 0:30:35How did you know anyone did?
0:30:35 > 0:30:37Sam, that cafe was a bloodbath.
0:30:37 > 0:30:39- Is that what you told Keel? - Keel doesn't know.
0:30:39 > 0:30:41Or at least I didn't tell him.
0:30:41 > 0:30:46- Why not? - I figured if you didn't report in, you must have your reasons.
0:30:46 > 0:30:47How did you know I wasn't dead?
0:30:57 > 0:30:59HE SHOUTS IN ARABIC
0:30:59 > 0:31:01I saw your footprint.
0:31:01 > 0:31:03Not a pulse in the place.
0:31:04 > 0:31:07- Sam, what happened?- I was set up. - By who?
0:31:11 > 0:31:13You think it was me.
0:31:13 > 0:31:15No-one knew else knew where I'd be.
0:31:15 > 0:31:17- Only you.- OK.
0:31:17 > 0:31:19I can see that.
0:31:19 > 0:31:21I might even think the same thing.
0:31:22 > 0:31:25Except that it's me you're talking about, Sam.
0:31:25 > 0:31:29- Right. So someone else found out where I'd be... - That's right. They must have.
0:31:29 > 0:31:30- How?- I don't know.
0:31:35 > 0:31:37Not a pulse in the place...
0:31:39 > 0:31:41The bartender was alive when I left.
0:31:45 > 0:31:47Oh, he was most definitely dead.
0:31:49 > 0:31:51Someone was sent to clean up.
0:31:51 > 0:31:53Sort of thing you're good at.
0:31:53 > 0:31:59OK, since you've got it all worked out, let's say, yes, I did order a hit on you,
0:31:59 > 0:32:02I couldn't go the normal route of "It's not working out between us,
0:32:02 > 0:32:07"we both want different things, it's not you, it's me." No, let's go for an assassination instead.
0:32:10 > 0:32:12But why would I want to kill my own child?
0:32:15 > 0:32:18I knew what you wanted to talk to me about, Sam.
0:32:18 > 0:32:21I knew every tiny little inch of you.
0:32:22 > 0:32:24You think I hadn't noticed?
0:32:25 > 0:32:26I knew.
0:32:31 > 0:32:34Did, er, did you...?
0:32:41 > 0:32:43That answer your question?
0:32:47 > 0:32:48For God's sake, Sam...
0:32:48 > 0:32:51you can't think that this was down to me.
0:32:51 > 0:32:54Why would I want to do that to you?
0:32:54 > 0:32:55We were in love.
0:32:55 > 0:32:57We were.
0:33:03 > 0:33:06So you want to find out who tried to kill you and why.
0:33:06 > 0:33:10And you think the best way of doing that is to let them try again.
0:33:11 > 0:33:12So you come back.
0:33:12 > 0:33:15I mean, you had to, sooner or later.
0:33:16 > 0:33:17But ask yourself this...
0:33:17 > 0:33:20why won't you trust me?
0:33:21 > 0:33:23Is it because you don't love me any more?
0:33:25 > 0:33:27Or is it because you're afraid you still do?
0:34:46 > 0:34:50'You have one new message.' BEEP
0:34:50 > 0:34:52WOMAN: I'm here, you're late.
0:34:52 > 0:34:54I'm here, you're late.
0:34:54 > 0:34:57I'm here, you're late.
0:34:57 > 0:34:59I'm here, you're late.
0:34:59 > 0:35:01I'm here, you're late.
0:35:25 > 0:35:27Doors closing.
0:35:49 > 0:35:51PHONE PINGS
0:36:01 > 0:36:03IN ARABIC:
0:36:28 > 0:36:31Sam, hide, get down!
0:36:35 > 0:36:37Get off me.
0:36:37 > 0:36:39Get off me, I'm calling the police.
0:36:39 > 0:36:40No!
0:36:40 > 0:36:41Nooo!
0:37:17 > 0:37:19ROCK MUSIC BLARES
0:37:21 > 0:37:23Eddie...
0:37:24 > 0:37:26Eddie, stick with me.
0:38:15 > 0:38:16Eddie!
0:38:19 > 0:38:20Eddie!
0:38:25 > 0:38:26Move! Get out of here!
0:38:27 > 0:38:28Hey!
0:38:28 > 0:38:30SHOUTING
0:38:39 > 0:38:40Eddie!
0:38:44 > 0:38:45Eddie, are you ok?
0:39:05 > 0:39:07Miss Kent.
0:39:16 > 0:39:19You all right? You OK?
0:39:19 > 0:39:20You're OK.
0:39:20 > 0:39:22All in one piece.
0:39:22 > 0:39:25Granddad's little soldier, aren't you, eh, Eddie, eh?
0:39:25 > 0:39:27Course you are.
0:39:27 > 0:39:28Course you are. Now you go with Mrs S.
0:39:28 > 0:39:33She'll give you some ice-cream. Everything'll be all right. Grandad'll sort it. Good boy.
0:39:33 > 0:39:35- What happened?- Dad, it was quick, it was so quick, professional...
0:39:35 > 0:39:39- What did he look like?- I don't know, he was Middle Eastern, I think, I don't know, it was quick.
0:39:39 > 0:39:42- Who's this?- Dad, this is Alex Kent. She saved Eddie.
0:39:42 > 0:39:44Got any ID?
0:39:44 > 0:39:47- For Christ's sake!- ID.
0:39:47 > 0:39:48- AMERICAN ACCENT: - Yes...
0:39:52 > 0:39:54Yank.
0:39:54 > 0:39:56- What are you, a tourist?- Not exactly.
0:39:56 > 0:39:57< Mr Turner?
0:39:57 > 0:39:59Be with you in one sec, gents. Thank you.
0:40:00 > 0:40:03What, then? If not a tourist, what are you?
0:40:03 > 0:40:05I'm here for a few months, looking for work.
0:40:05 > 0:40:07Do you want to stop this? She saved Eddie.
0:40:07 > 0:40:09- Saved him.- And we're very grateful.
0:40:10 > 0:40:12Stephen, a word.
0:40:14 > 0:40:17- I'm sorry, Miss Kent. - Oh, it's OK, really.
0:40:17 > 0:40:18No, it isn't.
0:40:18 > 0:40:20Thank you so much.
0:40:21 > 0:40:22Thank you.
0:40:25 > 0:40:27Would you like me to make a statement for the police?
0:40:27 > 0:40:29- That won't be necessary, Miss Kent. - OK.
0:40:38 > 0:40:39You wanted to see me?
0:40:39 > 0:40:42Crane tells me it all went according to plan.
0:40:42 > 0:40:45If you call terrifying a ten-year-old boy a plan.
0:40:45 > 0:40:46It's for the greater good.
0:40:46 > 0:40:49Since when was one of our clients interested in the greater good?
0:40:49 > 0:40:52You wanted to come back, and I took you on.
0:40:53 > 0:40:57Despite the fact that you lied to me, and you're still lying to me.
0:40:57 > 0:41:01- I've said all I have to say. - I brought you to this company.
0:41:01 > 0:41:02I gave you a career.
0:41:02 > 0:41:03And I'm not ungrateful.
0:41:03 > 0:41:06You have a strange way of expressing your gratitude.
0:41:06 > 0:41:08Why did you want to see me, Mr Keel?
0:41:08 > 0:41:10We have a breach.
0:41:13 > 0:41:17Bit of a coincidence, don't you think? Springing a leak just as you come back.
0:41:17 > 0:41:18Are you accusing me?
0:41:18 > 0:41:20I don't make accusations until I have the evidence to back them up,
0:41:20 > 0:41:24but when I have it, I will be remorseless, obviously.
0:41:24 > 0:41:28You look drained. It suits Alex Kent, it doesn't suit Sam Hunter.
0:41:29 > 0:41:32When you're ready to talk, I'm here.
0:41:43 > 0:41:44Principal give you a spanking?
0:41:44 > 0:41:49- Keel never leaves marks. - He just don't like secrets, unless of course they're his.
0:41:49 > 0:41:53So you're not going to tell him, but you're going to tell me, right?
0:41:53 > 0:41:55Oh, you know me better than that.
0:41:57 > 0:41:59Are these the men you saw?
0:41:59 > 0:42:01- That's them.- Yeah.
0:42:01 > 0:42:03These are Turner's partners.
0:42:03 > 0:42:05From KPEK, the Norwegian firm that would manage the dam.
0:42:05 > 0:42:07- No surprise, then.- Yeah.
0:42:07 > 0:42:10- Stephen call you yet? - Not yet, but he will.
0:42:10 > 0:42:12Let me know when he does. PHONE RINGS
0:42:12 > 0:42:14Like I said!
0:42:15 > 0:42:16- AMERICAN ACCENT:- Hello?
0:42:16 > 0:42:19Oh, hi, Alex, it's Stephen here, Stephen Turner.
0:42:19 > 0:42:22- How's your little boy? - Eddie, yeah, he's fine, he's OK.
0:42:22 > 0:42:23He's, er...
0:42:23 > 0:42:25He's still a bit shocked, actually.
0:42:25 > 0:42:27A lot's happened to him recently.
0:42:27 > 0:42:31Er, I just wanted to thank you again for what you did.
0:42:31 > 0:42:34I really... I don't know how to repay you.
0:42:34 > 0:42:37That's really not necessary. Anyone would've done the same.
0:42:37 > 0:42:39Yeah, but they didn't. You did.
0:42:40 > 0:42:42I wondered...
0:42:42 > 0:42:44if I could meet you for a coffee tomorrow, if you have time.
0:42:44 > 0:42:46Sure. My schedule's wide open, actually.
0:42:46 > 0:42:50Great. Good. Let's say the Boat House, Regent's Park, three o'clock?
0:42:53 > 0:42:54Three o'clock. I'll be there.
0:42:57 > 0:42:59Game on.
0:43:12 > 0:43:14- AMERICAN ACCENT:- Mr Turner? - Stephen, please.
0:43:15 > 0:43:17It's a remote-control car.
0:43:17 > 0:43:20I hope you don't mind, but I saw that Eddie lost his yesterday.
0:43:20 > 0:43:22Wow, thank you.
0:43:22 > 0:43:24That's very sweet of you.
0:43:24 > 0:43:27He was asking after you this morning.
0:43:27 > 0:43:29- He wanted to know if you were all right.- That's so sweet.
0:43:29 > 0:43:32- You tell him I'm fine. - Hi, can I take your order?
0:43:32 > 0:43:34Hi, tea, please.
0:43:34 > 0:43:36- English breakfast with milk.
0:43:37 > 0:43:41I never really drank tea, but I've been in London three months now and I can't live without it.
0:43:41 > 0:43:43- You're from Indiana.- That's right, Bloomington. I grew up there.
0:43:43 > 0:43:45Right.
0:43:45 > 0:43:47Who do you know in London?
0:43:47 > 0:43:48Er...
0:43:48 > 0:43:50no-one, really.
0:43:50 > 0:43:52I wanted to make a new start, I guess.
0:43:52 > 0:43:56My life has...taken a few unexpected turns of late.
0:43:56 > 0:43:57Yeah.
0:43:58 > 0:43:59I'm sorry.
0:44:00 > 0:44:01You're sorry?
0:44:01 > 0:44:05- I know about your car crash last December. - How do you know about that?
0:44:05 > 0:44:07I know your husband and daughter were killed. I'm sorry for your loss.
0:44:07 > 0:44:09- Are you checking up on me? - I don't mean to scare you.
0:44:09 > 0:44:12It's just that our lives, mine and Eddie's, they're not usual.
0:44:12 > 0:44:15- Everyone gets checked, everyone. - I didn't ask for this!
0:44:15 > 0:44:18I know you came here to London to leave the past behind.
0:44:18 > 0:44:20I understand that. Really, I do.
0:44:20 > 0:44:22I lost my wife...
0:44:24 > 0:44:27I didn't lose her, that's a stupid phrase.
0:44:27 > 0:44:29She died.
0:44:29 > 0:44:35But I'd go somewhere, I'd go anywhere different, with Eddie, if I could, to start again.
0:44:37 > 0:44:40What you did was so completely selfless...
0:44:40 > 0:44:42and in my world, no-one's selfless.
0:44:42 > 0:44:44I just want to help you.
0:44:47 > 0:44:48Help me?
0:44:51 > 0:44:53So he wants you to move in?
0:44:55 > 0:44:56When?
0:44:56 > 0:44:58Now. At once.
0:44:58 > 0:45:01His son missed six months of school and needs tutoring.
0:45:01 > 0:45:04Alex Kent is an unemployed third-grade teacher who loves children.
0:45:04 > 0:45:06- He thought he was doing us both a favour.- But you declined the offer.
0:45:06 > 0:45:09I'm supposed to screw him, not screw over his kid.
0:45:09 > 0:45:11But we've been presented with a better opportunity.
0:45:11 > 0:45:14If I'm in that house, my movements will be restricted.
0:45:14 > 0:45:17- I'll be watched every moment. - And you can watch them.
0:45:17 > 0:45:19You can see and hear everything that goes on in that house.
0:45:21 > 0:45:23That's far more useful to us.
0:45:23 > 0:45:24Deacon?
0:45:28 > 0:45:32Aidan will be point, Zoe will provide intel and run surveillance with Fowkes.
0:45:32 > 0:45:34Good.
0:45:34 > 0:45:36By the way, no wires.
0:45:36 > 0:45:37Why not?
0:45:37 > 0:45:39A Chinese agent posing as an investor
0:45:39 > 0:45:41wore a wire to a meeting with Jack Turner two weeks ago.
0:45:41 > 0:45:44A few days later, his body was found floating in the Thames.
0:45:45 > 0:45:48We'll get you out of there as quickly as we can, Sam.
0:46:30 > 0:46:32SHE SCREAMS
0:46:32 > 0:46:33Get off!
0:46:37 > 0:46:39Get off!
0:46:41 > 0:46:43Let me out!
0:46:43 > 0:46:44Let me out!
0:46:58 > 0:46:59I want another handler.
0:46:59 > 0:47:02Good morning to you too. Sorry, but you're stuck with me.
0:47:02 > 0:47:04Well, get on it with it, then.
0:47:05 > 0:47:07A Dutch engineer, Horst Goebel.
0:47:07 > 0:47:10He's arriving tonight from City airport to meet the Turners.
0:47:10 > 0:47:11What do we know about him?
0:47:11 > 0:47:13He appears to be a bit of a cipher. No photos,
0:47:13 > 0:47:15just a brief bio online.
0:47:15 > 0:47:17He specializes in water contamination.
0:47:17 > 0:47:19Do we know the nature of Goebel's business with Turner?
0:47:19 > 0:47:20That's what we need you to find out.
0:47:20 > 0:47:24Engage him in conversation, copy any documents that he brings with him.
0:47:24 > 0:47:26That's going to be a little tough with a ten-year-old on my arm.
0:47:26 > 0:47:28Crane figured that.
0:47:28 > 0:47:30Video eyes. Plant them in the library.
0:47:33 > 0:47:36Keel says there's a mole on the team.
0:47:38 > 0:47:39Who?
0:47:40 > 0:47:42- He doesn't know. - Then, why did he tell you?
0:47:42 > 0:47:45Did it occur to you that there is no mole?
0:47:45 > 0:47:48That he's just trying to rattle you because he can't bare not knowing where you've been?
0:47:51 > 0:47:53So why tell me?
0:47:53 > 0:47:55Because if you're the mole, you'll run.
0:48:01 > 0:48:04THEY SPEAK DUTCH
0:48:56 > 0:48:58IN DUTCH:
0:49:41 > 0:49:42Dad!
0:49:43 > 0:49:44Yeah?
0:49:44 > 0:49:47Ah, Miss Kent, I'm so glad you decided to come.
0:49:47 > 0:49:48Hello, Eddie.
0:49:48 > 0:49:51- Have you come to stay for a bit? - For a bit.
0:49:51 > 0:49:54Your room's on the second floor. It's just across from Eddie's.
0:49:54 > 0:49:56- Mrs Sidwa will show you up.- Perfect.
0:50:25 > 0:50:27- You wanted to see me? - What's the matter with you?
0:50:27 > 0:50:30- You lost your marbles or something? - Dad, if she hadn't done what she did...
0:50:30 > 0:50:33Drop her a couple of grand, thank her very much, end of story.
0:50:33 > 0:50:34He asked after her, Dad.
0:50:34 > 0:50:35He actually asked after her, you know?
0:50:35 > 0:50:40She's the first person Eddie's shown any interest in since Becky died.
0:50:40 > 0:50:42A stranger, in this house...
0:50:42 > 0:50:44Bingham checked her out.
0:50:44 > 0:50:45It'll be good for Eddie having her here.
0:50:45 > 0:50:48What do you know about bringing up a kid?
0:50:48 > 0:50:50About as much as you.
0:50:52 > 0:50:54I did my best.
0:50:54 > 0:50:55Well, I'm going to do better.
0:50:55 > 0:50:59My firstborn's not going to end up gutted with his dick cut off.
0:51:01 > 0:51:03Just get rid of her, Stevie.
0:51:25 > 0:51:28Not even biscuits.
0:51:29 > 0:51:31And UHT!
0:51:31 > 0:51:35I hate UHT. It's got that chalky aftertaste. Makes me gag.
0:51:36 > 0:51:38"Ultra-pasteurized".
0:51:41 > 0:51:42Is it just me that's bothered?
0:51:42 > 0:51:46We could be here weeks drinking this, all of us getting that chalky aftertaste.
0:51:46 > 0:51:50- Shut up, Fowkes.- The reason I left the Forces was so I didn't have to keep drinking this shit.
0:51:50 > 0:51:54- I thought it was because they threw you out. - Yeah, bring that up, why don't you?
0:51:54 > 0:51:57That's very painful to me, you know. You're causing me pain.
0:52:00 > 0:52:02Why's Hasan on this?
0:52:02 > 0:52:04Keel wanted him.
0:52:04 > 0:52:05You trust him?
0:52:05 > 0:52:07Hell, I don't trust you.
0:52:07 > 0:52:08Hasan.
0:52:08 > 0:52:11- Urgh! Can I go and get some proper milk?- No.
0:52:11 > 0:52:14Nobody leaves unless specifically ordered.
0:52:14 > 0:52:15Fine.
0:52:17 > 0:52:19So did you talk to her?
0:52:19 > 0:52:22Did she tell you anything? About where she'd been? Anything at all?
0:52:22 > 0:52:23Why would she talk to me?
0:52:23 > 0:52:26Well, you're a woman. You tell each other things.
0:52:26 > 0:52:28I'm a woman?
0:52:28 > 0:52:30Shit, man! I wondered what these were doing here!
0:52:31 > 0:52:33Funny. Mm-hm.
0:52:40 > 0:52:44So once round, thorough check, and I want you phoning in no later than four, all right.
0:53:20 > 0:53:21DOOR OPENS
0:53:31 > 0:53:32Sir?
0:53:32 > 0:53:34The KPEK documents have just arrived.
0:53:34 > 0:53:37- Your father would like you to review them.- OK.
0:53:49 > 0:53:50And we're up.
0:53:54 > 0:53:56- She's good, all right. - Yeah.
0:53:58 > 0:54:01Goebel's arriving on a Lufthansa flight into City in 45 minutes.
0:54:01 > 0:54:04All right. Hasan, I want you to go to City Airport and watch for Goebel.
0:54:04 > 0:54:05Why can't Fowkes go?
0:54:05 > 0:54:06Cos I'm ordering you.
0:54:09 > 0:54:12How am I supposed to recognise him?
0:54:12 > 0:54:14I'll send you his SIM data. Just track him when he comes online.
0:54:16 > 0:54:19Hasan, nip in the shop for us and pick up a few things.
0:54:20 > 0:54:21Good lad.
0:54:31 > 0:54:33Yes?
0:54:33 > 0:54:35That's right.
0:54:37 > 0:54:38Where?
0:54:40 > 0:54:42Who is this?
0:54:44 > 0:54:46KNOCKING
0:54:46 > 0:54:48Sir?
0:54:48 > 0:54:49What is it, Bingham?
0:54:49 > 0:54:51I have some good news.
0:54:55 > 0:54:57Shit, scramblers are killing the audio...
0:54:57 > 0:55:00SOUND IS BROKEN UP
0:55:00 > 0:55:02Something's going on.
0:55:10 > 0:55:12Ready for bed?
0:55:14 > 0:55:16Would you like me to read you a story?
0:55:16 > 0:55:18My mummy read them all to me.
0:55:19 > 0:55:20She's not alive any more.
0:55:22 > 0:55:23I know. I'm sorry.
0:55:26 > 0:55:28Dad said you had a family.
0:55:30 > 0:55:31I did.
0:55:31 > 0:55:34And...they died, too.
0:55:36 > 0:55:37They did.
0:55:46 > 0:55:48You know tomorrow...
0:55:48 > 0:55:50for your breakfast, we have every cereal,
0:55:50 > 0:55:53and whatever's your favourite, we probably have it.
0:55:53 > 0:55:56And if we don't, Mrs Sidwa could go get it for you.
0:55:57 > 0:55:59I like most things.
0:55:59 > 0:56:02But I tell you what, I'll have the same thing as you.
0:56:03 > 0:56:04OK.
0:56:04 > 0:56:06See you tomorrow morning.
0:56:09 > 0:56:10Good night, Eddie.
0:56:15 > 0:56:18- Sleep tight... - Don't let the bed bugs bite.
0:56:45 > 0:56:46Come on!
0:56:59 > 0:57:01- Eddie sleeping?- Yeah.
0:57:01 > 0:57:02Good.
0:57:02 > 0:57:03Thank you again.
0:57:07 > 0:57:08Here's to you, Miss Kent.
0:57:08 > 0:57:10Call me Alex.
0:57:12 > 0:57:13Alex.
0:57:14 > 0:57:18- Mr Turner? He's arrived.- Thank you. ..I won't be a second.
0:57:22 > 0:57:24Doctor, I'm so pleased you could make it.
0:57:25 > 0:57:28- How was your trip? - Oh, it was fine, thank you.
0:57:28 > 0:57:31Miss Kent, this is Dr Horst Goebel.
0:57:35 > 0:57:36Miss Kent.
0:57:37 > 0:57:39We're looking for this woman.
0:57:39 > 0:57:41You served in the Special Reconnaissance Regiment together.
0:57:41 > 0:57:42You're late.
0:57:46 > 0:57:48What's your impression of Sam?
0:57:48 > 0:57:51Don't speculate on who the client is. Speculation leads to assumption...
0:57:51 > 0:57:53Assumption leads to mistakes and mistakes will get you killed!
0:57:55 > 0:57:55Sir...
0:57:55 > 0:57:58Do you perceive her capabilities to have diminished in any way?
0:58:00 > 0:58:01No, I don't perceive that.
0:58:03 > 0:58:04A man is down, we rescue him.
0:58:05 > 0:58:07I won't need you for this one, Stevie.
0:58:07 > 0:58:09Someone betrayed me, someone on the team.
0:58:10 > 0:58:12Look, I will help you if you'll let me.
0:58:12 > 0:58:15And I'd let you if I could trust you.
0:58:25 > 0:58:29Subtitles by Red Bee Media Ltd