0:00:02 > 0:00:04- 'DCI John Luther. DS Justin Ripley.' - I lobbied to be stationed with you.
0:00:04 > 0:00:08I put in the request nine months ago, I chased it up three times a week, in writing.
0:00:08 > 0:00:10My mate Justin. I love him.
0:00:10 > 0:00:12I don't think you're going to shoot me.
0:00:12 > 0:00:14Don't you...don't you.
0:00:14 > 0:00:16Hey! Get up!
0:00:17 > 0:00:20John, I don't know what to say.
0:00:20 > 0:00:21SCREAMING
0:00:24 > 0:00:25Wotcha. I wanted something.
0:00:25 > 0:00:27- What?- You.
0:00:30 > 0:00:33I assumed you'd need it eventually.
0:00:33 > 0:00:40This programme contains some strong language
0:00:40 > 0:00:46This programme contains some scenes which some viewers may find upsetting
0:00:46 > 0:00:50So, now what?
0:01:06 > 0:01:08So, now what?
0:01:10 > 0:01:13Your phone's off. You're wanted.
0:01:13 > 0:01:16That's why my phone's off.
0:01:16 > 0:01:17Fair enough.
0:01:18 > 0:01:19Nice view.
0:01:21 > 0:01:22Yeah.
0:01:23 > 0:01:24Do you never do this?
0:01:24 > 0:01:27Do you never come up to a really high place
0:01:27 > 0:01:29and wonder what it would be like to fall?
0:01:30 > 0:01:33Why would I do that? I've got enough to worry about.
0:01:33 > 0:01:34LUTHER CHUCKLES
0:01:35 > 0:01:38Why do you do it? Come up here?
0:01:40 > 0:01:43You ever have that dream when you're falling?
0:01:44 > 0:01:45Yeah.
0:01:46 > 0:01:48Do you ever wake up in it?
0:01:48 > 0:01:49No.
0:01:51 > 0:01:52Do you?
0:01:53 > 0:01:54Nah.
0:01:57 > 0:01:59What do you think would happen?
0:02:01 > 0:02:02Dunno.
0:02:04 > 0:02:06Nah. Me, neither.
0:02:50 > 0:02:53PHONE VIBRATES
0:03:25 > 0:03:26MUSIC PLAYS: Tokyo Joe by Bryan Ferry
0:03:40 > 0:03:42PHONE VIBRATES
0:03:50 > 0:03:52CREAKING
0:04:21 > 0:04:24RATTLING
0:04:49 > 0:04:50CHECKOUT SCANNER BEEPS
0:04:57 > 0:04:59CLATTERING CONTINUES
0:05:08 > 0:05:09Oh!
0:05:09 > 0:05:11CLATTERING INTENSIFIES
0:05:17 > 0:05:18CLATTERING STOPS
0:05:54 > 0:05:57MUSIC: Love Is The Drug by Roxy Music
0:06:22 > 0:06:24Hello, love.
0:06:25 > 0:06:29One of us left the bathroom window open this morning
0:06:29 > 0:06:32and a bloody pigeon got in.
0:06:35 > 0:06:40It scared the crap out of me, flapping about.
0:06:45 > 0:06:46Who are you?
0:06:49 > 0:06:50SHE SCREAMS
0:06:52 > 0:06:59# Love is like a sin, my love
0:07:00 > 0:07:06# For the ones that feel it the most
0:07:07 > 0:07:13# Look at her with her eyes like a flame
0:07:14 > 0:07:18# She will love you like a fly
0:07:18 > 0:07:22# Will never love you again. #
0:08:01 > 0:08:03Guv.
0:08:05 > 0:08:07How goes it?
0:08:07 > 0:08:08Fair to middling.
0:08:12 > 0:08:13John Luther, this is DS Lane.
0:08:13 > 0:08:15Emma.
0:08:15 > 0:08:16Wotcha.
0:08:16 > 0:08:17Guv?
0:08:17 > 0:08:18Fancy a cuppa?
0:08:18 > 0:08:20Always.
0:08:23 > 0:08:26Crikey! Pretty close to the edge.
0:08:27 > 0:08:29Closer and closer every day.
0:08:30 > 0:08:32That's why the place comes cheap.
0:08:47 > 0:08:49How are you filling your days?
0:08:49 > 0:08:52Days seem to fill themselves, really.
0:08:54 > 0:08:56So?
0:08:56 > 0:09:00So...Alice Morgan.
0:09:01 > 0:09:04Ah. They gave you that, did they?
0:09:05 > 0:09:07Yeah. What can you do?
0:09:07 > 0:09:09What can you do?
0:09:09 > 0:09:11Has she been in contact at all?
0:09:12 > 0:09:15Alice? Since when?
0:09:15 > 0:09:19Well, since you last saw her - on Southwark Bridge, was it?
0:09:21 > 0:09:22No.
0:09:22 > 0:09:24No e-mails, no phone calls?
0:09:24 > 0:09:26No.
0:09:26 > 0:09:28She didn't say where she was going?
0:09:28 > 0:09:29Nope.
0:09:29 > 0:09:30And you didn't ask?
0:09:33 > 0:09:34Has something happened?
0:09:37 > 0:09:39Interpol caught her scent in Berlin.
0:09:39 > 0:09:41OK.
0:09:42 > 0:09:43They pick her up?
0:09:43 > 0:09:48No. No, the trail went cold in Madrid. And then this happened.
0:09:48 > 0:09:51In Antwerp, three days ago.
0:09:54 > 0:09:56Blimey.
0:09:56 > 0:09:58Hm.
0:09:58 > 0:10:00The dead man at the wheel.
0:10:00 > 0:10:04Akram el-Mejjati. Small-time hoodlum from the 18th Arrondissement.
0:10:04 > 0:10:05Paris.
0:10:05 > 0:10:07The other bloke?
0:10:07 > 0:10:08Who can say?
0:10:08 > 0:10:10What was she doing?
0:10:11 > 0:10:14We were hoping you might shine a light on that.
0:10:14 > 0:10:16No.
0:10:18 > 0:10:21I can't be of any help.
0:10:21 > 0:10:24Oh. OK.
0:10:26 > 0:10:28I don't suppose we thought you could.
0:10:28 > 0:10:29Not really.
0:10:31 > 0:10:33So what are we all doing here?
0:10:35 > 0:10:38Well, I'm afraid she's dead, John.
0:10:43 > 0:10:45No, she's not.
0:10:45 > 0:10:47They found her in the Schelde.
0:10:55 > 0:10:58I mean, yeah, it does look like her, but it's not her.
0:10:58 > 0:11:01An autopsy confirms it. Dental records.
0:11:01 > 0:11:02They can be faked.
0:11:02 > 0:11:05Prints, too. I'm sorry, John. It's her.
0:11:14 > 0:11:16Just give me a sec.
0:11:31 > 0:11:33How?
0:11:33 > 0:11:37Um, she drowned.
0:11:38 > 0:11:39Alice?
0:11:39 > 0:11:41HE LAUGHS
0:11:41 > 0:11:45Toxicology's clean. No signs of trauma.
0:11:45 > 0:11:47Water on the lungs.
0:11:47 > 0:11:51The theory seems to be that she was concussed after the car crash.
0:11:51 > 0:11:52Possibly confused.
0:11:52 > 0:11:54They're saying she fell?
0:11:56 > 0:11:58John?
0:11:58 > 0:12:01You understand that we need to have a look around the place?
0:12:01 > 0:12:02Yeah. I mean, yeah.
0:12:03 > 0:12:06OK, DS Lane, if you'd like to keep John company?
0:12:06 > 0:12:07Yes.
0:12:21 > 0:12:22May I?
0:12:51 > 0:12:53Can I get you that cup of tea?
0:12:53 > 0:12:55- Yeah.- Yeah? Tea. OK.
0:13:06 > 0:13:08PHONE VIBRATES
0:13:08 > 0:13:10Boss?
0:13:13 > 0:13:14How so?
0:13:19 > 0:13:20Hm-mm.
0:13:22 > 0:13:25Understood. OK.
0:13:37 > 0:13:38OK. OK.
0:13:40 > 0:13:44So now what? You going to arrest me?
0:13:45 > 0:13:47Why? You done something wrong?
0:13:47 > 0:13:49You know I haven't.
0:13:49 > 0:13:51Then why arrest you?
0:13:51 > 0:13:54We'll have to leave the tea, though, I'm afraid. Duty calls.
0:13:54 > 0:13:56Vivid misdeeds in Hackney Wick.
0:14:02 > 0:14:03Give me a second.
0:14:24 > 0:14:26You and Alice Morgan.
0:14:28 > 0:14:35I'm aware that, um, there was a...fondness between you.
0:14:37 > 0:14:44Yeah, there was... a fondness, yeah.
0:14:44 > 0:14:47So maybe you shouldn't be alone right now.
0:14:47 > 0:14:49Hm? Is there someone I can call?
0:14:53 > 0:14:58No. No, no, I'll, um, be fine.
0:14:58 > 0:15:00Give 'em all my love.
0:15:04 > 0:15:05Hey.
0:15:08 > 0:15:10Are you OK? Really?
0:15:13 > 0:15:14Yeah.
0:15:14 > 0:15:18Everything's tickety boo. Totally disco.
0:17:15 > 0:17:16Thank you, guv.
0:17:19 > 0:17:21You've been with Luther?
0:17:21 > 0:17:23We have, yes.
0:17:23 > 0:17:27And did he know? About Alice Morgan?
0:17:27 > 0:17:29It's difficult to be certain.
0:17:29 > 0:17:33And that's what we'll tell the Lokale Politie Antwerpen, is it?
0:17:33 > 0:17:35"It's difficult to be certain?"
0:17:35 > 0:17:38He didn't know, boss. He was, um, crushed.
0:17:41 > 0:17:43The victim's Chloe Morley.
0:17:43 > 0:17:46Looks like her husband's the killer, Alastair Morley.
0:17:46 > 0:17:47Dentist.
0:17:47 > 0:17:48Picture's in the file.
0:17:51 > 0:17:52SOCO's left?
0:17:52 > 0:17:53Yep.
0:18:16 > 0:18:17And her husband did this?
0:18:19 > 0:18:21Apparently so.
0:18:21 > 0:18:22God help us.
0:18:25 > 0:18:27What did he do with the heart?
0:18:28 > 0:18:29He ate it.
0:18:32 > 0:18:34Forensics found what was left of it.
0:18:40 > 0:18:41Guv?
0:18:41 > 0:18:42One sec.
0:18:52 > 0:18:53Emma? Guv?
0:18:58 > 0:19:00These CCTV images.
0:19:01 > 0:19:05He's letting himself out of Alastair Morley's workplace,
0:19:05 > 0:19:09driving Alastair Morley's car, texting on Alastair Morley's phone.
0:19:09 > 0:19:13He's killing Alastair Morley's wife and eating her heart.
0:19:13 > 0:19:18But whoever this is, it's not Alastair Morley.
0:19:48 > 0:19:49Alastair Morley.
0:19:56 > 0:19:57Guv.
0:20:10 > 0:20:11It belongs to a Julian Lewis.
0:20:11 > 0:20:13Is he our man on the CCTV?
0:20:13 > 0:20:15Definitely not.
0:20:18 > 0:20:20PHONE RINGS
0:20:20 > 0:20:22DS Silver.
0:20:22 > 0:20:23'Wotcha.'
0:20:24 > 0:20:26Wotcha, boss.
0:20:26 > 0:20:28Benny, what's going on with this Alice Morgan thing?
0:20:28 > 0:20:29Hang on a minute.
0:20:29 > 0:20:31I'll give you the bones of it.
0:20:38 > 0:20:39Morning, sir.
0:20:56 > 0:20:59OK, so, truth is, we don't know much.
0:20:59 > 0:21:00'The Belgians are looking after it,
0:21:00 > 0:21:03'and you know what they're like with sharing stuff.'
0:21:03 > 0:21:04Do they like anyone for it?
0:21:04 > 0:21:06'Honestly, I don't know.'
0:21:06 > 0:21:08I don't know if they're even looking for anybody because,
0:21:08 > 0:21:11as far as I'm aware, they're treating it as an accident.
0:21:11 > 0:21:13Yeah, well, it wasn't an accident.
0:21:15 > 0:21:18Did Theo Bloom take something from my house today?
0:21:19 > 0:21:20Something like what?
0:21:20 > 0:21:22Like a phone. A burner.
0:21:22 > 0:21:25'Well, if he did, he'd have logged it for chain of evidence.'
0:21:25 > 0:21:30Yeah, cos he's squeaky clean, isn't he? Eh, Benny?
0:21:30 > 0:21:31No cleaner man.
0:21:31 > 0:21:34No cleaner man, not since the chap in the manger.
0:21:34 > 0:21:36So he wouldn't take a phone, would he?
0:21:36 > 0:21:38'Look, why would he?
0:21:38 > 0:21:41'He had a warrant, didn't he?'
0:21:42 > 0:21:44Then if he didn't, who did?
0:21:44 > 0:21:46'Boss, what's going on?'
0:21:46 > 0:21:50Nothing, Benny, nothing. I'll let you crack on.
0:22:16 > 0:22:18ENGINE REVS
0:22:45 > 0:22:46TRAIN RUMBLES BY OUTSIDE
0:22:53 > 0:22:55MURMUR OF DIFFERENT TV CHANNELS
0:22:58 > 0:23:00FOOTSTEPS
0:23:29 > 0:23:31RECORD CRACKLES
0:23:31 > 0:23:33KNOCK
0:23:33 > 0:23:34Julian Lewis! Police! Open up!
0:23:43 > 0:23:44Armed police! Armed police!
0:23:44 > 0:23:46- Search!- Searching!
0:23:46 > 0:23:48- Bathroom clear!- Clear!
0:24:05 > 0:24:07Medic says he ate the tongue.
0:24:11 > 0:24:14Boss, what do we do with something like this?
0:24:17 > 0:24:18We keep going.
0:24:20 > 0:24:23Trace it back to a point of origin.
0:24:23 > 0:24:29First cause. And there we will find our man.
0:24:39 > 0:24:42Belongs to a Bruno Dresller.
0:25:01 > 0:25:02How are you?
0:25:04 > 0:25:06Well, to be honest, boss, I don't know how I am.
0:25:07 > 0:25:08She was...
0:25:08 > 0:25:09'Yeah, she was.'
0:25:11 > 0:25:13Any idea how it happened?
0:25:15 > 0:25:16'Do you?'
0:25:16 > 0:25:20- No.- In that case, let me offer some friendly counsel.
0:25:20 > 0:25:22'Such as?'
0:25:22 > 0:25:26Step back and let the Belgians do their job.
0:25:26 > 0:25:28Yeah, of course. I mean, what else am I going to do?
0:25:28 > 0:25:29How's your thing?
0:25:29 > 0:25:31'Not great.'
0:25:31 > 0:25:34Playing catch-up with some bedlamite.
0:25:34 > 0:25:37Following his spoor back to source.
0:25:37 > 0:25:39No, you don't want to be doing that.
0:25:39 > 0:25:43An animal like that - he's always moving forward.
0:25:43 > 0:25:44You should be, too.
0:25:44 > 0:25:47'You know, John, we can't discuss this any further.
0:25:47 > 0:25:52'Not unless you walk away from this leave of absence thing.'
0:25:52 > 0:25:54Got to go, boss. Sorry.
0:25:54 > 0:25:57DANCE MUSIC PLAYING IN DISTANCE
0:26:07 > 0:26:09MUSIC GETS LOUDER
0:26:34 > 0:26:35MUSIC STOPS
0:26:35 > 0:26:37All right, mate? Looking a bit militant, there.
0:26:42 > 0:26:43It's the police.
0:26:47 > 0:26:49Well, can I see a badge, then?
0:26:49 > 0:26:50No.
0:27:01 > 0:27:04Errol, is he having a laugh?
0:27:09 > 0:27:11Are you having a laugh?
0:27:22 > 0:27:25Let's have a talk in my office, then, shall we?
0:27:27 > 0:27:29Yeah.
0:27:29 > 0:27:31MUSIC STARTS UP AGAIN
0:27:43 > 0:27:45Recognise her?
0:27:45 > 0:27:48Nope. I wouldn't mind, though. Chung, innit?
0:27:48 > 0:27:50Chung?
0:27:50 > 0:27:54That's very funny, cos I think one of your boys just killed her.
0:28:00 > 0:28:04Callum Greene. He's one of your Mash men, ain't he?
0:28:04 > 0:28:08I wonder how many of those boys out there know that you've been
0:28:08 > 0:28:11a snitch since before Cool Britannia was all the thing?
0:28:11 > 0:28:15I mean, we know what they'd think about that, though, don't we?
0:28:16 > 0:28:21They'd end your days on earth, Errol. Let's have a word.
0:28:21 > 0:28:23Hey, hey, hey. This woman.
0:28:23 > 0:28:25I don't know who she was.
0:28:25 > 0:28:27So what's Callum Greene doing with her in Antwerp?
0:28:27 > 0:28:30All I know is that he was contracted out.
0:28:30 > 0:28:32Oh, yeah, by who?
0:28:32 > 0:28:33Come on!
0:28:36 > 0:28:38Don't matter.
0:28:38 > 0:28:39Hey, hey, hey!
0:28:40 > 0:28:42George Cornelius.
0:28:46 > 0:28:51Come on, man. The old school geezer from Islington?
0:28:51 > 0:28:52That's him, yeah.
0:28:54 > 0:28:55You are a snitch.
0:29:45 > 0:29:48Good afternoon. I'd like to speak to George Cornelius, please.
0:29:48 > 0:29:50Yeah, I'm sorry. He's not in.
0:29:51 > 0:29:53Yes, he is.
0:29:56 > 0:29:57Hurry up!
0:30:04 > 0:30:06You rang, my lord?
0:30:07 > 0:30:09George Cornelius?
0:30:11 > 0:30:12You know I am.
0:30:12 > 0:30:14Come with me, please.
0:30:15 > 0:30:17Sorry, mate. Who are you, again?
0:30:17 > 0:30:18Police.
0:30:18 > 0:30:19Which police?
0:30:19 > 0:30:21THE police.
0:30:21 > 0:30:24I don't care if you're fucking Sting.
0:30:24 > 0:30:26You lot do not come round here, not for any reason.
0:30:26 > 0:30:28This is my house. You all know that.
0:30:28 > 0:30:31Yeah, well, I'm sorry about that, but I'm here now, so we might as well crack on.
0:30:31 > 0:30:36No, straight up now, what's going on? Who's your governor?
0:30:36 > 0:30:38I've got this, Dad.
0:30:40 > 0:30:41Look.
0:30:43 > 0:30:46You're coming along with me. There we go...
0:30:46 > 0:30:48Down the steps, let's go.
0:30:57 > 0:30:58ENGINE STARTS
0:31:24 > 0:31:26Are you really a copper?
0:31:30 > 0:31:32Sort of.
0:31:34 > 0:31:36And this is your gaff, is it?
0:31:38 > 0:31:40Sort of.
0:31:40 > 0:31:42You don't spend a lot of time here, though.
0:31:42 > 0:31:44Not by the look of it.
0:31:44 > 0:31:45No, not really.
0:31:47 > 0:31:50Actually, I was thinking of leaving the country.
0:31:52 > 0:31:55Well, I was until you put a crimp on it.
0:31:55 > 0:31:57Oh, yeah? How'd I do that?
0:31:57 > 0:32:01By killing Alice Morgan. Or having her killed.
0:32:01 > 0:32:03Same difference, really.
0:32:03 > 0:32:05I did what to who now?
0:32:06 > 0:32:09Don't tell me you don't know who she is, George.
0:32:12 > 0:32:17Mate, I didn't put her down. Or have her put down.
0:32:17 > 0:32:18Why would I?
0:32:18 > 0:32:22I don't know. But that's what I'm here to find out.
0:32:23 > 0:32:24Before I end it for you.
0:32:26 > 0:32:30You do know they saw you - my boy, my daughter-in-law.
0:32:30 > 0:32:33They clocked your face, they clocked your car.
0:32:33 > 0:32:35How long do you think you've got
0:32:35 > 0:32:39before my firm are popping your eyeballs out with their thumbs?
0:32:39 > 0:32:42Yeah. I don't care, George, you don't scare me.
0:32:45 > 0:32:46Fair enough.
0:32:48 > 0:32:51All right. What it is - she comes to me, your girl.
0:32:51 > 0:32:54Different name. She's got these uncut diamonds.
0:32:54 > 0:32:56Blue-ribbon merchandise, worth a lot of money,
0:32:56 > 0:32:59but difficult to shift, unless you've got the right connections,
0:32:59 > 0:33:03which I've got - she doesn't. We agree a 70/30 split.
0:33:03 > 0:33:07She doesn't like it, but she needs the money sharpish.
0:33:07 > 0:33:09She say why?
0:33:09 > 0:33:11Her and some geezer are running away to...
0:33:11 > 0:33:12Sao Paulo.
0:33:15 > 0:33:18So that'll be you, then. The geezer.
0:33:21 > 0:33:23Yeah, that'll be me.
0:33:25 > 0:33:26Right.
0:33:26 > 0:33:29So I give her the name of a contact in the trade,
0:33:29 > 0:33:30bent as a bottle of chips,
0:33:30 > 0:33:32she's supposed to meet him in Antwerp...
0:33:32 > 0:33:35Except she meets your boys instead, and you rob her.
0:33:35 > 0:33:36Well, what can I say?
0:33:36 > 0:33:39It's a lot of money, and at the end of the day, I'm a thief.
0:33:41 > 0:33:44But the thing is, she doesn't like being ripped off,
0:33:44 > 0:33:46and she knows how to put up a fight.
0:33:46 > 0:33:49She stabs the driver in the back of the skull with a hat pin.
0:33:49 > 0:33:52What about Callum Greene?
0:33:52 > 0:33:55Callum, he stumbles out the car, gets himself straight to hospital.
0:33:55 > 0:33:58Turns out, she's kicked him in the nuts so hard,
0:33:58 > 0:33:59they've blown up like footballs.
0:33:59 > 0:34:01He's in no condition to hurt anybody.
0:34:04 > 0:34:07And the burner? Why did you steal the burner?
0:34:07 > 0:34:08What burner?
0:34:08 > 0:34:11George, the phone I used to call Alice Morgan.
0:34:13 > 0:34:18Mate, until today I had no idea you existed.
0:34:23 > 0:34:25You didn't do it, did you?
0:34:25 > 0:34:27I really didn't.
0:34:27 > 0:34:31Bruno Dresller. 35. Owns and runs Body By Dresller,
0:34:31 > 0:34:36'a small chain of gymnasiums. A clean record, more or less.
0:34:36 > 0:34:39'His name was connected to a trial in America of
0:34:39 > 0:34:41'a man called Donald Guthrey.'
0:34:41 > 0:34:45Dresller and Guthrey exchanged e-mails on a fetish website
0:34:45 > 0:34:48devoted to, and I quote -
0:34:48 > 0:34:50'"cannibal erotica".
0:34:50 > 0:34:54'He and Guthrey exchanged intensely detailed fantasies about how
0:34:54 > 0:35:01'they wanted to kidnap, rape, cook and eat young women and teenagers.'
0:35:01 > 0:35:02I'm on my way.
0:35:02 > 0:35:04Roger.
0:35:22 > 0:35:26We've got a body in the bath. Dissolved in lye, apparently.
0:35:26 > 0:35:28'Very old school.'
0:35:28 > 0:35:30Could be Dresller. Hard to tell.
0:35:30 > 0:35:32The head and hands are missing.
0:35:32 > 0:35:36'OK. With you in five.'
0:35:50 > 0:35:53PHONE VIBRATES
0:36:00 > 0:36:01Yeah?
0:36:01 > 0:36:03John, Theo.
0:36:03 > 0:36:05'Can you talk?
0:36:05 > 0:36:09'Sorry to impose. I need a disinterested ear.'
0:36:11 > 0:36:13Yeah. Course. Go on.
0:36:13 > 0:36:16You ever had your nose pressed up too close to something?
0:36:16 > 0:36:18'Er, yeah, once too often.'
0:36:18 > 0:36:19I can't see it, John.
0:36:19 > 0:36:21Or I can't see past it,
0:36:21 > 0:36:25or something. I'm, er, like one of those drawings -
0:36:25 > 0:36:27you're looking at a profile of an old hag.
0:36:27 > 0:36:30You know there's a portrait of a young girl in there somewhere.
0:36:30 > 0:36:32You just have to refocus somehow.
0:36:32 > 0:36:33OK.
0:36:34 > 0:36:36What are we looking at?
0:36:37 > 0:36:41You find a body dissolved in lye, the head and hands are missing -
0:36:41 > 0:36:43what's the first assumption?
0:36:43 > 0:36:47'Well, your boy's working hard to prevent you making an ID.'
0:36:47 > 0:36:51But that's not what this boy does. Not what he needs.
0:36:51 > 0:36:53So why does he need it now?
0:36:53 > 0:36:55Why remove the head and hands?
0:36:55 > 0:36:57Because they're important to him?
0:36:57 > 0:36:58Yeah, but in what way?
0:36:58 > 0:37:00'Seems to me, there's one of two options.'
0:37:00 > 0:37:04Option one, that they're important to him personally,
0:37:04 > 0:37:06'so he wants to keep 'em.'
0:37:07 > 0:37:11Option two, for some practical reason, they're important
0:37:11 > 0:37:14so he wants to make sure they're never ever found.
0:37:24 > 0:37:28I'm thinking it's option one. He's keeping them.
0:37:30 > 0:37:32Hang on.
0:37:37 > 0:37:38Theo?
0:37:38 > 0:37:39Just give me a second.
0:37:56 > 0:37:57EXPLOSION
0:38:00 > 0:38:01Theo?
0:38:03 > 0:38:05Theo?!
0:38:42 > 0:38:46'..are reported dead following a large explosion
0:38:46 > 0:38:48'in a central London block of flats.
0:38:48 > 0:38:51'Police and emergency service personnel attending the site
0:38:51 > 0:38:53'have yet to comment on the source of the...'
0:38:53 > 0:38:54Argh!
0:38:57 > 0:38:59You stay there.
0:39:06 > 0:39:08HE SIGHS
0:39:20 > 0:39:21HELICOPTER WHIRS
0:39:24 > 0:39:26They've taken Theo away.
0:39:28 > 0:39:30They'll look after him now.
0:39:33 > 0:39:37The, er, EMT has checked me out.
0:39:38 > 0:39:39I'm fine.
0:39:39 > 0:39:41Of course you're not fine.
0:39:41 > 0:39:43Once they've signed me off...
0:39:44 > 0:39:46..I can come back. I'm fine.
0:39:47 > 0:39:49I'm fine.
0:39:49 > 0:39:50HORN TOOTS
0:40:35 > 0:40:37Where do I sit?
0:40:41 > 0:40:43Budge up.
0:40:50 > 0:40:52Alice Morgan.
0:40:53 > 0:40:55There's not a lot to see, boss.
0:40:55 > 0:40:56I still need to see it.
0:40:57 > 0:40:59Guv.
0:40:59 > 0:41:01Boss.
0:41:02 > 0:41:03You got a minute?
0:41:21 > 0:41:22I'm sorry you lost him like that.
0:41:28 > 0:41:30I loved him.
0:41:36 > 0:41:39I don't mean, er, loved him loved him.
0:41:39 > 0:41:41- I mean that... - I know what you mean.
0:41:48 > 0:41:50I just want to say...
0:41:55 > 0:41:57..whatever it takes...
0:41:59 > 0:42:00..you know?
0:42:02 > 0:42:04I'm in.
0:42:06 > 0:42:07Anything?
0:42:09 > 0:42:11Anything.
0:42:15 > 0:42:16HE SIGHS
0:42:18 > 0:42:20You've got a family?
0:42:20 > 0:42:21Yeah.
0:42:21 > 0:42:24Your girlfriend's expecting a baby?
0:42:24 > 0:42:25Six weeks.
0:42:27 > 0:42:29You love her?
0:42:31 > 0:42:32More than anything.
0:42:38 > 0:42:40That's good.
0:42:41 > 0:42:44There are some things that you might have heard about me
0:42:44 > 0:42:46that quite possibly could be true.
0:42:50 > 0:42:53I know what you're going through right now. I sincerely do.
0:42:59 > 0:43:03But there's something I need you to hear from me.
0:43:05 > 0:43:08Never cut corners.
0:43:08 > 0:43:10Never.
0:43:11 > 0:43:14Not even if you know no-one else will know,
0:43:14 > 0:43:15no-one else will find out...
0:43:17 > 0:43:21..that it is exactly the right thing to do - because it never, ever is.
0:43:23 > 0:43:24Ever.
0:43:27 > 0:43:29You do this the right way.
0:43:30 > 0:43:32All right, straight down the line.
0:43:33 > 0:43:39You do it that way or I get you kicked off for being unfit for duty.
0:44:11 > 0:44:13Lab reports confirmed that it's Dresller in the bath.
0:44:13 > 0:44:15And we got into Dresller's laptop.
0:44:15 > 0:44:18He spent a lot of time online over the last couple of months,
0:44:18 > 0:44:23boss, exchanging fantasies about cooking and eating human flesh.
0:44:23 > 0:44:25I mean, detailed fantasies at that.
0:44:25 > 0:44:29There's a lot in there about brides. Wedding dresses, pregnant mothers.
0:44:29 > 0:44:30And all of that's in there, is it?
0:44:30 > 0:44:33- Yep.- So if we can find all that, our boy can find it, too.
0:44:35 > 0:44:38He leads us to Dresller, right?
0:44:38 > 0:44:41The fridge, the laptop, all that time spent
0:44:41 > 0:44:45running around in circles, all so he's got the time to...
0:44:45 > 0:44:47To what?
0:44:48 > 0:44:50To finish off what he's started.
0:44:52 > 0:44:54I dunno.
0:44:55 > 0:44:58Let's see who's been poking around Dresller's private life, shall we?
0:45:00 > 0:45:03'That was last year, so we thought, yeah, I know,
0:45:03 > 0:45:05'we thought you could all come to ours this year...
0:45:05 > 0:45:07'I know, why not, right?'
0:45:07 > 0:45:10- 'Hello?'- Hello?
0:45:10 > 0:45:13Is this Alastair's mum?
0:45:13 > 0:45:15'Who is this?'
0:45:17 > 0:45:19I was with him.
0:45:19 > 0:45:21When he died.
0:45:21 > 0:45:26- 'Who are you?'- He was asking for you at the end.
0:45:27 > 0:45:30When he couldn't fight any more.
0:45:30 > 0:45:31CRYING DOWN THE PHONE
0:45:31 > 0:45:34"Mum. Mum."
0:45:36 > 0:45:39He was so scared of dying.
0:45:40 > 0:45:42'Why would you do this?!'
0:46:04 > 0:46:05HE GROANS
0:46:38 > 0:46:39What you got?
0:46:40 > 0:46:44Well, you were right. We found spyware deep in Dresller's laptop.
0:46:45 > 0:46:47How closely was he being watched?
0:46:47 > 0:46:50Close enough to know everything there is to know.
0:46:50 > 0:46:52It's not just passwords and bank account log-ins.
0:46:52 > 0:46:55Whoever's been watching him knows every sentence he's composed,
0:46:55 > 0:46:57every website he's visited.
0:46:57 > 0:46:59He knows his thoughts.
0:46:59 > 0:47:02It used to be that we could never know the truth about each other.
0:47:02 > 0:47:04Not really.
0:47:04 > 0:47:05Those days are gone.
0:47:05 > 0:47:07More's the pity.
0:47:07 > 0:47:10And how confident can we be that the killer
0:47:10 > 0:47:13and the fellow who loaded the spyware is the same guy?
0:47:14 > 0:47:17Well, we can't, to be fair, er, we can't be certain -
0:47:17 > 0:47:20it could be anyone who had access to that laptop.
0:47:20 > 0:47:21You say "anyone".
0:47:21 > 0:47:25But, I mean, well, how many people can that be, realistically?
0:47:25 > 0:47:27I mean, someone like Dresller,
0:47:27 > 0:47:31a man with that kind of fantasy life, those kind of secrets.
0:47:31 > 0:47:34How many people are you going to let near your computer?
0:47:34 > 0:47:37How many people do any of us let near our computer?
0:47:37 > 0:47:39So if he was watching Dresller that closely,
0:47:39 > 0:47:43what are the chances he was watching all of them?
0:47:44 > 0:47:46TV ON
0:48:05 > 0:48:06In order to plant the spyware,
0:48:06 > 0:48:09our subject had to have direct physical access
0:48:09 > 0:48:13to everyone's computer, so, we pulled credit card records
0:48:13 > 0:48:15from all the victims and cross referenced.
0:48:15 > 0:48:18Now, over the past two-three years, each of them
0:48:18 > 0:48:22made at least one payment to a company called Geek Patrol.
0:48:22 > 0:48:25They come round your house, fix your computer, set up your wifi network.
0:48:25 > 0:48:27Whatever...
0:48:27 > 0:48:30And all their computers were fixed by one man.
0:48:32 > 0:48:34A Steven Rose.
0:48:35 > 0:48:37That's him.
0:48:37 > 0:48:38Have we got an address?
0:48:54 > 0:48:56SIRENS APPROACH
0:49:07 > 0:49:08What are we waiting for?
0:49:10 > 0:49:11Bomb squad.
0:49:41 > 0:49:44All right, you've got your perimeter, the area's cleared,
0:49:44 > 0:49:46we need to get in there, guv.
0:49:46 > 0:49:49He's not going to booby trap his own place. Come on!
0:49:49 > 0:49:50And you're sure of that, are you?
0:49:50 > 0:49:52Yeah. I am.
0:49:52 > 0:49:55Easy for you to say, John - you weren't here
0:49:55 > 0:49:58when I had to watch them scrape Theo Bloom off the wall.
0:50:04 > 0:50:06Guv, Steven Rose could be on his way to his next victim,
0:50:06 > 0:50:09and we won't know who that is unless we are in there!
0:50:09 > 0:50:11The answer is "no".
0:50:11 > 0:50:14If you want to discuss it further, we can do it back at the factory.
0:50:18 > 0:50:20I think I hear someone in there.
0:50:20 > 0:50:23In fact, I can! I can hear someone screaming for help.
0:50:23 > 0:50:24DCI Luther...
0:50:24 > 0:50:27Exigent circumstances, sir!
0:50:27 > 0:50:29DCI Luther!
0:50:38 > 0:50:40DISTORTED MUSIC PLAYS
0:51:02 > 0:51:04Benny!
0:51:05 > 0:51:07Benny!
0:51:07 > 0:51:09Benny! Ben, come on!
0:51:14 > 0:51:16Come in.
0:51:16 > 0:51:20Benny, can you, er, stop this? Whatever? Turn it off?
0:51:20 > 0:51:22- Whatever.- I'll give it a go.
0:52:27 > 0:52:29Are you OK? Boss?
0:52:29 > 0:52:31Yeah, it's all right.
0:54:24 > 0:54:25CLATTERING
0:55:05 > 0:55:06Steven!
0:55:07 > 0:55:09You've gotta stop!
0:55:24 > 0:55:25HE SIGHS
0:55:35 > 0:55:38- 'Is it US law?'- No, this one's according to English law.
0:55:38 > 0:55:40'When can I see it?'
0:55:40 > 0:55:43I'm sending it over right now. Why don't we talk tomorrow morning?
0:55:43 > 0:55:44- 9.30 your time?- 'OK.'
0:55:51 > 0:55:52ECHOING CLATTER
0:56:30 > 0:56:32CLATTERING IN DISTANCE
0:56:53 > 0:56:55Sorry, guv. She's asked for you by name.
0:57:01 > 0:57:03Can I help?
0:57:03 > 0:57:05Are you DCI Luther?
0:57:07 > 0:57:08Yeah.
0:57:09 > 0:57:11I have a message for you.
0:57:12 > 0:57:14A message from who?
0:57:15 > 0:57:17Alice Morgan.
0:57:26 > 0:57:28MUSIC: Money Is Not Our God (Babylon Dub) by Killing Joke