0:00:10 > 0:00:12He loves these intimate spaces.
0:00:12 > 0:00:15It's where he tries out all his new stuff.
0:00:28 > 0:00:33Le Jean's a genius. He's bringing them all to a climax.
0:00:33 > 0:00:36Holding off hitting that sweet spot as long as possible.
0:00:36 > 0:00:39They all worship him.
0:01:11 > 0:01:13- You were awesome, babe.- Bless ya, babes, bless ya, but, nah...
0:01:13 > 0:01:17- No, you smashed it!- It wasn't tight, you know what I mean?
0:01:17 > 0:01:18It was! It was absolutely...
0:01:18 > 0:01:20I was dropping beats all over the place, man.
0:01:20 > 0:01:23- No, it was amazing, baby. - I didn't feel it, it was like... It was like...
0:01:25 > 0:01:27- Yo. You the guy buying up all the clubs, right?- Gary Harbinger.
0:01:27 > 0:01:30Gary is the owner of the Shimmers chain.
0:01:30 > 0:01:33- Nice, man, nice.- And you remember Kelly Sumner? He's been overseeing the legal side.
0:01:33 > 0:01:35My granddaughters are your biggest fans.
0:01:35 > 0:01:37They download all your records.
0:01:37 > 0:01:41- Safe, man, safe.- What about some drinks, yeah?- Good idea, good idea. Yo, Darryl!
0:01:41 > 0:01:46Get these guys some, I don't know, Jagermeisters or something like that. We're making history tonight.
0:01:46 > 0:01:49Just to let you know your car's here to take you to the helipad, OK?
0:01:49 > 0:01:52Oh, yeah, yeah, yeah. Guys, we have to wrap this up quick.
0:01:52 > 0:01:56- Are you going somewhere?- Am I going some... What, is this guy for real?
0:01:56 > 0:01:59Le Jean plays a set at Pacha on Ibiza every Tuesday.
0:01:59 > 0:02:04- It's a legendary night. - Everybody knows that, don't they?
0:02:04 > 0:02:06You want to attach my name to your clubs
0:02:06 > 0:02:08and you don't know about my Pacha set?
0:02:08 > 0:02:11Well, Marcus here handles the acts and the day-to-day business...
0:02:11 > 0:02:14Whoa, whoa! See, haul up, haul up!
0:02:14 > 0:02:16See...
0:02:16 > 0:02:18Are you...
0:02:18 > 0:02:22Are you saying that what I do is an act?
0:02:22 > 0:02:27Like, what, like I'm some kind of mobile disco pig, available for weddings and Bar Mitzvahs?
0:02:27 > 0:02:28Easy, big fella, easy.
0:02:31 > 0:02:35- Do you know who I am?- Of course he does, Garry, of course he does,
0:02:35 > 0:02:38he's just, er, he's very protective of his image, yeah?
0:02:38 > 0:02:40It's a credibility issue.
0:02:40 > 0:02:43Yeah, it's a credibility issue, it's all about mystique as well.
0:02:43 > 0:02:46Did you see the people down there? Did you see them?!
0:02:46 > 0:02:49They don't come to one of my gigs cos they want to listen to music, man.
0:02:49 > 0:02:51It's a pilgrimage, dread.
0:02:51 > 0:02:54And because I got that credibility, those people out there
0:02:54 > 0:02:57are my disciples, they worship at the decks of Le Jean.
0:02:57 > 0:02:59And that is what sells.
0:03:02 > 0:03:05Do you feel me?
0:03:06 > 0:03:08I feel you.
0:03:08 > 0:03:12All right, look, I done schooling you, right? Peace and love.
0:03:12 > 0:03:14Let's get down to business, yeah?
0:03:19 > 0:03:23One hundred grand in fifties, as you requested.
0:03:27 > 0:03:29It's red. It's my colour.
0:03:32 > 0:03:39Gentlemen, enjoy the drinks. Enjoy the company. Laters, yeah?
0:03:45 > 0:03:49- We should have stayed a bit longer. - What, anything to do with the nearly naked girls?
0:03:49 > 0:03:52We only booked them for an hour, someone should make sure they get home safely.
0:03:52 > 0:03:56- The kid's all heart. - Thanks. Drinks are on us.
0:04:08 > 0:04:09You Fisk?
0:04:09 > 0:04:11No, I'm the Easter Bunny.
0:04:14 > 0:04:16You got something for me, or not?
0:04:16 > 0:04:20My employer would look very favourably on the individual
0:04:20 > 0:04:23that put this guy out of business...
0:04:23 > 0:04:25permanently.
0:04:28 > 0:04:30Can you do it?
0:04:30 > 0:04:31Won't be easy.
0:04:31 > 0:04:36The five grand's a down payment. There's another 15 when it's done.
0:05:52 > 0:05:53Cor, what's that pong?
0:05:53 > 0:05:56- It smells like dead, wet dog in here.- Edward!
0:05:56 > 0:05:58Hold your horses. I'm nearly there.
0:05:58 > 0:06:01Oh, look, more bags. What, it's not rancid enough in here?
0:06:01 > 0:06:02You sure you got enough rubbish, Ed?
0:06:02 > 0:06:05It piles up, Sean. You'd be amazed.
0:06:05 > 0:06:06Surely this is a health hazard?
0:06:06 > 0:06:08Yes, you'd think so, wouldn't you?
0:06:08 > 0:06:12Erm, do you maybe want to explain what's going on, Edward?
0:06:12 > 0:06:16It's a bloody outrage. That's what's going on. It's a bloody scandal.
0:06:16 > 0:06:18The council has started fining you 200 quid for leaving your rubbish out over night.
0:06:18 > 0:06:22- Eh?- See, they pick it up between eight and nine on a Tuesday morning.
0:06:22 > 0:06:24Before, you could leave your bags out on a Monday night.
0:06:24 > 0:06:27Now, some jobsworth environmental officer comes round
0:06:27 > 0:06:30and tells me I've got to put them out just before they get here.
0:06:30 > 0:06:31What do I pay me rates for?
0:06:31 > 0:06:32Well, take it out the back, then.
0:06:32 > 0:06:36There's no access. Now I've got to schlep it through the bar where there's customers.
0:06:36 > 0:06:38Then this same inspector comes round
0:06:38 > 0:06:41and tells me I can't take the rubbish through the bar during opening hours.
0:06:41 > 0:06:44So you can't leave them out overnight or bring them through in the morning?
0:06:44 > 0:06:49- You're a bit stuffed then, ain't ya? - Exactly. It's a...thingy-o... - It's a paradox?
0:06:49 > 0:06:51- No.- No, a catch-22?- No. - Chinese puzzle?
0:06:51 > 0:06:55- No.- A conundrum?- No.
0:06:55 > 0:06:59- A mystery within a puzzle wrapped up in an enigma?- Tell you what it is.
0:06:59 > 0:07:02- It's a downright flamin' liberty, that's what it is. - Ooh, I can feel a rant coming on.
0:07:02 > 0:07:04Into the office then.
0:07:04 > 0:07:08- Ed, when you've finished moaning, can I have a full English?- Do you lot ever listen to a word I say?
0:07:08 > 0:07:12Yeah, of course we do. Bags, bleedin' councils, rates, by-laws,
0:07:12 > 0:07:17flamin' liberties, eggs over easy, chunky toast, mug of tea, and three sugars.
0:07:17 > 0:07:19OK, everyone. Listen up.
0:07:19 > 0:07:21Michael Stone, aka Mickey Bricks.
0:07:21 > 0:07:25As some of you'll know, Stone and his crew have been giving the fraud squad the run-around for years.
0:07:25 > 0:07:28I've had a whisper that their next big scoop is on our patch. I'm not having it.
0:07:28 > 0:07:30I want them shut down.
0:07:30 > 0:07:32- Are fraud all right with this, guv? - I'll talk them through it
0:07:32 > 0:07:36when Stone and his crew are locked up. I want round-the-clock surveillance.
0:07:36 > 0:07:41Albert Stroller. The Roper. Been grifting since the Boer War. He's got contacts all over the city.
0:07:41 > 0:07:45Ash "Three Socks" Morgan. The Fixer. He knows more tricks than a cartful of monkeys.
0:07:45 > 0:07:48But this is where we start. Sean and Emma Kennedy. The newbies.
0:07:48 > 0:07:53Stroller found them making short cons on the street and brought them into the fold.
0:07:53 > 0:07:54He and Stone are training them up,
0:07:54 > 0:07:57moulding them into their own seedy image.
0:07:57 > 0:08:01These two are Stone's soft underbelly. If we get to them, we can penetrate the inner circle,
0:08:01 > 0:08:04tear it apart. That's how we get him.
0:08:04 > 0:08:08Read the file, get to know them, how they operate, let's show the third floor how it's done.
0:08:08 > 0:08:10All right, come on, you heard the man.
0:08:12 > 0:08:16- Ma'am. Didn't see you there. - Who assigned you to this case?
0:08:16 > 0:08:19My brief is to catch criminals and hit my crime target figures.
0:08:19 > 0:08:23I wasn't aware that I had to have every case authorised before I launch an investigation.
0:08:23 > 0:08:26And does the fraud squad know you're going after Stone?
0:08:26 > 0:08:29The information I've been given is that they're planning a job,
0:08:29 > 0:08:34- I can't yet determine whether it's fraud or not. - Don't play games with me, Inspector.
0:08:34 > 0:08:37I'm just an old-fashioned copper. Find the bad guys. Put 'em away.
0:08:37 > 0:08:39Some of us have to get our hands dirty.
0:08:39 > 0:08:43And that's how you intend to conduct the case, is it? Get dirty?
0:08:44 > 0:08:45If I have to.
0:08:45 > 0:08:48I will not have this department brought into disrepute.
0:08:48 > 0:08:51Everything gets done by the book, the same book I'll be
0:08:51 > 0:08:53throwing at you if I find out you've been cutting corners.
0:08:53 > 0:08:55Yes, Ma'am.
0:08:55 > 0:08:57I mean it, Inspector.
0:08:57 > 0:08:59You have to catch him with the cash in his hand.
0:08:59 > 0:09:03Any room for doubt and you'll end up embarrassing us all.
0:09:03 > 0:09:07Oh, I'll catch him, Ma'am. I guarantee it.
0:09:08 > 0:09:12OK, so our new mark is Linda Runcorn.
0:09:12 > 0:09:16The story is that she's the CEO of an online restaurant and hotel guide.
0:09:16 > 0:09:20It's got a huge tourist readership, so it's very influential.
0:09:20 > 0:09:24However, excellence is not the best way to guarantee a good review.
0:09:24 > 0:09:28The larger chains escape, but she tells the smaller hotels and family restaurants
0:09:28 > 0:09:32that if they don't make it worth her while, she'll put them out of business.
0:09:32 > 0:09:34Worth her while by handing over cash?
0:09:34 > 0:09:35Precisely.
0:09:35 > 0:09:38The smaller hotels and restaurants survive on reputation.
0:09:38 > 0:09:44She operates on fear, and once she's got hold of you, she bleeds you dry.
0:09:44 > 0:09:47- Character traits?- A bully. She sucks up to the bigger chains,
0:09:47 > 0:09:51- while bullying the smaller clients who can't afford to fight back. - Nasty.
0:09:51 > 0:09:53- What's our way in?- Her mum's family, the Toppings.
0:09:53 > 0:09:57Had a bit of land and a noble line going back centuries,
0:09:57 > 0:10:01but they cut off her grandmother, Helen Topping, without a penny
0:10:01 > 0:10:03when she married a builder.
0:10:03 > 0:10:05Seems the family thought he was beneath her.
0:10:05 > 0:10:08But to this day, Linda wears a bracelet given to her
0:10:08 > 0:10:12by her Grandmother which bears the Topping family crest.
0:10:12 > 0:10:15So what's the game? An inheritance scam?
0:10:15 > 0:10:18Yeah. We use a long-lost relative Linda's never heard of.
0:10:18 > 0:10:21One of the Toppings. A maiden aunt who died without making a will,
0:10:21 > 0:10:25leaving behind an estate which Linda is the sole heir to.
0:10:25 > 0:10:29- Which just happens to be worth a small fortune.- Exactly.
0:10:38 > 0:10:41Yeah, I'm here. I'll call you when I'm done.
0:10:45 > 0:10:47- Miss Runcorn?- Yes.
0:10:47 > 0:10:50Hello. I'm Holly Patterson, Greyshot Genealogy.
0:10:50 > 0:10:55- I was rather surprised to get your letter.- Oh?- How did you find me?
0:10:55 > 0:10:58- The voting register. - Did I ask for water?
0:10:58 > 0:10:59For heaven's sake, just put it down.
0:10:59 > 0:11:02We'll call you when we want something.
0:11:02 > 0:11:05They fuss all over you, then when you actually want something,
0:11:05 > 0:11:09- when you want to actually order something, they're nowhere to be bloody seen.- Quite.
0:11:09 > 0:11:12So, what's this potentially exciting news exactly?
0:11:12 > 0:11:18Well, every few months, the Treasury releases a list of estates that are intestate.
0:11:18 > 0:11:21- That means...- People who died without leaving a will. Yes.- Yes.
0:11:21 > 0:11:23You're one of those bloody heir hunters, aren't you?
0:11:23 > 0:11:26Oh, well, we prefer probate investigators.
0:11:26 > 0:11:30All the same thing, like ambulance chasers.
0:11:30 > 0:11:34I can't imagine what you found on my father's side, they didn't have two pennies to rub together.
0:11:34 > 0:11:36What is it? A tin bath?
0:11:36 > 0:11:38Well, actually, it's a relative on your mother's side.
0:11:38 > 0:11:41- Oh. My mother's side? - Yes, the Toppings...
0:11:41 > 0:11:46Now, this is your great-aunt Irene. Irene Topping.
0:11:46 > 0:11:47Excuse me.
0:11:47 > 0:11:51Sorry, I just need to check this.
0:11:51 > 0:11:54She's the sister of your maternal grandmother.
0:11:54 > 0:11:56Now, your great-aunt passed away.
0:11:56 > 0:11:59She was childless, she never married and she didn't leave a will.
0:11:59 > 0:12:02So her estate passed to the next in line.
0:12:02 > 0:12:07- Which is you.- Me?- Yes. It appears so.
0:12:07 > 0:12:10Well, I don't suppose there's anything to get too excited about.
0:12:10 > 0:12:14I never really believed all those rumours about my mother's aristocratic family.
0:12:14 > 0:12:18The old bag probably left me a tatty old armchair and some cats.
0:12:18 > 0:12:21Well, she actually left you jewellery
0:12:21 > 0:12:26and property worth in the region of £4.7 million.
0:12:26 > 0:12:30And, as far as we can tell, you are the sole heir.
0:12:30 > 0:12:34Well, that's different.
0:12:34 > 0:12:38I mean, obviously, I am devastated about poor old Great-Aunt Irene.
0:12:38 > 0:12:41But... Sorry, did you say 4.7 million?
0:12:41 > 0:12:45- I did.- O-M-G!
0:12:45 > 0:12:47Well, it was a pleasure to meet you.
0:12:47 > 0:12:50You'll be hearing from us soon. Bye-bye.
0:12:53 > 0:12:56Yeah, it's me. Done.
0:12:56 > 0:12:58'Hook, line and sinker.'
0:12:58 > 0:13:00OK, good. See you back here.
0:13:18 > 0:13:19Well?
0:13:19 > 0:13:22Some old rubbish about an old aunt leaving her a fortune.
0:13:22 > 0:13:25All right, stay on it.
0:13:33 > 0:13:34Katherine Farmer.
0:13:35 > 0:13:38We haven't seen you for a while.
0:13:38 > 0:13:39Still picking pockets?
0:13:39 > 0:13:42No idea what you're banging on about, mate.
0:13:42 > 0:13:43Really?
0:13:43 > 0:13:47- You going to tell me what I'm doing here, or what?- You know this man?
0:13:49 > 0:13:54- Don't ring any bells.- Sean Kennedy. - Never seen him before.
0:13:54 > 0:13:57- Really?- Let me jog your memory.
0:13:59 > 0:14:01We found this with your stuff.
0:14:01 > 0:14:03- That ain't mine. - Intent to supply Class-As.
0:14:03 > 0:14:07- You can't stitch me up like that. - Can't I?- I want to see a brief.
0:14:09 > 0:14:13This isn't your first offence, is it, sweetheart? It's not going to be three months, out in a fortnight.
0:14:13 > 0:14:16You'll do serious time for this. Now look at the picture again.
0:14:16 > 0:14:18Sean Kennedy.
0:14:18 > 0:14:22All right. I may have seen him knocking about.
0:14:22 > 0:14:23It was more than that, wasn't it?
0:14:23 > 0:14:26Used to run around together, get into scrapes.
0:14:26 > 0:14:28We was just kids.
0:14:28 > 0:14:29I don't see him any more.
0:14:29 > 0:14:32What happened? His sister put a stop to it?
0:14:32 > 0:14:34Didn't want a nasty little pilferer
0:14:34 > 0:14:37- like you horning in on their double act?- It weren't like that.- Whatever.
0:14:37 > 0:14:39I think it's time you and Sean got reacquainted.
0:14:39 > 0:14:44- Why?- I'm going fishing, and you're my bait.
0:14:44 > 0:14:47- Do I look like a maggot?- You'll infiltrate this gang he's joined
0:14:47 > 0:14:49- and report back to me. - No! I ain't no grass.
0:14:52 > 0:14:54I see you've had a little girl.
0:14:55 > 0:14:57What is she now? Two?
0:14:58 > 0:15:02Be a shame. Drug-dealing mum locked up, kid put into care...
0:15:02 > 0:15:04You leave her out of this!
0:15:04 > 0:15:07She's be a teenager when you got out. Wouldn't even know you. She'd be with a new mum.
0:15:07 > 0:15:10- You can't do this. - I'm a police officer, sweetheart,
0:15:10 > 0:15:14I can pretty much do anything I want. Now, you do what I'm telling you,
0:15:14 > 0:15:16or your brat will be in a foster home in time for her tea.
0:15:24 > 0:15:26What's this here, a family crest?
0:15:26 > 0:15:28The Topping family. We need an exact match.
0:15:28 > 0:15:30By tomorrow, you said?
0:15:30 > 0:15:34- Can it be done?- It's not easy. You have to get the stone right.
0:15:34 > 0:15:38The shape and the clarity, and the way the light dances off the...
0:15:38 > 0:15:41- Hmm. That's odd.- Something wrong?
0:15:41 > 0:15:45Not at all, but you might want to rethink a replica.
0:15:45 > 0:15:49- Why?- Because if this is what I think it is,
0:15:49 > 0:15:51a replica won't stand up to any serious scrutiny.
0:15:51 > 0:15:55It's fine with the naked eye, but if she gets it authenticated...
0:15:55 > 0:15:57What?
0:15:59 > 0:16:00What is it, Bob?
0:16:00 > 0:16:05Cushion-cut, 20-carat, azure stone.
0:16:05 > 0:16:07If I'm not mistaken,
0:16:07 > 0:16:13we are looking at a 150-year-old Kashmir sapphire.
0:16:13 > 0:16:15Well, that sounds expensive.
0:16:15 > 0:16:19It's hard to tell from a snap, but if this is the real thing, it could be 20-30 grand.
0:16:20 > 0:16:24It won't stand up to close scrutiny, but I'll get you the replica by tomorrow, all right?
0:16:24 > 0:16:25Cheers.
0:16:31 > 0:16:33Bloody hell! You spilled my shampoo, you clumsy...!
0:16:33 > 0:16:36- Oh, I'm so sorry.- Watch the suit, will you?- It's a nice one, then?
0:16:36 > 0:16:40I said get your grubby mitts off my threads. Now tootle off back to your caravan. There's a dear.
0:16:40 > 0:16:41Get me another bottle.
0:16:44 > 0:16:47She's stolen my wallet! Stop that girl!
0:16:47 > 0:16:49- Police.- What you talking about? I ain't done nothing!
0:16:49 > 0:16:53Hey. What's going on here? City of London Police.
0:16:53 > 0:16:56- What seems to be the problem?- This geezer is sexually harassing me.
0:16:56 > 0:16:59I wouldn't touch you with a jack hammer, love.
0:16:59 > 0:17:02Both of you calm down. Sir, why don't you explain to me what's happened?
0:17:02 > 0:17:04This grotty little chav stole my wallet.
0:17:04 > 0:17:07- Do you want a smack, cheese breath? - I want her to turn out her pockets right now.
0:17:07 > 0:17:08I want my money back!
0:17:08 > 0:17:11And I want you to calm down. I'm not going to warn you again, sir!
0:17:12 > 0:17:15Do as he says. Empty your pockets.
0:17:20 > 0:17:24- It's not there. - Well, are you sure it's missing, sir?
0:17:24 > 0:17:28- Yes. I keep it inside my jacket.- Why don't you check your other pockets? I don't see why, I don't keep...
0:17:32 > 0:17:35I think you owe this young lady an apology, don't you?
0:17:35 > 0:17:36I'm sure she...
0:17:36 > 0:17:38Oh, come on, then. Apologise.
0:17:39 > 0:17:40Sir.
0:17:43 > 0:17:46- I'm most terribly sorry. - Yeah, well, up yours, creep.
0:17:52 > 0:17:54No, seriously, did you see that guy's face?
0:17:54 > 0:17:57When I accused him of sexually harassing me, I thought he was going to puke.
0:17:57 > 0:18:01What happened to you? Kat Farmer used to be the best in the business.
0:18:01 > 0:18:04Used to be able to steal anything, and you got caught nicking a wallet. Come on, girl!
0:18:04 > 0:18:07Who says I wanted his wallet?
0:18:07 > 0:18:08Whoa, nice!
0:18:10 > 0:18:13Shit!
0:18:13 > 0:18:16- You know, I never thought I'd see you again.- Why's that?
0:18:16 > 0:18:20You're in this fancy new crew now. I'm still nicking watches.
0:18:20 > 0:18:22I might have moved on, but I haven't changed.
0:18:22 > 0:18:24I'll never forget what you did for me.
0:18:24 > 0:18:27- Yeah, well, I ain't a grass.- I know.
0:18:27 > 0:18:29I was worried about you in there.
0:18:29 > 0:18:33It weren't that bad. Regular meals every day. A roof over my head.
0:18:33 > 0:18:36It's good that you were worried though.
0:18:36 > 0:18:39- You ain't done so bad for yourself, have you?- Well, you know...
0:18:39 > 0:18:41- THEY LAUGH - I got a little girl now.
0:18:41 > 0:18:43What?
0:18:43 > 0:18:45Yeah, she'll be three next month.
0:18:45 > 0:18:47I can't believe you're a mum.
0:18:47 > 0:18:50Dad's a bit of a waste of space though, I ain't seen him in two years.
0:18:50 > 0:18:55- I'm sorry to hear that.- Don't be. Like I said, he's a waste of space.
0:18:55 > 0:18:59Look, Sean, now you're all sorted, I could really use a leg up.
0:18:59 > 0:19:00Uh?
0:19:00 > 0:19:04There must be some little job I can do in that fancy crew of yours?
0:19:04 > 0:19:06Sweep up? Make the tea?
0:19:06 > 0:19:08Stand there and look pretty?
0:19:08 > 0:19:11Kat, it's not really that...
0:19:11 > 0:19:14I'll get Mum to look after Laurel for a bit. Truth is, Sean, I'm really skint.
0:19:14 > 0:19:19- Oh!- No! I don't want your charity, you know me better than that.
0:19:19 > 0:19:20I want to work for it.
0:19:29 > 0:19:31Ash sent these over from the printers.
0:19:31 > 0:19:35- These are fake title deeds to a 30-acre pile in Northumberland.- Great.
0:19:35 > 0:19:42- And documents showing all the debts still owed to the estate.- Fantastic. - Hey, guys.
0:19:43 > 0:19:46- Sean, what the hell are you...? - I see you've brought company.
0:19:46 > 0:19:48All right? I'm Kat.
0:19:48 > 0:19:53Like your gaff. This all from grifting then?
0:19:55 > 0:19:59- All right, Emms? Long time no see!- Kat.
0:19:59 > 0:20:02- Wow! Look at you, all glammed up! - Look, she's an old friend, OK?
0:20:02 > 0:20:04I said she could help out with a job.
0:20:04 > 0:20:06She used to hang around with me and Emma back in the day.
0:20:06 > 0:20:08She just needs a leg up, that's all.
0:20:08 > 0:20:11It's one job, and I'll pay her from my share.
0:20:11 > 0:20:14Are you serious? I mean, I'm sorry, this is nothing personal...
0:20:14 > 0:20:15I can vouch for her and so can Emma.
0:20:15 > 0:20:18That aside, I owe her. She kept me from going to prison.
0:20:18 > 0:20:21- That was a long time ago, Sean. - That's what I said.
0:20:26 > 0:20:28It makes no difference.
0:20:28 > 0:20:34I was 15, and she could have seriously reduced her sentence if she'd grassed me up, but she didn't.
0:20:34 > 0:20:36You two, of all people, should respect that.
0:20:36 > 0:20:41How many of your old friends have turned up? And we've taken care of every single one of them.
0:20:45 > 0:20:47Kid's got a point.
0:20:47 > 0:20:51- Emma?- Oh, she's a train crash.
0:20:52 > 0:20:53But she's all right.
0:20:59 > 0:21:02OK. We'll work her into the con.
0:21:02 > 0:21:07- Looks like she's in, Guv. - All right. Stay on it.
0:21:07 > 0:21:13OK. So tomorrow, Emma goes to see Linda and reveals the news about the debts owed on the estate.
0:21:13 > 0:21:17But before she starts asking questions, show her the bracelet.
0:21:17 > 0:21:19Yeah, there might be an issue with that.
0:21:19 > 0:21:21An issue?
0:21:21 > 0:21:25Seedy Bob says the sapphire on the bracelet might be a rare Kashmir sapphire,
0:21:25 > 0:21:27and very hard for Bob to forge.
0:21:27 > 0:21:29- So if she gets it authenticated... - Yeah. They'll spot it.
0:21:32 > 0:21:38- What if we do a switch?- What, swap Linda's bracelet for Seedy Bob's replica?
0:21:38 > 0:21:40- Yeah.- So she gets her own bracelet authenticated.
0:21:40 > 0:21:41What if she compares the two?
0:21:41 > 0:21:45No, no, apparently, the replica will look the same to the naked eye.
0:21:45 > 0:21:48It's only if she gets it examined that there's a problem.
0:21:48 > 0:21:49Even if that's true, it's still a tricky manoeuvre.
0:21:49 > 0:21:54Not for Kat. She could easily swap the fake bracelet for the real one.
0:21:55 > 0:22:00Seriously, guys. It makes perfect sense. It's what she specialises in.
0:22:00 > 0:22:03She could do that switch with her hands tied behind her back.
0:22:03 > 0:22:06- Well, it is what I do.- Kat can go along as Emma's assistant,
0:22:06 > 0:22:09Emma can distract Linda and Kat can move in for the kill.
0:22:11 > 0:22:13It makes sense.
0:22:25 > 0:22:28- Lovely morning.- It was.
0:22:28 > 0:22:31And there was me thinking this was the beginning of a beautiful friendship.
0:22:31 > 0:22:33Yeah, well, think again.
0:22:33 > 0:22:35So what have you got for me?
0:22:35 > 0:22:37They're conning some bird.
0:22:37 > 0:22:40Linda Runcorn. An inheritance scam, I know all that. Tell me something I don't know.
0:22:40 > 0:22:44They've got this fake bracelet that proves it's legit, or something...
0:22:44 > 0:22:45Except there's a snag.
0:22:45 > 0:22:49They think that the sapphire in the bracelet might be from Kashmir.
0:22:49 > 0:22:52Could be worth a few quid. Maybe more than a few quid.
0:22:52 > 0:22:54So they're worried this Linda might get it valued?
0:22:54 > 0:22:58Yeah. They want me to help Emma do the switch.
0:22:58 > 0:23:01I nick the real one and put the fake one back on her wrist.
0:23:01 > 0:23:04So, Runcorn gets her own valued, thinks the whole thing's kosher.
0:23:04 > 0:23:07All right. Do what they want for now Keep reporting back to me. And one other thing.
0:23:07 > 0:23:11- I want you to slip this in Emma Kennedy's case.- No way!
0:23:11 > 0:23:13They've been all right by me so far. I'm not doing that!
0:23:13 > 0:23:16OK, no? If you don't want to do it, that's fine.
0:23:16 > 0:23:20- If you don't feel like it. - I've done what you asked. - But we're not finished, are we?
0:23:20 > 0:23:23I make one call to Social Services, tell them you've been arrested
0:23:23 > 0:23:25for dealing in Class-A drugs, they'll pick your kid up within the hour.
0:23:25 > 0:23:28You want me off your back? Then do as you're told.
0:23:28 > 0:23:32At the end of this, you'll never have to set eyes on me again.
0:23:38 > 0:23:43Well, here are the deeds to your aunt's estate. And here's a picture of the house in Northumberland.
0:23:43 > 0:23:47- It's a nice gaff. - Yes. Thank you, Miss Hunter.
0:23:47 > 0:23:50I've just got to tell you about a slight problem before we continue.
0:23:50 > 0:23:55- Problem?- Well, as you can see from the house there, it's a couple of centuries old,
0:23:55 > 0:23:59- and a few years ago, it started suffering from subsidence. - Nasty. My nan had that.
0:24:01 > 0:24:03Yes.
0:24:03 > 0:24:06Your great-aunt Irene, she had to get builders in,
0:24:06 > 0:24:09and apparently, now, they're claiming that they haven't been fully paid.
0:24:09 > 0:24:14- Can I, er, get some water?- Hmm?
0:24:14 > 0:24:18A glass of water. I'm not being funny, but it feels like a family of badgers just moved in.
0:24:18 > 0:24:20SHE CLEARS HER THROAT
0:24:22 > 0:24:27- How much are they owed?- Sorry?- These builders. How much are they owed?
0:24:27 > 0:24:29Oh. Yes. Er, 100,000.
0:24:29 > 0:24:31One hundred grand? For subsidence?!
0:24:31 > 0:24:33- Well, it is a massive house. - And very old.
0:24:33 > 0:24:35And as the builders are threatening court action,
0:24:35 > 0:24:38they will need to be paid before the transaction can be completed.
0:24:38 > 0:24:41- Why?- Sorry?
0:24:41 > 0:24:44I mean, why before? Can't the debts be absorbed by the estate?
0:24:44 > 0:24:47Well, it could be, I suppose, but time is of the essence.
0:24:47 > 0:24:50The builders are threatening to force the estate
0:24:50 > 0:24:53into administration over these unpaid bills.
0:24:53 > 0:24:56You can't imagine how complicated that would make things.
0:24:56 > 0:24:59The legal fees alone would treble what you owe the builders
0:24:59 > 0:25:04and it could mean that you wouldn't see your inheritance for...five years.
0:25:04 > 0:25:07I see. And you're sure it's my aunt?
0:25:07 > 0:25:11- Sorry, am I sure?- I'm not going to suddenly find there's been a mix-up?
0:25:11 > 0:25:13Not if I've done my job properly, no.
0:25:15 > 0:25:16SHE CLEARS HER THROAT
0:25:17 > 0:25:21I don't remember having a Great-Aunt Irene.
0:25:21 > 0:25:23And I don't want to fork out 100,000
0:25:23 > 0:25:26and then find out I'm paying somebody else's bloody bills.
0:25:26 > 0:25:28I am quite sure that it is your aunt.
0:25:28 > 0:25:31Actually, one of the items that she left was a sapphire bracelet,
0:25:31 > 0:25:35- very much like the one you're wearing.- A bracelet?
0:25:35 > 0:25:36Have you got it?
0:25:36 > 0:25:38- Yes.- Show me.- If you could...
0:25:42 > 0:25:44It's just somewhere down here...
0:25:44 > 0:25:49- Oh!- Oh, my God! Oh, I'm so sorry. - It's fine.
0:25:49 > 0:25:52I'm always doing this. Mum says I could start World War Three, I'm so accident prone.
0:25:52 > 0:25:56It's fine. I can manage!
0:25:58 > 0:26:02Miss Hunter, why don't you give Miss Runcorn the bracelet now?
0:26:14 > 0:26:18- Well, it certainly looks authentic. - Yes, and it has the crest, and everything.
0:26:21 > 0:26:24I'll have to get it authenticated.
0:26:27 > 0:26:32But if it's all above board, I'll sign the papers and pay the debts.
0:26:34 > 0:26:36That's great. Great. You won't regret it.
0:26:36 > 0:26:39- You said we have to move quickly. - Yes.- How quickly?
0:26:39 > 0:26:42Well, it would help if you paid the debts in cash.
0:26:42 > 0:26:46- Cash? I'm not sure. - They are builders.
0:26:49 > 0:26:54Well, if it'll oil the wheels a little, then...so be it.
0:26:56 > 0:26:59Great. Great.
0:27:00 > 0:27:02- That was good work.- Thank you.
0:27:02 > 0:27:07SIRENS WAIL
0:27:07 > 0:27:09Leg it! Leg it!
0:27:09 > 0:27:11Kat!
0:27:20 > 0:27:21Can I help you, officer?
0:27:23 > 0:27:24Oi!
0:27:26 > 0:27:27Guv.
0:27:27 > 0:27:30- Put her in the car. - That's not mine.
0:27:30 > 0:27:34That's not mine! I can walk there myself...
0:27:34 > 0:27:36No!
0:27:36 > 0:27:38I don't know what happened, they just came out of nowhere.
0:27:38 > 0:27:40How did she get drugs on her, Kat? Emma doesn't even do drugs.
0:27:40 > 0:27:44They weren't mine, if that's what you're asking.
0:27:44 > 0:27:47I went with her, I did what you asked me to do, and then we went outside and...
0:27:47 > 0:27:49Kat's right. It's not her fault. Something else must be going on.
0:27:49 > 0:27:55- The cops must have planted the gear on Emma.- I'm so sorry, Sean...
0:27:55 > 0:27:57She's at the Barber Street station.
0:27:57 > 0:28:00She was arrested by Detective Inspector Fisk.
0:28:00 > 0:28:02- Sid Fisk?- You know him? - Yeah, he's bent as a nine bob note.
0:28:02 > 0:28:06This is how he operates. He frames people and then bangs them up.
0:28:06 > 0:28:12- Well, it's ridiculous. What does Fisk want with Emma?- This can't be just about Emma. It's about all of us.
0:28:12 > 0:28:16I'm going to see her. On my own. Meet me at Eddie's in an hour.
0:28:51 > 0:28:52Ahem...
0:29:01 > 0:29:04Excuse me. Roger Wyles, senior partner, Wyles, Clark and Foster.
0:29:04 > 0:29:07I'm representing Emma Kennedy.
0:29:07 > 0:29:09If I am delayed from seeing my client in any way whatsoever,
0:29:09 > 0:29:12there will be a serious complaint made to the IPCC.
0:29:12 > 0:29:15- Take this gentleman down to cell four, please.- Thank you.
0:29:17 > 0:29:18PHONE RINGS
0:29:21 > 0:29:25- Fisk.- 'Sir, Stone's come to see her.'
0:29:34 > 0:29:40- Miss Kennedy. Roger Wyles. Your solicitor.- Yeah, of course.
0:29:44 > 0:29:47- I have no idea what happened. - It's all right.- It doesn't make any sense.
0:29:47 > 0:29:50- It's OK, it's OK, we'll work it out. - How's Sean?
0:29:50 > 0:29:54He's OK. Except he wants to drive a JCB into the building.
0:29:54 > 0:29:56- Good plan.- Needs fine tuning.
0:29:56 > 0:30:00- Yep.- I'll get you out of here, OK? I'll think of something.
0:30:01 > 0:30:05- We won't go further with the con on Linda, we'll figure it out.- No.
0:30:05 > 0:30:09- Emma...- No, I don't want you to do that, right?
0:30:09 > 0:30:13We've come too far. When she gets the bracelet authenticated...
0:30:13 > 0:30:16No, no, no, no, stop, stop. Think a minute.
0:30:16 > 0:30:18Look at what happened. Look at where you are.
0:30:18 > 0:30:21Yes. And it would feel a whole lot worse if it was all for nothing.
0:30:24 > 0:30:26We've done the switch. We've shown her the paperwork.
0:30:26 > 0:30:28All that's left to do now is collect.
0:30:28 > 0:30:31It'd be crazy to back out now.
0:30:32 > 0:30:34I'll keep.
0:30:37 > 0:30:40He's got some front coming in here, I'll give him that.
0:30:40 > 0:30:42You want me to nick him, Guv?
0:30:42 > 0:30:44For what? Impersonating a brief?
0:30:44 > 0:30:49Nah. I'm going to make him an offer he can't refuse.
0:30:49 > 0:30:50For the girl?
0:30:50 > 0:30:52You're learning, sergeant.
0:30:52 > 0:30:55I thought you wanted Bricks banged up. At all costs, you said.
0:30:55 > 0:30:57He will be.
0:30:57 > 0:31:01The thing is, he's a clever boy, that's why no-one's got him in the past.
0:31:01 > 0:31:02You can't beat him at his own game.
0:31:02 > 0:31:04So I'll play him at mine.
0:31:04 > 0:31:07Nice and simple, no way out.
0:31:07 > 0:31:09When he accepts my offer and hands over the cash,
0:31:09 > 0:31:11I'll get him for attempting to bribe a police officer.
0:31:16 > 0:31:17Time's up!
0:31:29 > 0:31:30Hello, Michael.
0:31:30 > 0:31:32Fancy a coffee?
0:31:41 > 0:31:44She's doing my nut in.
0:31:44 > 0:31:49- Emma's a tough cookie. She'll be OK. - She's not going to be OK. Not unless WE do something.
0:31:49 > 0:31:52- Like what? Boost her from the cop shop?- We've done harder stuff than that before.
0:31:52 > 0:31:59Let's just wait until we hear what Michael says. Try not to think about it until we hear from him.
0:31:59 > 0:32:02- I sorted out the bin problem. - Not now, Ed.- They're refurbishing the block next door,
0:32:02 > 0:32:05so they've got a skip, so I just bung the bags over the wall.
0:32:05 > 0:32:08It's not permanent, but a bloke thinks it'll be there six months.
0:32:08 > 0:32:09It's not a great time, Eddie.
0:32:09 > 0:32:12Sorry, mate. I thought you might be interested, you know, as mates.
0:32:12 > 0:32:18- Yeah, well, we just hit a bit of a bump in the road.- Oh, right.
0:32:18 > 0:32:19Where's Em?
0:32:23 > 0:32:26- It's Kat, isn't it? - Yeah, that's right.
0:32:26 > 0:32:29So what are you, like, a new member of the crew, or what?
0:32:33 > 0:32:37- I'm not helping here, am I? - Not really, but we'll be OK, we'll think of something.
0:32:37 > 0:32:39Yeah, mate, yeah, sure. Of course you will.
0:32:39 > 0:32:41Yeah, sure.
0:32:44 > 0:32:46Emma Kennedy had cocaine
0:32:46 > 0:32:49with a street value of five grand in her bag.
0:32:49 > 0:32:53She's looking at intent to supply and a pretty hefty sentence.
0:32:53 > 0:32:56It's funny how you know the exact value.
0:32:56 > 0:32:57Pay for it yourself, did you?
0:32:57 > 0:32:59I'm sure I don't know what you're suggesting, Michael.
0:33:00 > 0:33:04Do you know, I have a lot of respect for the police. I do.
0:33:04 > 0:33:08They have a job to do and I'm fair game, and if they can catch me, then...
0:33:08 > 0:33:10no hard feelings.
0:33:10 > 0:33:17But a bent cop? Someone who's not interested in catching criminals, just lining his own pocket.
0:33:17 > 0:33:19That's got to be the lowest of the low.
0:33:19 > 0:33:23Spare me the honour amongst thieves bullshit, Stone.
0:33:23 > 0:33:26- I couldn't be less interested in what you think of me.- Then what are you interested in?
0:33:26 > 0:33:30- They told me you were a bright boy. - Spell it out for me.
0:33:31 > 0:33:34Fifty grand and the girl walks.
0:33:36 > 0:33:43- Fifty grand? - Cash. Shouldn't be too steep for you. The great Mickey Bricks.
0:33:45 > 0:33:46How do I know I can trust you?
0:33:46 > 0:33:48You don't.
0:33:48 > 0:33:52But as far as I can see, you don't have much choice, do you?
0:33:54 > 0:33:56You've always got a choice.
0:33:56 > 0:34:00And my grandmother always told me,
0:34:00 > 0:34:04never make deals with fools or bent cops.
0:34:07 > 0:34:10You're making a big mistake, Stone.
0:34:19 > 0:34:23- How is she?- She's a little shaken up, but she's coping.
0:34:23 > 0:34:25- Is she angry with me?- No, mostly, she's angry with herself.
0:34:25 > 0:34:28I think we've sat here like lemons for long enough.
0:34:28 > 0:34:31- Let's go and help her.- I'm working on it.- Not hard enough.- Sean.
0:34:31 > 0:34:33No, I'm sorry, Albert, I just want to do something.
0:34:33 > 0:34:36This is what Fisk wants, us losing our focus.
0:34:36 > 0:34:39That's why he planted the coke on Emma. We have to keep our heads in what we're doing.
0:34:39 > 0:34:40Not get distracted.
0:34:40 > 0:34:44- Carry on with the con?- Yes. All the ground work's been done. We can wrap it up quickly.
0:34:44 > 0:34:48- We may even need the money to get Emma back.- He's right.
0:34:48 > 0:34:51Now, we just have to be extra vigilant.
0:34:51 > 0:34:53Cover our backs every possible way.
0:34:53 > 0:34:59If Linda's on, we can arrange a time and a place for the money exchange that we control.
0:34:59 > 0:35:02- It's what Emma wants us to do. - She said that, did she?
0:35:02 > 0:35:06Yes. She's got Linda exactly where we want her.
0:35:06 > 0:35:08Agreed?
0:35:09 > 0:35:10Yeah, agreed.
0:35:10 > 0:35:11Yeah.
0:35:12 > 0:35:14Sean?
0:35:15 > 0:35:16Fine.
0:35:20 > 0:35:22Hello, Linda Runcorn?
0:35:22 > 0:35:26My name is Sheldon Greyshot, Greyshot Genealogists.
0:35:26 > 0:35:29Yes, I'm afraid Miss Patterson has been taken ill,
0:35:29 > 0:35:32so I'll be dealing with your case from now on.
0:35:32 > 0:35:35We need you to sign some paperwork, at your earliest convenience.
0:35:35 > 0:35:38- Are you going to let Emma go? - What's it to you?
0:35:38 > 0:35:41- She's my friend. - You're breaking my heart.
0:35:41 > 0:35:45Now, are you going to tell me what I need to know, or do you want to share a cell with her?
0:35:45 > 0:35:47- They're arranging a meet. - Which will be where?
0:35:47 > 0:35:51I don't know. They won't tell me. They've all clammed up.
0:35:51 > 0:35:53You nicking Emma has freaked them out.
0:35:53 > 0:35:55What about the woman? Linda Runcorn. They must be telling her.
0:35:55 > 0:35:58Yeah, but she ain't going to tell me, is she?
0:35:58 > 0:36:01No, she isn't.
0:36:06 > 0:36:08DOOR BUZZES
0:36:12 > 0:36:15Detective Inspector Fisk. This is DS Loach.
0:36:15 > 0:36:16Can we come in?
0:36:22 > 0:36:24Con men?!
0:36:24 > 0:36:27Did they suggest there were any outstanding charges
0:36:27 > 0:36:29on your aunt's estate? Mortgage payments, legal fees?
0:36:29 > 0:36:32Yes.
0:36:32 > 0:36:35One hundred thousand for subsidence.
0:36:35 > 0:36:39I was about to give it to them as well. In cash.
0:36:39 > 0:36:42I don't believe it!
0:36:42 > 0:36:48- So there's no estate?- No estate. No dead relative.- No nothing.
0:36:48 > 0:36:52- And I'm afraid the bracelet they gave you...- What about it?
0:36:52 > 0:36:55Well, we're going to have to take it with us.
0:36:55 > 0:36:56It's evidence.
0:37:05 > 0:37:10I spoke to them yesterday. They said they were going to come and collect me later today.
0:37:10 > 0:37:15- Did they give you an address? - No. I didn't think to ask.
0:37:15 > 0:37:18- Did they say what time you were being picked up?- Two o'clock.- Great.
0:37:18 > 0:37:21- We'd like you to keep that appointment.- Excuse me?- Go along,
0:37:21 > 0:37:24sign the papers, and hand Michael Stone the money, just as planned.
0:37:24 > 0:37:28- Are you mad?- It is essential that we catch him with the cash in his hand.
0:37:28 > 0:37:30- My cash?- Yes. - Have you lost your mind?
0:37:30 > 0:37:35There'll be a team of police officers. We'll be with you all the way. There's no risk at all.
0:37:35 > 0:37:38No risk to you, no. It's not your money, is it?
0:37:38 > 0:37:42- You don't even know where they're bloody taking me! Do you? - No, but I can assure you...
0:37:42 > 0:37:45And I can assure you the £100,000 is going back into my bank.
0:37:45 > 0:37:50I'm sorry, I don't mind helping you catch these people, but I will not risk my life savings.
0:37:50 > 0:37:53And you have no right to ask me to do so!
0:37:57 > 0:38:00- You've got two minutes.- Thanks.
0:38:00 > 0:38:04Sean, what are you doing here?
0:38:05 > 0:38:08- 'Fisk.'- Her brother's turned up.
0:38:08 > 0:38:10Look, you shouldn't have come.
0:38:10 > 0:38:12Well, I had to. Nobody else is doing anything.
0:38:12 > 0:38:15Mickey's acting like it's just a little inconvenient hitch in his master plan.
0:38:15 > 0:38:19That's just the way he deals with stuff. He doesn't let his emotions get in the way.
0:38:19 > 0:38:22- That's because he doesn't have any emotions.- Oh, Sean, come on. Don't be stupid.
0:38:22 > 0:38:26I'm not being stupid, when are you going to realise you're in trouble?
0:38:26 > 0:38:29You have to trust Mickey, OK? We both do.
0:38:29 > 0:38:32He'll come up with something. He always does.
0:38:32 > 0:38:35Yeah? What if he doesn't this time?
0:38:38 > 0:38:40Little family reunion, Seany?
0:38:40 > 0:38:42Excuse me?
0:38:42 > 0:38:44Detective Inspector Fisk. My pals call me Sid. How is Emma?
0:38:44 > 0:38:46Still acting tough?
0:38:48 > 0:38:50Are you the copper that set my sister up?
0:38:50 > 0:38:52Yeah, I am. And I can make it stick too.
0:38:52 > 0:38:55I have this network of people, you see,
0:38:55 > 0:38:58all willing to state that they bought Class-A drugs from your big sister.
0:38:58 > 0:39:00Come on, then. Come on.
0:39:01 > 0:39:05I'm not entirely sure how it would help your sister, but it might be fun all the same.
0:39:05 > 0:39:07Come on.
0:39:07 > 0:39:10No? Smart boy.
0:39:10 > 0:39:12See, what I don't understand is
0:39:12 > 0:39:16why Mickey wasn't interested in the deal I offered him.
0:39:16 > 0:39:18- What deal?- When he was here posing as her brief.
0:39:18 > 0:39:21- You spoke to Mickey? - Like I said, I offered him a deal.
0:39:21 > 0:39:22Fifty grand and she walks.
0:39:22 > 0:39:25Didn't seem too much, not for a big crew like your lot.
0:39:25 > 0:39:27- He turned me down.- You're lying.
0:39:27 > 0:39:30Oh, what, he didn't tell you?
0:39:32 > 0:39:35- I'll get you fifty grand. - Sorry, that deal's closed.
0:39:35 > 0:39:38- I've got another one though. - Yeah, and what's that, then?
0:39:38 > 0:39:40Linda Runcorn gets picked up at two o'clock to finish a deal.
0:39:40 > 0:39:42I want to know where you're taking her.
0:39:42 > 0:39:46Ten minutes after you tell me, I have Emma released. You have my word on that.
0:39:46 > 0:39:50If you don't tell me, I'll make sure she gets ten years. Minimum.
0:39:50 > 0:39:54Time to find out if blood's thicker than money, Seany.
0:40:07 > 0:40:08Need some company?
0:40:12 > 0:40:14- I'll have what he's having.- Sure.
0:40:17 > 0:40:19You worried about Emms?
0:40:19 > 0:40:25Yeah, but she'll be fine, we've got out of worse scrapes than this.
0:40:25 > 0:40:27Yeah, you have.
0:40:29 > 0:40:32I used to love you and Emms, back in the day,
0:40:32 > 0:40:35always looking out for each other.
0:40:35 > 0:40:38I never had that. I had a sister who hated my guts
0:40:38 > 0:40:42and a mum who was only happy when she was off her face.
0:40:42 > 0:40:46You've got your little girl now.
0:40:46 > 0:40:50Yeah. Mum's better too. It's funny how something so little
0:40:50 > 0:40:52can turn two people's lives around.
0:40:54 > 0:40:56It's hard though...
0:40:56 > 0:40:58looking out for her, making sure she's got what she needs,
0:40:58 > 0:41:01things that I never had.
0:41:01 > 0:41:03I'm sure you're a great mum.
0:41:04 > 0:41:06Well, I try my best.
0:41:06 > 0:41:10That's the thing about family.
0:41:10 > 0:41:15You do whatever you have to to take care of them, keep them safe.
0:41:15 > 0:41:19Yeah, you do.
0:41:19 > 0:41:21And there ain't nothing wrong with that, is there, Sean?
0:41:21 > 0:41:23No, there isn't.
0:41:30 > 0:41:34Inspector Fisk? It's Sean Kennedy.
0:41:34 > 0:41:38'I'll tell you what you want to know, but I need to see Emma's free first.'
0:41:38 > 0:41:39You won't regret this, kid.
0:41:39 > 0:41:41'Yeah. I'd better not.'
0:42:03 > 0:42:05You know what you have to do?
0:42:05 > 0:42:09- Just go along with everything until you turn up.- Exactly.
0:42:22 > 0:42:24- Afternoon.- Hello.
0:42:24 > 0:42:26I need to speak to Mr Gayhorse.
0:42:26 > 0:42:29I'm sorry, we don't have anyone here by that name.
0:42:29 > 0:42:31I'm Sheldon Greyshot. Who are you?
0:42:31 > 0:42:35Oh. I've got it down as...Gayhorse. What does that look like to you?
0:42:35 > 0:42:38Er...Playhouse.
0:42:38 > 0:42:41Look, it's Greyshot. It's obviously a mistake.
0:42:41 > 0:42:43We don't make mistakes. We can't afford to.
0:42:43 > 0:42:47We're from Her Majesty's Treasury. My name is Farrow and this is Whitman.
0:42:47 > 0:42:50You're investigating the estate of Marcus Hambury.
0:42:50 > 0:42:54- Is there a problem. - He's wanted for tax evasion.
0:42:54 > 0:42:57As you know, any probate investigator's at liberty to
0:42:57 > 0:43:00track down the heirs to intestate assets of the deceased,
0:43:00 > 0:43:03whatever their misdemeanours when living.
0:43:03 > 0:43:06Except in this case, the deceased is alive and well and living in Hove.
0:43:06 > 0:43:10- Hove?- Yes, we're afraid he might have faked his own death to avoid capture.
0:43:10 > 0:43:13So, we'll need a room and all the documentation you have on the estate.
0:43:13 > 0:43:15Jennifer, get the Hambury file, will you?
0:43:15 > 0:43:18And show these gentlemen to meeting room one.
0:43:18 > 0:43:21I've two more associates coming. Please alert me when they arrive.
0:43:21 > 0:43:25Do give their names to the receptionist.
0:43:52 > 0:43:55- Here for the Hambury meeting.- Ah, yes, upstairs.- Thank you.
0:44:19 > 0:44:22- Fisk.- It's Sean.
0:44:27 > 0:44:32Miss Runcorn. Let me take you upstairs. We're on the second floor.
0:44:40 > 0:44:43Get her out. I want to see her.
0:44:45 > 0:44:47You. Out.
0:44:48 > 0:44:51- Get off me.- Where are they? - Fordham Road. Second floor.
0:44:51 > 0:44:55- You've done the right thing, Seany. - What have you done? Sean?
0:44:55 > 0:44:59- What did you do?- What I had to.- All units. All units. Fordham Road. Now.
0:45:05 > 0:45:08- Second floor? - Up here. Is everything OK?
0:45:27 > 0:45:32Michael Stone, I'm arresting you on suspicion of probate fraud.
0:45:51 > 0:45:53Are you going to paint my portrait later?
0:45:53 > 0:45:56Just making sure it's real.
0:45:56 > 0:45:57What's real?
0:45:57 > 0:46:02That we just collared the biggest grifter in London red-handed.
0:46:05 > 0:46:11Oh, dear, not looking great, is it, Mickey?
0:46:11 > 0:46:15Any advice from your grandmother on what to do when you're caught bang to rights?
0:46:15 > 0:46:17- Can we just get this over with?- Should have trusted me.
0:46:17 > 0:46:20You should have accepted my deal when you had the chance.
0:46:20 > 0:46:24Then I wouldn't have had to get your boy to betray you.
0:46:24 > 0:46:28- Sean?- That's right. He's the one who told me where to find you.
0:46:32 > 0:46:36No, he... Why would he do...?
0:46:36 > 0:46:38Emma's freedom.
0:46:40 > 0:46:43So you see, I am a man of my word, after all.
0:46:43 > 0:46:46Make a deal with me, I stick to it.
0:46:46 > 0:46:49So?
0:46:49 > 0:46:51What do you say, Michael?
0:46:51 > 0:46:53One hundred grand and you can walk.
0:46:53 > 0:46:56One hundred? It was 50 before.
0:46:56 > 0:47:01I double it for a big cheese like you. You see, someone offered me 20 grand to put you away,
0:47:01 > 0:47:03so I need the right incentive not to do that.
0:47:05 > 0:47:09You get me the cash, this will all just disappear.
0:47:09 > 0:47:14- How?- I'll do what I always do when I'm paid to make a case go away.
0:47:14 > 0:47:17Pollute the evidence, a couple of schoolboy errors in the paperwork,
0:47:17 > 0:47:20and tell your brief what to look for. You'll be out in an hour.
0:47:20 > 0:47:23That's got to be worth a hundred grand.
0:47:25 > 0:47:28That's just what I wanted to hear.
0:47:31 > 0:47:33What are you smiling about?
0:47:35 > 0:47:37Ma'am. This is Michael Stone...
0:47:37 > 0:47:42Mickey Bricks. How are you, Michael? I trust we've made you comfortable?
0:47:42 > 0:47:46Well, it's certainly been interesting.
0:47:46 > 0:47:49Hard to get the staff these days.
0:47:51 > 0:47:53What's going on here?
0:47:53 > 0:47:55Michael and I had a little deal.
0:47:55 > 0:48:00You know about deals, don't you, Sidney? You'll appreciate this one.
0:48:00 > 0:48:02It's very nuanced.
0:48:11 > 0:48:14Michael was in no position to refuse this offer.
0:48:14 > 0:48:16I've been brought in to clean up this department,
0:48:16 > 0:48:19by any means necessary.
0:48:19 > 0:48:22Starting with a certain diseased apple called Fisk.
0:48:22 > 0:48:25OK. So, what do you want from me?
0:48:25 > 0:48:26Simply to do the thing you're best at.
0:48:28 > 0:48:30You're a bit stuffed then, ain't ya?
0:48:30 > 0:48:32- Exactly. It's a...a thingy-o... - It's a paradox?
0:48:32 > 0:48:34- No, no.- No, a catch-22?
0:48:34 > 0:48:36- No.- Chinese puzzle?
0:48:36 > 0:48:37A conundrum?
0:48:37 > 0:48:40- No.- A mystery within a puzzle wrapped up in an enigma?
0:48:40 > 0:48:45- So, what we going to do about Fisk? - Hang on. I know that face. He's got something.
0:48:45 > 0:48:49Michael? Don't keep us in suspense.
0:48:49 > 0:48:52A mystery within a puzzle wrapped up in an enigma.
0:48:52 > 0:48:55We're going to set Fisk a trap. One he'll fall headfirst into.
0:48:56 > 0:48:58So. Linda Runcorn.
0:48:58 > 0:49:01The story is she's the CEO of an online hotel and restaurant guide.
0:49:01 > 0:49:05It was a straightforward probate con, really.
0:49:05 > 0:49:09Albert look into the kind of extras you'd have to pay on an estate like that.
0:49:09 > 0:49:13You know, bills for maintenance, loans to fix the roof, that sort of thing.
0:49:13 > 0:49:15So, what do you think?
0:49:15 > 0:49:18Yeah, I can make that work.
0:49:19 > 0:49:21We got Jean Kirkpatrick,
0:49:21 > 0:49:24one of the best grifters north of the Watford Gap to help us out.
0:49:24 > 0:49:26We ensconced her in a Chelsea apartment and gave her a dossier
0:49:26 > 0:49:29briefing her on the character she was supposed to play for us. Linda.
0:49:29 > 0:49:32Nothing worse than a bent copper.
0:49:32 > 0:49:34Now remember, Fisk will have us
0:49:34 > 0:49:37under surveillance round the clock, so we play this for real.
0:49:37 > 0:49:42Old bag probably left me a tatty old armchair and some cats.
0:49:42 > 0:49:46Well, actually, she left jewellery.
0:49:46 > 0:49:52And property worth in the region of £4.7 million.
0:49:52 > 0:49:54We knew your team were watching us.
0:49:54 > 0:49:57No. There's no way you would've known I was tailing you. No way.
0:49:57 > 0:49:59Oh, we knew.
0:49:59 > 0:50:01We knew you were coming after us
0:50:01 > 0:50:05- the moment you took our five grand. - YOUR five grand?
0:50:05 > 0:50:10The five grand's a down payment, there's another 15 when it's done.
0:50:10 > 0:50:16The guy who paid you in the bar, Domino Derek, an old poker friend of Albert's.
0:50:25 > 0:50:28All this! Why?
0:50:29 > 0:50:30I'm a good cop.
0:50:30 > 0:50:34- Excuse me?- OK, I take the occasional backhander, but who doesn't?
0:50:34 > 0:50:37I'm old school. Do you know how many villains I've put away?
0:50:37 > 0:50:40The ones who didn't pay you?
0:50:40 > 0:50:44So you call me a rotten apple, a disease that needs to be rooted out,
0:50:44 > 0:50:48then you do deals with con men? That makes you the scab. The Judas.
0:50:48 > 0:50:50Coppers like you were extinct years ago.
0:50:50 > 0:50:53I'm trying to do honest police work with both my hands tied behind my back.
0:50:53 > 0:51:00Honest? Planting drugs on people. Taking bribes to let them go.
0:51:00 > 0:51:03We know you threatened Kat Farmer if she wouldn't spy for you.
0:51:03 > 0:51:08That's the trouble with being predictable, Inspector. It meant we could read you like a book.
0:51:14 > 0:51:18- Yeah.- Wainwright here. I've got something for you.- Thank you.
0:51:18 > 0:51:25- You using Kat actually made our life easier.- Really? Well, delighted I could help.
0:51:25 > 0:51:29- Emma?- Oh, she's a train crash. But she's all right.
0:51:29 > 0:51:33It meant we could feed you the information we wanted you to have more easily.
0:51:33 > 0:51:37- What's this, here? A family crest? - The Topping family. We need it exactly the same.
0:51:37 > 0:51:38By tomorrow, you said?
0:51:40 > 0:51:42Can it be done?
0:51:42 > 0:51:45It's not easy. You have to get the stone right.
0:51:45 > 0:51:47Sean and Emma Kennedy. The newbies.
0:51:47 > 0:51:49These two are Stone's soft underbelly.
0:51:49 > 0:51:54If we get to them, we can penetrate the inner circle and tear it apart. That's how we get him.
0:51:54 > 0:51:57- We knew you were targeting Sean and Emma, so we played along. - It's Sean Kennedy.
0:51:57 > 0:52:01I'll tell you what you want to know, but I need to see that Emma's free first.
0:52:01 > 0:52:04- You won't regret this, kid. - Yeah, I'd better not.
0:52:04 > 0:52:07We told you the bracelet was valuable
0:52:07 > 0:52:10because we knew you couldn't resist getting your hands on the extra cash we said it was worth.
0:52:10 > 0:52:13I'm afraid the bracelet they gave you...
0:52:13 > 0:52:15- What about it?- Well, we're going to have to take it with us.
0:52:15 > 0:52:18You stole a bracelet you thought was worth 50 grand,
0:52:18 > 0:52:23and used your own money to try and entrap us.
0:52:23 > 0:52:24You know what you have to do?
0:52:24 > 0:52:29- Just go along with everything until you turn up.- Exactly.
0:52:30 > 0:52:32He's dropped off the cash.
0:52:32 > 0:52:36Ash made up an identical package, with fake money
0:52:36 > 0:52:38and a recording device.
0:52:44 > 0:52:50All we had to do then was switch the envelopes and wait for you to arrest me.
0:53:15 > 0:53:17RECORDER BEEPS
0:53:17 > 0:53:19'So? What do you say, Michael?
0:53:19 > 0:53:21'One hundred grand and you can walk.
0:53:21 > 0:53:24'A hundred? It was 50 before.
0:53:24 > 0:53:27'I double it for a big cheese like you.
0:53:27 > 0:53:29'You see, someone offered me 20 grand to put you away,
0:53:29 > 0:53:31'so I need the right incentive not to do that.
0:53:31 > 0:53:35'You get me the cash and this will all just disappear.
0:53:35 > 0:53:39- 'How?- I'll do what I always do when I'm paid to make a case go away.
0:53:39 > 0:53:42'Pollute the evidence, a couple of schoolboy errors in the paperwork
0:53:42 > 0:53:45'and tell your brief what to look for. You'll be out in an hour.
0:53:45 > 0:53:48'That's got to be worth a hundred grand.'
0:53:49 > 0:53:51I was doing my job.
0:53:51 > 0:53:55Sidney Fisk. I'm arresting you on suspicion of corruption.
0:53:55 > 0:53:59- Hang on a minute, I'm not the villain, here. I'm not the scumbag. - You do not have to say anything.
0:53:59 > 0:54:02- But it may harm your defence... - I was doing my job.
0:54:22 > 0:54:26- Sean!- You surprised to see me? - No, I just...
0:54:26 > 0:54:29- It's OK, I know.- Know what?
0:54:29 > 0:54:33Everything. Fisk, what he made you do.
0:54:34 > 0:54:35It's all right.
0:54:37 > 0:54:39- No, it ain't. - Yes, it is, listen,
0:54:39 > 0:54:42we've taken care of it. He won't be bothering you again.
0:54:42 > 0:54:44You must think I'm such a skank.
0:54:44 > 0:54:45No.
0:54:50 > 0:54:54- He said he was going to...- I know.
0:54:54 > 0:54:55She's all I've got, Sean.
0:54:55 > 0:54:59Listen, this is about what Fisk did, not you...
0:54:59 > 0:55:03I know more than anyone, people like us, where we're from, you know, we take care of our own.
0:55:06 > 0:55:08So we're all good. OK?
0:55:08 > 0:55:11In fact... In fact, we're better than good.
0:55:11 > 0:55:13- What's this?- It's your cut.
0:55:13 > 0:55:14What?
0:55:14 > 0:55:18From the con we were working on, the bracelet switch.
0:55:18 > 0:55:20- But... - It's not charity, OK? You earned it.
0:55:20 > 0:55:21Sean, I can't take this.
0:55:21 > 0:55:23I don't deserve it, not after what I did.
0:55:23 > 0:55:25Yes, you can.
0:55:27 > 0:55:30- I owe you.- Call it even.
0:55:30 > 0:55:33- Mummy!- Hello!
0:55:35 > 0:55:37Laurel, this is Sean, say hello.
0:55:37 > 0:55:39Hiya.
0:55:40 > 0:55:41Take care of yourself, Kat.
0:55:41 > 0:55:44You too, Seany...
0:55:52 > 0:55:54Michael.
0:55:56 > 0:55:58Come to wave me off?
0:55:58 > 0:56:01You took a hell of a risk carrying on with the con...
0:56:01 > 0:56:04You should've accepted Fisk's offer in the pub.
0:56:04 > 0:56:07- You could have ended it there and then.- Well, I was having so much fun.
0:56:07 > 0:56:09You saw an opportunity to relieve Fisk of his cash and you took it.
0:56:09 > 0:56:12- That's what I do. - That's dirty money.
0:56:12 > 0:56:14Made from bribery and corruption,
0:56:14 > 0:56:16and by rights, it belongs to the Metropolitan Police.
0:56:16 > 0:56:20Yeah, maybe, but we'll put it to much better use.
0:56:20 > 0:56:23What makes you think I won't just arrest you for it?
0:56:23 > 0:56:26- You won't do that.- Won't I?
0:56:26 > 0:56:29Because then, you'd have to explain to your superiors how you
0:56:29 > 0:56:33blackmailed a group of con artists into helping you catch a bent cop.
0:56:33 > 0:56:37Well, they did say by any means necessary.
0:56:37 > 0:56:42We could go and talk them through it now, if you like, you know, while I'm still here?
0:56:45 > 0:56:47Goodbye, Chief Inspector.
0:56:47 > 0:56:50Michael.
0:56:52 > 0:56:57This was a one-off. Starting now, the slate's clean.
0:56:57 > 0:57:00I'm the law enforcer and you're the criminal.
0:57:00 > 0:57:02If I can catch you, I will.
0:57:04 > 0:57:08I wouldn't have it any other way.
0:57:19 > 0:57:25- So, how was she about us keeping Fisk's money?- Fine.
0:57:25 > 0:57:29- Fine?- Yeah, well, she moaned for a bit, then I convinced her it was for the best.
0:57:29 > 0:57:30How was Kat?
0:57:31 > 0:57:33OK, yeah.
0:57:33 > 0:57:34Can we get back to normal now, please?
0:57:34 > 0:57:36It didn't feel right working for the police.
0:57:36 > 0:57:40Give me tinkers and tricksters, and gamblers and fraudsters any time.
0:57:40 > 0:57:42At least you know where you stand with them.
0:57:42 > 0:57:44Ain't that the truth?
0:58:09 > 0:58:11Subtitles by Red Bee Media Ltd
0:58:11 > 0:58:14E-mail subtitling@bbc.co.uk