0:00:02 > 0:00:05SCHOOL BELL RINGS
0:00:08 > 0:00:09Have you heard the Beatles new record?
0:00:20 > 0:00:21- No running.- Sorry, Miss.
0:00:23 > 0:00:26so the question posed by many Shakespearean critics,
0:00:26 > 0:00:28including FR Leavis,
0:00:28 > 0:00:34TS Eliot, and others too grand to use their own first names, is,
0:00:34 > 0:00:37are Anthony and Cleopatra true tragic heroes,
0:00:37 > 0:00:40or are they too fault-ridden and laughable to be tragic?
0:00:40 > 0:00:44Is their relationship one of love or lust?
0:00:44 > 0:00:48Does Cleopatra kill herself out of love for Anthony,
0:00:48 > 0:00:51or because the world has changed and she's lost all power?
0:00:51 > 0:00:53- Essays in on Monday, please. - Yes, Sir.
0:00:56 > 0:00:59- Did you hear me, Hazel and Shelley? - Yes, Sir!
0:01:03 > 0:01:06# The night we met I knew that
0:01:06 > 0:01:08# I needed you so
0:01:10 > 0:01:14# And if I had the chance I'd
0:01:14 > 0:01:16# Never let you go
0:01:18 > 0:01:21# So whilst you say you love me
0:01:21 > 0:01:23# I'll make you... #
0:01:23 > 0:01:25- Heard from Mary?- Total silence.
0:01:25 > 0:01:28- Where'd you think she went? - Gretna Green.
0:01:28 > 0:01:31- Serious? Did he propose?- So she said.
0:01:31 > 0:01:38- "With a passion that burned the air between us."- Blimey. Imagine that.
0:01:38 > 0:01:40"And so saying,
0:01:40 > 0:01:42"his erstwhile timid lips grew bold
0:01:42 > 0:01:45"and poesied with hers in dewy rhyme".
0:01:45 > 0:01:47What does that mean?
0:01:47 > 0:01:49It's John Keats-talk for he snogged her.
0:01:49 > 0:01:52She wouldn't tell me his name.
0:01:53 > 0:01:56- Right. Out of ten.- Ten.
0:01:56 > 0:01:59- Me?- 11.
0:02:03 > 0:02:05# Oh, since the day I saw you
0:02:05 > 0:02:07# I had... #
0:02:07 > 0:02:09Joining the orchestra, girls?
0:02:09 > 0:02:12I'm on the lookout for young ladies like you.
0:02:12 > 0:02:14Oh, you just would, wouldn't you?
0:02:14 > 0:02:17# So won't you please
0:02:17 > 0:02:19# Be my, be my... #
0:02:19 > 0:02:23THEY TUNE INSTRUMENTS
0:02:41 > 0:02:44- Ooh! Ow!- Anyone smell gas?
0:02:51 > 0:02:55- Out tonight, John?- I might be. - Didn't really want to know, did we?
0:02:55 > 0:02:57No. I'm just being polite, actually.
0:02:57 > 0:03:01- All right then, if you really want to know... - No, no, none of my business.- Fine!
0:03:01 > 0:03:03Ah, got you.
0:03:03 > 0:03:05All right, well you've beaten it out of us.
0:03:05 > 0:03:10I. John Bacchus. Me.
0:03:10 > 0:03:12I'm on a promise.
0:03:14 > 0:03:15- Who is he?- Ha-ha...
0:03:26 > 0:03:28# So come on be
0:03:28 > 0:03:30# Be my
0:03:30 > 0:03:31# Be my little baby... #
0:03:34 > 0:03:35- Does your dad know where we go?- No.
0:03:35 > 0:03:39He just knows we're out. Me sister covers for us.
0:03:41 > 0:03:43CHEERING
0:03:43 > 0:03:46On camera one, two next...
0:03:46 > 0:03:49Welcome to the show. It's Friday night!
0:03:49 > 0:03:52Put your work in a drawer called "forget about it",
0:03:52 > 0:03:56get your glad rags on, and turn the world "Upside Down"!
0:03:56 > 0:03:59Go to camera three on The Walking Dead and I don't mean Tone.
0:03:59 > 0:04:03I'm Tony "Tone" Hexton, and have I got a fabulous show for you tonight.
0:04:03 > 0:04:08- Camera two, one next... - It's so fabulous, it's a crime to use the word fabulous for it.
0:04:08 > 0:04:10- Isn't that right, sweetheart? - Camera one, three next...
0:04:10 > 0:04:12I dunno what you're talking about.
0:04:12 > 0:04:16She agrees with me, she just hasn't thought about it yet. Let's kick off.
0:04:16 > 0:04:19Playing Suzanne, the group that's been taking the chart by storm...
0:04:19 > 0:04:23- Stand by three. - Please welcome, The Walking Dead!
0:04:23 > 0:04:25CHEERING
0:04:25 > 0:04:27Start low,
0:04:27 > 0:04:31I want to see legs, please. And, if possible...
0:04:35 > 0:04:36# Well
0:04:36 > 0:04:40# She likes to talk dirty but I keep her running nice and clean
0:04:40 > 0:04:43# Talks dirty says if she feels
0:04:43 > 0:04:45# I love the way she looks
0:04:45 > 0:04:46# And she knows that all my friends are green
0:04:46 > 0:04:49# The way she looks all my friends are green
0:04:49 > 0:04:50# Hey there, Suzanne
0:04:50 > 0:04:52# You really gotta hold of me
0:04:55 > 0:04:56- # Suzanne - Suzanne
0:04:56 > 0:04:58- # Suzanne - Suzanne
0:04:58 > 0:04:59- # Suzanne - Suzanne
0:04:59 > 0:05:01- # Suzanne - Suzanne
0:05:01 > 0:05:02- # Suzanne - Suzanne
0:05:02 > 0:05:03- # Suzanne - Suzanne
0:05:03 > 0:05:05- # Suzanne - Suzanne
0:05:05 > 0:05:07- # Suzanne - Suzanne
0:05:07 > 0:05:10# Picking up the pieces of my broken heart... #
0:05:10 > 0:05:11Ah. The smell of sex.
0:05:15 > 0:05:16Fancy a walk?
0:05:18 > 0:05:21She's such a tart. It's shocking.
0:05:21 > 0:05:23I totally agree.
0:05:23 > 0:05:27- Blind dates, eh?- Just keep your distance, yeah?
0:05:30 > 0:05:34- What's your name, anyway?- Barry.
0:05:40 > 0:05:42MUSIC STOPS
0:05:42 > 0:05:43CHEERING
0:05:43 > 0:05:47- Camera one next.- Oh, to be young. Oh, to be cool.
0:05:47 > 0:05:49Oh, me lumbago...
0:05:49 > 0:05:53- Oh, to be witty. - Chat up time, Tone.- Two next... - Now I'd like to do something,
0:05:53 > 0:05:59which is a little bit unusual for me and that is chat up some ladies.
0:05:59 > 0:06:04- Hi. So what's your name, young Lady? - Shelley Macefield.
0:06:04 > 0:06:06- Enjoying tonight's show, Shelley? - For crying out loud, not her!
0:06:06 > 0:06:12Well, come out of your shell, Shelley, and tell us what's cool about being young today.
0:06:12 > 0:06:14- Music, isn't it? - Ah, but is it, Shelley?
0:06:14 > 0:06:19- Disaster.- Three next. - What about boys? Got a boyfriend?
0:06:19 > 0:06:22- Me? No!- Hard to get, eh?
0:06:22 > 0:06:27So, what kind of guy lights your fire, Shelley?
0:06:27 > 0:06:29Well, not one that looks like me dad!
0:06:29 > 0:06:35It's not funny. You old blokes, you think it's all about sex for us but it isn't.
0:06:35 > 0:06:38They all say that at first, ladies and gents.
0:06:38 > 0:06:42- That's just what you'd like the world to be about.- Hello, hello...
0:06:42 > 0:06:44What's fantastic about now is the fashion.
0:06:44 > 0:06:48It's seeing what's coming out of Manchester and Liverpool
0:06:48 > 0:06:51and London and New York and being able to go and buy it.
0:06:51 > 0:06:56It's how you feel when you wear clothes that you love. It's like a feeling of power.
0:06:56 > 0:07:00I like this one, I'd like her, after the show, please.
0:07:00 > 0:07:01I put on a new dress and I feel like I was born to dance.
0:07:01 > 0:07:03Born to walk down the street.
0:07:03 > 0:07:04Any street.
0:07:04 > 0:07:07Any town. Anywhere.
0:07:07 > 0:07:10I feel like I was born to be me.
0:07:10 > 0:07:13Born to be me. What's her name, Tone?
0:07:17 > 0:07:20Get off us, will you?
0:07:20 > 0:07:24- Would you want to see us again? Or not?- Not.
0:07:24 > 0:07:26Eurgh! What's that smell?
0:07:27 > 0:07:29Are you all right?
0:07:30 > 0:07:33Oh, God. Oh, God.
0:07:35 > 0:07:37SHE SCREAMS
0:07:37 > 0:07:38CHEERING
0:07:38 > 0:07:42Give her the mike. Give her the mike.
0:07:42 > 0:07:43I've just had a little idea.
0:07:43 > 0:07:46- Hello, everybody!- ALL:- Hello, Hazel!
0:07:46 > 0:07:48- Are you ready?- ALL:- Yes! - Are you ready up there?!
0:07:48 > 0:07:50Are we?
0:07:51 > 0:07:52Because we want to dance!
0:07:52 > 0:07:55CHEERING AND APPLAUSE
0:07:55 > 0:07:56MUSIC STARTS
0:08:27 > 0:08:29Over here, Sarge.
0:08:36 > 0:08:38- Sir.- What are you doing here?
0:08:38 > 0:08:41I just... I was at a loose end.
0:08:41 > 0:08:43I thought I'd come over and...
0:08:43 > 0:08:44What happened to the promise?
0:08:48 > 0:08:50You know she, er...
0:08:51 > 0:08:54I'm getting old.
0:08:54 > 0:08:57Over here.
0:08:57 > 0:08:59Is this the missing girl?
0:08:59 > 0:09:01Yeah. Mary Claverton.
0:09:02 > 0:09:06- How do we know?- Still got her school uniform on, John.
0:09:06 > 0:09:08It's not nice.
0:09:08 > 0:09:11Something's been feeding on her.
0:09:15 > 0:09:16Urgh!
0:09:17 > 0:09:20She's been laid out in the earth very carefully.
0:09:23 > 0:09:27- 17, wasn't she? - Yeah. Last year at school.
0:09:27 > 0:09:29Whole life in front of her.
0:09:29 > 0:09:32We're getting more and more of these,
0:09:32 > 0:09:35More and more sick blokes carrying out
0:09:35 > 0:09:37their disgusting, sick little fantasies.
0:09:37 > 0:09:41You know what? We should never have given up on capital punishment.
0:09:41 > 0:09:44Our job to tell the parents.
0:09:50 > 0:09:53And that bloke Tony. I couldn't believe it.
0:09:53 > 0:09:57When we were in the pub, he's got his hand on my leg and he goes,
0:09:57 > 0:10:01- "Do you want my phone number, Shell?"- Oh, gruesome! Yuk!
0:10:01 > 0:10:03I was like "Naaah, Tone, you're all right."
0:10:03 > 0:10:06- Can you imagine doing it with him? - Yuk!
0:10:06 > 0:10:07THEY LAUGH
0:10:08 > 0:10:09Oh.
0:10:10 > 0:10:12Night, Mr Holdaway.
0:10:12 > 0:10:15- Night, Haze.- Shelley?
0:10:15 > 0:10:20- Yes, Mr Holdaway?- What do you think your dad's going to say when somebody tells him you were on live television
0:10:20 > 0:10:23tonight with some dirty old man sticking a camera up your skirt?
0:10:23 > 0:10:26He won't say nothing, Mr Holdaway.
0:10:26 > 0:10:28He's never said anything in years.
0:10:28 > 0:10:29He just sits there.
0:10:33 > 0:10:36Did you see me, Dad?
0:10:36 > 0:10:38I saw more of you than I was expecting.
0:10:38 > 0:10:41You're not happy then?
0:10:41 > 0:10:42Hazel.
0:10:43 > 0:10:45We'll talk in the morning.
0:11:13 > 0:11:14HE KNOCKS ON DOOR
0:11:22 > 0:11:23Not in?
0:11:23 > 0:11:26HE KNOCKS ON DOOR
0:11:29 > 0:11:31Is that her there?
0:11:33 > 0:11:36That's her there.
0:11:40 > 0:11:42Mrs Claverton?
0:11:51 > 0:11:54HE PANTS
0:11:59 > 0:12:01HE BREATHES HEAVILY
0:12:01 > 0:12:03- Have you found her? - Mr Claverton,
0:12:03 > 0:12:06I'm Detective Chief Inspector Gently,
0:12:06 > 0:12:08- and this is Detective Sergeant Bacchus.- Have you found her?
0:12:08 > 0:12:15Yes. We found Mary's body in Pinnock Woods, I'm very sorry, Mr Claverton.
0:12:20 > 0:12:22HE GROANS
0:12:31 > 0:12:34- How did... How did she die? - We don't know yet.
0:12:35 > 0:12:37- Well, was there any? Had anybody? - We don't know.
0:12:37 > 0:12:39We're waiting for the post-mortem.
0:12:41 > 0:12:44When was the last time that you saw Mary, Mrs Claverton?
0:12:46 > 0:12:48- The last time... - When she went out that night.
0:12:50 > 0:12:54She was going to meet her mates at the bus stop and they were going to go dancing in Newcastle.
0:12:56 > 0:12:59She didn't arrive at the bus stop and they went without her.
0:13:01 > 0:13:03What time did she leave the house?
0:13:04 > 0:13:07- About...- Quarter past six for the half six bus.
0:13:09 > 0:13:13I told her to be back by 11. The last we saw of her.
0:13:13 > 0:13:16The last time I saw my bairn.
0:13:16 > 0:13:22You told the police at the time she went missing, that she had a boyfriend on the quiet,
0:13:22 > 0:13:25- and that's where she'd gone. - Was it him?
0:13:25 > 0:13:28What can you tell me about him? Was he at school?
0:13:30 > 0:13:33She never told us anything. Not me anyway...
0:13:34 > 0:13:36Not even a name.
0:13:38 > 0:13:40She lived in a different world to us.
0:13:40 > 0:13:44We weren't a part of it.
0:13:50 > 0:13:57I thought she was with this lad, you know, somewhere.
0:13:58 > 0:14:00She'd only packed a couple of things.
0:14:02 > 0:14:09We thought she'd just run off for the weekend. But after a week...
0:14:12 > 0:14:14Can we have a look in her room?
0:14:16 > 0:14:17Thank you.
0:14:32 > 0:14:38Guv. Guv. What they talking about, "different world"?
0:14:38 > 0:14:45I mean how could they know absolutely nothing about a boyfriend important enough to run away with?
0:14:45 > 0:14:51And how come the investigation didn't find a single thing about him?
0:14:51 > 0:14:52You think there was no boyfriend?
0:14:54 > 0:14:57Who is he? The Invisible Man?
0:15:00 > 0:15:02What we looking for?
0:15:03 > 0:15:05Hey, Guv. Look, look.
0:15:05 > 0:15:07Who are these? the Beverley Sisters?
0:15:09 > 0:15:11They're writers, I think.
0:15:11 > 0:15:14Mary was always writing.
0:15:14 > 0:15:16Her school thought the world of her.
0:15:16 > 0:15:21Had her going to university. Girl from here, going to university.
0:15:21 > 0:15:24You must have been very proud of her, Mrs Claverton.
0:15:24 > 0:15:26Well, I tried to be...
0:15:28 > 0:15:35- I didn't really understand her poems or anything, or the names of the people in them.- This different world.
0:15:35 > 0:15:38Is this the world that Mary was in when she wrote her poems?
0:15:38 > 0:15:40I suppose so.
0:15:40 > 0:15:46And this boyfriend did he belong to that world, do you think?
0:15:48 > 0:15:49Do you mean was he made up?
0:15:51 > 0:15:53No, he was real.
0:15:53 > 0:15:57No. Might he have lived in that world as well?
0:15:57 > 0:15:58We may have lived in different worlds,
0:15:58 > 0:16:02but we were both women.
0:16:02 > 0:16:06I knew she had somebody.
0:16:06 > 0:16:09Somebody important.
0:16:09 > 0:16:11MR CLAVERTON SOBS
0:16:15 > 0:16:17My husband's crying.
0:16:22 > 0:16:24I've never seen my husband cry.
0:16:24 > 0:16:27I am so sorry.
0:16:27 > 0:16:34Erm... So. What were the names of her friends at school?
0:16:34 > 0:16:38Her best friend was Hazel Holdaway.
0:16:38 > 0:16:41She was always round at her house.
0:16:41 > 0:16:44- She practically lived there. - This Hazel Holdaway was she
0:16:44 > 0:16:47one of the friends at the bus stop the night she went missing?
0:16:47 > 0:16:49THUD
0:16:49 > 0:16:51He's upset. Best leave him to it.
0:16:51 > 0:16:53MR CLAVERTON SHOUTS
0:16:53 > 0:16:56Is Joe often violent, Mrs Claverton?
0:17:04 > 0:17:05THUD
0:17:11 > 0:17:16He'll go for a walk then he'll go to the pub when it opens.
0:17:35 > 0:17:41Report says cause of death was suffocation.
0:17:42 > 0:17:45The boyfriend then?
0:17:45 > 0:17:49He wanted her to go away with him, she refused, they had a fight, it got out of hand.
0:17:49 > 0:17:51She packed a bag, John.
0:17:51 > 0:17:53All right then. Well, she agreed to go with him for like a
0:17:53 > 0:17:58dirty weekend or something, and then she changed her mind, he went mad.
0:17:58 > 0:18:05In her statement, Mrs Claverton said that she always wore a little gold necklace. With an "M".
0:18:05 > 0:18:07It's not there. That's all there is.
0:18:09 > 0:18:12A present from her father on her 16th birthday.
0:18:17 > 0:18:18OK.
0:18:26 > 0:18:28You ready for this, Sheila, hmm?
0:18:56 > 0:18:58DOORBELL RINGS
0:19:12 > 0:19:16Mrs Holdaway? I'm Detective Sergeant Bacchus, this is Chief Inspector Gently.
0:19:16 > 0:19:21- Is this about Mary Claverton? - Could we speak to Hazel please, Mrs Holdaway?- Have you found her?
0:19:21 > 0:19:26- Is Mary safe? Have you found her? - We need to talk to Hazel.
0:19:35 > 0:19:41I taught Mary literature. As Deputy Head, I also run the University Futures Programme at Blackworth.
0:19:41 > 0:19:46- What's that?- Preparing the more able kids to get into good universities.
0:19:46 > 0:19:53- Right.- Was Mary an able student, Mr Holdaway?- Mary was exceptional.
0:19:56 > 0:20:00Mary and Hazel were close, were they best friends?
0:20:00 > 0:20:05- Inseparable. - So you'd known Mary a long time?
0:20:05 > 0:20:08- Since she was 12.- And you thought she was "exceptional"?
0:20:08 > 0:20:13You put up with the bored and the not so bright because, once in a while,
0:20:13 > 0:20:18a girl like Mary comes along. This is a world of low expectations.
0:20:18 > 0:20:21They don't expect their daughters to achieve Oxford.
0:20:21 > 0:20:22Or their sons...
0:20:28 > 0:20:30Mr Holdaway, we are trying
0:20:30 > 0:20:32to trace this elusive boyfriend of Mary's.
0:20:32 > 0:20:36Was she seeing any of the lads at school?
0:20:37 > 0:20:39That's not part of the girls' world I get involved in.
0:20:39 > 0:20:42Well. Can you think of any reason why
0:20:42 > 0:20:46someone like Mary with the sort of future that you saw for her
0:20:46 > 0:20:48would throw it all away by running off with a boyfriend?
0:20:48 > 0:20:53- Cos they're stupid. - You thought she was stupid?
0:20:55 > 0:21:01No. No. Mary was very clever. I just meant girls in general.
0:21:01 > 0:21:07Mr Gently. Mary was quick, she was confident, she had it all. That can breed impatience.
0:21:07 > 0:21:09For a young woman like that sometimes the future can't come quick enough.
0:21:14 > 0:21:16What did you think of Mary, Mrs Holdaway?
0:21:17 > 0:21:20MISS Holdaway. I'm Hazel's sister.
0:21:20 > 0:21:22- Your Hazel's sister?- Yes.
0:21:22 > 0:21:24Oh, I thought. I thought...
0:21:24 > 0:21:26Sadly, I no longer have a wife.
0:21:28 > 0:21:31- Oh, right.- Our mother and father separated 15 years ago.
0:21:31 > 0:21:37- Hazel going to be long is she? - Anytime now.
0:21:39 > 0:21:41Sorry, Daddy.
0:21:41 > 0:21:42She's at the TV studios.
0:21:44 > 0:21:46I see.
0:21:46 > 0:21:49This is wonderful, Shel.
0:21:49 > 0:21:54It's like Mary Quant but it's a little bit more dreamy with it, isn't it?
0:21:54 > 0:21:57It's like it's saying,
0:21:57 > 0:21:59"I've looked at Mary Quant, but d'you know what, I'm going to do it me own way."
0:21:59 > 0:22:01I mean just look at the fabric, Where did you get it, Shel?
0:22:01 > 0:22:04Ah. It's me Gran's.
0:22:05 > 0:22:08She is kidding, right? Somebody tell me she's kidding.
0:22:09 > 0:22:10Tell all, Shell.
0:22:10 > 0:22:13I'm going to call you Mary Quaint from now on, by the way.
0:22:13 > 0:22:16Mary Quaint. Brilliant.
0:22:16 > 0:22:18Like listening to Oscar Wilde.
0:22:18 > 0:22:19I think it's fantastic.
0:22:19 > 0:22:21- Out of ten, everybody?- ALL:- Ten!
0:22:21 > 0:22:24Now tell me about your hair.
0:22:24 > 0:22:27I love it here, I love this line you've got, Shel, you're great at that.
0:22:27 > 0:22:31Cleopatra could not have done it better herself.
0:22:31 > 0:22:32Who?
0:22:32 > 0:22:35Cleopatra, Queen of Egypt.
0:22:35 > 0:22:39Ah, the one that got shagged off that Roman?
0:22:39 > 0:22:43Is my friend allowed to say "shagged" on TV?
0:22:52 > 0:22:56I kept thinking I was going to hear from her.
0:22:56 > 0:23:00Like she'd send us a postcard or something.
0:23:01 > 0:23:04Arrange to meet up, but then swear us to silence.
0:23:06 > 0:23:09Did she say anything to you, Shelley?
0:23:09 > 0:23:11She was more Hazel's friend than mine.
0:23:11 > 0:23:13They were both brainy.
0:23:13 > 0:23:17Always talking about poems and that, and that John Paul Belmondo.
0:23:17 > 0:23:19Who?
0:23:19 > 0:23:22He's a film star but he can only talk French.
0:23:22 > 0:23:27- Right.- Girls, we really need to know the name of this lad that she was seeing.
0:23:30 > 0:23:33Hazel?
0:23:33 > 0:23:35She'd drop you clues now and then.
0:23:39 > 0:23:42He's like Mr Rochester.
0:23:42 > 0:23:45Oh, wow. Fantastic.
0:23:45 > 0:23:48- All scarred, you mean?- Aye.
0:23:48 > 0:23:51He has got scars, actually, Hazel.
0:23:51 > 0:23:55Though I doubt you'd be able to see them.
0:23:55 > 0:23:56Why, where are they? On his bum?
0:23:56 > 0:24:01- And why would I not be able to see them, Mary?- They are inner scars.
0:24:01 > 0:24:07Maybe Rochester's wrong, maybe he's more Dover Beach
0:24:07 > 0:24:10or Porphyria's Lover. I love Porphyria's lover.
0:24:10 > 0:24:15Blimey, he's Greek now. Greek and scarred - that's the worst combination I can think of.
0:24:21 > 0:24:24Have you had sex with him?
0:24:28 > 0:24:35"I laughed him with his patience; and the next morn, ere the ninth hour, I drank him to his bed."
0:24:41 > 0:24:43INAUDIBLE
0:24:51 > 0:24:53So who was she talking about?
0:24:53 > 0:24:55Come on, Hazel, this is important.
0:24:55 > 0:24:57She used to just say things for effect.
0:24:57 > 0:24:59What effect?
0:25:04 > 0:25:07- Shelley. What effect?- She was always trying to make Hazel jealous.
0:25:07 > 0:25:10Like, "I'm getting all this nookie, you're not.
0:25:10 > 0:25:12"I'm a woman, you're a little girl".
0:25:12 > 0:25:14Was there anybody in particular she was trying to make you jealous of?
0:25:14 > 0:25:19- It was rubbish. She's just making things up.- About who?
0:25:21 > 0:25:24Shelley. About who?
0:25:24 > 0:25:25- Mr Nugent...- Who's he?
0:25:25 > 0:25:28The music teacher. She knew Hazel had a pash for him.
0:25:28 > 0:25:30- I didn't.- You bloomin' did.
0:25:30 > 0:25:32We all did.
0:25:32 > 0:25:34I've still got one.
0:25:34 > 0:25:37So. She told you there was something between her and this teacher?
0:25:44 > 0:25:46SEAGULLS CRY
0:25:46 > 0:25:50PIANO MUSIC PLAYS
0:25:57 > 0:25:58Do that bit again.
0:25:58 > 0:26:00With vibrato. OK?
0:26:01 > 0:26:03- Feel it. Breath.- Yep.
0:26:03 > 0:26:05SHE PLAYS PIANO
0:26:09 > 0:26:13- Thanks, love.- Whoever you are, you obviously can't read. Go somewhere else.
0:26:17 > 0:26:21- Yes?- Mr Nugent?- Who was it?
0:26:21 > 0:26:22That's what we're trying to find out.
0:26:22 > 0:26:26- I meant who told you this stupid story?- Does it matter?
0:26:26 > 0:26:33Yes, it does as a matter of fact. To her memory, and quite frankly to me.
0:26:33 > 0:26:35It was him, wasn't it? Her father.
0:26:35 > 0:26:37Well...
0:26:37 > 0:26:38He's an idiot.
0:26:38 > 0:26:43- He totally over-reacted over a completely innocent situation. - Which was what?
0:26:44 > 0:26:47Tell me his version first.
0:26:47 > 0:26:52- No, you tell us your version, if you wouldn't mind.- All right.
0:26:58 > 0:27:01I passed Mary walking home.
0:27:01 > 0:27:05I offered her a lift. We sat chatting for a moment outside her house.
0:27:05 > 0:27:08The next thing I know I've got her father screaming at me to stay away from his daughter.
0:27:08 > 0:27:10And that was it was it.
0:27:10 > 0:27:12- No more to it than that.- Nothing.
0:27:14 > 0:27:21So why would Mary Claverton tell her girlfriends that there was something going on between you?
0:27:21 > 0:27:23Am I a suspect here?
0:27:23 > 0:27:26Where were you on the evening of Friday 29th?
0:27:26 > 0:27:29I am.
0:27:29 > 0:27:32- You're serious. - Where did you say you were?
0:27:32 > 0:27:37- Home.- Are you sure?
0:27:37 > 0:27:41My wife has a yoga class on Friday nights. I look after our two kids.
0:27:41 > 0:27:45- How old are they?- Three and five.
0:27:45 > 0:27:48- Not really going to swear you an alibi, are they?- No.
0:27:48 > 0:27:53So probably I took them with me while I went to Pinnock Woods and murdered a schoolgirl I was rather fond of.
0:27:53 > 0:27:56- Do you think? - Stranger things have happened.
0:27:56 > 0:27:59Do you ever bother to engage your brain before you open your mouth, Sergeant?
0:27:59 > 0:28:03Would you care to answer my question now, Mr Nugent?
0:28:03 > 0:28:08I have no idea why Mary would tell anyone there was anything between us.
0:28:08 > 0:28:10No idea.
0:28:10 > 0:28:17We have no sightings from the night Mary Claverton disappeared. We've got no witnesses,
0:28:17 > 0:28:20although we do know is that she left her home wearing a necklace and carrying a bag
0:28:20 > 0:28:23and these have gone missing. OK. Right...
0:28:29 > 0:28:34Cup of cocoa with your bedtime reading?
0:28:34 > 0:28:36It's Mary's poems.
0:28:36 > 0:28:39They're not bad for a 17 year old.
0:28:39 > 0:28:42"Do you feel a stirring? No. Why not, fair damsel?
0:28:42 > 0:28:44"There's something missing inside you.
0:28:44 > 0:28:49"And what might that be, oh, wise and beautiful child?"
0:28:49 > 0:28:51That's rubbish. It doesn't even rhyme.
0:28:51 > 0:28:55And a proper poet wouldn't write it on the back of a beer mat.
0:28:55 > 0:28:57Ever hear of Dylan Thomas?
0:28:57 > 0:28:59No. Who does he play for?
0:29:04 > 0:29:05There's two different handwritings.
0:29:05 > 0:29:08- This isn't a poem, it's a conversation.- About what?
0:29:08 > 0:29:10No idea.
0:29:10 > 0:29:13But I know what this is. Have a look at that.
0:29:13 > 0:29:16Written two weeks ago. She's dated it.
0:29:16 > 0:29:21"His hands weathered with time, that distance between us, reach down and touch my...
0:29:21 > 0:29:24"touch my..."
0:29:24 > 0:29:26That's illegal that, isn't it?
0:29:26 > 0:29:30- What's that tell you?- Older man.
0:29:30 > 0:29:32Fair bet.
0:29:33 > 0:29:35And this...
0:29:35 > 0:29:40is the father, presumably. It's a poem called Joe.
0:29:40 > 0:29:44"Black anger roars inside him."
0:29:44 > 0:29:51Maybe Nugent was on to something, eh? "He leaves his anger inside me,
0:29:51 > 0:29:56"streaming, streaming, streaming inside me..."
0:29:56 > 0:29:59What? No. Let's have a look.
0:30:01 > 0:30:03Whoa. Listen to this.
0:30:03 > 0:30:10This is three weeks ago. "The future pushing, stomach taut,
0:30:10 > 0:30:12"my skin on the stretch..."
0:30:12 > 0:30:15Full post-mortem on Mary Claverton.
0:30:15 > 0:30:18- The pathologist wanted you to see it straight away.- She was pregnant.
0:30:18 > 0:30:20Two months.
0:30:26 > 0:30:29Go and get Joe Claverton.
0:30:29 > 0:30:32Yeah. Yeah. I will.
0:30:32 > 0:30:35- What if he's inside the pit? - Go in and get him.
0:30:49 > 0:30:51What are you staring at, you?
0:30:54 > 0:30:57Who... me?
0:30:57 > 0:30:59You accusing me of something here?
0:30:59 > 0:31:01Why? Should we be?
0:31:05 > 0:31:10If you had learned that Mary was about to run off with a man
0:31:10 > 0:31:12what would you have done?
0:31:14 > 0:31:17- I'd have stopped her.- How?
0:31:17 > 0:31:19By force, if I had to.
0:31:22 > 0:31:25Tell me about the incident with Mr Nugent.
0:31:30 > 0:31:32That ponce.
0:31:32 > 0:31:35- Who told you about that?- He did.
0:31:37 > 0:31:39So?
0:31:39 > 0:31:42I look out the window. He's got my daughter in his car.
0:31:42 > 0:31:44What do you expect us to do?
0:31:45 > 0:31:48You can't think of any innocent explanation for that?
0:31:48 > 0:31:50No, I can't.
0:31:52 > 0:31:54Mmmm.
0:31:56 > 0:31:59Mary wrote
0:31:59 > 0:32:01about...
0:32:01 > 0:32:04your "black anger"
0:32:04 > 0:32:07roaring inside you.
0:32:07 > 0:32:09All right. All right...
0:32:09 > 0:32:11let's get down to basics, shall we?
0:32:13 > 0:32:16You...
0:32:16 > 0:32:20didn't like Mary having sex with her boyfriends did you.
0:32:20 > 0:32:23Why?
0:32:23 > 0:32:25Did you want to keep her all for yourself?
0:32:27 > 0:32:29I loved that girl.
0:32:29 > 0:32:34Yeah well. We're not really talking about love, are we Joe.
0:32:34 > 0:32:36We're talking about something else.
0:32:43 > 0:32:45Mary was pregnant.
0:32:46 > 0:32:47What do you mean?
0:32:47 > 0:32:51- Was it yours?- What happened, Joe?
0:33:02 > 0:33:04Where do you think you're going?
0:33:04 > 0:33:08Dancing. I'm late for the bus. Me mates are waiting.
0:33:08 > 0:33:11- Just get out the way, will you? - What's the matter now? Let her go,
0:33:11 > 0:33:13will you, she'll be late.
0:33:13 > 0:33:16I don't believe her. Show us the bag.
0:33:16 > 0:33:18- It's none of your business.- Joe!
0:33:18 > 0:33:20Just get your hands off!
0:33:20 > 0:33:22- Just get out the way. - Joe, don't be an idiot!
0:33:26 > 0:33:29Don't you dare hit her, you moron.
0:33:29 > 0:33:32Aye a moron. Hear us?
0:33:32 > 0:33:34You are a cretin.
0:33:55 > 0:33:57So what happened?
0:33:57 > 0:33:59Did you catch up with her?
0:33:59 > 0:34:02Yeah. I asked her to come back
0:34:02 > 0:34:06and tell us exactly what was going on.
0:34:06 > 0:34:07And?
0:34:11 > 0:34:14She told us she despised us.
0:34:14 > 0:34:18She took the necklace off I'd given her and threw it in me face. And off she went.
0:34:18 > 0:34:19And this is the necklace
0:34:19 > 0:34:22that previously she had worn all the time?
0:34:22 > 0:34:24Aye.
0:34:24 > 0:34:25So what does that tell you
0:34:25 > 0:34:29about the way your daughter was feeling about you?
0:34:29 > 0:34:30Where is this necklace?
0:34:33 > 0:34:35I shoved it into my pocket.
0:34:35 > 0:34:36You went back indoors?
0:34:36 > 0:34:38- No.- Where did you go? Did you follow her?
0:34:38 > 0:34:41- No.- No, no, no, no. You did. You followed her.
0:34:41 > 0:34:45You stopped her from meeting this lad that she was seeing, eh?
0:34:45 > 0:34:50And then things got out of hand and eventually you know.
0:34:50 > 0:34:51You buried her that night.
0:34:51 > 0:34:57And you took that necklace from her body and you kept it as a keepsake.
0:34:57 > 0:34:59Where is it?
0:35:04 > 0:35:07- I didn't have it in the morning. I must've lost it.- Oh, right.
0:35:09 > 0:35:11Mystery solved.
0:35:16 > 0:35:19According to the report, the bruise on her face was recent when she died.
0:35:19 > 0:35:23Exactly. Exactly. She was murdered on that Friday night.
0:35:23 > 0:35:25- Why are we not charging him? - Not on this evidence.
0:35:25 > 0:35:27No we'll keep him here for a while.
0:35:28 > 0:35:31Mary left home in time to catch that bus.
0:35:31 > 0:35:34She just never turned up at the bus stop.
0:35:34 > 0:35:38She was going somewhere else. But where? That's the missing bit.
0:35:38 > 0:35:43- Do you think the girls have told us everything that they know? - I'm not sure about Hazel.
0:35:43 > 0:35:45There's clearly an edge to their friendship.
0:35:45 > 0:35:48They weren't just friends. They were rivals.
0:35:50 > 0:35:52Don't you think this is a little... unseemly, Hazel?
0:35:52 > 0:35:54- A little what, Dad?- Unseemly.
0:35:54 > 0:35:58You know for someone who loves words, you do choose some funny ones.
0:35:58 > 0:36:01- Why don't you just say what you mean?- All right then, tasteless.
0:36:03 > 0:36:0924 hours after your best friend's body is discovered and off you go, pursuing your new "career".
0:36:09 > 0:36:11Hazel. If I was you I'd just...
0:36:11 > 0:36:14You're not me, Margaret.
0:36:14 > 0:36:16And it's not a new career, Dad,
0:36:16 > 0:36:19it's just a chance to do something different.
0:36:19 > 0:36:22And Mary would've done the exact same.
0:36:22 > 0:36:24They're not asking me next week or next month...
0:36:24 > 0:36:26they're asking me tonight.
0:36:41 > 0:36:45- So all I want you to do is introduce Hazel.- Just say "Here's Hazel",
0:36:45 > 0:36:47that's all I'm required to do?
0:36:47 > 0:36:49That's the one, Tone.
0:36:49 > 0:36:51- She'll do the rest.- Lovely.
0:36:53 > 0:36:55In your own time, then.
0:36:55 > 0:36:59OK. Standby. Right camera two in five.
0:36:59 > 0:37:00Four.
0:37:00 > 0:37:04Three. Two. One...
0:37:04 > 0:37:08- Ladies and gentlemen, boys and girls. - Couldn't quite manage it, could he?
0:37:08 > 0:37:09Number two next.
0:37:09 > 0:37:14This is the part of the show where I ask them to slowly, slowly turn down the lights.
0:37:14 > 0:37:17Boys take hold of your girls.
0:37:17 > 0:37:21Get closer. Because it's smooching time.
0:37:21 > 0:37:23- And just remember...- Lights.
0:37:23 > 0:37:27Uncle Tone will be keeping a watchful eye on your smooching styles.
0:37:27 > 0:37:30Oh, shut up, you fool.
0:37:30 > 0:37:33Two, one next.
0:37:38 > 0:37:41- # All around the world... # - On two next. On two three next.
0:37:41 > 0:37:45# There are hearts beating slow
0:37:46 > 0:37:53# Yours is one, I won't let go
0:37:54 > 0:37:57# Inside the town
0:37:57 > 0:38:01# I hear the people sing
0:38:02 > 0:38:06# Sing their songs of love
0:38:06 > 0:38:09# And what love brings
0:38:11 > 0:38:14# Anywhere you are
0:38:14 > 0:38:18# Anywhere you are You know that...#
0:38:18 > 0:38:24- And on two...- # Your beating heart is always mine. #
0:38:24 > 0:38:26# Bring me my spear!
0:38:26 > 0:38:29# O clouds, unfold!
0:38:29 > 0:38:36# Bring me my chariot of fire!
0:38:36 > 0:38:39# I will not cease
0:38:39 > 0:38:42# From mental fight
0:38:42 > 0:38:48# Nor shall my sword sleep in my hand
0:38:48 > 0:38:55# Till we have built Jerusalem
0:38:55 > 0:39:03# In England's green and pleasant land. #
0:39:27 > 0:39:30There will of course be a full service for Mary at a later date.
0:39:32 > 0:39:35But I thought that you,
0:39:35 > 0:39:39that all of us who knew Mary well and felt close to her,
0:39:39 > 0:39:43should meet briefly today to mark her passing
0:39:43 > 0:39:47and to share our thoughts and feelings with each other.
0:39:47 > 0:39:49And to sing her favourite hymn.
0:39:49 > 0:39:52Mary Claverton lit up our lives.
0:39:54 > 0:39:55And so we feel robbed.
0:40:00 > 0:40:05David has asked if I would sit in on this conversation as a friend and a colleague.
0:40:05 > 0:40:06I hope you have no objections?
0:40:08 > 0:40:11None at all.
0:40:14 > 0:40:17Right. We are now certain
0:40:17 > 0:40:21that Mary Claverton was in a relationship with an older man.
0:40:21 > 0:40:24Based on the ravings of Joe Claverton.
0:40:24 > 0:40:28You've already admitted that you had her in your car at least once.
0:40:28 > 0:40:31- I didn't "have her in my car". - Where did you have her?
0:40:31 > 0:40:33There are also things that Mary wrote,
0:40:33 > 0:40:36which strongly suggest the same thing.
0:40:36 > 0:40:38Such as what?
0:40:38 > 0:40:41- Am I mentioned?- Poetry. Poems. About how she fell for an older man.
0:40:41 > 0:40:43Is there a sonnet called "My Fling With David Nugent"?
0:40:43 > 0:40:45You'd be in court by now if there was.
0:40:45 > 0:40:50- Perhaps I can shed some light on this, Chief Inspector?- Please do.
0:40:50 > 0:40:51I've read these poems.
0:40:51 > 0:40:55Or if not these same poems, then similar ones.
0:40:55 > 0:40:58- Mary often showed me her work. - Have you read the one about
0:40:58 > 0:41:00how she felt when this man touched her sexually?
0:41:00 > 0:41:03- Yes, I think I did. - Didn't that alarm you?
0:41:03 > 0:41:06No. And let me tell you why.
0:41:06 > 0:41:10Mr Gently, I'd be very wary of drawing conclusions
0:41:10 > 0:41:13about a student's private life from the fiction they wrote for me.
0:41:13 > 0:41:16Mary was very mature as a writer it's true,
0:41:16 > 0:41:19she explored a darkness,
0:41:19 > 0:41:21the far edges of experience...
0:41:21 > 0:41:23imaginative experience, that is.
0:41:23 > 0:41:26It's all made up, is it?
0:41:26 > 0:41:28All this, all made up.
0:41:28 > 0:41:30Is it English Literature, made up?
0:41:30 > 0:41:33Is it Shakespeare? Is that made up?
0:41:33 > 0:41:34Pretty much.
0:41:34 > 0:41:36No. No.
0:41:36 > 0:41:40What's the one with Marlon Brando in it? The um...
0:41:40 > 0:41:44Yeah you know... Julius Caesar is that made up? Hmm.
0:41:44 > 0:41:47No. No. It's not. It's a true story. There's facts in that.
0:41:47 > 0:41:51- Yes, but, in another play he set a scene on the coast of Bohemia.- So?
0:41:51 > 0:41:53Bohemia's landlocked.
0:41:53 > 0:41:56Why does he do that?
0:41:56 > 0:41:59He wanted a child to be abandoned on the shore
0:41:59 > 0:42:01and it's guardians to be eaten by a bear.
0:42:01 > 0:42:02What? On a beach?!
0:42:02 > 0:42:04- A-ha...- Which one is this?
0:42:04 > 0:42:06Does it matter?
0:42:06 > 0:42:08- Just tell us.- The Winter's Tale.
0:42:08 > 0:42:11Right, well I won't be wasting me money watching that.
0:42:11 > 0:42:16Can we just get back to the point please?
0:42:16 > 0:42:21So a poet - even a young girl like Mary - can make up facts about their
0:42:21 > 0:42:25lives which are not necessarily the truths about their lives, yes?
0:42:25 > 0:42:28Especially a young girl like Mary.
0:42:28 > 0:42:31A poem about a difficult father, for example, might well have been
0:42:31 > 0:42:35influenced by her own home life, or just as easily by Sylvia Plath's.
0:42:35 > 0:42:39And a poem about an older man who - far from resenting her
0:42:39 > 0:42:41and holding her back - loves her,
0:42:41 > 0:42:42makes her feel special...
0:42:42 > 0:42:45allows her to grow into a woman...
0:42:45 > 0:42:47well you can see why a girl like Mary
0:42:47 > 0:42:49might want to invent such a figure, can't you?
0:42:49 > 0:42:53Well. Yes, I can see that.
0:42:55 > 0:42:58I don't think that Mary made up this bloke at all.
0:42:58 > 0:43:00Literary critic now, are you?
0:43:00 > 0:43:05No, no. I'm a copper who's looking at a girl that you had in your car
0:43:05 > 0:43:08who is then murdered on a night that you don't have a proper alibi for.
0:43:08 > 0:43:13OK. I think we should go and have a word with your wife, don't you?
0:43:13 > 0:43:17- Do we really have to? - Yeah. Yeah. We really do.
0:43:20 > 0:43:21OK.
0:43:24 > 0:43:26- Can I have a word, Mr Gently?- Yeah.
0:43:33 > 0:43:35No running.
0:43:35 > 0:43:37Sir.
0:43:39 > 0:43:43You think there's nothing to this story about Mary and Nugent, don't you?
0:43:43 > 0:43:45I'm certain.
0:43:45 > 0:43:48Look. We all know it happens.
0:43:48 > 0:43:51The News Of The World is full of it every Sunday.
0:43:51 > 0:43:58Silly young male teacher runs off with even sillier 17 year old girl.
0:43:58 > 0:44:00Frankly it's bound to happen.
0:44:00 > 0:44:04Almost the better the teacher, the more likely it is.
0:44:04 > 0:44:06Sir...
0:44:06 > 0:44:08They get close to us.
0:44:08 > 0:44:11We become a focus for them.
0:44:11 > 0:44:14Before you know it, they fall in love with us.
0:44:14 > 0:44:16Sir.
0:44:18 > 0:44:20Yes. I'm afraid so.
0:44:22 > 0:44:25It cost me my marriage. And it was nothing.
0:44:25 > 0:44:27Nothing.
0:44:27 > 0:44:28She wrote me a sonnet.
0:44:28 > 0:44:31I wrote her one back.
0:44:31 > 0:44:35It was a literary device, a conversation in verse.
0:44:35 > 0:44:37A conversation?
0:44:37 > 0:44:39There are lines,
0:44:39 > 0:44:41and you don't cross them.
0:44:44 > 0:44:48- Sir.- And you definitely didn't cross the line with this girl?
0:44:48 > 0:44:52No definitely not. It was all in her head.
0:44:52 > 0:44:53What happened to her?
0:44:53 > 0:44:58She changed schools, went up to Cambridge, got a First.
0:44:58 > 0:45:01And then blow me, if she didn't throw it all away...
0:45:01 > 0:45:04married a Canadian farmer at the age of 24!
0:45:04 > 0:45:07Can you remember her name?
0:45:07 > 0:45:10How can I forget after an episode like that?
0:45:10 > 0:45:12Juliet Twyler.
0:45:13 > 0:45:17Of all the names in the world, wouldn't you know it
0:45:17 > 0:45:19she had to be called Juliet.
0:45:21 > 0:45:23Well.
0:45:23 > 0:45:25Thank you very much, Mr Holdaway.
0:45:25 > 0:45:27- Goodbye, Mr Gently.- Goodbye.
0:46:04 > 0:46:07INAUDIBLE
0:46:10 > 0:46:12Anna, please be careful with that ball.
0:46:18 > 0:46:20It's only round the corner,
0:46:20 > 0:46:23So I'm back at 25 to nine.
0:46:23 > 0:46:26- That's all. Thanks, pet. - Why are you asking?
0:46:35 > 0:46:39Kids. We're not going to the shop any more. We're going to go home.
0:46:40 > 0:46:43Hi-ya.
0:46:43 > 0:46:46What were you doing in the back of the car?
0:46:46 > 0:46:49Asking us a few questions.
0:46:49 > 0:46:50Seventy minutes?
0:46:50 > 0:46:52Yeah. Seventy minutes.
0:46:52 > 0:46:55I mean he'd need a helicopter wouldn't he to get from his place,
0:46:55 > 0:47:01meet Mary, murder Mary, bury her body in Pinnock Woods and then get back in time.
0:47:01 > 0:47:03So we forget Nugent. Which is a pity.
0:47:03 > 0:47:05Joe Claverton then.
0:47:06 > 0:47:11Yeah, yeah. No sign of any necklace in the park... what a surprise -
0:47:11 > 0:47:13and his alibi was shaky.
0:47:13 > 0:47:16Weren't it? He went out on a pub crawl on his own, OK,
0:47:16 > 0:47:19but so far the only thing we've got is a barmaid
0:47:19 > 0:47:22telling us that she saw him in his local at half past six
0:47:22 > 0:47:25and then not again until chucking out time.
0:47:25 > 0:47:27So where was he in between?
0:47:27 > 0:47:30- Burying his daughter? - He hasn't got a car. Has he.
0:47:30 > 0:47:33- Pinnock Woods is miles away.- Well.
0:47:33 > 0:47:35Maybe he's got a mate with a car.
0:47:37 > 0:47:40She was laid out in that grave.
0:47:40 > 0:47:43Not just chucked into a hole in the ground.
0:47:43 > 0:47:49Her hands were crossed over her chest she was laid out flat. Tidy.
0:47:49 > 0:47:52With love...
0:47:52 > 0:47:54Could be Joe.
0:47:55 > 0:47:58Or the older man she was seeing.
0:47:58 > 0:48:00I want to talk to Hazel and Shelley again.
0:48:00 > 0:48:02They haven't told us all they know.
0:48:02 > 0:48:04Are we charging Joe?
0:48:04 > 0:48:06No. Let him go.
0:48:06 > 0:48:08He's got a funeral to sort out.
0:48:23 > 0:48:25Hazel Holdaway,
0:48:25 > 0:48:28ladies and gentlemen, is seventeen years old.
0:48:28 > 0:48:30A school girl from Durham.
0:48:30 > 0:48:33We first saw her in the studio audience last week and for the rest
0:48:33 > 0:48:38of our run this "Fresh Face of The North", will be co-presenting
0:48:38 > 0:48:41Upside Down alongside Tony "Tone" Hexton.
0:48:41 > 0:48:44Over here, Hazel love.
0:48:44 > 0:48:49- What'll you be doing on the show Hazel?- I'll be doing fashion and make-up in the studio audience.
0:48:49 > 0:48:55I'll be talking to the bands. And Pip here... sorry, Mr Hogge, he wants me to lip-sync
0:48:55 > 0:48:56along to some various hits,
0:48:56 > 0:49:00which is a good thing really because I cannot hold a note for toffee.
0:49:00 > 0:49:01So what are you going to be doing, Tone?
0:49:01 > 0:49:04I'll be standing next to Hazel looking pretty.
0:49:04 > 0:49:07I'm not here to interfere with Tony's job, although
0:49:07 > 0:49:10I might have to have a word with him about some of his jumpers.
0:49:12 > 0:49:14That's right, sweetheart, put the boot in, why don't you?
0:49:14 > 0:49:19- No, no, sorry, I... It was a joke. - Course it was.- Tony, maybe you...
0:49:19 > 0:49:22Shut up, you.
0:49:22 > 0:49:28Ladies and gentlemen... and children. Upside Down is my creation.
0:49:28 > 0:49:29I invented it.
0:49:29 > 0:49:33The music, the audience, the lip-synch, the smooching time.
0:49:33 > 0:49:36All my idea.
0:49:36 > 0:49:38- Tone.- I'm not finished yet, old boy.
0:49:38 > 0:49:43A little story, very quickly, about the world we now live in. Wow.
0:49:43 > 0:49:45This world, eh?
0:49:45 > 0:49:49Used to belong to professionals like me.
0:49:49 > 0:49:52Radio, TV, you name it, I can do it.
0:49:52 > 0:49:56Because I'm a consummate professional.
0:49:56 > 0:49:59All considered worthless by Mr Hogge, here.
0:49:59 > 0:50:01Nothing matters to him.
0:50:01 > 0:50:04Except how old you are whether you look "natural".
0:50:04 > 0:50:07So.
0:50:07 > 0:50:08I have made a decision.
0:50:08 > 0:50:10The people from "Come Dancing"
0:50:10 > 0:50:12- want to meet, and I'm off to the Smoke.- Result.
0:50:12 > 0:50:15It's over and out from Uncle Tone.
0:50:15 > 0:50:18I resign.
0:50:19 > 0:50:23Upside Down is all yours now, sweetheart.
0:50:23 > 0:50:25Over here Hazel. Hazel.
0:50:29 > 0:50:31I don't think I can to do it.
0:50:32 > 0:50:34I don't like this world.
0:50:34 > 0:50:37This is the chance of a lifetime, Hazel. Literally.
0:50:37 > 0:50:40Half the girls in England would kill for a chance to do this.
0:50:40 > 0:50:43Ask one of them then.
0:50:43 > 0:50:45Just think it over.
0:50:45 > 0:50:47We'll talk again later...
0:50:49 > 0:50:51Oh, no, not them two again.
0:50:51 > 0:50:53We'll be here all night.
0:50:57 > 0:50:59You waited at the bus stop,
0:50:59 > 0:51:03where you were supposed to meet Mary to go dancing.
0:51:03 > 0:51:05Yeah. I told you.
0:51:05 > 0:51:07That right, Shelley?
0:51:07 > 0:51:10- Yeah.- OK. But Mary didn't turn up.
0:51:10 > 0:51:13You waited for her but she didn't turn up.
0:51:13 > 0:51:16And then the bus came and you got on it and you forgot all about Mary...
0:51:18 > 0:51:24- Shelley?- Mary was always missing the bus, we just used to wait for her and get the next one.
0:51:24 > 0:51:27Why didn't you wait for her on that Friday night?
0:51:27 > 0:51:28Well...
0:51:30 > 0:51:33Hazel said she wouldn't be coming.
0:51:33 > 0:51:35- Is that all right, Haze?- Yeah.
0:51:35 > 0:51:37Don't worry, Shell.
0:51:40 > 0:51:43Hazel.
0:51:43 > 0:51:44Why wasn't she coming?
0:51:48 > 0:51:50She said she was starting a new life.
0:51:52 > 0:51:54That this night was the start of a new life.
0:51:54 > 0:51:57A new life? What new life?
0:51:57 > 0:52:00- I don't know.- With this man?
0:52:00 > 0:52:02And was that it? She said nothing else?
0:52:02 > 0:52:04No.
0:52:04 > 0:52:07She just laughed at us.
0:52:07 > 0:52:09Why?
0:52:10 > 0:52:12She was always laughing at us.
0:52:12 > 0:52:14Always letting us know
0:52:14 > 0:52:17that she was getting what I wanted and couldn't have.
0:52:17 > 0:52:19And there was no need to be like that.
0:52:21 > 0:52:24But she was.
0:52:24 > 0:52:25It's how she needed to be.
0:52:25 > 0:52:28She was just a little girl, you know?
0:52:28 > 0:52:33Is there a little part of you just a little part
0:52:33 > 0:52:35that's glad that she's out of the way?
0:52:37 > 0:52:40You are a really nasty piece of work, do you know that?
0:52:40 > 0:52:45Or would you prefer that she was around so that you could gloat of your new career?
0:52:45 > 0:52:47I haven't got a new career.
0:52:47 > 0:52:50- I turned it down.- It's true.
0:52:50 > 0:52:52Hundred pound a week. She's turned it down.
0:52:52 > 0:52:55Hey, Haze. They'll have to get beer mat Tony back!
0:52:56 > 0:52:59Beer mat Tony?
0:52:59 > 0:53:02Yeah, Uncle Tone. "Time to smooch".
0:53:02 > 0:53:04Why'd you calling him "beer mat Tony"?
0:53:04 > 0:53:09Oh, cos when we were in the pub he wrote his number down on a beer mat for us.
0:53:11 > 0:53:13Did you keep it?
0:53:13 > 0:53:15No, I chucked it on the floor on me way out.
0:53:17 > 0:53:20Did he meet Mary Claverton?
0:53:20 > 0:53:23Yeah. They met here after the show.
0:53:23 > 0:53:24He took her for a drink.
0:53:24 > 0:53:28- And did he offer her anything by any chance?- Spec so.
0:53:28 > 0:53:31- He offered me summit, I know that. - Like what?
0:53:31 > 0:53:34A new life in London perhaps?
0:53:45 > 0:53:49MUSIC: The House of the Rising Sun
0:55:17 > 0:55:19I don't think Uncle Tone's going to turn up do you?
0:55:20 > 0:55:23Would you? He didn't turn up at his hotel last night.
0:55:23 > 0:55:26We'll find him.
0:56:25 > 0:56:27I'd like my husband to read something.
0:56:27 > 0:56:32They're words that he wrote the day our Mary was born.
0:56:34 > 0:56:37Most of you here know that Mary was good with writing.
0:56:37 > 0:56:39As was her dad once.
0:56:39 > 0:56:41So...
0:56:46 > 0:56:47Please. Joe.
0:56:56 > 0:57:00I touched your hand for the first time today
0:57:00 > 0:57:03And around my finger it curled
0:57:03 > 0:57:07I hope one day it will reach away And circle the entire world.
0:57:07 > 0:57:10I long to hear where you're going to go
0:57:10 > 0:57:12Who you're going to see,
0:57:12 > 0:57:14where you're going to roam.
0:57:30 > 0:57:32Have we had the pleasure?
0:57:32 > 0:57:36I'm Detective Chief Inspector Gently,
0:57:36 > 0:57:38this is Sergeant Bacchus.
0:57:40 > 0:57:42Yes! We have met, Sergeant!
0:57:42 > 0:57:44I remember it now.
0:57:44 > 0:57:47- When was that? - The day music hall died.
0:57:47 > 0:57:49My act was taken in for questioning.
0:57:49 > 0:57:51Do you know this girl?
0:57:52 > 0:57:56I dunno. Does she say I do?
0:57:56 > 0:58:00No offers made under the influence of drink shall constitute a contract.
0:58:00 > 0:58:01She's not saying anything.
0:58:01 > 0:58:04She's dead.
0:58:04 > 0:58:06- Is she the girl they.- Yep.
0:58:06 > 0:58:07That's her.
0:58:07 > 0:58:10- You knew her.- Did I?
0:58:10 > 0:58:14Ah yes. She was part of the Upside Down crowd.
0:58:14 > 0:58:16Remember? You chatted her up.
0:58:16 > 0:58:18Took her out afterwards.
0:58:18 > 0:58:21I'm afraid that doesn't narrow it down,
0:58:21 > 0:58:24Look, I'd like to help, but...
0:58:26 > 0:58:27Is this your handwriting?
0:58:30 > 0:58:32Well, some of it is.
0:58:32 > 0:58:34And the rest of it's hers.
0:58:34 > 0:58:37Oh.
0:58:37 > 0:58:40I... Do you know, I didn't even know I knew the poor girl. That's terrible.
0:58:40 > 0:58:43That's shocking actually.
0:58:45 > 0:58:46All right.
0:58:46 > 0:58:51- What can I do to help? - You can start by trying to remember when you met her.
0:58:51 > 0:58:55Let me see that photo again.
0:58:59 > 0:59:00Yes.
0:59:00 > 0:59:02Yes. I remember her.
0:59:02 > 0:59:04Beautiful girl.
0:59:05 > 0:59:06And full of confidence.
0:59:06 > 0:59:07You try to pull her?
0:59:07 > 0:59:10Of course I tried to pull her.
0:59:39 > 0:59:42'So I wrote, "Do you feel a stirring?",
0:59:42 > 0:59:44'which is rather embarrassing.
0:59:49 > 0:59:53'To which she replied, rather wittily, "No".
0:59:57 > 1:00:01'And I put, "And why not, fair damsel?".'
1:00:01 > 1:00:03'Then she wrote "There is something missing in you".
1:00:03 > 1:00:06'And then you wrote "And what might that be,
1:00:06 > 1:00:11'"oh, wise and beautiful child?" And then it all stops. Why?'
1:00:11 > 1:00:14- 'Where did you find that?' - 'She kept it.'
1:00:14 > 1:00:17Sorry to disappoint you, but you are not my type.
1:00:17 > 1:00:20The man that commands my heart has poetry in his soul,
1:00:20 > 1:00:24and you are just a boring old fart in a jumper.
1:00:24 > 1:00:26'Which you have to admit...
1:00:26 > 1:00:28'on all the available evidence...'
1:00:28 > 1:00:31is probably true.
1:00:38 > 1:00:41So who commands her heart? Huh?
1:00:41 > 1:00:44Who has poetry in his soul?
1:00:44 > 1:00:48Hey, Joe Claverton read a poem at the graveside.
1:00:48 > 1:00:50How's his alibi coming along?
1:00:50 > 1:00:53Still got a hole you could drive a bus through.
1:00:53 > 1:00:55Go on a pub crawl.
1:00:55 > 1:00:57Check them again see if anybody saw him.
1:00:57 > 1:00:59- I've done it.- Do it again.
1:01:27 > 1:01:32- How long have you worked here?- 20 years.
1:01:32 > 1:01:35Do you remember a girl called Juliet Twyler?
1:01:35 > 1:01:39She left the school before her time about 15 years ago.
1:01:39 > 1:01:42No. No, I can't recall a Juliet.
1:01:44 > 1:01:47There was a Jasmine Twyler.
1:01:47 > 1:01:49Bonny little thing.
1:01:49 > 1:01:51She left in a bit of a hurry.
1:01:51 > 1:01:55- 15 years ago?- That would be about right, yes.- Did she go to Cambridge?
1:01:55 > 1:01:57Jasmine Twyler go to Cambridge?
1:01:57 > 1:01:59She'd be lucky.
1:01:59 > 1:02:04She left before the Easter term in the lower sixth.
1:02:04 > 1:02:09- Did she marry a farmer and go to Canada?- No.
1:02:09 > 1:02:11HORN BEEPS
1:02:14 > 1:02:16John, get in.
1:02:17 > 1:02:19Where are we going?
1:02:33 > 1:02:35Excuse me.
1:02:35 > 1:02:39- I'm looking for Jasmine Twyler... - That's me.
1:02:39 > 1:02:42Cambridge and Canada, eh?
1:02:42 > 1:02:45Well, you never know what your life might be.
1:02:45 > 1:02:47Would that have been mine?
1:02:47 > 1:02:52I wouldn't trade that for what I've got. Youse only know what you know.
1:02:52 > 1:02:55And he taught you English?
1:02:55 > 1:02:58He taught us all sorts.
1:02:58 > 1:03:00He taught us life.
1:03:00 > 1:03:01Were you in love with him?
1:03:01 > 1:03:06I was 17, Sergeant. How do I know what I was?
1:03:07 > 1:03:09What happened?
1:03:09 > 1:03:10Well...
1:03:12 > 1:03:15He ran a sonnet class on a lunchtime.
1:03:15 > 1:03:18And I loved poetry.
1:03:18 > 1:03:21I loved it. And, er..
1:03:21 > 1:03:25He wrote a sonnet for the class.
1:03:25 > 1:03:27"Just to demonstrate the rhyming scheme".
1:03:29 > 1:03:31Actually to show off.
1:03:35 > 1:03:38And it was about me.
1:03:38 > 1:03:42Can you imagine how flattering that was?
1:03:42 > 1:03:44So I...
1:03:44 > 1:03:46I wrote a crap sonnet back.
1:03:46 > 1:03:50I pushed it under his door, you know.
1:03:50 > 1:03:52And then he writes another one back.
1:03:55 > 1:03:58A conversation, he called it...
1:04:00 > 1:04:05And so on. And then you have got to meet for a coffee to discuss the feelings expressed in the poetry...
1:04:05 > 1:04:08blah, blah... I don't need to draw youse a picture.
1:04:08 > 1:04:10You know the rest.
1:04:10 > 1:04:13Wasn't there anybody to help you?
1:04:13 > 1:04:15Mr Gently,
1:04:15 > 1:04:18it's always the girl's fault.
1:04:18 > 1:04:20Maybe that'll change.
1:04:20 > 1:04:23But, hell's bells, it's a slow change.
1:04:23 > 1:04:26It's still us to blame, as far as I can tell.
1:04:26 > 1:04:29Need a hand with the bins, Mum?
1:04:29 > 1:04:31No, no. You just go and do your homework.
1:04:35 > 1:04:37Nice lad.
1:04:37 > 1:04:40What did you call him?
1:04:40 > 1:04:43Nought out of ten for originality.
1:04:44 > 1:04:45Peter.
1:04:47 > 1:04:50Jasmine, I have to ask you one last question.
1:04:50 > 1:04:52Where did you go to make love?
1:04:52 > 1:04:54Was it Pinnock Woods, by any chance?
1:04:57 > 1:05:00Ah...
1:05:00 > 1:05:03No.
1:05:03 > 1:05:05It was usually in the room at school.
1:05:07 > 1:05:10It's a bit risky, that, isn't it?
1:05:10 > 1:05:12If I got noisy...
1:05:14 > 1:05:16..he used to put his hand over my mouth.
1:05:35 > 1:05:38Can you remember why your mother left?
1:05:39 > 1:05:40Yes.
1:05:40 > 1:05:43She couldn't cope with the new bairn, I think.
1:05:43 > 1:05:46Hazel was only two.
1:05:46 > 1:05:48She was mentally unstable.
1:05:48 > 1:05:51My mother was mentally unstable.
1:05:53 > 1:05:55Poor Daddy.
1:05:55 > 1:05:57Where is she now?
1:05:58 > 1:06:03Who knows? The snow melts, and then where is it?
1:06:09 > 1:06:15Maybe they shielded you from the real reason that the relationship broke up. Do you think?
1:06:17 > 1:06:19What "real reason"?
1:06:19 > 1:06:22No, because I'd have known.
1:06:22 > 1:06:25Because even before she left I was doing everything.
1:06:25 > 1:06:31I was bringing up our Hazel and I was washing and cooking for Daddy and...
1:06:31 > 1:06:35all she did was just lie on the floor...
1:06:35 > 1:06:36crying.
1:06:37 > 1:06:41- Stupid woman. - Crying about what, Margaret?
1:06:43 > 1:06:44Who knows?
1:06:44 > 1:06:47He'll be back in a minute. You can ask him.
1:06:47 > 1:06:49Where is he?
1:06:49 > 1:06:54Who? I think...
1:06:54 > 1:06:58I think he said he was going to put some chrysanths on Mary Claverton's grave
1:06:58 > 1:07:00or something like that. Something...
1:07:00 > 1:07:03Something stupid. Anyway, I've done lamb shanks, so...
1:07:03 > 1:07:07- Is Hazel here?- Hazel?- Yes...
1:07:07 > 1:07:11Oh, we don't see Hazel. She'll be off with her new fancy friends.
1:07:11 > 1:07:18Margaret, do you think that Hazel ought to take this job on Upside Down?
1:07:20 > 1:07:23What does it matter what I think?
1:07:23 > 1:07:25About anything.
1:07:25 > 1:07:31Can you tell me where your father was on the night that Mary went missing?
1:07:34 > 1:07:36He was here. With me. Why?
1:07:36 > 1:07:40Did Mary come here?
1:07:40 > 1:07:44- Why are you asking me these stupid questions?- Why?
1:07:44 > 1:07:46Why did she come here?
1:07:46 > 1:07:49Full of airy ideas as usual.
1:07:49 > 1:07:51To talk about poetry, I expect.
1:07:51 > 1:07:55Honestly, these lamb shanks'll be ruined and I've put...
1:07:55 > 1:07:58I've put rosemary in them as well. I wouldn't care...
1:07:58 > 1:08:03So... Mary Claverton met your father here on the night that she disappeared, yes?
1:08:03 > 1:08:07- No. Daddy wasn't here. - You just said he was.- No.
1:08:09 > 1:08:12Do you know where he is now?
1:08:14 > 1:08:18He's gone to stop Hazel from ruining her life, he said.
1:08:18 > 1:08:21Go and get him.
1:08:21 > 1:08:23You're coming with me, Margaret.
1:08:26 > 1:08:29I have procured, from the landlord, his last remaining
1:08:29 > 1:08:32bottle of champagne. I'm not sure the vintage is up to much...
1:08:32 > 1:08:36- Why are we celebrating?- We are celebrating, my lovely,
1:08:36 > 1:08:40news that the Orwellian institution that is ITV, Loves our "Fresh Face Of The North"
1:08:40 > 1:08:45SO MUCH, that they are considering taking our little regional show nationwide!
1:08:45 > 1:08:48THEY CHEER
1:08:48 > 1:08:50Now all we need is our Fresh Face.
1:08:50 > 1:08:55Now then, give us a kiss on those icy lips, my lovely. And don't make it a Judas kiss.
1:08:55 > 1:08:57Get your hands off her.
1:08:58 > 1:09:02- And you are? - Dad, it's all right. Really.
1:09:02 > 1:09:04No, it's not all right.
1:09:04 > 1:09:06You're coming home. Now go outside and get in the car.
1:09:08 > 1:09:10No, I don't want to get in the car.
1:09:10 > 1:09:13I want to stay here. I've got things to talk about.
1:09:13 > 1:09:16What, back at his place?
1:09:16 > 1:09:19- No, Dad.- Half an hour, Peter, shall we say half an hour?
1:09:19 > 1:09:22Who said you could call me "Peter"?
1:09:22 > 1:09:26- Just being friendly. - We're not friends.
1:09:26 > 1:09:28Come on, Hazel.
1:09:28 > 1:09:30- Everything's up for discussion. Get in the car.- No, Dad.
1:09:30 > 1:09:35Everything is not up for discussion. Go and live your life.
1:09:35 > 1:09:38I've got a different life to live.
1:09:38 > 1:09:41- Pip.- Yes?- Do you still want me?
1:09:41 > 1:09:45- Like wildfire. - Well, then, it's a yes.
1:09:45 > 1:09:48- I was born to be me. - THEY CHEER
1:09:48 > 1:09:50THEY GASP
1:09:52 > 1:09:54..take my daughter away from me!
1:10:00 > 1:10:01Sort it out.
1:10:07 > 1:10:09Hazel. You're coming with me.
1:10:09 > 1:10:11- Come on.- Hazel.
1:10:11 > 1:10:14- Yes, Pip?- Monday morning.
1:10:14 > 1:10:15Bright and early.
1:10:20 > 1:10:24Are you the man in Mary's poems, Peter?
1:10:24 > 1:10:26Like you were in Jasmine Twyler's?
1:10:29 > 1:10:32- Who?- Jasmine Twyler. Your "Juliet".
1:10:32 > 1:10:35You fancied yourself as her Romeo.
1:10:35 > 1:10:39Tell us, Peter, did you have fantasies about school girls?
1:10:39 > 1:10:41Nothing happened between us.
1:10:41 > 1:10:46- It was all in her head. I've told you.- Except a 15-year-old son called Peter.
1:10:46 > 1:10:50- Mary Claverton came to your house the night she died.- No.
1:10:50 > 1:10:54Well, Margaret says that she did.
1:10:54 > 1:10:55You've spoken to Margaret?
1:10:55 > 1:10:57Yes.
1:10:59 > 1:11:02- What else did she say? - Oooh, lots. Didn't she?
1:11:02 > 1:11:06Lots and lots. We want to hear it from you.
1:11:13 > 1:11:15She came to see me.
1:11:17 > 1:11:18And?
1:11:18 > 1:11:22- She was pregnant. - Like Jasmine Twyler.
1:11:24 > 1:11:27I don't make a habit of this, believe me.
1:11:27 > 1:11:30Just the two, then.
1:11:33 > 1:11:36These were special girls.
1:11:37 > 1:11:42- Very.- And you abused your position of trust by having sex with both of them.
1:11:44 > 1:11:48- It was love.- Yeah, yeah right.
1:11:48 > 1:11:53When you got Jasmine Twyler pregnant, what happened?
1:11:53 > 1:11:56- It was hushed up.- She paid the price.
1:11:56 > 1:11:58Who else paid the price, Peter?
1:11:58 > 1:11:59Hazel.
1:12:02 > 1:12:03She grew up without a mother.
1:12:03 > 1:12:05And Margaret?
1:12:05 > 1:12:09She dedicated the rest of her life to looking after you, didn't she?
1:12:09 > 1:12:14Well, Margaret would only've ended up doing the same thing for some other man.
1:12:14 > 1:12:16Harsh but true.
1:12:28 > 1:12:31Did you murder Mary Claverton, Peter?
1:12:36 > 1:12:37I had to.
1:12:40 > 1:12:42Why?
1:12:45 > 1:12:46She was pregnant.
1:12:48 > 1:12:51- It was the end of my career. - But it was love, wasn't it?.
1:12:51 > 1:12:53Huh?
1:12:53 > 1:12:57Why didn't you just own up? Write a poem. Marry her.
1:12:57 > 1:13:00Still the end of my career.
1:13:00 > 1:13:04And your career means that much to you, does it?
1:13:04 > 1:13:07- To me.- What? More than anything?
1:13:07 > 1:13:11- Yes.- So Mary came to your house to tell you that she was pregnant, yes?
1:13:11 > 1:13:13It wasn't at the house.
1:13:13 > 1:13:17I was working late at school.
1:13:17 > 1:13:23- She came there.- So why does Margaret say that she came to the house?
1:13:23 > 1:13:25Margaret doesn't know what day it is half the time.
1:13:25 > 1:13:30- And this was the first time that you found out that she was pregnant. - Yes.- Right!
1:13:30 > 1:13:35She kept insisting that she wanted the child, that she wanted me.
1:13:37 > 1:13:39She was out of control.
1:13:40 > 1:13:44She wouldn't listen to the damage it would do to me, to my daughters.
1:13:46 > 1:13:48I couldn't let that happen.
1:13:50 > 1:13:55I didn't mean to hurt her. I was just trying to...
1:13:57 > 1:13:58..make her shut up.
1:14:01 > 1:14:04I put my hand over her mouth.
1:14:04 > 1:14:06She kept struggling.
1:14:11 > 1:14:13'I lost control.
1:14:16 > 1:14:17'I suffocated her.
1:14:21 > 1:14:23'I buried her.'
1:15:10 > 1:15:11Braces.
1:15:29 > 1:15:32I've made a total mess of my life,
1:15:32 > 1:15:34haven't I?
1:15:59 > 1:16:01Hats off to him making a run for manslaughter...
1:16:01 > 1:16:05"Oh, I just put me hand over her mouth and she stopped breathing".
1:16:05 > 1:16:09That's cold-blooded murder in anybody's book.
1:16:09 > 1:16:12"Oh, she got pregnant, I didn't know what to do with my career. It was the end".
1:16:12 > 1:16:18Something's not right with this. It's not.
1:16:18 > 1:16:20Guv, we got the confession.
1:16:22 > 1:16:27Why did Margaret say that Mary came to the house that night if she was at the school with Peter?
1:16:27 > 1:16:31Margaret's barking mad. It's like he said - she didn't even know what day of the week it is.
1:16:32 > 1:16:35Where's Hazel?
1:16:35 > 1:16:37Room two.
1:16:44 > 1:16:48Your father's confessed to the murder of Mary Claverton.
1:16:50 > 1:16:51No.
1:16:54 > 1:16:56That's stupid. Why's he saying that?
1:16:58 > 1:17:01They were lovers, Hazel.
1:17:02 > 1:17:05She was pregnant by him.
1:17:05 > 1:17:06What?
1:17:06 > 1:17:10Are you trying to tell me you didn't know? I thought she told you everything.
1:17:10 > 1:17:14She never told us anything about my dad.
1:17:14 > 1:17:17Ever. There was nothing... nothing to tell.
1:17:17 > 1:17:20So who was she taunting you about then, Hazel?
1:17:20 > 1:17:25Who was the older man, the Rochester figure with the scars...
1:17:25 > 1:17:27that only she could see and you couldn't?
1:17:27 > 1:17:31- She was talking about David Nugent.- Ooh.
1:17:31 > 1:17:33Why him, then?
1:17:35 > 1:17:40It was like Shelley said. She knew I fancied him.
1:17:40 > 1:17:42Sit down, Hazel.
1:17:42 > 1:17:44Come on, sit down.
1:17:53 > 1:17:57What scars does David Nugent have?
1:17:57 > 1:17:59How should I know?
1:17:59 > 1:18:03Are you telling me that Mary was having an affair with David Nugent,
1:18:03 > 1:18:05- and not your father? - No, I'm not saying that.
1:18:05 > 1:18:11No, because the scars were caused by the break up of your father's marriage to your mother.
1:18:11 > 1:18:18And the fallout that is having got another schoolgirl pregnant 15 years ago.
1:18:18 > 1:18:21Why do you think your mother did a bunk, Hazel?
1:18:25 > 1:18:31On the night that Mary died, you and Shelley waited for her at the bus stop. Correct?
1:18:31 > 1:18:36- Yeah.- But she didn't turn up, so you and Shelley went dancing together. Correct?
1:18:38 > 1:18:39(Yeah.)
1:18:39 > 1:18:43- What were you wearing?- What?
1:18:43 > 1:18:45What were you wearing?
1:18:47 > 1:18:49- A dress. Why?- What colour was it?
1:18:52 > 1:18:56- I can't remember?- Can't remember? Fashion's important to you.
1:19:00 > 1:19:04- It was blue.- Are you sure?
1:19:07 > 1:19:09Yeah. It was blue.
1:19:10 > 1:19:11Bring Shelley in.
1:19:22 > 1:19:25I think your father loves you very much.
1:19:25 > 1:19:26Doesn't he, Hazel?
1:19:37 > 1:19:42- There, Shelley. - The night you and Hazel waited for Mary at the bus stop,
1:19:42 > 1:19:45- you went off dancing together. You remember?- Yeah.- Yeah.
1:19:45 > 1:19:50- And Hazel was wearing a red dress. Yeah?- Yeah.
1:19:50 > 1:19:52Are you positive about that?
1:19:52 > 1:19:55- Yeah, if she says so. - She said it was blue.
1:19:55 > 1:19:59Yeah, it was blue.
1:19:59 > 1:20:03Hazel wasn't there at all, was she, Shelley?
1:20:04 > 1:20:06You can tell the truth, Shell. Don't worry.
1:20:06 > 1:20:09I went on me own.
1:20:09 > 1:20:12She turned up later at the dance.
1:20:12 > 1:20:14How much later?
1:20:14 > 1:20:17A lot later.
1:20:17 > 1:20:18Come on, Shell.
1:20:24 > 1:20:27So where were you that night, then, Hazel?
1:20:30 > 1:20:32Had you arranged to meet Mary?
1:20:44 > 1:20:48Hazel cannot account for her whereabouts on the night of the murder...
1:20:48 > 1:20:51She was out dancing. That's been established.
1:20:51 > 1:20:52- No, she wasn't.- Was she with you?
1:20:56 > 1:20:59Hazel, you must tell them where you were.
1:20:59 > 1:21:03- This is idiotic.- Why should I take any notice from a dirty old man like you?
1:21:03 > 1:21:07Just tell them where you were and get home and be with Margaret.
1:21:07 > 1:21:10- That was my friend you were shagging, Dad.- Hazel...
1:21:10 > 1:21:12That wasn't even the first time, was it?...
1:21:13 > 1:21:16That's the reason I don't have a mother, isn't it?
1:21:17 > 1:21:19Because of you.
1:21:19 > 1:21:24- None of that matters now. - It matters to me.
1:21:24 > 1:21:25Daddy?
1:21:30 > 1:21:32Hazel?
1:21:33 > 1:21:36Daddy, what's happening?
1:21:39 > 1:21:41Why's she been brought here?
1:21:41 > 1:21:44This is an outrage. Margaret doesn't belong in a place like this.
1:21:44 > 1:21:47What did you ever care about Margaret?
1:21:47 > 1:21:51- You stole her life. - Hazel, don't talk to Daddy like that.
1:21:51 > 1:21:56Look at yourself, Margaret. He paralysed you!
1:21:56 > 1:22:00How many young girls' lives have you ruined
1:22:00 > 1:22:05just so you could go on seeing yourself as some man with a soul full of poetry?
1:22:05 > 1:22:08You have no soul.
1:22:08 > 1:22:10You're all the same.
1:22:10 > 1:22:18Pathetic old men, so frightened of your dead-end lives that you suck the life out of us.
1:22:19 > 1:22:23Who are we talking about here, Hazel?
1:22:23 > 1:22:25I'll tell you where I was that Friday.
1:22:25 > 1:22:31Same place I was the Friday before and the Friday before that.
1:22:31 > 1:22:35Every Friday for the past three months, in fact.
1:22:35 > 1:22:37Like a fool.
1:22:37 > 1:22:39Between half past seven and half past eight.
1:22:39 > 1:22:42On my back on his carpet in front of his fire
1:22:42 > 1:22:47with David Nugent, hoping against hope that what we were doing would stop him ever growing old.
1:22:49 > 1:22:53A young girl my age, Dad, is allowed to make a mistake
1:22:53 > 1:22:55and move on. But a man your age isn't!
1:22:58 > 1:23:02People like you and David Nugent are meant to take care of us.
1:23:02 > 1:23:04Not use us.
1:23:20 > 1:23:23Can we have the truth now, Mr Holdaway?
1:23:23 > 1:23:26I've told you all you need to know.
1:23:27 > 1:23:29I murdered Mary Claverton.
1:23:29 > 1:23:30No, Daddy...
1:23:30 > 1:23:32Be quiet, Margaret.
1:23:40 > 1:23:41Margaret?
1:23:44 > 1:23:46No...
1:23:46 > 1:23:48Margaret?
1:23:50 > 1:23:52What do you want to tell us?
1:23:55 > 1:23:57'We're going to get married.'
1:23:57 > 1:24:00Oh, don't worry. Nothing will change for you.
1:24:00 > 1:24:05The baby's due in the summer holidays and I'll go back to school and you can take care of the baby.
1:24:05 > 1:24:09I mean, you're used to it. And then we could all live here, together.
1:24:09 > 1:24:14- Daddy never said anything about this.- He'll agree.
1:24:14 > 1:24:17I just need to talk to him. Where is he?
1:24:17 > 1:24:23He should be here. I told him I was coming.
1:24:23 > 1:24:27This is the night that changes my life forever.
1:24:27 > 1:24:29Oh...
1:24:29 > 1:24:31Oh, dear...
1:24:31 > 1:24:33I'm going to be your mum.
1:24:43 > 1:24:46SHE GASPS
1:24:49 > 1:24:53You never really noticed me.
1:24:53 > 1:24:54I wasn't clever.
1:24:55 > 1:24:56I wasn't pretty.
1:24:58 > 1:25:00What did I have to do?
1:25:12 > 1:25:16Peter Holdaway, I'm charging you with attempting to pervert the course of justice.
1:25:16 > 1:25:22- You do not have to say anything, but anything you do say may be given in evidence. Do you understand?- Yes.
1:25:29 > 1:25:30Follow me.
1:25:35 > 1:25:40Margaret Holdaway, I'm charging you with the murder of Mary Claverton.
1:25:40 > 1:25:45You do not have to say anything, but anything you do say may be used in evidence.
1:25:45 > 1:25:47Do you understand?
1:25:47 > 1:25:48No. Not really.
1:26:34 > 1:26:36Margaret...
1:26:36 > 1:26:39growing old alone in prison. He'll get a lighter sentence.
1:26:39 > 1:26:43But still, he'll grow old alone, too.
1:26:43 > 1:26:46That's what he couldn't face.
1:26:56 > 1:27:02You should find yourself another wife, George. I mean it.
1:27:02 > 1:27:03Maybe, John.
1:27:04 > 1:27:08What about you? It's the weekend. Got any plans?
1:27:08 > 1:27:10- Who, me?- Yeah, you.
1:27:10 > 1:27:16- Do you really want to know? Or are you just being polite? - No. I'm just being polite.
1:27:16 > 1:27:21Right well. I. Me. John Bacchus...
1:27:22 > 1:27:24..am on a promise.
1:27:45 > 1:27:47CHEERING
1:27:47 > 1:27:49- Hello! - AUDIENCE: Hello, Hazel!
1:27:49 > 1:27:54Hello, everybody, because we are going nationwide tonight for the very first time!
1:27:54 > 1:27:56CHEERING
1:27:56 > 1:28:00And we are very pleased to welcome you all here to the Northeast!
1:28:00 > 1:28:02As someone once said to me...
1:28:02 > 1:28:07"I hope I die before I get old." But hey, it's Friday night...
1:28:07 > 1:28:10and the world goes Upside Down!
1:28:21 > 1:28:25# You said that you don't need a thing
1:28:25 > 1:28:27# But what you need is what I bring
1:28:27 > 1:28:30# I said I bring my love to you
1:28:30 > 1:28:32# Hope you change the tune you sing
1:28:32 > 1:28:34# When I show up with your diamond ring
1:28:34 > 1:28:36# I bring my love to you
1:28:36 > 1:28:39# But you don't want me to
1:28:39 > 1:28:42# I got to live on
1:28:42 > 1:28:44# I got to live on
1:28:44 > 1:28:47# I got to live on
1:28:47 > 1:28:49# I got nothing else to do... #
1:28:50 > 1:28:52Subtitles by Red Bee Media Ltd
1:28:52 > 1:28:54E-mail subtitling@bbc.co.uk