0:00:25 > 0:00:27Greetings and welcome to It's My Shout.
0:00:27 > 0:00:30Now, what is this? What is It's My Shout?
0:00:30 > 0:00:32Basically, it's a summer training scheme
0:00:32 > 0:00:34that has been running for the past nine years,
0:00:34 > 0:00:38which has been producing quality short films that have been broadcast
0:00:38 > 0:00:40and supported by the BBC.
0:01:15 > 0:01:18- Slate 33, take one. - Just take two steps back. That's it.
0:01:19 > 0:01:21It's My Shout has eyes and ears everywhere.
0:01:21 > 0:01:23It works with people from all walks of life.
0:01:23 > 0:01:26It visits schools and colleges.
0:01:26 > 0:01:30It is always looking for new talent to be in front of, and also behind,
0:01:30 > 0:01:32the camera, working in various production areas.
0:01:32 > 0:01:35Here we go, camera set...
0:01:35 > 0:01:36And...action.
0:01:36 > 0:01:40My name is Simon Lee, from Dolgethly,
0:01:40 > 0:01:44and I started working on It's My Shout back in 2009,
0:01:44 > 0:01:49where I was a runner, just sort of at the bottom, doing anything I could
0:01:49 > 0:01:52to help out, and watch as much things as I could,
0:01:52 > 0:01:55to learn and get the most out of the experience.
0:01:55 > 0:01:57Hiya, my name's Tannan, I'm from Bangor,
0:01:57 > 0:01:59and I'm playing the role of Stacey in ABCDad.
0:01:59 > 0:02:04'In college, I just focused more on my dancing than my acting,'
0:02:04 > 0:02:07so I thought it would be something different that I could enjoy doing.
0:02:07 > 0:02:11I'm Gavin Porter, from Butetown. I've lived here all my life.
0:02:11 > 0:02:15I've shot some stuff and I've directed some short films,
0:02:15 > 0:02:19but never really worked with a full crew and I realise I need to learn
0:02:19 > 0:02:22the intricacies of how it works on set,
0:02:22 > 0:02:24in order for me to take that next step, really.
0:02:24 > 0:02:26- Cut!- Cut there.
0:02:33 > 0:02:37Each summer, It's My Shout and a range of trainees work together
0:02:37 > 0:02:41to produce and shoot six short films,
0:02:41 > 0:02:45which will be broadcast on air - a fantastic opportunity
0:02:45 > 0:02:48for anyone wanting experience in the media industry.
0:02:54 > 0:02:57The participants work in conjunction with each other.
0:02:57 > 0:03:01They work in all forms of areas, such as location, such as running,
0:03:01 > 0:03:04make-up and costume, to name but a few.
0:03:30 > 0:03:31Also, every year,
0:03:31 > 0:03:34it welcomes new writers and new directors into the fold.
0:03:36 > 0:03:39The film is about a 16-year-old girl.
0:03:39 > 0:03:42It's on her birthday, so she's just turned 16,
0:03:42 > 0:03:45and she writes a wish-list of all the things that she would like to do,
0:03:45 > 0:03:47now that she has turned 16.
0:03:50 > 0:03:53I've been involved in community projects, not just in Butetown,
0:03:53 > 0:03:55but all of South Wales, really.
0:03:55 > 0:03:58Butetown, as it's now known,
0:03:58 > 0:03:59has been here for...
0:03:59 > 0:04:03I've been part of that community all my life, since I was born.
0:04:05 > 0:04:08All the directors meet on a regular basis, to go through scripts
0:04:08 > 0:04:10and the pre-production process.
0:04:10 > 0:04:14...kind of places that you want. He might have ideas in his head.
0:04:14 > 0:04:16The script was set in a leafy suburb,
0:04:16 > 0:04:21but me - as a person and a director - didn't really identify with the world
0:04:21 > 0:04:25that the story was set in, so obviously, as a film-maker,
0:04:25 > 0:04:30I would like to think that you tend to push some of your own personality
0:04:30 > 0:04:33on screen, and because I am from a council estate, Butetown,
0:04:33 > 0:04:36it was, kind of, natural for me to set it here.
0:04:37 > 0:04:40Now, everything normally happens down here, in South Wales.
0:04:40 > 0:04:44This year, though, we are branching out, into Bangor in North Wales,
0:04:44 > 0:04:46to film ABCDad.
0:05:14 > 0:05:18All trainees and cast are sourced locally, giving students in Bangor
0:05:18 > 0:05:21a unique opportunity to work in this environment.
0:05:21 > 0:05:23- Open.- You promised, Gaz,
0:05:23 > 0:05:25you promised you wouldn't disappear and you did - again.
0:05:25 > 0:05:29- Just open the window.- Where have you been?- I've come to help ya.
0:05:29 > 0:05:30'ABCDad is about'
0:05:30 > 0:05:33a young lad who has got difficulties
0:05:33 > 0:05:38'with writing and reading and he's really trying to get a job.'
0:05:38 > 0:05:42- Read that.- No.- Just read it.
0:05:42 > 0:05:43- I said no.- Why?
0:05:43 > 0:05:44Can't you read or something?
0:05:52 > 0:05:54He does try really hard and that's when he meets Ffion
0:05:54 > 0:05:56'and Ffion helps him.'
0:05:56 > 0:06:00I didn't know you couldn't read. I can help you learn, if you want.
0:06:08 > 0:06:11It's a job interview. It's tomorrow, at two.
0:06:11 > 0:06:15You need to go to The Castle pub, OK?
0:06:15 > 0:06:17- What? - Don't be late for the interview.
0:06:17 > 0:06:19Last chance, remember?
0:06:21 > 0:06:24The character of Stacey, she's 16 years old,
0:06:24 > 0:06:28she lives on a council estate. Her boyfriend was Gary,
0:06:28 > 0:06:33who wasn't a very good boyfriend. They had a baby together, so she then became a single mother.
0:06:33 > 0:06:36- What's she crying for? - Cos she still hasn't seen her dad. - Well, I'm here now.
0:06:36 > 0:06:39- Yeah, until you piss off again. - Stace, I promise.
0:06:39 > 0:06:41Whatever, Gaz.
0:06:41 > 0:06:45BABY WAILS
0:06:48 > 0:06:52It's My Shout teams up with various partners -
0:06:52 > 0:06:53schools and colleges -
0:06:53 > 0:06:56each year, to help push the training scheme further.
0:06:58 > 0:07:00It's a work experience we can't give them.
0:07:00 > 0:07:03It's a work experience where they can get out and really see
0:07:03 > 0:07:06what the industry wants from them.
0:07:06 > 0:07:08Slate 25, take one. At end.
0:07:08 > 0:07:10- On the end.- On end.- Nearly!
0:07:12 > 0:07:15It's just unbelievable. It's given us, as a college,
0:07:15 > 0:07:17the opportunity to give our learners
0:07:17 > 0:07:22real-life experiences working on a programme which they know
0:07:22 > 0:07:25is going to be transmitted and that gives it that sense of reality
0:07:25 > 0:07:27and a sense of belonging to an industry.
0:07:27 > 0:07:30In fact, we opened it up totally,
0:07:30 > 0:07:33to any of our students that wanted to do it, in creative media
0:07:33 > 0:07:35and the art department.
0:07:35 > 0:07:38- Art department!- Cheers!
0:07:38 > 0:07:43'We didn't, sort of, say they had to be camera people.
0:07:43 > 0:07:45'They came and saw the opportunity.
0:07:45 > 0:07:49'The student might be on a media TV production course.
0:07:49 > 0:07:54'Ashley chose to do something different, once they realised
0:07:54 > 0:07:57'there was an opportunity for it.'
0:07:57 > 0:07:59To get the shots that we wanted,
0:07:59 > 0:08:01we've basically moved everything around.
0:08:01 > 0:08:06Green here. So if you replace those.
0:08:06 > 0:08:08We haven't bought any of these nappies.
0:08:08 > 0:08:12We're not allowed to actually leave them as they are,
0:08:12 > 0:08:15'so we have to make sure that they go back exactly as we found them.
0:08:15 > 0:08:18'We try and abide by the rule, if someone lets you'
0:08:18 > 0:08:21use their place, you leave it better than you got it.
0:08:21 > 0:08:23Some trainees find themselves
0:08:23 > 0:08:25helping out in more than one department.
0:08:25 > 0:08:28Simon's colleague Steve, for example,
0:08:28 > 0:08:30worked in both the art department and locations.
0:08:31 > 0:08:36It was a really good experience to look for these places,
0:08:36 > 0:08:41'to use local areas and find catering also,
0:08:41 > 0:08:45'and sort out all the locations, really.'
0:08:45 > 0:08:49Basically, we are setting the design here for the bus stop scenes.
0:08:49 > 0:08:52It is printed on waterproof vinyl,
0:08:52 > 0:08:54but just putting it over, just in case.
0:08:54 > 0:08:57These are for the bus stop scene,
0:08:57 > 0:09:03when Gary is waiting for a bus.
0:09:03 > 0:09:05But because he can't read,
0:09:05 > 0:09:09he doesn't realise that the bus is not actually coming.
0:09:09 > 0:09:12And...action!
0:09:37 > 0:09:38As a director,
0:09:38 > 0:09:40Gavin has the responsibility
0:09:40 > 0:09:43to cast his actors and create his overall look.
0:09:43 > 0:09:46He, too, finds his characters within the local area.
0:09:46 > 0:09:50'Charlie, as a person, in my head I see her as, kind of, a dreamer.
0:09:50 > 0:09:54'She's 16. Obviously, she's written a list of what she would like to do.'
0:09:54 > 0:09:56I've got a few ideas.
0:09:56 > 0:09:58# Everybody's wishing
0:09:58 > 0:10:00# Me a happy birthday
0:10:00 > 0:10:03# Everybody's wishing
0:10:03 > 0:10:06# Me a real good time
0:10:06 > 0:10:07# Everybody wishing... #
0:10:07 > 0:10:10'I see her and it's, like,'
0:10:10 > 0:10:13I'm trying get the idea of, like, Beauty and the Mundane, I guess.
0:10:13 > 0:10:16'I see her as a colourful character that I want to cast.
0:10:16 > 0:10:18'Butetown is a colourful place,
0:10:18 > 0:10:21'so she's fits in with...'
0:10:21 > 0:10:23in with her surroundings, really.
0:10:23 > 0:10:29'Emily is from Radnor. She had the innocence that we were looking for'
0:10:29 > 0:10:32to play a 16-year-old - someone who has only just turned 16.
0:10:32 > 0:10:38'I felt Emily fitted the character, visually, how I imagined it,'
0:10:38 > 0:10:40and also she married well
0:10:40 > 0:10:43with the other people that I had in mind to play the other parts.
0:10:45 > 0:10:48My initial instinct was to cast people from the Butetown area,
0:10:48 > 0:10:49to play the parts.
0:10:49 > 0:10:53'There are creative people in the area,
0:10:53 > 0:10:56'but there is not necessarily a go-to organisation.'
0:10:56 > 0:10:58Oh, you want a real gamble?
0:10:58 > 0:11:00Try internet dating.
0:11:00 > 0:11:04'I've know him all my life, I guess, really. He's from the area.'
0:11:04 > 0:11:06I think that he's an unearthed gem.
0:11:06 > 0:11:09He's multi-talented, but he just...
0:11:09 > 0:11:12I don't think has either had the opportunity
0:11:12 > 0:11:15or had the belief in himself
0:11:15 > 0:11:17that he can do things creatively.
0:11:17 > 0:11:20What's wit' all this gambling, anyway?
0:11:20 > 0:11:22If you want to gamble, how about mining in Bolivia
0:11:22 > 0:11:25or eating a blowfish's liver?
0:11:26 > 0:11:29Don't bother... Machine broken.
0:11:29 > 0:11:32Won't be fixed till Thursday.
0:11:36 > 0:11:38- Happy with that?- Yeah.
0:11:42 > 0:11:45Both cast and crew spend the time before shooting begins
0:11:45 > 0:11:48preparing for their roles, in order to have everything perfect
0:11:48 > 0:11:50for their time on set.
0:11:52 > 0:11:54'I prepared for my character'
0:11:54 > 0:11:59of Stacey by speaking to my sister, as she was a single mother.
0:11:59 > 0:12:02'Everyone, my whole family and my friends, have all been supportive
0:12:02 > 0:12:03'and they have all helped me'
0:12:03 > 0:12:08learn my lines and go over it with me, so I can do my action.
0:12:08 > 0:12:11'Stepping on the set for the first time was really weird,
0:12:11 > 0:12:14'because I had never, ever seen anything quite like it before.
0:12:14 > 0:12:17'I'd never seen loads of lights and cameras and so much people.
0:12:17 > 0:12:20'It was, like, a really good experience,'
0:12:20 > 0:12:23but it was also quite scary, just knowing that, when you are acting,
0:12:23 > 0:12:25everyone is, like, staring at you,
0:12:25 > 0:12:29but, after about five minutes, it was fine and everyone was so nice.
0:12:30 > 0:12:32Once on set,
0:12:32 > 0:12:34trainees are thrust into how professional film-making works.
0:12:34 > 0:12:36There are many departments involved,
0:12:36 > 0:12:39so each individual focuses on their own role.
0:12:39 > 0:12:45This one is, basically, about Gary's, sort of,
0:12:45 > 0:12:47struggle with being able to read and write...
0:12:49 > 0:12:51..or even understanding things.
0:12:51 > 0:12:53And this is, kind of, his little way
0:12:53 > 0:12:56of being able to, sort of, understand things,
0:12:56 > 0:13:00like telephone numbers. He links them with symbols.
0:13:00 > 0:13:03Like using the ATM machine, he knows he's got to put his card in first,
0:13:03 > 0:13:06pop his PIN in and then he gets the money out.
0:13:06 > 0:13:10The script itself is quite specific, in what it wanted,
0:13:10 > 0:13:16especially the...name "Gary".
0:13:16 > 0:13:19The writer even said how she perceived it.
0:13:19 > 0:13:20So that was quite easy to do.
0:13:22 > 0:13:23What's that?
0:13:32 > 0:13:33You ready?
0:13:40 > 0:13:41'In terms of preparation,'
0:13:41 > 0:13:46I spent about two weeks, possibly, going through every shot.
0:13:46 > 0:13:50'When I went on set, then I had an idea of exactly what I wanted to do.
0:13:50 > 0:13:53'I didn't want to waste time. I knew time was, kind of, precious.
0:13:53 > 0:13:55'When I went onto the set on the first day,
0:13:55 > 0:13:58'I felt if I didn't know the answer to things
0:13:58 > 0:14:01'it would reflect badly on me, so I was,
0:14:01 > 0:14:03'kind of, for the first morning,
0:14:03 > 0:14:05'I thought, "I need to know the answer to things."
0:14:05 > 0:14:07'But as the day wore on
0:14:07 > 0:14:11'I realised I was probably one of the ones with the least experience
0:14:11 > 0:14:13'and I had a good crew around me and it would be'
0:14:13 > 0:14:18to my benefit to, erm, listen to what they had to say and be happy
0:14:18 > 0:14:20and, kind of, work as a team.
0:14:21 > 0:14:24Throughout the process, and as filming begins,
0:14:24 > 0:14:27friends, families and communities show their support for the scheme.
0:14:27 > 0:14:31I haven't seen anything like this before. I think it's really good.
0:14:31 > 0:14:35Everyone's looking and watching and wanting to know what it's all about.
0:14:35 > 0:14:38Things like this are instrumental in getting young people involved.
0:14:38 > 0:14:40In terms of self-esteem, I don't think you can do
0:14:40 > 0:14:42better than the media.
0:14:42 > 0:14:46'Based on what I've seen from your initiative,'
0:14:46 > 0:14:50encouraging youth to get into media, I think it's a very good thing.
0:14:50 > 0:14:53'When I grew up, my street was always'
0:14:53 > 0:14:56full of kids and it was always a busy place.
0:14:56 > 0:14:59'There's nothing like that happens in my street,
0:14:59 > 0:15:01'because it's got a bad reputation. And it was weird
0:15:01 > 0:15:04'filming there, cos everyone I knew came out in the street'
0:15:04 > 0:15:07and everyone was asking me what was going on and stuff like that.
0:15:07 > 0:15:09It was just weird.
0:15:11 > 0:15:13"..hope you're not too disappointed in us both.
0:15:13 > 0:15:17"I'll send you postcards of our adventures. Love, Gruffy."
0:15:17 > 0:15:20This training opportunity can also open up the chance
0:15:20 > 0:15:23for young actors and actresses to work alongside
0:15:23 > 0:15:26a range of experienced and well-known performers.
0:15:26 > 0:15:31An invaluable chance to learn from some of the best.
0:15:31 > 0:15:35I think that the It's My Shout series of shows is a fantastic idea
0:15:35 > 0:15:37to give experience to young people
0:15:37 > 0:15:39trying to get into the business,
0:15:39 > 0:15:44all aspects of the business - camera, lights, editing,
0:15:44 > 0:15:45you name it.
0:15:45 > 0:15:47Even young actors.
0:15:52 > 0:15:54- Yeah, yeah. - You're going to leave, are you?
0:15:54 > 0:15:57- Yeah, got to go now, so that's... see you.- My wife left me.
0:15:58 > 0:16:00We're not just helping this generation,
0:16:00 > 0:16:05the upcoming generation, but we're skipping future generations
0:16:05 > 0:16:07to create a greater future for our industry.
0:16:07 > 0:16:12To pick up six scripts and get them organised
0:16:12 > 0:16:15and to use all the kids
0:16:15 > 0:16:19that you've got from schools and the universities,
0:16:19 > 0:16:23to give them the experience of a few old professionals like me
0:16:23 > 0:16:25I think is a marvellous achievement.
0:16:25 > 0:16:27Did you know, in the 18th century
0:16:27 > 0:16:29you could take out insurance against going to hell?
0:16:31 > 0:16:33Do you have insurance, Bruce?
0:16:36 > 0:16:39Working with the trainees today has been amazing.
0:16:39 > 0:16:42I haven't really known who's a trainee and who's a professional,
0:16:42 > 0:16:44which I think is the way it's meant to be.
0:16:44 > 0:16:46They seem to have mixed both of them together,
0:16:46 > 0:16:49so I'm none the wiser about who is actually
0:16:49 > 0:16:52doing this for a living and who isn't.
0:16:52 > 0:16:55The value of It's My Shout is that it teaches hands-on experience,
0:16:55 > 0:16:59because you can go to any number of media courses around the country,
0:16:59 > 0:17:01and you'll never have the hands-on experience of working
0:17:01 > 0:17:04on a film set, which is the only way you learn.
0:17:04 > 0:17:06I think the scheme is a good entry point
0:17:06 > 0:17:08for people coming into the industry
0:17:08 > 0:17:13and just getting an idea about what it's all about, how it all works.
0:17:13 > 0:17:15Aargh!
0:17:15 > 0:17:17Come on, now. Oh. Er.
0:17:17 > 0:17:20Oh. Erm.
0:17:20 > 0:17:21Am...Amber.
0:17:21 > 0:17:23- Mike!- Amber!
0:17:23 > 0:17:25Some of them have never done anything like this before.
0:17:25 > 0:17:28It's great that they are all coming together
0:17:28 > 0:17:31to create art, hopefully,
0:17:31 > 0:17:34and just gain... well, take what they can from it,
0:17:34 > 0:17:37and it's one of the very few opportunities in Wales
0:17:37 > 0:17:39for that to happen.
0:17:39 > 0:17:40I think it's important,
0:17:40 > 0:17:44especially in this day and age, to turn a key,
0:17:44 > 0:17:49perhaps, in young people who want to get into the business
0:17:49 > 0:17:53and just give them a little taste maybe of
0:17:53 > 0:17:55what it holds for them
0:17:55 > 0:17:58if they decide to do it on a professional level.
0:17:58 > 0:17:59Danielle!
0:17:59 > 0:18:01APPLAUSE
0:18:04 > 0:18:05'We've done it, we've won.
0:18:05 > 0:18:08'We...defeated the monster.'
0:18:14 > 0:18:17Yeah, I don't want to sound...soppy,
0:18:17 > 0:18:23but, yeah, there was a really good atmosphere on set, I felt,
0:18:23 > 0:18:26and the whole crew were really great.
0:18:26 > 0:18:30It was good working with other trainees,
0:18:30 > 0:18:32cos I was a trainee myself.
0:18:32 > 0:18:35'I think they all done a really good job.
0:18:35 > 0:18:37'I must admit, some of the trainees did'
0:18:37 > 0:18:39impress me with the skills they had.
0:18:39 > 0:18:42Smile and wave for the camera...
0:18:42 > 0:18:43'Geraint, first AD.'
0:18:43 > 0:18:46He was instrumental in helping me, really.
0:18:46 > 0:18:49Just picking up a series of shots we missed from the other day.
0:18:49 > 0:18:51I'll talk you through what we want
0:18:51 > 0:18:54and what we're doing each time as we go through, OK?
0:18:54 > 0:18:57'We met beforehand. I told him I really lacked experience,'
0:18:57 > 0:19:00so he guided me along the way,
0:19:00 > 0:19:04from simple things as "do I say 'cut'?"
0:19:04 > 0:19:07I left 'cut' to him. I didn't even leave 'cut' to him,
0:19:07 > 0:19:08it was his job to say 'cut'.
0:19:10 > 0:19:12'Yeah, he was firm but fair,
0:19:12 > 0:19:15'I guess is a good way of describing his style.'
0:19:15 > 0:19:17Obviously vastly experienced,
0:19:17 > 0:19:22and he helped the whole process keep on time.
0:19:22 > 0:19:25Got a lot to achieve in the first couple of days.
0:19:25 > 0:19:27I've hit the ground running, but yeah,
0:19:27 > 0:19:29it's going very well, actually.
0:19:29 > 0:19:35Quite clear, quite concise. Pushing him hard, but he's reacting well.
0:19:37 > 0:19:41It's My Shout has been a huge help to me building my confidence up.
0:19:41 > 0:19:44'It's been a great help for that.
0:19:44 > 0:19:47'Also it's been a huge help for me getting contacts with
0:19:47 > 0:19:50'people who actually work in the industry
0:19:50 > 0:19:54'and learning valuable tips from people, being able to'
0:19:54 > 0:19:59progress as a person and progress as myself to where I'm aiming to go.
0:19:59 > 0:20:01It's made me more confident
0:20:01 > 0:20:05and it's given me an experience of how films
0:20:05 > 0:20:07actually get made and how long they take.
0:20:07 > 0:20:11Hopefully, from this here I can carry on and possibly get
0:20:11 > 0:20:13some work in the film industry.
0:20:13 > 0:20:15It's been a good experience. I enjoyed it.
0:20:16 > 0:20:20Once the filming is finished, screening preparations start.
0:20:20 > 0:20:23This gives the participants experience in marketing,
0:20:23 > 0:20:27publicity and arranging the events, and all this culminates...
0:20:27 > 0:20:30here! At Porthcawl's Grand Pavilion.
0:20:47 > 0:20:49After each film has been completed,
0:20:49 > 0:20:51all participants are invited to view,
0:20:51 > 0:20:54celebrate and be awarded for their work.
0:20:54 > 0:20:57It's great for them, and a night like this is
0:20:57 > 0:21:00great for them too, because they get some recognition
0:21:00 > 0:21:03for the work they've done and to get to play showbiz.
0:21:03 > 0:21:06You're marvellous. Marvellous.
0:21:06 > 0:21:08Fantastic.
0:21:12 > 0:21:13The standard would be very high.
0:21:13 > 0:21:17I mean, there's been a lot of talented people working on these.
0:21:17 > 0:21:20I'm looking forward to seeing the ones I haven't seen
0:21:20 > 0:21:22very much indeed, yeah.
0:21:22 > 0:21:25It's a... I'm quite excited, really.
0:21:25 > 0:21:26I'm so nervous to see the film,
0:21:26 > 0:21:29just because I don't know what to expect, so...
0:21:29 > 0:21:31it's just going to be so...
0:21:31 > 0:21:34it's going to be weird seeing myself on telly, I think.
0:21:34 > 0:21:36So I'm really nervous, but I'm excited.
0:21:41 > 0:21:43Got a job.
0:21:43 > 0:21:46- Nice one!- Yeah.
0:21:48 > 0:21:51- Where is she?- She's sleeping.
0:21:51 > 0:21:56There's a thing on it, you know, like a little tag thing.
0:21:59 > 0:22:01Really daunting and scary right now,
0:22:01 > 0:22:04and all we're doing is just sitting here, well, standing here
0:22:04 > 0:22:06having some glasses of champagne, you know?
0:22:06 > 0:22:09I feel like I'm prolonging it. I just want to see it already
0:22:09 > 0:22:11and see if I enjoy it.
0:22:12 > 0:22:14'I'm just enjoying myself tonight,'
0:22:14 > 0:22:17I'm just enjoying the feel, really,
0:22:17 > 0:22:19and being down in South Wales for once.
0:22:19 > 0:22:22Just looking forward to seeing the final product of the films
0:22:22 > 0:22:24and how everything looks.
0:22:28 > 0:22:31RADIO: '...the Shipping Forecast, issued by the Met Office
0:22:31 > 0:22:34'on behalf of the Maritime and Coastguard Agency.
0:22:34 > 0:22:36'The general synopsis - low, German Bight...'
0:22:36 > 0:22:38CLOCK TICKS
0:22:41 > 0:22:43'He seems fine in himself.'
0:22:43 > 0:22:46King Dai could hear the screams
0:22:46 > 0:22:48coming from deep within.
0:22:48 > 0:22:52Once he had saved them all, he would be loved by the townspeople.
0:22:52 > 0:22:55'A glance they hold, a story told,
0:22:55 > 0:22:58'without the need for words.
0:22:58 > 0:23:00'A moment spent, her smile,
0:23:00 > 0:23:02'her scent.
0:23:02 > 0:23:03'Hearts flutter now like birds.'
0:23:18 > 0:23:19Come on.
0:23:24 > 0:23:26- Whoa.- I know.
0:23:28 > 0:23:30It makes me feel...
0:23:30 > 0:23:31alive.
0:23:39 > 0:23:41FEEDBACK SQUEALS
0:23:41 > 0:23:43Anyway, here we are.
0:23:43 > 0:23:47This is the moment you've all been waiting for.
0:23:47 > 0:23:51And the winner is...
0:23:53 > 0:23:55Once the films have been shown,
0:23:55 > 0:23:57awards are given out to the trainees
0:23:57 > 0:24:00who have excelled during the process.
0:24:00 > 0:24:03I really, really hope Gavin or someone wins something,
0:24:03 > 0:24:05because they all just did so amazingly.
0:24:05 > 0:24:07I'm kind of scared if I win something,
0:24:07 > 0:24:10because the heels I've got on are ridiculously high
0:24:10 > 0:24:12and I'm afraid I'll fall when I walk up to the stage.
0:24:12 > 0:24:14Apart from that, it's quite exciting!
0:24:14 > 0:24:16Well, it's the first time I've seen myself
0:24:16 > 0:24:19on a screen like this, you know?
0:24:19 > 0:24:21It's mad, like, you know?
0:24:21 > 0:24:23It's wicked. Hollywood next!
0:24:25 > 0:24:27APPLAUSE
0:24:27 > 0:24:29Tonight, we want to once again recognise the talent
0:24:29 > 0:24:33that has emerged this year both in front of and behind the cameras.
0:24:33 > 0:24:36Steven Mason for ABCDad.
0:24:36 > 0:24:37APPLAUSE AND CHEERING
0:24:40 > 0:24:42How do you feel?
0:24:42 > 0:24:44Oh, it feels amazing. It's just...
0:24:44 > 0:24:46I just really wasn't expecting it.
0:24:48 > 0:24:49Lucy Gallagher.
0:24:49 > 0:24:51APPLAUSE AND CHEERING
0:24:51 > 0:24:55I'm really quite shocked.
0:24:55 > 0:24:58Christopher Jacobi for camera.
0:24:58 > 0:25:01I'll stop there, cos I'll talk about bacon, so, sorry!
0:25:01 > 0:25:02LAUGHTER
0:25:02 > 0:25:06Anthony "Wella" Carrea for Sweet Sixteen.
0:25:06 > 0:25:08APPLAUSE AND CHEERING
0:25:08 > 0:25:11I just said to the man there... I don't know what to say!
0:25:11 > 0:25:12LAUGHTER
0:25:12 > 0:25:17Well, I'd just like to say thank you to everyone who voted for me,
0:25:17 > 0:25:22like, you know, and I'm just speechless about this award.
0:25:22 > 0:25:24Thomas Herbert...
0:25:24 > 0:25:25APPLAUSE AND CHEERING
0:25:25 > 0:25:29..for King Of The Castle.
0:25:29 > 0:25:31I'm very, very happy.
0:25:31 > 0:25:32Thank you very, very much.
0:25:32 > 0:25:34APPLAUSE AND CHEERING
0:25:34 > 0:25:37Emily Burnett
0:25:37 > 0:25:38for Sweet Sixteen.
0:25:38 > 0:25:40APPLAUSE AND CHEERING
0:25:41 > 0:25:44Er, Emily Burnett? Whooo!
0:25:44 > 0:25:46APPLAUSE AND CHEERING
0:25:46 > 0:25:48Thank you to Gavin,
0:25:48 > 0:25:51who was an amazing director.
0:25:51 > 0:25:53He did so...he was just amazing.
0:25:53 > 0:25:54And thank you for this.
0:25:54 > 0:25:55APPLAUSE AND CHEERING
0:25:55 > 0:26:01Best Senior Actor is,
0:26:01 > 0:26:02for ABCDad,
0:26:02 > 0:26:04Michael Sanderson.
0:26:04 > 0:26:07APPLAUSE AND CHEERING
0:26:07 > 0:26:09And the winner of Best Film...
0:26:09 > 0:26:11Sweet Sixteen.
0:26:11 > 0:26:13APPLAUSE AND CHEERING
0:26:20 > 0:26:23HE MOUTHS
0:26:28 > 0:26:30I didn't expect nothing like this,
0:26:30 > 0:26:32but I am really happy that I got it, you know?
0:26:35 > 0:26:37Happy, over the moon...
0:26:37 > 0:26:42obviously, I said it earlier, it was a genuine team effort, really.
0:26:42 > 0:26:45It's been great to just be recognised,
0:26:45 > 0:26:49sort of like they've been keeping an eye on sort of who's good.
0:26:51 > 0:26:53I couldn't get up off my chair!
0:26:53 > 0:26:56And I can't believe I got up! Actually, I did it without falling!
0:26:56 > 0:26:58Let's just see what happens from here now, really.
0:27:00 > 0:27:03It's really a good event, I think, to...you get socialising
0:27:03 > 0:27:07and meet everyone again, and just have a good time, really,
0:27:07 > 0:27:09and celebrate everything that's been done.
0:27:09 > 0:27:13Looking around, there's many, many people here in the industry
0:27:13 > 0:27:15that actually do this professionally,
0:27:15 > 0:27:18that I can actually speak to and go up to them
0:27:18 > 0:27:20and say "hello" and say who I am.
0:27:20 > 0:27:22I hope I'll keep doing stuff like this.
0:27:22 > 0:27:25I'll quite happily live my life doing short films like that,
0:27:25 > 0:27:27cos it was so much fun doing it.
0:27:27 > 0:27:31To kind of get the experience at a young age in particular,
0:27:31 > 0:27:34it's invaluable, and it's exciting,
0:27:34 > 0:27:37and it allows you to be creative and to do what you want
0:27:37 > 0:27:39and have the opportunity to do it.
0:27:39 > 0:27:43And as I say, a lot of people don't have that, so, as they do have it,
0:27:43 > 0:27:45they'd better make the most of it.
0:27:45 > 0:27:47If I could do this as something...
0:27:47 > 0:27:50as my career, or whatever, I'd love it.
0:27:50 > 0:27:53I can't even put it into words. It'd be amazing.
0:27:53 > 0:27:56The award ceremony brings this year's scheme to a close.
0:27:56 > 0:28:00However, many will take away the skills and the experience
0:28:00 > 0:28:05they have learnt to forge future careers in the media industry.
0:28:05 > 0:28:07It's My Shout wishes them all the best.
0:28:31 > 0:28:32Take one.
0:28:43 > 0:28:45..25, take one...
0:28:58 > 0:29:01Subtitles by Red Bee Media Ltd
0:29:01 > 0:29:04E-mail subtitling@bbc.co.uk