0:00:02 > 0:00:04I need what I asked for...today.
0:00:05 > 0:00:07Or we'll pop round, pay Jenny a visit.
0:00:07 > 0:00:11Whatever he was doing, he didn't want anyone else to know.
0:00:11 > 0:00:13Tell me that's not dirty.
0:00:13 > 0:00:16He's making a decision on the roll of a dice.
0:00:16 > 0:00:17Who to kill, when to kill...
0:00:17 > 0:00:18SCREAMING
0:00:18 > 0:00:20Whether or not to kill.
0:00:22 > 0:00:25Jenny.
0:00:25 > 0:00:29SHE GASPS
0:00:29 > 0:00:31I'm sorry.
0:00:31 > 0:00:33I'm really, really sorry.
0:00:42 > 0:00:45- I can't talk tonight. - We've got another one.
0:00:45 > 0:00:48It's started again. There's two of them.
0:00:53 > 0:00:59This programme contains some violent scenes and scenes which some viewers may find disturbing.
0:00:59 > 0:01:03HUBBUB
0:01:05 > 0:01:08- MAN:- Police! Stop him!
0:01:18 > 0:01:20Police! Stop that man!
0:02:15 > 0:02:22# Love is like a sin, my love
0:02:22 > 0:02:29# For the ones that feel it the most
0:02:30 > 0:02:35# Look at her with her eyes like a flame
0:02:37 > 0:02:42# She will love you like a fly will never love you. #
0:02:59 > 0:03:01- LUTHER: I've got to go to work.- Oh.
0:03:01 > 0:03:04Yes, I have to.
0:03:04 > 0:03:07Cos if I don't show up, they're going to wonder why.
0:03:08 > 0:03:11Can't afford that.
0:03:13 > 0:03:17The police are not our biggest worry right now.
0:03:18 > 0:03:20Toby's grandmother is.
0:03:20 > 0:03:23We have to move his car.
0:03:28 > 0:03:31BANGING
0:03:31 > 0:03:34WATER RUNNING
0:03:48 > 0:03:50Hey.
0:03:50 > 0:03:51Oi.
0:03:51 > 0:03:54I know what you're going through.
0:03:56 > 0:03:57I don't think you do.
0:03:59 > 0:04:00I just...
0:04:00 > 0:04:02Only two things matter right now.
0:04:02 > 0:04:05And one is, this was self-defence.
0:04:05 > 0:04:07And two...
0:04:09 > 0:04:11..I'll never let anyone hurt you.
0:04:11 > 0:04:13Ever.
0:04:16 > 0:04:19Now, Toby's car is still downstairs.
0:04:19 > 0:04:21I don't think I can do that.
0:04:21 > 0:04:25Jenny, listen to me. When we're scared, we don't think straight.
0:04:25 > 0:04:26Are you scared?
0:04:26 > 0:04:27Yeah.
0:04:27 > 0:04:30But if we act like scared people, we're going to get caught.
0:04:30 > 0:04:32We don't want that, do we?
0:04:32 > 0:04:34No.
0:04:34 > 0:04:38So I'm going to need you to help me carve some time to think this thing through.
0:04:38 > 0:04:39Yeah?
0:04:39 > 0:04:42What about him?
0:04:44 > 0:04:46SIGHS: All right.
0:04:46 > 0:04:51Listen to me, Jenny. While I'm gone, you've got to clean this place.
0:04:51 > 0:04:56Use the stuff in this bucket, OK? Get rid of the bucket.
0:04:58 > 0:04:59And I'll be back as soon as I can, OK?
0:05:12 > 0:05:14- I know what I saw. - I'm not saying you don't.
0:05:14 > 0:05:17- So what was Luther doing? - I don't know.
0:05:17 > 0:05:19- But you asked him.- I did, yeah.
0:05:19 > 0:05:21What did he say? "Not to worry, just a misunderstanding."
0:05:21 > 0:05:23At which point, you rolled over and let him tickle your tummy.
0:05:23 > 0:05:25- It wasn't like that. - Then what was it like?
0:05:25 > 0:05:28You've got to help me, Justin. I'm twisting in the wind here.
0:05:28 > 0:05:30I don't know which way to turn.
0:05:30 > 0:05:31I'm asking for help and you're giving me nothing.
0:05:33 > 0:05:34LUTHER: How bad?
0:05:34 > 0:05:36Three dead, four injured.
0:05:36 > 0:05:38Stab wounds and chemical burns.
0:05:38 > 0:05:41This is the last known victim, Richard Gardiner.
0:05:41 > 0:05:44Younger brother, brother's fiancee were among the injured.
0:05:46 > 0:05:48- Killer?- No sign.
0:05:48 > 0:05:50SOCO found this a few hundred yards down that way.
0:05:50 > 0:05:55The killer dropped his wallet in the chase. No ID, just cash and a keycard.
0:05:55 > 0:05:58Do we know to what hotel?
0:05:58 > 0:06:00No. There's a lot of myths about those things.
0:06:00 > 0:06:02All they contain is a check-in and check-out date.
0:06:02 > 0:06:06There's no way to identify the hotel it came from.
0:06:06 > 0:06:10So what do you think's going on? Do you think we've got a copycat?
0:06:12 > 0:06:15No, I think we've got two killers in competition.
0:06:17 > 0:06:20If we can find out the rules to the competition, we can stop them.
0:06:20 > 0:06:23Find out what door that opens.
0:06:23 > 0:06:26- Sir, show me the other side, please.- There's an advert on it.
0:06:26 > 0:06:29Got anything I can clean that up with?
0:06:29 > 0:06:32I'll see if Benny can do something with it.
0:06:32 > 0:06:36- Brothers?- No. More than that.
0:06:37 > 0:06:39They're twins.
0:06:39 > 0:06:42Twins with a shared psychosis.
0:06:42 > 0:06:44Turning one will not be easy.
0:06:44 > 0:06:48It might not even be possible without a map into their...heads.
0:06:48 > 0:06:51We don't even know what their names are.
0:06:51 > 0:06:53- I think you're right.- About what?
0:06:53 > 0:06:55It's a scoring system.
0:06:55 > 0:06:58You score a certain amount of points for who you kill,
0:06:58 > 0:07:02and then you get bonuses for where you kill 'em and how you kill 'em.
0:07:02 > 0:07:04So it's a sort of a tally of experience points.
0:07:04 > 0:07:07- Experience points? - Yeah, a way to measure your progress through a game.
0:07:07 > 0:07:12So...these men are...
0:07:12 > 0:07:16killing with hammers, knives, acid,
0:07:16 > 0:07:21because they have yet to score enough points to graduate to better weapons?
0:07:21 > 0:07:23- That's definitely a possibility, yeah.- And when this man
0:07:23 > 0:07:27has bludgeoned and stabbed enough people to death
0:07:27 > 0:07:33then he qualifies to kill even more people with, what - guns, bombs?
0:07:33 > 0:07:35We'll catch him before it gets to that point.
0:07:35 > 0:07:37- Ideas as to how?- We've got this.
0:07:37 > 0:07:40- We think it's an encrypted password.- To what?
0:07:40 > 0:07:43- If we can decode it, we can tell you.- What do you need?
0:07:43 > 0:07:46Well, it's a non-repeating, randomised sequence.
0:07:46 > 0:07:48- Like a book code? - Exactly like an old book code.
0:07:48 > 0:07:50To break the code...
0:07:50 > 0:07:52We need to know the book he's used to make the encryption.
0:07:52 > 0:07:54Not just the right title, we need the exact edition.
0:07:54 > 0:07:58So it's the password, is the way into this.
0:08:02 > 0:08:03What have you got?
0:08:03 > 0:08:05The ad's for the Frangipani restaurant.
0:08:05 > 0:08:07I'm checking with the owners to see if they can remember
0:08:07 > 0:08:08which hotel advertised them on their keycards.
0:08:08 > 0:08:10Find it, call me and I'll meet you there.
0:08:10 > 0:08:12- Will do.- I won't be long.
0:08:14 > 0:08:16Mr Kasemsarn?
0:08:16 > 0:08:20This is DS Gray from the Serious and Serial Crimes Unit.
0:08:20 > 0:08:22I'm enquiring about an advert you put out on a hotel keycard.
0:08:36 > 0:08:39- You know what you're doing and where you're going?- I think so.
0:08:39 > 0:08:42What if I get stopped? Does this look like it's my car?
0:08:42 > 0:08:44Don't get stopped.
0:08:44 > 0:08:46Buy some SIM cards.
0:08:46 > 0:08:49Don't use one SIM card more than once.
0:08:51 > 0:08:54If you do get stopped, don't say a word, not even your name.
0:08:54 > 0:08:57Tell the duty solicitor to call me and I'll come get you.
0:08:57 > 0:08:58Okey-dokey.
0:08:58 > 0:09:01Oi! Don't get stopped.
0:09:01 > 0:09:03All right, go on, then.
0:09:03 > 0:09:05STARTS ENGINE
0:09:05 > 0:09:07Easy on the accelerator.
0:09:09 > 0:09:10GEARS CRUNCH
0:09:12 > 0:09:15All right, go on. Put your seatbelt on!
0:09:15 > 0:09:17ENGINE STALLS
0:09:19 > 0:09:21STARTS ENGINE
0:11:12 > 0:11:14Not very good, are you, Frank?
0:11:14 > 0:11:17No, but apparently it's what you do when you get to my age.
0:11:17 > 0:11:20So what happened to your pet polecat?
0:11:20 > 0:11:23How do you mean?
0:11:23 > 0:11:24Where's Toby?
0:11:24 > 0:11:25He didn't show?
0:11:27 > 0:11:30What can I say? The kid's an embarrassment.
0:11:30 > 0:11:35Do me a favour, Frank. You tell him I need more time, more consultation
0:11:35 > 0:11:37and way better manners.
0:11:52 > 0:11:53Sir.
0:12:00 > 0:12:03- Good news is, we found this laptop. - Oh, yeah? So what's the bad news?
0:12:03 > 0:12:06- We need to find a particular book to break the password, yeah?- Yeah.
0:12:06 > 0:12:08Yeah, well, wait till you see this.
0:12:19 > 0:12:20It'll take weeks.
0:12:21 > 0:12:23But it's not right, though, is it?
0:12:23 > 0:12:25Not right how?
0:12:25 > 0:12:30Well, I mean, in order for a book code to work, you need the exact edition.
0:12:30 > 0:12:32That way, if you lose your book...
0:12:32 > 0:12:34You can get another copy of the exact same edition.
0:12:34 > 0:12:41Right, but all this, this lot here, this is all second-hand junk shop copies.
0:12:41 > 0:12:43I mean, how are you going to get an exact copy of that?
0:12:43 > 0:12:46Eh? Or...or that?
0:12:48 > 0:12:50No.
0:12:59 > 0:13:01I need to see another room.
0:13:17 > 0:13:20Gideon's Bible.
0:13:20 > 0:13:23There's one of these in every hotel room in the country.
0:13:24 > 0:13:26The key to breaking that code is in this book.
0:13:27 > 0:13:29Get that and that laptop back to Benny.
0:13:34 > 0:13:37Are you...? You know, are things all right?
0:13:37 > 0:13:39You solve your problem?
0:13:41 > 0:13:42I'm on top of it.
0:13:45 > 0:13:47I'll meet you back at the shop.
0:14:02 > 0:14:04- BABA:- Toby's missing.
0:14:04 > 0:14:06What do you mean, he's missing?
0:14:06 > 0:14:08Nobody's seen him since yesterday.
0:14:08 > 0:14:12- That's not missing. That's...late. - Not for Toby!
0:14:12 > 0:14:17He's had an argument with Frank, so he's probably embarrassed
0:14:17 > 0:14:20had a drink and decided to screw himself into a coma.
0:14:20 > 0:14:21What kind of argument with Frank?
0:14:21 > 0:14:25You can't blame Frank. I mean, he was doing a decent job.
0:14:25 > 0:14:29Toby...Toby is out of control.
0:14:33 > 0:14:36Best I can do is keep my ear to the ground.
0:14:36 > 0:14:38- If I hear anything, I'll let you know.- You do that.
0:14:38 > 0:14:39All right.
0:14:51 > 0:14:53PHONE RINGS
0:14:53 > 0:14:57- John?- I need you to get out of the flat now.
0:14:57 > 0:14:59- But I haven't finished. - Finish and get out.
0:14:59 > 0:15:02- 'Do they know?' - They know something's not right.
0:15:02 > 0:15:04- What if they find him? - They won't find him.
0:15:04 > 0:15:07- But what if they do? - I need you to get out of the flat
0:15:07 > 0:15:09keep your head down for a while, OK?
0:16:34 > 0:16:35SQUELCHING
0:16:45 > 0:16:46SQUELCHING
0:17:30 > 0:17:31Sorry, Toby.
0:18:09 > 0:18:11Wotcher.
0:18:17 > 0:18:19Frank, what are you doing here?
0:18:19 > 0:18:22Waiting for you. What are you doing here?
0:18:26 > 0:18:28What's in the boot, John?
0:18:28 > 0:18:30None of your business what's in my boot.
0:18:30 > 0:18:32Open it.
0:18:32 > 0:18:36So what are you saying, I open the boot or you shoot me?
0:18:36 > 0:18:38- Don't make me answer that. - Frank, you really want to do this?
0:18:38 > 0:18:41All right.
0:18:41 > 0:18:43All right. You win.
0:18:46 > 0:18:48Step back.
0:18:53 > 0:18:56- What's in that bag? - It's my work gear, all right?!
0:18:56 > 0:18:57My stabby, my body armour.
0:18:57 > 0:18:59- Zip it open.- Come on, Frank!
0:18:59 > 0:19:02Just do it!
0:19:18 > 0:19:22What a performance.
0:19:23 > 0:19:25You happy now, Frank?
0:19:25 > 0:19:28Listen, I'm going to go now.
0:19:28 > 0:19:30Before you embarrass yourself with another senior moment,
0:19:30 > 0:19:32why don't you do yourself a favour?
0:19:32 > 0:19:36Find your boy, slap him, take him back to his nan.
0:19:36 > 0:19:39And while you're at it, you give him a slap from me.
0:19:39 > 0:19:41I'm about done with all this.
0:19:47 > 0:19:49Shit!
0:19:52 > 0:19:54- CAROLINE:- What do you want?
0:19:54 > 0:19:56- FRANK:- To help you out.
0:19:56 > 0:19:58I've heard that one before.
0:19:58 > 0:20:00I'm still laughing.
0:20:00 > 0:20:03'Listen, you've got bigger things to worry about.'
0:20:03 > 0:20:06What do you mean? I don't know what you mean.
0:20:06 > 0:20:12It means I want five minutes alone with Jenny, ask her some questions.
0:20:12 > 0:20:16'She's not in trouble - I just need a chat, that's all.'
0:20:16 > 0:20:19You help me get that and I'm out of your hair for good. So is Luther.
0:20:19 > 0:20:21Right.
0:20:21 > 0:20:24And how do you intend to make that happen?
0:20:26 > 0:20:28- 'How do you think?'- Oh.
0:20:30 > 0:20:32Look...
0:20:32 > 0:20:34She's not here.
0:20:35 > 0:20:37I don't know where she is.
0:20:58 > 0:20:59How did I do?
0:21:01 > 0:21:02Did I do OK?
0:21:02 > 0:21:04You did great.
0:21:08 > 0:21:09Did great.
0:21:09 > 0:21:10Well done.
0:21:10 > 0:21:14All right? But this isn't over.
0:21:15 > 0:21:16Not yet.
0:21:19 > 0:21:24I need you to find a place to hide. Think you can do that?
0:21:26 > 0:21:28Think I might want my mum.
0:21:31 > 0:21:33Jenny, I don't think you should go back there.
0:21:33 > 0:21:35But if it makes you feel better...
0:21:38 > 0:21:40You're so nice.
0:21:40 > 0:21:42Why aren't you married?
0:21:45 > 0:21:46You should be, though.
0:21:48 > 0:21:50You should be married.
0:21:52 > 0:21:54All happy and everything.
0:21:55 > 0:21:57No-one'll have me.
0:21:59 > 0:22:00Go on.
0:22:02 > 0:22:03Let's go.
0:24:08 > 0:24:11- When did it happen? JUSTIN:- Six minutes.
0:24:11 > 0:24:13- Uniform got there two minutes ago. - And the killer?
0:24:13 > 0:24:15He ran onto Lyntall Street, but he could be anywhere.
0:24:15 > 0:24:18- How we doing with the rest of it? - Warm off the press.
0:24:18 > 0:24:20All right, cool.
0:24:20 > 0:24:21Excellent.
0:24:21 > 0:24:24- Get that other stuff and get in here.- OK.
0:24:26 > 0:24:29Your password was pretty secure.
0:24:32 > 0:24:33Cracked it.
0:24:39 > 0:24:41Liverpool Street, this happened.
0:24:45 > 0:24:47See, what he's done, to compensate for a low-scoring weapon
0:24:47 > 0:24:50- he's used a high-scoring strategy. - Mm.
0:24:50 > 0:24:54Then this. People carrier. Broad daylight.
0:24:54 > 0:24:58Males, right - that's good, isn't it, males?
0:24:58 > 0:25:00Um...loads of witnesses.
0:25:00 > 0:25:04- Again, another high-scoring tactic. - His name's Nicholas.
0:25:06 > 0:25:07Your name's Robert.
0:25:13 > 0:25:18The Japanese have got a great word for it, "hikikomori".
0:25:18 > 0:25:21It means people that withdraw from the world.
0:25:21 > 0:25:23That's what you and your brother have been doing, right?
0:25:23 > 0:25:25Now look at you.
0:25:25 > 0:25:27Banged up, in here. Game over.
0:25:27 > 0:25:29- While Nick...- Nicholas.
0:25:34 > 0:25:37..Nicholas...is out there,
0:25:37 > 0:25:40making up for all the times he was the quiet one.
0:25:41 > 0:25:45- He's scoring very high for audacity.- So?
0:25:45 > 0:25:47- So what do you think about that? - What do you think?
0:25:47 > 0:25:50Oh, I'll tell you what I think. I'm glad you asked that.
0:25:50 > 0:25:52I think that you and Nicholas are very, very close.
0:25:52 > 0:25:57Outstandingly so, even for twins.
0:25:57 > 0:25:59You want to know what else I think?
0:25:59 > 0:26:03I think there's a limit to that closeness.
0:26:03 > 0:26:05A limit.
0:26:05 > 0:26:09I mean, after all, you are one of two.
0:26:09 > 0:26:13Eh, Robert? You are a man in your own right.
0:26:13 > 0:26:16- Do you know what else you are? - What else am I?
0:26:16 > 0:26:19- You're winning. - I don't care about winning.
0:26:19 > 0:26:21You and your brother
0:26:21 > 0:26:24get them strangers all right.
0:26:24 > 0:26:25But when it's down to the last men standing,
0:26:25 > 0:26:28it's you against him, isn't it, Robert?
0:26:28 > 0:26:31And I think you do actually care who wins,
0:26:31 > 0:26:33because you really, really want it to be you.
0:26:35 > 0:26:37What are you asking me?
0:26:37 > 0:26:41I'm saying the way Nicholas is racking up a great score
0:26:41 > 0:26:43you won't be winning for much longer, will you?
0:26:43 > 0:26:46- So? - So why don't you help me catch him?
0:26:47 > 0:26:49Before he beats you.
0:26:55 > 0:26:57I'll play you for it.
0:26:57 > 0:27:01LAUGHS
0:27:01 > 0:27:02I can't do that.
0:27:02 > 0:27:04Then it isn't going to happen.
0:27:10 > 0:27:13What are the rules of the game?
0:27:13 > 0:27:16It's a dilemma throw. That makes it a straight 50/50,
0:27:16 > 0:27:19meaning I roll 1 to 10 I help you catch my brother.
0:27:19 > 0:27:21I roll 11 to 20, you're on your own.
0:27:25 > 0:27:27Go on, then.
0:27:48 > 0:27:50- If you do catch him...- Yeah?
0:27:51 > 0:27:52..tell him I love him.
0:28:08 > 0:28:11Sorry.
0:28:11 > 0:28:12Don't be.
0:28:15 > 0:28:17This is your home.
0:28:17 > 0:28:19You're welcome here any time.
0:28:23 > 0:28:25Do you want to tell me what's wrong?
0:28:31 > 0:28:34Are you on drugs?
0:28:34 > 0:28:35Is it drugs again?
0:28:37 > 0:28:40Did he hurt you?
0:28:40 > 0:28:41Did that man hurt you?
0:28:41 > 0:28:44No!
0:28:44 > 0:28:45Then what is it, love?
0:28:49 > 0:28:52I really want to tell you, but I can't.
0:28:52 > 0:28:54Why not?
0:28:56 > 0:28:57I just can't.
0:29:04 > 0:29:11So if Nicholas Millberry believed that his brother had escaped...
0:29:11 > 0:29:14This is how he would communicate - via the blog.
0:29:14 > 0:29:18Run it past me - exactly how do they communicate?
0:29:18 > 0:29:20Robert and Nicholas set up an everyday blog -
0:29:20 > 0:29:23by design, the most boring blog in the world.
0:29:23 > 0:29:26All but guaranteed to attract no traffic.
0:29:26 > 0:29:27But if does attract a passer-by...
0:29:27 > 0:29:29Well, they password-protected it.
0:29:29 > 0:29:30- But you cracked it. - Benny cracked it.
0:29:30 > 0:29:32- By breaking the book code?- Yeah.
0:29:32 > 0:29:36Yeah. Once you're in, the blog just consists of boring posts.
0:29:36 > 0:29:39So what, these posts are coded?
0:29:39 > 0:29:40Well, no. They speak via the comments.
0:29:40 > 0:29:43Nicholas'll have an RSS feed on his phone.
0:29:43 > 0:29:45So as soon as a new comment's posted, he'll receive an alert.
0:29:45 > 0:29:50Which means we can control and trace the communications.
0:29:50 > 0:29:53Have you got any better ideas?
0:29:55 > 0:29:57LOW MURMURING
0:30:21 > 0:30:24- Who was that? - God. Sorry, did I wake you?
0:30:24 > 0:30:25No.
0:30:28 > 0:30:30So who was it?
0:30:30 > 0:30:33- Esther.- Who?
0:30:34 > 0:30:35Esther.
0:30:35 > 0:30:39Used to live down the road from us, on Cavalry Close.
0:30:39 > 0:30:40The ginge?
0:30:40 > 0:30:42No. Esther.
0:30:44 > 0:30:46The one with all the boobs.
0:30:46 > 0:30:48That's her.
0:30:48 > 0:30:50I was supposed to go over and see her.
0:30:50 > 0:30:53But I cancelled for my girl.
0:30:53 > 0:30:55Thanks, Mum.
0:31:20 > 0:31:24John. I think my mum may have done something stupid.
0:31:24 > 0:31:27Give me two minutes and I'll call you back soon as I leave this building.
0:31:43 > 0:31:45Where's he going?
0:31:45 > 0:31:48He's working the case.
0:31:48 > 0:31:52Yeah, in mysterious ways, his wonders to perform.
0:31:52 > 0:31:53Why don't you just cut him some slack?
0:31:53 > 0:31:56And this feels right to you, does it?
0:31:56 > 0:31:58Deliberately feeding lies to the media.
0:31:58 > 0:32:00Because, correct me if I'm wrong,
0:32:00 > 0:32:02but it looks like that's what he's doing.
0:32:02 > 0:32:06The media don't care if it's lies, as long as there's a good story in it.
0:32:06 > 0:32:08Well, that's not the point, is it?
0:32:08 > 0:32:11Can you think of a better way to get Nicholas Millberry off the street?
0:32:24 > 0:32:28Touch a hair on her head and I'll rip your balls out.
0:32:37 > 0:32:39Don't worry - you're doing the right thing.
0:32:39 > 0:32:42Where is she?
0:32:42 > 0:32:44Jen!
0:32:46 > 0:32:47Jen!
0:32:51 > 0:32:55Genevieve... can you come out a minute, please?
0:32:57 > 0:32:58- Jen?- Where is she?
0:33:00 > 0:33:02I don't know...
0:33:02 > 0:33:04I don't know.
0:33:08 > 0:33:12What is going on here? If there is some kind of setup going on
0:33:12 > 0:33:14you are going to be the first to suffer.
0:33:14 > 0:33:16- Get her for me! Where is she? - I don't know!
0:33:16 > 0:33:19- Call her!- I've been trying. I don't where she is!
0:33:19 > 0:33:21- Call her again! - He's in there. Do I do it now?
0:33:21 > 0:33:24LUTHER: 'Yes. Do it now. Call the police.'
0:33:24 > 0:33:26- Don't worry about your mum. - Promise?
0:33:26 > 0:33:29If you want to help your mum, you need to keep it together
0:33:29 > 0:33:30and do as we agreed.
0:33:30 > 0:33:32And don't go back in there,
0:33:32 > 0:33:35cos Frank might not hurt your mum but he will hurt you.
0:33:35 > 0:33:36- All right?- OK.
0:33:36 > 0:33:40I've got to go. Keep it together, do it.
0:33:40 > 0:33:43You all right?
0:33:43 > 0:33:46It has to come from an anonymous police source.
0:33:46 > 0:33:50Police, please. I-I just seen a car pull up to this house.
0:33:50 > 0:33:52It's a silver...how do you say it? Hyund...
0:33:52 > 0:33:54Hyundai, yeah.
0:33:54 > 0:34:00This bloke got out and he was holding this gun or something.
0:34:00 > 0:34:01No, yeah, it was definitely a gun.
0:34:03 > 0:34:06Well, there's this other thing. I know this might sound mental...
0:34:06 > 0:34:10Shut up! All right, listen. Call your daughter.
0:34:10 > 0:34:13Tell her to be back here in ten minutes
0:34:13 > 0:34:16or I am going to go to work on you. Have you got that?
0:34:16 > 0:34:18PHONE RINGS
0:34:27 > 0:34:28SIREN WAILS
0:34:37 > 0:34:39Who called the police? Is there another way out?
0:34:39 > 0:34:42Yeah. Up...out there. Up...
0:34:45 > 0:34:46MAN: Police! Open up!
0:35:09 > 0:35:13- MAN: Guv, got a body. - John, you clever bastard.
0:35:33 > 0:35:36- Are we prepped?- Yeah.
0:35:36 > 0:35:40OK, so I've prepared some entries, based on some of Robert's posting.
0:35:40 > 0:35:43OK. What does that say?
0:35:43 > 0:35:45Um, hello, basically.
0:35:45 > 0:35:47Hello. Nothing wrong with saying hello.
0:35:47 > 0:35:53- Were you never young? - DS Gray...if you wouldn't mind? - Yes, ma'am.
0:35:53 > 0:35:57DS Gray, you apprised me that DCI Luther used the fire alarm
0:35:57 > 0:35:59as a pretext to gain access
0:35:59 > 0:36:04to Detective Superintendent Schenk's personal computer.
0:36:04 > 0:36:06Yes, ma'am, I did.
0:36:06 > 0:36:12I had IT run a report on Schenk's computer.
0:36:15 > 0:36:18It shows no activity during the fire alarm.
0:36:19 > 0:36:21What angle are you trying to work, Erin?
0:36:21 > 0:36:23Is there a plan? I hope you've got a plan,
0:36:23 > 0:36:27- this isn't just random game playing. - Ma'am, I'm confused.
0:36:27 > 0:36:30If you're so keen to smear a superior officer,
0:36:30 > 0:36:33you're going to have to be smarter than that, a lot smarter.
0:36:33 > 0:36:35Now get out of my sight.
0:36:35 > 0:36:37Go for a walk.
0:36:37 > 0:36:42Do some serious thinking about your future in this department
0:36:42 > 0:36:44and this service.
0:37:22 > 0:37:23Sorry.
0:37:26 > 0:37:28BENNY: Once we've posted a comment,
0:37:28 > 0:37:32his alert comes in on an RSS feed on his laptop or his mobile.
0:37:32 > 0:37:35As soon as he responds, I can trace his connection.
0:37:36 > 0:37:39- How did you do it? - How did I do what?
0:37:39 > 0:37:42- Guv, come on.- No, DS Gray,
0:37:42 > 0:37:43you come on.
0:37:43 > 0:37:46Was it you? Did you do it for him?
0:37:46 > 0:37:48Um...
0:37:48 > 0:37:53Sorry...what he says, Erin. You lost me at hello.
0:37:55 > 0:37:57LUTHER: Erin, what is going on?
0:37:59 > 0:38:02The creatures outside looked from pig to man, and from man to pig
0:38:02 > 0:38:05and still it was impossible to tell...
0:38:06 > 0:38:07..which was which.
0:38:12 > 0:38:14What was that about?
0:38:14 > 0:38:17- BENNY:- I'm not sure.
0:38:17 > 0:38:19I do know that Carroway had IT
0:38:19 > 0:38:21crawling all over Schenk's computer archives earlier.
0:38:21 > 0:38:24- Yeah?- Yeah.
0:38:24 > 0:38:26What do you think he's been up to?
0:38:26 > 0:38:30I don't know. I expect we'll find out soon enough.
0:38:30 > 0:38:32Right...
0:38:32 > 0:38:33let's get started.
0:38:33 > 0:38:35Type in "hello".
0:38:40 > 0:38:42Robert Millberry was arrested and taken into custody
0:38:42 > 0:38:45in connection with two brutal attacks in London two days ago.
0:38:45 > 0:38:48Police have refused to comments on reports that Robert Millberry
0:38:48 > 0:38:53escaped from custody today and is currently at large.
0:38:53 > 0:38:55The story has appeared in several internet news site
0:38:55 > 0:38:59but no official report has yet been published by the Met.
0:38:59 > 0:39:02Millberry allegedly escaped from a prisoner transfer van
0:39:02 > 0:39:04after overpowering a guard.
0:39:04 > 0:39:07Fears are growing that there's a link between Robert Millberry
0:39:07 > 0:39:10and the violent massacre that took place on a London underground station
0:39:10 > 0:39:12the night of his arrest.
0:39:41 > 0:39:43I did it.
0:39:43 > 0:39:45You did what, Justin?
0:39:45 > 0:39:48Hacked into the database, cleared all the history on Schenk's computer.
0:39:48 > 0:39:52So when Carroway went digging, there was nothing to find.
0:39:52 > 0:39:54Oh...
0:39:54 > 0:39:57She was only trying to do the right thing.
0:39:57 > 0:40:01She doesn't deserve to be punished for it - it's wrong.
0:40:01 > 0:40:03- Yeah, it is wrong. - I need to make it right.
0:40:03 > 0:40:05Justin, I will.
0:40:05 > 0:40:07Not you, me - I did it, so I need to make it right.
0:40:44 > 0:40:45Right, he's answering. He's live.
0:40:45 > 0:40:47LUTHER: 'All right, Benny, what we got?'
0:40:47 > 0:40:51Just give me a moment. He's connected to the blog. I'm tracing his ISP.
0:40:51 > 0:40:53Got him.
0:40:53 > 0:40:55He's at the Enspire Coffee Bar, Endymion Way.'
0:40:55 > 0:40:58John, we're closer than you. I'll see you there.
0:40:58 > 0:41:00LUTHER: All right.
0:41:00 > 0:41:02Gotcha.
0:41:05 > 0:41:06- All right, what's he saying? - He's joking,
0:41:06 > 0:41:09saying Robert should have stuck to the no-capture zone.
0:41:15 > 0:41:19Benny's asking him what his next move is. He's typed SEAL -
0:41:20 > 0:41:23- Slaying Everyone And Laughing. - 'Stay with him, Benny.
0:41:26 > 0:41:28'What's he saying now?'
0:41:28 > 0:41:32Benny's asking him to be more specific.
0:41:32 > 0:41:36OK. "Grinding MOBS". So he's talking about massacre.
0:41:48 > 0:41:50Something's wrong. He's stopped responding.
0:41:52 > 0:41:53Benny, we're almost there.
0:42:24 > 0:42:27I don't think he's talking about knives and hammers, guv.
0:42:29 > 0:42:31He's talking about carnage.
0:42:31 > 0:42:33We've got to stand these men down.
0:42:33 > 0:42:35It's too late.
0:42:35 > 0:42:39MAN: Nicholas Millberry, do not move!
0:42:39 > 0:42:42Police marksmen have you in their sights.
0:42:42 > 0:42:47Please stand, placing your hands slowly on your head.
0:42:56 > 0:42:58He's got something under his coat.
0:42:58 > 0:43:00It's not right, is it?
0:43:07 > 0:43:11All right, stand down, hold your fire. Hold fire!
0:43:12 > 0:43:15Right, that's a dead man's switch.
0:43:15 > 0:43:19We take a shot, his hand loosens on the trigger.
0:43:21 > 0:43:22Vest detonates.
0:43:22 > 0:43:24How big of a blast are we looking at?
0:43:26 > 0:43:31Given the bulk of that vest, we're looking at 100 foot kill radius.
0:43:48 > 0:43:50Boss, setting up.
0:44:09 > 0:44:15Assuming he maintains general bearing, we need roadblocks, here, here, here.
0:44:15 > 0:44:18We designate this area the hot zone.
0:44:18 > 0:44:21Evacuate buildings outside the hot zone only.
0:44:21 > 0:44:25Minimise bodies on the streets, clear a space, take him out.
0:44:25 > 0:44:29- Take him out? What about the bomb? - We're clearing the streets as best we can.
0:44:29 > 0:44:31What about the buildings? Look at all these buildings here.
0:44:31 > 0:44:34Everybody in the shops and offices inside this hot zone
0:44:34 > 0:44:36they just fend for themselves?
0:44:36 > 0:44:39What's the alternative? Cross your fingers and hope he walks out of London?
0:44:39 > 0:44:43Much more likely he's got a target in mind. They usually do.
0:44:43 > 0:44:46Say he's en route to a hospital or planning to blow himself up
0:44:46 > 0:44:50- in a primary school, what do we do then?- If you shoot him, people die.
0:44:50 > 0:44:54The question I have to live with is how can I keep that number as small as possible?
0:44:54 > 0:44:56YELLING
0:44:56 > 0:44:58- Come on!- Fast as you can.
0:44:58 > 0:45:00Move it! Leave it! Leave it!
0:45:01 > 0:45:03HELICOPTER WHIRRS ABOVE
0:45:30 > 0:45:34I can't intervene, it's not my call, and part of me thanks God
0:45:34 > 0:45:36because I don't know what I would do differently.
0:45:36 > 0:45:40Look, whatever you've got in mind, we've got to do it quickly.
0:45:47 > 0:45:50HELICOPTER WHIRRS
0:46:12 > 0:46:14MUFFLED VOICES ON POLICE RADIO
0:47:09 > 0:47:10- ERIN:- What's the plan, then?
0:47:10 > 0:47:13There is a plan, right?
0:47:49 > 0:47:51Wotcher.
0:47:55 > 0:47:57I'm John.
0:47:58 > 0:48:01- Do you want to play a game? - I already am.
0:48:01 > 0:48:03Oh, I know.
0:48:04 > 0:48:07- LUTHER'S VOICE AUDIBLE THROUGH RADIO - He's wired.
0:48:07 > 0:48:08Did we know he was wired?
0:48:08 > 0:48:10What have you done?
0:48:10 > 0:48:14LUTHER: In order to get to the next level, you need a lot more points.
0:48:14 > 0:48:17Correct me if I'm wrong, but you need a...a boss.
0:48:17 > 0:48:19You need to kill a boss.
0:48:19 > 0:48:23I'm the man at the end of that level, aren't I?
0:48:23 > 0:48:26I'm the man that's chasing you. I'm that boss.
0:48:26 > 0:48:28So if you beat me,
0:48:28 > 0:48:30you get to play on.
0:48:34 > 0:48:37You're going to like this.
0:48:40 > 0:48:41Check it out.
0:48:53 > 0:48:54SNIFFS
0:49:11 > 0:49:13Now you roll the dice.
0:49:14 > 0:49:18I guess the number - I beat you, you disarm that switch.
0:49:18 > 0:49:21If I lose...
0:49:21 > 0:49:23You're not serious.
0:49:23 > 0:49:25HE LAUGHS
0:49:25 > 0:49:26Look at me.
0:49:31 > 0:49:34Do I look like I'm joking?
0:49:35 > 0:49:36OK.
0:49:42 > 0:49:44Let's play in there.
0:50:11 > 0:50:13Joe, those men are going to have to come down from that roof
0:50:13 > 0:50:15because they have to have a clear line of fire.
0:50:17 > 0:50:20Joe, I need you to issue that order.
0:50:23 > 0:50:26Bring five shooters down from the roof.
0:50:26 > 0:50:29Make a perimeter round that truck and wait.
0:50:29 > 0:50:32Have I just authorised the death of a police officer?
0:50:41 > 0:50:47You know...I used to do this thing.
0:50:47 > 0:50:48Used to play Russian roulette.
0:50:48 > 0:50:51And why was that?
0:50:51 > 0:50:55Well, I...I guess because I was scared, you know?
0:50:55 > 0:51:00'I could control my actions but not the consequences of my actions.
0:51:00 > 0:51:02- 'Does that make any sense to you? - Yes.'
0:51:02 > 0:51:06A few weeks ago I realised that nobody can... nobody can... control that.
0:51:06 > 0:51:11An action leads to a reaction that leads to a reaction
0:51:11 > 0:51:13and it all becomes one chaotic system.
0:51:13 > 0:51:19That's why I can see how you and your brother made it simple.
0:51:19 > 0:51:20Turned it into a game.
0:51:21 > 0:51:23Right?
0:51:23 > 0:51:28I can...I can see that, it makes sense to me. Leave it to fate,
0:51:28 > 0:51:31to God, to a roll of the dice.
0:51:31 > 0:51:36The rest of that fuel...on you.
0:51:38 > 0:51:40I mean, it...it's tiny in here.
0:51:40 > 0:51:42- Just do it. - HE GIGGLES
0:52:02 > 0:52:03Roll it.
0:52:11 > 0:52:15Well, why don't you put the detonator down?
0:52:15 > 0:52:17Oh, no, I can't do that.
0:52:17 > 0:52:19Yes, you can.
0:52:19 > 0:52:24'Listen to me. You're at that end, I'm at this end.
0:52:24 > 0:52:27'I'm covered in fuel and you have a lighter.'
0:52:31 > 0:52:32OK.
0:52:49 > 0:52:51Close your eyes.
0:52:57 > 0:52:59- Ready?- Come on!
0:53:02 > 0:53:04OK, go.
0:53:09 > 0:53:10One guess.
0:53:14 > 0:53:15Are you scared?
0:53:16 > 0:53:19No, I'm not scared. Are you scared?
0:53:22 > 0:53:23No.
0:53:25 > 0:53:27So...
0:53:29 > 0:53:31..what do you say?
0:53:36 > 0:53:37What do you say?
0:53:37 > 0:53:40All right, here's what I say.
0:53:44 > 0:53:47The A between the L and the R.
0:53:47 > 0:53:49Aim low.
0:53:49 > 0:53:50What?
0:53:50 > 0:53:51You heard the man.
0:55:17 > 0:55:20He hated the boy, but he wouldn't kill him.
0:55:20 > 0:55:22I want you to find him.
0:55:22 > 0:55:25Find Frank and bring him to me.
0:55:27 > 0:55:28No.
0:55:29 > 0:55:31No, this is done.
0:55:31 > 0:55:32We're done.
0:55:32 > 0:55:34That's not for you to say.
0:55:34 > 0:55:37You see, you made a mistake coming to me, cos I'm not Frank.
0:55:38 > 0:55:40I never was Frank and I'll never be Frank.
0:55:40 > 0:55:42What are you, then?
0:55:42 > 0:55:44This is what I am.
0:55:44 > 0:55:47I spoke to a good friend of mine last night.
0:55:48 > 0:55:52If anything happens to Jenny or anything happens to me
0:55:52 > 0:55:55she is going to come for you with the wrath of God.
0:55:55 > 0:55:57She'll take whatever you've got left to love
0:55:57 > 0:56:00and make you regret the day you ever came across my path.
0:56:03 > 0:56:05Are we done?
0:56:05 > 0:56:07We're done.
0:56:21 > 0:56:25- You didn't really do that, did you? - Do what?
0:56:25 > 0:56:29Like, call up some totally psycho killer girl.
0:56:29 > 0:56:31- Her name's Alice.- Whatever.
0:56:31 > 0:56:33I don't know. What you think?
0:56:33 > 0:56:36Hmm... Dunno.
0:56:37 > 0:56:39I do know you were totally epic, though.
0:56:42 > 0:56:43Totally.
0:56:44 > 0:56:49MUSIC: "Palaces of Montezuma" by Grinderman
0:57:00 > 0:57:02LUTHER LAUGHS
0:57:13 > 0:57:15So, now what?
0:57:20 > 0:57:25# Come on, baby, let's get out of the cold
0:57:28 > 0:57:34# And gimme, gimme, gimme your precious love for me to hold
0:57:38 > 0:57:43# Come on, baby, come out of the cold
0:57:43 > 0:57:45# Oh, yeah
0:57:45 > 0:57:52# And gimme, gimme, gimme your precious love for me to hold
0:57:54 > 0:57:56# Yeah, come on
0:58:01 > 0:58:04# Yeah, come on Yeah, come on
0:58:06 > 0:58:10# Yeah, come on Yeah, come on
0:58:10 > 0:58:12# Yeah, come on. #
0:58:12 > 0:58:15Email: subtitling@bbc.co.uk