0:00:02 > 0:00:08This programme contains some violent scenes and scenes which some viewers may find upsetting.
0:00:08 > 0:00:14- Now what?- I'd like to run through it one more time, if I may. Who is this?
0:00:17 > 0:00:19That's John.
0:00:19 > 0:00:22- John?- Luther.
0:00:24 > 0:00:27And who is John Luther?
0:00:27 > 0:00:29My friend.
0:00:33 > 0:00:34How did you and John meet?
0:00:36 > 0:00:39When I was suspected of killing my parents.
0:00:39 > 0:00:44- And, after that, you became friends? - We grew close.
0:00:44 > 0:00:49And how exactly would you characterise this closeness?
0:00:49 > 0:00:52Well, we were...simpatico.
0:00:53 > 0:00:55And I pitied him.
0:00:55 > 0:00:56How so?
0:00:58 > 0:01:00He always seemed lost to me.
0:01:00 > 0:01:03Paddling furiously, just to keep afloat.
0:01:06 > 0:01:08I wanted to help him.
0:01:08 > 0:01:12And what form did this help take?
0:01:12 > 0:01:18Well, John had any number of vexations, and I helped him in several ways.
0:01:18 > 0:01:20Tell me about Ian Reed.
0:01:22 > 0:01:25He was a friend who betrayed John and hurt him very badly.
0:01:25 > 0:01:30So I killed him, two barrels of his own shotgun.
0:01:32 > 0:01:34Boom, boom.
0:01:35 > 0:01:37And did John...?
0:01:39 > 0:01:42And this is very important, Alice...
0:01:43 > 0:01:45Did John ask you to do this?
0:01:48 > 0:01:50Good heavens, no.
0:01:51 > 0:01:52He was absolutely livid.
0:01:52 > 0:01:54We had quite a tiff.
0:01:54 > 0:01:56Things were said.
0:02:06 > 0:02:07GUN COCKED
0:02:10 > 0:02:12TRIGGER CLICKS
0:02:16 > 0:02:19You're not going to penalise John for my misdeeds...
0:02:20 > 0:02:24- ..are you?- No, Miss Morgan.
0:02:25 > 0:02:27Is he still a police officer?
0:02:29 > 0:02:31Yes, he's one of ours.
0:02:36 > 0:02:43# Love is like a sin, my love
0:02:43 > 0:02:49# For the ones that feel it the most
0:02:50 > 0:02:55# Look at her with her eyes like a flame
0:02:58 > 0:03:02# She will love you like a fly will never love you. #
0:03:22 > 0:03:26RADIO: THE TOURISTS "I Only Want To be With You"
0:03:34 > 0:03:35How are you sleeping?
0:03:40 > 0:03:41Better.
0:03:42 > 0:03:43Mostly.
0:03:45 > 0:03:47What about you?
0:03:47 > 0:03:48Ah, a bit better.
0:03:50 > 0:03:51Mostly.
0:03:53 > 0:03:56I'm going back to work.
0:03:56 > 0:03:57You ready?
0:04:02 > 0:04:04SINISTER MUSIC
0:04:07 > 0:04:09FOOTSTEPS ECHO
0:05:17 > 0:05:18SHE SCREAMS
0:05:41 > 0:05:45Attempted burglary, resisting arrest, assaulting a police officer.
0:05:45 > 0:05:47What's your name?
0:05:47 > 0:05:49HE SLURS UNINTELLIGIBLY
0:05:51 > 0:05:55- He tried to rob a house in this state?- Not a house, a dojo.
0:05:55 > 0:05:58He tried to rob a karate school?
0:05:58 > 0:06:00Right, let's get him interviewed.
0:06:00 > 0:06:03We thank you for your custom. We know other police stations are available.
0:06:03 > 0:06:06The thing they don't tell you about the drugs
0:06:06 > 0:06:07is that it makes you smell like a dog's arse.
0:06:07 > 0:06:11It's not very Keith Richards, is it? Not very rock 'n' roll.
0:06:12 > 0:06:14Justin.
0:06:17 > 0:06:18I've never seen you in your uniform.
0:06:18 > 0:06:25- Look like you're on work experience. - Yeah, well, my good uniform got vomited on.
0:06:25 > 0:06:29It's all very soul-destroying, isn't it? Actual police work.
0:06:29 > 0:06:33- Burglars, junkies.- Well, I'm working off my sins, aren't I?
0:06:33 > 0:06:36Your major sin being that you, er, were loyal to me.
0:06:36 > 0:06:37That'd be the one.
0:06:39 > 0:06:42So, what, you're in here because you picked up a shoplifter?
0:06:42 > 0:06:44They set up a new unit.
0:06:44 > 0:06:47Serious and Serial.
0:06:47 > 0:06:50You not fancy staying in Cold Case? Revealing the identity of Jack The Ripper.
0:06:50 > 0:06:54Let's just see if you're going to be as cheeky as that
0:06:54 > 0:06:56when you have to pick me up at 8.00 in the morning.
0:06:56 > 0:06:59Cos at 8.00 in the morning, I am grizzly.
0:07:00 > 0:07:04I was told I'd be in uniform for two years, minimum.
0:07:04 > 0:07:06Tried to make you resign, didn't they?
0:07:07 > 0:07:10Humiliated you. Bullied you.
0:07:10 > 0:07:12You're a bit of an embarrassment.
0:07:14 > 0:07:16But you didn't leave.
0:07:16 > 0:07:19No... No, you didn't.
0:07:21 > 0:07:23See you in the morning.
0:07:25 > 0:07:27See you in the morning.
0:07:41 > 0:07:42PHONE BUZZES
0:07:44 > 0:07:45Justin.
0:07:56 > 0:07:58DS Ripley. Morning.
0:07:58 > 0:08:00GRUNTS
0:08:05 > 0:08:06Excuse me.
0:08:08 > 0:08:09Martin.
0:08:09 > 0:08:13- Or is it Guv'nor?- Whichever you prefer.
0:08:13 > 0:08:16Sergeant Ripley. My old comrade-in-arms.
0:08:16 > 0:08:18- Good to see you back where you belong.- Sir.
0:08:18 > 0:08:22I fancy DCI Luther forgot to tell you I'm heading up this unit.
0:08:22 > 0:08:24Er, he may have omitted that detail, sir, yes.
0:08:24 > 0:08:27- Blitz attack, last night. - PHONE RINGS
0:08:27 > 0:08:29The victim is Sadie Buckingham.
0:08:29 > 0:08:30Schenk.
0:08:30 > 0:08:32I'm listening.
0:08:32 > 0:08:36LUTHER GROANS She was strangled...and...
0:08:36 > 0:08:41Throat slashed. From right to left, very sharp blade.
0:08:42 > 0:08:44Do you think he's having a joke?
0:08:44 > 0:08:46- What do you think? - What kind of joke?
0:08:46 > 0:08:51Well...slaughtered like cattle, right next to a meat market.
0:08:53 > 0:08:54Let's have a look at him.
0:08:56 > 0:08:58Mr Punch.
0:09:19 > 0:09:21- Welcome on board, sir. - Cheers.
0:09:24 > 0:09:26Good to see you, sir.
0:09:28 > 0:09:31- Hello. - Sir.
0:09:31 > 0:09:33- Sir.- Morning, all.
0:09:33 > 0:09:35Morning, guv.
0:09:35 > 0:09:36DS Gray.
0:09:36 > 0:09:39- Oh, er, DS Ripley. Justin. - Nice to meet you.
0:09:39 > 0:09:42Benny, can you play back those phone calls?
0:09:42 > 0:09:45The victim first managed to dial 999...
0:10:01 > 0:10:03All right.
0:10:03 > 0:10:06..after which, the killer made this call to the victim's mother.
0:10:06 > 0:10:09'He is the sunrise. He loves everyone.'
0:10:09 > 0:10:13He then called several of her contacts,
0:10:13 > 0:10:16her sisters, her friends, her colleagues, her vet!
0:10:18 > 0:10:21'He...is...the sunrise.
0:10:21 > 0:10:23'He...loves...everyone.'
0:10:25 > 0:10:28All right. First thing we need to do, Justin, is run background
0:10:28 > 0:10:31on the victim's friends, acquaintances.
0:10:31 > 0:10:33Make sure this isn't an ex-boyfriend that's gone nuts. Erin...
0:10:33 > 0:10:36I'll source the sunrise chant, see if it ties in with a specific belief system.
0:10:36 > 0:10:39- Good place to start, but this... - SIGHS
0:10:39 > 0:10:41..this isn't a cult murder.
0:10:41 > 0:10:42Guv?
0:10:42 > 0:10:46All of this is for effect. Murder by theatre.
0:10:46 > 0:10:49I bet the same goes for "I am the sun that shines".
0:10:49 > 0:10:52- It's designed it to give him prestige.- People are already talking about him.
0:10:52 > 0:10:55That's right, and if he's that desperate to be noticed,
0:10:55 > 0:10:56then this was opening night.
0:10:56 > 0:10:58There'll be a lot more where this comes from.
0:10:58 > 0:11:01I'll source the chant and the mask, check websites, collectors.
0:11:01 > 0:11:04- See who's is buying, who's selling. - All right.
0:11:08 > 0:11:09How's this looking?
0:11:09 > 0:11:12It's early doors. We'll get him.
0:11:12 > 0:11:13Yeah.
0:11:15 > 0:11:17John, I, um...
0:11:18 > 0:11:21I know you had great loyalty to Rose Teller,
0:11:21 > 0:11:23and rightly so,
0:11:23 > 0:11:27but often it's the good coppers who shoulder the blame for the bad.
0:11:28 > 0:11:33Things between us...historically, have sometimes been...
0:11:33 > 0:11:35You had a job to do.
0:11:36 > 0:11:37You did it well.
0:11:40 > 0:11:44If I was your adversary then... I'm not your adversary now.
0:11:46 > 0:11:50I have a new job to do, and part of that job is to police you
0:11:50 > 0:11:56and to do that properly, I need your trust...and your candour.
0:11:58 > 0:12:00No secrets.
0:12:00 > 0:12:02No agendas.
0:12:03 > 0:12:04And no Alice Morgan.
0:12:07 > 0:12:09- No secrets. - SIGHS
0:12:10 > 0:12:12No agendas.
0:12:12 > 0:12:14So, what was it like being bumped back to uniform?
0:12:16 > 0:12:18I was never ashamed to wear a uniform.
0:12:18 > 0:12:20What about working for His Satanic Majesty?
0:12:22 > 0:12:24- Sorry, who? - Luther.
0:12:24 > 0:12:25Is he really as dirty as they say?
0:12:25 > 0:12:27Who?
0:12:28 > 0:12:29They!
0:12:29 > 0:12:31All the people who've never worked with him?
0:12:31 > 0:12:34I'm just saying - you know the pitfalls, you can tell me what to look out for.
0:12:34 > 0:12:36Where are we, Justin?
0:12:36 > 0:12:38Nothing of interest, so far.
0:12:38 > 0:12:40She's got an ex-boyfriend, was done for affray,
0:12:40 > 0:12:42but that was back during the G7 riots.
0:12:42 > 0:12:46- No restraining orders. Nothing, really. - What about the sunrise stuff?
0:12:46 > 0:12:48You were right. No specific reference.
0:12:48 > 0:12:51Sunrise imagery seems general to just about every religion or cult.
0:12:51 > 0:12:52What about the mask?
0:12:52 > 0:12:54It looks antique, maybe theatrical.
0:12:54 > 0:12:57If that's the case, there's a market for it, which is good.
0:12:57 > 0:13:01Problem is the internet. Collectables flow back and forth over international borders,
0:13:01 > 0:13:05barely leave a trace, so I'm hitting the talk-boards, see if anybody can ID it.
0:13:05 > 0:13:07Well, stick with it, see what comes up.
0:13:09 > 0:13:10Guv!
0:13:11 > 0:13:13DCI Luther.
0:13:13 > 0:13:15Caroline.
0:13:15 > 0:13:16Um, DS Ripley.
0:13:17 > 0:13:19Caroline Jones.
0:13:19 > 0:13:21Caroline, now's not a good time for me.
0:13:21 > 0:13:22It's all right, boss. We can give you a minute.
0:13:24 > 0:13:27How long have you and DCI Luther known one another?
0:13:27 > 0:13:30Since my husband accidentally killed a prostitute.
0:13:30 > 0:13:33How is she?
0:13:33 > 0:13:35She was self-mutilating at 14.
0:13:37 > 0:13:39She cut herself with a razor.
0:13:40 > 0:13:43Top of the arms, top of the thighs.
0:13:45 > 0:13:47Places I couldn't see.
0:13:48 > 0:13:52Before you know, she's stealing from me. Lying.
0:13:53 > 0:13:55Threatening me with a knife.
0:13:58 > 0:13:59And she just runs away.
0:14:02 > 0:14:04- Gone. - Caroline...
0:14:06 > 0:14:11OK, listen, I'm going to stop you here, cos what...what you're going to tell me...
0:14:11 > 0:14:12I can't help.
0:14:12 > 0:14:14She was selling herself at 17.
0:14:14 > 0:14:17I might not like it, you might not like it, but...
0:14:17 > 0:14:20Well, Jenny's made her choices.
0:14:28 > 0:14:29You ever hear of necro-porn?
0:14:32 > 0:14:36This is what they're going to do to Jenny. This afternoon.
0:14:36 > 0:14:38Explain to me how this isn't rape.
0:14:38 > 0:14:42Men who do this aren't actors. They pay for it.
0:14:42 > 0:14:45Do you understand what that means?
0:14:45 > 0:14:48Men are paying to rape my daughter.
0:14:48 > 0:14:53So many times I've tried to help people by doing things I shouldn't have done, and...
0:14:54 > 0:14:57- SIGHS - ..it's only made it worse.
0:14:57 > 0:14:58You think?
0:14:59 > 0:15:02- SIGHS - You didn't need to treat her dad the way you did.
0:15:02 > 0:15:04Degrading him in public, humiliating him.
0:15:04 > 0:15:07It was the only way I knew how to stop him.
0:15:07 > 0:15:09Look what you did to me,
0:15:09 > 0:15:11to her dad...
0:15:13 > 0:15:14..it messed her up.
0:15:15 > 0:15:18So this is your fault.
0:15:18 > 0:15:21As much as her dad's, this is your fault.
0:15:21 > 0:15:24- For what you did to us. - I'm a policeman.
0:15:26 > 0:15:28What did you want me to do?
0:15:29 > 0:15:30And your wife?
0:15:32 > 0:15:34Is she proud?
0:15:39 > 0:15:41INHALES DEEPLY
0:15:45 > 0:15:47All right, I'll talk to her.
0:15:47 > 0:15:49Can't promise I'll change her mind.
0:15:51 > 0:15:53Got an address?
0:15:55 > 0:15:57No... This is all I've got.
0:16:00 > 0:16:01GRUNTING
0:16:04 > 0:16:06All right.
0:16:06 > 0:16:07No jokes, OK?
0:16:09 > 0:16:11There's no joking about this sort of thing.
0:16:11 > 0:16:13Is that wee girl OK?
0:16:13 > 0:16:15She is now, apparently.
0:16:17 > 0:16:21But, Benny, I need to find her today or that is going to happen to her, or worse.
0:16:21 > 0:16:23You've worked vice.
0:16:23 > 0:16:26Any laws you have to break to help me do that?
0:16:27 > 0:16:32Well, people like this like to keep a low profile, for obvious reasons.
0:16:32 > 0:16:35But if there's a revenue stream, there's a paper trail.
0:16:35 > 0:16:38So I'll make a few phone calls, see what I can dig out for you.
0:16:38 > 0:16:41All right. Just let me know as soon as you know anything, all right?
0:16:41 > 0:16:42No problem.
0:17:02 > 0:17:05CAMERA CLICKING
0:17:07 > 0:17:08Excuse me.
0:17:08 > 0:17:10Are you an art student?
0:17:10 > 0:17:14- Am I that obvious? - No, no, no. LAUGHS
0:17:14 > 0:17:16- Where do you go? - Um, Saint Martin's.
0:17:16 > 0:17:19No?! LAUGHS
0:17:19 > 0:17:21- Me too. I went to Saint Martin's. - Really?
0:17:21 > 0:17:25- Yeah. It's a small world, or what? - Um...
0:17:25 > 0:17:29What are you doing? Um... Fine art...or...?
0:17:29 > 0:17:31- No, textiles. - Oh!
0:17:31 > 0:17:35Yeah, we have to, um, design a print that somehow evokes London.
0:17:35 > 0:17:36Oh, well...
0:17:37 > 0:17:39..you came to the right place for that, eh?
0:17:39 > 0:17:43I mean this, this is...is...London.
0:17:44 > 0:17:47It used to be a quiet little lane, lined with elm trees and so on,
0:17:47 > 0:17:50but they've been selling stuff here since 1608.
0:17:50 > 0:17:52Then in the 17th century, the Huguenots arrived.
0:17:52 > 0:17:5618th century, it becomes, like, a centre for cloth-making,
0:17:56 > 0:17:59and then in 1830, they tried to change the name.
0:17:59 > 0:18:03"Petticoat" was considered too raunchy for the Victorians. But it didn't work!
0:18:03 > 0:18:07- Petticoat Lane endures. - Are you, like, a local historian?
0:18:07 > 0:18:11No, no, no, no. I just... I love the place. You can feel the time,
0:18:11 > 0:18:15like layers of time, strata of time, a big cake of time.
0:18:15 > 0:18:17No, it's magic. It's got magic to it.
0:18:17 > 0:18:19Hey...
0:18:19 > 0:18:21do you want to see something really cool?
0:18:21 > 0:18:25No. Um, no, I'm fine, thanks.
0:18:25 > 0:18:27- The most London thing ever. - No.
0:18:27 > 0:18:30- Most London thing you'll ever see. - I'm fine! Thank you.
0:18:41 > 0:18:43SHE GASPS AND SCREAMS
0:18:46 > 0:18:48SPLUTTERING
0:19:04 > 0:19:08DISTORTED VOICE He is the sunrise. He loves everyone.
0:19:08 > 0:19:10He is the sunrise. He loves everyone.
0:19:10 > 0:19:12He is the sunrise.
0:19:12 > 0:19:14He loves everyone.
0:19:20 > 0:19:22Smithfields. Petticoat Lane.
0:19:24 > 0:19:25He's a London boy, ain't he?
0:19:26 > 0:19:29We know he likes the attention, so, erm...
0:19:29 > 0:19:32Do me a favour, confiscate every one of those mobile phones.
0:19:32 > 0:19:36- On what grounds, legally? - Find grounds.
0:19:37 > 0:19:39We need to start collecting data
0:19:39 > 0:19:41on all the crowds that show up at the crime scenes.
0:19:41 > 0:19:44Comparing faces, see if the same face doesn't show up more than once.
0:19:44 > 0:19:48Sometimes serial offenders return to the scene, enjoy the chaos they've caused.
0:19:48 > 0:19:50- Makes them feel omnipotent. - I know, it's just...
0:19:50 > 0:19:55When he says "confiscate", he means appeal to the owners of the phones, OK?
0:19:55 > 0:19:58Fine, but that's not what he said, is it?
0:19:58 > 0:20:01..I'd like you to speak to my detectives. Anyone else,
0:20:01 > 0:20:06can you just give us a little room, please, er, so we can work. All right.
0:20:06 > 0:20:08You can go home, if you can, please.
0:20:10 > 0:20:11RIPLEY: Move back and make some space.
0:20:11 > 0:20:14- GRAY:- Move back, everyone, please. - RIPLEY: No more photos.
0:20:14 > 0:20:15Thank you.
0:20:15 > 0:20:16Excuse me.
0:20:47 > 0:20:51Message for DS Ripley. Chasing suspect, Northbirch Estate, south side.
0:20:51 > 0:20:55Thin, IC1, brown hair. Hurry up.
0:21:08 > 0:21:09Where?
0:21:22 > 0:21:23SIGHS
0:23:10 > 0:23:13ELECTRIC TASER FIRE LUTHER CRIES OUT
0:23:13 > 0:23:15HE MOANS
0:23:19 > 0:23:20HE SPUTTERS
0:23:28 > 0:23:30Aargh!
0:23:33 > 0:23:35LUTHER GROWLS Don't ruin it!
0:23:37 > 0:23:38Aaargh!
0:23:39 > 0:23:41Aaargh!
0:23:41 > 0:23:42SIRENS
0:23:49 > 0:23:51HE MOANS DISTANT VOICES
0:23:52 > 0:23:54Boss?
0:23:56 > 0:23:58- Go, go, go. Check it outside. - Through there.
0:23:58 > 0:23:59What, what do you want?
0:24:00 > 0:24:02Evidence bag.
0:24:04 > 0:24:06- THROUGH WALKIE-TALKIE - He must be coming your way.
0:24:07 > 0:24:10- Here. In here. - Yeah, DNA.
0:24:10 > 0:24:11HE MOANS
0:24:12 > 0:24:14HE GROANS
0:24:14 > 0:24:16SIRENS, WALKIE-TALKIE
0:24:17 > 0:24:18HE GROANS
0:24:20 > 0:24:24Helicopter's after him. Uniform, dogs, the lot, but he got away.
0:24:24 > 0:24:27- Yeah. He's fast. - He's more than fast.
0:24:27 > 0:24:30- Had a getaway route scouted out. - Bet he did.
0:24:31 > 0:24:35- DNA?- It's been expedited, imminent danger to life and so on.
0:24:37 > 0:24:38Can you even see anything?
0:24:38 > 0:24:44Cheers, mate. Erm, listen, call me as soon as that DNA result comes in, all right?
0:24:44 > 0:24:45Where are you going?
0:24:46 > 0:24:47To hospital.
0:25:14 > 0:25:17Do you have permission to be here, sir? Thank you.
0:25:31 > 0:25:33Alice.
0:25:42 > 0:25:43What's this?
0:25:44 > 0:25:47Permanent solution to a temporary problem.
0:25:49 > 0:25:51- How many times have you tried it? - Fewer than a hundred.
0:25:51 > 0:25:54Sadly, each attempt ended in failure.
0:25:54 > 0:25:58So they gave me no choice, but just to...phhh...keep on living.
0:25:58 > 0:26:03And to keep you safe, they put you in here.
0:26:03 > 0:26:06Well, it is a secure hospital, John.
0:26:06 > 0:26:08As secure as a prison?
0:26:08 > 0:26:10One can only assume so.
0:26:12 > 0:26:13You seeing anyone?
0:26:13 > 0:26:16- None of your business. - Because I'm not.
0:26:16 > 0:26:19Most of the people in here are women.
0:26:19 > 0:26:21Not that I mind per se.
0:26:21 > 0:26:23Needs must.
0:26:23 > 0:26:26But they do tend to veer on the mentally ill.
0:26:27 > 0:26:30Child abuse, spouse abuse, alcohol abuse.
0:26:30 > 0:26:34It's all just breathtakingly unerotic.
0:26:35 > 0:26:38- What about you?- What about me? - Have you left yet?
0:26:38 > 0:26:40- Left where? - Police force.
0:26:40 > 0:26:42No.
0:26:42 > 0:26:43Will you?
0:26:47 > 0:26:50Yeah. Yeah, I'm leaving.
0:26:50 > 0:26:52- When? - Soon.
0:26:52 > 0:26:55Just got a couple of things to take care of.
0:26:55 > 0:26:57Getting Ripley back on track.
0:26:59 > 0:27:00And there's this girl...
0:27:00 > 0:27:02What girl?
0:27:02 > 0:27:04Just a girl.
0:27:04 > 0:27:09- I said I'd help. - Which is exactly the problem.
0:27:10 > 0:27:11Yeah.
0:27:11 > 0:27:13But then I'm done.
0:27:13 > 0:27:16Good, because the people around you are vampires.
0:27:16 > 0:27:18They'll suck your veins dry,
0:27:18 > 0:27:21crack open your bones and lick out the marrow.
0:27:22 > 0:27:24You've done enough for them, so step away
0:27:24 > 0:27:27and find yourself a life worth living.
0:27:30 > 0:27:33Well, that's the plan, anyway.
0:27:33 > 0:27:36- Where will you go? - I don't know.
0:27:36 > 0:27:39- I always wanted to see somewhere hot.- Mm.
0:27:40 > 0:27:43I've never seen the desert. Perhaps see some sharks.
0:27:43 > 0:27:46Oh, I'm a great fan of sharks.
0:27:46 > 0:27:49Daddy took me snorkelling once for my birthday
0:27:49 > 0:27:51to see them in their natural habitat.
0:27:51 > 0:27:52Did you see many?
0:27:52 > 0:27:54Enough to realise I prefer them in aquariums.
0:27:54 > 0:27:56BOTH LAUGH
0:27:56 > 0:28:00I've always wanted to see the Very Large Array in New Mexico.
0:28:00 > 0:28:02It's not the biggest in the world, of course,
0:28:02 > 0:28:06or the most modern, but it is iconic, and I grew up wanting to see it.
0:28:09 > 0:28:11It's quite spectacular.
0:28:12 > 0:28:14Out there in the desert.
0:28:18 > 0:28:20We could go together.
0:28:30 > 0:28:32HE SIGHS
0:28:34 > 0:28:36HE SIGHS
0:28:38 > 0:28:40Want some?
0:28:40 > 0:28:41Uh-uh.
0:28:45 > 0:28:47I've gotta go.
0:28:49 > 0:28:51Madmen to catch.
0:28:52 > 0:28:54Need any advice?
0:28:54 > 0:28:55No.
0:28:55 > 0:28:59Pretty up to speed with my...lunatics.
0:29:00 > 0:29:01Well...
0:29:03 > 0:29:05..don't be a stranger.
0:29:14 > 0:29:16BEEPING
0:30:30 > 0:30:31Benny?
0:30:32 > 0:30:37The death porn is produced by a foreign registered offshoot of Hemina Films.
0:30:37 > 0:30:39It's run out of Mile End.
0:30:39 > 0:30:43So, bad news - for obvious reasons it's all kept a bit "entre nous". Good news -
0:30:43 > 0:30:48that means they have to draw from a very small pool of technicians and locations.
0:30:48 > 0:30:49So have you got an address?
0:30:49 > 0:30:51Give me an hour.
0:30:54 > 0:30:57- DS Gray, I've been thinking... - Yeah.
0:30:57 > 0:30:59He said to me, "Don't ruin it."
0:31:00 > 0:31:02"Don't ruin it."
0:31:03 > 0:31:04What does that say to you?
0:31:04 > 0:31:08- That he's on a mission? - Yeah, but what is that mission?
0:31:08 > 0:31:10Celebrity. Infamy.
0:31:10 > 0:31:12No, it's more than that, isn't it?
0:31:12 > 0:31:15Something else he's trying to achieve.
0:31:18 > 0:31:22- Erm, have you got that file for the...- Guv.
0:31:23 > 0:31:25Can I have a word?
0:31:25 > 0:31:27- Off the record, type thing? - Yeah, of course.
0:31:31 > 0:31:32Ooh!
0:31:32 > 0:31:36Erm, I'm guessing you've read my personal file?
0:31:38 > 0:31:43So...you know how hard I have worked to get here.
0:31:43 > 0:31:46Now, my point is, and please don't take this the wrong way...
0:31:46 > 0:31:47Promise to try.
0:31:47 > 0:31:51..but today you asked me to confiscate people's mobile phones
0:31:51 > 0:31:52when there was no actual...
0:31:52 > 0:31:54- Gray, Gray. - ..no real legal grounds
0:31:54 > 0:31:58- Gray, it was a figure of speech. - Yeah, I know, I get that...really.
0:31:58 > 0:32:03It's just...well, if I had just confiscated them, would you have minded?
0:32:03 > 0:32:04Honestly, no.
0:32:07 > 0:32:10But I would have protected you from any circumstances.
0:32:11 > 0:32:15That's my point. I don't want to have to need that kind of protection.
0:32:15 > 0:32:18With the best will in the world, I don't want to end up like DS Ripley.
0:32:18 > 0:32:20He was like this rising star.
0:32:20 > 0:32:22- And now, he's... - He's what?
0:32:23 > 0:32:25- Well... - What?
0:32:25 > 0:32:27Tarnished, sort of.
0:32:27 > 0:32:29- Tarnished. - Sorry. Erm...
0:32:29 > 0:32:33I don't want to risk my career when it's only just getting started.
0:32:34 > 0:32:35It's just...
0:32:36 > 0:32:39This is my job, you know?
0:32:41 > 0:32:43Noted.
0:32:43 > 0:32:44SHE SIGHS
0:32:48 > 0:32:53- Benny, have you got that address? - Surely do. Question is, do you want it?
0:32:53 > 0:32:55Give it to me.
0:33:15 > 0:33:17Can I help you?
0:33:17 > 0:33:19Yeah. You can shut up.
0:33:23 > 0:33:24MOANING
0:33:29 > 0:33:30Who are you?
0:33:32 > 0:33:34HALF-COUGH
0:33:39 > 0:33:44So what you're telling me, is your mum has no right to be worried about you. Hmm.
0:33:44 > 0:33:45Listen, Officer Whoever,
0:33:45 > 0:33:50I see stuff you wouldn't even believe, so best not patronise me, eh?
0:33:50 > 0:33:51Of course.
0:33:52 > 0:33:53Of course.
0:33:53 > 0:33:55I don't mean to.
0:33:55 > 0:33:58Anyway, it's just sex.
0:33:58 > 0:34:01Letting someone have sex with you while you're unconscious,
0:34:01 > 0:34:03that's not sex only, is it?
0:34:03 > 0:34:05I'm a sex worker.
0:34:05 > 0:34:08So, yeah, I do some funny things, but at least I'm my own boss.
0:34:08 > 0:34:11I don't have to believe a load of bullshit that people shove down
0:34:11 > 0:34:15each others' throats about love and marriage and monogamy, blah, blah, blah.
0:34:15 > 0:34:16You married?
0:34:16 > 0:34:17I was.
0:34:19 > 0:34:21Exactly - "was".
0:34:22 > 0:34:23How long?
0:34:25 > 0:34:27- SIGHS - 18 years.
0:34:29 > 0:34:33And how many times did you do the dirty on her?
0:34:34 > 0:34:35Never.
0:34:42 > 0:34:45Well, it's my life, and actually, I really like it.
0:34:46 > 0:34:49Oh, yeah, so what about the drugs? The meth?
0:34:49 > 0:34:55I think you've got one...maybe two months before your teeth start falling out.
0:34:56 > 0:34:58Come on, Jenny.
0:34:59 > 0:35:00Eh?
0:35:00 > 0:35:03See, the thing is, I don't think you're doing this by choice.
0:35:06 > 0:35:08Not really.
0:35:13 > 0:35:17That's just a cuddly thought so you can sleep at night.
0:35:18 > 0:35:21Nah. Need the coinage, rent to pay.
0:35:23 > 0:35:24What do you want?
0:35:29 > 0:35:33All right. I can tell I'm not going to change your mind,
0:35:33 > 0:35:36so I'm going to just call your mum, let her hear your voice.
0:35:36 > 0:35:38It's not my voice she wants to hear.
0:35:39 > 0:35:43She's no different from the freaks that get off on these films.
0:35:43 > 0:35:45It's not who I actually am that matters.
0:35:46 > 0:35:49It's who they wish I was.
0:35:51 > 0:35:52Jen!
0:36:00 > 0:36:01Oi.
0:36:02 > 0:36:04Tell her I'm fine.
0:36:41 > 0:36:44All right, that's it, the show's over! Come on, show's over.
0:36:44 > 0:36:47Oi, oi, oi. Jenny Jones...
0:36:47 > 0:36:49- Get off me! - ..I'm arresting you on suspicion
0:36:49 > 0:36:51- of possessing a controlled substance.- Get off me!
0:36:51 > 0:36:55You do not have to say anything, but if you do not mention...
0:36:55 > 0:36:59Agh! Help!
0:37:02 > 0:37:03SHE SHRIEKS
0:37:05 > 0:37:09What did I do? Didn't find any drugs! Search me, I don't take drugs.
0:37:09 > 0:37:10- I'm clean. - Can you do me a favour?
0:37:10 > 0:37:14- MOBILE BUZZES - Can you shut up for one second?
0:37:14 > 0:37:15- I'm clean! I'm clean! I'm clean! - Justin.
0:37:15 > 0:37:18Did you get a beat on that DNA?
0:37:18 > 0:37:22Er, yeah. Cameron Pell, artist. Well, failed artist.
0:37:22 > 0:37:23A history of mental illness?
0:37:23 > 0:37:26No. But the man's got serious issues.
0:37:26 > 0:37:30Five years back he was arrested for gate-crashing some modern art exhibition.
0:37:30 > 0:37:32He's burst in wearing a clown mask,
0:37:32 > 0:37:34slashed a load of paintings with a flensing knife.
0:37:34 > 0:37:37When they tried to throw him out he's gone completely tonto.
0:37:37 > 0:37:40Cut up two doormen. Lucky to escape an attempted murder charge.
0:37:40 > 0:37:43- Right. Did you get an address? - We'll send it to you now.
0:37:43 > 0:37:45All right, erm...
0:37:46 > 0:37:48- I'll see you there. - Yeah, see you there.
0:37:49 > 0:37:51- You off to arrest someone? - Yeah.
0:37:51 > 0:37:53You're screwed, I'll do you for false arrest.
0:37:53 > 0:37:56I had reasonable and probable cause to think you were committing a crime.
0:37:56 > 0:37:58- One more peep out of you, yeah... - LAUGHS
0:37:58 > 0:38:01- ..and it's with intent to supply. - You're a liar.
0:38:01 > 0:38:04And you're a junkie hooker. I'm a copper.
0:38:04 > 0:38:06Do that, would you? Stitch me up?
0:38:06 > 0:38:08In a millisecond, just to shut you up.
0:38:08 > 0:38:13Do you even know what they'll do to me for this? Break my ankles, if I'm lucky.
0:38:13 > 0:38:17Listen. Look at me. Nothing's going to happen to you, all right?
0:38:17 > 0:38:18Yeah, who says? You?
0:38:18 > 0:38:23- Yeah, me. - They do know where I live, you know.
0:38:23 > 0:38:25People like that, they always do.
0:38:40 > 0:38:42Come on.
0:38:48 > 0:38:51Mark, I wouldn't do this unless I absolutely had to.
0:38:51 > 0:38:52Do what?
0:38:55 > 0:38:57John, who is this?
0:39:01 > 0:39:02Where am I?
0:39:03 > 0:39:05What part of London is this?
0:39:06 > 0:39:07Well, if I told you that...
0:39:09 > 0:39:11..it wouldn't be a safe house, would it?
0:39:13 > 0:39:18And you wouldn't be in protective custody. And besides, it's only for an hour.
0:39:19 > 0:39:21HE GROANS
0:39:25 > 0:39:28You do know what they'll do when they find me, don't you?
0:39:39 > 0:39:40PHONE RINGS
0:39:51 > 0:39:52BEEP
0:39:56 > 0:39:59WOMAN: Pick up, come on, come on. Bitch, pick up!
0:39:59 > 0:40:05All right, now listen. Now, have you done as you were asked? Have you?
0:40:05 > 0:40:06HANGS UP
0:40:19 > 0:40:21RIPLEY: No sign of Cameron. Flat's completely empty.
0:40:25 > 0:40:26Why the empty flat?
0:40:35 > 0:40:38It's almost like he's never been here before.
0:40:47 > 0:40:50PHONE RINGS
0:40:55 > 0:40:58'Hello, your call cannot be taken at the moment,
0:40:58 > 0:41:01'so please leave me a message after the tone.'
0:41:01 > 0:41:02BEEP
0:41:04 > 0:41:05I know you're there.
0:41:09 > 0:41:13Benny, it's Ripley, mate. I need you to trace a call going to this number.
0:41:14 > 0:41:15Hello, Cameron.
0:41:16 > 0:41:18How's your arm?
0:41:18 > 0:41:23- DISTORTED - You think because you tasted my blood
0:41:23 > 0:41:25that you know what I am.
0:41:25 > 0:41:29Well, to be fair, I am standing in your flat.
0:41:29 > 0:41:32You don't know what I am.
0:41:32 > 0:41:36- And you don't know where I am. - Where are you?
0:41:36 > 0:41:41- Everywhere! I can walk down any street. I can peer...- He's close, less than a mile.
0:41:41 > 0:41:45I can knock on any door. I am the shape at the window.
0:41:45 > 0:41:47I am the hand under the bed.
0:41:48 > 0:41:54So what's the play, Cameron? Cos that's what it is, isn't it? It's a play.
0:41:54 > 0:41:58With Cameron Pell starring as Mr Punch.
0:41:58 > 0:42:01Do you know anything about this city?
0:42:01 > 0:42:06Well, I know it smells a bit funny when it gets hot.
0:42:06 > 0:42:13This, now, everything, this place, this time, this cretinised culture.
0:42:13 > 0:42:16- We are the richest, most decadent... - (Less than three minutes.)
0:42:16 > 0:42:20..people that ever lived. And still we're dissatisfied.
0:42:20 > 0:42:24We have lost our history. We have lost our myths.
0:42:24 > 0:42:27You see kids in Whitechapel
0:42:27 > 0:42:31play video games in which they score points by killing prostitutes.
0:42:31 > 0:42:32SIREN
0:42:32 > 0:42:37They're totally indifferent to the spectre that walks past their window.
0:42:37 > 0:42:38SIREN
0:42:38 > 0:42:39This is a dead city.
0:42:39 > 0:42:42- It's an unreal city. Do you know why? - MOUTHS
0:42:42 > 0:42:48- No, why don't you tell me why? - We are so indifferent, we don't care.
0:42:48 > 0:42:52- It's like we're medicated.- How are you going to make us wake up?
0:42:52 > 0:42:56I'm going to remind people what it's like to be really scared.
0:42:56 > 0:42:58Have you ever heard of Spring-Heeled Jack?
0:42:58 > 0:43:03- LAUGHS - Spring-Heeled Jack? I've heard of Spring-Heeled Jack.
0:43:03 > 0:43:05Victorian bogeyman. Mask, red eyes.
0:43:05 > 0:43:09Are you cribbing your ideas from penny-dreadfuls?
0:43:09 > 0:43:13They called him the Terror of London, and do you know what made him terrifying?
0:43:13 > 0:43:16He could do whatever he liked to whomever he chose,
0:43:16 > 0:43:19wherever he chose, whenever he chose, and he was never caught.
0:43:19 > 0:43:23He just disappeared, passed into folklore.
0:43:23 > 0:43:24Oh, yeah?
0:43:24 > 0:43:27- Is that what you want to do, eh? - I've already done it.
0:43:27 > 0:43:29You just don't know it yet.
0:43:29 > 0:43:33Are you sure? Because the last time we spoke you were scared I was going to ruin it.
0:43:33 > 0:43:37- (Thanks, mate.) - Yeah, I was, but not any more.
0:43:37 > 0:43:41Why should I be scared? I can take anyone I choose. You can watch.
0:43:41 > 0:43:44- Later tonight. - What do you mean?
0:43:44 > 0:43:45I hope you're excited, because I am.
0:43:45 > 0:43:51Watch what, Cameron? Hey, Cameron, what are you going to show me tonight?
0:43:51 > 0:43:52Cameron!
0:43:54 > 0:43:57- How long? - Less than a minute.- Too late.
0:43:57 > 0:43:59He's gone.
0:43:59 > 0:44:01PHONE CLATTERS ON FLOOR
0:44:17 > 0:44:19What time is it?
0:44:20 > 0:44:22Well, it's late.
0:44:22 > 0:44:24- He said he'd only be an hour. - Yeah.
0:44:27 > 0:44:28I need the loo.
0:44:28 > 0:44:30No key.
0:44:32 > 0:44:33SIGHS
0:44:36 > 0:44:37Aren't you tired?
0:44:39 > 0:44:41Opposite. You?
0:44:41 > 0:44:45- I'm absolutely knackered. - Get some sleep.
0:44:45 > 0:44:49Lie down, chill out, make yourself at home.
0:44:49 > 0:44:52Yeah, wake up and find all my credit cards gone.
0:44:56 > 0:44:59How do you know him? That gavver?
0:45:00 > 0:45:02- Gavver?- Smurf.
0:45:02 > 0:45:04Billy Filth.
0:45:04 > 0:45:09- Cos you're obviously not one of them, no offence whatever.- No offence taken.
0:45:10 > 0:45:12Well, erm...it's a long story.
0:45:12 > 0:45:14So give me the edited highlights.
0:45:15 > 0:45:16OK.
0:45:16 > 0:45:20OK, long story, short version.
0:45:22 > 0:45:25I was going to marry his ex-wife.
0:45:25 > 0:45:27SHE CHUCKLES Seriously?!
0:45:29 > 0:45:31What, and now you're mates, and everything?
0:45:31 > 0:45:35- CHUCKLES - Well, "mates" is probably pushing it.
0:45:35 > 0:45:37So where is she? His ex, your missus?
0:45:40 > 0:45:41She died.
0:45:42 > 0:45:45Ouch! Sorry.
0:45:46 > 0:45:48Mouth on me sometimes.
0:45:48 > 0:45:50That's all right. You weren't to know.
0:45:52 > 0:45:55- What about you? How do you know him? - Don't.
0:45:56 > 0:45:57Not really.
0:45:58 > 0:46:03As far as I'm concerned, he's this random smurf popped up out of nowhere.
0:46:03 > 0:46:05So why the...?
0:46:06 > 0:46:08Long time ago...
0:46:12 > 0:46:14..my dad killed this girl.
0:46:15 > 0:46:19It was by accident and everything, but...he panicked.
0:46:21 > 0:46:23Cut her up and whatnot.
0:46:24 > 0:46:27- Put all the bits in wheelie bins. - Jesus.
0:46:30 > 0:46:32I'm sorry.
0:46:32 > 0:46:35So this bloke, Luther, was one of the coppers that put him away.
0:46:37 > 0:46:38And your dad?
0:46:40 > 0:46:42Killed himself in prison.
0:46:46 > 0:46:51Jenny, listen, I know how hard... how hard it can be.
0:46:52 > 0:46:54Losing someone that way.
0:47:03 > 0:47:05TRAIN RATTLES BY
0:47:06 > 0:47:08Where is Cameron?
0:47:10 > 0:47:12I haven't seen Cameron for two years.
0:47:15 > 0:47:18I don't know what you expect me to tell you.
0:47:18 > 0:47:19No offence, but I think you do.
0:47:21 > 0:47:23So, you were at art school together?
0:47:23 > 0:47:27Well...I was at art school.
0:47:28 > 0:47:31He'd hang around the refectory.
0:47:32 > 0:47:33Sort of, you know...
0:47:34 > 0:47:35..talking art.
0:47:35 > 0:47:37Did he ever talk about...
0:47:38 > 0:47:40..this?
0:47:42 > 0:47:43LAUGHS
0:47:44 > 0:47:46Spring-Heeled Jack?
0:47:47 > 0:47:48Yeah.
0:47:49 > 0:47:51About ten zillion times.
0:47:52 > 0:47:54Yes, it was his childhood obsession.
0:47:54 > 0:47:57Spring-Heeled Jack's in the cupboard.
0:47:57 > 0:48:02Spring-Heeled Jack's waiting at the bottom of the garden in the bushes.
0:48:03 > 0:48:05He had to see somebody about it.
0:48:05 > 0:48:08A psychologist or a psychoanalyst.
0:48:10 > 0:48:12Anyway, they teased him about it.
0:48:13 > 0:48:16Made him feel like a freak.
0:48:17 > 0:48:19I suppose he was a freak, really.
0:48:21 > 0:48:22Still is.
0:48:23 > 0:48:25A freaky little freak.
0:48:27 > 0:48:28Did Cameron ever hurt you?
0:48:33 > 0:48:34No.
0:48:34 > 0:48:35Why did you hesitate?
0:48:35 > 0:48:39Because sometimes... he'd get this look in his eyes.
0:48:41 > 0:48:42What look?
0:48:45 > 0:48:48Like he wanted to.
0:48:48 > 0:48:49KNOCK ON DOOR
0:48:49 > 0:48:51- Boss?- Yes.- Sorry, this is urgent.
0:48:56 > 0:48:57DOOR SLAMS
0:48:57 > 0:49:00It's him. You're going to want to see this.
0:49:00 > 0:49:03- What is it, Benny? - This has just come in.
0:49:06 > 0:49:08Is this live?
0:49:08 > 0:49:10Yep, it's happening right now. It's live.
0:49:10 > 0:49:13Jesus, some sort of hand-held webcam, or something.
0:49:13 > 0:49:16It's being sent to us directly.
0:49:16 > 0:49:17He's taunting us.
0:49:17 > 0:49:20- Do we know the street? - Can't tell.
0:49:21 > 0:49:26I want everyone on this. We need to find that street.
0:49:26 > 0:49:29- Partial plate. - Dig it up. Give me an address.
0:49:29 > 0:49:32- Benny, can you send it over? - It's with you now.
0:49:32 > 0:49:35Gray, quick as you can. Come on. Erin!
0:49:37 > 0:49:39He's knocking on doors.
0:49:39 > 0:49:40- Gray, come on! - It's coming!
0:49:40 > 0:49:44There's 80 vehicles with that partial. Can you narrow down the model?
0:49:44 > 0:49:47It's a light-brown...gold BMW 5 series.
0:49:47 > 0:49:50- Please don't open that door. - Late '80s, early '90s.
0:49:51 > 0:49:54- No answer. - BENNY: Thank God.
0:49:54 > 0:49:57- Got it! Registered to Grant Morrison... - BENNY: He's gone to the other house.
0:49:57 > 0:49:59- ..37 Eastmead Street. - Wait, let me double-check.
0:49:59 > 0:50:01- What?- He might be parked on the next street.
0:50:01 > 0:50:05Could be outside his girlfriend's house, might have lent his car to a mate.
0:50:05 > 0:50:06Eastmead Street runs alongside a canal.
0:50:06 > 0:50:09Then where the hell is this? Come on, find it.
0:50:09 > 0:50:12Check every street within half a mile north to southwest of Eastmead Street.
0:50:12 > 0:50:15Don't open it. No! No, no!
0:50:31 > 0:50:32No, no!
0:50:45 > 0:50:48Erm, it's Egmont Terrace, two streets southwest.
0:50:48 > 0:50:50All right, call it in.
0:50:51 > 0:50:55This is DS Gray, SSU requesting urgent armed response to Egmont Terrace, E1.
0:50:56 > 0:50:58And send an ambulance.
0:51:11 > 0:51:13INHALES SHARPLY
0:51:23 > 0:51:24Did something happen?
0:51:28 > 0:51:29DS Gray...
0:51:31 > 0:51:34..DS Ripley, please escort Miss Calvert home.
0:51:40 > 0:51:41This way, please.
0:51:46 > 0:51:47Right, this way, please.
0:51:54 > 0:51:55How are you feeling?
0:51:58 > 0:51:59I'm angry.
0:52:01 > 0:52:02Too angry?
0:52:04 > 0:52:06Just angry enough.
0:52:07 > 0:52:11- I can't have the wheels coming off this thing, John.- They won't, Martin.
0:52:12 > 0:52:15I fought tooth and nail to get you back into the fold.
0:52:15 > 0:52:17I fought hard and I fought dirty.
0:52:18 > 0:52:20Don't squander it now.
0:52:59 > 0:53:02- I was just wondering...- Yeah?
0:53:03 > 0:53:07Would you mind just coming up with me? Just to check under the bed, that sort of thing.
0:53:08 > 0:53:11- I just keep thinking... - Of course, that's not silly at all.
0:53:13 > 0:53:17OFFICER ON RADIO: All units, Sierra Oscar 52, IC1,
0:53:17 > 0:53:20dark clothing, medium-length light-brown hair.
0:53:20 > 0:53:21Suspect at large.
0:53:22 > 0:53:24..in the town centre, please.
0:53:41 > 0:53:43I live just upstairs.
0:53:55 > 0:53:57- PHONE RINGS - It's the shop.
0:54:49 > 0:54:50Do you want a cup of tea?
0:54:52 > 0:54:54I'll just check upstairs.
0:55:27 > 0:55:28CLICK
0:55:30 > 0:55:32Sorry, it's just a fuse.
0:55:56 > 0:55:57Oh!
0:55:59 > 0:56:01CLEARS THROAT
0:56:06 > 0:56:11- All clear on the house. I'm just going to make sure Miss Calvert's all right.- OK, copy that.
0:56:29 > 0:56:31HEAVY BREATHING
0:56:35 > 0:56:41It has come back on you like the hand of God!
0:56:42 > 0:56:44# Come on, now
0:56:54 > 0:56:58# With time slipping away, yeah
0:56:59 > 0:57:05# How do you say what I do?
0:57:05 > 0:57:07# You've got nothing to say
0:57:07 > 0:57:10# Oh, no, no
0:57:10 > 0:57:13# When I tell you who's who
0:57:14 > 0:57:17- # Cos I'm the big, bad wolf - What you say?
0:57:17 > 0:57:20- # I'm the big, bad wolf - What you say?
0:57:20 > 0:57:21# I'm the big, bad wolf... #