0:01:27 > 0:01:28Excuse me. Yes.
0:01:28 > 0:01:30I want you off this beach now, please.
0:01:30 > 0:01:31Have a bit of respect, all right?
0:01:31 > 0:01:34It's not a sight for children is it?
0:01:34 > 0:01:36Some people!
0:01:53 > 0:01:56Bob, Bob, I want these people off that pier, all right?
0:01:56 > 0:01:57I want the whole pier cleared.
0:01:59 > 0:02:01Can you move off the pier, please?
0:02:01 > 0:02:04Quickly now! Sorry, we're moving. We're moving on. Thank you.
0:02:10 > 0:02:13Hello there. Hiya.
0:02:13 > 0:02:14Is she on her own? Yeah.
0:02:16 > 0:02:18My name's John. Are you all right?
0:02:20 > 0:02:21Where's your mummy and daddy?
0:02:21 > 0:02:23They're asleep. Asleep?
0:02:26 > 0:02:28So did you bring out the dog for a walk on your own?
0:02:30 > 0:02:33Do you know what, if you were my little lass,
0:02:33 > 0:02:35I wouldn't let you out of my sight.
0:02:35 > 0:02:37ICE-CREAM VAN JINGLE PLAYS
0:02:37 > 0:02:42I'd also buy you a big fat massive ice cream...
0:02:43 > 0:02:46I think it might be a little bit too early. What do you think?
0:02:46 > 0:02:48No, it's not! No, not too early?
0:02:48 > 0:02:50Come on then, let's go and get one.
0:02:52 > 0:02:53There we go.
0:03:26 > 0:03:28Morning, Sir.
0:03:28 > 0:03:30Nice day for it.
0:03:32 > 0:03:34About 16 to 17 by the looks of it.
0:03:34 > 0:03:37She's no ID, but there's a massive blow to the side of the head.
0:03:39 > 0:03:41Think she was dead before she hit the water.
0:03:41 > 0:03:45She's wearing a Bluebird Holiday Camp uniform.
0:03:45 > 0:03:47Can't have been in the water very long.
0:03:47 > 0:03:50Time of death is... Oh, I dunno, some time today, early hours
0:03:50 > 0:03:54of the morning, something like that. What do you think?
0:03:56 > 0:03:58You all right? Get her in.
0:03:59 > 0:04:00Right, I'll get the lads.
0:04:00 > 0:04:02All right, let's get her in.
0:04:13 > 0:04:14Any witnesses?
0:04:14 > 0:04:16Not yet, no.
0:04:16 > 0:04:20Old fella said he saw a young couple down here last night.
0:04:20 > 0:04:23Could've been her...
0:04:23 > 0:04:25With a bloke - things get out of hand, you know.
0:04:26 > 0:04:29Description fit? Not really, no.
0:04:29 > 0:04:31Was dark though.
0:04:31 > 0:04:32Is that all you've got?
0:04:32 > 0:04:34Give us a chance, sir, will you?
0:04:35 > 0:04:37You searched the pier?
0:04:38 > 0:04:39What?
0:04:40 > 0:04:43The pier. Have you searched the pier? No, not yet.
0:04:43 > 0:04:46Something tells me that the beach is the priority, Guv.
0:04:46 > 0:04:49And something tells me you've not heard of longshore drift.
0:04:49 > 0:04:51That body travelled inland.
0:04:59 > 0:05:02You'd dump her at the furthest point, of course,
0:05:02 > 0:05:05closest to the open sea -
0:05:05 > 0:05:08gives her a better chance of drifting away.
0:05:08 > 0:05:11But you'd be very wrong cos the current would just take her
0:05:11 > 0:05:14straight round, right where she was found.
0:05:16 > 0:05:19A pier at night can house all sorts.
0:05:21 > 0:05:23Meaning? It's more private than the beach.
0:05:23 > 0:05:26Perfect for an illicit night-time stroll, over the waves.
0:05:26 > 0:05:29Very romantic.
0:05:29 > 0:05:31Sounds like you've been there and done that.
0:05:31 > 0:05:34I might have known a late-night stroll along the pier in my time, John.
0:05:34 > 0:05:36Really?
0:05:37 > 0:05:40I don't have you down as a man who likes it al fresco.
0:05:41 > 0:05:44Now, there's a line.
0:05:44 > 0:05:47And I just crossed it. You've just... Yeah, absolutely. Sorry.
0:05:48 > 0:05:51I want every inch of this pier searched. All right. Sorry.
0:05:54 > 0:05:55Bluebird's eh?
0:05:55 > 0:05:58Yeah. Bluebird's three or four miles that way.
0:05:58 > 0:06:01We went there, you know, me and Lisa. Did you?
0:06:01 > 0:06:03Mmm, a few years back. It was good.
0:06:03 > 0:06:04Just after Leigh-Anne was born.
0:06:06 > 0:06:09We went to a holiday camp right after the war.
0:06:09 > 0:06:13Never seen so many families in one place, you know,
0:06:13 > 0:06:15enjoying themselves for the first time.
0:06:15 > 0:06:17A whole new world.
0:06:17 > 0:06:20BACCHUS SIGHS
0:06:20 > 0:06:21Are you missing Leigh-Anne?
0:06:23 > 0:06:25Yeah.
0:06:25 > 0:06:28I've not seen her for three week. Can you believe that?
0:06:28 > 0:06:30That's not enough, is it? No, it's not enough.
0:06:31 > 0:06:33I'm fine when I'm not thinking about her.
0:06:33 > 0:06:35You know, I'm fine then.
0:06:35 > 0:06:37But you think about her all the time.
0:06:38 > 0:06:39Yeah.
0:06:53 > 0:06:55Isabel!
0:06:59 > 0:07:00Sorry.
0:07:17 > 0:07:21Welcome to Bluebird! Can I help you, gentlemen?
0:07:21 > 0:07:23Wives powdering their noses in the car,
0:07:23 > 0:07:26and children causing mischief after a long drive, I'll bet?
0:07:26 > 0:07:28Let me get someone to help you with your bags.
0:07:28 > 0:07:30No, thank you. I'm DCI Gently.
0:07:30 > 0:07:32Could we speak to the manager, please?
0:07:32 > 0:07:33Of course.
0:07:33 > 0:07:36Well, would you like a lift?
0:07:36 > 0:07:38No, thank you. We'll walk.
0:07:38 > 0:07:40I'll show you the way.
0:07:42 > 0:07:43Go!
0:07:43 > 0:07:47One, two, three,
0:07:47 > 0:07:50four, five, six...
0:07:52 > 0:07:55FAIRGROUND ORGAN PLAYS
0:08:20 > 0:08:22Sorry to disturb, Miss Stretch,
0:08:22 > 0:08:25these gentlemen wish to see Mr Stretch. They're policeman.
0:08:27 > 0:08:30Thank you, Justine. Detective Chief Inspector Gently.
0:08:30 > 0:08:32Cherry. This is Detective Sergeant Bacchus.
0:08:33 > 0:08:35My brother Todd shouldn't be long.
0:08:35 > 0:08:37It's all a bit manic here today.
0:08:39 > 0:08:42The body of a young woman was found this morning.
0:08:42 > 0:08:44We believe that she worked here.
0:08:44 > 0:08:47Obviously we're very anxious to identify her.
0:08:47 > 0:08:48Anyone missing?
0:08:48 > 0:08:50I'm...I'm sorry?
0:08:50 > 0:08:52Body was found on the beach near the pier.
0:08:52 > 0:08:54Why do you think she worked here?
0:08:54 > 0:08:56She wore a Bluebird uniform.
0:08:56 > 0:08:58Right.
0:08:58 > 0:09:00Anyone missing, to your knowledge?
0:09:00 > 0:09:02Well...I don't know.
0:09:02 > 0:09:04Staff rotas aren't really my thing.
0:09:05 > 0:09:07Might need to try harder than that.
0:09:09 > 0:09:11All my workers live on site.
0:09:11 > 0:09:13There's a late-comers board.
0:09:13 > 0:09:15If someone hasn't clocked in, then their name get's chalked up.
0:09:15 > 0:09:17Good. Shall we?
0:09:24 > 0:09:27Hello, Mr Stretch. Sophie. Sally.
0:09:27 > 0:09:29Do you live on site, Mr Stretch?
0:09:29 > 0:09:32No. I live at home with my wife and two daughters.
0:09:32 > 0:09:34I'm very lucky.
0:09:40 > 0:09:42Business good? Chin up, Lottie.
0:09:42 > 0:09:46Oh, yes. We are a powerhouse, gentlemen - built from dust.
0:09:46 > 0:09:49But a few loans started my father off,
0:09:49 > 0:09:52and he opened the doors in '36.
0:09:52 > 0:09:55No-one had ever seen anything quite like it.
0:09:55 > 0:09:57Family holidays for the masses.
0:09:57 > 0:09:59We've been full to bursting ever since.
0:09:59 > 0:10:02You know there is a great pleasure in
0:10:02 > 0:10:03having to turn punters away.
0:10:05 > 0:10:06Here we are.
0:10:06 > 0:10:07Ah, Megan.
0:10:09 > 0:10:11Blue for Bluebird? Yes.
0:10:11 > 0:10:14Does she live with anybody, share a room?
0:10:14 > 0:10:16Justine Leyland, I believe. Senior Bluebird.
0:10:16 > 0:10:18We've met her already.
0:10:18 > 0:10:21Ah, yes. She's been scooping up the new arrivals,
0:10:21 > 0:10:24and hurling them into a dance competition to whet their appetite.
0:10:24 > 0:10:28I think the Bluebirds will be arriving in the dance hall now.
0:10:28 > 0:10:29Thank you.
0:10:29 > 0:10:30Inspector? Yes.
0:10:30 > 0:10:36Now, we can keep all this a little...low, can't we?
0:10:36 > 0:10:38I'm sorry? People are on their holidays.
0:10:38 > 0:10:40Yes?
0:10:40 > 0:10:44Well, this is a camp of smiles.
0:10:44 > 0:10:46It's a holiday from their grey little lives.
0:10:46 > 0:10:50We don't want a gloomy little storm cloud gathering.
0:10:50 > 0:10:53Are you asking us to protect your business, Mr Stretch?
0:10:53 > 0:10:55Simply asking for a little discretion.
0:10:55 > 0:10:59I don't think you've quite got it yet, have you?
0:10:59 > 0:11:02A member of your staff has been found dead.
0:11:03 > 0:11:07We need staff rotas, the names of everybody who was working last night.
0:11:07 > 0:11:09Oh, and the guests. Of course.
0:11:09 > 0:11:11We need the names of all the guests.
0:11:12 > 0:11:14Dance hall, you said?
0:11:30 > 0:11:35MUSIC: "Helpless" by Kim Weston
0:11:49 > 0:11:51I'm happy to be the girl if you fancy a dance.
0:11:53 > 0:11:55No, you're all right, thank you very much.
0:11:56 > 0:11:57Lisa and I won this, you know.
0:11:57 > 0:11:59Did you? Won the cup in this very room.
0:11:59 > 0:12:01She's a good mover is Lisa.
0:12:02 > 0:12:04Really cracking little dancer.
0:12:04 > 0:12:07I mean, she wouldn't have won the cup without me.
0:12:07 > 0:12:08Is that right? Yeah.
0:12:08 > 0:12:10Fred Astaire of the North-East, me.
0:12:12 > 0:12:14Look at the moves.
0:12:16 > 0:12:17Quality.
0:12:17 > 0:12:22Well, much as I'd like to stand here and admire your...fluidity.
0:12:25 > 0:12:26Well done, campers!
0:12:26 > 0:12:29Wow, are you all trained or something?
0:12:29 > 0:12:30They said that when we were here.
0:12:30 > 0:12:33So, the dance competition is now closed,
0:12:33 > 0:12:37so now we have the Bluebird Boppers while our judges make their decision
0:12:37 > 0:12:41and it won't be long till this little cup get's given to one lucky family.
0:12:41 > 0:12:44Could we have a word, please? Inspector?
0:12:44 > 0:12:46Somewhere quieter.
0:12:54 > 0:12:58So, ladies and gentlemen, a big hand for the Bluebird Boppers!
0:12:58 > 0:13:00CHEERING
0:13:00 > 0:13:02So, your cabin mate Megan Webb...
0:13:02 > 0:13:03What about her?
0:13:03 > 0:13:06She didn't come to work this morning.
0:13:06 > 0:13:08Yeah, well, she's always late.
0:13:08 > 0:13:10She'll stroll in any minute looking immaculate.
0:13:10 > 0:13:12Do you share a cabin?
0:13:12 > 0:13:15There's three of us. Who's the third?
0:13:15 > 0:13:17Gail. Little kitchen maid.
0:13:17 > 0:13:20Buried in chip fat, as we speak, lucky old thing.
0:13:20 > 0:13:22When's the last time that you saw Megan?
0:13:22 > 0:13:24Be last night, on stage.
0:13:24 > 0:13:26She'd finished after the first show.
0:13:26 > 0:13:29Did she come back here at all last night?
0:13:30 > 0:13:33No. Was she meeting anybody?
0:13:34 > 0:13:35Well, she didn't say she was.
0:13:38 > 0:13:41What's going on? We're just making some enquiries.
0:13:41 > 0:13:43Really?
0:13:43 > 0:13:45Two plain-clothes detectives?
0:13:46 > 0:13:48We've found a body - a girl.
0:13:48 > 0:13:50She was wearing a Bluebird uniform.
0:13:50 > 0:13:54Long blonde hair, very pretty.
0:13:57 > 0:13:58No!
0:14:01 > 0:14:05What was Megan wearing when you saw her last?
0:14:05 > 0:14:06Er...
0:14:06 > 0:14:09Her uniform.
0:14:09 > 0:14:11She'd just finished her shift.
0:14:11 > 0:14:13Was that the last time you saw her?
0:14:13 > 0:14:15I told you, she didn't come back last night.
0:14:15 > 0:14:17You didn't report her?
0:14:17 > 0:14:18I'm her friend, so, no.
0:14:20 > 0:14:21That's what we do.
0:14:22 > 0:14:25She's got enough black marks next to her name as it is.
0:14:25 > 0:14:26Did she have a boyfriend?
0:14:28 > 0:14:30Not that I know of.
0:14:30 > 0:14:31Are you sure?
0:14:31 > 0:14:33I told you, I don't know.
0:14:33 > 0:14:35Well, thank you,
0:14:35 > 0:14:38you'll want to be getting back to announce those winners.
0:14:38 > 0:14:41Until we've spoken to the family, got a positive ID...
0:14:41 > 0:14:44You want me to keep me mouth shut. Well, it might not be her.
0:14:45 > 0:14:47Yeah, but it might.
0:14:47 > 0:14:49Yeah.
0:14:50 > 0:14:55MUSIC: "Heaven Must Have Sent You" by Bonnie Pointer
0:15:33 > 0:15:34Lisa, it's me.
0:15:36 > 0:15:38Yeah. Listen,
0:15:38 > 0:15:41I was wondering if I could see Leigh-Anne this weekend?
0:15:41 > 0:15:42I know it's not my weekend.
0:15:44 > 0:15:46Right.
0:15:47 > 0:15:50No, no, I can't wait three weeks. It's not fair.
0:15:51 > 0:15:52Why?
0:15:54 > 0:15:57I know what the agreement is, Lisa. Once a month's not enough,
0:15:57 > 0:15:59it's nowhere near, it's not even close.
0:16:00 > 0:16:03No, no, I'm her dad, Lisa. I'm her dad!
0:16:03 > 0:16:06And I only get to see her 12 times a year.
0:16:06 > 0:16:0712 - it's ridiculous!
0:16:08 > 0:16:10No, listen...
0:16:10 > 0:16:12I don't think you realise how ridi...
0:16:12 > 0:16:13Oh, you stupid...!
0:16:17 > 0:16:19She hung up on us.
0:16:19 > 0:16:20Can you believe that?
0:16:20 > 0:16:22Must be your softly-softly approach, John.
0:16:22 > 0:16:24What's that supposed to mean?
0:16:24 > 0:16:25It means easy does it.
0:16:27 > 0:16:28Come on.
0:16:31 > 0:16:33Pathology report's back.
0:16:35 > 0:16:37John? Huh?
0:16:37 > 0:16:39Sorry, go on.
0:16:39 > 0:16:41No sign of rape, or sexual assault.
0:16:41 > 0:16:42She wasn't a virgin.
0:16:44 > 0:16:46And no water in the lungs.
0:16:46 > 0:16:49Well, that means she'd have been dead when she hit the water, doesn't it?
0:16:49 > 0:16:52Very. It'd only been there a few hours.
0:16:52 > 0:16:56Time of death was between eight and ten on Saturday evening.
0:16:56 > 0:16:58It'd have been busy in the pier, Saturday night.
0:16:58 > 0:17:00I don't think she died on the pier, John.
0:17:01 > 0:17:04I think she was killed somewhere else,
0:17:04 > 0:17:06kept there for eight or so hours,
0:17:06 > 0:17:09and then taken to the pier, dumped over the side.
0:17:10 > 0:17:13Somebody hoped that she would just drift away without a trace.
0:17:14 > 0:17:16That's a bit stupid, that, isn't it?
0:17:16 > 0:17:17Yeah, very.
0:17:34 > 0:17:35What happens now?
0:17:37 > 0:17:39Well, can we drive you home?
0:17:39 > 0:17:41I've got the car.
0:17:41 > 0:17:43Don't you want to talk to us?
0:17:43 > 0:17:44We can do that later.
0:17:44 > 0:17:45I want to do it now.
0:17:45 > 0:17:47Agnes... Well, what are we going to do?
0:17:47 > 0:17:50Go home, chop some vegetables, put the radio on? Darling...
0:17:50 > 0:17:51Inspector?
0:17:53 > 0:17:54She told us at dinner...
0:17:56 > 0:17:57..about the job at the camp.
0:17:58 > 0:18:00It was my birthday.
0:18:00 > 0:18:02I'd made a quiche Lorraine.
0:18:02 > 0:18:05One always hopes that someone else will cook on your birthday,
0:18:05 > 0:18:06but not this time.
0:18:10 > 0:18:12Megan! On the table!
0:18:17 > 0:18:18Megan!
0:18:29 > 0:18:30Megan.
0:18:33 > 0:18:36Patrick, did you polish both serving spoons?
0:18:36 > 0:18:38Yes, I think so...
0:18:38 > 0:18:39You think?
0:18:41 > 0:18:45I'll do it.
0:18:45 > 0:18:47When you ask if you can help, dear, and then don't do the very thing
0:18:47 > 0:18:50that I ask, there really is very little point, is there?
0:19:04 > 0:19:05Have we got any butter?
0:19:06 > 0:19:08There's already butter on the potatoes.
0:19:10 > 0:19:11I'd like to put a bit more on.
0:19:11 > 0:19:13You heard your mother, you don't need any more.
0:19:16 > 0:19:18I'd like some more, please.
0:19:23 > 0:19:25Run along and get it then.
0:19:31 > 0:19:32We'll wait till you return.
0:19:43 > 0:19:45I've got a job at the Bluebird Holiday Camp.
0:19:48 > 0:19:49And so it began.
0:19:51 > 0:19:53She left when?
0:19:53 > 0:19:55The following morning. She was resolute.
0:19:55 > 0:19:56She took the bus.
0:19:57 > 0:19:59The blue one, with the flaky upholstery.
0:20:01 > 0:20:02When was this?
0:20:04 > 0:20:05About two months ago.
0:20:05 > 0:20:07And you haven't seen her since?
0:20:07 > 0:20:09No.
0:20:09 > 0:20:11Did you visit her at the camp?
0:20:11 > 0:20:13No.
0:20:14 > 0:20:16Thank you, Rachel.
0:20:19 > 0:20:22Was this new, this desire to break free?
0:20:24 > 0:20:27The last two years have been rather disruptive, Inspector.
0:20:29 > 0:20:34Cos we...we moved, from London to Newcastle -
0:20:34 > 0:20:36from a dear little house in Richmond.
0:20:38 > 0:20:40Nice neighbours, everything just as we wanted it.
0:20:40 > 0:20:43And Patrick got a promotion up here.
0:20:45 > 0:20:47He's from Newcastle, you see.
0:20:49 > 0:20:51And then after the move,
0:20:51 > 0:20:55Megan did become perhaps a little surly,
0:20:55 > 0:20:58but then she did have dreams of achieving something
0:20:58 > 0:21:01which was just beyond the realms of possibility.
0:21:01 > 0:21:02What was that?
0:21:02 > 0:21:05She wanted to become an actress, a performer.
0:21:06 > 0:21:07You didn't approve?
0:21:09 > 0:21:12It's a wildly frivolous occupation, Inspector, bound in...
0:21:13 > 0:21:16..uncertainty and self-indulgence
0:21:16 > 0:21:19and those who really need it are fragile creatures, in my opinion.
0:21:19 > 0:21:21"Look at me!" Isn't that what it's saying?
0:21:21 > 0:21:24Perhaps. Was she good at it?
0:21:25 > 0:21:27What? Megan, was she any good?
0:21:27 > 0:21:29Was she a good performer?
0:21:30 > 0:21:32I've no idea.
0:21:32 > 0:21:35But the notion of her wanting to get a job at the camp
0:21:35 > 0:21:38to achieve her dreams was quite frankly laughable.
0:21:39 > 0:21:41Why was that?
0:21:42 > 0:21:45The Bluebird Holiday Camp is hardly the Royal Shakespeare Company, is it?
0:21:47 > 0:21:51It's a playground for those with less than Patrick and I.
0:21:53 > 0:21:55We prefer to holiday at Whitby.
0:21:55 > 0:21:56Wonderful steam train.
0:21:58 > 0:21:59I love steam trains.
0:22:04 > 0:22:07Did she contact you after she got to the camp
0:22:07 > 0:22:08or while she was there?
0:22:08 > 0:22:10She wrote.
0:22:13 > 0:22:15Once. Can we see it, that letter?
0:22:17 > 0:22:18I don't have it.
0:22:18 > 0:22:20I saw no reason to keep it.
0:22:26 > 0:22:28Was she precious to you, your daughter?
0:22:28 > 0:22:30What sort of a question is that?
0:22:30 > 0:22:35Well, parents don't usually throw away their children's letters, do they?
0:22:35 > 0:22:38Especially if they haven't seen them for a few weeks,
0:22:38 > 0:22:39their only daughter.
0:22:39 > 0:22:42She was enjoying being amongst all those campers,
0:22:42 > 0:22:43enjoying the hysteria.
0:22:43 > 0:22:46I saw no reason to read that letter more than once.
0:22:48 > 0:22:51Right, one more question. What were you both doing last night?
0:22:53 > 0:22:54What, pray, are you suggesting?
0:22:55 > 0:22:57Just answer the question, please.
0:23:00 > 0:23:02We went to the theatre.
0:23:03 > 0:23:05At the village hall.
0:23:05 > 0:23:08Amateur dramatic production of Kiss Me Kate -
0:23:08 > 0:23:10it was rather good.
0:23:12 > 0:23:13Thank you.
0:23:25 > 0:23:29I'd run away to a holiday camp if that was the alternative. Indeed.
0:23:31 > 0:23:33She didn't seem very upset, did she?
0:23:33 > 0:23:35Visibly unmoved, I'd say.
0:23:38 > 0:23:40Methodical. Taut.
0:23:40 > 0:23:42We'd better check their alibi.
0:23:42 > 0:23:43I could do that.
0:23:43 > 0:23:45All right. I've got it.
0:23:45 > 0:23:48You still here? I'm compartmentalising.
0:23:48 > 0:23:52What? Well, er, your filing system is, um, questionable...
0:23:52 > 0:23:54Sir. Is it now?
0:23:54 > 0:23:56No, it's not. It's not? No.
0:23:56 > 0:23:59Well, you see, Detective Sergeant, I would be interested
0:23:59 > 0:24:01in your definition of an operational filing system
0:24:01 > 0:24:03when there appears to be a lack of any files.
0:24:03 > 0:24:06It's all right. It's all there.
0:24:06 > 0:24:09Yeah, well, it's all there, yeah, but in what semblance of order
0:24:09 > 0:24:13because, well, ideally if we could actually locate the information that we do have,
0:24:13 > 0:24:17well, it might give us more time to look for the information we don't have.
0:24:17 > 0:24:19Well, it's really that simple, I'd say.
0:24:19 > 0:24:21Well, you carry on, Rachel.
0:24:21 > 0:24:23I, for one, am glad you're here. For one.
0:24:23 > 0:24:26Oi! She was wearing a good wig, Mrs Webb.
0:24:27 > 0:24:30What relevance is that? Probably none.
0:24:30 > 0:24:32I never noticed she was wearing a wig.
0:24:32 > 0:24:35Well, that's because you're a man, sir. Is that a fact?
0:24:37 > 0:24:40Well, Rachel, you coordinate with Sergeant Bacchus, I'd like you with us.
0:24:40 > 0:24:43We're going to need help speaking to everybody in the camp
0:24:43 > 0:24:47and nobody is to check out until they've been interviewed.
0:24:54 > 0:24:55Take that.
0:25:02 > 0:25:04"Semblance of order", huh?
0:25:04 > 0:25:07She's only been here two minutes, man,
0:25:07 > 0:25:09she's fiddling around with everything.
0:25:09 > 0:25:10Calm down. She's a good copper.
0:25:10 > 0:25:13Aye, so everyone keeps telling us. I don't see it, myself.
0:25:13 > 0:25:15I mean, it's nice to have somebody here to make a cup of tea,
0:25:15 > 0:25:18she'd be good for that, granted. I wanted her here.
0:25:18 > 0:25:20We don't need her. Well, I say we do, John. Oh, well, you would.
0:25:20 > 0:25:23She thinks you walk on water.
0:25:25 > 0:25:27Are you jealous? What?
0:25:27 > 0:25:29You know, bright young spark, hard worker.
0:25:29 > 0:25:32What are you saying? You know what I'm saying.
0:25:32 > 0:25:34You might want to step up, John.
0:25:36 > 0:25:38Put a bit of seniority in your stride.
0:25:38 > 0:25:41That wouldn't harm you, would it?
0:26:09 > 0:26:11Cherry? Yes?
0:26:22 > 0:26:25I was at home last night, all right?
0:26:27 > 0:26:28You want me to lie?
0:26:28 > 0:26:30It's a tiny little white lie.
0:26:30 > 0:26:32Todd... If you wouldn't mind.
0:26:37 > 0:26:38Is there something I don't know?
0:26:41 > 0:26:42Just do it.
0:27:57 > 0:27:58Daddy!
0:27:58 > 0:28:03Hey, baby girl, let's have a look at you.
0:28:03 > 0:28:05Beautiful.
0:28:05 > 0:28:07I did this myself. My very first plait.
0:28:07 > 0:28:10Let me have a look at that. Wowee, that's fantastic.
0:28:10 > 0:28:12You're amazing, do you know that?
0:28:12 > 0:28:14I didn't even know you were coming.
0:28:14 > 0:28:16Well, I wanted to surprise you, didn't I? Eh?
0:28:16 > 0:28:18Are those your friends over there?
0:28:18 > 0:28:20Why don't you go and play with them for ten minutes
0:28:20 > 0:28:23and I'll just have a quick word with your mum, all right?
0:28:23 > 0:28:25See you in a bit. What are you doing?
0:28:25 > 0:28:26I'm talking to my daughter.
0:28:26 > 0:28:28It's not your day.
0:28:29 > 0:28:31It's not my day to talk to my daughter?
0:28:31 > 0:28:35See, this is what it is with you... John, this is just how it works.
0:28:35 > 0:28:38It works for you, it doesn't really work for me!
0:28:38 > 0:28:40Will you calm down? We're just outside the school gates.
0:28:40 > 0:28:44I know where we are, Lisa. All right, thank you very much.
0:28:44 > 0:28:46You see her every month. It's what we agreed.
0:28:46 > 0:28:48No, it's what you decided.
0:28:48 > 0:28:51I had no choice, unless I take you to court, remember? Oh, come on!
0:28:51 > 0:28:54You see her about as much as I think you can manage.
0:28:54 > 0:28:57You don't even pick her up on time. That happened once.
0:28:57 > 0:28:58Twice.
0:28:58 > 0:29:01In two years that's not that bad.
0:29:01 > 0:29:02I try, Lisa.
0:29:02 > 0:29:05I might not be perfect, like you, but I try.
0:29:05 > 0:29:07Yeah, you really try.
0:29:07 > 0:29:09You know how to patronise me, don't you?
0:29:09 > 0:29:11We all know you're in charge, Lisa,
0:29:11 > 0:29:13you keep ramming it down me bloody throat!
0:29:13 > 0:29:15I don't want to talk to you any more, John. Leigh-Anne!
0:29:15 > 0:29:17You can't do this. You can't just turn up.
0:29:17 > 0:29:20You're being aggressive, you're frightening me.
0:29:20 > 0:29:23I'm taking Leigh-Anne into school, you can see her in a few weeks.
0:29:25 > 0:29:26I just want to see her!
0:29:41 > 0:29:44Morning. Do you ever sleep, you?
0:29:44 > 0:29:46Do you ever smile?
0:29:46 > 0:29:49I've done blocks A to F. Course you have.
0:29:49 > 0:29:51You really don't like me, do you?
0:29:51 > 0:29:53No. No, it's not that. I just don't need you here.
0:29:53 > 0:29:56I can do it, all right, that's the point. Right, so you'll know about
0:29:56 > 0:29:58the staff meeting, then, starting in five minutes?
0:29:58 > 0:30:00Yeah, yeah.
0:30:06 > 0:30:07You all right?
0:30:07 > 0:30:09You're late.
0:30:09 > 0:30:10Er, yeah.
0:30:10 > 0:30:12Sorry.
0:30:12 > 0:30:14Right, two tickets for Kiss Me Kate
0:30:14 > 0:30:17was purchased under Patrick Webb's name,
0:30:17 > 0:30:20but only one person went and that was Patrick.
0:30:20 > 0:30:23Apparently he arrived alone.
0:30:23 > 0:30:25And he sold the second ticket back to the box office
0:30:25 > 0:30:27just before the show.
0:30:27 > 0:30:29CACKLING
0:30:29 > 0:30:31Was she any good?
0:30:31 > 0:30:32Get Mrs Webb in. Right.
0:30:32 > 0:30:33Whoo!
0:30:35 > 0:30:36Is everyone here?
0:30:36 > 0:30:38I have an announcement to make.
0:30:41 > 0:30:42We have lost...
0:30:43 > 0:30:46..one of our most beautiful Bluebirds.
0:30:49 > 0:30:51Megan Webb...
0:30:51 > 0:30:53has been found dead off-camp.
0:30:53 > 0:30:56SHOCKED MURMURING
0:31:00 > 0:31:01I'm so sorry.
0:31:04 > 0:31:08It is vital that you are able to seek solace in each other,
0:31:08 > 0:31:15but it is also vital that we maintain a standard for our campers.
0:31:15 > 0:31:16And a smile.
0:31:18 > 0:31:21And you will find yourself having to answer many difficult questions,
0:31:21 > 0:31:25but your bright and breezy answer to them is this -
0:31:25 > 0:31:27it is sunshine
0:31:27 > 0:31:30and business as usual at the Bluebird Holiday Camp.
0:31:32 > 0:31:34Now, the police, of course, are investigating,
0:31:34 > 0:31:40and I trust that you will be as co-operative as they require.
0:31:40 > 0:31:43But I've asked them to conduct their inquiries in a manner
0:31:43 > 0:31:46which will not upset our campers.
0:31:46 > 0:31:49This, I must emphasise, is paramount.
0:31:49 > 0:31:50That is all.
0:31:54 > 0:31:56Lovely speech. MR STRETCH: Lovely girl.
0:31:56 > 0:31:58Hello. I'm WPC Coles.
0:31:58 > 0:32:01I was wondering if I could ask you a few questions.
0:32:01 > 0:32:04I've always had a thing about female police officers.
0:32:04 > 0:32:05Oh, goodie for me.
0:32:05 > 0:32:07I'm Detective Sergeant Bacchus. I'd like to ask you a few questions.
0:32:07 > 0:32:10It's all right, Sergeant. I've got this. Hope so.
0:32:11 > 0:32:12Name?
0:32:12 > 0:32:15Manners. Gary Manners. Mr Manners,
0:32:15 > 0:32:17you worked with Megan Webb, is that correct?
0:32:17 > 0:32:20You don't quite hold the same appeal as your colleague.
0:32:20 > 0:32:21Answer the question, pal, all right?
0:32:23 > 0:32:25I worked with her, yeah.
0:32:25 > 0:32:26You worked with her...
0:32:26 > 0:32:27I bet she was on your radar
0:32:27 > 0:32:30because you clearly have a thing with the lasses, don't you?
0:32:30 > 0:32:34Aye, well, Megan clearly had a thing for the gents. Hey, come back.
0:32:36 > 0:32:38Did she have a thing for you?
0:32:40 > 0:32:42That's interesting. Maybe not.
0:32:42 > 0:32:45Write this down. Megan Webb had taste.
0:32:45 > 0:32:47What did you just say?
0:32:47 > 0:32:49Aye, go on.
0:32:50 > 0:32:52Go on, Mr Manners, I dare you.
0:32:52 > 0:32:54The thrill of chucking you in a police cell
0:32:54 > 0:32:57would absolutely make my day, so go on.
0:32:58 > 0:32:59After you.
0:33:03 > 0:33:06Right. That's what I thought.
0:33:06 > 0:33:08I'm a grown-up, you know. I can cope.
0:33:08 > 0:33:10The guy's an idiot. Aye. You're an idiot.
0:33:13 > 0:33:15Knight in shining armour, eh?
0:33:15 > 0:33:17What? No, the guy's an idiot.
0:33:20 > 0:33:21What?
0:33:21 > 0:33:22What?!
0:33:31 > 0:33:34Relations between staff members. Yes.
0:33:34 > 0:33:36Encouraged? Banned?
0:33:36 > 0:33:37Todd hates it.
0:33:37 > 0:33:39But it goes on.
0:33:39 > 0:33:42What about Megan and that Gary Manners fella? Anything there?
0:33:42 > 0:33:44I don't know. Quick fling, maybe?
0:33:44 > 0:33:45Well, when he heard about Megan,
0:33:45 > 0:33:48he looked as though he'd been punched in the stomach.
0:33:48 > 0:33:50Well...
0:33:50 > 0:33:53It's been a terrible shock for us all.
0:33:53 > 0:33:56Do you know what happened between them? Who broke it off?
0:33:56 > 0:33:57No. Sorry.
0:33:57 > 0:34:01Could you confirm what your brother was doing on Saturday night?
0:34:01 > 0:34:03He went home to his wife.
0:34:03 > 0:34:05He left here around four and I didn't see him again
0:34:05 > 0:34:07until the morning. And yourself?
0:34:07 > 0:34:09I was supervising the dining hall.
0:34:09 > 0:34:12We had a supervisor off sick, so I offered to step in.
0:34:12 > 0:34:14I finished my shift around ten.
0:34:14 > 0:34:16Rather a late night for me.
0:34:16 > 0:34:19We'll need to speak to one of Megan's other cabin-mates.
0:34:19 > 0:34:21Gail? Gail, yes.
0:34:21 > 0:34:23The kitchens are round the back. I can walk you round.
0:34:23 > 0:34:26Ah, we'll find our own way, thank you. OK.
0:34:29 > 0:34:32That Gary Manners fella, he's lying about something.
0:34:32 > 0:34:37It's written all over his stupid, smug, shiny, stupid face.
0:34:37 > 0:34:39Well, if you'd been dumped by a girl who ended up murdered,
0:34:39 > 0:34:41you might want to keep quiet about it.
0:34:41 > 0:34:44He's as guilty as sin, man. It's obvious.
0:34:44 > 0:34:46He really kicked your perch, didn't he?
0:34:49 > 0:34:50You want to tell me why you were late?
0:34:53 > 0:34:55I went to see Lisa.
0:34:55 > 0:34:58I went to see her at the school cos I wanted to talk to her
0:34:58 > 0:35:00about Leigh-Anne and my access
0:35:00 > 0:35:02and why I can't see her and it just all blew up.
0:35:02 > 0:35:05What, you just turned up out the blue? Yeah. I did. Yeah.
0:35:05 > 0:35:07Clever(!)
0:35:07 > 0:35:08Yeah, all right. All right.
0:35:08 > 0:35:12Your powers of persuasion are getting better by the minute, John.
0:35:19 > 0:35:20Miss Smith?
0:35:20 > 0:35:22Gail, is it?
0:35:22 > 0:35:25I'm DCI Gently. This is Detective Sergeant Bacchus.
0:35:25 > 0:35:27I've got to get these carrots done.
0:35:27 > 0:35:30Well, we have permission to interview all staff,
0:35:30 > 0:35:31working, or otherwise.
0:35:34 > 0:35:37I'm very sorry about what happened to your cabin-mate.
0:35:37 > 0:35:39Shocking thing to happen.
0:35:39 > 0:35:40Could say that.
0:35:40 > 0:35:43We're searching your cabin right now. Just so you know, OK?
0:35:43 > 0:35:46Did you get on? Three of you - you Justine and Megan - as cabin-mates?
0:35:46 > 0:35:48Fine.
0:35:48 > 0:35:49Three's a difficult number.
0:35:51 > 0:35:53You're a bit younger than the other girls, aren't you?
0:35:53 > 0:35:55What are you, 16?
0:35:55 > 0:35:58In four months. I'm 15.
0:35:58 > 0:36:00Was that a problem? In the cabin?
0:36:00 > 0:36:02You know, any...ructions?
0:36:02 > 0:36:03No.
0:36:03 > 0:36:05Are you sure? Anything at all?
0:36:06 > 0:36:08Have you got a cigarette? Gail...
0:36:10 > 0:36:13Why did Megan dump Gary?
0:36:13 > 0:36:14Don't know.
0:36:15 > 0:36:18Gail, this is a murder investigation.
0:36:18 > 0:36:22We ask questions and you answer, truthfully. That's how it works.
0:36:22 > 0:36:25We've got no time for messing about or telling fibs.
0:36:25 > 0:36:27Well, I'm not lying, actually.
0:36:27 > 0:36:31Well, you see, the word "actually" has kind of landed you in it there.
0:36:31 > 0:36:32Actually.
0:36:32 > 0:36:34I told you, I don't know.
0:36:34 > 0:36:37What? Three girls sharing a cabin together
0:36:37 > 0:36:39and you never had a good gossip about your love life?
0:36:39 > 0:36:42Look, I've got to get back to work. I've got to do this...
0:36:42 > 0:36:45VOICE QUAVERING: ..and then I've got to change the chip fat.
0:36:45 > 0:36:47Where were you on Saturday night, Gail?
0:36:47 > 0:36:50Working. Here. All night. You can ask any of the kitchen staff.
0:37:06 > 0:37:08Are you all right?
0:37:09 > 0:37:10Yeah.
0:37:10 > 0:37:13I just found this in Justine's drawer and...
0:37:14 > 0:37:16Are we done? Yep.
0:37:18 > 0:37:20What is it?
0:37:20 > 0:37:21I don't know.
0:37:23 > 0:37:25I think it's pine disinfectant.
0:37:25 > 0:37:26Might be nothing.
0:37:26 > 0:37:29Let's find out when the cabins are cleaned.
0:37:33 > 0:37:34Who's got a car?
0:37:34 > 0:37:36Say again? Who's got a car?
0:37:36 > 0:37:40If Megan was killed in there, somebody could have kept her there
0:37:40 > 0:37:42and waited till it was late enough to drive her to the pier.
0:37:42 > 0:37:44Well, there's a staff car
0:37:44 > 0:37:46and the keys are kept behind the reception desk
0:37:46 > 0:37:49and all staff do have access, within reason.
0:37:49 > 0:37:50That'll be it.
0:38:36 > 0:38:37It's my turn!
0:38:37 > 0:38:39Come here.
0:38:39 > 0:38:40It's my turn.
0:38:40 > 0:38:42But it's mine. He's had it all day.
0:38:42 > 0:38:44The pair of yous better pack it in, right.
0:38:45 > 0:38:46BOTH: But Dad!
0:38:54 > 0:38:57Sir? The lab report's back. It's a match.
0:38:57 > 0:39:00The blood in the car was the same type as Megan's.
0:39:00 > 0:39:03124 witness statements and nobody saw a thing.
0:39:03 > 0:39:04Well, not yet.
0:39:04 > 0:39:06Where's John?
0:39:06 > 0:39:08I'm not sure. He, um...
0:39:08 > 0:39:09Well, he disappeared when he heard
0:39:09 > 0:39:11that there was a solicitor in the building.
0:39:11 > 0:39:13I'm not sure what it's about, but...
0:39:13 > 0:39:15Sorry. Oh, great.
0:39:16 > 0:39:19You don't know what you're talking about. You're an idiot!
0:39:19 > 0:39:20I'm just telling you how it is.
0:39:20 > 0:39:23He's an idiot, him. Doesn't know what he's talking about.
0:39:23 > 0:39:25I take it you cornered him about Leigh-Anne. Yeah.
0:39:25 > 0:39:29And he says the only option I have is to take Lisa to court
0:39:29 > 0:39:31and even then, right, statistically,
0:39:31 > 0:39:33I have a minuscule chance of winning.
0:39:33 > 0:39:36And either way, I've got to pay the court costs.
0:39:36 > 0:39:39So, not only will I end up exactly where I started...
0:39:40 > 0:39:43..I'll be bankrupt. It's great, innit, that? Terrific.
0:39:43 > 0:39:44So, what does he recommend?
0:39:44 > 0:39:45He doesn't. He told me to forget it.
0:39:45 > 0:39:48So I told him to shove his clipboard up his stupid... John. John.
0:39:48 > 0:39:50John! John!
0:39:50 > 0:39:51Not here.
0:39:51 > 0:39:54Sorry. Why don't you go and talk to Lisa again?
0:39:54 > 0:39:56I can't do that. Why not?
0:39:58 > 0:40:01Because, apparently, I scare her and she doesn't want me around.
0:40:01 > 0:40:03It's ridiculous. Oh, don't mind me.
0:40:03 > 0:40:04I'm only Leigh-Anne's dad.
0:40:04 > 0:40:06Just the hapless father, that's all.
0:40:06 > 0:40:08Where was Gary Manners on Saturday night?
0:40:08 > 0:40:11Oh, look at this, man. She keeps shifting... John!
0:40:11 > 0:40:13LOUDLY: Where was Gary Manners on Saturday night?
0:40:14 > 0:40:16Er, oh, yeah...
0:40:16 > 0:40:19Him and Justine were on stage at the camp
0:40:19 > 0:40:21from six till last orders.
0:40:21 > 0:40:22Don't they ever give them a break?
0:40:22 > 0:40:25I don't think so. They treat them like pack-horses.
0:40:25 > 0:40:27Don't even have time to eat.
0:40:27 > 0:40:29How did you get on with Stretch's wife?
0:40:29 > 0:40:31Sir, there was no answer on the phone,
0:40:31 > 0:40:33so I popped round and spoke to a neighbour,
0:40:33 > 0:40:36who said that Mrs Stretch and his daughters had left months ago.
0:40:36 > 0:40:37Did they, indeed?
0:40:37 > 0:40:40Oh, yeah, and I also called the village hairdressers
0:40:40 > 0:40:43about Mrs Webb and asked about her wig.
0:40:43 > 0:40:44Well, hairdressers know everything,
0:40:44 > 0:40:47especially local hair-associated facts.
0:40:47 > 0:40:48Well, childbirth.
0:40:48 > 0:40:51All of her hair fell out when she gave birth to Megan.
0:40:51 > 0:40:53She's been wearing a wig ever since.
0:40:53 > 0:40:57It's always been a problem between mother and daughter, apparently.
0:40:57 > 0:40:58That's great.
0:40:58 > 0:41:00Innit? That's amazing.
0:41:00 > 0:41:03Really exemplary work there, WPC Coles.
0:41:03 > 0:41:06Tell us something. Were you one of those kids
0:41:06 > 0:41:08that wore their school uniform at the weekends?
0:41:10 > 0:41:12Would you excuse us for a moment, please, Rachel.
0:41:17 > 0:41:19Bright and female.
0:41:19 > 0:41:23She really rattled your cage, didn't she? No, no, it's not that.
0:41:23 > 0:41:25She's just an arrogant know-all.
0:41:25 > 0:41:27She's over you like a rash. John...
0:41:27 > 0:41:29She's all like, "Oh, Mr Gently, sir..."
0:41:29 > 0:41:32John, John. I feel for you, I really do.
0:41:32 > 0:41:36Not seeing Leigh-Anne, it's grossly unfair...
0:41:36 > 0:41:38What would you know about it?
0:41:38 > 0:41:40You're not a father.
0:41:47 > 0:41:48Thanks for that.
0:41:51 > 0:41:53But that does not give you permission to come here
0:41:53 > 0:41:56and make everybody feel as diminished as you clearly do.
0:41:58 > 0:42:00You get back to the holiday camp.
0:42:00 > 0:42:02You're more use there than here.
0:42:28 > 0:42:32Give it a day or two, most of these campers will be gone.
0:42:32 > 0:42:34You don't know that.
0:42:34 > 0:42:35I admire your optimism.
0:42:36 > 0:42:38Tea?
0:42:38 > 0:42:39No. Not for me.
0:42:39 > 0:42:41Where's Gary Manners right about now.
0:42:41 > 0:42:43He's proving to be a bit elusive.
0:42:43 > 0:42:45On his way to the dancehall, I should imagine.
0:42:45 > 0:42:48Whipping up our campers into a heightened state of euphoria.
0:42:48 > 0:42:49Really?
0:42:50 > 0:42:52How long have you been married?
0:42:52 > 0:42:5316 years.
0:42:53 > 0:42:54To Kitty.
0:42:54 > 0:42:56Two children,
0:42:56 > 0:42:58if indeed that was to be your next question.
0:42:58 > 0:43:01Dorothy and Heather, 14 and 12.
0:43:01 > 0:43:02Do you get home much?
0:43:02 > 0:43:05Well, I work hard, Sergeant.
0:43:05 > 0:43:06Is that why she left?
0:43:09 > 0:43:10Ah, come on, man.
0:43:10 > 0:43:13That piece of information's not going to pass us by, is it?
0:43:13 > 0:43:15It's a murder investigation.
0:43:16 > 0:43:17Look...
0:43:17 > 0:43:21I don't want anyone to know. Even my sister doesn't know.
0:43:21 > 0:43:24I had to give Kitty some money to keep quiet.
0:43:24 > 0:43:25I am a family man.
0:43:25 > 0:43:26Was.
0:43:28 > 0:43:30Does beg the question, though, doesn't it?
0:43:31 > 0:43:33What you were really doing on Saturday night?
0:43:39 > 0:43:40What is this?
0:43:41 > 0:43:44I've always loved Kiss Me Kate.
0:43:44 > 0:43:48Perhaps you could enlighten me about Saturday night's production.
0:43:56 > 0:43:59I got drunk and slept here on the sofa.
0:44:00 > 0:44:02It happens a little too often.
0:44:03 > 0:44:05I was embarrassed.
0:44:05 > 0:44:07You were at the camp all evening?
0:44:07 > 0:44:08Yes.
0:44:08 > 0:44:10Did you go anywhere?
0:44:13 > 0:44:15Answer the question.
0:44:18 > 0:44:22In the dancehall, there's a corner of the wings
0:44:22 > 0:44:23where I can stand without being seen.
0:44:25 > 0:44:26I make notes.
0:44:26 > 0:44:28The show has to be perfect.
0:44:28 > 0:44:31Efficiency is everything if we are to maintain the numbers.
0:44:31 > 0:44:33Standards need to be high.
0:44:34 > 0:44:35Was Megan performing?
0:44:39 > 0:44:40Yes.
0:44:40 > 0:44:43You lied during the murder investigation of your own daughter.
0:44:43 > 0:44:46If I'd told you where I was, you would have assumed the worst!
0:44:46 > 0:44:48I always assume the worst of everybody.
0:44:49 > 0:44:50I didn't kill her!
0:44:50 > 0:44:53You know what? I don't believe you.
0:44:53 > 0:44:55Oh, there I go again...
0:44:55 > 0:44:56I didn't kill her! How could I?
0:44:56 > 0:44:58Well, you had enough of a reason.
0:44:58 > 0:45:00People don't need much, surprisingly.
0:45:04 > 0:45:06It was a shock...when she left, yes?
0:45:08 > 0:45:10Yes.
0:45:11 > 0:45:14I felt like I wanted to die, actually.
0:45:14 > 0:45:16It didn't make you happy,
0:45:16 > 0:45:19knowing that your only daughter was following her dream?
0:45:19 > 0:45:22I told you before, Inspector, I thought it was an indulgence.
0:45:24 > 0:45:26She wanted lessons after school.
0:45:26 > 0:45:28Ballet, tap, singing, acting.
0:45:28 > 0:45:32Instead, Patrick whisked her off to his sister for extra Latin classes.
0:45:34 > 0:45:37She's an exemplary Latin teacher, his sister.
0:45:37 > 0:45:40No social graces though,
0:45:40 > 0:45:42so I keep my distance when possible.
0:45:42 > 0:45:45Well, Megan must have been naturally talented then,
0:45:45 > 0:45:49cos she didn't have any training or crafting of her talent.
0:45:49 > 0:45:50Apparently so.
0:45:55 > 0:45:58What did you want to do when you were a little girl?
0:46:03 > 0:46:05Er...
0:46:08 > 0:46:10I liked to tell stories.
0:46:10 > 0:46:12Ah.
0:46:12 > 0:46:13I was good at the voices.
0:46:15 > 0:46:18My mum and dad used to wheel me out at parties.
0:46:19 > 0:46:21I had some...
0:46:22 > 0:46:24..ambition, you might say.
0:46:26 > 0:46:27But it was not to be.
0:46:30 > 0:46:31You lost your hair?
0:46:32 > 0:46:34SHE SIGHS
0:46:37 > 0:46:39After I gave birth to Megan...
0:46:42 > 0:46:44..pretty as a picture, I was not.
0:46:46 > 0:46:49Would you say your daughter was as pretty as a picture?
0:46:49 > 0:46:51Of course I would!
0:46:52 > 0:46:54And clearly she had the talent.
0:46:54 > 0:46:57She was all set to have the career that you could never have.
0:46:57 > 0:46:59Yes, yes. All right!
0:47:02 > 0:47:04You went to the camp, didn't you?
0:47:06 > 0:47:07SHE SIGHS
0:47:08 > 0:47:11Temptation got the better of me.
0:47:11 > 0:47:12I just...
0:47:14 > 0:47:15..wanted to see her sing.
0:47:16 > 0:47:17Saturday night?
0:47:22 > 0:47:25Right, campers, we know you're desperate to see the next act,
0:47:25 > 0:47:29so please put your hands together for the late-night version
0:47:29 > 0:47:34of the After Dark Bluebirds, led by our very own Megan Webb!
0:47:34 > 0:47:36CHEERING
0:47:36 > 0:47:39MUSIC: The Shoop Shoop Song (It's In His Kiss)
0:47:39 > 0:47:41# Does he love me?
0:47:41 > 0:47:43# I wanna know
0:47:43 > 0:47:46# How can I tell if he loves me so?
0:47:46 > 0:47:48# Is it in his eyes?
0:47:48 > 0:47:50# Oh, no, you'll be deceived
0:47:50 > 0:47:52# Is it in his eyes?
0:47:52 > 0:47:54# Oh, no, he'll make believe
0:47:54 > 0:47:58# If you wanna know if he loves you so
0:47:58 > 0:48:01# It's in his kiss That's where it is
0:48:01 > 0:48:04# Oh, yeah, or is it in his face?
0:48:04 > 0:48:06# Oh, no, it's just his charms
0:48:06 > 0:48:08# In his warm embrace?
0:48:08 > 0:48:09# Oh, no, that's just his arm
0:48:09 > 0:48:13# If you wanna know if he loves you so
0:48:13 > 0:48:16# It's in his kiss That's where it is
0:48:16 > 0:48:20# Whoa, it's in his kiss That's where it is
0:48:20 > 0:48:25# Whoa-oh-oh Kiss him and squeeze him tight
0:48:25 > 0:48:29# Find out what you wanna know
0:48:29 > 0:48:33# If it's love, if it really is
0:48:33 > 0:48:36# It's there in his kiss
0:48:36 > 0:48:37# How 'bout the way he acts?
0:48:37 > 0:48:40# Oh, no, that's not the way
0:48:40 > 0:48:44# You're not listenin' to all I say
0:48:44 > 0:48:47# If you wanna know if he loves you so
0:48:47 > 0:48:50# It's in his kiss That's where it is
0:48:50 > 0:48:54# Whoa-oh-oh, it's in his kiss That's where it is... #
0:48:55 > 0:48:56Any mistakes?
0:48:57 > 0:49:00There's always room for polish.
0:49:00 > 0:49:01Tighter footwork.
0:49:01 > 0:49:02Wider smiles.
0:49:05 > 0:49:07Why did your wife leave you?
0:49:07 > 0:49:09It's ironic.
0:49:09 > 0:49:12One fights to maintain the perfect family holiday
0:49:12 > 0:49:14and in doing so,
0:49:14 > 0:49:17destroys one's own precious little unit.
0:49:17 > 0:49:19You wouldn't understand precious if it came up and hit you in the face.
0:49:19 > 0:49:21I beg your pardon? You sit there,
0:49:21 > 0:49:25talking about how important family is to you, when all the time,
0:49:25 > 0:49:27you were having it off with Megan Webb.
0:49:27 > 0:49:29No, I wasn't. Yes, you were.
0:49:29 > 0:49:31I just wouldn't! You're lying!
0:49:31 > 0:49:32Again!
0:49:32 > 0:49:34This may come as a surprise to you, Sergeant,
0:49:34 > 0:49:37but we are not all unfaithful. Not all of us.
0:49:38 > 0:49:41My weakness is this camp.
0:49:41 > 0:49:43My father's camp.
0:49:43 > 0:49:46I just want it to work.
0:49:46 > 0:49:47And I can't fail.
0:49:48 > 0:49:49I just can't.
0:49:54 > 0:49:55Do you know what?
0:49:57 > 0:49:59I came to this camp a few years back.
0:49:59 > 0:50:01Really? Yep.
0:50:01 > 0:50:03Me, the wife, my daughter.
0:50:03 > 0:50:04We had a great time.
0:50:06 > 0:50:10I remember how busy it was. It was absolutely packed with families.
0:50:10 > 0:50:12Not so packed any more.
0:50:12 > 0:50:14Your camp's dying, isn't it?
0:50:14 > 0:50:15Hardly that.
0:50:15 > 0:50:16Come on, man, this is 1969.
0:50:18 > 0:50:22Family's not what it used to be. I should know.
0:50:22 > 0:50:24People don't want to come to holiday camps any more,
0:50:24 > 0:50:26they want to go further afield.
0:50:26 > 0:50:28Your dancehall seems busy enough.
0:50:28 > 0:50:29Your dining room, all that.
0:50:29 > 0:50:34You've disguised those bits very well... No, it is not a disguise!
0:50:34 > 0:50:36It is clever programming.
0:50:36 > 0:50:38We lead our campers like horses to water.
0:50:38 > 0:50:40One big event on the hour, every hour.
0:50:40 > 0:50:44If a room is full, they'll be happy, and they will keep coming back.
0:50:46 > 0:50:48You'd do anything to save this camp, wouldn't you?
0:50:51 > 0:50:53Did Patrick know you went?
0:50:56 > 0:50:57Megan...
0:50:58 > 0:51:01..obviously wanted me to come. I was rather touched.
0:51:01 > 0:51:03She wrote more than once?
0:51:03 > 0:51:04Yes.
0:51:05 > 0:51:06Every week.
0:51:08 > 0:51:10But I couldn't write back. Why not?
0:51:11 > 0:51:14I didn't want to engage. She'd...disobeyed me.
0:51:15 > 0:51:17But then she told me an agent was coming.
0:51:17 > 0:51:19An agent? Yes.
0:51:19 > 0:51:21Someone local had seen her, told someone else.
0:51:23 > 0:51:26I thought, she must be...passable,
0:51:26 > 0:51:28if someone's coming to see her.
0:51:28 > 0:51:30Did you speak to her?
0:51:30 > 0:51:32After the show.
0:51:32 > 0:51:34WHOOPING AND LAUGHING
0:51:57 > 0:51:59What time was this?
0:51:59 > 0:52:00I suppose...
0:52:02 > 0:52:04..9.20pm, 9.25pm, maybe?
0:52:10 > 0:52:12Mum...
0:52:12 > 0:52:13I won't come in.
0:52:13 > 0:52:14What are you doing here?
0:52:14 > 0:52:17I just came to see you sing a couple of songs
0:52:17 > 0:52:19and to say...
0:52:19 > 0:52:20yeah, well done.
0:52:24 > 0:52:28Mum, please come in. No, I couldn't possibly.
0:52:28 > 0:52:29You came to see me.
0:52:30 > 0:52:33Thought it was about time.
0:52:33 > 0:52:34Got my letters, then?
0:52:39 > 0:52:41Did the agent come?
0:52:41 > 0:52:43You said in your letter...
0:52:43 > 0:52:44Um...
0:52:46 > 0:52:48I was cross with you.
0:52:48 > 0:52:50Every week I write, and nothing.
0:52:51 > 0:52:53I just found myself writing that, and...
0:52:56 > 0:52:57I see.
0:52:59 > 0:53:00No agent?
0:53:04 > 0:53:05Oh, well.
0:53:07 > 0:53:09That'll serve me right for not writing back.
0:53:14 > 0:53:15I might not stay here, Mum.
0:53:15 > 0:53:16Why?
0:53:18 > 0:53:20I can't explain, really.
0:53:23 > 0:53:25Mum, can I come home?
0:53:25 > 0:53:27Home?
0:53:29 > 0:53:32No. No, darling, you can't.
0:53:37 > 0:53:39I really should go.
0:53:39 > 0:53:40Mum!
0:53:41 > 0:53:43Mum...
0:53:45 > 0:53:47Why'd you say no?
0:53:47 > 0:53:49Because she was too good.
0:53:50 > 0:53:53Oh. She was so good, in fact, that I realised
0:53:53 > 0:53:54she was absolutely right,
0:53:54 > 0:53:56to have left home, gone to the camp.
0:53:58 > 0:53:59It was a perfect platform for her.
0:54:00 > 0:54:03She couldn't give it up and come home. I wouldn't allow it.
0:54:05 > 0:54:07If I didn't know you better,
0:54:07 > 0:54:10I'd say you were starting to sound like a proud mum.
0:54:10 > 0:54:13I don't know about that. Oh, come on, Agnes.
0:54:13 > 0:54:15"Come on" what, Mr Gently?
0:54:15 > 0:54:17Do I regret not telling her that?
0:54:17 > 0:54:19Absolutely that?
0:54:19 > 0:54:23That I was proud of her? Proud of her...beautiful performance?
0:54:23 > 0:54:26I think so, yes. Yes.
0:54:27 > 0:54:29And regret can make a person...
0:54:31 > 0:54:33..very, very angry and bitter.
0:54:36 > 0:54:38Well...
0:54:39 > 0:54:40..at least you went to see her.
0:54:41 > 0:54:43That would have meant something to her.
0:54:45 > 0:54:47You think? Hmm.
0:54:49 > 0:54:50Yeah, maybe.
0:54:53 > 0:54:56But I didn't take her home with me, Inspector.
0:55:00 > 0:55:01I didn't do as she asked.
0:55:16 > 0:55:19We've lost our baby, Patrick. Our baby.
0:55:21 > 0:55:23SHE SOBS
0:55:24 > 0:55:26CRYING: She was such a good dancer.
0:55:26 > 0:55:28I so wished you could have seen her.
0:55:29 > 0:55:32I think it's what they call a cack-handed approach.
0:55:32 > 0:55:34It was clumsy, certainly.
0:55:34 > 0:55:35Just makes me laugh.
0:55:35 > 0:55:38Does he think for one moment that him turning up like that
0:55:38 > 0:55:40is going to make me go, "Oh, yeah, all right, then.
0:55:40 > 0:55:43"Just because you asked so nicely."
0:55:43 > 0:55:45John has got a particular way with words.
0:55:45 > 0:55:47That's one way of putting it.
0:55:47 > 0:55:49Oh, he's always been like this, hasn't he?
0:55:49 > 0:55:52Gets in a rage, because he doesn't know what else to do.
0:55:55 > 0:55:57But, you know, Lisa, underneath all of that...
0:55:59 > 0:56:02..he might just have... What? ..a point.
0:56:02 > 0:56:04A point?
0:56:04 > 0:56:05Yeah.
0:56:06 > 0:56:07Oh, no.
0:56:07 > 0:56:13The amount of contact he has with Leigh-Anne is pitiful, Lisa.
0:56:13 > 0:56:16It just is. Is that what this is about?
0:56:16 > 0:56:17This is why you asked us to meet?
0:56:21 > 0:56:22I'll get us another drink.
0:56:32 > 0:56:33MAN: I can't explain now...
0:56:33 > 0:56:38WOMAN: I think it's best if we just get home as quick as we can...
0:56:39 > 0:56:41Ah, we meet again. I missed you.
0:56:41 > 0:56:43I'll bet. I mustn't dawdle. Campers to entertain.
0:56:43 > 0:56:46Everyone in this camp seems to think that you and Megan
0:56:46 > 0:56:49had a relationship except for you. It's funny that, isn't it? Yeah?
0:56:49 > 0:56:51Well, I don't call a couple of nights in a cold, unoccupied cabin
0:56:51 > 0:56:54a relationship. Maybe, you do. How sweet(!)
0:56:54 > 0:56:57Someone even said that you were in love with her. Who?
0:56:59 > 0:57:01Oh, fascinating.
0:57:02 > 0:57:06Meaning? So many untruths whizzing about this camp, Sergeant.
0:57:06 > 0:57:09Were you angry or upset when she ended it? No.
0:57:09 > 0:57:12Dear me, you're a terrible liar.
0:57:12 > 0:57:13Why did she end it?
0:57:13 > 0:57:15I don't know. I don't care.
0:57:15 > 0:57:18Well, you either genuinely don't know, in which case, you're thick,
0:57:18 > 0:57:20or you do know and you're just not telling me,
0:57:20 > 0:57:22in which case, you're a bit stupid.
0:57:25 > 0:57:27Must be difficult in that dancehall without her.
0:57:30 > 0:57:31Off you pop.
0:57:44 > 0:57:46Will you think about it?
0:57:46 > 0:57:49There's nothing to think about. I disagree.
0:57:49 > 0:57:50This has nothing to do with you, George.
0:57:50 > 0:57:52Well, not directly, no.
0:57:52 > 0:57:56But I think I know something of what John's going through.
0:57:56 > 0:57:58I know what it's like to feel...
0:57:59 > 0:58:01What?
0:58:06 > 0:58:08Isabella died five years ago yesterday.
0:58:09 > 0:58:11About this time, actually.
0:58:11 > 0:58:15George, I'm sorry. No, it's all right. It's all right.
0:58:17 > 0:58:19Well, it's not.
0:58:22 > 0:58:24Lisa, I don't have a family...
0:58:26 > 0:58:29..as John so kindly pointed out to me yesterday
0:58:29 > 0:58:32but what he doesn't know is that we did try.
0:58:32 > 0:58:35For years. We did all the tests, all of it, but...
0:58:38 > 0:58:41And I think I would have made an all-right dad.
0:58:42 > 0:58:44But...
0:58:45 > 0:58:47Let him do it, Lisa.
0:58:47 > 0:58:49George... Something's got to give.
0:58:51 > 0:58:53He could see Leigh-Anne more, couldn't he?
0:58:53 > 0:58:55We've got a routine now.
0:58:56 > 0:58:59This is not about routine. This is about control.
0:59:01 > 0:59:03I don't like the way you're saying that.
0:59:04 > 0:59:06Why?
0:59:06 > 0:59:07Why couldn't he see more of her?
0:59:07 > 0:59:13Because seeing her so little, it's making his heart freeze, Lisa.
0:59:13 > 0:59:16And he's her dad. She's his little girl. You can't change that.
0:59:16 > 0:59:19You can't take that away from him.
0:59:19 > 0:59:20Or her.
0:59:33 > 0:59:35You look like the boss to me.
0:59:35 > 0:59:37Not the other one.
0:59:38 > 0:59:39Hello, there.
0:59:40 > 0:59:42Just something about the way you hold yourself.
0:59:45 > 0:59:48It's fun here when the sun starts to fade, isn't it?
0:59:48 > 0:59:51Depends what you mean by fun.
0:59:51 > 0:59:54Oh, holiday camps are all about sunshine, blue skies.
0:59:54 > 0:59:58Smiling faces, colour, laughing...
0:59:58 > 1:00:00It's a well-trodden path
1:00:00 > 1:00:02but when the night falls, we don't think about the shadows.
1:00:02 > 1:00:05Let me ask you something.
1:00:05 > 1:00:07Why did you lie to us when we first questioned you about Gary?
1:00:07 > 1:00:10You said that Megan wasn't seeing anyone.
1:00:10 > 1:00:12She wasn't, they'd split up.
1:00:14 > 1:00:15Clever clogs.
1:00:19 > 1:00:21What are you doing, Justine?
1:00:22 > 1:00:23Well, it's my evening off.
1:00:25 > 1:00:28I came out for a fag but I can't be seen loitering.
1:00:28 > 1:00:31So, I'd appreciate it if miraculously you'd forgotten you'd seen us.
1:00:34 > 1:00:36You and Megan were good friends, were you?
1:00:39 > 1:00:41Do we have to talk about this now?
1:00:42 > 1:00:45Go down the station, talk about it there if you fancy.
1:00:48 > 1:00:50Well, I liked her a lot.
1:00:53 > 1:00:55She knew who she was, what she was doing here.
1:00:59 > 1:01:03It's an over-used term, Sergeant, but Megan was a good person.
1:01:03 > 1:01:04A friend.
1:01:04 > 1:01:05What about Gail?
1:01:07 > 1:01:10Was she jealous at all about your friendship?
1:01:10 > 1:01:11Gail's young.
1:01:12 > 1:01:15I think she's used to being the underdog, but I'm...
1:01:16 > 1:01:17..I'm working on her.
1:01:19 > 1:01:21I used to be a bit like that...
1:01:22 > 1:01:23..like Gail...
1:01:24 > 1:01:26..and then I came here and everything changed.
1:01:28 > 1:01:31I can't imagine you ever being like Gail.
1:01:31 > 1:01:32Oh, I'd surprise you, Sergeant.
1:01:41 > 1:01:44Gary and Megan were in a relationship, were they?
1:01:46 > 1:01:47Yeah, everyone knows that.
1:01:48 > 1:01:49Why did she dump him?
1:01:53 > 1:01:56Nobody answers that question. Why will nobody answer that question?
1:01:56 > 1:01:58I don't know why she dumped him.
1:02:00 > 1:02:01She was so into him.
1:02:03 > 1:02:06So excited when he first showed an interest in her.
1:02:07 > 1:02:08He singled her out...
1:02:10 > 1:02:13..invited her to this party where it all began.
1:02:13 > 1:02:14We got her ready.
1:02:14 > 1:02:16I lent her a dress.
1:02:16 > 1:02:17# Sugar
1:02:19 > 1:02:20# Oh, honey, honey
1:02:23 > 1:02:26# You are my candy girl
1:02:26 > 1:02:30# And you got me wanting you
1:02:32 > 1:02:33# Honey... #
1:02:33 > 1:02:35That's better.
1:02:35 > 1:02:37It's all about accentuation.
1:02:37 > 1:02:39Isn't it a bit much?
1:02:39 > 1:02:40No.
1:02:41 > 1:02:43It's actually perfect.
1:02:47 > 1:02:49Now, can you see what can be done?
1:02:49 > 1:02:50Anything's possible...
1:02:50 > 1:02:54Yeah, but I haven't even got the basics.
1:02:54 > 1:02:56Oh, we can create the basics.
1:02:56 > 1:02:58Trust me.
1:02:58 > 1:03:01MUSIC: "Ha! Ha! Said The Clown" by Manfred Mann
1:03:11 > 1:03:12Go and get a drink.
1:03:12 > 1:03:14See what happens.
1:03:35 > 1:03:39SONG CHANGES: "Build Me Up Buttercup" by The Foundations
1:03:49 > 1:03:51MUSIC DROWNS HIS WHISPER
1:03:54 > 1:03:55Look and learn, Gail.
1:03:55 > 1:03:57Look and learn.
1:04:22 > 1:04:24Well, they'd been seeing each other a couple of weeks
1:04:24 > 1:04:26and she suddenly went cold on him.
1:04:26 > 1:04:30Did she find out he was seeing anybody else? Anything like that?
1:04:30 > 1:04:31I don't know.
1:04:32 > 1:04:33I think you do.
1:04:33 > 1:04:35Well, you would.
1:04:35 > 1:04:37It's your job to be suspicious.
1:04:37 > 1:04:38Come on, pet.
1:04:39 > 1:04:40Sorry to disappoint.
1:04:42 > 1:04:44Were you on stage all night on Saturday?
1:04:44 > 1:04:46Yeah, between six and midnight.
1:04:46 > 1:04:48Didn't leave the dancehall ever?
1:04:48 > 1:04:49No.
1:04:49 > 1:04:50Sure? Absolutely.
1:04:55 > 1:04:58I hate to admit it but I'm rather frightened, Sergeant.
1:04:59 > 1:05:02It could happen again, couldn't it?
1:05:05 > 1:05:07I'd get inside if I were you, pet.
1:05:08 > 1:05:09Till we've made an arrest,
1:05:09 > 1:05:12this camp might not be the safest place to be.
1:05:14 > 1:05:15Ta-ra.
1:05:24 > 1:05:26Why did Megan want to leave that camp?
1:05:26 > 1:05:27Something changed.
1:05:29 > 1:05:31And something's bothering me.
1:05:31 > 1:05:34The staff didn't know about Megan's murder
1:05:34 > 1:05:36until about ten the next morning. Right?
1:05:36 > 1:05:38Yeah, about that...
1:05:38 > 1:05:41And the newspapers arrive at 11 o'clock, yeah?
1:05:41 > 1:05:43Yeah, they get delivered to the cabins.
1:05:43 > 1:05:46So by mid-morning, everybody knows. Yes? Yeah.
1:05:46 > 1:05:48Right, well...
1:05:48 > 1:05:50there's a list of families
1:05:50 > 1:05:52who tried to check out of the camp before they were interviewed.
1:05:52 > 1:05:54Nothing too troubling about that.
1:05:54 > 1:05:57They wanted to get the hell out of there, I don't blame them.
1:05:57 > 1:06:00But one family were recorded by the...
1:06:00 > 1:06:02John, listen.
1:06:02 > 1:06:04One family were recorded by the receptionist
1:06:04 > 1:06:09as desperately trying to leave at quarter past ten, Monday morning,
1:06:09 > 1:06:1145 minutes before the newspapers arrived.
1:06:11 > 1:06:15Yeah, and there's no radios in any of the cabins.
1:06:15 > 1:06:18Sylvia and Timothy Ryan. Cabin Red 4?
1:06:18 > 1:06:20No, no, I remember now.
1:06:20 > 1:06:22There was no answer when I was doing my checks.
1:06:22 > 1:06:25Bring them both in - separate interviews.
1:06:33 > 1:06:36Don't worry, Mr Ryan, you'll be next.
1:06:40 > 1:06:41Got any children?
1:06:42 > 1:06:44Yeah. Like that, is it?
1:06:44 > 1:06:46Well, life changes after kids.
1:06:46 > 1:06:48Some people say for the better.
1:06:48 > 1:06:51Well, it depends on your point of view.
1:06:51 > 1:06:53People shouldn't have kids if they don't want them.
1:06:53 > 1:06:56No-one tells you they destroy your lives.
1:06:56 > 1:06:57You know what?
1:06:57 > 1:07:00I hope your kids never ever hear you say that.
1:07:00 > 1:07:02Oh, it's always the dads who judge the most.
1:07:02 > 1:07:05And the ones who see the kids the least.
1:07:05 > 1:07:08Do you know what... Right, let's just stick to the point, shall we?
1:07:08 > 1:07:09Is he staying?
1:07:09 > 1:07:10Yes.
1:07:13 > 1:07:16Now, where were you on Saturday night, Mrs Ryan?
1:07:16 > 1:07:18I was at the camp. Where do you think I was?
1:07:18 > 1:07:21Don't get smart.
1:07:21 > 1:07:22What were you doing around 9.30?
1:07:22 > 1:07:24I can't remember. Think!
1:07:27 > 1:07:29Yeah, I...
1:07:29 > 1:07:30I called my mum.
1:07:30 > 1:07:32Tim was on his way to the dancehall,
1:07:32 > 1:07:34I remember I needed to call my mum.
1:07:34 > 1:07:37What about? This and that.
1:07:37 > 1:07:39Give me the number.
1:07:39 > 1:07:40What?
1:07:40 > 1:07:41Your mother's number.
1:07:41 > 1:07:44Well, presumably she would have remembered the phone call.
1:07:53 > 1:07:54So, I'll ask you again.
1:07:58 > 1:08:00I went to a cabin, to meet a fella...
1:08:02 > 1:08:04..a Bluebird. Who?
1:08:04 > 1:08:06His name was...Gary.
1:08:06 > 1:08:07Gary Manners?
1:08:07 > 1:08:08I don't know his second name.
1:08:08 > 1:08:09Gary Manners!
1:08:09 > 1:08:11I'd been at the camp a week
1:08:11 > 1:08:15and on the second night we got chatting and we hit it off.
1:08:15 > 1:08:18This was our third date, of sorts.
1:08:18 > 1:08:19What time was this?
1:08:21 > 1:08:23I met him around...ten.
1:08:23 > 1:08:25There was a competition.
1:08:25 > 1:08:29The campers got 20 minutes to dance for the judges.
1:08:29 > 1:08:31Gary could come off stage -
1:08:31 > 1:08:34he slipped away and no-one noticed.
1:08:34 > 1:08:35Go on.
1:08:36 > 1:08:38Well, I met him in his cabin.
1:08:38 > 1:08:40We were...
1:08:40 > 1:08:42Making daisy chains. Yeah, I know. I get it.
1:08:42 > 1:08:46When this music suddenly started, really loud -
1:08:46 > 1:08:48coming from a cabin nearby.
1:08:48 > 1:08:51"BUILD ME UP BUTTERCUP" BLARES
1:08:51 > 1:08:52What's the matter?
1:08:53 > 1:08:56It's coming from Meg's cabin. Oh, we've only got 15 minutes!
1:08:56 > 1:08:57She needs to turn it down.
1:08:57 > 1:08:59No, it'll be fine. She needs to turn it down!
1:09:11 > 1:09:14Meg, what are you doing? Turn it down.
1:09:14 > 1:09:17Meg, what are you playing at? Turn it down!
1:09:18 > 1:09:20VOLUME LOWERS
1:09:20 > 1:09:21Thank you.
1:09:25 > 1:09:26Meg?
1:09:33 > 1:09:34Hello?
1:09:39 > 1:09:41'How long was the music playing for?'
1:09:41 > 1:09:43Minute and a half - maybe less.
1:09:43 > 1:09:47And how long were you and Gary...?
1:09:49 > 1:09:5015 minutes.
1:09:52 > 1:09:53Then what?
1:09:54 > 1:09:56I ran back to the dance hall.
1:09:56 > 1:09:57What about Gary?
1:09:57 > 1:10:01Yeah, he went there too. Just...different route.
1:10:01 > 1:10:03Did you see him go?
1:10:03 > 1:10:06No, but five minutes later he were on the stage.
1:10:06 > 1:10:08Five minutes?
1:10:10 > 1:10:13Why did you try and check out early?
1:10:13 > 1:10:15Gary came to find me,
1:10:15 > 1:10:17when the staff had heard about the girl...
1:10:17 > 1:10:19the dead girl.
1:10:19 > 1:10:22Well, the music we heard, Gary thought it were a bit odd.
1:10:22 > 1:10:24It was too loud, out of character.
1:10:24 > 1:10:26We wondered if...
1:10:28 > 1:10:30..we'd witnessed something.
1:10:30 > 1:10:34And you couldn't tell us because your husband would find out.
1:10:34 > 1:10:35But what about Gary?
1:10:35 > 1:10:36I don't know.
1:10:36 > 1:10:41Because she's not Gary's usual fare, is she?
1:10:41 > 1:10:43I beg your pardon. I mean, look at her.
1:10:43 > 1:10:46He could have anyone. That's just insulting!
1:10:46 > 1:10:49At least I've not got a face that looks like
1:10:49 > 1:10:51a horse's head caught in a clamp. Clever.
1:10:51 > 1:10:55And you'd be surprised - a lot of men like a bit of flesh.
1:10:57 > 1:11:00But not Gary, eh?
1:11:04 > 1:11:06I don't know what you mean. Yes, you do.
1:11:10 > 1:11:12You paid him for the sex, didn't you?
1:11:20 > 1:11:21The lying git.
1:11:21 > 1:11:23Megan must have found out about him.
1:11:23 > 1:11:26It's not the kind of thing you want to hear
1:11:26 > 1:11:28about your nice new boyfriend, is it?
1:11:29 > 1:11:32You're looking forward to this, aren't you?
1:11:32 > 1:11:34Yeah.
1:11:34 > 1:11:35Right, last six!
1:11:36 > 1:11:37Three...
1:11:37 > 1:11:39five...
1:11:39 > 1:11:41Well done. Good, well done.
1:11:41 > 1:11:43Good workout!
1:11:43 > 1:11:44Star pupil!
1:11:44 > 1:11:47Whoo! Oh, God, I think I'm going to throw up.
1:11:49 > 1:11:51Gary, put it away, man, will you? I want a word with you.
1:11:51 > 1:11:53I'm busy! Now, please.
1:11:55 > 1:11:57Where's the fire, gentlemen?
1:11:57 > 1:11:59It's not a good look in front of the campers.
1:11:59 > 1:12:01Did you sleep with Sylvia Ryan?
1:12:02 > 1:12:04I need to get on, got back-to-back classes.
1:12:04 > 1:12:06Well, I'll take that as a yes then.
1:12:06 > 1:12:10Look, we could do this down at the station, if you like.
1:12:10 > 1:12:13And there, I guarantee, you will start sweating.
1:12:13 > 1:12:14It's just a bit of fun.
1:12:14 > 1:12:16Do it often? I'm a consenting adult.
1:12:16 > 1:12:17Indeed you are.
1:12:17 > 1:12:21But unfortunately you consented to take money for it, didn't you?
1:12:23 > 1:12:25Did Megan find out and threaten to tell somebody about it?
1:12:25 > 1:12:28Hey, is that why you killed her, Gary? I wouldn't hurt Megan!
1:12:28 > 1:12:30Not in a million years. See, at the moment,
1:12:30 > 1:12:34I don't believe a single word that comes out of your mouth.
1:12:34 > 1:12:36First you're not seeing Megan, then you are.
1:12:36 > 1:12:38You didn't leave the dancehall, then you did.
1:12:38 > 1:12:40Add that to your vice activity,
1:12:40 > 1:12:42you're already looking at a jail term.
1:12:42 > 1:12:44I didn't kill her. Yeah, right.
1:12:44 > 1:12:45I didn't kill her!
1:12:45 > 1:12:48You're a smarmy git, you are, Gary.
1:12:48 > 1:12:51You want to watch yourself, all roads seem to be leading to you.
1:12:51 > 1:12:53Because I had some assignations, I'm capable of murder?
1:12:53 > 1:12:58How many times do I need to say it? You want to back off, man, all right? You've got this very wrong.
1:12:59 > 1:13:01You were very fond of Megan, weren't you?
1:13:01 > 1:13:03Yeah, I know. OK.
1:13:06 > 1:13:09Did she find out that you were accepting money for sex?
1:13:11 > 1:13:12Yes.
1:13:13 > 1:13:15Who else knew?
1:13:16 > 1:13:17Who else knew?
1:13:17 > 1:13:20No-one. You're lying. I'm not.
1:13:20 > 1:13:23See, I'm better at this than you are, Gary.
1:13:23 > 1:13:25Now, there is something. Isn't there?
1:13:25 > 1:13:28There's something around the notion of who else knew.
1:13:28 > 1:13:31Because why would you lie? Who are you protecting?
1:13:35 > 1:13:37You weren't the only one. Were you, Gary?
1:13:44 > 1:13:45Thanks, Gary.
1:13:51 > 1:13:55I'm lost. Stretch is running a knocking shop, John,
1:13:55 > 1:13:57right here in the camp.
1:13:57 > 1:13:58Are you quite serious?
1:13:58 > 1:14:02This is a family holiday camp, Inspector,
1:14:02 > 1:14:04it slightly misses the point.
1:14:04 > 1:14:06I suggest you wipe that grin off your face
1:14:06 > 1:14:08and take a seat, Mr Stretch.
1:14:09 > 1:14:14Gary Manners regularly slept with female campers for money.
1:14:14 > 1:14:16I don't know what you're talking about!
1:14:16 > 1:14:18Well, I think you do, Mr Stretch.
1:14:18 > 1:14:21Was Megan a part of this? What? Was she one of your girls?
1:14:21 > 1:14:26Cherry, Inspector Gently is under the misguided
1:14:26 > 1:14:28and quite frankly ludicrous impression
1:14:28 > 1:14:31that this camp is gaining from immoral earnings.
1:14:31 > 1:14:35Would you kindly tell him that we know nothing of any prostitution.
1:14:35 > 1:14:37Who told you that?
1:14:37 > 1:14:39Gary Manners gave himself away.
1:14:39 > 1:14:41Gary likes the sound of his own voice.
1:14:42 > 1:14:44Bit of a boaster.
1:14:47 > 1:14:49So you knew nothing about this? Nothing at all?
1:14:55 > 1:14:58Because Gary says he wasn't the only one.
1:15:07 > 1:15:08I had to do something.
1:15:08 > 1:15:12There were these loan sharks and they needed cash fast.
1:15:12 > 1:15:15What are you saying? Todd knew nothing about this.
1:15:15 > 1:15:16What have you done?
1:15:16 > 1:15:19The camp was failing, Todd. We would have failed.
1:15:19 > 1:15:21What have you done?!
1:15:21 > 1:15:24The camp was going under, Todd - the whole thing!
1:15:24 > 1:15:26Families weren't coming any more. We were that close.
1:15:26 > 1:15:30I had to keep it afloat! No, Cherry...not like this.
1:15:30 > 1:15:32This is all we have. This is all we are!
1:15:32 > 1:15:35You're so naive, Todd.
1:15:36 > 1:15:39It's business, just business.
1:15:39 > 1:15:41I know it's hard, but we needed the cash.
1:15:43 > 1:15:44We'd be dead otherwise.
1:15:49 > 1:15:51Sit down, Mr Stretch.
1:15:56 > 1:16:00How did you...market this business?
1:16:04 > 1:16:08We watched, at meal-times, the couples who were struggling.
1:16:08 > 1:16:10The men who looked straight past their own wives,
1:16:10 > 1:16:12so they could get a good look at someone else's.
1:16:13 > 1:16:15Oh, it's everywhere, Inspector -
1:16:15 > 1:16:18unhappy couples.
1:16:18 > 1:16:20Especially on holiday...
1:16:20 > 1:16:22all that flesh,
1:16:22 > 1:16:24every flaw exposed.
1:16:25 > 1:16:26And what about Megan?
1:16:26 > 1:16:29What about her? Come on, Cherry, there's more.
1:16:29 > 1:16:30What about Megan?
1:16:32 > 1:16:35I invited her to join us.
1:16:35 > 1:16:37Well, I didn't, Gary did.
1:16:38 > 1:16:39We'd set the whole thing up.
1:16:39 > 1:16:42I thought if she fell in love with Gary,
1:16:42 > 1:16:43she'd be more pliable.
1:16:44 > 1:16:46Did Megan refuse to get involved?
1:16:48 > 1:16:52We'd never been turned down before, we selected carefully.
1:16:52 > 1:16:55She put a value on herself and it was beyond money.
1:16:57 > 1:16:59And did she threaten to blow the whistle?
1:16:59 > 1:17:00Yes.
1:17:00 > 1:17:02Did you kill her?
1:17:02 > 1:17:03No.
1:17:04 > 1:17:07I was at my wit's end, yes, needed her to shut up.
1:17:07 > 1:17:10We all needed her to shut up and then...
1:17:12 > 1:17:14..you came and she was dead.
1:17:18 > 1:17:21You say you selected carefully.
1:17:22 > 1:17:24How?
1:17:24 > 1:17:25They had to be...
1:17:26 > 1:17:28..um...pretty...
1:17:28 > 1:17:30ambitious...
1:17:30 > 1:17:33girls and boys.
1:17:33 > 1:17:37They had to be 16 and over, I was very strict about that.
1:17:39 > 1:17:4016 or over?
1:17:54 > 1:17:56Gail?
1:17:56 > 1:17:58Justine, would you mind for a minute?
1:18:06 > 1:18:08Whose is this?
1:18:10 > 1:18:12It's mine.
1:18:12 > 1:18:13Why was it in Justine's drawer?
1:18:13 > 1:18:14Don't look at her.
1:18:16 > 1:18:19She said I didn't need it any more.
1:18:19 > 1:18:20Why? Gail...
1:18:20 > 1:18:21Justine, shut it.
1:18:25 > 1:18:27Because I'm a grown-up now.
1:18:27 > 1:18:28In what way?
1:18:32 > 1:18:35Gail, a girl has died... Megan has died.
1:18:35 > 1:18:38Now, we know that some of the Bluebirds
1:18:38 > 1:18:43were involved with men and women who paid them for sex.
1:18:43 > 1:18:44She wasn't part of it.
1:18:44 > 1:18:46Yeah, I was.
1:18:48 > 1:18:52Cherry didn't know, Cherry thought I were too young.
1:18:52 > 1:18:53But Justine thought I were ready.
1:18:53 > 1:18:57Justine, did you set Gail up with clients?
1:18:57 > 1:18:58Did Megan find out?
1:19:00 > 1:19:02She's 15!
1:19:02 > 1:19:04She's a child!
1:19:06 > 1:19:08Megan cared about that, didn't she?
1:19:08 > 1:19:12There's one thing finding out her mates were sleeping with campers.
1:19:12 > 1:19:13But this was too much, wasn't it?
1:19:13 > 1:19:16Gail dropped the money. She shouldn't have dropped the money!
1:19:16 > 1:19:20MUSIC: "Sugar, Sugar" by The Archies
1:19:20 > 1:19:22Meg, I thought you were in the staff room.
1:19:22 > 1:19:24I'm not going.
1:19:24 > 1:19:27Why? What are you two doing back?
1:19:27 > 1:19:29Sneaked out.
1:19:29 > 1:19:31Gail fancies the new kitchen porter.
1:19:31 > 1:19:33Don't you, Gail?
1:19:33 > 1:19:35I said I'd redo her hair for the late shift.
1:19:35 > 1:19:39Right, you, hairbrush. Sit.
1:19:39 > 1:19:41They're only on that dance floor for 16 minutes.
1:19:41 > 1:19:43Then I'll be right back on that stage.
1:19:43 > 1:19:45I'm sure she can do her own hair.
1:19:45 > 1:19:47Only Justine can do it for me.
1:19:52 > 1:19:53Is it yours?
1:19:53 > 1:19:56No. I'm asking Gail.
1:19:56 > 1:19:57Gail?
1:19:59 > 1:20:01No.
1:20:01 > 1:20:02She's started?
1:20:02 > 1:20:04Is that what you're doing, now?
1:20:05 > 1:20:07You're getting her ready for a punter?
1:20:09 > 1:20:10You should go back to work.
1:20:10 > 1:20:12What about you? Just go, now.
1:20:17 > 1:20:20"BUILD ME UP BUTTERCUP" COMES ON
1:20:20 > 1:20:22She wanted to get started.
1:20:22 > 1:20:24She's just a kid.
1:20:25 > 1:20:27I'm helping her out!
1:20:27 > 1:20:28Really?
1:20:29 > 1:20:31You really think that?
1:20:34 > 1:20:37Meg, don't be angry. I'm helping her feel beautiful.
1:20:38 > 1:20:40You actually enjoy it, don't you?
1:20:40 > 1:20:44What? You actually enjoy dressing up a 15-year-old girl
1:20:44 > 1:20:46as your doll
1:20:46 > 1:20:49and sending her off to have sex with oily, bloated campers.
1:20:49 > 1:20:53I turned her into something, I did that. She was nothing.
1:20:53 > 1:20:55Wow. You're a star-maker...
1:20:55 > 1:20:58You really need to be quiet. ..making dreams come true(!)
1:20:58 > 1:21:01Except this isn't Hollywood Boulevard, it's a holiday camp.
1:21:01 > 1:21:03SHE TURNS THE MUSIC UP You need to shut your mouth.
1:21:03 > 1:21:05Gail is too young!
1:21:05 > 1:21:08I'm calling the police, you whore! No, you're...
1:21:21 > 1:21:25KNOCK AT THE DOOR Meg, what are you doing? Turn it down.
1:21:26 > 1:21:29Meg, what are you playing at? Turn it down!
1:21:32 > 1:21:33Thank you.
1:21:37 > 1:21:40'Why didn't you just report Megan's death as an accident?'
1:21:40 > 1:21:42Meg?
1:21:42 > 1:21:43'And take the chance
1:21:43 > 1:21:45'the police would come and find out about the other stuff?'
1:21:45 > 1:21:47'And then?'
1:21:47 > 1:21:49I stood there in the dark.
1:21:51 > 1:21:53The door went again and I thought it was Gary.
1:21:53 > 1:21:55But it was me.
1:21:56 > 1:21:58I was worried about Justine.
1:21:58 > 1:22:00You came out twice?
1:22:00 > 1:22:03We've got statements. People said you were in the kitchen all night.
1:22:03 > 1:22:05I'm the girl nobody notices.
1:22:05 > 1:22:07I slipped away just fine.
1:22:10 > 1:22:11Hello?
1:22:11 > 1:22:13DISTANT KNOCKING
1:22:26 > 1:22:27Justine...
1:22:28 > 1:22:31..where's Meg? Don't switch the light on.
1:22:32 > 1:22:33What's going on?
1:22:34 > 1:22:37Something happened and there was an accident.
1:22:37 > 1:22:40Megan was going to call the police. So I just...
1:22:41 > 1:22:42She fell.
1:22:43 > 1:22:44What do you mean?
1:22:47 > 1:22:48She's dead.
1:22:48 > 1:22:49What?
1:22:55 > 1:22:57SHE WHIMPERS
1:22:59 > 1:23:00No, you need to be quiet.
1:23:01 > 1:23:04You need to be very, very quiet.
1:23:05 > 1:23:07Everything that happens in the next five minutes
1:23:07 > 1:23:09is really, really important.
1:23:09 > 1:23:12And you need to do everything I say, right?
1:23:13 > 1:23:14Everything.
1:23:19 > 1:23:22We need to get back to work.
1:23:22 > 1:23:25So...help me push her under the bed
1:23:25 > 1:23:27and we can...we can deal with her later.
1:23:27 > 1:23:29What? Right? Come on, under the bed.
1:23:42 > 1:23:43No, don't get any blood on you!
1:23:43 > 1:23:45Don't.
1:23:49 > 1:23:51Gail, get back to work. Hurry.
1:23:56 > 1:23:59Well, Justine killed Megan. That wasn't your problem.
1:23:59 > 1:24:01I had to help.
1:24:01 > 1:24:03What, you have to do everything she says?
1:24:03 > 1:24:05Sleep with men when she says? Move bodies when she says?
1:24:05 > 1:24:07I don't know... You're upsetting her.
1:24:07 > 1:24:09You made her an accessory to murder!
1:24:09 > 1:24:13And after Gail helped, you went back to the dancehall. Yeah? Yes.
1:24:13 > 1:24:16Well, somebody must have noticed you were late.
1:24:16 > 1:24:17We looked after each other.
1:24:27 > 1:24:29Where have you been? Last-minute appointment.
1:24:30 > 1:24:32You're all right. Didn't know you had one.
1:24:32 > 1:24:35Spontaneity's my middle name.
1:24:35 > 1:24:36The old boys love it.
1:24:36 > 1:24:39That's why I'm earning more money than you.
1:24:39 > 1:24:41Well, what about the delicious Sylvia Ryan?
1:24:41 > 1:24:44Aye. Except Megan was playing her music full blast.
1:24:44 > 1:24:46It was distracting. Right.
1:24:46 > 1:24:49I need to talk to her. Yeah, you should. But I...
1:24:50 > 1:24:52..I think she's getting an early night.
1:24:52 > 1:24:54Maybe you should try her tomorrow.
1:24:55 > 1:24:57Right, ladies and gentlemen,
1:24:57 > 1:24:59that is your 20 minutes' dance time up.
1:24:59 > 1:25:01So I hope you had a good time down there
1:25:01 > 1:25:03because I certainly enjoyed watching you all.
1:25:05 > 1:25:07'What about the body?'
1:25:08 > 1:25:10'We waited till three o'clock in the morning.'
1:26:30 > 1:26:32For Cherry, it was all about business.
1:26:32 > 1:26:35This one... this one was something different.
1:26:35 > 1:26:38I think she saw herself as some kind of Svengali.
1:26:38 > 1:26:43I wonder what Stretch'll do now. Camp's a goner, isn't it?
1:26:43 > 1:26:4630 years of family holidays, how ironic.
1:26:46 > 1:26:48Oh, speaking of joyous family life,
1:26:48 > 1:26:51Lisa called, left a message. What?
1:26:51 > 1:26:52Yeah. What did she want?
1:26:52 > 1:26:55She's dropping off Leigh-Anne in about half an hour.
1:26:55 > 1:26:57No, I'm not seeing her for three week.
1:26:57 > 1:27:00I don't know, something about a new deal.
1:27:00 > 1:27:02Every other weekend, I think she said.
1:27:02 > 1:27:03You're joking? I'm not.
1:27:03 > 1:27:05You're joking! No, I'm not.
1:27:06 > 1:27:09Why...why's she changed her mind?
1:27:09 > 1:27:11I don't know, John. I've got to go.
1:27:11 > 1:27:13Night, John.
1:27:24 > 1:27:25Here's my girl!
1:27:30 > 1:27:33Give us a hug! Oh!
1:27:37 > 1:27:39Thanks for that, it means everything.
1:27:39 > 1:27:41Have a nice evening.