0:00:02 > 0:00:06This programme contains strong language and some scenes of a sexual nature
0:00:06 > 0:00:09I'm not supposed to tell you, but her aunt died. That's why she's over.
0:00:09 > 0:00:13Frankie, stop! I said stop!
0:00:13 > 0:00:14Tom, this is Tess.
0:00:14 > 0:00:17Tess is an old school friend.
0:00:17 > 0:00:20It's her first time with a woman. She's bound to be a bit anxious.
0:00:20 > 0:00:22Aunt Carol wanted to tell me something before she died.
0:00:22 > 0:00:25If she had anything to say to you, she'd have told me.
0:00:27 > 0:00:30No, wait! I just want to talk to you!
0:00:30 > 0:00:33It's for Becky. It's our two-year anniversary tomorrow.
0:00:35 > 0:00:38- I'm Sadie, by the way.- Frankie.
0:00:39 > 0:00:43A necklace doesn't just go walkabout. Who the hell could have taken it?
0:01:14 > 0:01:16What time did you get in last night?
0:01:16 > 0:01:18It must have been about...ten-ish.
0:01:18 > 0:01:21It was about three, wasn't it?
0:01:21 > 0:01:22I feel like shit.
0:01:23 > 0:01:27Well, I'm on earlies from tomorrow, so I'll stay at my place tonight.
0:01:27 > 0:01:30Don't do that, babe. I feel like I've hardly seen you lately.
0:01:30 > 0:01:32Funny that, isn't it? >
0:01:32 > 0:01:36- Is that a new top?- Yeah. I got it to go with my necklace.
0:01:39 > 0:01:41I'll see you later.
0:01:44 > 0:01:46WOMAN MOANS
0:01:53 > 0:01:56You do think they're noises of ecstasy, don't you?
0:01:56 > 0:01:59I'd feel terrible if we found Tess bludgeoned to death.
0:01:59 > 0:02:01It'd scupper my chances of promotion, for a start.
0:02:01 > 0:02:05I'm going to be late if I don't get a move on. Shit, I am so under-prepared.
0:02:05 > 0:02:08How can you say that? You've been working on this for ages.
0:02:08 > 0:02:11You are so talented, just give yourself a bit of credit.
0:02:13 > 0:02:16- Morning! - How come you're up so early?
0:02:16 > 0:02:18Embracing the day. Isn't it gorgeous?
0:02:18 > 0:02:22- And that's all, is it? Just your innate lust for life.- Lou stayed over last night.
0:02:22 > 0:02:26- She didn't?(!)- We always stay at hers. I think it's a real breakthrough, don't you?- Huge.
0:02:26 > 0:02:29- You're going to be adopting orphans next.- Does Lou want a cuppa?
0:02:29 > 0:02:31I'll just go and ask her.
0:02:32 > 0:02:35It's like living with a toddler.
0:02:35 > 0:02:38Who has lots of noisy sex.
0:02:54 > 0:02:59- What's with all the photography CVs? - We're looking for someone to do the new brochure at work.
0:03:01 > 0:03:03Come off it!
0:03:03 > 0:03:05Why not?!
0:03:05 > 0:03:10Aside from the glaringly obvious issue of you and Cat, it's hardly New York avant-garde is it?
0:03:10 > 0:03:15- Anyway, I thought you wanted to get back there as soon as possible. - Yeah, all right, I get the hint.
0:03:18 > 0:03:20What day is it today?
0:03:20 > 0:03:22Please don't say it's Tuesday...
0:03:22 > 0:03:24- Tuesday.- Fuck! Fuck!
0:03:49 > 0:03:53The elevation plans are complete, which my colleague Jay will show you when he gets here.
0:03:53 > 0:03:54He shouldn't be too long.
0:04:00 > 0:04:04Here's your Cassidy and Moore notes. They're waiting in there.
0:04:04 > 0:04:05- I'll take these.- Thanks.
0:04:07 > 0:04:08You're a darling.
0:04:09 > 0:04:12I'd tuck your shirt in too, if I were you.
0:04:15 > 0:04:17DOOR OPENS
0:04:17 > 0:04:21- I'm so sorry. - Why don't you just take a seat and then we can get started.
0:04:21 > 0:04:25Unforeseen disaster, I'm afraid.
0:04:25 > 0:04:26One of the children...
0:04:28 > 0:04:31It was amazing!
0:04:31 > 0:04:36Went out, came back to mine early, went to bed, and then she did the...
0:04:36 > 0:04:38- All right, we get the picture. - The royal visit.
0:04:38 > 0:04:40So did Cat get her best china out, then?
0:04:40 > 0:04:43Oh, we didn't see her. She was in bed with Sam when we got in.
0:04:45 > 0:04:48- Is that still on, is it?- Yeah.
0:04:48 > 0:04:52I've got high hopes, actually. She's great, isn't she?
0:04:52 > 0:04:54Yeah, she's all right.
0:04:54 > 0:04:58- You hate her.- I do not!- Yes, you do. That's your hating someone face.
0:04:58 > 0:05:00It isn't, stop shit-stirring!
0:05:00 > 0:05:04She's fine. I just think three's a crowd in that flat, that's all.
0:05:04 > 0:05:05Yeah, tell me about it.
0:05:05 > 0:05:09I can't put anything down without Cat sweeping it away five seconds later.
0:05:09 > 0:05:13- She's like a bloody whirling dervish.- Watch it, that's my sister you're bitching about.
0:05:13 > 0:05:14I'm not slagging her off.
0:05:14 > 0:05:18I'm just pointing out that she's very tidy. It's a compliment.
0:05:18 > 0:05:20Well, why don't we get somewhere together?
0:05:20 > 0:05:24- Are you staying?- I thought I might stick around for a while.
0:05:24 > 0:05:27Great! It'll be just like the old days.
0:05:27 > 0:05:30And I might get to see Lou Foster in the buff.
0:05:30 > 0:05:34Er, no, there will be no funny business like that. Ground rule number one.
0:05:34 > 0:05:36Come on, share and share alike!
0:05:36 > 0:05:37No!
0:05:37 > 0:05:39Anyway...
0:05:39 > 0:05:41Yeah, I should be going.
0:05:41 > 0:05:43Where are you going?
0:05:43 > 0:05:46I have things to see, people to do.
0:05:46 > 0:05:48Can't sit around here all day, can we?
0:05:48 > 0:05:51- Well, that went OK, didn't it? - Save it, Jay.
0:05:51 > 0:05:53Come on, there's no harm done.
0:05:53 > 0:05:56You don't think it looks just a teeny bit bad to potential clients?
0:05:56 > 0:06:01I've worked my arse off to get them in a room with us and you keep them waiting 45 minutes!
0:06:01 > 0:06:03They were fine about it, when I mentioned the kids!
0:06:03 > 0:06:07- Which you might have got away with if you hadn't smelt like a brewery. - I'm sorry.
0:06:07 > 0:06:11- I was out with Frankie last night. It won't happen again. - Too bloody right.
0:06:11 > 0:06:13- You knew how important this was.- Hey.
0:06:13 > 0:06:16- How did it go with Cassidy and Moore?- Good. Really well, I think.
0:06:16 > 0:06:18Oh, yeah, it's in the bag.
0:06:18 > 0:06:20Excellent.
0:06:21 > 0:06:24- Are you OK, Cat?- Yeah, why?
0:06:24 > 0:06:27- You just look a little worn out, that's all.- I'm fine.
0:06:27 > 0:06:31Can I borrow you for a few minutes? There's someone I'd like you to meet.
0:06:31 > 0:06:33Wonderful portfolio.
0:06:33 > 0:06:35Very edgy. I think she'll do an excellent job.
0:06:35 > 0:06:39- Can she start straight away? - Yeah. She's terribly enthusiastic.
0:06:40 > 0:06:42Cat, this is Frankie.
0:06:42 > 0:06:45Frankie'll be doing the photos for our new brochure.
0:06:45 > 0:06:47Hi, Cat.
0:06:47 > 0:06:51- Hi.- I thought it'd be a good idea if you were to take Frankie on to site this afternoon.
0:06:51 > 0:06:54Maybe you could familiarise yourself with our latest projects.
0:06:54 > 0:06:56Can't wait.
0:06:56 > 0:06:58Excellent.
0:07:01 > 0:07:02PHONE RINGS
0:07:02 > 0:07:04Good morning, Stenbridge Insurance.
0:07:04 > 0:07:06Joe Klein? Certainly, sir.
0:07:06 > 0:07:07Can I ask who's calling?
0:07:07 > 0:07:09Please hold on a second, Mr Simpson.
0:07:12 > 0:07:14Just putting you through now.
0:07:14 > 0:07:16It's not a problem.
0:07:16 > 0:07:18So how do you fancy having a wee go by yourself?
0:07:18 > 0:07:20I think I'm ready.
0:07:20 > 0:07:23Super. Now, we won't do a live call just yet, OK?
0:07:23 > 0:07:27- So let's do a dry run first, shall we?- Yeah. Best be on the safe side.
0:07:27 > 0:07:29Exactly. Exactly.
0:07:29 > 0:07:30Bring-bring, bring-bring.
0:07:30 > 0:07:32Hello, Stenbridge Insurance.
0:07:32 > 0:07:37It's "good morning, good afternoon and good evening," OK? Not "Hello".
0:07:37 > 0:07:39- Sorry.- It's not a problem, go again.
0:07:39 > 0:07:43- Um, good morning, good afternoon or good evening.- Exactly. OK.
0:07:45 > 0:07:46Bring-bring, bring-bring.
0:07:46 > 0:07:50Good morning, good afternoon. Oh, shit. Ah, sorry.
0:07:50 > 0:07:52Shall we go from the top?
0:07:57 > 0:08:00(Hey, thank you for earlier. You're a bloody life-saver.)
0:08:00 > 0:08:01No worries.
0:08:01 > 0:08:04- You're looking a bit better now. - Was I that rough?
0:08:04 > 0:08:08Not your usual debonair self, let's put it that way.
0:08:08 > 0:08:11I don't know if debonair's the right description.
0:08:14 > 0:08:16What are you playing at?!
0:08:16 > 0:08:18What?
0:08:18 > 0:08:22Frankie, our new photographer. I assume you put her forward?
0:08:22 > 0:08:24- No!- Oh, come off it, Jay.
0:08:24 > 0:08:28How else did she find out about the job?
0:08:28 > 0:08:29I... Shit, shit.
0:08:29 > 0:08:32She saw the CVs. I warned her not to even think about it.
0:08:32 > 0:08:34If she's been hired, it's over my head.
0:08:34 > 0:08:36Well, I'm not going to rise to it.
0:08:36 > 0:08:40I'm going to be totally professional, I'm just going to do my job.
0:08:50 > 0:08:53Gosh, it's very open, isn't it?
0:08:53 > 0:08:55Sorry. Do I sound like an idiot?
0:08:55 > 0:08:57It's just, I've never been in a gay bar before.
0:08:57 > 0:09:01Well, I have been in a gay bar, just not like this. Not as a...a...
0:09:01 > 0:09:04- Gay woman?- Aye.
0:09:05 > 0:09:09Is this hidden enough? There's a broom cupboard over there if you feel too exposed.
0:09:10 > 0:09:15Sorry. Look, I know this is a big deal for you.
0:09:15 > 0:09:19Don't be. It's just a bar. I'm fine, really.
0:09:23 > 0:09:27- You're not freaking out? - Maybe just a little bit. Is that OK?
0:09:27 > 0:09:30Course. I just thought you'd be curious
0:09:30 > 0:09:33to see what dens of iniquity me and my sort fraternise in.
0:09:33 > 0:09:37- We can absolutely go somewhere else. - No, no! No, I like it. I do.
0:09:41 > 0:09:45Watch it. That was very nearly a public display of affection.
0:09:52 > 0:09:53When in Rome...
0:09:59 > 0:10:01Sorry I'm late. I had to get out for a bit.
0:10:01 > 0:10:05- I don't know how you stand it being cooped up in there all day. - It's called having a job.
0:10:05 > 0:10:08Yeah. He's a peculiar specimen, Alistair, isn't he?
0:10:08 > 0:10:11Are you up to speed with what we're doing this afternoon?
0:10:11 > 0:10:14- You point, I click.- Any questions? Things you need to know?
0:10:14 > 0:10:17I'm used to working with hysterical art directors,
0:10:17 > 0:10:20I can manage a cavity wall and some concrete flooring.
0:10:22 > 0:10:24CAMERA WHIRS AND CLICKS
0:10:27 > 0:10:30You've done a brilliant job. It looks great.
0:10:30 > 0:10:34We've exploited the vernacular window proportions with balconies to the courtyard,
0:10:34 > 0:10:39so we need images of that for the brochure. Also we need to look at the sustainable design features...
0:10:39 > 0:10:41What?
0:10:41 > 0:10:44"Vernacular window proportions"?
0:10:44 > 0:10:47Well, what else do you want me to say?
0:10:47 > 0:10:49I'm just adjusting, that's all.
0:10:49 > 0:10:52- To what?- You.
0:10:52 > 0:10:54In work mode.
0:10:54 > 0:10:56I've never seen it before.
0:10:56 > 0:10:57It's nice.
0:10:59 > 0:11:03Any more architectural jargon you want to sling my way?
0:11:03 > 0:11:06OK. Um, there's outside shots, obviously,
0:11:06 > 0:11:10and a few to match the "before" photographs Alistair should have given you already.
0:11:10 > 0:11:14- I'll be over there if you need anything.- What, you're not staying with me?
0:11:14 > 0:11:17This is much less fun than I imagined.
0:11:17 > 0:11:19- This is work, Frankie. - Yes, I know, Cat.
0:11:19 > 0:11:23And when you've had your kicks, you'll go skipping back to New York.
0:11:23 > 0:11:25Yeah, well, I'm not going back.
0:11:25 > 0:11:28- What?- Glasgow's my home.
0:11:28 > 0:11:30I want to stay.
0:11:30 > 0:11:32You're staying?
0:11:32 > 0:11:37I have tried getting in touch with you, but you just keep blanking me.
0:11:37 > 0:11:39Can't we just be friends?
0:11:39 > 0:11:43We're not 12. Why would I want to be friends with you anyway?
0:11:43 > 0:11:45My real friends want me to be happy.
0:11:45 > 0:11:46I want you to be happy.
0:11:46 > 0:11:49You don't. You're all about distractions, Frankie.
0:11:49 > 0:11:53Anything that takes you away from having to deal with your own shit.
0:12:04 > 0:12:05Can I ask you something?
0:12:05 > 0:12:09- Go ahead.- Um, how do you feel about,
0:12:09 > 0:12:13um, coming back to mine, we could spend the day in bed,
0:12:13 > 0:12:16- I could wear the new lingerie you bought for me...- I can't.
0:12:16 > 0:12:19I've got something on now, but, um...
0:12:19 > 0:12:22I could always come round later, unless you've got plans?
0:12:22 > 0:12:26It is Scrabble night, but I'm prepared to make the exception.
0:12:26 > 0:12:28Great. Well, I'll see you later then.
0:12:28 > 0:12:30Yeah, see you later.
0:12:34 > 0:12:36Um, Lou!
0:12:36 > 0:12:39I know... I know this is huge for you, I know it is, but...
0:12:39 > 0:12:42it's going to be fine. We're going to be fine.
0:12:42 > 0:12:43Yeah.
0:12:43 > 0:12:47And I know it doesn't really compare, but I came out
0:12:47 > 0:12:50when I was pissed as a fart at my mum's 50th birthday party.
0:12:50 > 0:12:54It's not quite in the public eye, but still... Anyway, I'm waffling.
0:12:54 > 0:12:56You're beautiful.
0:12:56 > 0:12:58I'll see you tonight.
0:12:59 > 0:13:00See you.
0:13:18 > 0:13:20DOOR OPENS
0:13:20 > 0:13:22- Hi.- Hi.
0:13:22 > 0:13:24Is Becky in bed?
0:13:24 > 0:13:28Yeah. She said if you had a dog, your dinner would be in it.
0:13:28 > 0:13:29And not to wake her up.
0:13:29 > 0:13:32Shit. I got stuck with clients.
0:13:33 > 0:13:35Is she really pissed off with me?
0:13:35 > 0:13:38Yeah, but it's nothing a bit of grovelling tomorrow won't fix.
0:13:38 > 0:13:40I'm getting pretty good at that.
0:13:42 > 0:13:46You may be a crap boyfriend, but you're a fabulous friend.
0:13:46 > 0:13:48What have I done?
0:13:48 > 0:13:50It's what you're about to do. Come on!
0:13:52 > 0:13:53Come on!
0:13:54 > 0:13:56VACUUM CLEANER ON
0:14:03 > 0:14:04VACUUM CLEANER OFF
0:14:05 > 0:14:07Who are you and what have you done with Tess?
0:14:07 > 0:14:09Lou's coming over.
0:14:09 > 0:14:11Today she kissed me in public.
0:14:11 > 0:14:18- This is, like, definitely happening, Cat. She's actually my girlfriend! - OMG!- Don't take the piss!
0:14:18 > 0:14:20I'm allowed to be all girly.
0:14:20 > 0:14:23I spent my teens fake squealing for spotty boys,
0:14:23 > 0:14:26and now it's 100% genuine.
0:14:26 > 0:14:27But you're nearly 30.
0:14:27 > 0:14:29Stop being a killjoy!
0:14:29 > 0:14:30We're having a romantic night in.
0:14:30 > 0:14:34Posh nibbles and Prosecco, which is, in my book, practically civil partnership,
0:14:34 > 0:14:37and the good news doesn't stop there...
0:14:37 > 0:14:40- You're going to clean the bathroom too?- Even better!
0:14:40 > 0:14:44- I'm never going to mess the bathroom up ever again. I'm moving out! - Isn't it a bit soon?
0:14:44 > 0:14:46Not with Lou. Not yet anyway, no.
0:14:46 > 0:14:49You've been so brilliant letting me stay here, Cat.
0:14:49 > 0:14:55- And I know I'm a nightmare, messing everything up and getting in the way...- You don't get in the way!
0:14:55 > 0:15:00Yeah, yeah, but you need your own space, especially now you're with Sam. Which is totally fine.
0:15:00 > 0:15:04And I mentioned it to Frankie today, and she's looking for somewhere too.
0:15:04 > 0:15:07- You're moving in with Frankie?- Yeah.
0:15:07 > 0:15:08Is that all right?
0:15:08 > 0:15:11I can't face moving in with a random.
0:15:11 > 0:15:13Do you feel weird?
0:15:13 > 0:15:14No.
0:15:14 > 0:15:16No!
0:15:16 > 0:15:18No, not at all.
0:15:18 > 0:15:19No.
0:15:19 > 0:15:21Cool...
0:15:21 > 0:15:23I can't stay here forever, can I?
0:15:23 > 0:15:26And I'll still be round all the time.
0:15:27 > 0:15:32Yeah...yeah. You and Lou can have the living room to yourselves tonight.
0:15:32 > 0:15:34- I'll stay out of your way. - You don't have to do that.
0:15:34 > 0:15:36Cat, you are OK, aren't you?
0:15:36 > 0:15:38Course!
0:15:52 > 0:15:55Jesus, Frankie, I know you have a knack for seeking out
0:15:55 > 0:15:58the edgier nightspots in town, but this is taking the piss!
0:15:58 > 0:16:02- Ten more minutes, then we'll go, all right?- At least tell me what I'm here for!
0:16:02 > 0:16:05- Back up.- You're going to have to do better than that, all right?
0:16:05 > 0:16:06Hey.
0:16:06 > 0:16:09Wait, I just want to talk to you, just a few questions.
0:16:09 > 0:16:12- Frankie...- Who are you? Police or something?- No.
0:16:12 > 0:16:13Then what the fuck do you want?
0:16:13 > 0:16:17Something was sent here. A photo album - pictures of me as a kid.
0:16:17 > 0:16:20Sent to someone called Annie Cawthorne. Do you know her?
0:16:22 > 0:16:24No. Never heard of her.
0:16:24 > 0:16:27- But you do live here?- No.
0:16:27 > 0:16:30- Then what are you doing here? - Frankie, will you just let the guy
0:16:30 > 0:16:32- get on with whatever it is he's doing?- Frankie?
0:16:33 > 0:16:35Yeah.
0:16:35 > 0:16:36Is that not a guy's name?
0:16:36 > 0:16:38Francesca.
0:16:38 > 0:16:41Yeah, well, you should say that then. That's a lot nicer.
0:16:41 > 0:16:44So you haven't seen anything here for Annie Cawthorne?
0:16:45 > 0:16:46No.
0:16:46 > 0:16:48All right, thanks.
0:16:49 > 0:16:50I'm sorry.
0:16:51 > 0:16:53Do you guys smoke weed?
0:16:53 > 0:16:56Just that, if you want to come in, I can sort youse out.
0:16:56 > 0:16:58No, no, we're OK. Thanks.
0:16:58 > 0:17:00Yeah, all right.
0:17:40 > 0:17:42- Cheers.- Cheers, mate.
0:17:45 > 0:17:47So who lived here before, then?
0:17:47 > 0:17:48How the fuck should I know?
0:17:48 > 0:17:51It's derelict, so I deal from here.
0:17:53 > 0:17:54And no-one else comes here?
0:17:54 > 0:17:57There's a few smackheads from time to time, but...
0:17:57 > 0:18:01I don't think there's going to be anyone interested in your wee baby photos.
0:18:02 > 0:18:04Sit down if you want.
0:18:07 > 0:18:09Sorry, mate. I didn't catch your name.
0:18:09 > 0:18:11Er, I didn't say what it was.
0:18:13 > 0:18:15OK, that'll be why, then(!)
0:18:15 > 0:18:17I'm Jay.
0:18:17 > 0:18:19Are you two together?
0:18:19 > 0:18:22No, no, no. She's a lesbo.
0:18:23 > 0:18:24Straight up?
0:18:26 > 0:18:30I'm not saying anything. I'm not like one of these, what do you call it - a homophobic, er...
0:18:30 > 0:18:32It doesn't...
0:18:32 > 0:18:35Look, I've only got skunk and it's my last, so...
0:18:35 > 0:18:38I mean, if you want some, you'll just have to share with me.
0:18:38 > 0:18:40Great. OK, thanks.
0:18:40 > 0:18:42Great. Let's see what you're made of.
0:18:50 > 0:18:53I found these keys the last time I was here. Are they yours?
0:18:55 > 0:18:56Never seen them before.
0:19:10 > 0:19:11Can I use your toilet?
0:19:11 > 0:19:13Yeah, it's upstairs.
0:19:13 > 0:19:15First on the left.
0:20:27 > 0:20:30It was only ever meant to be a temporary thing with Tess.
0:20:30 > 0:20:34- I just didn't expect it to be so sudden.- Are you all right?
0:20:34 > 0:20:38Yeah! God, completely.
0:20:38 > 0:20:40You are allowed to be pissed off.
0:20:40 > 0:20:43- I'm not pissed off. Why would I be pissed off?- All right. Just...
0:20:43 > 0:20:45try to relax.
0:20:45 > 0:20:47- OK. Sorry.- Yeah?
0:21:00 > 0:21:03It just feels like Frankie's needling her way into my life.
0:21:03 > 0:21:07First work, now this...and it was her fault Jay was late this morning!
0:21:07 > 0:21:10If I lose out on this job because of her, I swear to God...
0:21:10 > 0:21:13Cat, you're really not into this, are you?
0:21:13 > 0:21:16No! Yeah, I am! I am.
0:21:16 > 0:21:17Go on. Carry on.
0:21:17 > 0:21:19Yeah? Sure?
0:21:19 > 0:21:21OK.
0:21:32 > 0:21:36It's like that bloody film, Gaslight. I'm the one who ends up sounding mental.
0:21:39 > 0:21:41I think it's work stress.
0:21:50 > 0:21:52- Are you OK?- I'm fine.
0:21:54 > 0:21:56Sorry.
0:22:01 > 0:22:02Ugh.
0:22:02 > 0:22:06Can we just stick to pretentious bars from now on?
0:22:06 > 0:22:09I am totally over squats.
0:22:09 > 0:22:11Sure.
0:22:11 > 0:22:13But thank you for coming, though.
0:22:15 > 0:22:17Are you all right?
0:22:17 > 0:22:19Yeah.
0:22:19 > 0:22:21I just felt a bit weird in that flat.
0:22:21 > 0:22:23Made me feel like I was crawling with fleas.
0:22:23 > 0:22:27- Are you going to tell me why the hell we were there, or...?- No.
0:22:27 > 0:22:29Ah, God!
0:22:29 > 0:22:34- I'm going to feel like shit tomorrow.- It is tomorrow.
0:22:34 > 0:22:36Hey, babe, did we wake you up?
0:22:36 > 0:22:38Yeah! I always sleep in my uniform(!)
0:22:38 > 0:22:40Oh, you stink!
0:22:40 > 0:22:42- I love you.- What happened to dinner?
0:22:42 > 0:22:44Baby, I'm so sorry.
0:22:44 > 0:22:47I got caught up at work. I didn't...
0:22:47 > 0:22:52- I didn't want to disturb you.- See, that's what I love about you, Jay. You're just so thoughtful.
0:22:52 > 0:22:56Frankie, I don't suppose you've had any joy tracking down my necklace, have you?
0:22:58 > 0:23:01No. But I'll keep trying. Sorry.
0:23:03 > 0:23:05If you wouldn't mind.
0:23:09 > 0:23:14- What are you on about, "keep trying"? You haven't done anything! - How do you know?
0:23:14 > 0:23:15Because I know you, Frankie!
0:23:45 > 0:23:48It's not that she didn't turn up, it's that she didn't bother to call.
0:23:48 > 0:23:52- It's like I'm not even worth a phone call.- Have you tried calling her?
0:23:52 > 0:23:55I've got repetitive strain injury from calling her so much!
0:23:55 > 0:23:58- Do you think I scared her off? - No, I'm sure there's a decent explanation.
0:23:58 > 0:24:00- Like an accident?- Yeah.
0:24:00 > 0:24:03- What?- No! Like she's lost her phone or something.
0:24:03 > 0:24:05She's got three. I've tried them all.
0:24:05 > 0:24:07This is...this is so depressing.
0:24:07 > 0:24:10How can you be depressed on a day like this? Look at it!
0:24:10 > 0:24:14I do apologise, but when you're jobless and potentially relationship-less,
0:24:14 > 0:24:19- it's hard to wake up happy, just because it's not pissing it down. - Well, I'm in the same boat as you
0:24:19 > 0:24:21and I'm not complaining.
0:24:21 > 0:24:25I don't understand it, though. It's like everything's been going so well.
0:24:26 > 0:24:31I licked her pussy five times the other night, and this is the thanks I get.
0:24:31 > 0:24:33I mean...
0:24:33 > 0:24:35- I'm so sorry.
0:25:43 > 0:25:47Mrs Smith. Sorry to keep you waiting.
0:25:59 > 0:26:02Got your attention then.
0:26:11 > 0:26:12# She
0:26:14 > 0:26:16# She
0:26:16 > 0:26:18# She
0:26:18 > 0:26:21# Could have been an astronaut
0:26:21 > 0:26:25# But she's frightened of the callow robot
0:26:25 > 0:26:28# I thought that she could cope
0:26:29 > 0:26:32# Pushing the envelope here... #
0:26:33 > 0:26:35SHE MOANS
0:26:35 > 0:26:36KNOCK ON DOOR
0:26:36 > 0:26:39- Alastair? Can I have a word, please? - Yeah, of course.
0:26:41 > 0:26:46It's...a bit delicate. Um, it's...
0:26:49 > 0:26:51It's about Frankie.
0:26:51 > 0:26:54We have a history.
0:26:54 > 0:26:56- Go on.- I feel
0:26:56 > 0:26:59completely unprofessional bringing this to your attention, but
0:26:59 > 0:27:02at the same time, I'd hate for it to affect my work.
0:27:02 > 0:27:04I'm not saying anything negative about Frankie, she's a very good photographer.
0:27:04 > 0:27:07Cat, don't worry.
0:27:09 > 0:27:11I'll make sure you two don't have to work side by side.
0:27:11 > 0:27:13And I'll be discreet.
0:27:13 > 0:27:15Thank you.
0:27:15 > 0:27:18I hope you don't think I'm being dramatic or...
0:27:18 > 0:27:19When was the last time you had a holiday? Hmm?
0:27:19 > 0:27:21- A break from work?- Um...
0:27:21 > 0:27:24You've been overdoing it lately.
0:27:24 > 0:27:27You've really been putting yourself through the mill.
0:27:27 > 0:27:29Listen, I've got this little cottage in Shetland.
0:27:29 > 0:27:33It's nothing too palatial but it's got everything you need.
0:27:33 > 0:27:35But more importantly it's right in the middle of nowhere.
0:27:35 > 0:27:37It's perfect for a break.
0:27:37 > 0:27:39You would be more than welcome to use it.
0:27:39 > 0:27:43- Really? - Mm. I get there whenever I can.
0:27:43 > 0:27:49OK, thanks. Well, I'll have a word with my partner, Sam, and see if we can arrange a weekend.
0:27:49 > 0:27:51I've never heard you mention him before.
0:27:51 > 0:27:52How long's he been on the scene?
0:27:52 > 0:27:56SHE and I have been seeing each other a few weeks now.
0:27:58 > 0:27:59Early days.
0:28:02 > 0:28:04Right, well, I hope you'll feel better about things.
0:28:04 > 0:28:06- I'd better crack on.- Of course.
0:28:06 > 0:28:09Thanks again.
0:28:17 > 0:28:20As cunning plans go, it wasn't quite my best.
0:28:20 > 0:28:22Plan?
0:28:22 > 0:28:24I thought the necklace was yours.
0:28:27 > 0:28:29You could have just asked for my number.
0:28:29 > 0:28:32Well, it's a bit more fun this way, though, don't you think?
0:28:33 > 0:28:34SHE LAUGHS
0:28:34 > 0:28:36PHONE RINGS
0:28:39 > 0:28:41PHONE RINGS
0:28:41 > 0:28:47PHONE RINGS
0:29:01 > 0:29:02DIALLING TONE
0:29:02 > 0:29:05ANSWERING MACHINE: 'Hi, it's Lou. You know what to do after the beep.'
0:29:05 > 0:29:08Hi, it's me again.
0:29:08 > 0:29:10Um, listen...
0:29:10 > 0:29:15Are you OK? I'm sorry if I was too full-on yesterday, but...
0:29:15 > 0:29:19I know you're really busy, but if you could just send me a text or...
0:29:19 > 0:29:22I've got to go. OK, bye.
0:29:22 > 0:29:25Company policy.
0:29:25 > 0:29:27Personal calls are strictly prohibited
0:29:27 > 0:29:30on reception, but I think I did run through that with you earlier.
0:29:30 > 0:29:32Yeah. It was an emergency.
0:29:32 > 0:29:37Then you inform me and you take an emergency break, making sure that you log it into the...?
0:29:37 > 0:29:41- Emergency book.- Precisely that.
0:29:42 > 0:29:44How are you with coffees?
0:29:44 > 0:29:46Great. Milk and two sugars, thanks.
0:29:46 > 0:29:48Making them.
0:29:48 > 0:29:50Yeah.
0:29:50 > 0:29:54With the new procedure, we can ensure that all personal service agents
0:29:54 > 0:29:57are able to effectively manage customer portfolios.
0:29:57 > 0:30:01It's through utilising customer insight
0:30:01 > 0:30:07and our business platform that we can create behaviour-triggered marketing programs.
0:30:07 > 0:30:10If you'd like to turn to page two of your pack...
0:30:10 > 0:30:13- You have got to help me. - What have you done?- Nothing.
0:30:13 > 0:30:16That's the point. I have done absolutely nothing with my life.
0:30:16 > 0:30:18Unlike Janet Cook, the biggest loser in my school,
0:30:18 > 0:30:21who is upstairs barking orders at a room full of people.
0:30:21 > 0:30:24- Not such a loser now, then.- I mean,
0:30:24 > 0:30:26that's karma, isn't it?
0:30:26 > 0:30:31Have one of the girls who called you Crusty Cook behind your back become your servant 15 years later.
0:30:31 > 0:30:33I'm going to have to pull a sickie.
0:30:33 > 0:30:35I can't cope with this, not with the Lou crisis.
0:30:35 > 0:30:39You're prepared to lose out on 200 quid to avoid losing face in front of a school geek?
0:30:39 > 0:30:42- Yeah, absolutely! - That is ridiculous.
0:30:42 > 0:30:44Well, I'm having an awful time.
0:30:44 > 0:30:46The receptionist is a complete bitch.
0:30:47 > 0:30:49Or you could swap with me. You go on reception and I'll come down here.
0:30:49 > 0:30:53You can't just chop and change willy nilly.
0:30:53 > 0:30:55- Well, why not? - You're the pretty receptionist.
0:30:55 > 0:30:57I'm the post boy. Them's the rules.
0:30:57 > 0:30:59- Sexist tosser. - I didn't say they were my rules.
0:30:59 > 0:31:03Oh, please! Just say I've got photosensitive eyes or something.
0:31:03 > 0:31:05I don't know, flirt with her.
0:31:05 > 0:31:07Oh, come on, you can do it.
0:31:07 > 0:31:08They've got biscuits.
0:31:13 > 0:31:15No!
0:31:15 > 0:31:16How did you find that?
0:31:16 > 0:31:19Only by searching the length and breadth of Glasgow. I thank you.
0:31:19 > 0:31:22Out of the dog-house and into the love-nest.
0:31:22 > 0:31:24I should have a shower first. You look like shit.
0:31:24 > 0:31:26Hiya.
0:31:26 > 0:31:28Who's that, then?
0:31:28 > 0:31:30It's Hayley the fit intern.
0:31:30 > 0:31:33- Is that her full title?- She's been flirting with me non-stop.
0:31:33 > 0:31:36- There's definite chemistry there. - Yeah, in your dreams.
0:31:36 > 0:31:38Not that I'd do anything about it, for obvious reasons.
0:31:38 > 0:31:42- Number one being you're about 20 years too old for her.- Piss off!
0:31:42 > 0:31:45She doesn't fancy you, Jay. She's just trying to climb the ladder.
0:31:45 > 0:31:47She doesn't flirt with Alistair.
0:31:47 > 0:31:49Anyway, why wouldn't she fancy me?
0:31:49 > 0:31:51She's young. It's like flirting with a teacher.
0:31:51 > 0:31:55All I'm saying is, if I wanted it, I could get it.
0:32:06 > 0:32:08Heavy night...
0:32:08 > 0:32:10You still go out, then?
0:32:10 > 0:32:12Easy, I'm only 29!
0:32:12 > 0:32:16Have to knock it on the head soon, though. Can't be getting caned into your 30s.
0:32:16 > 0:32:18- Look at Keith Richards.- What?
0:32:18 > 0:32:19He's about 70.
0:32:19 > 0:32:23Yeah, but he's looked exactly the same for years.
0:32:24 > 0:32:27I've been out every night this week.
0:32:27 > 0:32:28Can you tell?
0:32:31 > 0:32:33No.
0:32:33 > 0:32:36When I hit 30, though, no way.
0:32:36 > 0:32:39I see, I see. So there's a moral to this story, isn't there?
0:32:39 > 0:32:42We should get as wasted as possible before it's too late.
0:32:42 > 0:32:44Yeah, not quite what I meant.
0:32:44 > 0:32:48All right, well, maybe not wasted but what about a bit of a buzz now and then?
0:32:49 > 0:32:51Yeah, that's definitely allowed.
0:32:57 > 0:32:58You're joking.
0:32:58 > 0:33:03I try not to make a habit of it, but I am in dire need of a pick me up.
0:33:03 > 0:33:05Come on!
0:33:05 > 0:33:07Desperate times...
0:33:09 > 0:33:11That is so kind of you, Moira.
0:33:11 > 0:33:14Listen, my cousin is mentally ill, OK? So I've got first-hand experience.
0:33:14 > 0:33:16You understand.
0:33:16 > 0:33:17Yes.
0:33:20 > 0:33:23Sorted. So if anyone asks, you've got severe agoraphobia
0:33:23 > 0:33:27brought on by a breakdown since your last partner left you.
0:33:27 > 0:33:28Brilliant!
0:33:30 > 0:33:31Go on!
0:33:49 > 0:33:53Hi. Can I get you anything?
0:33:53 > 0:33:54A4 Jiffy?
0:33:57 > 0:33:58There you go.
0:34:07 > 0:34:08This is a first.
0:34:08 > 0:34:14Snorting coke at work or being in a toilet cubicle with an impressionable young intern?
0:34:18 > 0:34:21Ssh, ssh!
0:34:22 > 0:34:23HE MOUTHS
0:34:26 > 0:34:29# You caught
0:34:29 > 0:34:31# My attention
0:34:33 > 0:34:38# You, ooh
0:34:41 > 0:34:44# You
0:34:50 > 0:34:54# Ooh, ah-ha
0:34:54 > 0:34:56# Ah-ha... #
0:34:56 > 0:34:58Ladies first.
0:35:02 > 0:35:04SHE SNORTS
0:35:04 > 0:35:08# Ooh, I go on
0:35:10 > 0:35:16# Ooh, still in my thoughts
0:35:18 > 0:35:23# You, ooh, ooh
0:35:25 > 0:35:28# You... #
0:35:31 > 0:35:34- What's up?- I...- Hayley?
0:35:34 > 0:35:36I feel a bit funny.
0:35:36 > 0:35:39Funny? What do you mean? Hayley...?
0:35:41 > 0:35:43What the fuck is this stuff?
0:35:43 > 0:35:45It's just coke. Hayley...?
0:35:46 > 0:35:50Oh, these are very good, aren't they, Cat?
0:35:50 > 0:35:51- What about this one?
0:35:51 > 0:35:54MOBILE PHONE RINGS
0:35:54 > 0:35:56- Yeah?- Very talented, isn't she?
0:35:56 > 0:35:58- She is, yeah.- Where are you?
0:35:58 > 0:36:01Maybe we should think about offering her something more permanent.
0:36:06 > 0:36:08- Hayley?- Which one are you in?
0:36:08 > 0:36:10- Middle one.- All right.
0:36:10 > 0:36:11Jesus! What have you done?
0:36:11 > 0:36:14I don't know what happened to her. It was just one line.
0:36:14 > 0:36:18- Go. I'll call an ambulance. - Ambulance?
0:36:18 > 0:36:19I'll just clear my desk now, shall I?
0:36:19 > 0:36:21Alistair cannot find out about this.
0:36:21 > 0:36:23Yeah, but we can't leave her. Anything could be happening.
0:36:23 > 0:36:26Let's just hang on a minute and see if she comes round.
0:36:30 > 0:36:33Jesus, Hayley, come on!
0:36:34 > 0:36:36That is not coke.
0:36:42 > 0:36:44Oh, fuck.
0:36:44 > 0:36:46It's ketamine!
0:36:46 > 0:36:48Jesus, what else have you got in there?
0:36:48 > 0:36:51Oh, look, she might be chewing the carpet for a few hours
0:36:51 > 0:36:53- but at least she's not going to die. - What are we going to do?
0:36:53 > 0:36:56She's got to go home back to her flat.
0:36:56 > 0:37:00And someone's got to look after her for a while.
0:37:00 > 0:37:03No way. No, I have got family shit to deal with. It's important.
0:37:03 > 0:37:05- I'm begging you.- No!
0:37:08 > 0:37:11Look, tell her to take the day off tomorrow, right? And ring me!
0:37:11 > 0:37:13Let me know she's all right.
0:37:15 > 0:37:17I owe you big time.
0:37:44 > 0:37:46I bet you say that to all the presenters.
0:37:46 > 0:37:48Only the very beautiful ones.
0:37:48 > 0:37:51Oh, you're making me blush.
0:37:51 > 0:37:54So you play a villain in the movie...
0:37:54 > 0:37:58Hi. I don't know why you called Moira a bitch. She's hysterical.
0:37:58 > 0:37:59I'm having a brilliant time with her.
0:37:59 > 0:38:01- Result.- How are you getting on?
0:38:01 > 0:38:04Well, Lou's definitely not dead.
0:38:04 > 0:38:06And you've worked with a lot of big-name actors...
0:38:06 > 0:38:10- There you go. Panic over. - Yeah, phew, she's actually just avoiding me.
0:38:10 > 0:38:12- She's a busy woman, isn't she? - What, and I'm not?
0:38:12 > 0:38:16Well, no, you're not, are you? I'd better get back.
0:38:16 > 0:38:18- Moira's made me a cuppa. - Oh, God, don't let it get cold.
0:38:24 > 0:38:25KNOCK ON DOOR
0:38:25 > 0:38:30What did you forget? Some Post-It notes to write love messages on for Moira?
0:38:30 > 0:38:33Janet! Oh, my God!
0:38:33 > 0:38:35Tess Roberts! I do not believe it!
0:38:35 > 0:38:37I know!
0:38:37 > 0:38:41- How mad!- How are you? - Yeah, yeah, really good.
0:38:41 > 0:38:44What are you up to these days?
0:38:44 > 0:38:46- Um, still acting.- Oh, are you?
0:38:46 > 0:38:49That's great. How's it going?
0:38:49 > 0:38:50Fantastic, actually.
0:38:51 > 0:38:56So what are your latest projects, then? Is that what you say, in the biz?
0:38:56 > 0:38:57Projects, yeah.
0:38:57 > 0:39:01Um, it's been a bit quiet lately, but it's been like that for everyone.
0:39:01 > 0:39:03Like, this year's been really slow. But I did an episode of The Bill.
0:39:03 > 0:39:06No really? Who did you play?
0:39:06 > 0:39:08I was a corpse that they pulled out the river at the beginning but there
0:39:08 > 0:39:11was like a whole story around me which was...which was fantastic.
0:39:11 > 0:39:14Oh, I knew you'd make it.
0:39:14 > 0:39:17So are you married then? Any kiddies?
0:39:17 > 0:39:19No. No, none.
0:39:19 > 0:39:22- Boyfriend?- No, I'm gay, actually.
0:39:22 > 0:39:25Oh, good for you!
0:39:25 > 0:39:27I never would have guessed.
0:39:27 > 0:39:33So, have you got a...a whatsit - a partner?
0:39:33 > 0:39:36Er, I'm sort of
0:39:36 > 0:39:38having a... No, no. How about you?
0:39:40 > 0:39:44Chris. He's just my absolute soul mate.
0:39:44 > 0:39:46I'm absolutely pooped.
0:39:46 > 0:39:50I mean, what with running this place and trying to organise the wedding.
0:39:50 > 0:39:52Plus we're in the middle of buying - you know what a complete hassle that is.
0:39:52 > 0:39:55Oh, God, don't get me started.
0:39:55 > 0:39:59It's really lovely seeing you.
0:39:59 > 0:40:02- Are you with us for long? - Er, couple of days.
0:40:02 > 0:40:05- We should try and do lunch.- Mmm.
0:40:06 > 0:40:10Could you make sure this goes special delivery, please?
0:40:10 > 0:40:14- It's very important.- No problem.
0:40:14 > 0:40:16Star! Thank you.
0:40:16 > 0:40:19Catch you later then.
0:40:24 > 0:40:27MOBILE PHONE RINGS
0:40:27 > 0:40:29- What?- 'How is she?'
0:40:29 > 0:40:32In bed listening to Ibiza Chilled Classics Volume One.
0:40:32 > 0:40:35- 'Thank Christ for that.' - Yeah, I still think you're a prick.
0:40:42 > 0:40:48- Sorry to keep you. Slight emergency at the archive repository's technology watch function.- Nightmare.
0:40:48 > 0:40:52Indeed. Life was a lot simpler when everything was manual.
0:40:52 > 0:40:54Anyway, first things first.
0:40:54 > 0:40:56I'll need all the information you have about your relatives.
0:40:56 > 0:41:01Yeah, I've got my parents' names and the date of their death.
0:41:01 > 0:41:04I've also got this address.
0:41:04 > 0:41:07I'm not sure but I think I used to live there when I was a kid.
0:41:09 > 0:41:12Could you see if it matches up with my parents' details?
0:41:12 > 0:41:14It's all rather a puzzle, isn't it?
0:41:14 > 0:41:18- Yeah.- Okey-dokey, leave it with me, Ms Hallum.- Alan.
0:41:18 > 0:41:21No, Ralph.
0:41:33 > 0:41:35Hey, Cat.
0:41:35 > 0:41:37I've just heard back from Cassidy and Moore.
0:41:37 > 0:41:41Following yesterday's meeting with you and Jay, they want to go ahead.
0:41:41 > 0:41:43That's brilliant.
0:41:43 > 0:41:46Yeah, well done. It's a big project. Thanks for bringing it in.
0:41:46 > 0:41:49- I'm really looking forward to getting started.- Yeah, well...
0:41:49 > 0:41:54- I thought this might be one for Jay to take charge of, actually.- Jay?
0:41:54 > 0:41:57- Why?- Well, in light of our conversation earlier, I know you've got an awful lot of other things...
0:41:57 > 0:41:59I can cope.
0:41:59 > 0:42:02I don't want you to simply cope, Cat.
0:42:02 > 0:42:04I've fought for this. It means a lot.
0:42:04 > 0:42:06I did bring it in, Alistair.
0:42:06 > 0:42:08Yeah, well, that's not strictly how we operate, is it?
0:42:08 > 0:42:12Look, it's not a slight against you, Cat, it's quite the opposite.
0:42:12 > 0:42:15It's my duty to look after you.
0:42:15 > 0:42:17I don't want to be accused of running my poor staff into the ground, do I?
0:42:17 > 0:42:19You're not running me anywhere. This is my project.
0:42:19 > 0:42:23Yeah, and you will get the credit for winning the contract - don't worry.
0:42:23 > 0:42:26It's just that Jay's got more head space to manage it, that's all.
0:42:26 > 0:42:28That's all? Alistair, you're making it...
0:42:28 > 0:42:31It's been decided. OK?
0:42:40 > 0:42:46It's just unbelievable. I do all the leg work, he turns up, 45 minutes late, hungover
0:42:46 > 0:42:49and he still manages to land the account. It's a man's bloody world, all right.
0:42:49 > 0:42:51Forget it. It's not worth getting wound up about.
0:42:51 > 0:42:53Oh, no, it's nothing at all, is it?
0:42:53 > 0:42:57Just out-and-out sexism in the work place. Keep your trap shut and your head down like a good little girl.
0:42:57 > 0:42:59That's not what I meant.
0:42:59 > 0:43:02Honestly, today has the been the absolute day from hell.
0:43:02 > 0:43:08OK, so why don't you just relax and enjoy being here with me? Look, my shift starts in a couple of hours.
0:43:08 > 0:43:12Frankie has got a lot to answer for.
0:43:12 > 0:43:14We're not back on her again, are we?
0:43:14 > 0:43:18Christ, Cat. Can you not just leave it behind? So you had a shit day.
0:43:18 > 0:43:20Just write it off and move on.
0:43:20 > 0:43:22Oh, I'm sorry I'm not as calm and sorted as you are.
0:43:22 > 0:43:25I get stressed, OK?
0:43:25 > 0:43:28What exactly is it you think I do, Cat? Hm?
0:43:28 > 0:43:30Sit around eating doughnuts?
0:43:30 > 0:43:33- No.- This week alone I've seen two dead bodies.
0:43:33 > 0:43:35I've dealt with three grieving families.
0:43:35 > 0:43:38I've been involved in a drugs raid and I've had more sexist, lascivious comments
0:43:38 > 0:43:42chucked at me than you've had in your entire bloody career.
0:43:42 > 0:43:46Don't fucking talk to me about stress.
0:43:48 > 0:43:49It's one project. One.
0:43:49 > 0:43:51And an annoying ex-girlfriend.
0:43:51 > 0:43:53Get over yourself.
0:43:59 > 0:44:01I can't believe you just left like that.
0:44:01 > 0:44:04Moira was absolutely livid. You know she'll never have you back.
0:44:04 > 0:44:08Not fucking bothered. Ask her if I can have that in writing.
0:44:08 > 0:44:11And Janet, ugh! "Yeah, Chris.
0:44:11 > 0:44:13"He's my absolute bloody soul mate.
0:44:13 > 0:44:16"We're completely in love."
0:44:16 > 0:44:19How come she's got everything and I've got nothing?
0:44:19 > 0:44:23So Janet's got a big house, sports car, millionaire boyfriend. Do you really want all that shit?
0:44:23 > 0:44:25Yeah. Except the boyfriend.
0:44:25 > 0:44:28OK, I don't want all those things but d'you know what?
0:44:28 > 0:44:30I'd like one of them. Just fucking one of them.
0:44:30 > 0:44:32You've got your Vivienne Westwood dress.
0:44:32 > 0:44:34Yeah, that is true.
0:44:34 > 0:44:40You should have seen her, Ed, going all gooey eyed over some prick with a sock down his pants.
0:44:40 > 0:44:42"Er, yeah, Janet, I do have a girlfriend.
0:44:42 > 0:44:45"There she is on the telly grabbing some actor's cock."
0:44:45 > 0:44:48She's supposed to be flirty with the guests. It's her job, isn't it?
0:44:50 > 0:44:53- It's her!- What does it say?
0:44:53 > 0:44:56"So sorry about last night, sweetheart. Having a nightmare.
0:44:56 > 0:44:58"Will explain. Miss you. Kiss."
0:45:00 > 0:45:02That is good, isn't it?
0:45:02 > 0:45:05- Yeah. - Why are you saying it like that?
0:45:05 > 0:45:07It's good! "Miss you, kiss." That is definitely good.
0:45:07 > 0:45:09OK, yeah. It's good.
0:45:11 > 0:45:13Have you got your car?
0:45:13 > 0:45:15- Yeah. Why?- We're going out.
0:45:15 > 0:45:17What? Now?
0:45:20 > 0:45:21KNOCK ON DOOR
0:45:21 > 0:45:23Come in.
0:45:25 > 0:45:27Visitor for you, Sarge. A Cat Mackenzie?
0:45:27 > 0:45:32Send her in. Oh, and, Paul, I'm still waiting for that crime report.
0:45:32 > 0:45:34If you could hurry it up, please.
0:45:40 > 0:45:42I was bang out of order, I'm sorry.
0:45:42 > 0:45:44I have been selfish and thoughtless.
0:45:44 > 0:45:47And I know how difficult your job must be - or maybe I don't.
0:45:47 > 0:45:50Obviously, I've no idea because you just get on with it while
0:45:50 > 0:45:54- I moan about everything and you're...you're right, nobody died. It's no big...- Cat...
0:45:54 > 0:45:58I just wanted to apologise. You were absolutely right, I deserved it.
0:46:06 > 0:46:07Come here.
0:46:16 > 0:46:18You can be quite scary, you know.
0:46:19 > 0:46:22Can I?
0:46:22 > 0:46:24In a good way.
0:46:26 > 0:46:29I liked watching you then, at your desk.
0:46:29 > 0:46:32I felt like I'd been hauled in for questioning.
0:46:34 > 0:46:36Did you worry what I might do to you?
0:46:41 > 0:46:42Do you want me to show you?
0:46:54 > 0:46:56SHE SIGHS
0:46:59 > 0:47:00SHE MOANS
0:47:09 > 0:47:13SHE MOANS
0:47:24 > 0:47:25CAR ENGINE STOPS
0:47:26 > 0:47:29- OK. How's my face? Make-up and everything?- It's lovely.
0:47:29 > 0:47:31- You look lovely.- OK.
0:47:33 > 0:47:35Will you wait here in case she's not in?
0:47:38 > 0:47:40Are you sure this is a good idea?
0:47:40 > 0:47:42Yeah, why not? She's stressed.
0:47:42 > 0:47:46I'm her girlfriend. It's my job to help her unwind when she's stressed.
0:47:46 > 0:47:49OK, wish me luck.
0:47:49 > 0:47:50Good luck.
0:48:03 > 0:48:04DOORBELL RINGS
0:48:09 > 0:48:11DOORBELL RINGS
0:48:17 > 0:48:20- You're so bad. So are you coming up? - Yeah, I think I have the energy.
0:48:23 > 0:48:24Oh, yeah!
0:48:26 > 0:48:29- Um... - Tess...what, what are you doing here?
0:48:29 > 0:48:32I just... I came to see if you were OK.
0:48:32 > 0:48:35- I didn't think we'd be seeing you again in a hurry.- Why?
0:48:35 > 0:48:39- Because I'm just one big fucking joke to you - is that it?- Tess...
0:48:39 > 0:48:41- Steady on.- Come on, Tess. Let's go.
0:48:43 > 0:48:46Why couldn't you have just told me?
0:48:46 > 0:48:48Told her what?
0:48:48 > 0:48:50Who the hell is this?
0:48:50 > 0:48:53Is it him? Are you fucking him?
0:48:53 > 0:48:54- No! - God, no, it's nothing to do with me.
0:48:54 > 0:48:57Try again, Tom.
0:48:59 > 0:49:01Oh, Jesus Christ, Lou...
0:49:04 > 0:49:07Please, just...just give us a minute. Please.
0:49:19 > 0:49:20- I don't know what to say. - Oh, I'm sorry.
0:49:20 > 0:49:22This must be really difficult for you.
0:49:22 > 0:49:27- It is.- Please, just spare me the bullshit, Lou.
0:49:27 > 0:49:29If you have any feelings for me...
0:49:29 > 0:49:31Course I do!
0:49:31 > 0:49:34So what is it then?
0:49:34 > 0:49:38Are you... Are you too much of a coward to deal with it?
0:49:38 > 0:49:42No, it's not like that. But... It's just...
0:49:45 > 0:49:48I think things are going to be different now between Tom and I.
0:49:50 > 0:49:53He's promised he's going to leave his wife.
0:49:53 > 0:49:58- Oh, Lou!- I know how that makes me sound but I've got to give it a go.
0:49:58 > 0:50:01Yeah.
0:50:01 > 0:50:03Best stick with what you know, eh?
0:50:03 > 0:50:08Easier to be the scarlet woman than come out the closet, I suppose.
0:50:08 > 0:50:09I do love him.
0:50:11 > 0:50:13Do you, though?
0:50:15 > 0:50:16You don't.
0:50:16 > 0:50:18It's not too late.
0:50:20 > 0:50:23Look, we can... We can figure it out. I'll help you.
0:50:27 > 0:50:29Please.
0:50:29 > 0:50:31- It's not too late.- Please, Tess.
0:50:31 > 0:50:33- What?- I'm sorry. I can't do this.
0:50:33 > 0:50:36I can't.
0:50:36 > 0:50:39Tess, are you OK?
0:50:39 > 0:50:42Can we get in the bloody house?
0:50:42 > 0:50:45Lou? Now, please.
0:50:45 > 0:50:46Yeah, we don't want to cause a scene, do we?
0:50:46 > 0:50:50No, I think you've managed that already, sweetheart. Run along, eh?
0:50:50 > 0:50:52Excuse me, who do you think you're talking to?
0:50:52 > 0:50:56- What is it to you?- I don't want you speaking to my friend like she's an inconsequential piece of crap.
0:50:56 > 0:50:58- You said it.
0:51:01 > 0:51:03Shit, are you OK?
0:51:04 > 0:51:05Are you all right?
0:51:05 > 0:51:09Get away from me or I'll call the police! Oh, I'm bleeding...
0:51:15 > 0:51:17Did you see him go down?
0:51:17 > 0:51:20I know I say it myself, but that was some right hook.
0:51:20 > 0:51:22Oh, Tess...
0:51:22 > 0:51:24SHE SOBS
0:51:27 > 0:51:28Tess, come on...
0:51:34 > 0:51:35Let's go.
0:51:39 > 0:51:41Wow, this is a nice surprise.
0:51:41 > 0:51:44I didn't expect to see you again so soon.
0:51:44 > 0:51:46Well, I was at a loose end.
0:51:46 > 0:51:48Flatterer.
0:51:48 > 0:51:50Tell you what, I need this drink.
0:51:50 > 0:51:52I've had the most manic day.
0:51:52 > 0:51:55Five different viewings all in different parts of Glasgow.
0:51:55 > 0:51:57Knack-er-ing.
0:51:59 > 0:52:01There was this one couple who were a total nightmare.
0:52:01 > 0:52:03They couldn't agree on anything.
0:52:03 > 0:52:05They're getting married next year.
0:52:10 > 0:52:13INAUDIBLE
0:52:26 > 0:52:29He looked fatter than he did on telly, didn't he?
0:52:29 > 0:52:32- I know they say the camera adds ten pounds but... - Ed, please can we move on?
0:52:32 > 0:52:34I'm just trying to point out that you're a better catch then he is.
0:52:34 > 0:52:36I don't care if he's famous or not.
0:52:36 > 0:52:39- Thank you.- Imagine if this got out. We could make a shit load of money.
0:52:39 > 0:52:44- Er, kiss and tell isn't really my kind of thing.- It's one way of coming out to your gran, though.
0:52:44 > 0:52:48It wouldn't have to be kiss and tell. You could do it anonymously.
0:52:48 > 0:52:50Tip the press off.
0:52:50 > 0:52:53Well, I might be desperate but I'm not that desperate.
0:52:53 > 0:52:55More fool you.
0:52:55 > 0:52:58Er, sorry. Happy and committed couples are banned from this area of the bar.
0:52:58 > 0:53:00This section is for fuck-ups only.
0:53:00 > 0:53:02Who says I'm committed anyway?
0:53:02 > 0:53:06We're only staying for one. I've booked us a table at Chardon D'or.
0:53:06 > 0:53:09Wow! What's the occasion?
0:53:09 > 0:53:10Does there need to be one?
0:53:10 > 0:53:12Ah!
0:53:12 > 0:53:14- Oh, sorry. We haven't met before, have we?- This is Sadie.
0:53:14 > 0:53:18Sadie is an old friend of mine. This is Jay and Becky who I'm staying with at the moment.
0:53:18 > 0:53:20- Hi.- Hiya.
0:53:20 > 0:53:22Nice necklace.
0:53:22 > 0:53:24Thanks.
0:53:24 > 0:53:27We got your text. How are you?
0:53:27 > 0:53:29- She'll be fine.- What happened?
0:53:29 > 0:53:33I caught my so-called girlfriend in the arms of her cheeseball co-star,
0:53:33 > 0:53:36with his gelled hair and his blinding teeth...
0:53:36 > 0:53:37And tan to rival David Dickinson's.
0:53:37 > 0:53:39So utterly predictable.
0:53:39 > 0:53:43I mean, I'm now dumped and homeless...
0:53:43 > 0:53:46- Well, I thought we were going to move in together?- Yeah, but when?
0:53:46 > 0:53:50I can't stay at Cat's, now that her and Sam are pinned to each other in their matching pyjamas.
0:53:50 > 0:53:53- I can help you find somewhere.- Yeah?
0:53:53 > 0:53:56In fact, I know just the place.
0:53:56 > 0:53:58Well, there you go.
0:53:58 > 0:53:59Every cloud...
0:54:04 > 0:54:06MOBILE PHONE BEEPS
0:54:47 > 0:54:50Oh, shit. Sadie...
0:54:50 > 0:54:53Oh, God.
0:55:10 > 0:55:12We exhausted every avenue but I'm afraid we couldn't
0:55:12 > 0:55:15find anything to link your parents to the address you gave.
0:55:17 > 0:55:19Are you sure?
0:55:19 > 0:55:23We have got copies of most of the documents you requested, though.
0:55:23 > 0:55:25Your parents' death certificates along with your sister's.
0:55:25 > 0:55:27I don't have a sister.
0:55:27 > 0:55:29Well, I don't see how there can have been a mistake.
0:55:29 > 0:55:33These are your parents' death certificates.
0:55:33 > 0:55:39Lindsey Alan...Robert Alan and little Francesca...
0:55:40 > 0:55:41Francesca?
0:55:42 > 0:55:45I am sorry. Tragic losing someone so young.
0:56:34 > 0:56:36Oh. Shit. Sorry.
0:56:36 > 0:56:38Is that your new squeeze I saw this morning?
0:56:38 > 0:56:39Her name's Sam.
0:56:39 > 0:56:43- What's that?- Frankie trying to get me back on the scene. - Internet dating?
0:56:43 > 0:56:45You're adventurous, aren't you Tess?
0:56:45 > 0:56:48- You want to know what's going on? I'm dead.- What's the problem?
0:56:48 > 0:56:50Lunch, my parents. Today.
0:56:53 > 0:56:56Well, well, well. Little Francesca.
0:56:56 > 0:57:00Everything we did was in your best interests.
0:57:00 > 0:57:02# You're such an unusual force
0:57:02 > 0:57:05# I'm trying to fight
0:57:07 > 0:57:10# A ghost playing tricks with my mind
0:57:10 > 0:57:13# And breathing down my back
0:57:14 > 0:57:15# Saying
0:57:15 > 0:57:18# Forget about the fights
0:57:18 > 0:57:20# Forget about the times I let you down
0:57:22 > 0:57:23# And please
0:57:23 > 0:57:25# Come a little closer to me
0:57:25 > 0:57:28# And grab my hand... #