0:00:43 > 0:00:44Neoooow!
0:00:44 > 0:00:46Woo-hoo!
0:00:46 > 0:00:50Neoooow!
0:01:12 > 0:01:14It can't be.
0:01:29 > 0:01:30It's a bit late,
0:01:30 > 0:01:34but I've got your birthday present.
0:01:37 > 0:01:38Go on.
0:01:51 > 0:01:55Mum? You know when it's my birthday?
0:01:55 > 0:01:57No.
0:02:38 > 0:02:42Come on everybody, back to work.
0:02:59 > 0:03:01By the left, quick march.
0:03:02 > 0:03:06And I'm telling you she won't mind.
0:03:06 > 0:03:09That tweed is fabulous!
0:03:09 > 0:03:13Just hand it over, there's a good girl.
0:03:14 > 0:03:15My lady.
0:03:16 > 0:03:18Is there a reason why you're purloining
0:03:18 > 0:03:20my dead husband's clothes, Diana?
0:03:20 > 0:03:24Just following the make do and mend policy, darling.
0:03:24 > 0:03:29There's a little woman in Helmstead who'll turn this into the most divine skirt and jacket.
0:03:29 > 0:03:31Words fail me.
0:03:31 > 0:03:34You're always on at me about setting an example,
0:03:34 > 0:03:35not flaunting our wealth.
0:03:35 > 0:03:37My wealth.
0:03:37 > 0:03:40Yes, I should be grateful, shouldn't I?
0:03:40 > 0:03:43And speaking of fabric, I don't suppose you've spent
0:03:43 > 0:03:47- any time acquiring the uniforms for the new land girls?- I've been busy.
0:03:47 > 0:03:50- We'll let them work in their underwear, shall we?- I'll do it.
0:03:50 > 0:03:52You're always saying you'll help.
0:03:52 > 0:03:54Perhaps it's time you faced the music.
0:03:54 > 0:03:56Went back to your husband instead?
0:03:56 > 0:04:00But I can hardly leave you alone with all that you've been through.
0:04:00 > 0:04:04Alone? Half the US military are here in case you hadn't noticed.
0:04:04 > 0:04:09- All right, I'll help more if it makes you happy.- Let's hope you do.
0:04:09 > 0:04:13Otherwise I may have to pack your bags myself.
0:04:22 > 0:04:24Happy birthday.
0:04:24 > 0:04:27Just the one candle mind, remember there's a war on.
0:04:27 > 0:04:30Still, never thought
0:04:30 > 0:04:33you'd
0:04:33 > 0:04:35make it this far, did we? There we go, there we are.
0:04:41 > 0:04:42Good lad.
0:04:50 > 0:04:52- Oi!- Come on.- What?
0:04:52 > 0:04:55Over the threshold. Cos' you didn't when we got married.
0:04:55 > 0:04:57Oh, don't be daft.
0:04:57 > 0:05:01CAR HORNS BEEP
0:05:04 > 0:05:07# You leave the Pennsylvania Station 'bout a quarter to four
0:05:07 > 0:05:10# Read a magazine and then you're in Baltimore
0:05:10 > 0:05:13# Dinner in the diner nothing could be finer
0:05:13 > 0:05:16# Than to have your ham and eggs in Carolina
0:05:16 > 0:05:18# When you hear the whistle blowing eight to the bar
0:05:18 > 0:05:22# Then you know that Tennessee is not very far
0:05:22 > 0:05:24# Shovel all the coal in
0:05:24 > 0:05:25# Got to keep it rolling
0:05:25 > 0:05:28# Woo, woo Chattanooga there you are. #
0:05:28 > 0:05:30Hey, baby!
0:05:31 > 0:05:32Well, I've seen it all now.
0:05:32 > 0:05:35All right sweetheart, give us a hand with my case, will you?
0:05:35 > 0:05:38Clear off you lot. Haven't you got barracks to go to?
0:05:38 > 0:05:41OK, OK, lady.
0:05:41 > 0:05:44- Connie Carter?- The one and only, pleased to meet you.
0:05:44 > 0:05:47- She's our new land girl. - Why were you kissing that Yank?
0:05:47 > 0:05:50Small price to pay to save walking from the station.
0:05:50 > 0:05:53Right, show's over. Come on.
0:06:06 > 0:06:09Look, this was only ever a surprise visit.
0:06:09 > 0:06:12I've got to get the old crate back to Condover.
0:06:12 > 0:06:15Hmm, I suppose.
0:06:15 > 0:06:18Il me faut bient't partir, cherie.
0:06:18 > 0:06:22- What was that?- Been learning it. In case I meet any French birds.
0:06:22 > 0:06:24- Oh! - It's part of the evasion training.
0:06:24 > 0:06:27Yeah, well, you can evade those French birds for a start!
0:06:27 > 0:06:29Give me a Coventry girl any time.
0:06:29 > 0:06:31Glad to hear it.
0:06:31 > 0:06:33So when do you have to go?
0:06:33 > 0:06:36Soon. Ay, but you know what? I've fixed things so I can swing by
0:06:36 > 0:06:39the farm again tomorrow evening, before I go.
0:06:39 > 0:06:43Oh, I was planning on reading my Agatha Christie.
0:06:48 > 0:06:52And, er before breakfast, I expect the eggs to be collected.
0:06:52 > 0:06:54Now we have a rota so it's a different girl
0:06:54 > 0:06:55does the honours each day.
0:06:55 > 0:06:58And do you have names for all the hens?
0:06:58 > 0:07:00It's a working farm, not Winnie the Pooh.
0:07:00 > 0:07:01Er, still won't start.
0:07:01 > 0:07:04Why doesn't that surprise me?
0:07:04 > 0:07:05I don't know why you bought the tractor in the first place.
0:07:05 > 0:07:08I wouldn't trust Vernon Storey as far as I could throw him.
0:07:08 > 0:07:11Oh, I could have a look. I used to court a mechanic.
0:07:11 > 0:07:14Some of it might have rubbed off. His oily hands certainly did.
0:07:14 > 0:07:17Yes, well, you've got enough work to do, lady.
0:07:17 > 0:07:20Oh, right.
0:07:20 > 0:07:23Here's trouble. Come on.
0:07:26 > 0:07:28We've already had the post, haven't we?
0:07:28 > 0:07:32I'm not here as post mistress, child. I'm here in my other official role.
0:07:32 > 0:07:36I have been asked, on behalf of the Parish Council,
0:07:36 > 0:07:38to conduct an audit of livestock.
0:07:38 > 0:07:40Well, you know what you can do with your audit.
0:07:40 > 0:07:43Let's make a start shall we start, Mr Finch?
0:07:43 > 0:07:44I'll need your inventory.
0:07:49 > 0:07:53We never really talked about having a squadron of our own, did we?
0:07:53 > 0:07:56No, war got in the way, didn't it?
0:07:56 > 0:07:57And when it's over?
0:08:03 > 0:08:07My mum was always on about grandchildren, wasn't she?
0:08:07 > 0:08:11Well, she'll be looking down, glad we're talking about it now.
0:08:14 > 0:08:17Can you imagine us, old and wrinkly?
0:08:18 > 0:08:21House full of children
0:08:21 > 0:08:23and grandchildren.
0:08:23 > 0:08:28And we're all sat around the table eating Sunday lunch.
0:08:28 > 0:08:30Plates are piled high.
0:08:30 > 0:08:35Everyone's asking about the time you swept me away in a Tiger Moth.
0:08:37 > 0:08:41The war will just be a distant memory, but...
0:08:41 > 0:08:44we'll never forget today, will we?
0:08:44 > 0:08:47I can't wait.
0:08:47 > 0:08:50Well, it'll keep me going every time you go off risking your neck.
0:08:50 > 0:08:53Hey, I'll always come back.
0:08:53 > 0:08:55How many men have said that to their wives?
0:08:58 > 0:08:59Hey.
0:09:00 > 0:09:02Time for you to go already?
0:09:09 > 0:09:12Hey, it's only au revoir.
0:09:13 > 0:09:15We'll say our goodbyes tomorrow.
0:09:53 > 0:09:55- General Garwood. - Mr Gillespie. It's a privilege.
0:09:55 > 0:09:58Hope it wasn't a problem travelling with the gear myself.
0:09:58 > 0:10:01I wanted to keep an eye on these babies all the way.
0:10:01 > 0:10:04My men will take the utmost care. They'll be stored in a secure base
0:10:04 > 0:10:08and I've requisitioned part of a country estate for a few weeks for testing and planning.
0:10:08 > 0:10:09- In Helmstead?- Just outside.
0:10:09 > 0:10:13- A place called Hoxley Manor. - Outstanding.- Here, let me.
0:10:13 > 0:10:17Is there any news concerning my son?
0:10:17 > 0:10:20We're pursuing a number of leads. I'm sure it's just a matter of time.
0:10:20 > 0:10:22Make it a priority,
0:10:22 > 0:10:26- I've got to be back in Chicago in three weeks, General.- Yes, Sir.
0:10:28 > 0:10:33It's nice to see they've trusted you with the wotsit... the audit.
0:10:33 > 0:10:37Ay, ay, must have recognised your true talents at last, eh?
0:10:37 > 0:10:40Open it.
0:10:40 > 0:10:42- Well, there's nothing...- Mr. Finch!
0:10:52 > 0:10:54It says here your pigs went to slaughter last week,
0:10:54 > 0:10:56why's this pig still here?
0:10:56 > 0:10:58It's not a pig, it's Chamberlain.
0:11:09 > 0:11:10Unhand me, sir!
0:11:19 > 0:11:20What breed is that pig?
0:11:23 > 0:11:27- Child? - Large white, Landrace Cross.
0:11:27 > 0:11:29By the end of next week
0:11:29 > 0:11:31you must surrender that
0:11:31 > 0:11:34pig to slaughter.
0:11:48 > 0:11:52And it's so cold up there I thought my face was going to freeze.
0:11:52 > 0:11:54That explains why it's stuck in that smile.
0:11:54 > 0:11:59Most romantic time I ever had involved an ARP warden and a blackout in Bermondsey.
0:11:59 > 0:12:02What you writing?
0:12:02 > 0:12:04It's a secret.
0:12:04 > 0:12:08- So whereabouts in London are you from?- Stepney. In the East End.
0:12:08 > 0:12:11- Was your street bombed then? - Best thing that ever happened to it.
0:12:11 > 0:12:13I didn't think of it as my street.
0:12:13 > 0:12:15It was just where...
0:12:15 > 0:12:16I'd been gone a long time by then.
0:12:16 > 0:12:19Here, you're not taking this down, are you?
0:12:19 > 0:12:22Don't want my words turning up nowhere.
0:12:22 > 0:12:25Actually, I'm writing clues.
0:12:25 > 0:12:29- Oh, what for? - I'm going to surprise Billy.
0:12:29 > 0:12:31- A picnic under his dad's tree. - Sounds dull.
0:12:33 > 0:12:37- Dull-ightful. Romantic. - Yeah, it will be.
0:12:37 > 0:12:40Billy has to work out the clues and find me.
0:12:40 > 0:12:43It'd be easier to let him follow a trail of string, wouldn't it?
0:12:43 > 0:12:46- What you going to wear? - I don't know.
0:12:46 > 0:12:49After the baby they all need taking out a little bit.
0:12:49 > 0:12:51I might have a dress you could borrow.
0:12:51 > 0:12:53And maybe a pair of nylons.
0:12:53 > 0:12:56- Really?- Used to have a fancy fella in London. He'd get me all sorts.
0:13:00 > 0:13:04Hey, hey, my bag.
0:13:04 > 0:13:09Doc, I've been looking all over for you.
0:13:09 > 0:13:15Finch. Just because a man finds himself in loud disagreement
0:13:15 > 0:13:17over the landlord's prices.
0:13:17 > 0:13:20I need your help.
0:13:20 > 0:13:23The County Show. Is it too late to enter Chamberlain for best pig?
0:13:23 > 0:13:26But it's in two days time.
0:13:26 > 0:13:28It's his only chance.
0:13:28 > 0:13:30See, he's been given a notice for slaughter.
0:13:30 > 0:13:32If he can win the County fair,
0:13:32 > 0:13:36he'll be considered prime breeding stock, won't he?
0:13:36 > 0:13:39Oh, and be exempt from a grisly end.
0:13:39 > 0:13:44- Clever.- So?
0:13:44 > 0:13:47Mine's a pint?
0:13:47 > 0:13:49- No, the pig.- Oh.
0:13:49 > 0:13:52I'm sure they'll let him enter late.
0:13:59 > 0:14:02- What did he want?- It was...
0:14:02 > 0:14:04a medical matter.
0:14:04 > 0:14:07Don't lie to me or I'll paint you as guilty as him.
0:14:07 > 0:14:10Now, I'll ask you one more time.
0:14:13 > 0:14:15Has he worked it out yet?
0:14:15 > 0:14:18To be honest, he looks a bit confused.
0:14:18 > 0:14:20I told you the clue was too difficult.
0:14:20 > 0:14:23"A big tea found with an R for romance." That's obvious.
0:14:23 > 0:14:25It is to you cos you know the answer.
0:14:25 > 0:14:30Tea with an R is tree! It's tree!
0:14:30 > 0:14:33I know the answer. It's your husband you've got to worry about.
0:14:33 > 0:14:35You're going to have to tell him.
0:14:35 > 0:14:38No, that'll take the fun out of it.
0:14:38 > 0:14:40I suppose, he's got until tonight to work it out.
0:14:40 > 0:14:42I hope he does.
0:14:42 > 0:14:45Last time I planned something, Finch's ferret was under the bed
0:14:45 > 0:14:47and he spent all night trying to catch it.
0:14:47 > 0:14:50Nearly forgot.
0:14:50 > 0:14:53- Oh, thank you so much. - They have got seams!
0:14:53 > 0:14:55No cold tea on your legs tonight.
0:14:55 > 0:14:58So, your fella? The one in London.
0:14:58 > 0:15:00What happened to him?
0:15:00 > 0:15:02He's still there.
0:15:02 > 0:15:04I'm not.
0:15:04 > 0:15:07Right, come on you lot, back to work.
0:15:07 > 0:15:10This isn't going to get the hay twined, is it?
0:15:10 > 0:15:13And Connie, your uniform hasn't arrived yet.
0:15:13 > 0:15:17So you'll have to make do till we get to the Manor.
0:15:17 > 0:15:19He's going to be out there for a while.
0:15:50 > 0:15:54As far as I'm concerned, you brave boys deserve to use the front door.
0:15:54 > 0:15:56- Thank you very much, ma'am. - Thank you.
0:15:58 > 0:16:01Lady Hoxley? Pleased to meet you.
0:16:01 > 0:16:04That's what I call you, right?
0:16:04 > 0:16:06You can call me anything you like.
0:16:06 > 0:16:09And whom do I have the pleasure of addressing?
0:16:12 > 0:16:14Mr Gillespie, I presume.
0:16:14 > 0:16:16If you must smoke in my house,
0:16:16 > 0:16:20does it have to smell like you're burning rolled-up carpets?
0:16:20 > 0:16:22Ellen Hoxley.
0:16:22 > 0:16:24Diana Granville.
0:16:24 > 0:16:26My sister.
0:16:26 > 0:16:28- Who I'm sure has work to do. - It's all in hand.
0:16:28 > 0:16:31Lovely to meet you, Mr Gillespie.
0:16:31 > 0:16:34Excuse me, we're ready in the ops room when you are.
0:16:34 > 0:16:36Business calls.
0:16:36 > 0:16:38Ladies.
0:16:43 > 0:16:45What do you think you're doing?
0:16:45 > 0:16:47Livening up this mausoleum.
0:16:50 > 0:16:53So you grab it in your hand gently.
0:16:53 > 0:16:55Ooh blimey. Doesn't feel like I thought it would.
0:16:55 > 0:16:57That's what they all say.
0:16:57 > 0:17:02Now, between your forefinger and thumb, squeeze. That's it.
0:17:02 > 0:17:05So are you, er, doing anything special later?
0:17:05 > 0:17:07Just concentrate on what you're doing.
0:17:07 > 0:17:10No, silly, I mean you and Bea.
0:17:10 > 0:17:12Look, I'll be straight with you.
0:17:12 > 0:17:15She is planning a surprise and you've got to pretend that
0:17:15 > 0:17:17you're surprised, even though I'm telling you about the surprise, OK?
0:17:17 > 0:17:20- What are you talking about? - She's planning a picnic!
0:17:20 > 0:17:23- Under your dad's tree. - Well, why's she doing that?
0:17:23 > 0:17:26Because... girls need romance.
0:17:26 > 0:17:27Look, come here.
0:17:27 > 0:17:30You pull her close.
0:17:30 > 0:17:33Tell her she's the most beautiful woman in the world.
0:17:33 > 0:17:35Go on. Pretend I'm her.
0:17:37 > 0:17:41You're the most beautiful woman in the world.
0:17:41 > 0:17:44Then you hook your hand around her waist. Go on.
0:17:44 > 0:17:50Now hold her close so all you can feel is her heart beat, she looks so
0:17:50 > 0:17:55beautiful she takes your breath away and when the moment feels right,
0:17:55 > 0:17:57lean in and...
0:18:04 > 0:18:06Martin!
0:18:06 > 0:18:09- Martin!- What happened?
0:18:09 > 0:18:11He's not moving! Why's he not moving?
0:18:11 > 0:18:17- Billy?- It was my fault. I opened the gate and just...
0:18:17 > 0:18:18caught him.
0:18:18 > 0:18:22Martin, sweetheart.
0:18:29 > 0:18:33- Is this what they call "taking the air"?- It was.
0:18:37 > 0:18:39Are you outside for a reason?
0:18:39 > 0:18:41Think I asked first.
0:18:41 > 0:18:43No, you didn't.
0:18:43 > 0:18:47Well, apologies if I was being kind of cryptic.
0:18:48 > 0:18:51Waiting for my car. You?
0:18:51 > 0:18:53The same.
0:18:53 > 0:18:56Want to save gas and share a ride?
0:18:57 > 0:18:59No, thank you.
0:19:00 > 0:19:04- I'm going a different way.- Of course.
0:19:06 > 0:19:10You should have asked which way I was going first for that to work.
0:19:21 > 0:19:25Could be a lot worse.
0:19:25 > 0:19:30- Does he have a headache? - Well, why don't you ask him?
0:19:30 > 0:19:34It hurts a bit.
0:19:34 > 0:19:37- And I'm dizzy.- He took quite a belt. Didn't he, Billy?
0:19:37 > 0:19:39Should go in a few days.
0:19:39 > 0:19:44Bit of bed, bit of rest and then he'll be playing with his building
0:19:44 > 0:19:49- blocks, tickedy boo, right as rain. - He's not three, you know.
0:19:51 > 0:19:53- Love?- I'm fine.
0:19:53 > 0:19:55You go upstairs and lie down then.
0:19:55 > 0:19:58- I'll take him. - Save your legs, Joyce. I'll do it.
0:19:58 > 0:20:02Don't you think you've done enough? Joyce.
0:20:07 > 0:20:09Well?
0:20:09 > 0:20:12It's just a little, a little concussion.
0:20:12 > 0:20:15No, it seems more than that, surely?
0:20:15 > 0:20:16He can't even remember what happened.
0:20:16 > 0:20:22Which, which, which one of us is the, is the doctor, Mrs Reeves?
0:20:22 > 0:20:26Hmm?
0:20:31 > 0:20:33Chamberlain?
0:21:02 > 0:21:05I understand the case has collapsed.
0:21:05 > 0:21:08Your Ladyship.
0:21:08 > 0:21:11How convenient they can't find the trekker.
0:21:11 > 0:21:14That's one of the troubles with them. No fixed abode.
0:21:15 > 0:21:18As for Miss Morrell.
0:21:18 > 0:21:20She's also proved to be...
0:21:20 > 0:21:22untraceable.
0:21:23 > 0:21:26Without anyone to dispute my version of events,
0:21:26 > 0:21:28there wasn't a case, your ladyship.
0:21:28 > 0:21:31Your version?
0:21:31 > 0:21:33The truth...
0:21:33 > 0:21:35what happened.
0:21:36 > 0:21:39And you're the only one who knows.
0:21:39 > 0:21:41The only one who was there in the final moments.
0:21:41 > 0:21:43Yes.
0:21:46 > 0:21:48Which is why I need to hear you say it.
0:21:53 > 0:21:55I didn't kill your husband.
0:22:19 > 0:22:22You all right, love?
0:22:22 > 0:22:23I'm fine.
0:22:23 > 0:22:25Do you remember what happened?
0:22:28 > 0:22:31- Erm, it's to the bathroom and back today.- Mum!
0:22:31 > 0:22:35You heard what Doctor Morgan said.
0:22:35 > 0:22:39Now, drink your tea and read your comic.
0:22:45 > 0:22:47- Did you get any sleep?- Thanks.
0:22:54 > 0:22:55So how is he?
0:22:55 > 0:22:58Same.
0:22:58 > 0:23:00You know there's been one of his lot in my family
0:23:00 > 0:23:02since my great grandfather's day.
0:23:04 > 0:23:07He's the closest thing to a brother Billy's ever had.
0:23:10 > 0:23:13- I can't lose him, Bea.- You won't.
0:23:14 > 0:23:18See, he might just seem like a pig to you.
0:23:21 > 0:23:24Someone poisoned him.
0:23:24 > 0:23:27Come on.
0:23:27 > 0:23:28I know what I know.
0:23:33 > 0:23:36So you're here on business?
0:23:36 > 0:23:39My sister loves to play the detective.
0:23:39 > 0:23:42- Mostly. Yes. - And you must be very important?
0:23:42 > 0:23:46- Must I?- Being flown about by the military like that.
0:23:46 > 0:23:48Then yes, I'm very important.
0:23:48 > 0:23:50And yet you're a civilian.
0:23:50 > 0:23:51You could just ask why I'm here.
0:23:51 > 0:23:54- And would you tell me? - You don't know until you try.
0:23:54 > 0:23:57For goodness sake! Mr Gillespie, why are you here?
0:23:57 > 0:23:59I'm head of a company.
0:23:59 > 0:24:01We've got a contract to build something
0:24:01 > 0:24:04- that everyone's very excited about. - The cocktail shaker!
0:24:04 > 0:24:07The proximity fuse.
0:24:07 > 0:24:10It's the most amazing innovation in this whole war.
0:24:10 > 0:24:14I understand it works with radio waves?
0:24:14 > 0:24:17OK, here's your shell.
0:24:17 > 0:24:20In the old days, it'd hit the target and explode.
0:24:20 > 0:24:23Not that accurate and minimal damage.
0:24:23 > 0:24:25Still hurt your head, wouldn't it?
0:24:25 > 0:24:28With this, the end of the shell sends out radio waves,
0:24:28 > 0:24:30and, as it approaches the target,
0:24:30 > 0:24:33the waves bounce back. And when they reach a particular frequency...
0:24:33 > 0:24:35There's a big explosion?
0:24:35 > 0:24:37Right.
0:24:37 > 0:24:41I do love a big bang, don't you, Jack?
0:24:52 > 0:24:55You look smart.
0:24:55 > 0:24:58I was going to say the same. Have you used all the coupons?
0:24:58 > 0:25:02It's Connie's. What do you think?
0:25:02 > 0:25:03Nice.
0:25:10 > 0:25:13So nice to be alone for a bit, eh?
0:25:16 > 0:25:19We've been called in for the night shift.
0:25:19 > 0:25:23A Jerry plane came down near Condover and we've got to,
0:25:23 > 0:25:24got to search for survivors.
0:25:27 > 0:25:29There goes my plan for tonight.
0:25:30 > 0:25:32What plan?
0:25:34 > 0:25:37You don't need clues for everything, do you?
0:25:41 > 0:25:44Finest tonic known to man.
0:25:46 > 0:25:49The finest gin known to man.
0:25:49 > 0:25:51Thanks, doc.
0:25:51 > 0:25:53Will he, erm,
0:25:53 > 0:25:55will he make it?
0:25:55 > 0:25:57Trust me,
0:25:57 > 0:25:59I'm a doctor.
0:26:04 > 0:26:06The only place I could find was on the edge of town.
0:26:06 > 0:26:09And although I booked a double room, I didn't realise I'd be sharing.
0:26:09 > 0:26:13Place is infested with rodents.
0:26:13 > 0:26:16Heck, they eat more room service than I do!
0:26:16 > 0:26:21- Ghastly.- You can't stay all the way out there in that flea pit.
0:26:21 > 0:26:22Well, there's nowhere else.
0:26:22 > 0:26:26Believe me, I've knocked on more doors than Joseph and Mary.
0:26:26 > 0:26:29Well, there is... another option.
0:26:29 > 0:26:31Isn't that right, Ellen?
0:26:31 > 0:26:32You can't be serious?
0:26:32 > 0:26:34The place is crawling with yanks already.
0:26:34 > 0:26:36What difference will one more make?
0:26:36 > 0:26:39You'll love it here.
0:26:39 > 0:26:42Just get my cigarettes.
0:26:46 > 0:26:48You'll have to excuse my sister.
0:26:48 > 0:26:52She was dropped on her head as a child.
0:26:52 > 0:26:55She's one full-on dame, that's for sure.
0:26:58 > 0:27:00I appreciate the offer,
0:27:00 > 0:27:04and if you're ever in Chicago...
0:27:04 > 0:27:06I don't think I'll be travelling anywhere.
0:27:08 > 0:27:11I'm sorry to hear about your husband.
0:27:11 > 0:27:12Thank you.
0:27:15 > 0:27:17You miss him?
0:27:17 > 0:27:21If it's any consolation, I know what you're going through.
0:27:24 > 0:27:27Maybe I should take up your offer.
0:27:27 > 0:27:30Stay here. Save a lot of time.
0:27:30 > 0:27:32It'd mean I could sort out...
0:27:32 > 0:27:34everything. What do you think?
0:27:36 > 0:27:39Well, I suppose we are allies.
0:27:41 > 0:27:43What have I missed?
0:27:43 > 0:27:46Were you talking about me?
0:27:48 > 0:27:51Joyce may have all the excitement,
0:27:51 > 0:27:53but at least I've got you here all
0:27:53 > 0:27:56- the time.- Oh, thanks. I think.
0:27:56 > 0:27:58No, I don't know what I'd do.
0:27:59 > 0:28:04I mean, it's one thing dealing with the baby and living under your dad's
0:28:04 > 0:28:08roof when you're here, but if you went away I'd...
0:28:08 > 0:28:11Hey, I'm not going anywhere, all right.
0:28:14 > 0:28:16And I'll have that back.
0:28:19 > 0:28:21Hey. Tomorrow afternoon in the hayloft.
0:28:21 > 0:28:24Don't be late.
0:28:24 > 0:28:27OK, see you later.
0:28:32 > 0:28:34Well, come on, I don't want to miss John.
0:28:34 > 0:28:35Oh, but this place is beautiful.
0:28:35 > 0:28:37In the home when I was small,
0:28:37 > 0:28:39I used to pretend I was a lady in a house like this.
0:28:39 > 0:28:44- All this space. And the quiet. - You were in a children's home?
0:28:44 > 0:28:46We can't all have parents, you know.
0:28:48 > 0:28:51You look lovely, now come on.
0:28:51 > 0:28:55And if you require any laundry, please leave it out for Sarah.
0:28:55 > 0:28:56Swell.
0:28:56 > 0:28:59Mr Gillespie?
0:29:00 > 0:29:02I don't want you to feel obliged.
0:29:02 > 0:29:05Your sister backing you into a corner over this.
0:29:05 > 0:29:09As long as you're house trained, I'm sure it'll be fine.
0:29:11 > 0:29:13Ah, Joyce, I wondered if I might have
0:29:13 > 0:29:14- a word?- Yes, your ladyship?
0:29:14 > 0:29:18I was going to send a messenger, but you'll save me the trip.
0:29:18 > 0:29:21- So, are you... a land girl? - What gave it away?
0:29:21 > 0:29:23Have you been here for long?
0:29:23 > 0:29:27Long enough to get back ache.
0:29:27 > 0:29:31- Are there just the two of you? - I thought you Yanks knew everything.
0:29:31 > 0:29:33There's a lot I've got to learn.
0:29:35 > 0:29:36John's not coming.
0:29:36 > 0:29:38He's been called away a day early.
0:29:38 > 0:29:40You'll see him soon though, eh?
0:29:42 > 0:29:43You don't understand.
0:29:43 > 0:29:44We never got to say goodbye.
0:30:07 > 0:30:10Afternoon, sleepy head. Did you find anything?
0:30:10 > 0:30:12Just a burnt out Jerry plane. Probably no survivors.
0:30:12 > 0:30:14That's one bit of good news.
0:30:14 > 0:30:19- What do you mean? - Martin has started to remember.
0:30:19 > 0:30:23Well, bits of it. He's chirping on about being outside the cow shed.
0:30:25 > 0:30:27Have you seen my dad?
0:30:27 > 0:30:28With the pig.
0:31:00 > 0:31:01Is he well enough to compete?
0:31:01 > 0:31:03I hope he's well enough to win.
0:31:03 > 0:31:05Otherwise...
0:31:05 > 0:31:09Oh, I knew I should have put up that no trespassing sign.
0:31:09 > 0:31:12Where are you taking that pig?
0:31:12 > 0:31:15- Mind your own. - Can't take him to the show. He's ill.
0:31:15 > 0:31:19Oh, and what would you know about that then?
0:31:19 > 0:31:21I don't know what you're talking about.
0:31:21 > 0:31:24Come a cropper now, haven't you?
0:31:24 > 0:31:27- I'm not through yet. - Give it up, woman.
0:31:27 > 0:31:29Not letting you cheat people out of food.
0:31:29 > 0:31:33Stealing from others, and in times of need.
0:31:33 > 0:31:37If those judges knew he didn't officially exist,
0:31:37 > 0:31:39they wouldn't let him enter.
0:31:42 > 0:31:44There's no time to lose.
0:31:44 > 0:31:46I got to get there before she does!
0:31:46 > 0:31:48Come on, come on!
0:31:58 > 0:31:59Is that one of your dad's?
0:32:09 > 0:32:12We'll have to write to him won't we,
0:32:12 > 0:32:14tell him about your little accident?
0:32:17 > 0:32:19You read it to me, go on.
0:32:20 > 0:32:23No, you do it.
0:32:23 > 0:32:25I can't see it.
0:32:44 > 0:32:47- Chamberlain. Pasture Farm. - Ah yes, late entry.
0:32:49 > 0:32:53Go on, go on, lad.
0:32:53 > 0:32:55Can be a bit stubborn sometimes.
0:33:35 > 0:33:37Check the details.
0:33:42 > 0:33:44Back...
0:33:44 > 0:33:45back.
0:33:45 > 0:33:48Pasture Farm.
0:33:49 > 0:33:51Five large white.
0:33:51 > 0:33:53One large white.
0:34:01 > 0:34:03Well, well, well.
0:34:40 > 0:34:41Why can't I go out?
0:34:41 > 0:34:45Cos your mum said. Now get your laughing gear round this.
0:34:47 > 0:34:48Has anyone seen Billy?
0:34:51 > 0:34:55You have used up all the rations in the larder, haven't you?
0:34:55 > 0:34:57We live on a farm.
0:35:00 > 0:35:03And a little gift for after.
0:35:03 > 0:35:08- Thanks.- No, it's, "Gee, thanks!"
0:35:11 > 0:35:13You kissed Billy!
0:35:19 > 0:35:20Settle, settle down.
0:35:20 > 0:35:22Shh, settle down!
0:35:22 > 0:35:26And here to announce the winner,
0:35:26 > 0:35:30the generous lady who has allowed us
0:35:30 > 0:35:33to pitch our tent on her land.
0:35:33 > 0:35:36Lady Hoxley.
0:35:39 > 0:35:41Come on lad. Come on...
0:35:43 > 0:35:44Not now, son.
0:35:46 > 0:35:47And
0:35:47 > 0:35:49the winner is...
0:35:51 > 0:35:53Chamberlain.
0:36:13 > 0:36:15You kissed my husband?
0:36:15 > 0:36:17Why would I want to do that?
0:36:17 > 0:36:18Did you, or didn't you?
0:36:19 > 0:36:21All right, but it was just a peck!
0:36:21 > 0:36:24You keep your filthy hands off him.
0:36:24 > 0:36:26I was trying to help you, stupid.
0:36:26 > 0:36:28- Come on.- Oh, go and take a running jump at yourself!
0:36:28 > 0:36:30You are making a big mistake, girl.
0:36:34 > 0:36:36Stop it, stop it right now. Stop it.
0:36:36 > 0:36:40Do you both want to be digging silage till the end of the war?
0:36:40 > 0:36:43You stay away from him.
0:36:44 > 0:36:46Where's Martin?
0:36:55 > 0:36:57I am so proud of you.
0:37:05 > 0:37:06Not putting him on your inventory.
0:37:06 > 0:37:09That could just be slap dash book keeping.
0:37:09 > 0:37:13But actually lying in the Parish records.
0:37:13 > 0:37:16That could get you put away for quite some time.
0:37:16 > 0:37:18You told me he died at birth.
0:37:18 > 0:37:21It's no big crime.
0:37:21 > 0:37:25We didn't think he'd pull through. Poorly little thing he was.
0:37:26 > 0:37:30- What are you going to do about it? - It's not what I'm going to do.
0:37:30 > 0:37:32It's what you're going to do.
0:37:32 > 0:37:37From this day forth, you will dance to the Lord's tune.
0:37:37 > 0:37:40No more drinking. No more gambling.
0:37:40 > 0:37:42No missing church.
0:37:42 > 0:37:45No slothfulness.
0:37:45 > 0:37:48From now on, you lead a pure life.
0:37:49 > 0:37:52You trade so much as a button
0:37:52 > 0:37:56and I will send the inventory to the authorities.
0:37:56 > 0:38:00You'll be inside, and he'll be pork chops.
0:38:12 > 0:38:14Did you find him?
0:38:14 > 0:38:18He's ill and you were supposed to keep him in.
0:38:18 > 0:38:21Why's it always my fault? Bea went for me but you don't crib at her.
0:38:21 > 0:38:25Because she didn't hurt my son and lie about it, did she?
0:38:25 > 0:38:29You had better buck your ideas up, girl, or you're going to have me to deal with.
0:38:29 > 0:38:32I've half a mind to send you straight back to London.
0:38:32 > 0:38:35- Please don't do that. - Give me one good reason.
0:38:35 > 0:38:37You won't hear another peep out of me.
0:38:39 > 0:38:42Good, well, we'll start tomorrow with a clean slate.
0:38:42 > 0:38:44I've got to find my son.
0:38:55 > 0:39:01I lost my son. My only son.
0:39:02 > 0:39:04He's all I had.
0:39:06 > 0:39:09I'm sorry.
0:39:09 > 0:39:13He didn't come back from the battle at Kasserine Pass.
0:39:13 > 0:39:17Truth is, I could have sent someone else to deliver the munitions,
0:39:17 > 0:39:19but I wanted to see Helmstead.
0:39:21 > 0:39:23See where he was first stationed,
0:39:26 > 0:39:30breathe the same air.
0:39:30 > 0:39:31The same place...
0:39:33 > 0:39:35father and son.
0:39:37 > 0:39:39Here at separate times.
0:39:40 > 0:39:44Like different grooves on the same 78.
0:39:48 > 0:39:50If there's anything I can do?
0:39:52 > 0:39:53Maybe.
0:39:56 > 0:39:59He may have got a local girl pregnant.
0:39:59 > 0:40:03But I don't know whether she kept the baby or even where she is now.
0:40:05 > 0:40:08All I know is that at some point she was here.
0:40:10 > 0:40:14And she was a land girl.
0:40:23 > 0:40:25Bea?
0:40:25 > 0:40:29There's something I need to tell you.
0:40:29 > 0:40:32I already know.
0:40:32 > 0:40:34Where do you want to start?
0:40:36 > 0:40:38The fact that you lied to me?
0:40:38 > 0:40:40That you lied to Esther?
0:40:42 > 0:40:47Or the fact that your head can be turned by any woman who isn't me?
0:40:47 > 0:40:49Come on, William.
0:40:58 > 0:41:02According to our source, the fight concerned a local girl.
0:41:02 > 0:41:04Does your source know who she is?
0:41:04 > 0:41:06He's not the most reliable.
0:41:06 > 0:41:07Drink problem.
0:41:07 > 0:41:10At the moment, that drunk is the only lead I've got.
0:41:10 > 0:41:11So you lean on him.
0:41:11 > 0:41:16Find out if he knows something or whether he's just angling for a free drink. Do whatever it takes.
0:41:16 > 0:41:20- Do you understand?- Yes, sir.
0:41:34 > 0:41:37Hey, he only went and won!
0:41:37 > 0:41:39Good to know your priorities.
0:41:39 > 0:41:42He's obviously ahead of me in the pecking order.
0:41:42 > 0:41:44Don't be daft.
0:41:44 > 0:41:47I tried to talk to you earlier,
0:41:47 > 0:41:50but, but you didn't have time, did you?
0:41:50 > 0:41:53Yeah, well, I had things on me mind.
0:41:53 > 0:41:55That makes two of us.
0:41:57 > 0:41:59Well, tell me now.
0:42:02 > 0:42:04Son?
0:42:08 > 0:42:10I got my papers today.
0:42:13 > 0:42:15I've been called up.
0:42:20 > 0:42:23Martin?
0:42:29 > 0:42:31Martin?
0:42:37 > 0:42:39TWIG SNAPS
0:42:39 > 0:42:41Hello?
0:42:43 > 0:42:46Is someone there?
0:42:49 > 0:42:51BUCKET CLANGS
0:43:22 > 0:43:27# While we're away we dream
0:43:27 > 0:43:32# The way all soldiers do
0:43:32 > 0:43:36# We dream of loving you
0:43:36 > 0:43:41# While we're away
0:43:41 > 0:43:46# We dream of loving you
0:43:46 > 0:43:48# While we're
0:43:48 > 0:43:56# Away. #
0:43:56 > 0:43:59Email subtitling@bbc.co.uk