0:00:02 > 0:00:08This programme contains some violent scenes and some scenes of a sexual nature.
0:00:08 > 0:00:09GUNSHOT
0:00:09 > 0:00:11- I was set up. - You think it was me?
0:00:11 > 0:00:13- Do you expect to come back to work? - I'm your best operative.
0:00:13 > 0:00:15Target is Jack Turner.
0:00:15 > 0:00:19Mr Turner is currently bidding to acquire the Upper Kyber Dam.
0:00:19 > 0:00:20- Hey!- Dad!
0:00:20 > 0:00:22Dad, this is Alex Kent - she saved Eddie.
0:00:22 > 0:00:25Keel says there's a mole on the team.
0:00:25 > 0:00:27What's it going to take for you to trust me again?
0:00:27 > 0:00:29I should expose you to Keel right now.
0:00:29 > 0:00:32It's my future in there... and yours.
0:00:32 > 0:00:34Make friends, find the case. Do you think you can manage that?
0:00:34 > 0:00:36How about a drink?
0:00:36 > 0:00:38- I've seen one of those blokes before.- Yeah, when?
0:00:38 > 0:00:40Dragging Hasan into the house.
0:00:43 > 0:00:47JTRP Holdings, £1 billion.
0:00:47 > 0:00:50Our bid was 970 million,
0:00:50 > 0:00:53we're short 30 million quid.
0:00:53 > 0:00:55- GUNSHOT - These reports on Byzantium,
0:00:55 > 0:00:57where did they go?
0:00:57 > 0:00:58They're going to kill you.
0:00:58 > 0:01:00Hourglass.
0:01:00 > 0:01:02What's Hourglass?
0:02:50 > 0:02:52OK, there he goes.
0:02:52 > 0:02:54Yeah, but where?
0:02:54 > 0:02:56Are you seeing this, Fowkes?
0:02:56 > 0:02:58'Turner's on the move, you better get going.'
0:02:58 > 0:03:00- On it. - HE BURPS
0:03:00 > 0:03:02Cretin.
0:03:04 > 0:03:06TELEPHONE BEEPS
0:03:06 > 0:03:09Sam's searching the office now.
0:03:16 > 0:03:18FOOTSTEPS
0:03:28 > 0:03:30SHE SIGHS
0:03:30 > 0:03:31DOOR CLOSES
0:03:31 > 0:03:33SHE PANTS
0:03:35 > 0:03:37PHONE RINGS
0:03:37 > 0:03:39- Sam?- Fowkes is tailing Bingham.
0:03:39 > 0:03:42- No, we picked up Turner saying he was going to meeting a tonight. - 'He is.'
0:03:42 > 0:03:45- Bingham was a decoy.- 'Oh, shit.'
0:03:45 > 0:03:48- I'll follow him. - No, it's too risky, Sam. I'll have Fowkes turn around.
0:03:48 > 0:03:50He won't make it back in time.
0:03:50 > 0:03:52- OK, I'll go. - 'You won't make it, either.'
0:03:52 > 0:03:54Just have Fowkes track my mobile signal.
0:03:54 > 0:03:55OK.
0:04:55 > 0:04:57Deacon.
0:04:59 > 0:05:00What brings you here?
0:05:00 > 0:05:02I need to talk.
0:05:02 > 0:05:04Our mole. Can't be anyone else.
0:05:04 > 0:05:07- It's got to be Aidan. - But you've no proof.
0:05:07 > 0:05:10He's too smart. We're not going to catch him in the act.
0:05:10 > 0:05:11What makes you think it's him?
0:05:11 > 0:05:15Unexplained phone calls, disappears into dead ground for hours at a time.
0:05:15 > 0:05:17You've had him followed?
0:05:17 > 0:05:18I've had them ALL followed.
0:05:21 > 0:05:24- What do you propose? - Set a trap. Draw him in.
0:05:26 > 0:05:27And if he sees through it?
0:05:28 > 0:05:30We can't just leave him in play.
0:05:30 > 0:05:33Not if he got Hasan captured.
0:05:33 > 0:05:37If we bring him in without evidence, he may never admit to it.
0:05:37 > 0:05:39We need the answers before we ask the questions.
0:05:39 > 0:05:41We can't just do nothing.
0:05:46 > 0:05:48Leave it with me.
0:05:54 > 0:05:56Yeah.
0:05:58 > 0:06:00I've got to go.
0:06:06 > 0:06:07Jack.
0:06:22 > 0:06:23Sam's sending the plate now.
0:06:23 > 0:06:25OK, I'm running it.
0:06:25 > 0:06:28THUNDER RUMBLES
0:06:36 > 0:06:39Please, Vince... At least consider it.
0:06:39 > 0:06:40There is nothing to consider.
0:06:40 > 0:06:42I'd say there is.
0:06:42 > 0:06:45Mr Turner's told you how much he's willing to pay.
0:06:45 > 0:06:48It's a lot of cash.
0:06:48 > 0:06:50You think this is about money?
0:06:50 > 0:06:53You have perverted everything I've taught you.
0:06:53 > 0:06:55I'm trying to help you, I know you need the money.
0:06:55 > 0:06:58Please, Vince. You have to do this.
0:06:58 > 0:07:01No, I don't. And neither do you.
0:07:01 > 0:07:02We'll double it.
0:07:02 > 0:07:04Please, you've got to see sense.
0:07:04 > 0:07:06Lewis...
0:07:06 > 0:07:07You're better than this.
0:07:07 > 0:07:09THUNDER RUMBLES
0:07:12 > 0:07:14Just tell me what you want, Vince.
0:07:16 > 0:07:18Whatever you want, I'll do it.
0:07:19 > 0:07:22I want both of you to stop this now.
0:07:22 > 0:07:24Or I'm calling the police.
0:07:31 > 0:07:33Oh, God...
0:07:33 > 0:07:35What have you done?
0:07:35 > 0:07:38You were wasting your time. He was never going to go for it.
0:07:38 > 0:07:40THUNDER
0:07:40 > 0:07:41Someone's there!
0:08:07 > 0:08:09- Fancy a ride? - Where the hell have you been?!
0:08:17 > 0:08:20Get Everett down here. We need a clean-up.
0:08:32 > 0:08:34You OK?
0:08:34 > 0:08:35Fine.
0:08:37 > 0:08:38What did you get?
0:08:38 > 0:08:41An ID on the victim. Is this the guy you saw killed?
0:08:41 > 0:08:44Yes. Who was he?
0:08:44 > 0:08:47His name's Vincent Cage, he was a left-wing economics expert,
0:08:47 > 0:08:49published papers on predatory capitalism.
0:08:49 > 0:08:54- What about Turner's friend? - His name's Lewis Conroy. Billion-pound hedge-fund manager,
0:08:54 > 0:08:56handles some of the UK's top venture capitalists.
0:08:56 > 0:08:59- Including Jack Turner? - Yeah, they met through Stephen.
0:08:59 > 0:09:01He and Conroy roomed together at Oxford.
0:09:01 > 0:09:03Cage was threatening to go to the police.
0:09:03 > 0:09:07He said Conroy had perverted everything he'd taught him.
0:09:07 > 0:09:11- He didn't say how. - Do you think this has something to do with the 30 million Jack needs?
0:09:11 > 0:09:15It must be something important, for him to have beaten a man to death.
0:09:15 > 0:09:16How did this happen?
0:09:17 > 0:09:20- I tore it getting away. - Were you seen?
0:09:20 > 0:09:24Conroy saw me at the window. It was a fraction of a second. Then they came after me.
0:09:25 > 0:09:29- You can't go back in that house, Sam. - It was dark, my hood was up. They couldn't see me clearly.
0:09:31 > 0:09:33If you're wrong, Jack will kill you.
0:09:34 > 0:09:36I can handle it.
0:09:38 > 0:09:40I said I can handle it.
0:09:40 > 0:09:42Now, let me go before they find I'm missing.
0:09:51 > 0:09:53DOOR CLOSES
0:10:43 > 0:10:44Oh, Sam...
0:10:53 > 0:10:54Who sent them?
0:10:54 > 0:10:57- Hourglass.- What's Hourglass?
0:12:06 > 0:12:09Police have no prints, no murder weapons and no suspects.
0:12:09 > 0:12:13Sam saw Turner bash in this bloke's skull. One call to the cops, he's locked up for good.
0:12:13 > 0:12:15Right. And then, Sam's cover is blown.
0:12:15 > 0:12:19And we lose all chance of finding out what Turner's game is.
0:12:19 > 0:12:23- Yep. Other than that, it's really good thinking.- So we just let the bastard get away with it?
0:12:23 > 0:12:27What we need to know is where he's getting the 30 million he needs to buy the dam.
0:12:27 > 0:12:29Can't do that if he's sitting in a jail cell.
0:12:29 > 0:12:30What's he been up to this morning?
0:12:30 > 0:12:32Nothing. No attempts to secure a loan.
0:12:32 > 0:12:35No trades placed with Conroy, or anyone else, for that matter.
0:12:35 > 0:12:39Isn't that odd? For a man that needs £30 million by tomorrow.
0:12:39 > 0:12:42Unless he's been buying lottery tickets we don't know about.
0:12:42 > 0:12:44PHONE BEEPS
0:12:44 > 0:12:47My new best mate, Dave Ryder. Wants me back at the club.
0:12:47 > 0:12:50You still need to find that case that Horst Goebel brought Turner.
0:12:50 > 0:12:53- Like I'd ever forget...- Yeah.
0:12:53 > 0:12:55Where are YOU going?
0:12:55 > 0:12:59- You need me for something? - You didn't answer my question.
0:13:01 > 0:13:04I'm going to go and talk to some colleagues of the late Professor Cage
0:13:04 > 0:13:06to try and determine why Turner killed him.
0:13:06 > 0:13:08If that's all right with you.
0:13:31 > 0:13:33Dad? You ready?
0:14:45 > 0:14:47It's been a year, Stevie.
0:14:47 > 0:14:49We've all got to move on, eh?
0:15:22 > 0:15:25- Lewis!- Jack, I need a word.
0:15:25 > 0:15:26Don't even think about it.
0:15:28 > 0:15:30Uncle Lewis!
0:15:30 > 0:15:32Hey! Eddie!
0:15:32 > 0:15:34How's my favourite godson?
0:15:34 > 0:15:37- I'm your ONLY godson.- I've got you a present. You're going to love it.
0:15:37 > 0:15:39- IN AMERICAN ACCENT: - Hi, I'm Alex, Eddie's tutor.
0:15:39 > 0:15:42Alex... Stephen's told me all about you.
0:15:42 > 0:15:45I'm Lewis. Lewis Conroy.
0:15:45 > 0:15:46Hey, how have you been?
0:15:46 > 0:15:48CAR ENGINE STARTS
0:15:52 > 0:15:55- You all right?- Yeah, how are you?
0:16:29 > 0:16:31Sir, may I have a word, please?
0:16:32 > 0:16:33What is it?
0:16:36 > 0:16:38There you go, champ.
0:16:45 > 0:16:48Wicked! This is Jackson and Sammy's favourite game!
0:16:48 > 0:16:50- Zombie Killer Death-trap? - It's educational.
0:16:50 > 0:16:53Teaches you about physics and spatial co-ordination.
0:16:53 > 0:16:56- There's a lot of maths and coding goes into this.- OK, I'm convinced.
0:16:56 > 0:17:00- One hour, Eddie. No more. - Thanks, Dad. Thanks, Lewis!
0:17:01 > 0:17:03I could do with a drink.
0:17:03 > 0:17:05HE SIGHS Sounds like a brilliant idea.
0:17:05 > 0:17:07Alex?
0:17:07 > 0:17:10What about you? Fancy a drop?
0:17:10 > 0:17:12No, thanks.
0:17:12 > 0:17:16Come on, Alex. Eddie's going to be wasting his brain for the next hour anyway.
0:17:16 > 0:17:19- Sure. I'll keep you company.- Great.
0:17:25 > 0:17:28- You've looked everywhere? - The jacket's not in the house.
0:17:28 > 0:17:30Maybe she dumped it outside.
0:17:30 > 0:17:33You said last night you saw a woman and a man.
0:17:33 > 0:17:34It might not have been her.
0:17:34 > 0:17:37MIGHT not.
0:17:43 > 0:17:44Is Dave Ryder about?
0:17:46 > 0:17:47Cheers, mate.
0:17:59 > 0:18:01Why should I have to pay for this out of my own pocket?
0:18:01 > 0:18:04You really don't want to make this my problem, Ryder.
0:18:05 > 0:18:07Leave it with me, I'll sort it.
0:18:07 > 0:18:10Yeah, you do that. Call me after.
0:18:22 > 0:18:24- Who was that, then?- Never you mind.
0:18:27 > 0:18:30All I do round here is take flak for the guv'nor.
0:18:30 > 0:18:34- I'm just trying to do my job. Aw, for Christ's sake!- Give us it here.
0:18:38 > 0:18:40Used to do this for my old man.
0:18:41 > 0:18:43He got one of his hands blown off,
0:18:43 > 0:18:46- fighting in the Gulf War. - You a Forces boy, then?
0:18:46 > 0:18:49Yeah, moved around all over the place when I was growing up.
0:18:49 > 0:18:53Germany, a lot. Couple of years in Northern Ireland.
0:18:53 > 0:18:56I got some Irish in me, on my mum's side.
0:18:56 > 0:18:59Dad was East End, though. Worked on the docks all his life.
0:19:00 > 0:19:02Thought I would, too.
0:19:02 > 0:19:06But here I am, in this old game.
0:19:06 > 0:19:09My mum and dad don't see me no more.
0:19:09 > 0:19:12Not since I did ten months for breaking and entering.
0:19:12 > 0:19:16That's a shame. A lad needs family.
0:19:22 > 0:19:24You're all right, son.
0:19:26 > 0:19:27Thanks.
0:19:31 > 0:19:33So what did you get me over here for?
0:19:33 > 0:19:35- Do you want a job? - If you got one going.
0:19:37 > 0:19:39Grab hold of that.
0:19:45 > 0:19:47Come on, while we're still young.
0:19:57 > 0:19:58This is Gary.
0:20:19 > 0:20:22- Then you lost the shoes, right? - No, YOU lost the shoes.
0:20:22 > 0:20:25- THEY CHUCKLE - I fell on my arse. In a bathrobe, bare backside...
0:20:25 > 0:20:27And the little Dutch girl's hat...
0:20:27 > 0:20:31- I was not wearing a Dutch girl's hat!- So you two met at Oxford?
0:20:31 > 0:20:34We shared rooms our first year. We were a good pair, though, huh?
0:20:34 > 0:20:38The penniless Belfast chancer and the heir to his old man's millions.
0:20:38 > 0:20:40Wasn't hard, I just paid for all the drinks.
0:20:40 > 0:20:42And I introduced him to Becky.
0:20:42 > 0:20:44Actually, I met her first, at a law lecture.
0:20:44 > 0:20:46And then she started going out with him.
0:20:46 > 0:20:49Alex, if you only knew the heartache. When she dumped me for Steve...
0:20:49 > 0:20:52YOU broke up with her, like he breaks up with all the girls.
0:20:52 > 0:20:55Ah, no, but Becky was different. She was special.
0:20:55 > 0:20:57She made the right choice, though.
0:20:57 > 0:21:00She knew Stephen would make her happier than I ever could.
0:21:08 > 0:21:11I... I'll be back in a minute.
0:21:13 > 0:21:15DOOR OPENS
0:21:20 > 0:21:22Steve.
0:21:23 > 0:21:25I'm sorry, I'm a moron.
0:21:25 > 0:21:28- She didn't make the right choice. - Steve, don't...
0:21:28 > 0:21:30Look at you. You did it yourself.
0:21:30 > 0:21:33I've always had my father, but you, you made your own fortune,
0:21:33 > 0:21:34with your own honest talent.
0:21:34 > 0:21:38And I'm still here in this house, with all this dirty money.
0:21:41 > 0:21:43Becky wanted to be with you.
0:21:44 > 0:21:46She loved you so much.
0:21:46 > 0:21:48That's all that matters.
0:21:48 > 0:21:52I wasn't the man she thought I was.
0:21:54 > 0:21:56Of course I couldn't save her.
0:22:00 > 0:22:02You're the best man I know.
0:22:03 > 0:22:07If YOU couldn't save her, then no-one could.
0:22:09 > 0:22:10DOOR OPENS
0:22:12 > 0:22:15Lewis. A word before you go?
0:22:34 > 0:22:35About last night...
0:22:35 > 0:22:37- We can't go through with this. - Of course we can.
0:22:37 > 0:22:39No. No, we can't. It's too risky.
0:22:39 > 0:22:43The only risk was your Commie professor shooting his mouth off.
0:22:43 > 0:22:45And I took care of that.
0:22:45 > 0:22:48- The police will be looking for who killed Vince.- And they'll find him.
0:22:48 > 0:22:51You let me worry about the police.
0:22:51 > 0:22:53We'll need a list
0:22:53 > 0:22:55of all the women in your office,
0:22:55 > 0:22:58any women you've seen socially in the past few months.
0:22:58 > 0:23:00What? What for?
0:23:00 > 0:23:03You might've been followed last night.
0:23:03 > 0:23:07- No-one followed me. - All the same. Just to be safe.
0:23:10 > 0:23:12What will you do if you find her?
0:23:13 > 0:23:16You just get Bingham the list, all right?
0:23:19 > 0:23:21Oh, cheer up, Lewis.
0:23:21 > 0:23:25This time tomorrow, you'll be richer than ever.
0:23:38 > 0:23:42What was that about? The 30 million?
0:23:42 > 0:23:45- 30 million...?- You trying to tell me he hasn't told you?
0:23:45 > 0:23:49We're short on our bid for the dam. If we don't raise 30 million by tomorrow, we're out.
0:23:49 > 0:23:52He just asked me about the accounts, Steve, I swear. He never mentioned it.
0:23:54 > 0:23:59He keeps telling me not to worry, that he's got it all under control, but I know he's up to something.
0:23:59 > 0:24:00FOOTSTEPS
0:24:00 > 0:24:04Listen, do you mind if I ask her out?
0:24:08 > 0:24:11What, are we back in school? Do you want me to ask her out FOR you?
0:24:11 > 0:24:14- It's OK, isn't it? I mean, you're not that way about her...- It's fine.
0:24:14 > 0:24:17- Go for it.- Thanks.
0:24:33 > 0:24:35What are you doing tonight?
0:24:37 > 0:24:38Just looking after Eddie.
0:24:38 > 0:24:40And after that?
0:24:42 > 0:24:45- See you, Eddie.- See you, Lewis.
0:24:46 > 0:24:49Tonight, after she's put Eddie to bed.
0:24:51 > 0:24:53You take care of yourself.
0:24:53 > 0:24:56You too.
0:25:18 > 0:25:22LOUD MUSIC
0:25:24 > 0:25:26HE TURNS DOWN THE VOLUME
0:25:28 > 0:25:31- Where we off to, mate? - Don't call me mate, right?
0:25:31 > 0:25:34- So what DO I call you?- Mr Tyrone.
0:25:34 > 0:25:38- HE CHUCKLES - OK. Mr T.
0:25:40 > 0:25:41So you've known Dave a while?
0:25:43 > 0:25:45Seems like a nice enough bloke.
0:25:48 > 0:25:51- Enjoy a bit of conversation, do you? - Look, here's how it works.
0:25:53 > 0:25:55I tell you what to do.
0:25:55 > 0:25:57You keep your mouth shut.
0:25:59 > 0:26:01All right.
0:26:03 > 0:26:05HE TURNS UP THE VOLUME
0:26:24 > 0:26:25You see that?
0:26:26 > 0:26:28Black pick-up.
0:26:31 > 0:26:33Just wait a second.
0:26:44 > 0:26:46Nice fella.
0:26:47 > 0:26:50Put the bag in the boot before he comes back.
0:26:50 > 0:26:52- How do I do that? - You ever use one of these?
0:26:53 > 0:26:55Once or twice.
0:26:58 > 0:26:59What's in the bag?
0:27:02 > 0:27:03Suit yourself.
0:27:24 > 0:27:26Oi! Who the shitting hell are you?
0:27:26 > 0:27:29- No-one, mate. - Oi! Then, what you doing by my car?
0:27:29 > 0:27:32I made a mistake, walked down the wrong street.
0:27:32 > 0:27:33Nah, you didn't.
0:27:33 > 0:27:36You walked into the wrong bloody life, mate. So say sorry.
0:27:36 > 0:27:38Come on, say sorry.
0:27:42 > 0:27:45HE GROANS
0:28:49 > 0:28:51This the man you told me about?
0:28:53 > 0:28:55Your colleague who passed away?
0:29:02 > 0:29:04Yeah, that's him.
0:29:04 > 0:29:07You said you didn't even like him.
0:29:07 > 0:29:09Nobody did.
0:29:11 > 0:29:14That doesn't stop me from praying for his soul.
0:29:18 > 0:29:20Come by for a drink sometime.
0:29:21 > 0:29:23You look like you could use one.
0:29:41 > 0:29:43Simran, my favourite fiancee.
0:29:43 > 0:29:45- How are the wedding plans coming on? - Insane.
0:29:45 > 0:29:47Costing a bloody fortune.
0:29:47 > 0:29:49It'll be worth it. Let me know if you need any help.
0:29:49 > 0:29:54I already owe you for this job. You've done more than enough.
0:29:54 > 0:29:57Then, perhaps you wouldn't mind doing me another favour.
0:29:57 > 0:30:00You need to fill out the authorisation, Aidan.
0:30:00 > 0:30:01I'll get into so much trouble.
0:30:01 > 0:30:04Only if somebody finds out.
0:30:06 > 0:30:08OK. What is it?
0:30:08 > 0:30:11I've been following a lead, but I keep hitting a dead end.
0:30:11 > 0:30:16- Do you know anything about Hourglass?- What's Hourglass?
0:30:16 > 0:30:19That's what I need you to tell me, OK?
0:30:32 > 0:30:35- Thank you for coming, Natalie. - Not at all.
0:30:35 > 0:30:37Aidan!
0:30:39 > 0:30:42Have you met Natalie Thorpe?
0:30:42 > 0:30:45MI6's liaison officer for Byzantium.
0:30:45 > 0:30:48- Aidan Marsh. Pleased to meet you. - You too.
0:30:56 > 0:31:00I squeezed in this meeting because you said it was urgent, Mr Keel, but I don't have much time.
0:31:00 > 0:31:04I'm fully appreciative of your time, Natalie.
0:31:04 > 0:31:07Also, of your considerable track record.
0:31:07 > 0:31:09That's interesting.
0:31:09 > 0:31:12Considering my track record is restricted information.
0:31:12 > 0:31:14When you leave your post at MI6,
0:31:14 > 0:31:16you'll be a highly sought-after commodity.
0:31:16 > 0:31:20IF I leave. And I don't consider myself a commodity.
0:31:21 > 0:31:26I'm prepared to advance your salary, unofficially, of course.
0:31:26 > 0:31:29It could be accruing interest now in a Zurich account.
0:31:29 > 0:31:33You didn't seriously ask me here to offer me a bribe?
0:31:33 > 0:31:35I'm offering you a job.
0:31:35 > 0:31:37In exchange for?
0:31:37 > 0:31:39The name of your mole in my outfit.
0:31:43 > 0:31:46You're required by law to share intelligence
0:31:46 > 0:31:49on issues of national security. Why would I need a mole?
0:31:49 > 0:31:51You tell me.
0:31:53 > 0:31:56MI6 has no mole at Byzantium, Mr Keel.
0:31:59 > 0:32:01You're very good.
0:32:02 > 0:32:07Please, allow me to persuade you to reconsider.
0:32:07 > 0:32:12So I can happily trot away to join your bunch of quasi-criminal mercenaries?
0:32:12 > 0:32:14You've misread me.
0:32:14 > 0:32:16I'm touched by your faith in Queen and Country.
0:32:16 > 0:32:20Do you believe in anything, Mr Keel? Or are you wholly for sale?
0:32:23 > 0:32:26The men who employ me use their power and influence
0:32:26 > 0:32:29to appoint the Government whose orders you follow.
0:32:29 > 0:32:32You've been bought and paid for, Natalie, just as I have.
0:32:32 > 0:32:35The only difference is... I don't pretend otherwise.
0:32:43 > 0:32:49The offer remains open. If you change your mind, I'll be waiting.
0:32:49 > 0:32:50Goodbye, Mr Keel.
0:33:02 > 0:33:05- How did it go? - He said to come back tonight.
0:33:05 > 0:33:07Then, you done good.
0:33:07 > 0:33:09HE CHUCKLES
0:33:16 > 0:33:18DOOR CLOSES
0:33:30 > 0:33:32Got something?
0:33:32 > 0:33:35We have a direction in which to look. How about you?
0:33:35 > 0:33:38I finally got into Jack's office... Nothing.
0:33:38 > 0:33:42- Zoe.- So we know Turner made his money from Docklands property.
0:33:42 > 0:33:48His income growth was steady, if unspectacular, until 2004, when he met Stephen's friend from Oxford.
0:33:48 > 0:33:50With the help of his mentor, Vince Cage,
0:33:50 > 0:33:54Conroy was one of the first mathematicians to develop a revolutionary idea.
0:33:54 > 0:33:57It's a trading algorithm he called Kismet.
0:33:57 > 0:33:59So decisions that took floor traders hours to make
0:33:59 > 0:34:01were now made by computers in nanoseconds.
0:34:01 > 0:34:03Now, over the past eight years,
0:34:03 > 0:34:05Kismet has quadrupled the value of Turner's portfolio,
0:34:05 > 0:34:09from £80 million to more than 300 million.
0:34:09 > 0:34:12Cage said Conroy had perverted everything he'd taught him.
0:34:12 > 0:34:16Hard to see how. 300 million quid, thanks to some bloody software.
0:34:16 > 0:34:18What about those spikes there?
0:34:18 > 0:34:20Yeah, Kismet capitalises almost instantaneously
0:34:20 > 0:34:24on unexpected events, so accidents, disasters...
0:34:24 > 0:34:27They're making key stock trades before anyone else has time to react.
0:34:27 > 0:34:30Whatever Cage knew threatened Turner.
0:34:30 > 0:34:33Somehow, he needs to raise 30 million by tomorrow morning.
0:34:33 > 0:34:36- I'll try and find out this evening. I have a date with Conroy. - That was quick.
0:34:38 > 0:34:40I'll need a sedative.
0:34:40 > 0:34:42I'll get you something discreet.
0:34:44 > 0:34:46- Thank you, everyone. Zoe.- Yeah?
0:34:46 > 0:34:47Goebel's case has gone missing.
0:34:47 > 0:34:50Oh, really?
0:34:50 > 0:34:53Yeah, I saw it at the club this morning.
0:34:53 > 0:34:55- Gone by the time I got back this afternoon.- Uh-huh.
0:34:55 > 0:34:57Goebel hasn't been seen since the Turner House.
0:34:57 > 0:35:00- Go to Amsterdam and find out what was in that case.- Right away.
0:35:00 > 0:35:02Bring us back some cheese, yeah? Maybe some wooden shoes.
0:35:04 > 0:35:07I had a meeting with Natalie Thorpe today.
0:35:07 > 0:35:10- And?- I offered her a job in exchange for the name of the mole.
0:35:10 > 0:35:13- She'll never accept.- Of course not.
0:35:13 > 0:35:15But I don't intend to take no for an answer.
0:35:15 > 0:35:18Meanwhile, the lives of my team are still in danger.
0:35:19 > 0:35:21That's what we pay them for, Deacon.
0:35:22 > 0:35:24And you.
0:35:36 > 0:35:37Good afternoon, Lewis.
0:35:54 > 0:35:55Afternoon, Trudy.
0:35:55 > 0:35:57I'll call you back.
0:36:00 > 0:36:03Lewis, did you see the news?
0:36:03 > 0:36:05It's Professor Cage.
0:36:05 > 0:36:08Oh... He's dead.
0:36:11 > 0:36:12Oh, my God.
0:36:14 > 0:36:16What happened?
0:36:17 > 0:36:20They said... they said he was murdered.
0:37:12 > 0:37:14You seen my keys?
0:37:14 > 0:37:17So that's it? You just shag me and leave me.
0:37:17 > 0:37:19Oh, you know I've got a flight to catch.
0:37:19 > 0:37:21Just tell me where they are, you prick.
0:37:21 > 0:37:24- On the table.- Oh, fab, thanks.
0:37:33 > 0:37:35You've not paid these.
0:37:35 > 0:37:37Yeah, I'll get round to it.
0:37:37 > 0:37:40- I'll take care of it, if you want. - I said I'd do it, and I will.
0:37:41 > 0:37:42Andrew...
0:37:48 > 0:37:50It's not the same as it was before, is it?
0:37:52 > 0:37:54- Well... - SHE SIGHS
0:37:55 > 0:37:56Of course it's not, Andrew.
0:37:58 > 0:38:00But we're OK, right?
0:38:05 > 0:38:07What do YOU think, eh?
0:38:08 > 0:38:11Be brilliant.
0:38:17 > 0:38:18Yeah, as ever.
0:38:18 > 0:38:19DOOR CLOSES
0:38:23 > 0:38:24Hey. How did you get on?
0:38:24 > 0:38:26Not great, I'm afraid.
0:38:26 > 0:38:29- Did you find anything? - Nothing, anywhere.
0:38:29 > 0:38:32And then, finally, I thought, "The Russians." They spy on everyone, or they used to.
0:38:32 > 0:38:35And they're so corrupt these days, they're reasonably porous.
0:38:35 > 0:38:37But I only found one reference,
0:38:37 > 0:38:40and I'm not even sure it's the same Hourglass you want.
0:38:41 > 0:38:431978?
0:38:43 > 0:38:44What is this, Cold War stuff?
0:38:44 > 0:38:47I don't know. The Russians were spying on an MI6 Officer
0:38:47 > 0:38:50called George Ballard, who was posted to Moscow.
0:38:52 > 0:38:55He kept a case file on something called Hourglass.
0:38:55 > 0:38:58So Hourglass was an MI6 case file?
0:38:58 > 0:39:00Ballard's the kind of a Smiley figure, low profile,
0:39:00 > 0:39:02career professional.
0:39:02 > 0:39:06It appears he kept the file open for decades, or at least until 2004.
0:39:06 > 0:39:08And what happened in 2004?
0:39:08 > 0:39:11He transferred to London. The Russians stopped spying on him.
0:39:11 > 0:39:14- Is he still in London? - Yep. He's a Head Of Section.
0:39:14 > 0:39:17Byzantium's liaison officer, Natalie Thorpe,
0:39:17 > 0:39:19does she report to Ballard?
0:39:19 > 0:39:21Directly to him. He's her boss.
0:39:24 > 0:39:26Why? What do you know?
0:39:26 > 0:39:28I don't know anything yet.
0:39:28 > 0:39:31But you did better than you thought. Thank you.
0:39:40 > 0:39:42Good night, Eddie.
0:39:42 > 0:39:44Good night.
0:39:45 > 0:39:47You OK?
0:39:57 > 0:40:00It was very cold at the cemetery this morning.
0:40:00 > 0:40:02Yes, it was.
0:40:03 > 0:40:05My dad cried.
0:40:06 > 0:40:08It's OK to cry when you're sad.
0:40:09 > 0:40:12Did you cry when your mum died?
0:40:15 > 0:40:17Yes, I did.
0:40:19 > 0:40:21I wasn't much older than you are now.
0:40:29 > 0:40:31Could you wake me up when you come home?
0:40:32 > 0:40:34Of course I will.
0:40:46 > 0:40:48Can you leave the door open?
0:40:50 > 0:40:51Sure.
0:40:56 > 0:40:57HE SIGHS
0:41:37 > 0:41:40This is the story of the Snow Maiden.
0:41:40 > 0:41:42Once upon a time...
0:41:42 > 0:41:43Stay in the car.
0:41:43 > 0:41:46No! No! SHE SCREAMS
0:41:47 > 0:41:49- Get off! - SHE SCREAMS
0:41:59 > 0:42:01One scratch.
0:42:01 > 0:42:03I'll get his key card.
0:42:03 > 0:42:05- Where will you be?- Outside.
0:42:09 > 0:42:11I never wanted to see you doing this again.
0:42:11 > 0:42:13It's my job.
0:42:15 > 0:42:17It was my job long before I met you.
0:42:19 > 0:42:22I know we can never get back what we lost in Tangier.
0:42:22 > 0:42:24What WE lost?
0:42:26 > 0:42:28I was the one who got shot.
0:42:28 > 0:42:31You nearly lost your life.
0:42:31 > 0:42:35But the baby... That was my loss, too.
0:42:39 > 0:42:41Was it a boy or a girl?
0:42:48 > 0:42:50SHE SIGHS
0:42:50 > 0:42:52A girl.
0:43:03 > 0:43:05I'm going to help you find the men who tried to kill you, Sam.
0:43:07 > 0:43:11Whatever it takes. I'll find them.
0:43:33 > 0:43:35Get a move on.
0:43:36 > 0:43:37Hello to you, too...
0:43:41 > 0:43:42..tosser.
0:43:44 > 0:43:46- What's this about? - It's just a routine search, sir.
0:43:46 > 0:43:49Well, you can't do that. Where's your search warrant?!
0:43:49 > 0:43:53All right, Bilal. Pimped any 12-year-old girls lately?
0:43:53 > 0:43:55No, I ain't done nothing.
0:43:55 > 0:43:56Inspector.
0:44:04 > 0:44:07Oh! It's our lucky day.
0:44:07 > 0:44:09What, what's that?
0:44:09 > 0:44:12Oi, get off! What's that?!
0:44:12 > 0:44:16Get off me! Get off, get off me!
0:44:16 > 0:44:18HE YELLS
0:44:35 > 0:44:37- Alex, come in. - DOOR CLOSES
0:44:42 > 0:44:43Wow.
0:44:48 > 0:44:50- You really are rich. - THEY CHUCKLE
0:44:50 > 0:44:52Drink?
0:44:52 > 0:44:54Sure.
0:44:57 > 0:45:00Sorry, started without you.
0:45:07 > 0:45:10Is everything OK?
0:45:12 > 0:45:14It was you, wasn't it?
0:45:14 > 0:45:16Last night?
0:45:17 > 0:45:22- What? - Why do you think I asked you here?
0:45:23 > 0:45:26I knew it was you the moment I saw you at the cemetery.
0:45:26 > 0:45:30I...I don't know what you're talking about.
0:45:30 > 0:45:32Yes, you do.
0:45:32 > 0:45:34Who are you?
0:45:34 > 0:45:36Why were you following Jack Turner?
0:45:36 > 0:45:39- Following him? What are you talking about?- Don't lie to me!
0:45:39 > 0:45:42- SHE MOANS - Do you know what he would do if he found out?!
0:45:42 > 0:45:44You're scaring me...
0:45:44 > 0:45:46You should be scared! I bloody well am.
0:45:46 > 0:45:48Why haven't you gone to the police?!
0:45:48 > 0:45:51I swear... I don't know what you're talking about...
0:45:51 > 0:45:52You're lying!
0:45:55 > 0:45:58You're...you're hurting me.
0:46:09 > 0:46:10I'm sorry.
0:46:10 > 0:46:13I should never have asked you here.
0:46:27 > 0:46:29Let me do that.
0:46:37 > 0:46:38I'm really sorry, Alex.
0:46:42 > 0:46:44You know you can talk to me.
0:46:45 > 0:46:47Maybe I can help.
0:46:47 > 0:46:49You can't help.
0:46:49 > 0:46:52My life's over.
0:46:52 > 0:46:54Everything...
0:46:54 > 0:46:56It's worthless.
0:47:01 > 0:47:03Tell me what happened.
0:47:04 > 0:47:05I can't tell you.
0:47:07 > 0:47:10I wish to God I could tell someone.
0:47:26 > 0:47:28(You can tell me.)
0:49:05 > 0:49:08I was cut up when your mum died.
0:49:09 > 0:49:12- She was an angel, she was.- Please...
0:49:13 > 0:49:16Let's not talk about Mum.
0:49:17 > 0:49:21Course, I didn't sit on my arse, drinking myself into a puddle of piss.
0:49:22 > 0:49:25I worked. For you and Eddie.
0:49:25 > 0:49:27Yeah. I can see the great work you did.
0:49:27 > 0:49:31You know your trouble, Stevie? You need to grow yourself some balls.
0:49:31 > 0:49:33My wife died last year
0:49:33 > 0:49:36and I just want a few minutes alone to remember her.
0:49:36 > 0:49:39You want to dwell on the past, instead of seeing what you want and bloody well taking it.
0:49:39 > 0:49:42Cos it ain't going to come round begging you to shag it.
0:49:44 > 0:49:45What are you talking about?
0:49:48 > 0:49:52That little tart, Alex Kent.
0:49:52 > 0:49:54Anybody can see by the way you look at her.
0:49:54 > 0:49:56Hmm?
0:49:56 > 0:49:58HE CHUCKLES
0:49:59 > 0:50:00Where is she, anyway?
0:50:04 > 0:50:05She's out with Lewis.
0:50:08 > 0:50:09With Lewis...?
0:50:37 > 0:50:41Six e-mails from Cage to Conroy in the past month.
0:50:41 > 0:50:43Subject matter - Kismet.
0:50:45 > 0:50:49"Eleven injured in factory fire." "Oil tanker accident."
0:50:49 > 0:50:52"Toxic Milk was contaminated." "Blast kills ten..."
0:50:52 > 0:50:55Disasters, accidents...
0:50:55 > 0:50:57Some of these go back six or seven years...
0:50:57 > 0:51:00Can you pull up Jack Turner's accounts?
0:51:07 > 0:51:09Stop there.
0:51:09 > 0:51:11Look at the dates of these spikes in earnings.
0:51:11 > 0:51:15July 31st 2007 and August 12th 2008,
0:51:15 > 0:51:19March 11th 2009, September 17th 2011...
0:51:19 > 0:51:21That's when Kismet makes its biggest profits.
0:51:21 > 0:51:25The dates are the same as the accidents in the newspaper articles.
0:51:25 > 0:51:27This is what Cage was going to tell the police.
0:51:27 > 0:51:30These weren't accidents.
0:51:30 > 0:51:33It's how Turner's making his money. Something's going to happen tonight.
0:51:33 > 0:51:35Hey! Stop!
0:51:45 > 0:51:49Hey! Quick! Go, go, go, go!
0:52:25 > 0:52:26Come on.
0:52:43 > 0:52:44What do I pay you for?
0:52:44 > 0:52:48Her being with him doesn't prove anything.
0:52:48 > 0:52:51Conroy's a...a shag-merchant, you know that.
0:52:53 > 0:52:55What's going on with Tyrone?
0:52:58 > 0:53:00He should be down there now.
0:53:20 > 0:53:23Hey, make sure no-one comes down here.
0:53:23 > 0:53:25What are YOU going to do?
0:53:25 > 0:53:28Sorry, no questions. Forgot.
0:54:32 > 0:54:35HISSING FROM PIPE
0:54:37 > 0:54:40PHONE VIBRATES
0:54:46 > 0:54:48Yeah.
0:54:48 > 0:54:50What?! When?
0:54:52 > 0:54:54I'll be right there.
0:54:54 > 0:54:55Alex?
0:55:01 > 0:55:04Are you OK?
0:55:04 > 0:55:07Something's come up at work. Sorry.
0:55:07 > 0:55:09It's OK, I can call myself a cab.
0:55:15 > 0:55:17DOOR OPENS
0:55:17 > 0:55:20Sir... Sir?
0:55:20 > 0:55:21Lewis.
0:55:22 > 0:55:25What is it, Lewis?
0:55:25 > 0:55:27There's been a break-in at my office.
0:55:27 > 0:55:29Who broke in?
0:55:29 > 0:55:31I don't know, it was a woman and a man. Same as last night.
0:55:31 > 0:55:34Is Miss Kent still with you?
0:55:34 > 0:55:36She was. She just left.
0:55:36 > 0:55:39Oh, nice. She been with you the whole time?
0:55:39 > 0:55:42Well, we fell asleep for a couple of hours, but...
0:55:42 > 0:55:45Oh, you fell asleep, did you? Then, how do you know that she was with you?
0:55:45 > 0:55:47Jack, you're being paranoid.
0:55:47 > 0:55:49Am I?
0:55:55 > 0:55:56What's Tyrone saying?
0:55:56 > 0:55:59- Everything's in order. - It bloody well better be.
0:56:02 > 0:56:05RINGING TONE
0:56:10 > 0:56:11'Aidan, you need to get down
0:56:11 > 0:56:14'to an old underground tram station - Aldwych.'
0:56:14 > 0:56:17There was a photo of that tram station in Turner's office.
0:56:17 > 0:56:19Fowkes thinks Turner's man did some damage there.
0:56:19 > 0:56:23We think that's how he's making money - staging accidents so Kismet can profit.
0:56:23 > 0:56:25- Then, you don't have much time. - Going there now.
0:56:25 > 0:56:28No, you get back the house, Sam. Turner's been asking about you.
0:57:09 > 0:57:10HISSING
0:57:28 > 0:57:29Deacon, I'm here.
0:57:35 > 0:57:36What can you see?
0:57:36 > 0:57:38Nothing. I can't see anything. But...
0:57:38 > 0:57:41HE SNIFFS ..there's a strong smell of gas.
0:57:46 > 0:57:48You better get out of there now.
0:57:48 > 0:57:49'What's going on?'
0:57:49 > 0:57:53He's going to blow up a building. Goncourt & Co, on Travers Street.
0:57:53 > 0:57:54Get out now - that's an order!
0:57:57 > 0:58:00We need to get this whole area evacuated immediately.
0:58:03 > 0:58:05SHE MOANS
0:58:08 > 0:58:09Wait! Stop!
0:58:17 > 0:58:18They're reporting a fatality.
0:58:18 > 0:58:22- I'm done, Jack.- You don't stop until I tell you to stop.
0:58:22 > 0:58:23He's become a problem, hasn't he?
0:58:23 > 0:58:25We've got a situation.
0:58:25 > 0:58:29We just want to ask you about the work you've been doing with Aidan Marsh.
0:58:29 > 0:58:31You infiltrated my organisation with a mole.
0:58:31 > 0:58:34- What do you want? - Everything, everything you know.
0:58:34 > 0:58:36Turner will look for the woman that saw him murder Cage.
0:58:36 > 0:58:40- Can you ensure Turner gets the names? - You know what he'll do. - That's the point.
0:58:40 > 0:58:43- Two people are going to die. - You have to stop it.
0:58:43 > 0:58:46- Why did you ask to see me again after all these years?- Hourglass.
0:59:10 > 0:59:13Subtitles by Red Bee Media Ltd