0:00:02 > 0:00:04MUSIC: "I Say A Little Prayer" by Aretha Franklin
0:00:09 > 0:00:12- CHANTING:- We want in, we want in, we want in!
0:00:12 > 0:00:16# The moment I wake up
0:00:16 > 0:00:20# Before I put on my make-up
0:00:20 > 0:00:23# I say a little prayer for you
0:00:24 > 0:00:28# While combing my hair now
0:00:28 > 0:00:31# And wondering what dress To wear now
0:00:31 > 0:00:34# I say a little prayer for you. #
0:00:37 > 0:00:39You'd think it was the Beatles playing!
0:00:39 > 0:00:41As long as they keep buying tickets.
0:00:41 > 0:00:44Let's get these doors open before we have a riot, yeah? You ready?
0:00:45 > 0:00:47# Together, together
0:00:47 > 0:00:49# That's how it must be, to live without you... #
0:00:51 > 0:00:53All right, no pushing, no pushing!
0:00:53 > 0:00:56You're all going to get in, all right?
0:00:56 > 0:00:59No beer! Hey, no beer. Anyone caught with beer you'll be out on your ear!
0:00:59 > 0:01:01Get that for later, yeah?
0:01:03 > 0:01:05Evening, girls. To the side.
0:01:11 > 0:01:12All right, Dolores?
0:01:12 > 0:01:14All right, Gary.
0:01:15 > 0:01:18I'll turn a blind eye this time since it's you, eh?
0:01:18 > 0:01:21I hope you two girls are going to enjoy yourselves tonight.
0:01:21 > 0:01:23And er, be careful, right?
0:01:25 > 0:01:29Oh, and er, save the last dance, girls, yeah?
0:01:29 > 0:01:33MUSIC: "Baby, Do The Philly Dog" by The Olympics
0:01:43 > 0:01:46# Stand up, and kick off your shoes
0:01:46 > 0:01:48# Let your hair down, Get in the groove
0:01:49 > 0:01:52# Head shakin', finger boppin', Lookin' fine
0:01:52 > 0:01:55# Come on baby, let me see you try
0:01:55 > 0:01:56# Philly dog
0:01:56 > 0:01:58# Baby, do the philly dog
0:01:58 > 0:02:00- # Hey, now baby - # Baby, do the philly dog
0:02:00 > 0:02:02# It's all right
0:02:02 > 0:02:04# Baby, do the philly dog
0:02:04 > 0:02:05# I know you can do it now
0:02:12 > 0:02:15# It spread from east to west
0:02:15 > 0:02:18# My baby can do it best
0:02:18 > 0:02:21# Earth shakin', back breakin', Lookin' cool
0:02:21 > 0:02:24# Oh, I like the way you move
0:02:24 > 0:02:26# Philly dog
0:02:26 > 0:02:27# Baby, do the Philly dog
0:02:27 > 0:02:28# Hey, now, baby
0:02:28 > 0:02:31- # Baby, do the Philly dog - # It's all right
0:02:31 > 0:02:33# Baby, do the Philly dog
0:02:33 > 0:02:35# I know you can do it. #
0:02:35 > 0:02:38MUSIC: "I'm Going to Love You A Long Long Time" by Patti and the Emblems
0:02:42 > 0:02:44# I want you to understand
0:02:44 > 0:02:46# Want you to know
0:02:46 > 0:02:48# I'm your girl and you're my man
0:02:48 > 0:02:49# I want you to say
0:02:49 > 0:02:51# With you, I'd go anywhere
0:02:51 > 0:02:52# Go anywhere
0:02:52 > 0:02:55# Hey, I'll be there
0:02:55 > 0:02:59# I'm going to love you A long, long time
0:02:59 > 0:03:01# I'm going to love you A long, long time
0:03:01 > 0:03:04# Let me tell you
0:03:04 > 0:03:07# I'm your baby... MUSIC FADES
0:03:07 > 0:03:09# I'm your baby
0:03:11 > 0:03:15# For a long, long time, now. #
0:03:23 > 0:03:24Who found the body?
0:03:24 > 0:03:27A man from the local estate. Down there.
0:03:29 > 0:03:30Working girl.
0:03:30 > 0:03:32Why?
0:03:32 > 0:03:34This place is famous for it.
0:03:38 > 0:03:41Blow to the side of the head. But it wasn't robbery.
0:03:41 > 0:03:42Huh?
0:03:42 > 0:03:44Have you got an evidence bag?
0:03:44 > 0:03:46Tom, Tom. Evidence bag.
0:03:52 > 0:03:5420 quid.
0:03:54 > 0:03:56Why did he kill her then?
0:03:56 > 0:03:59- Who? - The trick. You know, the punter.
0:03:59 > 0:04:00Too drunk to finish the business.
0:04:00 > 0:04:04She laughed at him, mebbies, and he got angry.
0:04:04 > 0:04:06So why didn't he take his money back?
0:04:09 > 0:04:11Can't be many coloured girls in this area.
0:04:11 > 0:04:13She shouldn't be too hard to identify.
0:04:13 > 0:04:15I'll ask around.
0:04:15 > 0:04:17There's plenty of men who'd pay extra for a bit of exotic.
0:04:19 > 0:04:23I want her name on my desk by nine o'clock tomorrow morning.
0:04:23 > 0:04:24Righto.
0:04:25 > 0:04:27Enjoy your Sunday.
0:04:27 > 0:04:32Dolores Kenny. 35 Gale Street, Whitley Bay. Thank you very much.
0:04:32 > 0:04:34My guess is she picked up a client in town,
0:04:34 > 0:04:37and then drove out to Byker to, er, you know.
0:04:37 > 0:04:39Fractured skull. Possible internal bleeding.
0:04:39 > 0:04:41Looks like she was hit with a blunt object.
0:04:41 > 0:04:43Traces of carbolic soap found on her neck.
0:04:43 > 0:04:45And?
0:04:46 > 0:04:48No sign of recent sexual activity.
0:04:48 > 0:04:49Some prostitute.
0:04:49 > 0:04:54No, no, no, no. It just means they hadn't got that far, that's all.
0:05:08 > 0:05:10He's a bus conductor, sir.
0:05:13 > 0:05:16Originally from Trinidad and Tobago.
0:05:21 > 0:05:22Is your father home?
0:05:26 > 0:05:27Thank you.
0:05:33 > 0:05:35The wife?
0:05:42 > 0:05:45- RAF.- Mmm.
0:05:57 > 0:05:59Ambrose Kenny?
0:05:59 > 0:06:03I'm Chief Inspector Gently. This is Detective Sergeant Bacchus.
0:06:04 > 0:06:08You have a daughter named Dorothy, yes?
0:06:08 > 0:06:09Dolores.
0:06:09 > 0:06:12- I'm... - I'm afraid we've got some bad news.
0:06:13 > 0:06:18She was found dead yesterday on some waste ground in Byker.
0:06:30 > 0:06:31What happened?
0:06:31 > 0:06:35We think she was killed by a blow to the head.
0:06:38 > 0:06:40I would like to say how very sorry we are.
0:06:43 > 0:06:45He didn't even know she name.
0:06:47 > 0:06:49I... Sorry.
0:06:51 > 0:06:54Is there anything that you can tell us
0:06:54 > 0:06:57that might help explain the circumstances of Dolores's death?
0:06:57 > 0:06:58She take she own life?
0:06:58 > 0:07:01No. There's no suggestion of that.
0:07:01 > 0:07:04Then let me call this thing by its name, no?
0:07:04 > 0:07:05Murder.
0:07:09 > 0:07:12Can you think of anybody who would have wanted to harm her?
0:07:15 > 0:07:17Sorry, can I ask why you're laughing?
0:07:18 > 0:07:23Perhaps it was one of the men who spat at her on the bus last week
0:07:23 > 0:07:26and told her to get back to the jungle.
0:07:26 > 0:07:28Or maybe the woman who wouldn't let her touch her washing
0:07:28 > 0:07:31- in the launderette, or the kids... - Joseph!
0:07:33 > 0:07:34Enough.
0:07:35 > 0:07:37Someone specific.
0:07:38 > 0:07:39No.
0:07:41 > 0:07:42Did she have a boyfriend?
0:07:42 > 0:07:45She was a good girl.
0:07:45 > 0:07:47That's not what the sergeant asked.
0:07:47 > 0:07:49No.
0:07:51 > 0:07:54Where was she on Saturday night? All dressed up.
0:07:54 > 0:07:56She was go dancing with a friend.
0:07:56 > 0:07:57Is that what she told you?
0:07:57 > 0:08:00Aye, because that's what she did.
0:08:02 > 0:08:04What's the name of her friend?
0:08:04 > 0:08:05Carol.
0:08:06 > 0:08:07Carol Morford.
0:08:09 > 0:08:12Them's work at the launderette together.
0:08:12 > 0:08:13Them is like sisters.
0:08:13 > 0:08:15Can we see Dolores's room?
0:08:17 > 0:08:23I didn't know that there were coloureds in the RAF during the war.
0:08:25 > 0:08:27What was he, do you reckon?
0:08:30 > 0:08:31Ground crew, maybe?
0:08:35 > 0:08:39He was a pilot. Wellington bomber. 90 missions over Germany.
0:08:39 > 0:08:41Anything else you'd like to know?
0:08:41 > 0:08:43A little more about your sister and her friend, Carol.
0:08:43 > 0:08:45Where did they go dancing together?
0:08:45 > 0:08:47They went to the Carlton.
0:08:47 > 0:08:50The Carlton? Ballroom dancing?
0:08:50 > 0:08:52For the all-nighters.
0:08:52 > 0:08:53What?
0:08:53 > 0:08:54Northern Soul.
0:08:56 > 0:08:57Come again?
0:08:57 > 0:08:58Is this Carol?
0:09:03 > 0:09:07Dolores had a lot of money on her. Twenty quid.
0:09:07 > 0:09:10Do you have any idea where that might have come from?
0:09:10 > 0:09:11She'd been saving her wages to buy records.
0:09:13 > 0:09:16They trade singles at the club.
0:09:26 > 0:09:28You admired Dr King, I imagine?
0:09:28 > 0:09:30Aye. We all did.
0:09:30 > 0:09:32Yeah, me too.
0:09:32 > 0:09:35The policeman who approves of civil disobedience?
0:09:35 > 0:09:38A policeman who approves of non-violence.
0:09:41 > 0:09:44We'll be in touch as soon as we have any information.
0:09:49 > 0:09:51Try and get the name right next time.
0:09:52 > 0:09:55There's more money in her drawer.
0:09:55 > 0:09:57You don't get that working in a launderette,
0:09:57 > 0:10:00selling records in a dance hall. Do you?
0:10:03 > 0:10:05These all-night Northern Soul type things, sir.
0:10:05 > 0:10:08They're not organised by the ballroom. They just hire it out.
0:10:08 > 0:10:10Who to?
0:10:10 > 0:10:12A bloke called Gary Watts.
0:10:12 > 0:10:15All right. Let's have a word with him and then Dolores's friend Carol.
0:10:15 > 0:10:19- I want to find out where Dolores was getting all this money from.- OK.
0:10:19 > 0:10:20Maybe some of their tricks.
0:10:20 > 0:10:22Where do I find this bloke Watts?
0:10:22 > 0:10:23This is his head office, sir.
0:10:25 > 0:10:26Very good.
0:10:29 > 0:10:30There you go, love.
0:10:30 > 0:10:33Thanks very much. It looks lovely.
0:10:33 > 0:10:35Should keep the old man's strength up, eh?
0:10:35 > 0:10:38- Thank you.- All right.- Bye.- Ta-ra.
0:10:38 > 0:10:39Gary Watts?
0:10:41 > 0:10:42I'd like to ask you a few questions
0:10:42 > 0:10:46about a regular at your soul nights, Dolores Kenny?
0:10:46 > 0:10:49She was found dead yesterday.
0:10:49 > 0:10:50Shame.
0:10:50 > 0:10:54She might have been at the Carlton on Saturday. Did you see her?
0:10:55 > 0:10:58I've seen her about. Hard to miss, really.
0:11:01 > 0:11:03Tell me about Northern Soul.
0:11:04 > 0:11:08Well, we give them a kind of soul music they don't play anywhere else.
0:11:08 > 0:11:11They come from all over the place. London, Scotland.
0:11:11 > 0:11:13They're obsessed by it. Don't know why, like.
0:11:13 > 0:11:16It's all like jigaboo to me, but there you go, they love it.
0:11:16 > 0:11:17And it makes me money.
0:11:17 > 0:11:20What about Carol Morford?
0:11:20 > 0:11:22She might have been there. I don't know.
0:11:24 > 0:11:28Her father told me that you and Dolores Kenny were close,
0:11:28 > 0:11:29like sisters.
0:11:31 > 0:11:33Ambrose looked out for us.
0:11:33 > 0:11:35Me dad went back to Ireland
0:11:35 > 0:11:38and me mam, well, she only had time for church,
0:11:38 > 0:11:40so I spent a lot of time at their house.
0:11:42 > 0:11:45Can you tell me what you remember about that Saturday night?
0:11:47 > 0:11:49Just a normal night.
0:11:49 > 0:11:51- Which was..?- Dancing.
0:11:51 > 0:11:52Drinking?
0:11:52 > 0:11:54No. No alcohol allowed.
0:11:56 > 0:12:00She had quite a lot of money on her. Any idea where that came from?
0:12:00 > 0:12:03I didn't realise Dolores was the criminal here.
0:12:03 > 0:12:05I thought she was the victim.
0:12:06 > 0:12:07Well, did she have a boyfriend?
0:12:09 > 0:12:10Was she seeing anybody?
0:12:15 > 0:12:17If I'm going to find out what happened to her,
0:12:17 > 0:12:20I need to know what kind of person she was.
0:12:20 > 0:12:23She was beautiful.
0:12:23 > 0:12:24Inside and out.
0:12:39 > 0:12:41Nothing from the door to door, guv.
0:12:41 > 0:12:43What about the working girls?
0:12:43 > 0:12:45Ah, well, the ones that are still awake at this time.
0:12:45 > 0:12:47They've never heard of Dolores Kenny.
0:12:47 > 0:12:48Mmm.
0:12:48 > 0:12:52See, I think Dolores Kenny met her killer at this Northern, what is it?
0:12:52 > 0:12:53Northern Soul.
0:12:53 > 0:12:55Soul. They dance all night.
0:12:55 > 0:12:58They're not allowed booze. So how do they keep going?
0:12:58 > 0:12:59- Pills.- Exactly.
0:12:59 > 0:13:00- Watts.- What?
0:13:00 > 0:13:02- Gary Watts. The fishmonger.- What?
0:13:02 > 0:13:05What's the name of the bloke we've been trying to put away for years?
0:13:05 > 0:13:07You know. Protection, and money lending and that?
0:13:07 > 0:13:10- You mean Bernie Watts? - Bernie Watts. How old's Gary?
0:13:10 > 0:13:13- 30-something.- Could be his son?
0:13:13 > 0:13:14Yeah, OK.
0:13:14 > 0:13:16He's been selling pills to his audience, right?
0:13:16 > 0:13:18Maybe Dolores Kenny was working for him?
0:13:18 > 0:13:21And that's how she got the money. Eh?
0:13:21 > 0:13:23She's coloured, so she must be on the game.
0:13:23 > 0:13:26She's got money, so she's selling drugs?
0:14:16 > 0:14:20I thought it might flush somebody out. A trick, mebbies.
0:14:21 > 0:14:23Joseph Kenny here to see you, sir.
0:14:31 > 0:14:32Before you say it, let me...
0:14:32 > 0:14:34This arrived, addressed to me dad.
0:14:34 > 0:14:35Delivered by hand.
0:14:41 > 0:14:42"Dear Mr Kenny.
0:14:43 > 0:14:47"I'm so happy your wog daughter's dead.
0:14:47 > 0:14:49"Now go back to where you came from."
0:14:49 > 0:14:51Pay no attention to it, Joseph.
0:14:51 > 0:14:53Somebody saw an opportunity to hurt you and your dad.
0:14:53 > 0:14:56- Please don't let them.- Yeah...
0:14:56 > 0:14:58Why should any of us trust any of you?
0:14:58 > 0:15:00Sometimes I wonder.
0:15:05 > 0:15:07Written on an Underwood.
0:15:07 > 0:15:09On headed stationery?
0:15:09 > 0:15:10Granthorn Social Club.
0:15:10 > 0:15:15Whoever wrote it isn't exactly the brightest, is he? Huh?
0:15:15 > 0:15:19You think it's the killer? "Come to this address and arrest us".
0:15:19 > 0:15:21No, come on, guv.
0:15:21 > 0:15:22Guv, it's a waste of time.
0:15:22 > 0:15:25We should let them know how we feel about having our time wasted.
0:15:27 > 0:15:29Do you recognise this stationery?
0:15:29 > 0:15:33Aye, son. It's the club's letterhead.
0:15:33 > 0:15:36- And who would have access to that? - Only me.
0:15:37 > 0:15:39But that's nae good. It's out of date.
0:15:40 > 0:15:43The committee's changed the lettering. Look, I'll show you.
0:15:44 > 0:15:47What did you do with the old stationery?
0:15:47 > 0:15:48Well, I didn't like to see nowt wasted.
0:15:48 > 0:15:52But I think I left it at my old digs.
0:16:16 > 0:16:19Yes, we had Alfred here for six months.
0:16:19 > 0:16:22Wasn't ideal, but I felt sorry for the old gent.
0:16:22 > 0:16:24I made sure he had most of his meals in his room.
0:16:24 > 0:16:25Who's up there now?
0:16:25 > 0:16:27Mr Tate, till next week.
0:16:27 > 0:16:30I take in theatricals and they do tend to come and go.
0:16:30 > 0:16:33Yes, we've had all the greats staying here over the years.
0:16:33 > 0:16:36We've had Dickie Henderson, Jimmy Clitheroe, Frank Ifield.
0:16:36 > 0:16:39I do wish he'd stop that yodelling though, don't you?
0:16:39 > 0:16:41Is that you? Were you in the business?
0:16:41 > 0:16:44Ten seasons at the Tivoli Theatre of Varieties.
0:16:44 > 0:16:45When did Mr Tate move in?
0:16:45 > 0:16:48Sunday. He's a regular. A vent.
0:16:48 > 0:16:49Ventriloquist.
0:16:49 > 0:16:51Who else is here this weekend?
0:16:51 > 0:16:54Two Dundonians. Contortionists.
0:16:54 > 0:16:58Incredible what they can achieve on a diet of black pudding and neat vodka.
0:17:03 > 0:17:05Alfred said he left some belongings.
0:17:05 > 0:17:06Oh? Such as?
0:17:06 > 0:17:08Stationery. We're trying to trace a letter.
0:17:08 > 0:17:14No. I can't say I recall anything like that.
0:17:14 > 0:17:17Beautiful birds. How many you got?
0:17:17 > 0:17:19Eight English budgies. Three American.
0:17:19 > 0:17:22Pair of lovebirds, a parakeet and a cockatiel.
0:17:22 > 0:17:24A parakeet and a cockatiel in the same cage?
0:17:24 > 0:17:29Birds don't cross-breed. Not like people.
0:17:29 > 0:17:32They're only attracted to their own species.
0:17:32 > 0:17:34I thought the human race WAS one species?
0:17:35 > 0:17:37Sorry I couldn't have been more help.
0:17:37 > 0:17:40No. Not at all. Thanks for your time.
0:17:42 > 0:17:44That your typewriter?
0:17:44 > 0:17:46Yes. My father bought it for me, years ago.
0:17:46 > 0:17:48It's just gathering dust now.
0:17:48 > 0:17:49It's an Underwood, isn't it?
0:17:49 > 0:17:51Yes.
0:18:00 > 0:18:01Do you know the Kennys?
0:18:03 > 0:18:05Can't say I do. No.
0:18:05 > 0:18:06Why did you do it, Matilda?
0:18:06 > 0:18:08- Do what?- Write that letter.
0:18:08 > 0:18:09I didn't write any letter.
0:18:09 > 0:18:13You've got a sign in the window saying no blacks.
0:18:13 > 0:18:16Are you telling me you haven't noticed a coloured family two streets away?
0:18:16 > 0:18:18On top of which,
0:18:18 > 0:18:20you've got the same make of typewriter the letter was written on
0:18:20 > 0:18:24and the same paper used on your noticeboard.
0:18:24 > 0:18:29My only crime is to want things back the way they were.
0:18:29 > 0:18:31Before all this immigration.
0:18:31 > 0:18:34When you knew who your neighbour was.
0:18:34 > 0:18:37Nowadays, look at us. Just like a nation of strangers.
0:18:37 > 0:18:41When the Race Relations Bill passes, that sign there will be illegal.
0:18:41 > 0:18:42So let me do you a favour.
0:18:50 > 0:18:53If I find that you've been turning away coloured people,
0:18:53 > 0:18:54I'll close you down.
0:18:54 > 0:18:56Do we understand each other?
0:19:03 > 0:19:04Ambrose Kenny.
0:19:04 > 0:19:05What about him?
0:19:05 > 0:19:06Why not him?
0:19:06 > 0:19:08Your thinking behind that?
0:19:08 > 0:19:11He found out she was on drugs. And he gave her a good old slap, no?
0:19:11 > 0:19:13And he got carried away.
0:19:13 > 0:19:18Dolores was found miles away from home, Ambrose hasn't got a car.
0:19:18 > 0:19:21But she was only a mile away from the Carlton dance hall.
0:19:21 > 0:19:22That's where we need to be.
0:19:24 > 0:19:28Or, to be more specific, that's where YOU need to be.
0:19:30 > 0:19:34MUSIC: "I'll Do A Little Bit More" by The Olympics
0:19:45 > 0:19:47Priceless, isn't it?
0:19:54 > 0:19:55Haven't you got a job to go to?
0:19:55 > 0:19:57Sir.
0:19:57 > 0:19:59Oi! Oi!
0:19:59 > 0:20:02Are you laughing at me? Is he laughing at me?
0:20:02 > 0:20:03No, no.
0:20:03 > 0:20:04I want double time for this.
0:20:04 > 0:20:06Oh, you'll need these.
0:20:09 > 0:20:11What? You've got to take your own records?
0:20:11 > 0:20:13They buy and sell them, remember.
0:20:13 > 0:20:16Help make you look a bit more believable.
0:20:16 > 0:20:19Or slightly less unbelievable.
0:20:23 > 0:20:24Don't be a wallflower.
0:20:29 > 0:20:32CHANTING: We want in! We want in! We want in!
0:20:32 > 0:20:35We want in! We want in! We want in!
0:20:35 > 0:20:37We want in...
0:20:37 > 0:20:40MUSIC: "Seven Days Too Long" by Chuck Wood
0:20:40 > 0:20:42# First time I called you girl
0:20:42 > 0:20:44# They say you wasn't home
0:20:45 > 0:20:48# Then the second time I tried it
0:20:48 > 0:20:50# They say you won't be left alone
0:20:52 > 0:20:55# We had a lot of quarrels, Yes we did
0:20:55 > 0:20:57# Like all lovers do
0:21:00 > 0:21:02# I'm ready to make up
0:21:02 > 0:21:06# It's only left to you now
0:21:06 > 0:21:08# Cos seven days is too long
0:21:08 > 0:21:11# Without you, baby
0:21:11 > 0:21:13# Come on back to me now
0:21:13 > 0:21:17# Seven days is too long, girl
0:21:17 > 0:21:19# Without you, baby
0:21:19 > 0:21:21# Come on back to me
0:21:21 > 0:21:23# I refuse to break up
0:21:23 > 0:21:25# Because I'm alive
0:21:27 > 0:21:30# Cos my love is too strong, girl
0:21:30 > 0:21:32# Yes, it is
0:21:32 > 0:21:33# To let it down
0:21:34 > 0:21:37# Let's sort this problem
0:21:38 > 0:21:40# Cos I see the danger sign, you know
0:21:42 > 0:21:44# It's written on your face
0:21:44 > 0:21:47# Just as well as mine
0:21:47 > 0:21:51# Cos seven days is too long
0:21:51 > 0:21:53# Without you, baby
0:21:53 > 0:21:55# Come on back to me now
0:21:55 > 0:21:58# Seven days is too long
0:21:58 > 0:22:00# Without you, baby
0:22:00 > 0:22:03# Come on back to me
0:22:03 > 0:22:05# Let's stop playing, girl
0:22:05 > 0:22:07# I need to go to sleep
0:22:09 > 0:22:12# I can't stand Being without you, baby
0:22:12 > 0:22:14# Another week
0:22:16 > 0:22:21# You got me so I can't even concentrate
0:22:23 > 0:22:25# You know good things come
0:22:25 > 0:22:29# I say, good things come To those who wait
0:22:29 > 0:22:31# Well, I can't wait no longer
0:22:31 > 0:22:34# Listen to me, baby, because
0:22:34 > 0:22:36# Seven days is too long
0:22:36 > 0:22:38# Without you, baby
0:22:38 > 0:22:41# Come on back to me
0:22:41 > 0:22:43# Seven days is too long
0:22:43 > 0:22:45# Without you, baby
0:22:45 > 0:22:47# Come on back to me
0:22:47 > 0:22:50# Seven days is too long
0:22:50 > 0:22:52# Without you, baby... #
0:22:52 > 0:22:54The pathologist's full report, sir.
0:23:11 > 0:23:13MUSIC: "Sweet Was The Love" by The Four Tops
0:23:17 > 0:23:19What you got, pet?
0:23:19 > 0:23:22Orangeade, or orangeade.
0:23:24 > 0:23:25Orangeade then, please.
0:23:26 > 0:23:27Thank you.
0:23:31 > 0:23:32Do you want to deal, mate?
0:23:32 > 0:23:34- What?- Do you want to deal?
0:23:36 > 0:23:37- No.- OK.
0:23:54 > 0:23:55Hello, pet.
0:23:57 > 0:23:59- Want to buy a single? - Nah. You're all right, thanks.
0:24:01 > 0:24:03I'd ask you to dance but I've twisted me ankle.
0:24:03 > 0:24:06- You're in luck. I'm not in the mood. - Oh, aye? Why's that?
0:24:06 > 0:24:07Just.
0:24:10 > 0:24:13Here you are, look. "Born A Loser". It's my theme tune, that. Go on. Make an offer.
0:24:13 > 0:24:1510 bob.
0:24:15 > 0:24:16Sold.
0:24:16 > 0:24:18I'm just kidding. You get 15 quid for that.
0:24:18 > 0:24:20Really?
0:24:20 > 0:24:25Yeah. No, it's worth it to get to talk to you.
0:24:27 > 0:24:30My name's Jim.
0:24:30 > 0:24:31Carol.
0:24:33 > 0:24:35I've not seen you here before.
0:24:35 > 0:24:38I've just moved back up from Leeds.
0:24:38 > 0:24:39You like Don Ray then?
0:24:39 > 0:24:43Yeah. I prefer Frank Wilson.
0:24:43 > 0:24:45Do I Love You?
0:24:45 > 0:24:46Indeed I Do.
0:24:46 > 0:24:48It's my friend's favourite.
0:24:48 > 0:24:49Is it?
0:24:58 > 0:25:01Well, it was nice to meet you, Jim.
0:25:01 > 0:25:03Right.
0:25:03 > 0:25:05Charlie, I need to speak to you...
0:25:07 > 0:25:09Charlie!
0:25:18 > 0:25:20There is something I need to tell you, Mr Kenny.
0:25:20 > 0:25:22Ambrose, please.
0:25:22 > 0:25:23Ambrose.
0:25:25 > 0:25:28Your daughter was three months pregnant when she died.
0:25:34 > 0:25:36You didn't know.
0:25:46 > 0:25:48Any idea who the father might be?
0:25:54 > 0:25:55You didn't know this?
0:25:58 > 0:26:02So she did have a relationship. Despite what you said last time.
0:26:04 > 0:26:07What are you reading this for? Put it away.
0:26:07 > 0:26:10You will learn nothing but hate from these men.
0:26:10 > 0:26:13They'll make things worse, not better. We must change the way people see us.
0:26:13 > 0:26:18Is that why you're drinking yourself to sleep every night? Hmmm?
0:26:18 > 0:26:20- Do you think you'll wake up white? - You see these Black Panthers?
0:26:20 > 0:26:23They have all the questions and none of the answers.
0:26:23 > 0:26:25They want to build a black nation for black people.
0:26:25 > 0:26:28- As Dr King said...- Dr King is dead.
0:26:28 > 0:26:30We need to become the masters of our own destiny.
0:26:30 > 0:26:33Look, some may not like it but we are a part of this country.
0:26:33 > 0:26:34No, we're not.
0:26:34 > 0:26:36And if we don't help ourselves, who will? Him?
0:26:36 > 0:26:39This man is a guest in our house.
0:26:39 > 0:26:41- A guest is someone you invite. - Enough!
0:26:43 > 0:26:46They're going to let the man who killed your daughter walk away,
0:26:46 > 0:26:49and you're just going to stand there and do nothing.
0:26:53 > 0:26:55You never fought for anything in your life, did you?
0:26:57 > 0:26:59You even let your own wife walk away without a fight.
0:27:06 > 0:27:09MUSIC: "Green Door" by Wynder K Frog
0:27:13 > 0:27:14Oi.
0:27:17 > 0:27:20Don't take the micky, bonny lad. Cos I'll cave your face in.
0:27:34 > 0:27:36What are you looking at?
0:27:36 > 0:27:38Ah, nothing. Just...
0:27:42 > 0:27:44I wouldn't mind a few of them myself, actually.
0:27:44 > 0:27:46A few of what?
0:27:46 > 0:27:48You know, the um...
0:27:49 > 0:27:50No bother.
0:27:53 > 0:27:55You just enjoy the music.
0:27:57 > 0:27:58All right. No offence.
0:28:07 > 0:28:09MUSIC: "Tighten Up" by Archie Bell And The Drells
0:28:09 > 0:28:10# Hi, everybody
0:28:10 > 0:28:12# I'm Archie Bell of the Drells
0:28:12 > 0:28:14# From Houston, Texas
0:28:14 > 0:28:16# We don't only sing but we dance
0:28:16 > 0:28:18# Just as good as we walk. #
0:28:18 > 0:28:19Y'all right?
0:28:19 > 0:28:20All right?
0:28:20 > 0:28:22Do you mind if I have a look?
0:28:23 > 0:28:24Yeah.
0:28:24 > 0:28:26Thanks.
0:28:29 > 0:28:31Ah, you got some good 'uns here.
0:28:31 > 0:28:33One of them cost 15 quid.
0:28:33 > 0:28:3515 quid! Which one's that?
0:28:35 > 0:28:37The Contours. Just A Little Misunderstanding.
0:28:39 > 0:28:40Original label.
0:28:40 > 0:28:42I'd have that round me neck if I were you.
0:28:43 > 0:28:46It's a bit of a funny atmosphere tonight, don't you think?
0:28:46 > 0:28:48Suppose.
0:28:49 > 0:28:51Yeah.
0:28:51 > 0:28:54There was that girl that was found dead last Saturday,
0:28:54 > 0:28:55about a mile away.
0:29:06 > 0:29:09Hey. Leave them.
0:29:13 > 0:29:14Hey.
0:29:17 > 0:29:20Your wages. Ten bob.
0:29:23 > 0:29:25Well, darkie'll do it for half price.
0:29:25 > 0:29:26No. I said leave them!
0:29:26 > 0:29:27Charlie.
0:29:29 > 0:29:32It's just monkey music, yeah?
0:29:32 > 0:29:34Relax. Eh?
0:29:37 > 0:29:38I don't want your pills.
0:29:41 > 0:29:42What have I told you?!
0:29:46 > 0:29:48- Hey! Leave him.- Get off, man!
0:29:48 > 0:29:52Hey. All right, All right. I don't want any trouble.
0:29:52 > 0:29:55- Just leave him alone.- Friend of his?
0:29:55 > 0:29:56No.
0:30:05 > 0:30:07She's gone, little brother.
0:30:07 > 0:30:09Gone.
0:30:13 > 0:30:14Life goes on.
0:30:33 > 0:30:35Thanks. You shouldn't have got involved.
0:30:35 > 0:30:37No bother.
0:30:37 > 0:30:39What was it all about?
0:30:39 > 0:30:41They work for me dad.
0:30:41 > 0:30:43He's happy to see Gary cash in on Philly Soul,
0:30:43 > 0:30:45you're just not supposed to enjoy it.
0:30:50 > 0:30:51Charlie Watts.
0:30:51 > 0:30:53Jim. Jim Thomas.
0:30:56 > 0:30:57Is Gary your brother?
0:30:59 > 0:31:00Yeah.
0:31:01 > 0:31:05Hey, who was the lass in the green dress?
0:31:06 > 0:31:07Carol?
0:31:07 > 0:31:09Aye, Carol.
0:31:09 > 0:31:12Do you fancy her?
0:31:12 > 0:31:14Ah, no. Not if she's yours I don't.
0:31:18 > 0:31:20You all right?
0:31:20 > 0:31:22Yeah.
0:31:24 > 0:31:26Yeah, it's nothing.
0:31:29 > 0:31:31So how do you know Carol then?
0:31:32 > 0:31:34I was going out with her best mate.
0:31:36 > 0:31:37Dolores.
0:31:39 > 0:31:40My dad didn't like it.
0:31:44 > 0:31:46If he calmed down a bit, he'd be a Nazi.
0:31:46 > 0:31:48Oh, I see.
0:31:48 > 0:31:50My brother's the same.
0:31:51 > 0:31:54Can I ask, was Dolores the girl that..?
0:31:54 > 0:31:56You know...
0:32:00 > 0:32:03Why do you keep asking about her?
0:32:04 > 0:32:05No reason, no reason.
0:32:07 > 0:32:08Sorry.
0:32:11 > 0:32:15I could do with a drink, I think. Orangeade.
0:32:16 > 0:32:17Do you want one?
0:32:19 > 0:32:21No. I'll just stay here.
0:32:21 > 0:32:22All right.
0:32:24 > 0:32:29PHONE RINGS
0:32:31 > 0:32:32Hello?
0:32:32 > 0:32:36Gary Watts is dealing, I've just met him.
0:32:36 > 0:32:38Aye, he's a lovely fella.
0:32:38 > 0:32:41Hey, guess what? You'll like this.
0:32:41 > 0:32:44It's a family affair. Dolores had a boyfriend.
0:32:46 > 0:32:48Gary's brother, Charlie.
0:32:48 > 0:32:50- She was seeing Bernie Watts' son? - 'Aye.'
0:32:52 > 0:32:55'Well done, John. So what happens...?'
0:33:02 > 0:33:05Hey. You're not away are you, pet? I was hoping for a dance.
0:33:05 > 0:33:07I thought you twisted your ankle?
0:33:07 > 0:33:08Mebbies a slow one, then.
0:33:10 > 0:33:12Sorry. You've caught us on a bad night.
0:33:14 > 0:33:17That's what they all say.
0:33:17 > 0:33:19I was hoping I might have impressed you the way
0:33:19 > 0:33:21I smacked the side of my face into that bloke's forehead.
0:33:23 > 0:33:25- Wasn't expecting that, was he? - No, he wasn't.
0:33:25 > 0:33:28You had him up against the ropes right enough.
0:33:28 > 0:33:31Aye. That's what I thought. Terrified, he was.
0:33:33 > 0:33:36- No, I better go.- Ah, go on.
0:33:37 > 0:33:40Just the one. I promise I won't try any funny business.
0:33:40 > 0:33:42Well, then, I'm definitely off.
0:33:42 > 0:33:46Think of me as one of those blokes back from the trenches. You know.
0:33:49 > 0:33:51It's your duty.
0:33:51 > 0:33:54MUSIC: "Heaven Must Have Sent You" by The Elgins
0:34:02 > 0:34:05# I've cried through Many endless nights
0:34:05 > 0:34:09# Just holding my pillow tight
0:34:09 > 0:34:11# Then you came into my lonely days
0:34:12 > 0:34:16# With your tender love And sweet ways... #
0:34:16 > 0:34:19You all right? Looks like you've been crying.
0:34:19 > 0:34:22I'm just upset about my friend Dolores.
0:34:23 > 0:34:26Ah. Is that the girl that was found the other night?
0:34:27 > 0:34:28Aye.
0:34:31 > 0:34:33I'm sorry.
0:34:33 > 0:34:34Was she a good friend?
0:34:34 > 0:34:36The best.
0:34:38 > 0:34:40Can I ask?
0:34:40 > 0:34:43Do you not feel scared about coming back after what happened?
0:34:43 > 0:34:45Why would I be?
0:34:46 > 0:34:48Nobody here would have harmed Dolores.
0:34:48 > 0:34:51They don't care about the colour of your skin.
0:34:51 > 0:34:53Most of their heroes are black.
0:34:53 > 0:34:56No, it couldn't have been one of the regulars, no way.
0:34:57 > 0:34:58Mebbies it wasn't a regular.
0:35:00 > 0:35:01Like you, you mean?
0:35:04 > 0:35:05I'm joking.
0:35:07 > 0:35:11No. Dolores wouldn't have wanted me to stop coming here.
0:35:11 > 0:35:13This place meant the world to us.
0:35:18 > 0:35:21You're a much better dancer than I thought you'd be.
0:35:21 > 0:35:22For a cripple.
0:35:26 > 0:35:28Do you want to go somewhere quiet?
0:35:29 > 0:35:31All right.
0:35:34 > 0:35:37MUSIC: "Going to Send You Back To Georgia" by James Carr
0:35:40 > 0:35:43This place made Dolores forget about her boring job,
0:35:43 > 0:35:44her dad, about everything.
0:35:44 > 0:35:45Her dad?
0:35:45 > 0:35:47Aye. He didn't like her seeing lads.
0:35:50 > 0:35:53We had this mad dream about going to America.
0:35:53 > 0:35:55To the clubs in Philadelphia and Detroit.
0:35:55 > 0:35:58She thought she'd meet some big record producer.
0:35:58 > 0:36:01She could sing, you see. She could sing like Aretha.
0:36:01 > 0:36:03What about you? Can you sing?
0:36:03 > 0:36:05Not like Dolores.
0:36:05 > 0:36:07No. I was going to be her manager.
0:36:10 > 0:36:12We'd nearly saved up enough.
0:36:14 > 0:36:15Did her dad know about that?
0:36:15 > 0:36:18Oh, no. He'd have gone nuts.
0:36:26 > 0:36:28So, what do you think happened to her?
0:36:29 > 0:36:31I wish I knew.
0:36:31 > 0:36:33Have the coppers seen you?
0:36:33 > 0:36:35She's just another wog to the cops.
0:36:35 > 0:36:37You should hear some of the names they call us.
0:36:51 > 0:36:53Which way you going?
0:36:53 > 0:36:54This way.
0:36:54 > 0:36:57- I'll give you a lift if you like? - Oh, no, it's all right. I'm going for a swim.
0:36:57 > 0:37:00A quick dip and a cup of coffee and I'm ready to face the world.
0:37:02 > 0:37:04- All right, see you later.- See you.
0:37:07 > 0:37:09Want to keep us company?
0:37:11 > 0:37:14I don't usually carry me trunks with us.
0:37:14 > 0:37:15You can hire them at the baths.
0:37:15 > 0:37:17Aye, all right.
0:37:46 > 0:37:47Selling scrap, mate?
0:37:47 > 0:37:49Bernie Watts around?
0:37:59 > 0:38:01I never met the lass.
0:38:01 > 0:38:03I can't say I'm glad she's dead,
0:38:03 > 0:38:05but I am glad Charlie isn't going to end up with her.
0:38:06 > 0:38:08I told him it's all right for a bit of fun
0:38:08 > 0:38:10but you don't want to be bringing one home.
0:38:11 > 0:38:13Did he listen to you?
0:38:13 > 0:38:16Well, they finished a while back. So yeah, I think he did. He's a good boy really.
0:38:16 > 0:38:19She was pregnant.
0:38:19 > 0:38:21You think my lad had summat to do with that?
0:38:21 > 0:38:24You know what they're like. She was probably putting it about all over.
0:38:24 > 0:38:28We need to stop this Race Relations Bill and end immigration.
0:38:28 > 0:38:31Half the world thinks they're British.
0:38:31 > 0:38:34- Where were you Saturday night? - You think I killed her?
0:38:35 > 0:38:36I'm a businessman.
0:38:36 > 0:38:40My personal feelings come second to my desire to make money.
0:38:40 > 0:38:43A desire shared by your other son Gary.
0:38:43 > 0:38:46The one who sells drugs to the dancers.
0:38:46 > 0:38:49Now, you might as well be talking Swahili, Inspector.
0:38:49 > 0:38:51- Where were you Saturday night? - I was here.
0:38:53 > 0:38:55Anybody with you?
0:38:55 > 0:38:58Tell the Inspector where you were last Saturday.
0:38:58 > 0:38:59Having a few pints with you, Bernie.
0:39:02 > 0:39:05MUSIC: Let's Get It On by Marvin Gaye
0:39:10 > 0:39:13Not sure about these trunks. I don't know where they've been.
0:39:13 > 0:39:15Jump in, the water's lovely!
0:39:15 > 0:39:18- It's like the North Pole in there. - Don't be such a big jessie!
0:39:27 > 0:39:28# Let's get it on
0:39:32 > 0:39:34# Let's get it on
0:39:35 > 0:39:37# Let's love, baby
0:39:39 > 0:39:42# Let's get it on
0:39:42 > 0:39:46# Sugar, let's get it on... #
0:39:49 > 0:39:53Me and Dolores used to come here every morning after an all-nighter.
0:39:53 > 0:39:55With Charlie?
0:39:55 > 0:39:57Aye.
0:39:57 > 0:39:58And Gary?
0:39:58 > 0:40:00No.
0:40:00 > 0:40:03Well, yeah, sometimes, but he'd just sit and watch.
0:40:03 > 0:40:06He always gave me the creeps.
0:40:06 > 0:40:08Charlie said we'd never get the smell of the fish
0:40:08 > 0:40:10out of the water if he did come in.
0:40:10 > 0:40:13He used to give him carbolic soap for his birthday!
0:40:14 > 0:40:16Gary sells fish.
0:40:16 > 0:40:18He's got sole, just the wrong kind.
0:40:25 > 0:40:28# Giving yourself to me
0:40:28 > 0:40:30# Can never be wrong... #
0:40:30 > 0:40:33WHISTLE
0:40:33 > 0:40:34Oi!
0:40:37 > 0:40:39I'd better go.
0:40:39 > 0:40:41I'll come with you.
0:40:41 > 0:40:43No, you're all right. You finish your swim.
0:40:48 > 0:40:49Will I see you next week at the club?
0:40:51 > 0:40:52Maybe.
0:41:03 > 0:41:04What time do you call this?
0:41:05 > 0:41:08I've been for a dip with Carol.
0:41:08 > 0:41:10Dolores's mate.
0:41:10 > 0:41:12That's what they do, they go swimming after.
0:41:12 > 0:41:17You know, they know how to have a good time down there.
0:41:17 > 0:41:20I could really, really get into that Philly Soul. It's amazing.
0:41:20 > 0:41:22Well, I'm glad you enjoyed yourself. What's the...
0:41:22 > 0:41:24Don't worry. It was just a bit of a scuffle.
0:41:24 > 0:41:27So, you feel like telling me what else you found out?
0:41:27 > 0:41:30Yes, sorry. Gary Watts.
0:41:30 > 0:41:33Uses carbolic soap to get rid of the smell of fish off his hands.
0:41:33 > 0:41:34Yeah, you sure?
0:41:34 > 0:41:37Aye, positive. Yeah. Is that how the soap got on her neck?
0:41:37 > 0:41:39Cos he had a thing for her.
0:41:39 > 0:41:43What? Gary got her pregnant? Gary, who thinks it's all jigaboo music?
0:41:43 > 0:41:45Well, Carol says that he was always hanging round her, even though
0:41:45 > 0:41:48it was his brother Charlie that was going out with her.
0:41:48 > 0:41:51Yeah, well, like you said, it's a family affair. What else?
0:41:51 > 0:41:53Oh, er...
0:41:53 > 0:41:55Carol said that Dolores and her had enough money
0:41:55 > 0:41:57to get them both to America.
0:41:57 > 0:41:59Money coming from where, do you think?
0:41:59 > 0:42:01Don't know, she didn't say.
0:42:01 > 0:42:03She doesn't go all the way on a first date then.
0:42:05 > 0:42:06Is she selling drugs for Gary?
0:42:06 > 0:42:08No. Not Carol.
0:42:08 > 0:42:12- Not Carol? - No, no definitely not, no.
0:42:12 > 0:42:15Dolores, she was in the driving seat.
0:42:15 > 0:42:19Oh, and it turns out that Bernie Watts wasn't the only person
0:42:19 > 0:42:23who didn't approve of Charlie and Dolores's, you know...
0:42:23 > 0:42:29Carol says that Ambrose wasn't too happy about her seeing any lads.
0:42:31 > 0:42:32He lied to us.
0:42:32 > 0:42:34Point taken.
0:42:34 > 0:42:36Thank you.
0:42:36 > 0:42:38Get Gary and Charlie in. Gary first.
0:42:40 > 0:42:42I know you've been dealing at the club. I've got a witness.
0:42:42 > 0:42:45Were you working for your dad?
0:42:45 > 0:42:46No.
0:42:47 > 0:42:49I also pulled your file.
0:42:50 > 0:42:54Seems you've got a bit of a nasty streak, Gary.
0:42:54 > 0:42:55Two convictions for assault.
0:42:55 > 0:43:01Dishonourably discharged from the army for attacking an officer.
0:43:02 > 0:43:04Anything else I should know about?
0:43:07 > 0:43:08Did you know that Dolores was pregnant?
0:43:10 > 0:43:12You had a thing for her, didn't you?
0:43:12 > 0:43:16I'm married. Now why would I be shagging her?
0:43:16 > 0:43:19As your dad says, as long as you don't bring them home.
0:43:20 > 0:43:25You use carbolic to get rid of the smell of the fish, don't you?
0:43:26 > 0:43:28Who's telling you all this rubbish, eh?
0:43:28 > 0:43:29Do you or don't you?
0:43:29 > 0:43:31So?
0:43:31 > 0:43:34Traces of the same soap were found on Dolores. On her neck.
0:43:34 > 0:43:36Well, maybe she used it as well.
0:43:36 > 0:43:39No. Girls usually prefer something scented.
0:43:39 > 0:43:42Maybe she couldn't afford Yardley's.
0:43:42 > 0:43:44Were you seeing Dolores?
0:43:44 > 0:43:47No chance. The name's Gary, not Charlie.
0:43:47 > 0:43:51What else were you doing for your father apart from selling drugs?
0:43:52 > 0:43:55Getting rid of unwanted girlfriends?
0:43:56 > 0:44:00You'd better start telling me the truth about you and Dolores
0:44:00 > 0:44:02or I'll do you for drug dealing right now.
0:44:03 > 0:44:04I might have touched her neck.
0:44:04 > 0:44:06You might have touched her neck?
0:44:06 > 0:44:08- When she kissed me. - When did this happen?
0:44:08 > 0:44:09Outside the club.
0:44:09 > 0:44:11You left with her?
0:44:11 > 0:44:12She was upset.
0:44:13 > 0:44:16She'd had an argument or summat with Charlie.
0:44:16 > 0:44:18I went to see if she was all right.
0:44:18 > 0:44:21We kissed goodnight and I went back inside the club.
0:44:21 > 0:44:22How long were you gone?
0:44:22 > 0:44:24Five minutes.
0:44:25 > 0:44:28'He's lying. He fancied her.'
0:44:28 > 0:44:31He's got a face like a butcher's chopping block. It's jealousy.
0:44:31 > 0:44:33Good-looking Charlie got her instead.
0:44:33 > 0:44:36So he smashed her skull in, stuck her in the back of the van,
0:44:36 > 0:44:38went back to the club, dumped her later.
0:44:38 > 0:44:41And what happened to your theory about Ambrose?
0:44:41 > 0:44:42- Sir.- What?
0:44:42 > 0:44:43Charlie Watts is here.
0:44:43 > 0:44:46All right. Get a search warrant for Gary's fish van.
0:44:46 > 0:44:47And speak to Carol again.
0:44:47 > 0:44:49I need to know who was the father of Dolores's baby.
0:44:49 > 0:44:51Surely she told her best friend?
0:44:51 > 0:44:52And if not, why not?
0:44:52 > 0:44:55I need to know what's going on between the four of them.
0:44:57 > 0:44:59I'll sleep when I'm dead, shall I?
0:44:59 > 0:45:01How did you feel about being a dad, Charlie?
0:45:03 > 0:45:04Not thrilled?
0:45:07 > 0:45:10Is that what you and Dolores fought about the night she died?
0:45:13 > 0:45:17You have a clear motive for killing her.
0:45:17 > 0:45:18What motive?
0:45:18 > 0:45:22Jealousy. I've seen it send men to the gallows.
0:45:24 > 0:45:30Gary kissed her the night she died. But you knew that, didn't you?
0:45:30 > 0:45:33Did she get bored with you and then move on to your big brother?
0:46:00 > 0:46:02He told me he was having her.
0:46:02 > 0:46:03Oh?
0:46:05 > 0:46:07Is that what the row was about? She left.
0:46:07 > 0:46:10Gary went after her to comfort her?
0:46:10 > 0:46:13You saw them kissing. You waited for Gary to leave.
0:46:14 > 0:46:16Did you kill her, Charlie?
0:46:16 > 0:46:17No.
0:46:19 > 0:46:20I didn't.
0:46:34 > 0:46:36Hello?
0:46:36 > 0:46:37What are you doing here?
0:46:37 > 0:46:39Looking for you.
0:46:39 > 0:46:40How'd you know I worked here?
0:46:40 > 0:46:42I asked around.
0:46:43 > 0:46:44You're keen.
0:46:44 > 0:46:47I couldn't wait till the next all-nighter. I wanted to see you.
0:46:48 > 0:46:50Can I take you for lunch?
0:46:50 > 0:46:52I've already got my lunch.
0:46:52 > 0:46:54I can do better than a soggy cheese sandwich.
0:46:54 > 0:46:56Soggy cheese sandwich and chips.
0:46:57 > 0:47:01Were you aware that Dolores was saving up to leave for America?
0:47:04 > 0:47:09I found this in she room. She said she'd saved it from she wages.
0:47:09 > 0:47:12Well, she might have got it selling drugs at the club.
0:47:13 > 0:47:15Did she ever mention a Gary Watts?
0:47:15 > 0:47:17Do you think he killed her?
0:47:17 > 0:47:19That is the father of the child?
0:47:19 > 0:47:23We don't know. But she did have another boyfriend.
0:47:23 > 0:47:26Charlie Watts. His brother.
0:47:26 > 0:47:28But surely you knew that, didn't you, Ambrose?
0:47:28 > 0:47:30I don't know anything.
0:47:30 > 0:47:31Come on, Ambrose.
0:47:31 > 0:47:35You've got a daughter who seems to have two white boyfriends. Brothers.
0:47:35 > 0:47:37Whose father, Bernie Watts,
0:47:37 > 0:47:40is one of the worst racialist bigots in the country.
0:47:40 > 0:47:44Plus she might have been in with them selling drugs.
0:47:44 > 0:47:46And you say you didn't know?
0:47:54 > 0:47:56Here you are, cheese and onion toastie.
0:47:56 > 0:47:58Don't say I don't spoil you.
0:47:58 > 0:48:00Where's my chips?
0:48:00 > 0:48:03They don't do chips, sorry about that. Beer's got a head on it, though.
0:48:03 > 0:48:06Ooh. You really know how to sweep a girl off her feet, don't you?
0:48:06 > 0:48:10If you play your cards right I'll take you to the burger van in King Street next time.
0:48:12 > 0:48:15So you're not working today?
0:48:15 > 0:48:17No, no I got a day off.
0:48:17 > 0:48:18I'm in the building trade.
0:48:18 > 0:48:20Only work when it's sunny.
0:48:20 > 0:48:24That's why I moved back to the north east. I'm a lazy bugger.
0:48:24 > 0:48:25Right.
0:48:27 > 0:48:29Mmmm...
0:48:30 > 0:48:32Your toastie's getting cold.
0:48:32 > 0:48:34I'm not really hungry.
0:48:34 > 0:48:37Not had much of an appetite since Dolores was killed.
0:48:42 > 0:48:44Do they have any idea who did it yet?
0:48:44 > 0:48:47No, not that I've heard.
0:48:49 > 0:48:52Maybe she had another lad on the go.
0:48:52 > 0:48:54An older man. Summat like that, maybe?
0:48:56 > 0:48:57Plenty men won't admit it,
0:48:57 > 0:48:59but they like a bit of summat different on the side.
0:48:59 > 0:49:01And what's that supposed to mean?
0:49:01 > 0:49:02Huh? Nothing.
0:49:02 > 0:49:04And Dolores would just go along with that, would she?
0:49:04 > 0:49:07Is that because black girls just like a good shag?
0:49:07 > 0:49:11And they're up for it? They go like bunnies? Is that what you mean?
0:49:11 > 0:49:13I didn't mean it like that. Just thinking out loud.
0:49:13 > 0:49:16No. You weren't thinking, that's the problem.
0:49:16 > 0:49:18Nobody had a reason to kill her.
0:49:20 > 0:49:21Sorry, I didn't mean to upset you.
0:49:21 > 0:49:25Honestly, I don't want you thinking I'm some narrow-minded idiot.
0:49:25 > 0:49:26I really don't.
0:49:30 > 0:49:33Everybody's allowed to make one mistake.
0:49:33 > 0:49:34Just the one, mind.
0:49:35 > 0:49:38We're having a vigil for Dolores tomorrow at the Carlton.
0:49:38 > 0:49:40Would you like to come?
0:49:49 > 0:49:52What was it like when you came here from Trinidad and Tobago?
0:49:52 > 0:49:54Why? Why you want to know?
0:49:54 > 0:49:58I've got an enquiring mind. Comes with the job.
0:49:59 > 0:50:00It was raining.
0:50:01 > 0:50:071940. I trained as a wireless operator, then I was an air gunner.
0:50:10 > 0:50:11And then after 30 missions
0:50:11 > 0:50:13you're entitled to a job on the ground.
0:50:13 > 0:50:16But I wanted to fly. So I retrained as a pilot.
0:50:16 > 0:50:21Do a lot of low-level flying. After the war I met my wife.
0:50:21 > 0:50:23She was an army nurse.
0:50:26 > 0:50:30Well, we just decided to stay. We feel at home.
0:50:31 > 0:50:33What went wrong with you and the wife?
0:50:35 > 0:50:38She wanted more from life than I could give her.
0:50:46 > 0:50:51I just realised how much like she mother Dolores was.
0:50:51 > 0:50:55Did you argue with Dolores about that money you found?
0:50:57 > 0:50:58Did you?
0:50:59 > 0:51:03Look, I understand this must be difficult for you, Ambrose.
0:51:03 > 0:51:07- You feel rejected by the country that you fought for. - I didn't say that.
0:51:07 > 0:51:10No. But it's what you really feel isn't it? Deep down.
0:51:10 > 0:51:14Now you find that your own daughter doesn't respect you either.
0:51:14 > 0:51:19She lies. She gets pregnant. She doesn't even know who the father is.
0:51:19 > 0:51:24So you snap. You lose control. All that anger comes flooding out.
0:51:24 > 0:51:27And you said yourself, she's just like your wife.
0:51:27 > 0:51:29Enough!
0:51:29 > 0:51:32You are not a father.
0:51:33 > 0:51:34Are you?
0:51:39 > 0:51:42Nice cup of tea, and a biscuit.
0:51:44 > 0:51:45There you are.
0:51:46 > 0:51:49How'd you get on?
0:51:49 > 0:51:50Yeah, no, it was, er...
0:51:51 > 0:51:55I didn't find out much about who the father was.
0:51:55 > 0:51:57I don't think she knows.
0:51:57 > 0:52:00But I did get invited to a vigil they're holding for Dolores
0:52:00 > 0:52:02tomorrow at the Carlton.
0:52:03 > 0:52:06Don't worry, I made my excuses.
0:52:06 > 0:52:12RAF records office. The war record of Ambrose Kenny. I asked for it.
0:52:12 > 0:52:13Why?
0:52:13 > 0:52:16Because his son couldn't stay in the same room with him
0:52:16 > 0:52:19when Ambrose told me about his war record.
0:52:19 > 0:52:20What does that mean?
0:52:20 > 0:52:22What it means, John, is that he made the whole thing up.
0:52:22 > 0:52:27He was a clerk in the stores. Why?
0:52:27 > 0:52:28Why do you need to do that?
0:52:28 > 0:52:31Is this the cup final and nobody told me?
0:52:31 > 0:52:33VOICES GATHER
0:52:35 > 0:52:38'Two of them married now, with family.
0:52:40 > 0:52:45'I shan't be satisfied till I have seen them all settled overseas.
0:52:47 > 0:52:52'In this country, in 15 or 20 years' time,
0:52:52 > 0:52:56'the black man will have the whip hand over the white man.
0:52:57 > 0:53:05'Well, I can already hear the chorus of execration.
0:53:05 > 0:53:09'How dare I say such a horrible thing?
0:53:11 > 0:53:16'How dare I stir up trouble and inflame feelings
0:53:16 > 0:53:18'by repeating such a conversation?
0:53:20 > 0:53:25'My answer is that I do not have the right NOT to do so.
0:53:27 > 0:53:29'It almost passes belief that,
0:53:29 > 0:53:36'at this moment, 20 to 30 additional immigrant children
0:53:37 > 0:53:43'are arriving from overseas in Wolverhampton alone every week.
0:53:45 > 0:53:50'And that means 15 or 20 additional families
0:53:50 > 0:53:53'a decade or so hence.
0:53:55 > 0:54:02'Those whom the gods wish to destroy, they first make mad.
0:54:02 > 0:54:07'We must be mad, literally mad, as a nation
0:54:07 > 0:54:11'to be permitting the annual inflow
0:54:11 > 0:54:15'of some 50,000 dependants,
0:54:15 > 0:54:19'who are, for the most part, the material of the future growth...'
0:54:19 > 0:54:21About time somebody said it.
0:54:21 > 0:54:24'..of the immigrant descended population.'
0:54:24 > 0:54:26We have lift off.
0:54:26 > 0:54:29'It is like watching a nation busily engaged
0:54:29 > 0:54:32'in heaping up its own funeral pyre.
0:54:35 > 0:54:38'In these circumstances, nothing will suffice...'
0:54:38 > 0:54:41OK. Get back to work. All of you.
0:54:46 > 0:54:48That's all this country needs.
0:54:54 > 0:54:55Inspector Gently,
0:54:55 > 0:54:57can I have a few words about the Dolores Kenny case please?
0:54:57 > 0:54:59It's ongoing. That's all I can say at the moment.
0:54:59 > 0:55:01Well, how long was she on the game?
0:55:01 > 0:55:03Should other prostitutes in the area be worried?
0:55:06 > 0:55:09Dolores Kenny was not a prostitute.
0:55:10 > 0:55:13And if anybody has any information about what happened to her
0:55:13 > 0:55:15I'd like them to come forward.
0:55:15 > 0:55:17If they could imagine for just one moment it was their daughter
0:55:17 > 0:55:18how would they feel?
0:55:20 > 0:55:22Would you like me to repeat any of that?
0:55:22 > 0:55:24No, no, that's fine.
0:55:26 > 0:55:30Before we have a moment's silence for Dolores,
0:55:30 > 0:55:32her dad would like to say a few words.
0:55:57 > 0:55:59Nobody could want a better daughter than Dolores.
0:56:02 > 0:56:05She was strong-willed, but I don't have to tell you that.
0:56:05 > 0:56:08She was also kind, generous.
0:56:10 > 0:56:13She friends tell me she had a wonderful singing voice.
0:56:16 > 0:56:18But she had a future.
0:56:23 > 0:56:26She has been taken away from us by hatred.
0:56:29 > 0:56:31And that does make you want to hate.
0:56:33 > 0:56:35I don't know why she died.
0:56:36 > 0:56:37I probably never will.
0:56:39 > 0:56:40But she killer,
0:56:40 > 0:56:45he cannot take away our humanity, unless we give it to him.
0:56:46 > 0:56:50I once fought in a war. I see a lot of death.
0:56:50 > 0:56:51So now there is no reason
0:56:51 > 0:56:56why I want to go outside there and kill somebody.
0:56:57 > 0:57:00It's like Dr King and all them does say.
0:57:00 > 0:57:04"You have to fight the hate".
0:57:11 > 0:57:13So come. Let us pray.
0:57:32 > 0:57:36# God save our gracious Queen!
0:57:36 > 0:57:39# Long live our noble Queen!
0:57:39 > 0:57:42# God save the Queen!
0:57:42 > 0:57:43Get out!
0:57:43 > 0:57:46# Send her victorious
0:57:46 > 0:57:48# Happy and glorious
0:57:48 > 0:57:50Stop it. Stop it now!
0:57:50 > 0:57:53# Long to reign over us
0:57:53 > 0:57:55# God save the Queen!
0:57:55 > 0:57:58MUSIC: "Spirit In The Dark" by Aretha Franklin
0:57:58 > 0:58:00# I'm gettin' the spirit in the dark
0:58:01 > 0:58:07# I'm gettin' the spirit in the dark
0:58:10 > 0:58:15# People movin', aw, ain't we groovin'?
0:58:17 > 0:58:21# Just gettin' the spirit
0:58:21 > 0:58:23# In the dark
0:58:25 > 0:58:30# Tell me sister, how do you feel?
0:58:32 > 0:58:35# Tell me my brother, brother
0:58:35 > 0:58:37# Brother, how do you feel?
0:58:39 > 0:58:43# If you feel like dancin'
0:58:43 > 0:58:45# Get up and let's start dancin'
0:58:47 > 0:58:53# Start gettin' the spirit, Spirit in the dark
0:58:53 > 0:58:56# In the dark
0:58:56 > 0:58:57# It's like Sally Walker
0:58:57 > 0:59:00Gary!
0:59:00 > 0:59:02# Sittin' in a saucer
0:59:03 > 0:59:04Joseph!
0:59:04 > 0:59:06- # That's how ya do it- Carol...!
0:59:07 > 0:59:09# It ain't nothin' to it
0:59:10 > 0:59:12What are you doing here?
0:59:12 > 0:59:16- It's fine. I'll sort it. Just stay here. Promise me. - Look, I can't see Joseph!
0:59:16 > 0:59:18# Cover your eyes
0:59:18 > 0:59:20# And move with the spirit
0:59:20 > 0:59:22# Move with the spirit
0:59:22 > 0:59:25# Oh, move
0:59:25 > 0:59:26# Move with the spirit... #
0:59:41 > 0:59:44Enough! Stop it!
0:59:44 > 0:59:45Get him!
0:59:50 > 0:59:54You want some scars, son? Like your friends from Africa?
0:59:54 > 0:59:55Hit him!
0:59:55 > 0:59:58Will that make you happy?
1:00:00 > 1:00:05You need to remember who your people are, son.
1:00:16 > 1:00:18'Ey, 'ey, it's me, man!
1:00:18 > 1:00:20We got a dead man up here!
1:00:50 > 1:00:52Settle down! Settle down!
1:00:55 > 1:00:57Look at me. Look at me, son. You were fighting.
1:00:57 > 1:00:59You admit to fighting. Who did that to you?
1:01:03 > 1:01:05Where do you live?
1:01:06 > 1:01:11Settle down! Will you settle down?!
1:01:15 > 1:01:16You OK?
1:01:17 > 1:01:19Yeah.
1:01:20 > 1:01:21Listen, thanks for, erm...
1:01:22 > 1:01:25What happened to Charlie Watts? We haven't got him.
1:01:25 > 1:01:26Don't know, must have done a runner.
1:01:26 > 1:01:29Oh, brilliant(!)
1:01:29 > 1:01:32Get men watching for him at his flat and the scrapyard.
1:01:44 > 1:01:47You do understand that this could ruin your life?
1:01:47 > 1:01:51Do you want your father to lose both his children?
1:01:51 > 1:01:53I'm not going to confess to something I didn't do,
1:01:53 > 1:01:56- no matter what you do to me. - And what am I going to do to you?
1:01:56 > 1:01:59Maybe I'll accidentally fall down the stairs.
1:01:59 > 1:02:02Well, I don't need to push you down a flight of stairs, Joseph,
1:02:02 > 1:02:04because I've got the knife.
1:02:04 > 1:02:06Then check it for fingerprints.
1:02:06 > 1:02:09Yeah. And it's been wiped clean. I wonder if you knew that already.
1:02:09 > 1:02:11- I'm glad he's dead.- Why? - Because he killed Dolores.
1:02:11 > 1:02:13How do you know that?
1:02:13 > 1:02:15I saw them outside the club together.
1:02:15 > 1:02:17Dolores...
1:02:17 > 1:02:21Dolores. Hey! What's wrong? What's the matter?
1:02:21 > 1:02:25Just talk to me. I'm here for you.
1:02:37 > 1:02:39What are you doing here?
1:02:39 > 1:02:42Taking you home. Can't you see these white boys are using you?
1:02:42 > 1:02:44How long will they stay when people spit at them?
1:02:47 > 1:02:49I'm having a baby.
1:02:52 > 1:02:54- Don't know what to do. - Which one's the father?
1:02:54 > 1:02:56- It's Charlie's.- How do you know?
1:02:56 > 1:03:00Joe. I don't need your anger. I need your help.
1:03:01 > 1:03:03You're just like your mother.
1:03:06 > 1:03:08'You left her alone in the middle of the night?'
1:03:10 > 1:03:12Why didn't you tell me this before?
1:03:12 > 1:03:14I felt ashamed.
1:03:15 > 1:03:19I felt...responsible.
1:03:21 > 1:03:23Can I go home now?
1:03:23 > 1:03:25No. No, you can't.
1:03:31 > 1:03:34I need to speak to this witness, in private.
1:03:41 > 1:03:43My name is John.
1:03:43 > 1:03:44I'm a Detective Sergeant,
1:03:44 > 1:03:47and I was working undercover on Dolores's murder.
1:03:48 > 1:03:49Can I go now?
1:03:49 > 1:03:51No, don't.
1:03:51 > 1:03:53You not finished lying to me yet?
1:03:53 > 1:03:57You not finished using me? Jim.
1:03:57 > 1:03:59I was just trying to find out what happened to Dolores.
1:03:59 > 1:04:02If you'd known I was a copper you'd never have spoken to us.
1:04:03 > 1:04:04That makes it all right, does it?
1:04:04 > 1:04:06I don't know.
1:04:07 > 1:04:08That's for you to decide.
1:04:08 > 1:04:10You know, if I thought you cared -
1:04:10 > 1:04:14if I thought any of you really cared about Dolores - I'd understand.
1:04:14 > 1:04:15I didn't know Dolores.
1:04:17 > 1:04:19But I do want justice for her.
1:04:21 > 1:04:23For you.
1:04:26 > 1:04:27I want you to believe me.
1:04:47 > 1:04:48I told you not to get involved!
1:04:48 > 1:04:49Huh?
1:04:50 > 1:04:52First you go swimming with her,
1:04:52 > 1:04:54next you're snogging her on police premises!
1:04:54 > 1:04:57You told me not to be a wallflower.
1:04:57 > 1:04:59She could have been playing you for a fool.
1:04:59 > 1:05:01She could have been feeding you false information.
1:05:01 > 1:05:02But she didn't.
1:05:08 > 1:05:09How serious is it?
1:05:11 > 1:05:15Well, I hope you are prepared for the stick you'll get.
1:05:15 > 1:05:17It would be career suicide.
1:05:17 > 1:05:19Now, I'm not saying it's right, it's just a fact.
1:05:19 > 1:05:21It won't get that far.
1:05:21 > 1:05:23Well, from what I just saw, it already has.
1:05:23 > 1:05:25She thinks policemen are all bigots.
1:05:25 > 1:05:27Well - she's got a point, hasn't she?
1:05:27 > 1:05:30You've been prejudiced since this case started.
1:05:30 > 1:05:34You thought Dolores was just a bit of exotic, didn't you?
1:05:34 > 1:05:37Not even worth the bother of getting her name right.
1:05:38 > 1:05:39A swim and a kiss.
1:05:40 > 1:05:42That changes you for ever, does it?
1:05:43 > 1:05:45- What about you, sir?- Eh?
1:05:45 > 1:05:46Bending over backwards
1:05:46 > 1:05:48to believe every single word Ambrose Kenny says.
1:05:48 > 1:05:51And hey, what does he turn out to be?
1:05:51 > 1:05:52Biggles of the stores!
1:05:57 > 1:05:59Ambrose Kenny's downstairs, sir.
1:06:11 > 1:06:14It was me, I do it. I killed him.
1:06:15 > 1:06:17I kill him.
1:06:20 > 1:06:23He took my daughter's life. So I take his.
1:06:24 > 1:06:25Sit down, Mr Kenny.
1:06:25 > 1:06:27I don't want to sit down.
1:06:39 > 1:06:40So this knife,
1:06:41 > 1:06:44the murder weapon, is your knife?
1:06:45 > 1:06:49No. I find it on the floor, I just pick it up and I stab Gary Watts.
1:06:50 > 1:06:53What if I said that you're afraid that Joseph stabbed Gary Watts
1:06:53 > 1:06:56and you're taking the blame?
1:06:56 > 1:06:57You would be wrong.
1:06:57 > 1:06:59All right, so how many times did you stab him?
1:06:59 > 1:07:01I can't remember.
1:07:04 > 1:07:09Self-sacrifice is to be admired. Not in this case.
1:07:09 > 1:07:11Don't talk to me about self-sacrifice.
1:07:11 > 1:07:14I fought for the mother country, this country ever fight for me?
1:07:14 > 1:07:18Well, that's not strictly speaking true, is it?
1:07:18 > 1:07:19What do you mean by that?
1:07:29 > 1:07:32"Ambrose Kenny, storeman.
1:07:32 > 1:07:36"September 1942, applied for training as a rear gunner.
1:07:36 > 1:07:38"Application denied.
1:07:38 > 1:07:42"January 1943, applied for training as a rear gunner.
1:07:42 > 1:07:43"Application denied."
1:07:44 > 1:07:46June 1943, same again.
1:07:46 > 1:07:48And again. And again. And again!
1:07:49 > 1:07:52Why'd you make up this pack of lies?
1:08:00 > 1:08:03Same reason you came here today, isn't it?
1:08:05 > 1:08:06For your children.
1:08:07 > 1:08:09One black person is welcome in.
1:08:11 > 1:08:14It's when there's more than one, that's when you people change.
1:08:14 > 1:08:17It's a gradual thing. I watched it happening.
1:08:19 > 1:08:21You start to feel threatened.
1:08:23 > 1:08:26And then one day your children, they come home from school...
1:08:28 > 1:08:32..and they tell you people start to spit at them.
1:08:32 > 1:08:36You get to watch the pain in their eyes, because they don't
1:08:36 > 1:08:38understand why people would say you don't belong here.
1:08:38 > 1:08:40You is a nobody,
1:08:40 > 1:08:43you come from a nobody family and your father is just a bus conductor
1:08:43 > 1:08:44and you're a nobody!
1:08:45 > 1:08:50So one day you start to tell a story.
1:08:50 > 1:08:53It might give them a little piece of pride.
1:08:55 > 1:08:56So, yes.
1:09:04 > 1:09:06I buy these medals in a junk shop.
1:09:08 > 1:09:11I'm not a father, as you pointed out.
1:09:15 > 1:09:17But I hope I would have had the courage to do the same.
1:09:19 > 1:09:22Sir, Charlie Watts has been seen at the scrapyard.
1:09:32 > 1:09:33You wait here, right?
1:09:54 > 1:09:57Jim. What are you doing here?
1:09:57 > 1:10:01Sorry, Charlie. It's John. I need you to come with me.
1:10:03 > 1:10:06All right, don't worry. This way.
1:10:07 > 1:10:08Yeah.
1:10:53 > 1:10:54I need to talk to you.
1:10:55 > 1:10:59Why did you bring Charlie back in? He's already answered your questions.
1:11:00 > 1:11:01No, he hasn't.
1:11:03 > 1:11:05We don't know where he was when Gary was murdered.
1:11:05 > 1:11:08We also can't account for his movements
1:11:08 > 1:11:10on the night that Dolores died.
1:11:10 > 1:11:12You don't understand.
1:11:13 > 1:11:14He couldn't have killed her.
1:11:14 > 1:11:16I know it's hard to believe
1:11:16 > 1:11:21but, you know, sometimes people just act out of character.
1:11:21 > 1:11:22He couldn't have done it.
1:11:22 > 1:11:24Why are you so sure?
1:11:24 > 1:11:26Because I know where he was.
1:11:28 > 1:11:30He was with me.
1:11:34 > 1:11:37MUSIC: "Stronger Than Love" by James Carr
1:11:41 > 1:11:47# Darling, you must have something Stronger than love
1:11:47 > 1:11:48# Oh yeah
1:11:48 > 1:11:54# Darling, you got to have something Stronger than love
1:11:54 > 1:11:55Seen Charlie?
1:11:55 > 1:12:00# Every time I try to leave you alone
1:12:00 > 1:12:02# You really put it on
1:12:02 > 1:12:05# Darling, you got
1:12:05 > 1:12:07She thinks the world of you, honestly.
1:12:23 > 1:12:26Dolores? You all right, pet?
1:12:39 > 1:12:42You had it away with your best mate's boyfriend
1:12:42 > 1:12:44while she was pregnant?
1:12:44 > 1:12:46It was just a kiss.
1:12:47 > 1:12:49Charlie used me to make her jealous.
1:12:49 > 1:12:50He thought she'd been seeing Gary.
1:12:50 > 1:12:55That's why he won't say where he was, and I begged him not to.
1:12:55 > 1:12:57Joseph and Ambrose are like family to me.
1:12:57 > 1:13:00I couldn't stand it if they knew it was my fault.
1:13:05 > 1:13:07Have you told your dad about Carol yet? Have you?
1:13:07 > 1:13:10I feel sorry for him, mate, I really do.
1:13:10 > 1:13:14He thinks he's got rid of one unsuitable girlfriend, and now you go and get yourself another one.
1:13:14 > 1:13:16- John...- What are black girls to you, just fair game?
1:13:16 > 1:13:18That's enough!
1:13:18 > 1:13:21Huh? Go on. Admit it. Admit it. You killed Dolores.
1:13:21 > 1:13:23You cough to that, they might take it easy on you.
1:13:23 > 1:13:27Crime of passion, they'll call it. In France you wouldn't even get a fine. Go on, admit it!
1:13:27 > 1:13:29Oi! I said that's enough!
1:13:33 > 1:13:36I loved Dolores from the moment I laid eyes on her.
1:13:36 > 1:13:39She was the most beautiful girl I'd ever met.
1:13:41 > 1:13:43I should've believed her...
1:13:45 > 1:13:47..but I believed Gary instead.
1:13:49 > 1:13:53He said he'd been shagging her. I was jealous. Angry.
1:13:56 > 1:13:58I kissed Carol to get back at Dolores.
1:14:01 > 1:14:03And Gary?
1:14:03 > 1:14:05Did you kill him?
1:14:08 > 1:14:10There's no point in lying, Charlie.
1:14:11 > 1:14:13Because we got the murder weapon.
1:14:13 > 1:14:15And guess what?
1:14:17 > 1:14:19It's covered in fingerprints.
1:14:19 > 1:14:21You're lying.
1:14:21 > 1:14:23How can you be so sure?
1:14:24 > 1:14:25Eh?
1:14:26 > 1:14:29Is it because you know that the knife was wiped,
1:14:29 > 1:14:31because you wiped it?
1:14:35 > 1:14:36Gary!
1:14:43 > 1:14:44Gary!
1:14:51 > 1:14:53I know what you did.
1:14:53 > 1:14:55It was your baby, wasn't it? Wasn't it?
1:14:57 > 1:15:00Dad didn't want a little brown baby called Watts, now, did he?
1:15:02 > 1:15:03No, Charlie, Charlie.
1:15:03 > 1:15:06I lied about that, OK.
1:15:06 > 1:15:08I never touched Dolores.
1:15:08 > 1:15:09She wouldn't let me.
1:15:11 > 1:15:13It was your baby all along, Charlie.
1:15:15 > 1:15:18I just, I just said it to split yous up.
1:15:22 > 1:15:24So it was my baby?
1:15:25 > 1:15:26Yeah.
1:15:27 > 1:15:29It was my baby.
1:15:32 > 1:15:34You killed her?
1:15:45 > 1:15:46It wasn't me, Charlie.
1:15:47 > 1:15:48I swear it.
1:15:52 > 1:15:53It wasn't me.
1:16:01 > 1:16:02'He didn't kill her.'
1:16:04 > 1:16:06But it's his fault she's dead.
1:16:09 > 1:16:10His and mine.
1:16:11 > 1:16:13Then who did kill her?
1:16:31 > 1:16:33- Joseph?- Leave us alone!
1:16:33 > 1:16:35Joseph...
1:16:41 > 1:16:43Who killed my son?
1:16:43 > 1:16:45His brother.
1:16:45 > 1:16:48No. He's not thinking straight.
1:16:50 > 1:16:52You made him say that.
1:16:54 > 1:16:58You're going to let that black lad get away with killing a white lad.
1:16:58 > 1:17:02You turned your sons against each other, Bernie. Poisoned them.
1:17:02 > 1:17:04You poisoned your own family.
1:17:04 > 1:17:06No.
1:17:06 > 1:17:08They were both good boys.
1:17:09 > 1:17:12Charlie confessed to it five minutes ago.
1:17:15 > 1:17:17Right.
1:17:18 > 1:17:20Time for the truth, Bernie.
1:17:20 > 1:17:22Did you kill Dolores Kenny?
1:17:24 > 1:17:26I hated her.
1:17:28 > 1:17:30I gave her 20 quid to get rid of the baby.
1:17:31 > 1:17:32She took it.
1:17:34 > 1:17:37So what reason did I have to kill her?
1:17:38 > 1:17:41MUSIC: "Cuckoo" by The Monks
1:17:41 > 1:17:44Come out, you coon! Come out! Out!
1:17:48 > 1:17:51Go upstairs and lock yourself in the bathroom.
1:17:51 > 1:17:53Joseph, you're not going out there. They'll kill you.
1:17:53 > 1:17:54- Just go and hide!- No!
1:17:57 > 1:17:58We know you're in there, you know!
1:17:58 > 1:18:00Are we going to do this? Come on.
1:18:00 > 1:18:02Open the door!
1:18:03 > 1:18:05Come on.
1:18:05 > 1:18:08Come on!
1:18:19 > 1:18:21KNOCK AT DOOR
1:18:21 > 1:18:22# Someone playing a joke on me
1:18:22 > 1:18:24# That ain't very hard to see
1:18:24 > 1:18:27# Did you take my
1:18:27 > 1:18:30# Cuckoo!
1:18:30 > 1:18:34# Cuckoo!
1:18:34 > 1:18:36# Now someone thinks I'm a fool
1:18:36 > 1:18:38# Who's got it, who who?
1:18:38 > 1:18:40# Have you got my
1:18:40 > 1:18:42# Cuckoo!
1:18:43 > 1:18:46# Cuckoo!
1:18:48 > 1:18:51# Now if you ain't got my cuckoo
1:18:51 > 1:18:53# Who are you, who who?
1:18:53 > 1:18:54# Hey, you're my cuckoo!
1:18:54 > 1:18:56# Cuckoo! #
1:20:01 > 1:20:02Who do this?
1:20:02 > 1:20:04You did.
1:20:08 > 1:20:09Huh?
1:20:10 > 1:20:12If you'd stopped her seeing a white boy in the first place,
1:20:12 > 1:20:14this wouldn't have happened!
1:20:14 > 1:20:15How I could tell her not to see a boy
1:20:15 > 1:20:17because of the colour of his skin?
1:20:17 > 1:20:20If I do that that make me the same as the people who come and do this!
1:20:20 > 1:20:23You couldn't see what was going to happen, could you?
1:20:25 > 1:20:26When you going to realise?
1:20:26 > 1:20:29When YOU going to realise - they don't want us!
1:20:29 > 1:20:32Not all of them, Joseph. It's not all of them. I don't believe that.
1:20:32 > 1:20:36Oh, aye. But you believed I was capable of murder?
1:20:36 > 1:20:38You believed that? Didn't you?
1:20:39 > 1:20:41You can't blame me for that?
1:20:43 > 1:20:45I mean, look at you. You're so full of anger.
1:20:45 > 1:20:48- And you should be too.- Joseph...
1:20:48 > 1:20:50You can't see.
1:20:51 > 1:20:53I just tried to protect you!
1:20:53 > 1:20:54Aye.
1:20:55 > 1:20:58Like how you protected Dolores?
1:21:02 > 1:21:04Sarge, another friend to see you.
1:21:06 > 1:21:08Mr Bacchus?
1:21:12 > 1:21:14Listen, I don't want to get anybody in trouble, you know,
1:21:14 > 1:21:16especially not myself.
1:21:16 > 1:21:18I've got a living to earn
1:21:18 > 1:21:20and its not like you lot make it easy for girls like me.
1:21:20 > 1:21:21Get on with it.
1:21:33 > 1:21:36I read what you said in the paper, you know,
1:21:36 > 1:21:38about that lass who died on Saturday night.
1:21:39 > 1:21:43About how we should imagine they were our own daughter.
1:21:47 > 1:21:50My customer was driving us in his van
1:21:50 > 1:21:52to the waste ground where I work.
1:21:54 > 1:21:57Well, he'd had a few and he was driving too fast.
1:21:57 > 1:22:00And I felt this thud right next to me.
1:22:00 > 1:22:02I didn't know what was going on.
1:22:03 > 1:22:06So we pulled over. It was pitch black out there.
1:22:07 > 1:22:09There was something in the road.
1:22:10 > 1:22:13He said we'd hit a dog, but I knew he was lying.
1:22:16 > 1:22:19It was that lass out of the paper.
1:22:28 > 1:22:29'He said she was dead.
1:22:31 > 1:22:33'But she wasn't. There was still breath in her.'
1:22:34 > 1:22:36And he wouldn't go for an ambulance.
1:22:38 > 1:22:42He just dragged her over to that ditch and left her there.
1:22:44 > 1:22:45Ambrose, what are you doing?
1:22:47 > 1:22:50Joseph, call the police.
1:22:50 > 1:22:53'We had hit her hard.'
1:22:53 > 1:22:55There was blood on the side mirror
1:22:55 > 1:22:58and the side of her head was bashed in.
1:22:58 > 1:23:01But still I told him, "You have to get help.
1:23:01 > 1:23:04"You can't just leave her like that."
1:23:04 > 1:23:05Sir...
1:23:05 > 1:23:07Minute. Minute.
1:23:07 > 1:23:08He said...
1:23:10 > 1:23:13He said, "What does it matter? She's just a coloured."
1:23:15 > 1:23:16Dad...
1:23:19 > 1:23:20Dad!
1:23:54 > 1:23:59You should walk away, if you know what's good for you.
1:24:01 > 1:24:02Move.
1:24:02 > 1:24:05You take my daughter's life.
1:24:05 > 1:24:07Not true.
1:24:07 > 1:24:11You think you can live while she lying in the ground? That's what you think?
1:24:11 > 1:24:14- Dad? What are you doing? - Wait a minute. I didn't kill anyone.
1:24:16 > 1:24:18Dad, don't!
1:24:18 > 1:24:20- Shut your mouth! - I didn't lay a hand on her.
1:24:20 > 1:24:24- Dad!- Ambrose.- Move!
1:24:24 > 1:24:26Ambrose. Listen to me, please.
1:24:27 > 1:24:32Nobody murdered her. Not Bernie, not Gary. It was a hit and run.
1:24:32 > 1:24:33You expect me to believe that?
1:24:33 > 1:24:36Joseph and Dolores argued that night. Yes?
1:24:36 > 1:24:38Yeah, we did. He's telling the truth.
1:24:38 > 1:24:41She walked home in the dark. She was hit on the side of the head.
1:24:41 > 1:24:44The driver was drunk and he didn't report it.
1:24:44 > 1:24:46It was him that caused it. Not that!
1:24:49 > 1:24:51He left her to die in a ditch.
1:24:53 > 1:24:55You think he would have done that if she was white?
1:24:57 > 1:24:58- Dad, stop!- Ambrose!
1:24:59 > 1:25:02All my life, I try and do the right thing.
1:25:02 > 1:25:06I was brought up well. So I take all the abuse.
1:25:06 > 1:25:07I listen to all your nasty racist jokes
1:25:07 > 1:25:11even though I can see the hatred behind your eyes.
1:25:13 > 1:25:17My son is not going through what I went through.
1:25:21 > 1:25:24- Joseph!- I wanted you to fight back, but not like this.
1:25:25 > 1:25:27I wanted you to stand up for yourself,
1:25:27 > 1:25:29to be someone I could admire. And you are.
1:25:30 > 1:25:31You are.
1:25:33 > 1:25:34I love you.
1:25:35 > 1:25:37Dolores, she loves you.
1:25:39 > 1:25:43You don't need medals to be a hero, Dad. I can see that now. You don't.
1:25:44 > 1:25:47Just...living is hard enough.
1:25:50 > 1:25:52Ambrose...
1:25:55 > 1:25:57Give me the gun.
1:25:58 > 1:25:59Please.
1:26:36 > 1:26:38MUSIC: "Lean On Me" by Bill Withers
1:27:02 > 1:27:07# Sometimes in our lives
1:27:07 > 1:27:09# We all have pain
1:27:10 > 1:27:14# We all have sorrow
1:27:15 > 1:27:20# But if we are wise
1:27:20 > 1:27:24# We know that there's
1:27:24 > 1:27:27# Always tomorrow
1:27:27 > 1:27:30# Lean on me
1:27:30 > 1:27:33# When you're not strong
1:27:33 > 1:27:37# And I'll be your friend
1:27:37 > 1:27:42# I'll help you carry on
1:27:42 > 1:27:46# For it won't be long
1:27:46 > 1:27:50# Till I'm going to need
1:27:50 > 1:27:53# Somebody to lean on
1:27:55 > 1:27:59# Please swallow your pride
1:27:59 > 1:28:02# If I have faith
1:28:02 > 1:28:08# You need to borrow
1:28:08 > 1:28:12# For no-one can fill
1:28:12 > 1:28:15# Those of your needs
1:28:15 > 1:28:20# That you won't let show... #
1:28:45 > 1:28:48Subtitles by Red Bee Media Ltd