0:00:02 > 0:00:03Don't move.
0:00:04 > 0:00:06- This is my mate, Justin. - (LAUGHS) Hey there.
0:00:06 > 0:00:07- Hey.- And I love him.
0:00:07 > 0:00:11All I want is what you want - to have these people locked up,
0:00:11 > 0:00:14so they can't do any more harm to anyone else.
0:00:14 > 0:00:16Justin, I think I may have taken a wrong turn.
0:00:16 > 0:00:19- Do you want to talk about this properly?- That's why I'm here.
0:00:19 > 0:00:20No, I mean, properly.
0:00:20 > 0:00:23I not sure what's supposed to be going on here.
0:00:23 > 0:00:25I'm completely lost.
0:00:25 > 0:00:26That's why we're here.
0:00:26 > 0:00:30To help you understand how lost you really are.
0:00:30 > 0:00:34How am I supposed to trust you if you don't trust me?
0:00:34 > 0:00:36I will be back.
0:00:37 > 0:00:39I'm a copper, we're on the same side.
0:00:39 > 0:00:41I don't think you're going to shoot me.
0:00:41 > 0:00:44I warned you not to make me your enemy! I warned you!
0:00:44 > 0:00:47No. Don't you...don't you...
0:00:47 > 0:00:48Hey. Get up!
0:01:00 > 0:01:02Justin.
0:01:29 > 0:01:31MARY GASPS
0:01:44 > 0:01:46HE COCKS SHOTGUN
0:02:18 > 0:02:21Please.
0:02:30 > 0:02:32SHOTGUN BLAST
0:02:41 > 0:02:43SHE PANTS
0:02:43 > 0:02:45Oh, God. Key. Key. Key.
0:03:07 > 0:03:09HE COCKS SHOTGUN
0:03:26 > 0:03:28SHE WHIMPERS
0:03:54 > 0:03:56DISTANT SIRENS
0:04:13 > 0:04:15SIRENS APPROACH
0:05:04 > 0:05:06SIRENS WAIL
0:05:09 > 0:05:11Are you OK? You OK?
0:05:15 > 0:05:17Mary.
0:05:19 > 0:05:22What did John say to you exactly?
0:05:22 > 0:05:25He said...he said he was busy.
0:05:25 > 0:05:28And that I should meet him here, at his place.
0:05:37 > 0:05:38No.
0:05:38 > 0:05:40DOOR OPENS
0:05:45 > 0:05:46Erin?
0:05:48 > 0:05:50Man down.
0:05:51 > 0:05:53Justin Ripley.
0:06:19 > 0:06:24So what is it with John Luther and the people he loves?
0:06:47 > 0:06:51John, I don't know what to say. I don't have the words.
0:06:51 > 0:06:53FOOTSTEPS APPROACH
0:07:03 > 0:07:05Where is Mary?
0:07:07 > 0:07:09John Luther,
0:07:09 > 0:07:14you're under arrest for the murder of Detective Sergeant Justin Ripley
0:07:14 > 0:07:16and attempted murder of Mary Day.
0:07:32 > 0:07:37Mary! Hey, Mary. Mary! Hold on!
0:08:00 > 0:08:05# Love is like a sin My love
0:08:07 > 0:08:12# For the ones that feel it the most
0:08:15 > 0:08:19# Look at her with her eyes like a flame
0:08:22 > 0:08:25# She will love you like a fly
0:08:25 > 0:08:31# Will never love you again. #
0:08:49 > 0:08:52OK. From this side of the table,
0:08:52 > 0:08:56it looks like there's two people who could incriminate you,
0:08:56 > 0:09:02one of which is now dead by the hand of Tom Marwood.
0:09:02 > 0:09:06And Mary Day would be...had I not intervened.
0:09:06 > 0:09:08And you're welcome, by the way.
0:09:11 > 0:09:13You told her where to go, John.
0:09:16 > 0:09:19You told her where and when.
0:09:21 > 0:09:27And I think you did that because you wanted Marwood to kill her for you.
0:09:31 > 0:09:35Yesterday, a few hours before he shot and killed Justin Ripley,
0:09:35 > 0:09:38you spoke for some time to Mr Marwood.
0:09:38 > 0:09:41Your report notes that during this conversation,
0:09:41 > 0:09:43Tom Marwood asked for more time.
0:09:45 > 0:09:47"Give me two days."
0:09:51 > 0:09:53And then you let him go.
0:09:54 > 0:09:57Which makes me wonder, what was the quid pro quo?
0:09:57 > 0:09:58Shut your mouth.
0:09:58 > 0:10:06You let Marwood run free to kill his paedophiles and his scumbags.
0:10:09 > 0:10:13That's no skin off your nose. No humans involved.
0:10:13 > 0:10:16But then in exchange, does you a favour.
0:10:18 > 0:10:21He cleans up your mess.
0:10:25 > 0:10:26SLAMS FIST
0:10:30 > 0:10:32I loved him.
0:10:53 > 0:10:54HE SIGHS
0:10:57 > 0:11:02He's got too many friends. We'll have to move him.
0:11:26 > 0:11:28TYRE EXPLODES
0:11:33 > 0:11:35What is this, John?
0:11:35 > 0:11:37I don't know, George.
0:11:37 > 0:11:39Stay here.
0:11:55 > 0:11:57EXPLOSION
0:11:57 > 0:11:59GEORGE COUGHS
0:12:02 > 0:12:04GEORGE SCREAMS
0:12:07 > 0:12:09ERIN SCREAMS
0:12:09 > 0:12:11Erin!
0:12:27 > 0:12:28Wotcher.
0:12:31 > 0:12:35RADIO: 'Detective Ripley has been hailed a hero by his colleagues after
0:12:35 > 0:12:39'he was shot point blank in the chest by vigilante Thomas Marwood
0:12:39 > 0:12:41'who has been branded a coward...'
0:12:45 > 0:12:48HE GROANS IN FRUSTRATION
0:13:01 > 0:13:03Oh.
0:13:03 > 0:13:06If you're going to go on the run you're going to have to, er,
0:13:06 > 0:13:08lose the coat.
0:13:08 > 0:13:10It's my lucky coat.
0:13:10 > 0:13:12Lucky?!
0:13:12 > 0:13:15Right. Well, I would take it back to the shop, if I was you.
0:13:15 > 0:13:17Get your money back. It's obviously defective.
0:13:26 > 0:13:28This is a nice place.
0:13:28 > 0:13:30Is it yours?
0:13:30 > 0:13:32Don't be silly.
0:13:33 > 0:13:34Alice, what are you doing here?
0:13:34 > 0:13:36I saw the news.
0:13:37 > 0:13:38Where have you been?
0:13:38 > 0:13:40Berlin.
0:13:40 > 0:13:42I don't believe you.
0:13:42 > 0:13:43Oh, you should.
0:13:52 > 0:13:55I assumed you'd need it, eventually.
0:13:55 > 0:13:57Not yet.
0:13:59 > 0:14:02After Marwood. Then I'm done.
0:14:02 > 0:14:04Why? Because he killed your puppy?
0:14:06 > 0:14:11Oh, that's why you're here? To rub my nose in it?
0:14:11 > 0:14:15No. I came to help the people you love.
0:14:15 > 0:14:17I'm sorry?
0:14:17 > 0:14:20You assert this fabulous moral conscience, John.
0:14:20 > 0:14:23This adherence to unwritten law. Yet, time and again,
0:14:23 > 0:14:28it devastates the people you claim to hold dear, but you don't stop.
0:14:28 > 0:14:32It seems to me your conscience has killed more people than I have.
0:14:55 > 0:14:58Well, you know, you say "escape," George,
0:14:58 > 0:15:02but to me, this looks more like the scene of a violent abduction.
0:15:04 > 0:15:06By Marwood?
0:15:06 > 0:15:08Presumably.
0:15:08 > 0:15:11Why not pop him here? The way he did Ripley?
0:15:11 > 0:15:14Well, we won't know that until we ask him, will we?
0:15:14 > 0:15:17In the meantime, somewhere out there, there is
0:15:17 > 0:15:20a police officer in the hands of a known police killer.
0:15:20 > 0:15:23Well, either way, Martin...
0:15:23 > 0:15:28we both want DCI Luther returned to us at the earliest opportunity.
0:15:28 > 0:15:30A search is under way.
0:15:30 > 0:15:32Then widen it.
0:15:34 > 0:15:38You know, George, the Tom Marwood investigation is under my command,
0:15:38 > 0:15:40and God help you
0:15:40 > 0:15:44if you interfere with it or question my allocation of resources.
0:15:44 > 0:15:48DCI Luther does have some loyal friends, doesn't he?
0:15:48 > 0:15:49Oh, yes, he does.
0:15:55 > 0:15:58TV: 'One officer was shot dead and another badly injured.
0:15:58 > 0:16:02'In what the police say may be a related incident,
0:16:02 > 0:16:05'Milan Knizac has been attacked in Mortlake Prison.
0:16:05 > 0:16:07'Knizac is serving a life sentence
0:16:07 > 0:16:11'for the murder of Caitlin Marwood, Tom Marwood's late wife.
0:16:11 > 0:16:14'Caitlin Marwood was raped and murdered by Milan Knizac
0:16:14 > 0:16:17'four years ago, after he was released from prison
0:16:17 > 0:16:20'less than halfway through a nine-year sentence...'
0:16:22 > 0:16:24What do you want?
0:16:24 > 0:16:26Don't move!
0:16:26 > 0:16:28SHE SHRIEKS
0:16:28 > 0:16:30COCKS SHOTGUN
0:16:42 > 0:16:43MARY: So where are we going?
0:16:43 > 0:16:46TRICIA: We're taking you somewhere safe, just to be sure.
0:16:46 > 0:16:50But you can't honestly think John would ever hurt me?
0:17:42 > 0:17:45So where did you go?
0:17:45 > 0:17:48Oh, here and there. Got married.
0:17:48 > 0:17:49You got what?
0:17:49 > 0:17:51Married. Why?
0:17:51 > 0:17:54Does it add a tingle of the illicit to the conversation?
0:17:54 > 0:17:58It adds a tingle of disbelief, is what it does.
0:17:59 > 0:18:00Erm, where did you and...
0:18:00 > 0:18:04Bertrand. A conference in Sao Paolo.
0:18:04 > 0:18:07Oh, he was intensely intellectual.
0:18:07 > 0:18:08He "was"?
0:18:08 > 0:18:10Sadly, he passed away.
0:18:10 > 0:18:14Some little girls grow up wanting ponies.
0:18:14 > 0:18:16I always wanted to be a widow.
0:18:18 > 0:18:22So, what about you?
0:18:22 > 0:18:25Have you found someone, hmm?
0:18:30 > 0:18:32Yeah. Kind of.
0:18:32 > 0:18:33And is she interesting?
0:18:33 > 0:18:36- To whom?- Me!
0:18:36 > 0:18:37I don't know.
0:18:37 > 0:18:40Well, I imagine she wouldn't be, terribly.
0:18:40 > 0:18:42She wouldn't be some kind of Zoe surrogate.
0:18:42 > 0:18:45You've got enough self-knowledge to avoid that trap.
0:18:47 > 0:18:51So she's a pixie.
0:18:51 > 0:18:53A what?
0:18:53 > 0:18:55A pixie. A sprite.
0:18:55 > 0:18:59A daydream of the life you imagine you want to live.
0:18:59 > 0:19:03- Oh, dear, I feel a bit sorry for her. - You don't feel sorry for anyone.
0:19:03 > 0:19:07Well, quite. But in principle, I pity her.
0:19:07 > 0:19:10She's not what you want. She's what you want to want.
0:19:10 > 0:19:12What is it I want exactly?
0:19:15 > 0:19:19We're not talking about that. We're talking about Pixie.
0:19:19 > 0:19:21Pix... Her name is Mary.
0:19:21 > 0:19:22I know.
0:19:31 > 0:19:34TV: 'The officer shot dead last night has been named
0:19:34 > 0:19:36'as Detective Sergeant Justin Ripley.
0:19:36 > 0:19:39'Detective Sergeant Ripley is believed to have been killed by
0:19:39 > 0:19:44'Tom Marwood who first appealed to the public in this video yesterday.'
0:19:44 > 0:19:46MARWOOD: 'Four years ago,
0:19:46 > 0:19:49'she was raped and murdered by a man called Milan Knizac.'
0:19:49 > 0:19:51This him?
0:19:51 > 0:19:53This is him.
0:19:53 > 0:19:58Goodness gracious me. What a needy little fishy.
0:19:58 > 0:20:00Oh, he's got a hero complex.
0:20:00 > 0:20:04He needs public opinion to justify his own actions to himself.
0:20:07 > 0:20:09So what's the plan, Stan?
0:20:11 > 0:20:13I take away everything he wants.
0:20:13 > 0:20:15What does he want?
0:20:15 > 0:20:18To avenge his wife. To be admired. To become a martyr.
0:20:18 > 0:20:21All to make his wife's death mean something.
0:20:21 > 0:20:22You'd take all that from him?
0:20:26 > 0:20:27Yeah.
0:20:27 > 0:20:29That's cruel.
0:20:30 > 0:20:33It's the cruellest thing I can think of.
0:20:35 > 0:20:40OK. But if any police aren't out there looking for him,
0:20:40 > 0:20:45they're out there looking for you. So how do we even begin?
0:20:46 > 0:20:50- Well. First step - you're Thomas Marwood.- Mmm.
0:20:50 > 0:20:53You want to kill the man that killed your wife.
0:20:53 > 0:20:55- Mmm.- But Milan Knizac is in prison.
0:20:55 > 0:20:59- Mmm.- So how would you do it?
0:20:59 > 0:21:01With leverage.
0:21:01 > 0:21:05Give me a lever long enough and a fulcrum on which to place it,
0:21:05 > 0:21:09and...I can move the world.
0:21:39 > 0:21:41Nat?
0:21:46 > 0:21:48Nat?!
0:21:50 > 0:21:52PHONE RINGS
0:21:57 > 0:21:59Hello?
0:21:59 > 0:22:02It's not an easy thing, is it, when your wife is taken from you?
0:22:02 > 0:22:05Well, do as I tell you and you'll get her back.
0:22:09 > 0:22:11SHE SOBS
0:22:16 > 0:22:18SHE SCREAMS
0:22:34 > 0:22:36What is this place?
0:22:38 > 0:22:43Nobody knows we're here, Mary. Not John, none of his friends.
0:22:43 > 0:22:47So, as long as we stay here, we're safe, OK?
0:22:47 > 0:22:50Just...try and make yourself comfortable.
0:23:23 > 0:23:25PHONE RINGS
0:23:25 > 0:23:26Benny.
0:23:32 > 0:23:33Schenk.
0:23:44 > 0:23:47Well, never let it be said that you are less than audacious,
0:23:47 > 0:23:49Miss Morgan.
0:23:49 > 0:23:52Well, I've got an issue with impulse control, Martin.
0:23:52 > 0:23:55It's in the genes apparently.
0:23:55 > 0:23:59You know, Miss Morgan, I must remind you, I'm a police officer
0:23:59 > 0:24:02and you are a fugitive from justice.
0:24:02 > 0:24:04And that, by walking in here,
0:24:04 > 0:24:07you have, by default, surrendered your liberty.
0:24:07 > 0:24:11Well, you're entitled to send me back. I wouldn't take it personally.
0:24:11 > 0:24:14- Besides, I'd only escape. - I have no doubt.
0:24:14 > 0:24:19Meanwhile, John will be in prison. Or dead at the hands of Tom Marwood.
0:24:21 > 0:24:26Now, me, I'm as guilty as sin. Name it, I've done it.
0:24:26 > 0:24:31But John's as innocent as I am culpable.
0:24:31 > 0:24:34So I suppose the question I'm here to ask is - which matters more?
0:24:34 > 0:24:38Punishing my guilt? Or proving John's innocence?
0:24:40 > 0:24:43Now John has asked me to tell you
0:24:43 > 0:24:47that Tom Marwood won't allow himself to be arrested.
0:24:47 > 0:24:52He intends to commit suicide by cop, to die a martyr to his own cause.
0:24:52 > 0:24:55Now John knows how to bring him in alive.
0:24:55 > 0:25:00But he's going to need your support.
0:25:02 > 0:25:04What exactly does he need?
0:25:07 > 0:25:13For starters, anything you have on Milan Knizac.
0:25:13 > 0:25:17Oh, and I'm going to need a personnel file.
0:25:20 > 0:25:22Thank you, boys.
0:25:32 > 0:25:35Why did you come back?
0:25:35 > 0:25:37I beg your pardon?
0:25:37 > 0:25:38You heard.
0:25:38 > 0:25:40I told you. I saw the news.
0:25:40 > 0:25:44Alice, come on. None of this Berlin bullshit.
0:25:44 > 0:25:46You've been in London for weeks.
0:25:46 > 0:25:49What makes you say that?
0:25:49 > 0:25:50I saw a receipt for those boots.
0:25:52 > 0:25:53- Ah.- Ah.
0:25:55 > 0:25:58I wanted something.
0:25:58 > 0:25:59- What?- You.
0:26:05 > 0:26:07Alice, Mary and I...
0:26:07 > 0:26:12Oh, do be serious. You'll be bored silly by the end of the week.
0:26:12 > 0:26:14- You and I are...- What?
0:26:17 > 0:26:19Well...
0:26:24 > 0:26:26SIREN WAILS
0:26:29 > 0:26:31PHONE RINGS
0:26:31 > 0:26:32- What do I do? - Let me have it, please.
0:26:32 > 0:26:35Erin, no. Leave it, it's fine.
0:26:35 > 0:26:41If it's him, it's important we know what he says. OK. Answer.
0:26:41 > 0:26:44Hello?
0:26:44 > 0:26:46'Mary. Where are you?'
0:26:48 > 0:26:51I can't tell you that, John.
0:26:51 > 0:26:53They...they won't let me tell you.
0:26:53 > 0:26:57All right. OK, of course they won't. Look, I won't be long, OK?
0:26:57 > 0:27:00I just want to tell you something and I want you to hear me
0:27:00 > 0:27:01say it, all right?
0:27:01 > 0:27:04I haven't done any of the things they're saying I did.
0:27:08 > 0:27:10Are you OK?
0:27:10 > 0:27:11Yeah.
0:27:11 > 0:27:13Hi, yeah, we've got a trace on DCI Luther.
0:27:13 > 0:27:15Well, look, don't be scared.
0:27:15 > 0:27:19George Stark's a bit of a dick but he means well, I guess.
0:27:19 > 0:27:25And Erin Grey, well, she just... She's got me all wrong, all right.
0:27:25 > 0:27:27But she's a good woman and...
0:27:27 > 0:27:31when push comes to shove, you can, well, you can trust her.
0:27:31 > 0:27:32OK.
0:27:32 > 0:27:35Are they with you now?
0:27:35 > 0:27:36SHE SIGHS
0:27:37 > 0:27:41What about you? Are you, um...OK?
0:27:43 > 0:27:45Yeah.
0:27:48 > 0:27:50Yeah.
0:28:05 > 0:28:07Benny...
0:28:14 > 0:28:16Guv, can I have a word?
0:28:16 > 0:28:18- Huh?- Now, please.
0:28:29 > 0:28:31What the hell was that? Letting her talk to him?
0:28:31 > 0:28:33What if he traces the call?
0:28:35 > 0:28:37Oh, my God.
0:28:39 > 0:28:42You're trying to lure him here! Are you mad?
0:29:13 > 0:29:14How is she?
0:29:14 > 0:29:16Safe.
0:29:16 > 0:29:17PHONE BEEPS
0:29:21 > 0:29:23Did you find anyone?
0:29:25 > 0:29:27It'll be in one of these.
0:29:31 > 0:29:34OK. OK.
0:29:34 > 0:29:36Oh, I'm bored of this already.
0:29:36 > 0:29:39OK. Milan Knizac is in the prison hospital
0:29:39 > 0:29:40because someone cut his throat.
0:29:40 > 0:29:44Joe Green has got access to him - he's a prison doctor.
0:29:44 > 0:29:47He's also married to Natalie Green, who's pregnant.
0:29:47 > 0:29:50So that's who I'd go for, if I wanted Milan Knizac dead.
0:29:50 > 0:29:52And I needed leverage.
0:30:14 > 0:30:16- Who are you?- Police.
0:30:16 > 0:30:19- He said no police! No police! - HE SOBS
0:30:19 > 0:30:22Just stay there, just stay there.
0:30:23 > 0:30:27Alice, Marwood's gone. We missed him, all right.
0:30:27 > 0:30:28He's long gone.
0:30:34 > 0:30:36SHE SOBS QUIETLY
0:30:42 > 0:30:45All right, so what did he say exactly?
0:30:45 > 0:30:47That I should report to work tomorrow
0:30:47 > 0:30:49and kill Milan Knizac with a lethal injection.
0:30:49 > 0:30:51And if you don't?
0:30:52 > 0:30:56He'll make sure that what Knizac did to his wife is done to mine.
0:30:58 > 0:31:00He said that if I called the police...
0:31:00 > 0:31:03I'm not police. I was the police. But I'm not any more.
0:31:03 > 0:31:04Who the hell are you then?
0:31:04 > 0:31:07I'm the man that's going to bring Natalie back.
0:31:08 > 0:31:11Where are you going? You can't just leave me here!
0:31:11 > 0:31:13If I take you with me, you'll do something stupid.
0:31:13 > 0:31:17You won't be able to help yourself. You love Natalie, right?
0:31:17 > 0:31:19What about him? Tom Marwood? What about him?
0:31:19 > 0:31:21He won't know what hit him.
0:31:24 > 0:31:27Benny, small change of plans.
0:31:27 > 0:31:32I need you to get a trace on the last number who called this phone.
0:31:32 > 0:31:33Yeah.
0:32:16 > 0:32:20Hello. This is Ryan Clark.
0:32:22 > 0:32:27He was over the limit, high on meth, he was banned from driving
0:32:27 > 0:32:31and behind the wheel of a stolen car
0:32:31 > 0:32:36when he ran over and killed a 12-year-old boy.
0:32:38 > 0:32:41Mr Clark then fled the scene.
0:32:41 > 0:32:45He was in prison for less than five years.
0:32:45 > 0:32:48This is not about Ryan Clark's rights -
0:32:48 > 0:32:50this is about our responsibilities.
0:32:50 > 0:32:55This is about us doing for ourselves what the state refuses to do for us.
0:32:57 > 0:33:00People like me have tried to be reasonable,
0:33:00 > 0:33:03we have tried to be reasonable but nobody's listened.
0:33:03 > 0:33:05Oh, boy.
0:33:05 > 0:33:08He really does need the world to love him, doesn't he?
0:33:08 > 0:33:11So now a 12-year-old boy is dead.
0:33:11 > 0:33:17My wife is dead. Many other people are dead.
0:33:20 > 0:33:22Well, no more.
0:33:24 > 0:33:28I have a list of people like Ryan Clark
0:33:28 > 0:33:32and I will execute them at a rate of one a day, every day,
0:33:32 > 0:33:37until the Prime Minister agrees to hold a referendum
0:33:37 > 0:33:40on the death penalty. Now, that's all I'm asking for,
0:33:40 > 0:33:44is for the people of this country to be given a choice.
0:33:44 > 0:33:48It's not like you gave Justin Ripley a choice, is it?
0:33:50 > 0:33:51That man's death is on your head.
0:33:51 > 0:33:53Well, I don't see how that can be right.
0:33:53 > 0:33:57- I didn't ask you to kill him. - I warned you to stay away.
0:33:57 > 0:34:00You can't hold me accountable if you choose not to listen.
0:34:00 > 0:34:02See, the thing is, I can hold you accountable.
0:34:02 > 0:34:04Me being a copper and all that.
0:34:15 > 0:34:18- What... G-Give me that camera. - Oh, I don't think so.
0:34:18 > 0:34:21Give me that camera or I will shoot him!
0:34:21 > 0:34:22No, you won't, Thomas.
0:34:22 > 0:34:27Not on camera, because people do hate a cop killer
0:34:27 > 0:34:30and you so very much want to be admired,
0:34:30 > 0:34:33which is a defect, really, in a multiple murderer but...
0:34:33 > 0:34:35- Do not move another step. - She's got a point there, Tom.
0:34:35 > 0:34:38I mean, you're not going to shoot an innocent man, a cop.
0:34:38 > 0:34:39Not for the world to see.
0:34:39 > 0:34:42Turn off the camera! Turn off that camera now!
0:34:42 > 0:34:45Why don't you just stop all this, all right?
0:34:45 > 0:34:47And tell us where you're keeping Natalie Green.
0:34:47 > 0:34:50Who has she ever hurt in her life? No-one.
0:34:50 > 0:34:52Not to mention the fact that she's pregnant.
0:34:52 > 0:34:55Shut up! Shut up!
0:34:55 > 0:34:58Come on, Tom. Come on! Just let her go.
0:34:58 > 0:35:02You being the...the defender of the innocent.
0:35:03 > 0:35:06Stop, stop! Turn it off!
0:35:06 > 0:35:09Whoever the hell you are, turn off that camera.
0:35:09 > 0:35:11Tell her to turn it off.
0:35:11 > 0:35:13Look. Look, just put it down. Put it down.
0:35:13 > 0:35:15Put it down and turn it off. Do as the man says.
0:35:15 > 0:35:18You hear me, do it, do it, do it.
0:35:23 > 0:35:25Now move away, move away.
0:35:31 > 0:35:33Oh, what are you going to do now, DCI Luther?
0:35:33 > 0:35:35What are you going to do now, Tom?
0:35:35 > 0:35:37She's not going to come back, you know.
0:35:37 > 0:35:39I don't care if she does. I've got the camera.
0:35:39 > 0:35:43Problem is, the world is going to see that you're not actually a hero.
0:35:43 > 0:35:48You're just a cop killer that would kidnap a pregnant woman.
0:35:48 > 0:35:50I mean, come on, that's nasty!
0:35:50 > 0:35:54She's gone, Tom. There's no point running after her.
0:35:54 > 0:35:55She's gone.
0:36:06 > 0:36:07Bingo.
0:36:07 > 0:36:10You, you! Bring her back! Bring her back!
0:36:10 > 0:36:15Tom, it's not like I can actually show the tape to anyone really.
0:36:15 > 0:36:17- Eh?- W-Why not? Why not?
0:36:17 > 0:36:19Let's say I did. What do you stand to lose?
0:36:19 > 0:36:22You...you still can kill Natalie Green.
0:36:22 > 0:36:27I don't have her, you do. So, er, I've got what you want.
0:36:27 > 0:36:29And you've got what I want.
0:36:33 > 0:36:34So what do we do now?
0:36:34 > 0:36:38You take me to Natalie. All right, you let her go.
0:36:38 > 0:36:41What and then you, you give me back the tape?
0:36:43 > 0:36:45Give it right back.
0:36:50 > 0:36:52Liar.
0:36:52 > 0:36:54LUTHER CRIES OUT
0:36:58 > 0:37:00HE SCREAMS IN PAIN
0:37:00 > 0:37:05See, you forgot that I had stolen...
0:37:07 > 0:37:10I stole your phone, remember?
0:37:10 > 0:37:14So I have heard all those lovely, intimate messages from...
0:37:14 > 0:37:17Mary Day, was it?
0:37:24 > 0:37:32So, you get me that tape, and I give you back your Mary. OK?
0:37:43 > 0:37:45SHE WHIMPERS
0:38:13 > 0:38:15LUTHER GASPS, GRUNTS
0:38:36 > 0:38:40I'm a police officer. Give us that phone, I need that phone.
0:38:40 > 0:38:43- What are you doing? - I just need this phone.
0:38:43 > 0:38:44PHONE RINGS
0:38:46 > 0:38:47Hello?
0:38:47 > 0:38:50Put George on the phone now. On speaker. Just do it!
0:38:50 > 0:38:52OK. OK. You're on speaker.
0:38:52 > 0:38:55You have to get Mary out of there right now!
0:38:55 > 0:38:57Do you understand me?
0:38:57 > 0:38:59I think we've had enough of that.
0:38:59 > 0:39:01Oi!
0:39:01 > 0:39:04What are you doing?
0:39:04 > 0:39:05George?
0:39:05 > 0:39:09He's trying to lure us out of here. Please, trust me.
0:39:09 > 0:39:14Boss, you need to get C019 down to Paragon... Paragon Towers right now.
0:39:14 > 0:39:16Get them there.
0:39:39 > 0:39:41Hello, Tinkerbell.
0:40:03 > 0:40:06WATER BOTTLE CLUNKS, ECHOES
0:40:08 > 0:40:10It's John.
0:40:10 > 0:40:14There's nothing to worry about.
0:40:14 > 0:40:17We need you to stay here, OK?
0:40:45 > 0:40:47- Who the hell are you?- Shh.
0:40:55 > 0:40:56What's that?
0:40:56 > 0:41:00Proof you shouldn't need of the kind of man John Luther actually is.
0:41:22 > 0:41:26When Stark and the lesbian get back, you show them this.
0:41:26 > 0:41:29Oh, and if you ever betray him like this again...
0:41:31 > 0:41:34..I'll kill you and eat you.
0:41:39 > 0:41:41How does that sound?
0:42:27 > 0:42:28What's your name?
0:42:28 > 0:42:30(PANTING) What?
0:42:30 > 0:42:32What's your name?
0:42:34 > 0:42:35Are you Mary?
0:42:37 > 0:42:38Are you Mary?!
0:42:38 > 0:42:41Yes. Yes, yes, I'm Mary.
0:42:41 > 0:42:43Did John send you to do this?
0:42:43 > 0:42:47To do what? I don't know what you're talking about.
0:42:47 > 0:42:48John Luther.
0:42:51 > 0:42:53I know what Mary sounds like.
0:42:53 > 0:42:57I've heard her voice. You don't sound like Mary.
0:42:57 > 0:42:59I am Mary. I'm Mary. I'm Mary.
0:42:59 > 0:43:01Show me your wallet.
0:43:04 > 0:43:05NOW!
0:43:13 > 0:43:14What are you doing?
0:43:26 > 0:43:28ALICE SIGHS
0:43:28 > 0:43:33So I've got bullets, but no gun. That's quite Zen.
0:43:39 > 0:43:41You're Erin Grey.
0:43:44 > 0:43:46D-Don't.
0:43:48 > 0:43:50GUNSHOT
0:43:50 > 0:43:52MARY WHIMPERS
0:43:55 > 0:43:56Find me a nail.
0:43:56 > 0:43:58W-What kind of nail?
0:43:58 > 0:44:00A nail nail. As in, a hammer and...
0:44:00 > 0:44:02OK.
0:44:36 > 0:44:38- Mary?- Yeah?- Is the door locked?
0:45:06 > 0:45:09Stop! Stop, stop, stop.
0:45:09 > 0:45:14Police officer, open the door. Come on, come on. Get out.
0:45:42 > 0:45:43Give me the nail.
0:45:45 > 0:45:46MARY BREATHES UNSTEADILY
0:45:46 > 0:45:49- Shh. Breathe, Tinkerbell. - I don't know who you are.
0:45:49 > 0:45:52- Open the door.- What?- Gently.
0:45:56 > 0:45:58Close.
0:46:01 > 0:46:03Lean all your weight on the door.
0:46:03 > 0:46:04MARY GASPS
0:46:04 > 0:46:05Shh.
0:46:25 > 0:46:27BULLET FIRES
0:46:27 > 0:46:28HE GASPS
0:46:36 > 0:46:39Whoa, whoa, whoa, whoa, whoa, whoa, whoa.
0:46:41 > 0:46:43Nice try. Nice try, Mary.
0:46:47 > 0:46:52Tom! Isn't it time we knocked this on the head?
0:46:52 > 0:46:56Both of you. Move. Move! Move!
0:46:56 > 0:46:57Hey! Come on!
0:46:57 > 0:46:59Come on. Move it! Move it!
0:47:10 > 0:47:13Mary, it's going to be all right, OK?
0:47:18 > 0:47:22Tom, where's Natalie Green?
0:47:22 > 0:47:24SIRENS WAIL
0:47:36 > 0:47:38Well, I'm going to be dead in a moment,
0:47:38 > 0:47:41so I suppose you're going to have to live with the never knowing.
0:47:41 > 0:47:44No, don't punish me by hurting Natalie, OK? She's done nothing.
0:47:44 > 0:47:46Who the hell do you think you are?
0:47:46 > 0:47:49To walk in here, after what you've done to me,
0:47:49 > 0:47:51and dictate what I can and can't do?
0:47:51 > 0:47:53GUNSHOT
0:47:53 > 0:47:56No! Tom, don't. Stop, don't.
0:48:04 > 0:48:06You can choose, you can have one.
0:48:06 > 0:48:08Sorry?
0:48:08 > 0:48:09I said pick one.
0:48:15 > 0:48:16Why?
0:48:16 > 0:48:18So you know what it feels like.
0:48:19 > 0:48:22Time's running out.
0:48:23 > 0:48:26Please don't do this.
0:48:26 > 0:48:28It's your last chance.
0:48:28 > 0:48:31I can't. I can't pick one.
0:48:31 > 0:48:34Then you'll walk out of here alone.
0:48:34 > 0:48:36Tom. Please. Please.
0:48:41 > 0:48:44It's ugly, isn't it? Being impotent.
0:48:44 > 0:48:50Being degraded by a violent man that you'll never get to punish.
0:48:54 > 0:48:55Now pick.
0:48:57 > 0:49:00No.
0:49:00 > 0:49:02Fine.
0:49:02 > 0:49:05Stop! Just stop pointing that gun at her head. Stop.
0:49:05 > 0:49:08- Then choose.- I can't choose one.
0:49:08 > 0:49:11- Five. Four.- Please!
0:49:11 > 0:49:13Three.
0:49:13 > 0:49:15Two.
0:49:15 > 0:49:17- One!- All right!
0:49:17 > 0:49:19All right!
0:49:23 > 0:49:25Have you chosen?
0:49:25 > 0:49:26Yes.
0:49:26 > 0:49:30Then say it. Say her name.
0:49:34 > 0:49:35Say it now!
0:49:42 > 0:49:44Alice.
0:49:44 > 0:49:46MARY WHIMPERS
0:49:46 > 0:49:48Say it again.
0:49:53 > 0:49:55Shoot Alice.
0:49:55 > 0:49:56Say it again!
0:49:58 > 0:50:00Alice.
0:50:00 > 0:50:01No!
0:50:01 > 0:50:03GUNSHOT
0:50:09 > 0:50:13Oops. Sorry, couldn't resist.
0:50:15 > 0:50:18Run! Run. Run. Get out of here. Run! Go on.
0:50:21 > 0:50:23Go!
0:50:26 > 0:50:32Now, if I let this go, you'll die. Which is what you want, isn't it?
0:50:32 > 0:50:35- Eh? But if I apply pressure just here...- No.
0:50:35 > 0:50:40- ..there's a good chance you'll live. - No! Please. Please. Don't. Please.
0:50:40 > 0:50:44- Beg me.- Please. - Beg me!- I'm begging you.
0:50:44 > 0:50:47Then where's Natalie? Where is she?
0:50:47 > 0:50:50- Please.- Come on, Tom. Come on, Tom.
0:50:50 > 0:50:53- The medics are coming, they're going to save your life.- No.
0:50:56 > 0:50:59She's in, she's in Cathay Street.
0:50:59 > 0:51:01- How do I know you're not lying? - No. It's true. It's true.
0:51:01 > 0:51:05- How do I know? Is it true? - Please. Just let go. Please.
0:51:06 > 0:51:08You're ready to go?
0:51:08 > 0:51:11Yeah, I'm ready. I'm ready. I'm ready.
0:51:12 > 0:51:13Please...
0:51:13 > 0:51:16Not on your nelly.
0:51:16 > 0:51:20- Medic! Medic!- No!
0:51:23 > 0:51:26I need him alive, put pressure right here. Here!
0:51:39 > 0:51:41All right, upstairs.
0:51:41 > 0:51:42Sir.
0:51:42 > 0:51:43SIREN WAILS
0:51:59 > 0:52:00Natalie?
0:52:05 > 0:52:07We're the police.
0:52:12 > 0:52:14You're safe now.
0:52:31 > 0:52:33Hold on, hold on.
0:52:52 > 0:52:53BENNY: Boss.
0:52:53 > 0:52:55What's happening?
0:52:55 > 0:52:57They arrested Alice Morgan.
0:52:57 > 0:52:59Where is she?
0:53:03 > 0:53:05- And Mary?- She left you a message.
0:53:10 > 0:53:11She gave you this?
0:53:11 > 0:53:13She put it into my hand herself.
0:53:16 > 0:53:18Benny, I appreciate it, pal.
0:53:22 > 0:53:25Where you going, boss? She went that way.
0:53:25 > 0:53:27I just want to say sorry to Alice.
0:53:50 > 0:53:55There's been a mix up over who's who.
0:53:55 > 0:53:59I expect they'll, er, they'll work it out in a couple hours.
0:54:03 > 0:54:09I don't care what she's done, John.
0:54:09 > 0:54:11She saved my life.
0:54:17 > 0:54:20So you should probably...go.
0:54:22 > 0:54:25Yeah.
0:54:25 > 0:54:26Yeah.
0:54:26 > 0:54:27I should do that.
0:54:39 > 0:54:42- I...- I know.
0:54:43 > 0:54:45Me too.
0:54:59 > 0:55:01Go on. Go.
0:55:39 > 0:55:42HELICOPTER WHIRS
0:56:03 > 0:56:06MUSIC: "Never Gonna Give You Up" by The Black Keys
0:56:06 > 0:56:09# Girl, you treat me bad
0:56:09 > 0:56:12# And I know why
0:56:12 > 0:56:15# I've seen you running around
0:56:15 > 0:56:18# With another guy
0:56:18 > 0:56:22# And you think if you hurt me
0:56:22 > 0:56:24# That I'll go away
0:56:24 > 0:56:27# But I've made up my mind You know I'm
0:56:27 > 0:56:30# I'm here to stay
0:56:30 > 0:56:34# Never gonna give you up
0:56:34 > 0:56:36# No matter how you treat me
0:56:36 > 0:56:40# Never gonna give you up
0:56:40 > 0:56:43# So don't you think of leavin'
0:56:43 > 0:56:46# Baby, don't you understand
0:56:46 > 0:56:49# What you're doing to the man?
0:56:49 > 0:56:51# Do you see these tears... #
0:56:51 > 0:56:53It was clever. The choice you made.
0:56:53 > 0:56:55# ..In my eyes?
0:56:55 > 0:56:58# Ain't no use in lyin'... #
0:56:58 > 0:57:00Marwood?
0:57:00 > 0:57:03Alive. Suffering.
0:57:03 > 0:57:05Good.
0:57:05 > 0:57:08# ..And put me on a shelf
0:57:08 > 0:57:10# I'd rather die
0:57:10 > 0:57:14# Than see you with somebody else... #
0:57:14 > 0:57:16You really do need to lose the coat.
0:57:16 > 0:57:18# ..Never gonna give you up
0:57:18 > 0:57:21# No matter how you treat me
0:57:21 > 0:57:24# Never gonna give you up
0:57:24 > 0:57:27# So don't you think of leavin'
0:57:27 > 0:57:30# Baby, don't you understand
0:57:30 > 0:57:33# What you're doin' to the man? #
0:57:47 > 0:57:50So...now what?
0:57:50 > 0:57:53# ..That I'm your fool
0:57:53 > 0:57:55# And you're using me
0:57:55 > 0:57:58# Like a carpenter uses a tool
0:58:00 > 0:58:02# I know their intentions
0:58:02 > 0:58:04# Are all very good
0:58:06 > 0:58:09# Some of them would help me
0:58:09 > 0:58:11# If they could
0:58:11 > 0:58:15# But I'm never gonna give you up
0:58:15 > 0:58:18# No matter how you treat me
0:58:18 > 0:58:22# Never gonna give you up
0:58:22 > 0:58:25# So don't you think of leavin'... #
0:58:25 > 0:58:28Subtitles by Red Bee Media Ltd