0:00:02 > 0:00:07This programme contains some violent scenes and scenes which some viewers may find disturbing.
0:00:07 > 0:00:08Jenny Jones.
0:00:08 > 0:00:10Help!
0:00:10 > 0:00:14To keep you safe, they put you in here.
0:00:14 > 0:00:18Well, it is a secure hospital, John.
0:00:18 > 0:00:20As secure as a prison?
0:00:20 > 0:00:22One can only assume so.
0:00:23 > 0:00:25SHE SCREAMS
0:00:27 > 0:00:31- We know he loves the attention. - You're gonna want to see this.
0:00:31 > 0:00:33It's happening right now. It's live.
0:00:33 > 0:00:35No! No!
0:00:40 > 0:00:43SIRENS WAIL
0:01:10 > 0:01:13WALKIE-TALKIES, HELICOPTER
0:01:15 > 0:01:16- SCHENK:- He fought.
0:01:17 > 0:01:22Yeah, well. He's tough, isn't he?
0:01:22 > 0:01:25John, our anger's got no place here.
0:01:25 > 0:01:28I need you to be functioning fully in the moment, or not here at all.
0:01:28 > 0:01:31We owe that to Ripley.
0:01:33 > 0:01:37Making a body disappear is not that easy, especially in the city.
0:01:37 > 0:01:41Cameron took a risk. Was it worth it?
0:01:41 > 0:01:42Worth it how?
0:01:42 > 0:01:46This, all this...circus.
0:01:47 > 0:01:48No, this is staged.
0:01:48 > 0:01:51Justin's alive.
0:01:51 > 0:01:53Cameron wants him, needs him.
0:01:55 > 0:02:00If Justin knows how to read Cameron, then he'll know how to stay alive.
0:02:22 > 0:02:29# Love is like a sin, my love
0:02:29 > 0:02:35# For the ones that feel it the most
0:02:36 > 0:02:41# Look at her with her eyes like a flame
0:02:44 > 0:02:48# She will love you like a fly will never love you. #
0:03:06 > 0:03:08WATER DRIPPING
0:03:14 > 0:03:16BREATHES RAPIDLY
0:03:49 > 0:03:52GRUNTS
0:04:33 > 0:04:36BREATHES RAPIDLY
0:04:36 > 0:04:38HISSING
0:04:42 > 0:04:45A huge police search for a missing officer is under way.
0:04:45 > 0:04:49Significant resources are being employed to find 32-year-old Detective...
0:04:49 > 0:04:52- Let's go over it again. - ..allegedly abducted last night...
0:04:52 > 0:04:53So what do we know?
0:04:53 > 0:04:57OK, Pell works long hours, minimum wage.
0:04:57 > 0:04:59He cleans corporate offices in the City.
0:04:59 > 0:05:03That makes sense, doesn't it? Big office, midnight.
0:05:03 > 0:05:06He's got all of London to stare at and fantasise about.
0:05:07 > 0:05:11- Spending patterns. - Bit weird, lives very frugally.
0:05:11 > 0:05:14Actually manages to save a bit every month, and then eight, nine months ago,
0:05:14 > 0:05:18he gets a huge cash injection, we're taking 65 grand.
0:05:18 > 0:05:21Cash arrives in his account nine months after his mother dies.
0:05:21 > 0:05:26Right, so it was mother's estate. What did he do with the money?
0:05:26 > 0:05:29- Withdraws it.- What, all of it? - Every penny.
0:05:29 > 0:05:32He wasn't saving up for a rainy day. He was saving for something to do with this.
0:05:32 > 0:05:36- Talk to me about this artwork. - Ex-wife gives it to us. We have...
0:05:38 > 0:05:39..Answer To A Job,
0:05:39 > 0:05:42The Integration Of The Personality...
0:05:42 > 0:05:47- MISPRONOUNCES:- Die Anima Als Schicksalsproblem Des Mannes, Aion.
0:05:52 > 0:05:55So his room's not just empty. It's in his work too.
0:05:55 > 0:05:58An absence. It's empty...rooms.
0:05:58 > 0:06:01Ripley's gone, empty car.
0:06:03 > 0:06:04Empty roads.
0:06:06 > 0:06:11Spring Heeled Jack, disappeared into folklore because he was never caught.
0:06:11 > 0:06:13Jack the Ripper, he was a myth too.
0:06:13 > 0:06:16I think Cameron is gonna try and disappear
0:06:16 > 0:06:19and haunt us with his absence.
0:06:19 > 0:06:23We need to stop trying to predict what he's gonna do next
0:06:23 > 0:06:25and work backwards instead.
0:06:25 > 0:06:29It costs money to make a new identity. So we follow the money, the missing 65 grand.
0:06:29 > 0:06:34We follow that and we find him. Start off with the contacts he made in prison.
0:07:13 > 0:07:16HAMMERING ON DOOR
0:07:18 > 0:07:21Ah, the whore's mummy.
0:07:28 > 0:07:30GROANS OF PAIN
0:07:35 > 0:07:37GROANS CONTINUE
0:07:45 > 0:07:47RIPLEY BREATHES RAPIDLY
0:07:55 > 0:07:57Paul Hoby's his name.
0:07:58 > 0:08:01MOBILE BUZZES
0:08:04 > 0:08:05Shut up!
0:08:05 > 0:08:08Shut up! It's Ripley's phone.
0:08:10 > 0:08:11Benny.
0:08:17 > 0:08:20- Hello. - SCREAMS OF AGONY ON PHONE
0:08:24 > 0:08:28- DISTORTED:- 'I'm sorry you made me hurt your puppy.
0:08:28 > 0:08:30'He's a noisy little customer, isn't he?
0:08:32 > 0:08:34SLAMS PHONE
0:08:37 > 0:08:39MOBILE BUZZES
0:08:39 > 0:08:42- Guv...- Don't.
0:08:43 > 0:08:45MOBILE CONTINUES
0:08:45 > 0:08:47ANOTHER MOBILE RINGS
0:08:47 > 0:08:49LUTHER: Don't answer that.
0:08:49 > 0:08:52RINGING CONTINUES
0:08:52 > 0:08:54Don't answer that!
0:08:54 > 0:08:58He's trying to make contact. He might be trying to reach out, to stop.
0:08:58 > 0:09:00- No, he's not gonna stop. - How do you know that?- Listen.
0:09:00 > 0:09:03If you answer that phone, Cameron's got our attention.
0:09:03 > 0:09:06He's thinks he's setting up a relationship with us.
0:09:06 > 0:09:09As soon as he thinks that, he doesn't need Ripley.
0:09:09 > 0:09:13- This is...- DS Gray, do not pick up that phone! That's it!
0:09:16 > 0:09:17LANDLINE RINGS
0:09:31 > 0:09:33- DISTORTED:- 'I know you're there.
0:09:33 > 0:09:38'I know you're listening. I don't know what you're trying to achieve.
0:09:38 > 0:09:40'I'm opening up a dialogue here.
0:09:40 > 0:09:44'Trying to find a way through this, trying to find
0:09:44 > 0:09:48'a way you can get your friend back in one piece.
0:09:48 > 0:09:54'What happens to Ripley if you ignore me will be on your head.
0:09:55 > 0:10:00'And I'll send you pictures of every cut, every burn, every incision.
0:10:00 > 0:10:02'I will send you every second of him screaming.
0:10:02 > 0:10:06'SCREAMING IN AGONY
0:10:06 > 0:10:09'SCREAMING CONTINUES
0:10:10 > 0:10:13'How much more of this can you take?
0:10:13 > 0:10:16'You have ten seconds to answer this phone.
0:10:16 > 0:10:19'If you do not answer, then Ripley here will regret it.
0:10:19 > 0:10:26'Nine seconds. Eight. Seven. Six. Five.
0:10:26 > 0:10:29'Four. Three. Two.
0:10:32 > 0:10:33'One.'
0:10:41 > 0:10:45- SHOUTS IN DESPERATION:- 'Pick up the phone! Pick up the phone!
0:10:45 > 0:10:47'I am here!
0:10:47 > 0:10:48'I am...'
0:10:51 > 0:10:56No. That man, that voice, those voices,
0:10:56 > 0:11:01that's the man we're gonna leave on the streets if we do not do our jobs properly.
0:11:01 > 0:11:07This isn't about DS Ripley. It's about Sadie. It's about Abby. It's about Jason.
0:11:07 > 0:11:11It's about all the others that will be next if we mess this up.
0:11:11 > 0:11:14SIGHS
0:11:14 > 0:11:17Listen, DS Ripley knows that and he wouldn't have it any other way,
0:11:17 > 0:11:20so if you respect him at all...
0:11:20 > 0:11:23just get back to work.
0:11:38 > 0:11:43What if Pell regards your silence as weakness rather than strength?
0:11:46 > 0:11:47He won't.
0:11:50 > 0:11:53From DS Gray.
0:11:53 > 0:11:58He cancelled his mobile phone contract a few days after his mother's death
0:11:58 > 0:12:02and then, ten days after the funeral, he was contacted
0:12:02 > 0:12:04on that number by an ex-cellmate, Paul Hoby.
0:12:04 > 0:12:06Excellent. MOBILE BUZZES
0:12:10 > 0:12:12Hi, erm...
0:12:12 > 0:12:14- You have to come to mine now. - 'I can't.'
0:12:14 > 0:12:16You have to.
0:12:16 > 0:12:19'All right, I'll see what I can do.'
0:12:34 > 0:12:37Your boss is throwing you to the wolves.
0:12:39 > 0:12:41Why would he do that, huh?
0:12:43 > 0:12:46Why would he do that? Huh?!
0:12:46 > 0:12:49Why would he abandon you like that? Why? Why?
0:12:51 > 0:12:55It's me! Doesn't he know the real thing when he sees it?!
0:13:00 > 0:13:02GROANS
0:13:02 > 0:13:07You must know that phrase, "the banality of evil".
0:13:07 > 0:13:13- I've heard it mentioned, yeah.- It's a platitude. Bourgeois fatuousness.
0:13:13 > 0:13:16Do you know what the problem really is?
0:13:16 > 0:13:18No, I'd like you to explain that, Cameron, yes, please.
0:13:18 > 0:13:22It's about the evil of banality. Nothing means anything.
0:13:24 > 0:13:29Everybody is numb. This is a dead city. In a dead country. Do you know why?
0:13:29 > 0:13:33Because we've become disconnected from our own myths.
0:13:34 > 0:13:37We have lost our own shadows.
0:13:37 > 0:13:39The Ripper.
0:13:39 > 0:13:41Crippen. Christie. Hindley.
0:13:41 > 0:13:45Brady. Sutcliffe. Neilson. Fred and Rose.
0:13:45 > 0:13:48They weren't myths. They were people.
0:13:48 > 0:13:51They were people, and their victims were people.
0:13:51 > 0:13:57In the beginning. But murder transfigured them.
0:13:57 > 0:13:58Made them numinous.
0:13:58 > 0:14:00We needed them.
0:14:00 > 0:14:04They told us stories about ourselves, about...
0:14:05 > 0:14:08..about our fears and our desires.
0:14:08 > 0:14:12They cast a shadow. Shadows give us depth.
0:14:12 > 0:14:14And I have worked so hard to become shadows.
0:14:14 > 0:14:19I do not want them to ruin it now. So...
0:14:19 > 0:14:24the reason you are here, what I want you, what I need you to tell me...
0:14:27 > 0:14:29..is how much do they know?
0:14:30 > 0:14:32How much do they know about what?
0:14:32 > 0:14:35How much do they know about what I am about to do?
0:14:35 > 0:14:38What are you about to do?
0:14:38 > 0:14:39HAMMERING ON DOOR
0:14:44 > 0:14:45Oh!
0:14:45 > 0:14:48Well, I know who you are.
0:14:48 > 0:14:50Frank Hodge.
0:14:50 > 0:14:52You were a copper.
0:14:52 > 0:14:54Different life, John.
0:15:00 > 0:15:01All right.
0:15:07 > 0:15:10- All right, John, you know how... - What are you doing? No!
0:15:10 > 0:15:12Get on that chair!
0:15:12 > 0:15:15- All right!- Now! Now! - All right. Oi! No!
0:15:15 > 0:15:18Whoa, whoa, whoa!
0:15:18 > 0:15:20No! Oi!
0:15:20 > 0:15:23No! Argh! Argh!
0:15:30 > 0:15:33GROANS
0:15:33 > 0:15:37I gather you're the policeman that stole my property.
0:15:42 > 0:15:46Jenny's not your property.
0:15:46 > 0:15:49You don't know what you've done, do you?
0:15:49 > 0:15:54- Got my daughter back. - Jenny is...very...low
0:15:54 > 0:15:58on your food chain. This time last night, you didn't even know she existed.
0:15:58 > 0:16:01Let a man steal an egg, tomorrow he'll steal an ox.
0:16:01 > 0:16:03Yeah, but you set me up, didn't you? You set me up to steal from you.
0:16:03 > 0:16:08You talked to Caroline. You knew she'd come to me. You knew what I'd do.
0:16:08 > 0:16:10No matter how much temptation I put in your path,
0:16:10 > 0:16:15the fact remains you stole from me as an act of free will.
0:16:15 > 0:16:21This is Toby. My grandson. He has a friend.
0:16:21 > 0:16:23TOBY CLEARS THROAT
0:16:23 > 0:16:27Andrei Kolchak. One of our licensees.
0:16:27 > 0:16:29Arrested for people trafficking,
0:16:29 > 0:16:33he's currently in witness protection, finalising his deal.
0:16:33 > 0:16:38- BABA:- And when that deal is completed, he intends to implicate Toby here
0:16:38 > 0:16:42in a number of unlawful acts and sundry violations.
0:16:42 > 0:16:46I'd be grateful if that didn't happen.
0:16:46 > 0:16:48I'm sorry. All right?
0:16:48 > 0:16:51But I can't do anything about that.
0:16:51 > 0:16:57Well, then, Caroline here dies. And the slut child dies.
0:16:57 > 0:16:59I could step outside, make one phone call
0:16:59 > 0:17:03and have a thousand coppers abseiling through your windows.
0:17:03 > 0:17:07I'd make my one phone call, have my conversation and in eight hours, I'd be out.
0:17:07 > 0:17:14The whore's mother would still be dead. And the whore would still be dead.
0:17:14 > 0:17:18Look, this sort of thing, I can't do it overnight. It needs time.
0:17:18 > 0:17:21Nah, it has to be done today.
0:17:21 > 0:17:23And if I do help?
0:17:23 > 0:17:26Slate's clear. Streetwalker's all yours.
0:17:26 > 0:17:29The mother's all yours.
0:17:36 > 0:17:38GROANS
0:17:39 > 0:17:40CRIES OUT
0:17:53 > 0:17:57Benny? Yeah, I need you to do something for me.
0:18:00 > 0:18:02Yeah, it is one of them, yeah.
0:18:02 > 0:18:03All right, yes, it is.
0:18:03 > 0:18:08Erm, Andrei Kolchak. Arrested in the last week or three.
0:18:08 > 0:18:12Find the safe house where they're keeping him, cover up your tracks.
0:18:12 > 0:18:16You don't want no one sniffing around you, all right. Oh, God!
0:18:16 > 0:18:19Oh...!
0:18:19 > 0:18:21GRUNTS AND STAMPS
0:18:28 > 0:18:30Morning, officer.
0:18:30 > 0:18:36- I don't believe we've met before. - Well, I'm familiar with the species.
0:18:36 > 0:18:41DS Gray, this is Paul Hoby. Paul used to own a little factory
0:18:41 > 0:18:46for converting replica weapons into working guns.
0:18:46 > 0:18:51- Yes, and Paul did his time. - What is it with boys and knives, I wonder?
0:18:51 > 0:18:55These knives are sold for recreational and hobby purposes only.
0:18:55 > 0:18:57- Yeah? How's the stockroom looking? - Eh?
0:18:57 > 0:19:01- Everything in order? - Everything in order? Ha!
0:19:01 > 0:19:03Seriously, Mein Herr? Ja, everything is in order.
0:19:03 > 0:19:07Would you like to see my papers?
0:19:07 > 0:19:12Would if I could. Right now, I'll settle for a full inventory and a glimpse at the books.
0:19:12 > 0:19:15Please yourself, love.
0:19:15 > 0:19:20- Goose-step over here, take a look for yourself.- DS Gray is a little testy today, Paul...
0:19:20 > 0:19:26because of Cameron Pell, your former cellmate.
0:19:26 > 0:19:28Pell's been killing people.
0:19:28 > 0:19:33He may have killed a police officer.
0:19:33 > 0:19:38Do you have any idea of what your life would be like
0:19:38 > 0:19:43if every London copper holds you responsible for that?
0:19:47 > 0:19:51All I did was point him in the direction of a few names
0:19:51 > 0:19:56who might have been able to help him with what he wanted.
0:19:56 > 0:19:57What names?
0:19:59 > 0:20:01You need to talk to a man called Ronald Bryson.
0:20:05 > 0:20:08- RADIO:- 'As speculation mounts as to why the search for the missing officer
0:20:08 > 0:20:12'has been so quickly scaled down, police sources are refusing to comment...'
0:20:16 > 0:20:19They've stopped looking for you. Why is that?
0:20:21 > 0:20:24If they target the manpower in certain areas,
0:20:24 > 0:20:27you'll know how close they are to finding you.
0:20:28 > 0:20:30Do you think they're close to finding me?
0:20:30 > 0:20:32Do you?
0:20:33 > 0:20:36HE CRIES OUT Do they know where it goes next?
0:20:36 > 0:20:38I don't know.
0:20:38 > 0:20:39Do you know where it goes next?
0:20:39 > 0:20:41- No!- Any idea? Any inkling?
0:20:41 > 0:20:43No. No.
0:20:43 > 0:20:46- Would you like to know? - I'd love to know.
0:20:47 > 0:20:48Why?
0:20:50 > 0:20:53Because you're one of a kind.
0:20:53 > 0:20:55If this situation was turned on its head...
0:20:56 > 0:20:59..I'd want your permission to write a book about you.
0:20:59 > 0:21:00A thesis maybe.
0:21:02 > 0:21:05I think you'd be of interest to a lot of people in my field.
0:21:05 > 0:21:08Law enforcement psychology.
0:21:09 > 0:21:11The first thing I'd ask...
0:21:12 > 0:21:14Why the mask? Why do you need a mask?
0:21:25 > 0:21:28Because wearing a mask makes it easy.
0:21:32 > 0:21:33How you feeling?
0:21:35 > 0:21:37Like a freshly squeezed zit.
0:21:39 > 0:21:43Do you want something? Water or painkillers or something?
0:21:43 > 0:21:45- Got any temazepam?- No.
0:21:47 > 0:21:49Could do with some of that myself.
0:21:49 > 0:21:51How many? I'll sort you out.
0:21:53 > 0:21:55Call my mate, Fuzzy Rob.
0:21:59 > 0:22:02- I'm gonna ask you a question. - Don't ask me questions.
0:22:02 > 0:22:04I hate questions.
0:22:06 > 0:22:08Do you want out?
0:22:09 > 0:22:10Of what?
0:22:11 > 0:22:12Of this.
0:22:14 > 0:22:18Dream on, dreamer. These people cut off your ears for 50p.
0:22:18 > 0:22:20Say I can make it happen?
0:22:23 > 0:22:26I'd have to do things that... HE SIGHS
0:22:26 > 0:22:28I shouldn't don't do, but if I'm gonna do it,
0:22:28 > 0:22:33then I really, really need to know you want this to be different.
0:22:35 > 0:22:36You lying?
0:22:37 > 0:22:39Cos if you're lying, I swear I'll throw up.
0:22:41 > 0:22:42No, I'm not.
0:22:46 > 0:22:50Is this some sort of rescue type thing?
0:22:50 > 0:22:51Don't ask questions.
0:22:52 > 0:22:54I don't like questions.
0:22:55 > 0:22:59- You're just totally disco. - Yeah, he is totally disco.
0:22:59 > 0:23:02- So you're all right with this? - Nobody gets hurt, right?
0:23:02 > 0:23:05- No. Not if we do it right. - You can't think of another way?
0:23:06 > 0:23:07Not in time.
0:23:07 > 0:23:09So let's disco.
0:23:19 > 0:23:22- BANG, CAR ALARM - What was that?
0:23:24 > 0:23:25Oh, you're joking!
0:23:25 > 0:23:27Keep an eye on him.
0:23:32 > 0:23:33Oi!
0:23:33 > 0:23:34Oi!
0:23:34 > 0:23:36- Oi!- Is it yours?
0:23:36 > 0:23:38- Yeah, it's mine.- I'm really sorry.
0:23:38 > 0:23:41How on earth have you managed this?
0:23:41 > 0:23:43I was doing a three-point turn...
0:23:43 > 0:23:45How fast were you going, for God's sake?!
0:23:45 > 0:23:49No speed at all. A squirrel came out right in front of me.
0:23:49 > 0:23:52- What you talkin' about? A squirrel! - Honestly, it wasn't my fault.
0:24:25 > 0:24:27I'm really sorry, but it really wasn't my fault.
0:24:27 > 0:24:31- Look at the angle you're parked at. - How the hell is this parked at an angle?
0:24:31 > 0:24:33This is parallel parking!
0:24:47 > 0:24:51(Andrei, get to a safe position. Now! Hurry!)
0:24:56 > 0:25:00You've been telling stories out of school, haven't you, Andrei?
0:25:00 > 0:25:04- Please.- Take back whatever you said about your friend Toby.
0:25:04 > 0:25:06Withdraw your statement.
0:25:08 > 0:25:09I can't.
0:25:09 > 0:25:13- I don't want to swap details. Take this.- Are you sure?
0:25:13 > 0:25:15Look at me. Look at this face. Do I look sure?
0:25:20 > 0:25:25I found you and it took me ten minutes. I can find you again, just as easily.
0:25:25 > 0:25:27Only it won't be me who pays you a visit.
0:25:27 > 0:25:31It'll be your friends. And I don't need to tell you what they'll do to you, do I?
0:25:31 > 0:25:32I think you know that.
0:25:32 > 0:25:34Andrei, are you in there?
0:25:39 > 0:25:41(WHISPERS) Say yes.
0:25:42 > 0:25:44Yes.
0:25:44 > 0:25:47- What are you doing? - What do you think I'm doing?
0:25:47 > 0:25:49I need you to open the door.
0:25:50 > 0:25:52I can't.
0:25:52 > 0:25:53Why not?
0:25:53 > 0:25:57Because I don't like women to look at me when I'm on the lavatory!
0:25:58 > 0:26:00I need to come in.
0:26:00 > 0:26:01Please don't!
0:26:02 > 0:26:03All right.
0:26:04 > 0:26:06Right, just hurry up.
0:26:09 > 0:26:11What are you - sick?
0:26:11 > 0:26:13You like to watch men do this?!
0:26:18 > 0:26:20Where is he?
0:26:20 > 0:26:22Erm...on the toilet.
0:26:44 > 0:26:46I wish to amend my statement.
0:26:48 > 0:26:50How do I make that happen as soon as possible?
0:26:50 > 0:26:52Oh, shit!
0:26:53 > 0:26:55Bastards!
0:26:59 > 0:27:00HE GROANS
0:27:13 > 0:27:15LUTHER: There you go.
0:27:17 > 0:27:19There.
0:27:24 > 0:27:26LUTHER SIGHS
0:27:28 > 0:27:29All right.
0:27:29 > 0:27:32Look, erm... I've gotta go. Heavy day.
0:27:32 > 0:27:36Can you drive her around until I can confirm this has blown over?
0:27:36 > 0:27:37- Yeah, sure.- Yeah?
0:27:37 > 0:27:38You OK?
0:27:38 > 0:27:40Yeah.
0:27:40 > 0:27:42- You?- I...I'm OK, yeah.
0:27:47 > 0:27:49What exactly did he do?
0:27:49 > 0:27:51I don't want to know. Come on.
0:28:19 > 0:28:21Ronald Bryson.
0:28:23 > 0:28:27You sold forged documents to this man.
0:28:28 > 0:28:30Cameron Pell.
0:28:32 > 0:28:38Your full bespoke service, driving licence, birth certificate, passport.
0:28:38 > 0:28:42Education and employment records, fake referees.
0:28:42 > 0:28:48Everything he needed to start life with a new identity.
0:28:51 > 0:28:53How are we doing?
0:28:53 > 0:28:56Boss has got his game face on.
0:28:56 > 0:28:58He's got a face on like Wayne Rooney's smacked arse.
0:29:00 > 0:29:02- You going in, taking over?- No.
0:29:03 > 0:29:06I've been on the other side of that desk with Schenk.
0:29:06 > 0:29:09- He knows what he's doing. - But this is different.
0:29:09 > 0:29:10Policeman is missing.
0:29:13 > 0:29:16Think he's still got the juice for this sort of thing?
0:29:16 > 0:29:17Yep.
0:29:17 > 0:29:20I understand you like to play cards?
0:29:20 > 0:29:22Every so often.
0:29:24 > 0:29:26- Have much luck?- My share.
0:29:28 > 0:29:34Because I think I should tell you, your poker face needs some work.
0:29:35 > 0:29:36There's a tell.
0:29:36 > 0:29:38There.
0:29:39 > 0:29:42Corner of your mouth. Oops.
0:29:43 > 0:29:45There it goes again.
0:29:46 > 0:29:48Did you see that, DS Gray?
0:29:48 > 0:29:50I did, guv.
0:29:50 > 0:29:52Couldn't miss it, really.
0:29:52 > 0:29:56Intriguing, isn't it? How our faces betray us.
0:29:58 > 0:30:03I'll show you later if you like, Ronald.
0:30:03 > 0:30:04It's all up there...
0:30:06 > 0:30:10...on Britain's Funniest Police Videos.
0:30:10 > 0:30:14I know men like you, the way you know men like me.
0:30:14 > 0:30:17And I know you wouldn't have done this
0:30:17 > 0:30:22if you believed there was the least chance of it coming back on you.
0:30:22 > 0:30:25Well, guess what?
0:30:25 > 0:30:30It's come back on you like the hand of God!
0:30:31 > 0:30:33And the next words from your mouth
0:30:33 > 0:30:36will determine the weight and velocity
0:30:36 > 0:30:39of the staggering tonnage of shit
0:30:39 > 0:30:43that's about to plummet onto your head.
0:30:46 > 0:30:50It weren't just bank accounts and driving licences he was after.
0:30:51 > 0:30:53He wanted to buy a bus.
0:31:01 > 0:31:02HE GRUNTS
0:31:04 > 0:31:06What are you planning, Cameron?
0:31:09 > 0:31:11It's too late for them to stop you now.
0:31:11 > 0:31:14God knows I can't stop yous.
0:31:14 > 0:31:18(GASPING) So, please, just tell me what it is.
0:31:31 > 0:31:32Do you really want to know?
0:31:33 > 0:31:34Yeah.
0:31:35 > 0:31:37- Really?- Yeah.
0:31:43 > 0:31:44OK.
0:31:50 > 0:31:53I'm dying to talk about it.
0:32:00 > 0:32:03Panic...and you suffocate.
0:32:22 > 0:32:24- BENNY:- Good work, boss.
0:32:28 > 0:32:29How did the lead pan out?
0:32:30 > 0:32:31It didn't.
0:32:33 > 0:32:36Right. We followed the money.
0:32:36 > 0:32:38Cameron's using a contact of Bryson
0:32:38 > 0:32:41as a kind of one-man front organisation and supplier.
0:32:41 > 0:32:44We're talking one car, one Commer-style van,
0:32:44 > 0:32:46huge amounts of sodium hydroxide
0:32:46 > 0:32:48and a second-hand bus.
0:32:50 > 0:32:51Go on.
0:32:51 > 0:32:53He's making a bomb.
0:32:53 > 0:32:56Quick paint job. Stick a sign on the front that says, "Sorry, not in Service."
0:32:56 > 0:32:59Drive wherever you like. Ka-boom.
0:32:59 > 0:33:01No.
0:33:01 > 0:33:02No?
0:33:04 > 0:33:05Seriously?
0:33:07 > 0:33:10You don't think it makes sense? We know he's planning his spectacular.
0:33:10 > 0:33:12He's got a large vehicle, explosives...
0:33:12 > 0:33:15No, a bomb's...
0:33:15 > 0:33:18loud, it's about sound. It's about...fury.
0:33:20 > 0:33:25Cameron is the opposite of a bomb. He's about silence, emptiness and absence.
0:33:25 > 0:33:29If he's not making a bomb, why does he need 3,000 gallons of sodium hydroxide?
0:33:29 > 0:33:33The opposite of an explosion is an implosion. Black hole.
0:33:35 > 0:33:383,000 gallons is enough...
0:33:38 > 0:33:41A black hole consumes matter and crushes it beyond existence.
0:33:41 > 0:33:44When I first heard that, I thought...
0:33:44 > 0:33:47"That's evil at its most pure, isn't it?"
0:33:47 > 0:33:51Something that drags you in and crushes you to nothing.
0:33:53 > 0:33:56Maybe he wants to use that material to dispose...
0:33:58 > 0:34:00..dispose of bodies.
0:34:03 > 0:34:05- Oh, my God.- Yeah.
0:34:07 > 0:34:08What do we fear the most?
0:34:10 > 0:34:11The unknown.
0:34:13 > 0:34:16The loss of a loved one.
0:34:17 > 0:34:19Who do we love the most?
0:34:20 > 0:34:24Who do we protect? Who do we shield from all the evils of the world?
0:34:24 > 0:34:26Who do we...
0:34:27 > 0:34:30..lie to, leave them terrified in the dark?
0:34:34 > 0:34:36Who do we tell that there is no such thing as the bogeyman?
0:34:36 > 0:34:38I think that...
0:34:40 > 0:34:43..Cameron is going after the children.
0:34:53 > 0:34:55CHILDREN CHATTER
0:35:30 > 0:35:32HE GRUNTS
0:35:32 > 0:35:35Scheduled school bus to Owleigh High School was vandalised.
0:35:35 > 0:35:37Tyres were slashed.
0:35:37 > 0:35:40- By the time the replacement bus... - Map that. How many did he take?
0:35:40 > 0:35:43- We don't know till we double-check. - Guess.
0:35:43 > 0:35:45- 14?- Benny, get that on the map.
0:35:45 > 0:35:47Boss, if I overstepped the mark, I'm really sorry.
0:35:47 > 0:35:50Don't be. You did good work. We wouldn't be here without you.
0:35:50 > 0:35:53HE GRUNTS
0:36:05 > 0:36:07This is where he picks them up.
0:36:07 > 0:36:13The bus stop, so this is his territory. How far can he get in what, half an hour?
0:36:22 > 0:36:23HE GROANS
0:36:30 > 0:36:31Argh!
0:36:43 > 0:36:45HE COUGHS
0:36:50 > 0:36:51Excuse me.
0:36:51 > 0:36:54I need every policeman, every armed response,
0:36:54 > 0:36:57every helicopter, PCSO in that area looking for that van.
0:36:57 > 0:36:59Get on it!
0:36:59 > 0:37:00- Hello.- 'Boss.'
0:37:00 > 0:37:05- Justin.- 'I'm on the corner of Wise Avenue, near Chaffer's Dock.'
0:37:05 > 0:37:08- Cameron's car's still here. - I'm on my way. I'm on my way.
0:37:08 > 0:37:11I told you. I told you he could look after himself.
0:37:11 > 0:37:15- He was well taught. Gray and I will track down the bus. You get straight to Ripley.- OK.
0:37:15 > 0:37:16- DS Gray.- Yes, boss!
0:37:16 > 0:37:18SIRENS WAIL
0:37:27 > 0:37:30MOBILE PHONES RING
0:38:08 > 0:38:10SCREECH OF BRAKES
0:38:12 > 0:38:13Mate!
0:38:22 > 0:38:23- You all right?- Yeah.
0:38:26 > 0:38:28Boss?
0:38:28 > 0:38:32'We found the bus abandoned. Eyewitness claims Cameron Pell'
0:38:32 > 0:38:35transferred the children to a second vehicle.
0:38:35 > 0:38:36'What other vehicle?'
0:38:36 > 0:38:40- What?- 'Green VW van.'
0:38:40 > 0:38:44D reg, possibly, although that's not been confirmed.
0:38:44 > 0:38:46All right, I'll call you back.
0:38:46 > 0:38:49Lost Pell and the kids. Gotta find out where they are. Car?
0:38:49 > 0:38:51It's this way.
0:39:04 > 0:39:07Checking this sat nav will give us a record of his movements.
0:39:07 > 0:39:09He's a bogeyman. He's a monster.
0:39:09 > 0:39:13So he does what monsters do, and that's spirit children away
0:39:13 > 0:39:15in the middle of broad daylight.
0:39:15 > 0:39:18But how do you make a bus full of kids disappear?
0:39:18 > 0:39:22Body disposal's not easy. One body's hard enough. But 10 or 12?
0:39:23 > 0:39:27He needs somewhere with a lot of space. Privacy. Come and go at will.
0:39:28 > 0:39:31- What's this?- This vehicle's been to a Green Valley Industrial Park
0:39:31 > 0:39:35- eight times in the last month. - That's it. Come on, that's it.
0:39:54 > 0:39:57- RIPLEY:- Suspect location believed to be Green Valley Industrial Park.
0:39:57 > 0:40:00It's on the old Stonewater Price dockside.
0:40:14 > 0:40:16Come on, come on. Move!
0:40:48 > 0:40:51CHILDREN CRY
0:41:40 > 0:41:42(WHISPERS) Tim, don't go out there.
0:42:19 > 0:42:20ENGINE STARTS
0:42:24 > 0:42:27- CHILDREN SCREAM AND COUGH - Help!
0:42:33 > 0:42:35SCREAMING CONTINUES
0:42:43 > 0:42:46Come on! SIRENS WAIL
0:43:00 > 0:43:01HE GASPS
0:43:05 > 0:43:07No!
0:43:08 > 0:43:10Don't let him see you. Here we go!
0:43:13 > 0:43:17Hey! Don't you move. One more step and I swear
0:43:17 > 0:43:20- I'll spill his guts over the floor. - What's your name?- What?
0:43:20 > 0:43:22- What's your name? - You know my name.
0:43:22 > 0:43:25I'm not talking to you. Eh, what's your name?
0:43:25 > 0:43:27- Eh?- Don't you speak to him.
0:43:27 > 0:43:29COUGHING
0:43:30 > 0:43:32- My name's Tim.- Hey!
0:43:32 > 0:43:36- Are you listening to me?- Tim. - Is anybody listening to me?! - That's my favourite name.
0:43:36 > 0:43:38LUTHER LAUGHS
0:43:38 > 0:43:39- He's not going to hurt you, Tim. - PELL:- Yes, he is.
0:43:39 > 0:43:42- I'm gonna slit his little throat. - Do you know why?
0:43:42 > 0:43:43Why? I've done it before.
0:43:43 > 0:43:47If he does hurt you, I'm free to come over there and kill him.
0:43:47 > 0:43:50Cos he's nothing, all right. He's nothing.
0:43:50 > 0:43:53He's just a weak, little, pathetic man.
0:43:53 > 0:43:54No, he's not.
0:43:54 > 0:43:57- No, he's not. No, he's not! - Too weak to hurt anyone...
0:43:57 > 0:44:00without wearing this!
0:44:00 > 0:44:02Ain't that right, Cameron?
0:44:07 > 0:44:09I swear, I swear I'm going to do it.
0:44:10 > 0:44:11Don't go near the van.
0:44:11 > 0:44:15Don't you go near the van! Don't you go touch the van!
0:44:15 > 0:44:16Come on.
0:44:16 > 0:44:18Look, I'm gonna do it!
0:44:18 > 0:44:19I'm gonna...
0:44:20 > 0:44:23There you go. Come on. There you go.
0:44:26 > 0:44:29- Let's get you out of here. - You know what I can do!
0:44:30 > 0:44:34- You know what I can do! You know who I am!- Cameron.
0:44:34 > 0:44:36No-one's listening.
0:44:38 > 0:44:39Uh!
0:44:42 > 0:44:44HE MOANS
0:44:48 > 0:44:49You?
0:44:49 > 0:44:52No, it's all you.
0:44:56 > 0:44:59Cameron Pell, I'm arresting you on suspicion of murder.
0:44:59 > 0:45:01You do not have to say anything, but it may harm your defence
0:45:01 > 0:45:05if you fail to mention when questioned something you later rely on in court.
0:45:13 > 0:45:15SIRENS WAIL IN DISTANCE
0:45:26 > 0:45:27So...
0:45:28 > 0:45:30..am I in trouble?
0:45:31 > 0:45:35For what? Saving schoolchildren? I hardly think so.
0:45:37 > 0:45:39If I had my way, you'd be given a medal.
0:45:40 > 0:45:43You did outstanding work.
0:45:43 > 0:45:45So did you.
0:45:46 > 0:45:48I like the thing about the micro-expression.
0:45:48 > 0:45:50Corner of the mouth. HE CHUCKLES
0:45:50 > 0:45:51Was that a lie?
0:45:53 > 0:45:56Same lie I've been telling since 1986. Never fails!
0:45:59 > 0:46:00Er...
0:46:00 > 0:46:04Green Valley is registered at Company House, but it's a shell.
0:46:04 > 0:46:07Pell leased it from a contact of Bryson.
0:46:07 > 0:46:09- GRAY:- Boss!
0:46:25 > 0:46:29One body per drum. Four drums per pallet.
0:46:30 > 0:46:33All to be shipped to India for disposal.
0:46:34 > 0:46:36Paperwork's already done.
0:46:37 > 0:46:40Those children would've been wiped off the face of the earth.
0:46:52 > 0:46:53HE SNIFFS
0:47:17 > 0:47:18HE SIGHS
0:47:27 > 0:47:30- Have you got stuff? - What? Like belongings?
0:47:30 > 0:47:33Yes, like belongings. Clothes and things.
0:47:33 > 0:47:35Not much, just this.
0:47:37 > 0:47:39Er...have you got a minute?
0:47:39 > 0:47:41Yes, of course. Come in.
0:47:47 > 0:47:49I can't believe what you did!
0:47:49 > 0:47:53You're my daughter. You wouldn't be where you were if it wasn't for him.
0:47:53 > 0:47:56- You don't understand.- I understand I got my daughter back.
0:47:56 > 0:48:01- Not staying here, after what you did!- You'll do what you're told. - You can't make me!
0:48:01 > 0:48:05No? And where you gonna go? Back where you came from?
0:48:05 > 0:48:08You've got no money. No friends. No life.
0:48:08 > 0:48:13- So if not here, where? The gutter? - Caroline... Listen.
0:48:13 > 0:48:16- You listening? I need you to hear this.- Go on.
0:48:16 > 0:48:20These people don't want to hurt me. They need me in one piece.
0:48:20 > 0:48:24I've got nothing to leverage. No kids. No family. No wife.
0:48:24 > 0:48:29They know I'll do what I have to because I proved that to them today.
0:48:29 > 0:48:31It's me, Mum.
0:48:31 > 0:48:35If he doesn't keep on doing what they tell him, they'll hurt ME.
0:48:35 > 0:48:39Listen to your daughter, all right. You put her in this situation after you sold me out. So listen to her.
0:48:43 > 0:48:44So what are we supposed to do?
0:48:44 > 0:48:46Leave.
0:48:46 > 0:48:48I've got a job. A career. A life.
0:48:48 > 0:48:51Your safety is not my concern! But do the right thing.
0:48:51 > 0:48:54Give Jenny some money. Set her up in a new city.
0:48:54 > 0:48:56She stays here with me.
0:48:57 > 0:49:01You won't let them hurt her. You'll do whatever they tell you to do.
0:49:01 > 0:49:03You made that quite plain.
0:49:03 > 0:49:04- No.- What?
0:49:05 > 0:49:07Caroline, I'm not on their hook,
0:49:07 > 0:49:10I'm not gonna be a copper any more. I'm leaving.
0:49:10 > 0:49:14And when these people find out, they'll come back and hurt you both.
0:49:14 > 0:49:17- Do you understand that? - You can stop them.
0:49:18 > 0:49:19Arrest them.
0:49:19 > 0:49:22No, I can't.
0:49:22 > 0:49:27- I'm over a barrel. They sent me this. - 'Andrei Kolchak. One of our licensees.'
0:49:27 > 0:49:30- See that?- 'I can't do it overnight. It needs time.'
0:49:30 > 0:49:33- You made sure of that, didn't you? - 'It has to be done today.'
0:49:33 > 0:49:36- 'And if I do help? - The slate's clear.'
0:49:37 > 0:49:39Look, Jenny, you're safe here tonight.
0:49:39 > 0:49:43But tomorrow, you gotta get away. You've gotta get far away.
0:49:43 > 0:49:46And do yourself a favour - stay away from this woman.
0:49:46 > 0:49:48- Where am I supposed to go? - I don't know.
0:49:48 > 0:49:51- Go anywhere. - Please don't just leave me!
0:49:53 > 0:49:54John, I'm begging you!
0:49:59 > 0:50:01No, sorry. I've done enough.
0:50:01 > 0:50:02Good luck.
0:50:52 > 0:50:54Hmm.
0:50:55 > 0:50:57Busy day?
0:50:57 > 0:50:59Like you wouldn't believe.
0:51:01 > 0:51:02You?
0:51:02 > 0:51:05You know what it's like.
0:51:05 > 0:51:06Always on the go.
0:51:07 > 0:51:10So I see you escaped.
0:51:10 > 0:51:12Like a princess from her tower.
0:51:13 > 0:51:15What's this?
0:51:16 > 0:51:17It's my dad's gun.
0:51:18 > 0:51:20You don't like guns.
0:51:20 > 0:51:24- No, I don't. - And there's only one bullet.
0:51:26 > 0:51:30- What have you been playing at? - Put it down. That's just not funny.
0:51:34 > 0:51:35Alice...
0:51:37 > 0:51:39..you shouldn't have come here.
0:51:39 > 0:51:42- They'll find you.- Well, they can try.
0:51:43 > 0:51:47But they're Wile E Coyote. And I'm the Roadrunner.
0:51:48 > 0:51:49Meep-meep.
0:51:49 > 0:51:50Where will you go?
0:51:50 > 0:51:53- SHE SIGHS - I thought I'd start with Mexico.
0:51:54 > 0:51:58Then there's Marrakech. Monte Carlo...
0:51:58 > 0:52:01Ah, and that's just some of the Ms.
0:52:01 > 0:52:05There's an entire alphabet to work through.
0:52:07 > 0:52:10(WHISPERS) Come with me.
0:52:11 > 0:52:13I can't.
0:52:13 > 0:52:14Why not?
0:52:15 > 0:52:17Because I am who I am.
0:52:19 > 0:52:21And you are who you are.
0:52:23 > 0:52:27Which is exactly why I'm asking.
0:52:27 > 0:52:30- We'd have so much fun. - That's what I'm scared of.
0:52:30 > 0:52:35Come on. Yin and Yang. Bonnie and Clyde. Bert and Ernie.
0:52:36 > 0:52:37Alice...
0:52:39 > 0:52:40..you have to leave.
0:52:40 > 0:52:42OK?
0:52:42 > 0:52:44(WHISPERS) You have to leave.
0:52:44 > 0:52:46They'll come here, you know.
0:52:46 > 0:52:48Why?
0:52:48 > 0:52:50Cos they're scared you'll try to kill me.
0:52:52 > 0:52:55Which is the funny thing - it's not me who'll end up killing you, is it?
0:52:55 > 0:52:58It's them.
0:52:59 > 0:53:00You know that.
0:53:05 > 0:53:07You've done enough.
0:53:09 > 0:53:10Now give it up...
0:53:11 > 0:53:12..and walk away.
0:53:14 > 0:53:16Come with me.
0:53:18 > 0:53:21I know you want to. You've got a telltale heart.
0:53:21 > 0:53:24We can swim with the sharks.
0:53:25 > 0:53:27See the Nazca Lines.
0:53:29 > 0:53:34Have you ever eaten fugu made from puffer fish?
0:53:34 > 0:53:37It's fatal if prepared incorrectly. And...
0:53:38 > 0:53:40..delicious, naturally.
0:53:42 > 0:53:43I just can't.
0:53:46 > 0:53:47Who is she?
0:53:49 > 0:53:52- It's not like that.- I know.
0:53:52 > 0:53:54If it were, I may be able to understand.
0:53:54 > 0:53:57You do understand. That's the thing about you.
0:53:57 > 0:53:59Just because I do doesn't mean I approve.
0:53:59 > 0:54:02- Works both ways, doesn't it? - Doesn't it just?
0:54:03 > 0:54:05And didn't it always?
0:55:18 > 0:55:19Come on.
0:55:21 > 0:55:23(MUFFLED) Come on.
0:55:29 > 0:55:30John!
0:55:38 > 0:55:40All right, then. Erm...
0:55:40 > 0:55:43Living room. Kitchen, bathroom.
0:55:44 > 0:55:46My room.
0:55:47 > 0:55:49Your room.
0:55:50 > 0:55:54Tomorrow I'll get you a bed, but tonight, you're on the sofa.
0:55:57 > 0:56:00Erm, just make yourself at home, you know,
0:56:00 > 0:56:03you can put the kettle on.
0:56:03 > 0:56:05- Want one?- Tea.
0:56:11 > 0:56:13This kettle's minging.
0:56:14 > 0:56:17It's got miningitus. D'you get it from a market?
0:56:20 > 0:56:24You can get righteous kettles these days, all chrome and whatnot.
0:56:24 > 0:56:26Where's he keep the mugs?
0:56:38 > 0:56:40MUSIC: Flash by Joan As Policeman
0:56:40 > 0:56:43# Oh, my lover, won't you tell me now
0:56:43 > 0:56:47# All the things that you fear... #
0:56:49 > 0:56:50Just do as you're told.
0:56:50 > 0:56:54# I am lover for the first time
0:56:54 > 0:56:57# I am ready to hear
0:56:58 > 0:57:01# I am ready to hear... #
0:57:13 > 0:57:15SCREAMING
0:57:17 > 0:57:21# Show me, lover, all the things you see
0:57:21 > 0:57:24# All the apples you find... #
0:57:24 > 0:57:27Subtitles by Red Bee Media Ltd
0:57:27 > 0:57:30E-mail subtitling@bbc.co.uk