0:00:02 > 0:00:05This programme contains scenes which some viewers may find upsetting
0:00:05 > 0:00:07- Alice Morgan.- What's happened?- I'm afraid she's dead, John.
0:00:07 > 0:00:10I didn't put her down... or have her put down.
0:00:11 > 0:00:14Why did you steal the phone I used to call Alice Morgan?
0:00:14 > 0:00:16What did he do with the heart?
0:00:16 > 0:00:17He ate it.
0:00:18 > 0:00:20EXPLOSION
0:00:20 > 0:00:21Animal like that...
0:00:21 > 0:00:24he's always moving forward.
0:00:24 > 0:00:28- All their computers were fixed by one man, Steven Rose.- That's him.
0:00:30 > 0:00:32Benny! Stop this...
0:00:34 > 0:00:35Steven.
0:00:36 > 0:00:39- Can we salvage anything from this. - Too soon to tell, boss.
0:00:46 > 0:00:48INDISTINCT CHATTER ON POLICE RADIO
0:00:48 > 0:00:50Sorry, Guv. She's asked for you by name.
0:00:56 > 0:00:58Can I help?
0:00:58 > 0:01:00Are you DCI Luther?
0:01:02 > 0:01:04Yeah.
0:01:04 > 0:01:06I have a message for you.
0:01:07 > 0:01:10A message from who?
0:01:10 > 0:01:11Alice Morgan.
0:01:11 > 0:01:15SIRENS WAIL
0:01:21 > 0:01:23What kind of message?
0:01:23 > 0:01:26She said to tell John that Stacey has the owl.
0:01:34 > 0:01:36When did she give you this message?
0:01:36 > 0:01:38Last night.
0:01:38 > 0:01:42- See, that's not true, is it? Because Alice is dead.- I know.
0:01:44 > 0:01:46I'm sorry, who are you?
0:01:46 > 0:01:48Look, I'm just here to help.
0:01:50 > 0:01:53- And how do you know Alice?- I don't.
0:01:54 > 0:01:58- So, what? She just appears to you? - Yes.
0:01:58 > 0:02:00- And did she say anything else? - Not really.
0:02:03 > 0:02:05There was one thing.
0:02:07 > 0:02:10Something I don't really understand, I'm sorry.
0:02:11 > 0:02:13Something like what?
0:02:15 > 0:02:17"Meep meep."
0:02:23 > 0:02:25Put this woman in the car and cuff her.
0:02:25 > 0:02:27Down there, thank you.
0:02:27 > 0:02:29What's all this?
0:02:29 > 0:02:32Er, don't ask. What's going on?
0:02:32 > 0:02:34We've got another one.
0:02:46 > 0:02:47HE INHALES SHARPLY
0:02:57 > 0:02:59HE STRAINS WITH EFFORT
0:03:01 > 0:03:03HE GROANS
0:03:17 > 0:03:20HE LAUGHS
0:03:39 > 0:03:41How much of the brain did he eat?
0:03:47 > 0:03:49Roberta Wise.
0:03:49 > 0:03:53She's a Professor of Economics, University of London.
0:03:53 > 0:03:56- A government adviser and... - And then this.
0:03:58 > 0:04:00Look at her life.
0:04:00 > 0:04:02Look at what he took from her.
0:04:02 > 0:04:05This wasn't murder, this was theft.
0:04:05 > 0:04:07Come again?
0:04:07 > 0:04:10I think he's this clever, little lonely man, slowly falling apart,
0:04:10 > 0:04:13spending his days watching the lives of others.
0:04:13 > 0:04:15And you know what that's like -
0:04:15 > 0:04:17other people's lives seem so much better than ours.
0:04:17 > 0:04:21More interesting, more attractive, more alive.
0:04:23 > 0:04:25The way he sees it, they got something that he needs
0:04:25 > 0:04:28so, he's just going to take it from them.
0:04:31 > 0:04:32No, he's never going to stop,
0:04:32 > 0:04:34he's just going to keep doing it and doing it,
0:04:34 > 0:04:36because he'll never get back whatever he's lost.
0:04:38 > 0:04:39None of us ever do.
0:04:41 > 0:04:44- BOTH:- # My, my, my, Delilah...
0:04:44 > 0:04:47THEY SING MUSICAL INTERLUDE
0:04:47 > 0:04:52# Why, why, why, Delilah? #
0:04:54 > 0:04:57Don't stop, love. Drive on.
0:04:57 > 0:04:59I can't. Look at him.
0:04:59 > 0:05:01Then let's call the police. They'll deal with it.
0:05:04 > 0:05:06What if it was Declan?
0:05:08 > 0:05:12- You all right, mate?- You all right, love? What's happened?
0:05:12 > 0:05:13What have you done to yourself?
0:05:13 > 0:05:16I'm so sorry...thank you for stopping, I'm so sorry.
0:05:16 > 0:05:18I'm so sorry.
0:05:18 > 0:05:21THEY BOTH SCREAM No, no.
0:05:21 > 0:05:22CAR HORN BEEPS
0:05:24 > 0:05:28MUSIC: Paradise Circus by Massive Attack
0:06:16 > 0:06:20MOBILE PHONE RINGS AND VIBRATES
0:06:21 > 0:06:25- DCI Luther. - 'Back on the beat, Pete?'
0:06:25 > 0:06:26Well, needs must, innit?
0:06:26 > 0:06:29Thanks for the hospitality.
0:06:29 > 0:06:32No, George... I just had to figure out who killed Alice Morgan. All right?
0:06:32 > 0:06:35I'm sorry it ended up the way it did but...
0:06:35 > 0:06:39- I'll put it right.- To tell you the truth, I am tempted to let it lie.
0:06:39 > 0:06:41I mean, you are obviously a decent chap.
0:06:41 > 0:06:43But you did what you did in front of my son.
0:06:43 > 0:06:47'If I start showing weakness to him - well, it's nature's way, isn't it?'
0:06:47 > 0:06:49The Lion King. Hakuna Matata.
0:06:49 > 0:06:52Er, I think you're thinking about the wrong song.
0:06:52 > 0:06:55'What one am I thinking of, then?'
0:06:55 > 0:07:00Oh, "Hakuna Matata", that's the happy one, right? "No more worries."
0:07:00 > 0:07:02- That one.- That's the one.
0:07:02 > 0:07:05Then, I'm definitely thinking of the wrong song.
0:07:06 > 0:07:09I've put a price on your head, John.
0:07:09 > 0:07:12- How much?- 'Out of interest, how much do you think you're worth?'
0:07:12 > 0:07:15Well, probably not enough for a good night out and a cab ride home.
0:07:15 > 0:07:18Well, I'm honestly down in the dumps about it.
0:07:18 > 0:07:20But you did bring it down on yourself.
0:07:20 > 0:07:24'So, you're a dead man walking.'
0:07:24 > 0:07:26Toodle pip.
0:08:18 > 0:08:20Hey.
0:08:20 > 0:08:25We've got Steven Rose leaving the building at 21:32pm.
0:08:25 > 0:08:29We follow him down here, down here and then...well, he's gone.
0:08:29 > 0:08:32- Off camera.- Yeah. How many bodies we got looking for him?
0:08:32 > 0:08:34All of them, I think.
0:08:34 > 0:08:37- Aerial units. Ground units. Dog units.- Good.
0:08:37 > 0:08:41They won't find him. But, er, keep looking.
0:08:41 > 0:08:44- IN AMERICAN ACCENT:- "Cut the chatter, Red 2.
0:08:44 > 0:08:45"Accelerate to attack speed."
0:08:45 > 0:08:48What? What was that?
0:08:50 > 0:08:52Sorry. Erm...
0:08:53 > 0:08:58Theo and me - DCI Bloom -
0:08:58 > 0:09:00He quite liked the odd Star Wars reference.
0:09:01 > 0:09:03"Not this ship, sister."
0:09:08 > 0:09:10Do you know any David Bowie?
0:09:14 > 0:09:19Erm... Yeah, I liked him in, in that film.
0:09:19 > 0:09:22The one in the maze. With the baby.
0:09:22 > 0:09:24And the puppets...
0:09:25 > 0:09:28We Are The Dead.
0:09:28 > 0:09:30I'm sorry?
0:09:30 > 0:09:34Well, there's this thing. Cotard's Syndrome.
0:09:34 > 0:09:37OK. It's a delusional mental illness
0:09:37 > 0:09:41and the patient thinks that he's dead and decomposing.
0:09:41 > 0:09:45And the cannibalism? That's a symptom?
0:09:45 > 0:09:47No, not usually.
0:09:47 > 0:09:49I mean, I'm making a...
0:09:49 > 0:09:54a leap. Well, it's a small leap - it's more of a hop, really.
0:09:54 > 0:09:57So, how do we get ahead of him?
0:09:59 > 0:10:02See, I think he's like a feral dog right now
0:10:02 > 0:10:04trying to find a place to hide.
0:10:04 > 0:10:08I think we lean into that. I think we go public, put his name and face
0:10:08 > 0:10:11to the media, force him into one place.
0:10:11 > 0:10:13Keep him still and then...
0:10:13 > 0:10:15figure out what he does next.
0:10:15 > 0:10:18And you think he's rational enough for us to be able do that?
0:10:18 > 0:10:21He's delusional, but not deranged.
0:10:21 > 0:10:26I mean, the way he sees it, he's just going to do what's necessary to...
0:10:26 > 0:10:30to get what he needs just to keep going, you know?
0:10:31 > 0:10:34- How you doing, Ben?- Like an anxiety dream.
0:10:34 > 0:10:37I have to keep checking I'm still wearing trousers.
0:10:37 > 0:10:39Well, we can't move without knowing what's on them hard drives.
0:10:39 > 0:10:42- Guv, you got a minute? - Sure.
0:10:53 > 0:10:59Jonathan Black - March, 1999 - is lured into a park, suffocated.
0:10:59 > 0:11:04All right, SIO had the killer down as Brian Elder - local sex offender.
0:11:04 > 0:11:09Next day, Brian Elder drowns himself in a canal.
0:11:09 > 0:11:12Jonathan Black's underpants in his pocket. Slam dunk.
0:11:15 > 0:11:18Is she in the file?
0:11:20 > 0:11:23No, she's not. But I am.
0:11:23 > 0:11:26See, I didn't think Brian Elder killed himself, right?
0:11:26 > 0:11:27I don't think he did it.
0:11:27 > 0:11:30I actually think this girl did it.
0:11:31 > 0:11:33Stacey Bell.
0:11:33 > 0:11:35Back then, no one was paying attention to me,
0:11:35 > 0:11:37I was still wet behind the ears, but I was right.
0:11:37 > 0:11:39When she was 17, she got done for manslaughter.
0:11:39 > 0:11:43She pushed her nan down the stairs and let her die.
0:11:43 > 0:11:46She just got out two and a half months ago.
0:11:46 > 0:11:49You know there's nothing to it? This psychic drivel, right?
0:11:54 > 0:11:57She knows something about Alice Morgan.
0:11:57 > 0:11:59DOOR SLAMS
0:12:08 > 0:12:11So, you're a partner in a Corporate PR Firm?
0:12:11 > 0:12:13Yes. That's right.
0:12:14 > 0:12:16So, what are you doing here?
0:12:16 > 0:12:21You're educated, financially stable - I just don't get it.
0:12:22 > 0:12:27- I'm not sure what you're implying. - Well, clairvoyants are...
0:12:27 > 0:12:29confidence tricksters, aren't they?
0:12:30 > 0:12:34- Grave robbers preying on the lonely and bereaved.- That's not what I do.
0:12:34 > 0:12:36- No?- No.
0:12:38 > 0:12:42I don't broadcast this, let alone profit from it.
0:12:42 > 0:12:47In fact, most of my life I've pretended it wasn't happening to me.
0:12:48 > 0:12:50Why?
0:12:50 > 0:12:51Because it's horrible.
0:12:53 > 0:12:58I don't to be here doing this. I don't want to be...
0:12:58 > 0:13:00humiliated and frightened.
0:13:00 > 0:13:02I don't want this to be happening.
0:13:05 > 0:13:11I woke up in the middle of the night and she was standing there.
0:13:13 > 0:13:16"Tell John that Stacey Bell has the owl."
0:13:17 > 0:13:20- Who's Stacey?- I don't know.
0:13:21 > 0:13:24- What owl are we talking about? - I'm not sure.
0:13:29 > 0:13:31Thing is, it does actually make sense.
0:13:38 > 0:13:43Jonathan Black had a favourite toy and, er,
0:13:43 > 0:13:45it disappeared when he disappeared.
0:13:47 > 0:13:49Of course, all of that was kept from the press.
0:13:49 > 0:13:52I mean, no one actually - no one knew that.
0:13:53 > 0:13:55So, how do you know it?
0:14:01 > 0:14:03She's here.
0:14:03 > 0:14:05She's standing behind you.
0:14:06 > 0:14:08Who?
0:14:08 > 0:14:11Her mouth is moving, but I can't hear her words.
0:14:15 > 0:14:18- I can make out what she's saying, though.- Yeah?
0:14:18 > 0:14:20What is she saying?
0:14:22 > 0:14:25(Tell John, "Hell is real.")
0:14:32 > 0:14:34HE INHALES SHARPLY
0:14:47 > 0:14:49I can find a connection if there's one there,
0:14:49 > 0:14:51but John, I don't think there is.
0:14:51 > 0:14:53That poor wee lad died years ago.
0:14:54 > 0:14:59Alice died a couple of days ago in Antwerp. There's no connection.
0:14:59 > 0:15:02So, because you can't believe it's true, logically it's false.
0:15:02 > 0:15:06Is that really an argument now? Ey?
0:15:06 > 0:15:10Benny, listen to me, I told Alice Morgan about this,
0:15:10 > 0:15:13I told her about Jonathan Black, Stacey Bell.
0:15:13 > 0:15:16I told her how it made me feel. How I couldn't...
0:15:16 > 0:15:18how I couldn't put it right.
0:15:18 > 0:15:20What did she say?
0:15:20 > 0:15:23"Let's find Stacey Bell and set her on fire."
0:15:24 > 0:15:26But that's not the point.
0:15:26 > 0:15:28I don't know what, I don't know what the point is.
0:15:28 > 0:15:33The point is, I told Alice Morgan. I didn't tell anybody else.
0:15:33 > 0:15:37The only way that Megan could know that is if Alice Morgan told her.
0:15:37 > 0:15:39That's it.
0:15:40 > 0:15:44Now...she knows something.
0:15:44 > 0:15:48She knows something, I don't know what it is, but I just need to know.
0:15:51 > 0:15:56Well, if it can be done, consider it done.
0:16:03 > 0:16:06- You getting anywhere? - Somewhere.
0:16:09 > 0:16:12- You all right, there? - He killed Theo, Benny.
0:16:13 > 0:16:15I want to find him.
0:16:15 > 0:16:18I want to rip HIS heart out and eat it.
0:16:19 > 0:16:21So, hurry up.
0:16:25 > 0:16:27- DS Lane?- Boss?
0:16:27 > 0:16:29I need you to go to Steven Rose's place of work.
0:16:29 > 0:16:33I want you to speak to his boss, his colleagues, friends, lovers, whoever.
0:16:33 > 0:16:36Find out what there is to know about him. See what there is on him.
0:16:37 > 0:16:40What's this, busywork? Keep me out of your hair?
0:16:40 > 0:16:42Nope.
0:16:42 > 0:16:43Chop, chop.
0:16:57 > 0:16:59Morning, babe.
0:16:59 > 0:17:00You awake?
0:17:01 > 0:17:03No, no.
0:17:03 > 0:17:06No, everything's fine, it's fine. I just, er...
0:17:08 > 0:17:11Well, I'm just calling because I don't want you to worry!
0:17:11 > 0:17:14Look, I'm going to be home the minute I can.
0:17:15 > 0:17:17Yes, I will.
0:17:17 > 0:17:19I promise.
0:17:21 > 0:17:23I love you, too.
0:17:25 > 0:17:26Sleep.
0:17:26 > 0:17:28Sleep.
0:17:35 > 0:17:38SHE CRIES
0:18:06 > 0:18:08TEXT MESSAGE ALERT
0:18:15 > 0:18:17'Leave a message after the beep.'
0:18:17 > 0:18:20Mum? It's Declan. I just got your text. Is everything all right?
0:18:20 > 0:18:22TEXT MESSAGE ALERT
0:18:29 > 0:18:31- You all right? - Yeah.
0:18:33 > 0:18:37Actually, I... I dunno. It's a bit weird, it's me mum.
0:18:37 > 0:18:39Do you mind if I nip off for a bit?
0:18:39 > 0:18:41- Nah. You go home, mate.- Cheers, Mohan.
0:19:32 > 0:19:36DOG BARKS
0:19:40 > 0:19:42Tara Black?
0:19:44 > 0:19:47DOG CONTINUES BARKING
0:19:47 > 0:19:51So, how've you been?
0:19:51 > 0:19:55I remember you. Constable Luther.
0:19:57 > 0:19:59You were very kind.
0:19:59 > 0:20:02You seemed to care about my brother.
0:20:02 > 0:20:04Well, thank you.
0:20:04 > 0:20:07I did.
0:20:07 > 0:20:11I don't want to upset you, or worry you, but when someone approaches us
0:20:11 > 0:20:14with fresh information, we're obliged to review the case.
0:20:14 > 0:20:16So, that's what this is?
0:20:16 > 0:20:17Fresh information?
0:20:19 > 0:20:23During the investigation we, erm... withheld information.
0:20:23 > 0:20:26- George Owly. - Yeah, but...
0:20:26 > 0:20:29have you been talking to someone about that?
0:20:29 > 0:20:32- Not that I can think of. - Not any pushy journalist,
0:20:32 > 0:20:35or anyone saying that they're a psychic?
0:20:35 > 0:20:37- No?- No?- Why?
0:20:37 > 0:20:39No, it's just, erm...
0:20:44 > 0:20:46Sorry, can I just look at that?
0:21:07 > 0:21:09Do you remember this girl here?
0:21:11 > 0:21:13Sadly, yeah.
0:21:13 > 0:21:15Stacey Bell.
0:21:16 > 0:21:19Everyone's favourite worst nightmare.
0:21:19 > 0:21:21She made Jonathan's life hell.
0:21:23 > 0:21:25Wicked little cow.
0:21:29 > 0:21:30Is this about Stacey?
0:21:30 > 0:21:33Erm, why d'you say that?
0:21:33 > 0:21:36Cos you know they moved her back here, yeah?
0:21:36 > 0:21:38What, back here on the estate?
0:21:38 > 0:21:40I saw her down the shop.
0:21:41 > 0:21:45She asked me how I was doing.
0:21:45 > 0:21:47I said it was fine.
0:21:49 > 0:21:52She said it was a shame about my brother.
0:21:52 > 0:21:55And then she laughed.
0:21:59 > 0:22:02SHE WHIMPERS
0:22:02 > 0:22:05- No...- Are you OK?
0:22:05 > 0:22:07SHE SOBS
0:22:07 > 0:22:09It's OK.
0:22:16 > 0:22:18Stacey, is it?
0:22:18 > 0:22:19It's not, no.
0:22:19 > 0:22:23You sure? Because you don't half remind me of someone I knew.
0:22:23 > 0:22:25- Who? Your mum?- Nah.
0:22:25 > 0:22:27No, this little girl I knew a long way back.
0:22:27 > 0:22:31- I often wonder what happened to her. - Why's that, then?
0:22:31 > 0:22:32You like to think about her when
0:22:32 > 0:22:35you're having a little play with yourself?
0:22:35 > 0:22:39See, that's exactly the sort of thing she would say, if she was here.
0:22:39 > 0:22:42- Except she's not here, is she? - Apparently not.
0:22:47 > 0:22:50FOOTSTEPS FADE
0:23:18 > 0:23:20HE EXHALES
0:24:24 > 0:24:28FRONT DOOR OPENS
0:24:37 > 0:24:38BOTTLES CLINK
0:24:38 > 0:24:40KEYS HIT SURFACE
0:24:46 > 0:24:49WASHING MACHINE STARTS
0:24:52 > 0:24:54LOCK RATTLES
0:25:08 > 0:25:09DOOR GENTLY CLOSES
0:25:23 > 0:25:26PHONE RINGS
0:25:33 > 0:25:36'I'm sorry, we can't get to the phone right now,
0:25:36 > 0:25:39'so please leave a message after the beep.'
0:25:39 > 0:25:41ANSAPHONE BEEPS
0:25:41 > 0:25:43'Mum, it's Declan. I shouldn't be too long,
0:25:43 > 0:25:47'I'm just stuck in a bit of traffic, all right. 'I'll see you soon. Bye.'
0:26:01 > 0:26:03HE GASPS
0:26:06 > 0:26:10HE HYPERVENTILATES
0:26:10 > 0:26:12HE GROANS AND GASPS
0:26:42 > 0:26:45MOTORBIKE APPROACHES
0:27:10 > 0:27:12MOTORBIKE ENGINE REVS
0:27:17 > 0:27:19GUNSHOTS
0:27:22 > 0:27:23HE GROANS
0:27:44 > 0:27:46MOBILE PHONE VIBRATES
0:27:48 > 0:27:50- Wotcher.- George?
0:27:50 > 0:27:54All right, John. You still with us, then?
0:27:54 > 0:27:57Er, just about. One of your boys just had a pop at me.
0:27:57 > 0:28:00Well, obviously I don't know what you're talking about, officer.
0:28:00 > 0:28:02But if I did, I'd probably say,
0:28:02 > 0:28:05"They wouldn't be my boys, specifically."
0:28:05 > 0:28:08See, if you've been greenlit - allegedly -
0:28:08 > 0:28:11every would be hit man in London would be after you.
0:28:11 > 0:28:14- How was he, by the way? - Rubbish.
0:28:14 > 0:28:15Whoopsie daisy.
0:28:15 > 0:28:18- So, how can I help? - George, just lay off.
0:28:18 > 0:28:21I've got a nutjob running around London eating people
0:28:21 > 0:28:24- and I've got a dead kid. - What do you mean, "Dead kid"?- Yeah.
0:28:24 > 0:28:26Now, you and me, we're old school, right?
0:28:26 > 0:28:28We're on the same page when it comes to dead kids.
0:28:28 > 0:28:31What's this, Billy Bacon and the soft-centered Cockney Villain?
0:28:31 > 0:28:36Thing is, George, I think this dead kid is connected to our thing.
0:28:36 > 0:28:38- Alice Morgan.- How?
0:28:38 > 0:28:41Like I said, I'm not sure. But I know it's connected.
0:28:41 > 0:28:45- What are we now - psychic? - Yeah, funny you should say that.
0:28:45 > 0:28:48On the basis of this...funny feeling in your belly,
0:28:48 > 0:28:52you are asking for what? A stay of execution?
0:28:52 > 0:28:54They broke the mould after you popped out, didn't they?
0:28:54 > 0:28:56Yeah. That's what my mum used to say.
0:28:56 > 0:28:58Your sainted mother.
0:28:58 > 0:29:02- Is this another appeal to my maudlin East End heart?- No. Whatever.
0:29:02 > 0:29:05Well, I hated my mother, John.
0:29:05 > 0:29:08And greenlit is greenlit, I'm afraid.
0:29:08 > 0:29:11It's out of my hands.
0:29:11 > 0:29:14I'll see you on the other side of the veil.
0:29:14 > 0:29:16HE LAUGHS
0:29:49 > 0:29:51Mum? Dad?
0:30:25 > 0:30:27TEXT MESSAGE ALERT
0:30:39 > 0:30:41Mum? Dad?
0:30:58 > 0:31:00Mum?
0:31:39 > 0:31:41Was it there?
0:31:48 > 0:31:49You ever hear of the...
0:31:50 > 0:31:52..confirmation bias?
0:31:54 > 0:31:57- I beg your pardon? - We all do it.
0:31:58 > 0:32:02You sort of see things in a way that support what you already believe.
0:32:04 > 0:32:06So, you, erm...
0:32:06 > 0:32:09we form an opinion and then you create a theory
0:32:09 > 0:32:12- and then you work hard to prove it. - I don't follow.
0:32:12 > 0:32:14Yeah. Well, see...
0:32:15 > 0:32:17..here's me thinking,
0:32:17 > 0:32:20"She must really know a lot about Alice Morgan.
0:32:20 > 0:32:23"I mean, she must know Alice Morgan!"
0:32:23 > 0:32:25You know?
0:32:25 > 0:32:27"How else would she know all those details?
0:32:28 > 0:32:30"Jonathan Black.
0:32:30 > 0:32:32"The toy owl.
0:32:32 > 0:32:35"Stacey Bell."
0:32:35 > 0:32:38Right? But then the thing is -
0:32:38 > 0:32:41no, you don't know Alice Morgan.
0:32:41 > 0:32:43You don't know Alice Morgan, at all.
0:32:45 > 0:32:48It's Jonathan you know, isn't it?
0:32:49 > 0:32:53Jonathan Black and Stacey Bell.
0:32:56 > 0:32:58You know them because you were in their class.
0:32:58 > 0:33:00Now, which one's you?
0:33:00 > 0:33:03Which one's Sarah Roberts?
0:33:07 > 0:33:09So, you do remember.
0:33:10 > 0:33:12To be fair - you've changed a lot.
0:33:15 > 0:33:17Do you remember the promise you made me?
0:33:18 > 0:33:21She said that she would kill me if I told anyone.
0:33:21 > 0:33:26- And I did tell someone. Because you said that I could trust you.- I know.
0:33:26 > 0:33:28You promised.
0:33:29 > 0:33:31- You did nothing. - That's not true.
0:33:31 > 0:33:34I was ten years old! Too petrified to sleep.
0:33:34 > 0:33:36Do you know what happens to someone, when they don't sleep?
0:33:36 > 0:33:40- To their mind?- Yeah. - You do?- Yeah.- Good.
0:33:40 > 0:33:43Because it was your fault.
0:33:43 > 0:33:44You lied.
0:33:46 > 0:33:49So, that's it?
0:33:49 > 0:33:52All this woo-woo bullshit, that's it? That's it?
0:33:52 > 0:33:56This is way of putting all of that right, because you're petrified -
0:33:56 > 0:33:58still petrified - of Stacey Bell.
0:34:01 > 0:34:03Do you know what it's like to be haunted?
0:34:04 > 0:34:08Megan, that is just your guilt talking, OK. The dead are gone.
0:34:08 > 0:34:10No.
0:34:10 > 0:34:13The dead aren't even dead, John.
0:34:13 > 0:34:15I'm arresting you.
0:34:15 > 0:34:20I'm arresting you on suspicion of perverting the course of justice.
0:34:20 > 0:34:21No, you're not.
0:34:21 > 0:34:22Sorry?
0:34:24 > 0:34:26You can't arrest me for anything.
0:34:32 > 0:34:34No? And why's that, then?
0:34:34 > 0:34:36Because I know what you were planning.
0:34:37 > 0:34:40- You and Alice Morgan. - What's that supposed to mean?
0:34:42 > 0:34:45Conspiring to sell uncut diamonds.
0:34:46 > 0:34:48Running away with a wanted killer.
0:34:49 > 0:34:52What would happen to you, I wonder, if I were to tell?
0:34:54 > 0:34:58Megan, did you break into my house? Did you take something from me?
0:34:58 > 0:35:00- Like what?- A phone.
0:35:02 > 0:35:05How long have you been listening to me and Alice?
0:35:05 > 0:35:06Long enough.
0:35:06 > 0:35:09Long enough to know what happened to her?
0:35:15 > 0:35:19Was Alice talking to someone that I didn't know about?
0:35:19 > 0:35:22Someone that, someone that could hurt her?
0:35:23 > 0:35:26Megan...I need to know.
0:35:27 > 0:35:29Of course you need to know.
0:35:29 > 0:35:31It would be inhuman not to.
0:35:31 > 0:35:35I make good on my promise - I make good on my promise to you...
0:35:36 > 0:35:39..then you help me out. All right?
0:35:42 > 0:35:44One step at a time, John.
0:36:00 > 0:36:02I need to go.
0:36:09 > 0:36:11- COMPUTER BEEPS - Boss! We're in!
0:36:17 > 0:36:19INDISTINCT CHATTER
0:36:20 > 0:36:22This is some guy, huh?
0:36:25 > 0:36:28SNIPPETS OF LAUGHTER AND CONVERSATION
0:36:31 > 0:36:34Right, what we got?
0:36:34 > 0:36:38Steven Rose has been keeping tabs on over two hundred people.
0:36:38 > 0:36:40We've been in contact with as many
0:36:40 > 0:36:41as possible and advised them accordingly.
0:36:41 > 0:36:44Anything we can use to get ahead of him?
0:36:44 > 0:36:48No contingency plans as such, but there is a data list of bolt holes,
0:36:48 > 0:36:51places all over London he could hide out in.
0:36:51 > 0:36:53Abandoned homes, schools, swimming pools.
0:36:53 > 0:36:56The problem is, that there are hundreds of them, spread over
0:36:56 > 0:36:59six hundred square miles of Greater London.
0:36:59 > 0:37:01- DS Lane, what did you get?- He lives alone,
0:37:01 > 0:37:04has done for about seven or eight years.
0:37:04 > 0:37:08A few girlfriends, nothing serious. Not since a girl called Katherine.
0:37:08 > 0:37:11- Katherine who?- Meadows. She and Steven were students together.
0:37:11 > 0:37:14Prototypical first love thing, back when summers
0:37:14 > 0:37:16were endless and whatnot.
0:37:16 > 0:37:19She's long since married, she's now Katherine Woodward.
0:37:19 > 0:37:24Other than that, no flatmates, no hobbies, no real friends...
0:37:24 > 0:37:29No life. This, erm, Katherine, she's definitely not on the list?
0:37:29 > 0:37:32Not listed, sir. There is no Katherines on the list.
0:37:32 > 0:37:35- Kates, Katies?- Nope, she's not there.
0:37:35 > 0:37:38- Well, we need to talk to her. Has she got an address?- Er, yeah.
0:37:43 > 0:37:45'Police warn that Steven Rose should be considered dangerous.
0:37:45 > 0:37:47DOORBELL RINGS
0:37:47 > 0:37:49'Members of the public should not approach him,
0:37:49 > 0:37:52- 'but should immediately contact the police. - DOORBELL RINGS AGAIN
0:37:52 > 0:37:53'Police are also appealing for
0:37:53 > 0:37:55'anybody who might have information...'
0:37:55 > 0:37:57< Hannah, get the doorbell, please?
0:37:57 > 0:37:59- Owen, get the door.- Who died and made you God?
0:37:59 > 0:38:02Sorry, I can't. I'm too busy having a life.
0:38:02 > 0:38:07- Can you get your arse off the sofa?! Door!- Hmm.
0:38:07 > 0:38:11'These are live pictures coming to us now of the urgent manhunt
0:38:11 > 0:38:14'that is ongoing across the capital for Steven Rose.
0:38:16 > 0:38:19'We will be updating you as we get the information.'
0:38:19 > 0:38:21INDISTINCT CHATTER AT FRONT DOOR
0:38:22 > 0:38:25Katie, did you call this lot?
0:38:28 > 0:38:30Steven?
0:38:30 > 0:38:32'And I would like to repeat, police have warned
0:38:32 > 0:38:35'Steven Rose should be considered extremely dangerous.'
0:38:35 > 0:38:37THEY SCREAM
0:39:32 > 0:39:34The Woodward's are gone, he's got 'em.
0:39:34 > 0:39:36Benny, I need you to go through that list of bolt holes.
0:39:36 > 0:39:39Isolate a two-mile radius from this point.
0:39:39 > 0:39:42On its way, boss. Red lights are properties on the database.
0:40:07 > 0:40:09HE EXHALES DEEPLY
0:40:09 > 0:40:11If he wanted to kill her...
0:40:13 > 0:40:16..he would have just killed her here.
0:40:16 > 0:40:20The fact that he's taken her away, that tells me that he needs time.
0:40:20 > 0:40:23To do what?
0:40:23 > 0:40:27I think the thing of it is that he's come back to get what he's lost.
0:40:27 > 0:40:30And the husband? The step-kids? How does that fit?
0:40:30 > 0:40:34Katie loves THEM. All right? And that's what Steven does.
0:40:34 > 0:40:36He takes from others what he hasn't got.
0:40:40 > 0:40:43What is your knowledge of crime to journey stats?
0:40:43 > 0:40:47Er, stats say that the less familiar an offender is with a given area,
0:40:47 > 0:40:50- the closer to home he'll commit his crimes.- Exactly.
0:40:50 > 0:40:52Which puts Steven within a mile and a half of us.
0:40:52 > 0:40:54Yeah, yeah. MOBILE PHONE RINGS
0:40:54 > 0:40:58- That's Benny. I told him to send you a list of those bolt holes.- OK.
0:40:58 > 0:41:01OK. So...so, what? We isolate the properties
0:41:01 > 0:41:04- that fall inside that radius?- No.
0:41:04 > 0:41:08- Looking for what? Vacant houses for let or sale?- No, too risky.
0:41:08 > 0:41:11- We know he needs time, right? - Renovations?
0:41:12 > 0:41:15No, it's the same problem, isn't it? Erm...
0:41:17 > 0:41:20Boss, there's the old Onslow Hospital.
0:41:21 > 0:41:23Yeah, OK.
0:41:23 > 0:41:26Erm, OK. So, what do we do?
0:41:26 > 0:41:28Well, we should call in armed response.
0:41:28 > 0:41:30Yeah. We...we should do that.
0:41:31 > 0:41:34Except last time we did that he got away...
0:41:35 > 0:41:37So, what do we do?
0:41:37 > 0:41:40- We do it right. - Good answer.
0:41:44 > 0:41:49SCRAPING OF METAL ON METAL
0:42:17 > 0:42:20SCRAPING CONTINUES
0:42:28 > 0:42:29Please, don't.
0:42:32 > 0:42:35- SHE CRIES - Please.
0:42:35 > 0:42:38SCRAPING GETS LOUDER
0:43:38 > 0:43:40HE GROANS WITH EFFORT
0:43:47 > 0:43:50SHE SOBS
0:43:58 > 0:44:00SHE GASPS SHARPLY
0:44:00 > 0:44:01Steven. Please, don't.
0:44:01 > 0:44:03I want you back.
0:44:03 > 0:44:05SHE WHIMPERS
0:44:05 > 0:44:09Oh, my god. Oh, my god.
0:44:31 > 0:44:33TYRES SCREECH
0:44:35 > 0:44:37(Hey, wait.)
0:44:39 > 0:44:41DISTANT SCREAMING
0:45:23 > 0:45:25(Emma?)
0:45:30 > 0:45:33OWEN SCREAMS
0:45:33 > 0:45:35RUN!
0:45:35 > 0:45:38KATIE SCREAMS
0:45:42 > 0:45:44OWEN WAILS
0:45:46 > 0:45:48CLATTERING
0:45:48 > 0:45:51SHE BREATHES HEAVILY
0:46:12 > 0:46:14SHE PANTS
0:46:16 > 0:46:18HE GASPS
0:46:21 > 0:46:23Are you Owen Woodward?
0:46:23 > 0:46:25Are you hurt?
0:46:27 > 0:46:29Where is he?
0:46:29 > 0:46:30Who else is he with?
0:46:30 > 0:46:33My family.
0:46:33 > 0:46:35OK. OK. You need to get out.
0:46:35 > 0:46:38OK. It's going to be OK.
0:46:38 > 0:46:40(Quietly. It's going to be OK.)
0:47:49 > 0:47:52KATIE CRIES
0:47:59 > 0:48:01Whoa, whoa, whoa! Steven! Stop! Stop! Just stop!
0:48:01 > 0:48:03Just stop!
0:48:03 > 0:48:06SHE WHIMPERS (Stop. Stop.)
0:48:08 > 0:48:11You lost her, mate. OK? She's gone. SHE CRIES
0:48:11 > 0:48:15She's gone. All right? But this thing that you're feeling,
0:48:15 > 0:48:19this thing, it's in your head, it's a physical thing, you know.
0:48:19 > 0:48:21It can be put right.
0:48:21 > 0:48:26- I died.- No, no. The dead don't come back, OK?
0:48:27 > 0:48:31Now, we think they do, but they don't.
0:48:36 > 0:48:38Steven!
0:48:38 > 0:48:39Don't! Stop! Stop!
0:48:57 > 0:48:59Emma...
0:49:01 > 0:49:03Emma.
0:49:03 > 0:49:05Put it down. Put it down.
0:49:14 > 0:49:17INDISTINCT POLICE RADIO CHATTER
0:49:40 > 0:49:42We got to talk about that gun.
0:49:44 > 0:49:47- Yeah, I should have told you I took it.- Yeah, you should have.
0:49:53 > 0:49:55You found it, all right?
0:49:57 > 0:49:59It was Steven's gun and you found it.
0:50:04 > 0:50:05It'll be all right.
0:50:07 > 0:50:09It was a good shooting.
0:50:30 > 0:50:31Hey, Ben.
0:50:31 > 0:50:34Good work, Dirty Harriet.
0:50:34 > 0:50:36Boss, can I have a word?
0:50:36 > 0:50:38Yeah.
0:50:40 > 0:50:42It's about that other thing.
0:50:42 > 0:50:45I've been having a nosey around
0:50:45 > 0:50:48Megan Cantor's financials.
0:50:48 > 0:50:51Now, there's nothing massively out of the ordinary,
0:50:51 > 0:50:53but there is something, it might be nothing.
0:50:53 > 0:50:57- Not everything's something.- She does pay rental on a safe deposit box.
0:52:22 > 0:52:23Nice hat.
0:52:25 > 0:52:27Nice coat. Very sensible.
0:52:30 > 0:52:34- We find ourselves in a pickle. - We are. We're in a pickle.
0:52:37 > 0:52:39What if I found a way to fix it?
0:52:40 > 0:52:43For you to save some face and make some money?
0:52:43 > 0:52:45Quite a bit of money.
0:52:45 > 0:52:47Well, as it happens, I often find
0:52:47 > 0:52:51that money has an elevating effect on my frame of mind.
0:52:54 > 0:52:57There. That's what you wanted.
0:52:57 > 0:52:59That's what you tried to steal from Alice.
0:52:59 > 0:53:02Well, it seems a bit unseemly when you put it like that -
0:53:02 > 0:53:04but, yeah, that's the gist of it.
0:53:04 > 0:53:06Where'd you find them, by the way?
0:53:06 > 0:53:08Inside the body, were they? What, she swallow them?
0:53:08 > 0:53:10Do you want them, or what?
0:53:10 > 0:53:14Are we being serious, now? You do know what this lot is worth?
0:53:14 > 0:53:16Yeah.
0:53:16 > 0:53:18Enough to start a new life.
0:53:19 > 0:53:22But that's not going to happen now, is it?
0:53:22 > 0:53:24What am I going to buy with these?
0:53:39 > 0:53:41Shame she died.
0:53:41 > 0:53:43You ever find out who did it?
0:53:45 > 0:53:47Look, you've got your money now.
0:53:48 > 0:53:50What are the chances of you me doing a favour?
0:53:50 > 0:53:53Here we go, then. What do you want?
0:53:54 > 0:53:59Cocaine, heroin, pills... whatever's lying about.
0:53:59 > 0:54:02Well, that's an unusual request. I mean, given the day job.
0:54:04 > 0:54:07It's been an unusual couple of days, George.
0:54:09 > 0:54:10HE SNIGGERS
0:54:10 > 0:54:12Yeah.
0:54:54 > 0:54:58And where did you come across this information?
0:54:58 > 0:55:00A tip.
0:55:00 > 0:55:03From...?
0:55:03 > 0:55:05A source.
0:55:05 > 0:55:07A source.
0:55:08 > 0:55:11And this puts it to bed?
0:55:11 > 0:55:13For good?
0:55:13 > 0:55:14Yeah.
0:55:16 > 0:55:18Will there be anything else?
0:55:19 > 0:55:22No, boss. Thank you.
0:55:28 > 0:55:30WOMAN YELLS
0:55:31 > 0:55:33Get off of me!
0:55:35 > 0:55:37Ow!
0:55:44 > 0:55:47They'll do her for intent to supply and then they'll upgrade to murder
0:55:47 > 0:55:49when they connect the toy to Jonathan.
0:55:49 > 0:55:51HE EXHALES WEARILY
0:55:56 > 0:55:58Do you feel better putting it right?
0:56:02 > 0:56:03Did you hurt her?
0:56:03 > 0:56:05Who?
0:56:07 > 0:56:09Alice.
0:56:10 > 0:56:11Did you?
0:56:13 > 0:56:15Why would I?
0:56:15 > 0:56:18Because you wanted me to keep my promise.
0:56:18 > 0:56:20You had to stop me from leaving.
0:56:20 > 0:56:22Hmm.
0:56:22 > 0:56:24It could be that.
0:56:25 > 0:56:31Or perhaps it could be that Alice Morgan...
0:56:31 > 0:56:34was your blind spot.
0:56:34 > 0:56:37You didn't love her, not really.
0:56:39 > 0:56:42She frightened you and she excited you...
0:56:43 > 0:56:45..and you mistook that for love.
0:56:49 > 0:56:52But you would have killed her, eventually.
0:56:52 > 0:56:54If she didn't kill you first.
0:56:57 > 0:56:59Perhaps that's why I did it.
0:57:06 > 0:57:08SHE LAUGHS
0:57:09 > 0:57:11But I didn't.
0:57:11 > 0:57:14Megan...
0:57:14 > 0:57:16..are you scared of me?
0:57:18 > 0:57:20Clearly not.
0:57:22 > 0:57:25Well, you should be.
0:57:25 > 0:57:26Because I'm coming for you.
0:57:45 > 0:57:47MUSIC: A Few Hours After This by The Cure
0:57:47 > 0:57:50# A few hours after this and we're apart again
0:57:53 > 0:57:59# Like black and white checks at opposite poles in a secret game
0:58:00 > 0:58:04# Played in a strange symmetry
0:58:06 > 0:58:10# You really should have known by the cut of my smile
0:58:10 > 0:58:12# That the answer will be simple
0:58:12 > 0:58:16# It still took you a while to get it out of me
0:58:17 > 0:58:20# I thought you'd do it easily
0:58:24 > 0:58:30# Just put your hands around my heart and squeeze me till I'm dry
0:58:31 > 0:58:38# I never thought you'd ever stop to ever ask me why
0:58:39 > 0:58:42# I never saw you again
0:58:42 > 0:58:45# I never saw you again
0:58:46 > 0:58:49# I never saw you again
0:58:50 > 0:58:53# I never saw you again. #