0:00:02 > 0:00:07This programme contains some violent scenes and scenes which some viewers may find upsetting.
0:00:07 > 0:00:09Did you ever hear of necro-porn?
0:00:09 > 0:00:12This is what they're going to do to Jenny. You owe me.
0:00:12 > 0:00:14- I am arresting you... - Get off me!
0:00:14 > 0:00:18If he doesn't keep on doing what they tell him, they'll hurt me.
0:00:21 > 0:00:24I gather you're the policeman that stole my property.
0:00:24 > 0:00:27This is Toby.
0:00:28 > 0:00:30No! No! Agh!
0:00:30 > 0:00:32Where am I supposed to go?
0:00:55 > 0:00:59Pump number two, that's £64.19, please.
0:00:59 > 0:01:02- Can I interest you in one...? - Just the petrol, ta.
0:01:32 > 0:01:34What's he doing?
0:01:41 > 0:01:44He's on something. Look at him.
0:01:45 > 0:01:48You might want to give the police a call, mate.
0:01:48 > 0:01:49What's he doing exactly?
0:01:49 > 0:01:51Dunno.
0:01:56 > 0:01:59Look, just dial 999.
0:01:59 > 0:02:03And say what? "Hello, I'm calling from a petrol station,
0:02:03 > 0:02:06"there's a man on the forecourt looking at cars"?
0:02:06 > 0:02:07Just do it, mate.
0:02:07 > 0:02:08What's he doing?
0:02:12 > 0:02:14- That's my car! Hey! Oi! - Police, please.
0:02:17 > 0:02:22- They're on their way. Five minutes. - What's he on, do you think?
0:02:23 > 0:02:27Excuse me, did we lock the door? Because I think we should lock the door!
0:02:27 > 0:02:28That's a very good idea.
0:02:50 > 0:02:51- Hey!- Lock the door! Hurry up!
0:02:51 > 0:02:53- Lock the door!- I'm trying!
0:02:53 > 0:02:56- Let me out! Hey! Hey! That's my car! - The police will be here in a minute!
0:02:56 > 0:03:00But look at my car! Look at my car!
0:03:07 > 0:03:10- Unlock this door! - The police will be here in a minute.
0:03:10 > 0:03:11But look at my car!
0:03:11 > 0:03:14Oh, no, mate.
0:03:14 > 0:03:16- Is he opening...? - I'm not letting him do that.
0:03:16 > 0:03:19- No, wait! Nobody leaves. - He's going to torch the car.
0:03:19 > 0:03:21- Just wait for the police. - He's going to torch the car!
0:03:21 > 0:03:24Right, open the door. Just do as he says and open the bloody door!
0:03:24 > 0:03:27- Be careful. - Oi! Hey! Hey! You stop!
0:03:27 > 0:03:32Ah! Agh! Christ! My eyes!
0:03:32 > 0:03:36- Put down the bat. Put down the bat. - Argh!
0:03:37 > 0:03:39Fire bucket! Fire bucket!
0:03:43 > 0:03:45SCREAMING
0:03:45 > 0:03:49THUDS AND YELLS
0:03:49 > 0:03:51Have you locked the door? Quick! Quick!
0:03:53 > 0:03:55Take the keys. Lock it.
0:03:55 > 0:03:57- Brace it! Brace it!- I'm trying!
0:04:39 > 0:04:43ENGINE REVS
0:05:15 > 0:05:22# Love is like a sin, my love
0:05:22 > 0:05:28# For the ones that feel it the most
0:05:29 > 0:05:34# Look at her with her eyes like a flame
0:05:35 > 0:05:41# She will love you like a fly will never love you. #
0:06:03 > 0:06:05BANGING LUTHER: Wakey, wakey!
0:06:05 > 0:06:09Come on, wake up. The day's half over.
0:06:09 > 0:06:11But it's nothing o'clock.
0:06:11 > 0:06:12Are you hungry?
0:06:31 > 0:06:34- Do you like reading books? - I'm partial to a graphic novel.
0:06:34 > 0:06:40- Comics? How old are you? - Graphic novels. How old are you?
0:06:47 > 0:06:49You look normal.
0:06:50 > 0:06:51Ta.
0:06:53 > 0:06:57- You look weird when you look normal. - You think I sleep in a tie?
0:06:57 > 0:07:00Hmm, pretty much. Except you don't so much sleep as,
0:07:00 > 0:07:04you know, power down, go into stand-by mode.
0:07:04 > 0:07:06Yeah, well...
0:07:06 > 0:07:08I took the day off.
0:07:09 > 0:07:11Why?
0:07:11 > 0:07:15Cos we've got to think about getting you...a job.
0:07:20 > 0:07:21What sort of job?
0:07:21 > 0:07:24- A job job.- Like flipping burgers?
0:07:24 > 0:07:27Well, them burgers are not going to flip themselves, are they?
0:07:29 > 0:07:31It's, like, 2p an hour. Who am I, SpongeBob?
0:07:31 > 0:07:35- I don't know what that is. - He's a sponge. He flips burgers.
0:07:35 > 0:07:39Right. Well, why don't we keep flipping burgers to plan B?
0:07:41 > 0:07:43If you could do any job in the world, what would you do?
0:07:43 > 0:07:46- I'd be a cool hunter.- A what?
0:07:46 > 0:07:50Cool hunter. Go to seriously sick places, clubs, whatever.
0:07:50 > 0:07:52Underground, not mainstream.
0:07:52 > 0:07:56You kind of take note of what people are wearing, what slang they're using,
0:07:56 > 0:07:58what they're drinking, that sort of thing.
0:08:00 > 0:08:04It's a lot more complicated than it sounds.
0:08:10 > 0:08:11Cup of tea.
0:08:18 > 0:08:20Totally lushalicious.
0:08:25 > 0:08:26So...
0:08:26 > 0:08:28what are you going to do about the other thing?
0:08:28 > 0:08:30Being on the hook and that?
0:08:31 > 0:08:33Is that what I am? On the hook?
0:08:34 > 0:08:35Well, yeah.
0:08:37 > 0:08:39Toby won't just let us go, you know.
0:08:42 > 0:08:43I'll think of something.
0:08:43 > 0:08:45BANGING AT DOOR
0:09:06 > 0:09:07Morning. Your phone was off.
0:09:07 > 0:09:10Right. Well, keep the phone on, all it does is ring.
0:09:10 > 0:09:13Yeah. Sorry. The boss sent me. We've got a really weird one.
0:09:13 > 0:09:17Um, OK. All right, um, just wait in the car and I'll get changed.
0:09:17 > 0:09:19Why wait in the car?
0:09:19 > 0:09:20Two minutes. Two minutes.
0:09:25 > 0:09:26I've got to go to work.
0:09:29 > 0:09:34So, you, whatever you do today, make sure you hit the Jobcentre, right?
0:09:34 > 0:09:35Hand.
0:09:35 > 0:09:37- What?- Hand, please.
0:09:44 > 0:09:46Completely bomb dot com.
0:09:46 > 0:09:50Now, you want to keep it clean and dry and clear of infection.
0:09:52 > 0:09:54All right, Mum.
0:09:57 > 0:10:02So the stolen car belonged to the dead man, Adewale Omotoso.
0:10:13 > 0:10:14Jesus.
0:10:16 > 0:10:18White van belongs to a Steven Kimble.
0:10:18 > 0:10:21- Is that the man that was blinded? - Yeah, that's him.
0:10:21 > 0:10:24Acid in the water pistol. Probably hydrochloric.
0:10:24 > 0:10:26Witnesses?
0:10:26 > 0:10:30Sally Thomas and Depak Chandrapal, who locked themselves inside the shop.
0:10:30 > 0:10:32Thing is, both claim that they reckon
0:10:32 > 0:10:34the attacker intended to ram the window
0:10:34 > 0:10:37- but changed his mind last minute and drove away.- We know why?
0:10:37 > 0:10:40Dunno. Uniform were dealing with an altercation outside a pub
0:10:40 > 0:10:42called the Prince Regent, which is about half a mile up there.
0:10:42 > 0:10:44So they were Johnny-on-the-spot.
0:10:44 > 0:10:47They were here two minutes after the 999 call came in,
0:10:47 > 0:10:52so maybe he's heard the sirens and, you know, just ran away.
0:10:52 > 0:10:53Maybe.
0:10:54 > 0:10:59So, er, timeline. He gets here. What's the first thing he does?
0:10:59 > 0:11:01Graffitis the Corolla.
0:11:01 > 0:11:03- Corolla? Where?- On the roof.
0:11:03 > 0:11:05- Have you done here, SOCO?- Yeah.
0:11:11 > 0:11:12A compass, maybe?
0:11:12 > 0:11:16Run it by intel, see if there's any gang association.
0:11:16 > 0:11:18I was thinking - four people,
0:11:18 > 0:11:22two black, including the dead man, one white, one Asian.
0:11:22 > 0:11:24You think it was racial?
0:11:24 > 0:11:27Well, Nazis do love an insignia.
0:11:27 > 0:11:29But Kimble's white.
0:11:29 > 0:11:31He got in the way.
0:11:32 > 0:11:34Yeah. Well, look into it.
0:11:34 > 0:11:41See if there's any white-power faction affiliated with that.
0:11:47 > 0:11:48Hold it there.
0:11:50 > 0:11:51What's he doing?
0:11:53 > 0:11:57- Is he tying a shoelace or something? - Could be. Or reading a text?
0:11:57 > 0:11:59Kneeling down?
0:12:00 > 0:12:01Is that a thing?
0:12:01 > 0:12:04Could be getting something out of his sock?
0:12:04 > 0:12:07- What could Benny do with that? - Probably not much.
0:12:07 > 0:12:10- Resolution's pretty low. - Let me see the rest.
0:12:18 > 0:12:20I tell you what, if they hadn't have stopped him,
0:12:20 > 0:12:24he would have blown this whole place to the moon.
0:12:24 > 0:12:26PHONE BEEPS
0:12:26 > 0:12:28Hang on, they've found the car.
0:12:34 > 0:12:35All right,
0:12:35 > 0:12:38- what've we got?- Not much.
0:12:38 > 0:12:42He's torched it, obviously, and that's it.
0:12:42 > 0:12:45Listen, this is taken from CCTV at the garage. Get on to uniform,
0:12:45 > 0:12:49get them to canvass the area, see if we can't put a name to that face.
0:12:49 > 0:12:52- Will do. - PHONE VIBRATES
0:12:53 > 0:12:57- Is everything all right, guv? - Ah...Yeah. Yeah.
0:12:57 > 0:12:59So you handle door-to-door.
0:12:59 > 0:13:03Justin...get onto intel, see if they can ID that compass.
0:13:03 > 0:13:07I'll meet you back at the factory, all right? I've got a meeting.
0:13:07 > 0:13:09- You all right?- Yeah, great.
0:13:11 > 0:13:13It's just...you know.
0:13:14 > 0:13:16Just what?
0:13:16 > 0:13:17I just...
0:13:18 > 0:13:21...want to do it right, you know?
0:13:21 > 0:13:23Listen, if he asks you to do something and you're not sure,
0:13:23 > 0:13:28don't butt heads with him. OK? Just, well, come and see me.
0:13:30 > 0:13:36Right. Better get canvassing. Nazis, nutters, jugglers and the clowns.
0:13:55 > 0:13:57I like this bit. Watch.
0:13:57 > 0:14:02- LUTHER ON VIDEO: All right, show's over!- Wait for it...there!
0:14:02 > 0:14:04I am arresting you...
0:14:04 > 0:14:05It's brilliant!
0:14:07 > 0:14:10Oh, and it never gets old. Honestly.
0:14:10 > 0:14:14I hear that, um... she's living with you now.
0:14:16 > 0:14:18How is... How's that working out?
0:14:18 > 0:14:20Let's not talk about Jenny, eh?
0:14:20 > 0:14:25Good for you. You can't beat a nice warm mouth to come home to.
0:14:26 > 0:14:28She did live with another man for a while.
0:14:28 > 0:14:31And he was a depraved old monster, really.
0:14:31 > 0:14:33I think she liked it, in a way.
0:14:33 > 0:14:36Being his dirty little servant.
0:14:36 > 0:14:39Daddy issues.
0:14:39 > 0:14:41- Do you know why she left him? - Thing is, I don't care.
0:14:41 > 0:14:44He asked how much it would cost to buy her outright,
0:14:44 > 0:14:49thereafter to do as his will dictated, one presumes.
0:14:50 > 0:14:53I've still got his number somewhere.
0:14:57 > 0:15:00Michael Saroyan. Armenian imports.
0:15:00 > 0:15:03Making aggressive moves in the local market.
0:15:03 > 0:15:08He's merging smaller operations - clubs, trafficking, girls, protection,
0:15:08 > 0:15:12all the rest of it. Another job for you -
0:15:12 > 0:15:14I'd like to know the extent of his market penetration.
0:15:14 > 0:15:17Your turf wars are your business. If that sort of thing
0:15:17 > 0:15:20- ever got traced back to me... - Make sure it's not. A list
0:15:20 > 0:15:22of his capital assets.
0:15:22 > 0:15:24I'd tread carefully with that sort of thing.
0:15:24 > 0:15:27No, you'll tread exactly where and how I tell you.
0:15:27 > 0:15:33A list of Saroyan's personnel today. Are we clear?
0:15:33 > 0:15:37What, do I have to ask more politely?
0:15:37 > 0:15:38HE YAWNS
0:15:38 > 0:15:41I'm sick of this. Just do as you're told.
0:15:46 > 0:15:47John.
0:15:51 > 0:15:54I need what I asked for...today.
0:16:00 > 0:16:02Or we'll pop round, pay Jenny a visit.
0:16:03 > 0:16:05Yeah, open her up. See what's inside.
0:16:14 > 0:16:16Look at yourself, Frank.
0:16:30 > 0:16:32- What?- You know what.
0:16:32 > 0:16:34No, I don't know what. What? Tell me what.
0:16:34 > 0:16:38You don't think I can do it, do you? You actually don't think I'm capable
0:16:38 > 0:16:41of squeezing a couple of addresses out of a dirty copper.
0:16:41 > 0:16:45He's not a dirty copper. He's a man over a barrel.
0:16:45 > 0:16:51That's a completely different thing, and you handle it a completely different way.
0:17:16 > 0:17:20SLOW CLICKING
0:18:39 > 0:18:41What have we got, Gray?
0:18:41 > 0:18:44Um, there are one or two white-power psychos in the estate,
0:18:44 > 0:18:47namely one Ryan Hayfield.
0:18:47 > 0:18:48Do we like him?
0:18:48 > 0:18:51Well, he's unemployed, long history of mental illness,
0:18:51 > 0:18:54interest in various right-of-right-wing groups.
0:18:54 > 0:18:57Lives with his mum, always a good sign in a man of 35. And that's him.
0:18:57 > 0:19:00Nah. Definitely not.
0:19:00 > 0:19:02Eliminate him. What have you got?
0:19:02 > 0:19:05I checked the compass design against local gang insignia -
0:19:05 > 0:19:09A-Road, Mothers' Square Boys, Gravehouse Boys, Hindle Street Gangs...
0:19:09 > 0:19:12- Any joy?- Completely joyless.
0:19:12 > 0:19:16Yeah. It never felt like tagging to me.
0:19:16 > 0:19:18Why put it on the roof,
0:19:18 > 0:19:21- where no-one can see it? - I don't think it's a compass.
0:19:21 > 0:19:22Oh, yeah?
0:19:22 > 0:19:25See, in my spare time, I like to read a lot of fantasy fiction.
0:19:25 > 0:19:28I think it's the Bedlam Axis.
0:19:28 > 0:19:30What's a Bedlam Axis when it's at home?
0:19:30 > 0:19:33Yeah. Bedlam Axis has been around since the 1960s.
0:19:33 > 0:19:37It's used a lot in RPG - role-playing games.
0:19:37 > 0:19:41So, the arrow going upwards indicates predictability, law and order.
0:19:41 > 0:19:44The arrow going across indicates unpredictably.
0:19:44 > 0:19:46Chaos.
0:19:47 > 0:19:51Can we see that CCTV footage of him kneeling down?
0:19:54 > 0:19:55Yeah, I...
0:19:55 > 0:19:58I don't think he's tying up his shoelace.
0:19:58 > 0:20:01You know, I tie my shoelace like this.
0:20:02 > 0:20:06I don't think he's texting either.
0:20:13 > 0:20:16I think he's making his decisions on a roll of a dice.
0:20:16 > 0:20:19Who to kill, when to kill, whether or not to kill.
0:20:19 > 0:20:24Have you come across anything like this ever before?
0:20:24 > 0:20:26No. You?
0:20:26 > 0:20:27No.
0:20:27 > 0:20:31Judging by his demeanour last night, the man was enjoying himself immensely.
0:20:31 > 0:20:34So what are the chances of there being more to come?
0:20:34 > 0:20:37Think of this as a spree that's only just started.
0:20:37 > 0:20:42Yeah, well, that may be true, but one crime does not a pattern make.
0:20:42 > 0:20:47We don't know which aspects of it he may choose to repeat.
0:20:47 > 0:20:49If any.
0:20:49 > 0:20:52I mean, if he's doing all this at the roll of a dice,
0:20:52 > 0:20:55his next kill could be any time, anywhere, any place.
0:20:57 > 0:21:01- So, how do we catch him? - Well, we get lucky.
0:21:01 > 0:21:03PHONE VIBRATES Or he gets unlucky.
0:21:03 > 0:21:06Or a combination of the two.
0:21:21 > 0:21:24Listen to me, Toby. Yeah. Listen, listen.
0:21:24 > 0:21:28I know you want to be a big boy and impress Frank, all right,
0:21:28 > 0:21:30but you need to calm down. You'll get it when I get it.
0:21:30 > 0:21:32- No, no. Today.- I can't.
0:21:32 > 0:21:34Yes. Yes, you can. You'll do it now.
0:21:34 > 0:21:38Listen, if that stuff isn't in my hands in the next two hours,
0:21:38 > 0:21:39do I have to tell you what'll happen?
0:21:39 > 0:21:42Unless you want me to dismember your whore.
0:21:44 > 0:21:46So just do as you're told.
0:22:15 > 0:22:16SMASH
0:22:16 > 0:22:20FIRE ALARM BLARES
0:22:24 > 0:22:26- Who's fire picket? - Guv, that's me.
0:22:26 > 0:22:28Well, clear the floor, then, please.
0:22:28 > 0:22:34OK, everyone. You know the drill. Let's all meet at the assembly point, please!
0:22:34 > 0:22:36Sorry, sorry, sorry! Quick as you can.
0:22:43 > 0:22:47PHONE RINGS
0:23:22 > 0:23:24Password...?
0:25:43 > 0:25:45All right?
0:25:46 > 0:25:50OK, everyone. We need to do a quick head-count. Sorry about this.
0:25:50 > 0:25:51Right, let's go.
0:27:01 > 0:27:05CAR ALARM BLARES
0:27:05 > 0:27:07SECOND ALARM GOES OFF
0:27:11 > 0:27:13THIRD ALARM
0:27:17 > 0:27:20FOURTH ALARM
0:27:54 > 0:27:56Tossers.
0:28:04 > 0:28:06Yo, John Luther, it's me.
0:28:06 > 0:28:11So I went to the Jobcentre, and they weren't amazingly pleasant to me.
0:28:14 > 0:28:17Turns out there's been this global downturn, whatever.
0:28:19 > 0:28:22So it's all quiet on the job front.
0:28:56 > 0:28:57Hello, Mum?
0:29:00 > 0:29:03You fancy meeting up for coffee or something?
0:29:16 > 0:29:17Right, it's our man.
0:29:19 > 0:29:22Definitely our man. We just don't know who he is,
0:29:22 > 0:29:25and we can't tell what he's going to do next, so...
0:29:25 > 0:29:27We've got to know where he's at.
0:29:27 > 0:29:32- How do we do that?- I say we get CO19 ready, monitor the emergency lines.
0:29:32 > 0:29:35If we hear anything that sounds unusual, we think it's him,
0:29:35 > 0:29:38we send in armed response.
0:29:39 > 0:29:42- See if we can't catch him in the act. - London's got, what,
0:29:42 > 0:29:446,000 999 calls a day.
0:29:44 > 0:29:47Yeah, but 70% of them are time-wasters, cats up trees.
0:29:47 > 0:29:50Most of the rest is meat and potatoes. It shouldn't be too hard to set up a filter.
0:29:50 > 0:29:51Right.
0:29:51 > 0:29:55If we think it's him, we make a judgment call.
0:29:55 > 0:29:57We go in loud and heavy.
0:29:58 > 0:30:00What do you think of that plan?
0:30:00 > 0:30:02- Let's do it.- Sounds good.
0:30:04 > 0:30:08VOICES AND STATIC
0:30:11 > 0:30:14- 'Police emergency.' - '..threatening to kill herself...'
0:30:14 > 0:30:16'Covered in blood. I don't know what to do...'
0:30:16 > 0:30:19'..just running around with blood all over his face...'
0:30:19 > 0:30:23- 'I dunno, a knife or something.' - 'My son, he's schizophrenic.
0:30:23 > 0:30:25'He's off his medication...'
0:30:27 > 0:30:30'I'm not being funny, but there's this really mean dog running around.
0:30:30 > 0:30:31'I know it sounds a bit...
0:30:31 > 0:30:34'But I'm just worried it's going to bite a baby or something.'
0:30:55 > 0:30:58'A woman's just been mugged. Yeah. An old lady.
0:30:58 > 0:31:02'Two blokes came up to her and just, bang, they just ran off with her bag.'
0:31:12 > 0:31:16'An inmate. I'm all covered in blood. I don't know what to do.'
0:31:56 > 0:31:59SCREAMING
0:32:10 > 0:32:13Sir. OK, boys and girls, we've got ourselves a weird one.
0:32:13 > 0:32:17- Here we go. Benny, what you got for me?- Random attack. Three people stabbed.
0:32:17 > 0:32:22Killer has stolen a motorcycle courier's bike, bag, helmet and jacket.
0:32:22 > 0:32:25He left the scene three minutes ago on the bike, dressed as a courier.
0:32:25 > 0:32:30All right. Here's the plan. Contact that courier's delivery company,
0:32:30 > 0:32:33find out what his next scheduled delivery is, scramble ARV,
0:32:33 > 0:32:38see if we can't get there before he does. That's him. That's him.
0:34:17 > 0:34:20SCREAMING
0:34:43 > 0:34:46Susie! Susie! Come on!
0:35:07 > 0:35:11FAINT SOBBING
0:35:49 > 0:35:51- How many?- Four confirmed dead.
0:35:52 > 0:35:55Many injured.
0:35:55 > 0:35:57We missed him by...minutes.
0:35:57 > 0:36:01We don't have him and we don't know where he's going to go next.
0:36:01 > 0:36:04He'd have dumped the courier rig and moved on.
0:36:04 > 0:36:06Escape route?
0:36:06 > 0:36:08Through the car park.
0:37:18 > 0:37:19Boss, what's up?
0:37:19 > 0:37:23Justin, he's still in the building! Dressed as an employee.
0:37:23 > 0:37:25OK. Erin.
0:37:27 > 0:37:29- He's still here. Make sure no-one else leaves.- OK.
0:38:51 > 0:38:52Put the phone down.
0:39:11 > 0:39:13RINGING TONE
0:39:17 > 0:39:19'This is John Luther. Leave a message.'
0:39:23 > 0:39:27Come on, come on, come on, come on, come on, come on, come on...
0:40:06 > 0:40:08All right, Mum?
0:40:17 > 0:40:19All right, Mum?
0:40:19 > 0:40:21Coffee shop closed?
0:40:21 > 0:40:24So are you sleeping with him?
0:40:26 > 0:40:28"Hello, Jen! How are you?
0:40:28 > 0:40:31"Can I tell you, you look utterly mint?"
0:40:31 > 0:40:34- Are you?- Utterly mint? Totally.
0:40:34 > 0:40:37Sleeping with him?
0:40:37 > 0:40:39Whatever. He's, like, 55.
0:40:41 > 0:40:43So how are you paying the rent?
0:40:44 > 0:40:47He doesn't want rent, actually.
0:40:47 > 0:40:50I bet he doesn't.
0:40:53 > 0:40:57If you knew how that man tortured your dad.
0:41:00 > 0:41:03- Because you loved Dad so much, right?!- Yes.
0:41:03 > 0:41:05I did.
0:41:07 > 0:41:13So you didn't try to screw John the minute Dad was cold in the ground?
0:41:13 > 0:41:16Is that what he told you?
0:41:16 > 0:41:21- That's what I saw. - What you think you saw.
0:41:21 > 0:41:22Mum. I saw.
0:41:22 > 0:41:27- Just come home. Please.- No.
0:41:27 > 0:41:28- I just want us to be...- What?
0:41:28 > 0:41:32"Hello, world! Hello, neighbours! Here we are!
0:41:32 > 0:41:36"Jenny and Caroline! We're normal! Look how normal we are!"
0:41:36 > 0:41:41- You really are one evil little bitch.- Yeah, well...
0:41:41 > 0:41:44...the apple didn't fall far from the tree.
0:41:44 > 0:41:46What?
0:41:46 > 0:41:51You going to start smacking me about a bit now? Do you know what?
0:41:51 > 0:41:52Go ahead.
0:41:53 > 0:41:56I've been hit by animals a lot meaner than you.
0:42:02 > 0:42:03Take it.
0:42:03 > 0:42:04Keep it.
0:42:06 > 0:42:08Just take it. For food. For rent.
0:42:08 > 0:42:10I don't want your money.
0:42:10 > 0:42:12I'm getting a job.
0:42:12 > 0:42:14Have you got one yet?
0:42:14 > 0:42:15Not yet, no.
0:42:15 > 0:42:17- Then take it. - I don't want your money.
0:42:18 > 0:42:22But if I was a strange man with an erection and a video camera,
0:42:22 > 0:42:24then you'd take it, wouldn't you?
0:43:07 > 0:43:09Erin, what's up?
0:43:09 > 0:43:11You said I could come to you.
0:43:11 > 0:43:14Yeah, absolutely.
0:43:14 > 0:43:17I don't know what to do, Justin.
0:43:19 > 0:43:22- What about?- Luther.
0:43:22 > 0:43:24Today, during the fire alarm, he breaks into Schenk's office,
0:43:24 > 0:43:26accesses his computer.
0:43:26 > 0:43:30And don't say it, because I'm sure. I wish I wasn't, but I am.
0:43:30 > 0:43:32He's got no need to.
0:43:32 > 0:43:36Access to the database is audited.
0:43:36 > 0:43:40I mean, why else use Schenk's computer?
0:43:40 > 0:43:43Whatever he was doing, he didn't want anyone else to know he was doing it.
0:43:43 > 0:43:44Tell me that's not dirty.
0:43:47 > 0:43:51OK, yeah, on the face of it, it looks odd.
0:43:51 > 0:43:53But there'll be a reason.
0:43:53 > 0:43:55Oh, come on(!)
0:43:55 > 0:43:58There's loyalty and then there's... naivety.
0:43:58 > 0:43:59There's also a difference
0:43:59 > 0:44:02between getting your hands dirty and being dirty.
0:44:05 > 0:44:07This is what I get, is it?
0:44:07 > 0:44:08I've come to you for help.
0:44:08 > 0:44:12And this is it? Platitudes and denials and puppy-dog eyes?
0:44:17 > 0:44:19Right. Just leave it with me.
0:44:19 > 0:44:22- Right?- Thank you.
0:44:33 > 0:44:34DOOR OPENS
0:44:37 > 0:44:40I'm DCI John Luther.
0:44:40 > 0:44:42Question is, who are you?
0:44:46 > 0:44:50Your fingerprints didn't show up on the records.
0:44:51 > 0:44:53You're not carrying any ID.
0:44:53 > 0:44:54Just this.
0:45:00 > 0:45:01And these.
0:45:14 > 0:45:15What?
0:45:23 > 0:45:26Well, I've been using our quiet time...
0:45:28 > 0:45:30...to think about this.
0:45:30 > 0:45:31What is it?
0:45:31 > 0:45:33What could it be?
0:45:33 > 0:45:34Do you know what I think?
0:45:34 > 0:45:38I reckon it's a scorecard.
0:45:38 > 0:45:43How many points, what, ten points for killing someone with a baseball bat?
0:45:44 > 0:45:4620 points for, I don't know,
0:45:46 > 0:45:51stabbing a stranger to death. Am I right?
0:45:51 > 0:45:52Is that what this is?
0:46:09 > 0:46:12Who were you trying to call
0:46:12 > 0:46:15at the office? Who was that?
0:46:15 > 0:46:16The wife?
0:46:19 > 0:46:20Girlfriend, boyfriend?
0:46:20 > 0:46:22Boyfriend.
0:46:23 > 0:46:26I didn't think it was your mum and dad.
0:46:26 > 0:46:29No, we checked the records, and it was a disposable phone,
0:46:29 > 0:46:32the only time that number has been called,
0:46:32 > 0:46:36so doesn't say Mum and Dad to me. Does it say Mum and Dad to you?
0:46:38 > 0:46:40So who was it?
0:46:40 > 0:46:42Who was it?
0:46:45 > 0:46:47Who was it?
0:46:53 > 0:46:57You know, I've been a police officer since God was a boy.
0:46:58 > 0:47:04I don't think I've sat across a table from someone
0:47:04 > 0:47:08who takes their right to silence so seriously.
0:47:15 > 0:47:18Want to say something?
0:47:23 > 0:47:24No?
0:47:32 > 0:47:33Who are you?
0:47:34 > 0:47:36We'll find out, won't we?
0:48:02 > 0:48:06BANGING AT DOOR
0:48:07 > 0:48:09John?
0:48:13 > 0:48:14Oh!
0:48:15 > 0:48:17- Agh!- Hello.
0:48:21 > 0:48:22You remember me?
0:48:22 > 0:48:24Of course you do.
0:48:26 > 0:48:27And what an evening that was!
0:48:29 > 0:48:31Well, I do apologise for any
0:48:31 > 0:48:35work-related injuries that you sustained. Where is he?
0:48:36 > 0:48:38- The man of the house.- Working.
0:48:38 > 0:48:42Bringing home the bacon, as it were.
0:48:42 > 0:48:44When will he be back?
0:48:44 > 0:48:46Whenever he can.
0:48:46 > 0:48:47- And when's that? - Do I look like his wife?
0:48:47 > 0:48:50Darling, you don't look like anybody's wife.
0:48:50 > 0:48:52So, anyway, door's that way.
0:48:54 > 0:48:57No, er, I can't leave.
0:48:57 > 0:49:01Not before the Big Bad John shows up
0:49:01 > 0:49:03and gives me what I'm waiting for.
0:49:16 > 0:49:20You know, I really must say, he's being disappointingly tardy.
0:49:22 > 0:49:26Yeah, definitely more dial-up than broadband.
0:49:26 > 0:49:27So you'd better be off, then.
0:49:30 > 0:49:33Did I hurt you that badly?
0:49:37 > 0:49:40I... I can't help it.
0:49:43 > 0:49:45It's the screams.
0:49:47 > 0:49:48See?
0:49:48 > 0:49:51I think they're rather like watches.
0:49:51 > 0:49:53- On one level... - CLATTERING
0:49:53 > 0:49:56..the fake ones are convincing enough...
0:49:59 > 0:50:01..until you've tried the genuine article.
0:50:08 > 0:50:10What's that?
0:50:15 > 0:50:18- It's not yours!- Ooh.
0:50:18 > 0:50:20Ooh.
0:50:23 > 0:50:25David Bowie.
0:50:25 > 0:50:29Oh, my God. That is so sweet.
0:50:29 > 0:50:31You do know you're ill?
0:50:31 > 0:50:35There's something wrong with you.
0:50:42 > 0:50:43Yeah, apparently, there is.
0:50:45 > 0:50:49When I was eight, they caught me...
0:50:49 > 0:50:52interfering with the corpse of a cat, and, er...
0:50:53 > 0:50:56..I told them it was a scientific experiment.
0:50:56 > 0:50:59I was just trying to see if there were any kittens inside.
0:51:00 > 0:51:03There were no kittens.
0:51:07 > 0:51:10How are you on the money front?
0:51:10 > 0:51:11Don't you start.
0:51:11 > 0:51:14Because I've got the money if you've got the time.
0:51:14 > 0:51:18- I don't do that anymore.- Oh, what, cos you've found yourself?
0:51:18 > 0:51:20What is it? Because you've found some kind of
0:51:20 > 0:51:23pure core of strength and self-respect,
0:51:23 > 0:51:26or because you're learning to love yourself as a woman?
0:51:26 > 0:51:30You need to leave. If John comes back and hears you talking to me like this...
0:51:30 > 0:51:34"Talking to me like this"? I think John will do as he's told.
0:51:34 > 0:51:36I could have you bent over this table
0:51:36 > 0:51:41and there'd be nothing he could do but stand back and watch.
0:51:43 > 0:51:45Besides which, John's not here, is he?
0:51:48 > 0:51:49Hmm?
0:51:50 > 0:51:53I told him what I wanted.
0:51:57 > 0:51:59I told him what I'd do.
0:51:59 > 0:52:04But John's not here. He's not here for you, he's not here for me.
0:52:05 > 0:52:09I think he's let the both of us down.
0:52:09 > 0:52:11I'll, er, be very gentle.
0:52:11 > 0:52:13Or not.
0:52:14 > 0:52:16- Get out.- Come on.
0:52:16 > 0:52:18- Get out!- What is it?
0:52:18 > 0:52:20Has he got a thing for sullied goods? Is that what it is?
0:52:20 > 0:52:22- Don't talk about him. - Or does he like to be the hero?
0:52:22 > 0:52:24Putting pretty young things into his bed for gratitude?
0:52:24 > 0:52:28Eh, what does he like? What's his scene? What does he like? Hey?
0:52:28 > 0:52:30- Don't, please!- Does he like this?
0:52:30 > 0:52:31Does he like this?
0:52:53 > 0:52:55- JUSTIN:- Boss, have you got a minute?
0:52:55 > 0:52:59Yeah. Walk... Walk out with me.
0:53:03 > 0:53:06Everything all right?
0:53:06 > 0:53:09Um, with me, yeah.
0:53:10 > 0:53:11What does that mean?
0:53:12 > 0:53:13Um...
0:53:15 > 0:53:17Were you in Schenk's office?
0:53:19 > 0:53:22- When?- Today, during the fire alarm.
0:53:22 > 0:53:23Who's told you that?
0:53:23 > 0:53:25No-one. It doesn't matter.
0:53:26 > 0:53:27Were you, though?
0:53:29 > 0:53:31- Justin, do you trust me? - Yeah. You know I do.
0:53:31 > 0:53:33All right, well, don't say what you're about to say.
0:53:36 > 0:53:37Are you in trouble?
0:53:45 > 0:53:48Things are a little messy.
0:53:48 > 0:53:50But I'm working it out.
0:54:04 > 0:54:07Toby, I've got it and I'm ready to meet you,
0:54:07 > 0:54:09so just call me and tell me where.
0:55:10 > 0:55:11Jenny?
0:55:15 > 0:55:16Jenny, where are you?
0:55:17 > 0:55:18Are you home?
0:55:20 > 0:55:22Where are you? SOBBING
0:55:22 > 0:55:24I'm sorry.
0:55:24 > 0:55:26I'm really, really sorry.
0:56:51 > 0:56:55MUSIC: "Sweet Dreams" by Marilyn Manson
0:57:01 > 0:57:05# Sweet dreams are made of this
0:57:05 > 0:57:09# Who am I to disagree...? #
0:57:11 > 0:57:15We've got another one. It's started again. There's two of them.
0:57:19 > 0:57:22- Call her!- I'm trying, I don't know where she is!
0:57:22 > 0:57:26# Some of them want to use you
0:57:26 > 0:57:31# Some of them want to get used by you
0:57:31 > 0:57:37# Some of them want to abuse you
0:57:37 > 0:57:43# Some of them want to be abused... #
0:57:49 > 0:57:52E-mail subtitling@bbc.co.uk