0:00:14 > 0:00:16- You were out late last night.- Yes.
0:00:16 > 0:00:19I was at the club. Did I disturb you?
0:00:19 > 0:00:22I heard you come in, but that's OK.
0:00:22 > 0:00:24- Is this yours?- Yes.
0:00:24 > 0:00:27- When did you get it?- Yesterday.
0:00:27 > 0:00:30Out partying, new phone,
0:00:30 > 0:00:33- did you get a pay rise?- Yes...
0:00:33 > 0:00:36something like that.
0:00:36 > 0:00:38- I have to go.- See you.
0:00:39 > 0:00:41Oh! Your phone!
0:00:41 > 0:00:44Not on the building site, security.
0:00:46 > 0:00:48- DOOR CLOSES - Bye, Adam.
0:00:56 > 0:00:57DOOR CLOSES
0:01:43 > 0:01:45It's a charity event. 54 miles.
0:01:45 > 0:01:47You've got to get sponsors.
0:01:47 > 0:01:49That's easy.
0:01:49 > 0:01:51Getting sponsors?
0:01:51 > 0:01:5354 miles.
0:02:02 > 0:02:04- So, will you do it?- Is it a race?
0:02:04 > 0:02:07No, it's not, it's for charity.
0:02:07 > 0:02:11- It's boring.- Why has everything got to be competitive with you?
0:02:11 > 0:02:12It doesn't.
0:02:12 > 0:02:15Race you to the river.
0:02:15 > 0:02:16STEFAN LAUGHS
0:02:16 > 0:02:18Come on, old man.
0:02:37 > 0:02:40- MEN SPEAK POLISH - Excuse me. Sorry.
0:02:40 > 0:02:42Excuse me, fellas.
0:02:42 > 0:02:45BOTH SPEAK POLISH
0:02:50 > 0:02:53# I don't want to drown no more
0:02:53 > 0:02:55# Sick of the same old people
0:02:55 > 0:02:57# The kind that'll sell your soul
0:02:57 > 0:03:00# Trade it for a shining stone
0:03:00 > 0:03:02# Ain't nothing in this life for free
0:03:02 > 0:03:04# Running from the greatest evil
0:03:04 > 0:03:07# It finally dawned on me
0:03:07 > 0:03:09# A man's got to fight temptation
0:03:09 > 0:03:13# Keep the wolves from the door
0:03:13 > 0:03:17# I hear them scratching like I don't know better
0:03:17 > 0:03:22# Won't you keep the wolves from the door
0:03:22 > 0:03:29# It won't be long before I cave in and open up the door. #
0:03:30 > 0:03:32SIREN
0:03:36 > 0:03:38No!
0:03:38 > 0:03:39What's wrong?
0:03:39 > 0:03:42I'm not going to share your bottle, I don't know where it's been.
0:03:42 > 0:03:44OK.
0:03:46 > 0:03:49- What's the charity? - You're not interested.
0:03:49 > 0:03:50I might be.
0:03:52 > 0:03:55Streatham Hospital. It's where Leila works.
0:03:57 > 0:03:58- Hi.- Hi.
0:03:58 > 0:04:00Leila?
0:04:03 > 0:04:06Is she going to be there?
0:04:06 > 0:04:08Of course.
0:04:08 > 0:04:10Well, it is for a good...cause,
0:04:10 > 0:04:12a hospital. Yeah, I'll do it.
0:04:12 > 0:04:15- You said you were busy.- I can move things around.
0:04:15 > 0:04:18- Is this about helping the hospital or is this about Leila?- Oh.
0:04:18 > 0:04:21All right, calm down. All right?
0:04:23 > 0:04:25- I might give her a call.- Why?
0:04:25 > 0:04:28- To enrol.- She's not organising it, she's just taking part.
0:04:28 > 0:04:31I might give her a call anyway. What's her number?
0:04:31 > 0:04:3407779...
0:04:34 > 0:04:36- 325774.- What?
0:04:36 > 0:04:4107779 3257...44.
0:04:43 > 0:04:46- You made that up.- Well, I don't know her number. I've forgotten it.
0:04:48 > 0:04:51- I've got to get to work.- See ya.
0:04:51 > 0:04:53See you tomorrow at the gym.
0:05:02 > 0:05:06- This is quite a view.- Thank you. - You've done very well for yourself.
0:05:06 > 0:05:08I could say the same for you, Eleanor.
0:05:08 > 0:05:11- Government intelligence, serious fraud.- Why have you asked me here?
0:05:11 > 0:05:14And always straight to the point.
0:05:14 > 0:05:17- I've asked you to come to my home... - Because you're up to something
0:05:17 > 0:05:19you don't want anyone at Westminster to know.
0:05:19 > 0:05:22- I'd have invited you to lunch. - I wouldn't have accepted.
0:05:22 > 0:05:25- You know very well we don't do lunch at the SFO.- Hmm.
0:05:25 > 0:05:28I do sometimes think you take probity a little too far.
0:05:28 > 0:05:32- I'm busy, Peter, so... - Charles Matherson.
0:05:32 > 0:05:34- The minister?- Hmm.
0:05:34 > 0:05:36Under Secretary of State for Planning.
0:05:42 > 0:05:44PETER: 'Very much a high-flyer.'
0:05:44 > 0:05:46Peter.
0:05:46 > 0:05:48'Spoken of as future PM.'
0:05:48 > 0:05:54- Go on.- It's not my place to tell the SFO its business, but he's corrupt
0:05:54 > 0:05:57and I'd like you to nail him.
0:06:00 > 0:06:02In the past three years,
0:06:02 > 0:06:04Matherson has greenlit two skyscrapers,
0:06:04 > 0:06:06The Iron and The Fridge.
0:06:06 > 0:06:11This is the third. It's the biggest yet, it's called The Scimitar.
0:06:11 > 0:06:15- WOMAN:- So, where's the problem? - The problem is...
0:06:15 > 0:06:16his wife.
0:06:16 > 0:06:18She has connections in the construction industry.
0:06:18 > 0:06:20Her father owns a quarry in Yorkshire
0:06:20 > 0:06:22supplying high-quality ragstone
0:06:22 > 0:06:25to each of the buildings Matherson has approved.
0:06:25 > 0:06:28- The Iron, The Fridge, The Scimitar. - Wait a minute.
0:06:28 > 0:06:31He's a minister for planning, how can he do that?
0:06:31 > 0:06:34It's not him, it's not his wife, it's his father-in-law.
0:06:34 > 0:06:37It's all...very transparent, but...
0:06:37 > 0:06:39PETER: Everyone was against The Scimitar,
0:06:39 > 0:06:42English Heritage, the Royal Parks Foundation,
0:06:42 > 0:06:44the Commission for Architecture.
0:06:44 > 0:06:47Half a million Londoners even signed a petition to stop it being built,
0:06:47 > 0:06:50- but he still managed to steer it through.- You think he's being bribed?
0:06:50 > 0:06:53Well, that's what I'm hoping you can tell me.
0:06:54 > 0:06:58- If he's being bribed, the money's got to show up somewhere.- Exactly.
0:06:58 > 0:07:00Are we taking this on?
0:07:02 > 0:07:04I don't know. What do you think?
0:07:04 > 0:07:07I hate these buildings. London doesn't need 'em.
0:07:07 > 0:07:0980% of them are owned by foreign investors.
0:07:09 > 0:07:12They buy 'em off plan in Singapore and they never live in them.
0:07:12 > 0:07:16- The whole thing's a racket. - That's not exactly the point.
0:07:16 > 0:07:18Well, that's just how I feel.
0:07:18 > 0:07:21Well, it's certainly worth some initial scoping.
0:07:21 > 0:07:23We'll need to look into his private life.
0:07:23 > 0:07:25I'll find a way in.
0:07:28 > 0:07:29HEAVY HAMMERING
0:07:30 > 0:07:32VEHICLE REVERSING ALARM
0:07:43 > 0:07:44- MAN:- Whoa!
0:07:49 > 0:07:51HE SPEAKS POLISH
0:07:57 > 0:08:00Hey, you two. You know what the rule is on this site, yeah?
0:08:00 > 0:08:02English only.
0:08:04 > 0:08:09- I told him about you.- What, my name? - No, nothing.- Good.
0:08:09 > 0:08:11But Gulliver, he's OK.
0:08:11 > 0:08:13He'll pay you the same.
0:08:13 > 0:08:16- 1,000?- Yeah.
0:08:16 > 0:08:19If he gave you that, it was worth more.
0:08:28 > 0:08:30All right?
0:08:30 > 0:08:32DRILLING DROWNS OUT CONVERSATION
0:08:49 > 0:08:51We should hang soon. When's good?
0:08:51 > 0:08:53Can't wait to see you, babe.
0:08:56 > 0:08:58Look, I know going through hundreds of phones
0:08:58 > 0:09:02isn't the most exciting job, but have you found anything yet?
0:09:03 > 0:09:06No, Sarge.
0:09:06 > 0:09:09There could be some useful intel on these, you never know.
0:09:14 > 0:09:18Listen, er, I might have something a bit different for you,
0:09:18 > 0:09:20if you're up for it?
0:09:20 > 0:09:22- What's that?- It's an undercover job.
0:09:22 > 0:09:24I need something collected.
0:09:24 > 0:09:27OK, it's hot, there's money involved
0:09:27 > 0:09:29and it'll affect the whole squad. What do you think?
0:09:29 > 0:09:31Yes, Sarge.
0:09:33 > 0:09:35Two cappuccinos, two flat whites,
0:09:35 > 0:09:37three breakfast teas and a hot chocolate.
0:09:37 > 0:09:40I want the change and bring back a receipt, all right?
0:09:41 > 0:09:44LAUGHTER Go on, then, get on with it.
0:09:46 > 0:09:49MUSIC: Le Nozze Di Figaro by Mozart
0:09:58 > 0:10:01- I'm off.- Where are you going?
0:10:01 > 0:10:03- The Wesleys.- Oh, God!
0:10:03 > 0:10:06- I know.- What is it this time?
0:10:06 > 0:10:09The launch of The Scimitar dressed up as some sort of charity do.
0:10:09 > 0:10:13- Art in prisons or something.- Which is where they'll probably end up.
0:10:13 > 0:10:14BOTH LAUGH
0:10:14 > 0:10:16- DOORBELL - There's my driver now.
0:10:16 > 0:10:18- Are you in tonight?- I'm not moving.
0:10:18 > 0:10:22- Dinner in front of the TV.- Oh, God! Lucky you.
0:10:22 > 0:10:24Mmm! I'll see you later.
0:10:31 > 0:10:34You're not my usual driver. What's happened to Ivan?
0:10:34 > 0:10:37- Ivan's not well, sir. They sent me. - Hmm. I'm very sorry to hear that.
0:10:37 > 0:10:40- What's the matter with him? - They did not say, sir.
0:10:40 > 0:10:43- They said he'd be away for two weeks.- It's a nuisance.
0:10:43 > 0:10:46- What's your name?- Stefan, sir.
0:10:46 > 0:10:49- How long have you been with the car service?- Erm, six months.
0:10:49 > 0:10:51Hmm. I hope you know your way around.
0:10:51 > 0:10:54I'm going to Parliament now, then to the City Garden Space.
0:10:54 > 0:10:57- Do you know it?- It's in the satnav, sir.- Yes, of course.
0:10:57 > 0:11:00I, er, take it you know who I am?
0:11:00 > 0:11:02- Yes, sir.- Right.
0:11:02 > 0:11:04You never speed, you never go through a yellow light,
0:11:04 > 0:11:06and if ever you keep me waiting, even for a minute,
0:11:06 > 0:11:09- I'll ask for a new driver. Is that understood?- Yes, sir.- Good.
0:11:11 > 0:11:13Let's go.
0:11:13 > 0:11:14Oh.
0:11:35 > 0:11:36DRILLING
0:12:01 > 0:12:03MAN WHISTLES
0:12:03 > 0:12:04Adam?
0:12:04 > 0:12:07See you tonight. The Golabki. You're buying.
0:12:07 > 0:12:08ADAM LAUGHS
0:12:08 > 0:12:11Listen, er, the lights have gone down in section one.
0:12:11 > 0:12:13You know, it's going to get dark pretty soon.
0:12:13 > 0:12:16- I need you to go and check the generator.- Now?
0:12:16 > 0:12:19Yeah, now. I mean, the rig's about to arrive.
0:12:19 > 0:12:22Yeah, we're going to be drilling all night.
0:12:22 > 0:12:25- Well, crack on. Get on with it.- OK.
0:12:49 > 0:12:51ENGINE SHUDDERS TO A HALT
0:13:01 > 0:13:03HUBBUB
0:13:45 > 0:13:46'The Scimitar.
0:13:48 > 0:13:51'A stunning new development set to transform the London skyline.
0:13:51 > 0:13:54'State-of-the-art offices,
0:13:54 > 0:13:57'a luxurious five-star hotel,
0:13:57 > 0:14:00'and breathtaking apartments,
0:14:00 > 0:14:04'brought to life by visionary developers the Wesley Brothers.
0:14:04 > 0:14:08'This complex is already destined to become...
0:14:08 > 0:14:11'London's most exciting landmark.'
0:14:13 > 0:14:15The City Garden Space, sir.
0:14:15 > 0:14:19All right, wait for me here. I shouldn't be more than an hour.
0:14:23 > 0:14:25I'll let myself out.
0:14:25 > 0:14:28'Rising 250 metres above the city,
0:14:28 > 0:14:34'no building can compare in terms of ambition, scale and prestige.
0:14:34 > 0:14:37'This incredible investment opportunity
0:14:37 > 0:14:40'has complete government backing.
0:14:40 > 0:14:43'Be part of the future, be part of the name,
0:14:43 > 0:14:47'be part of...The Scimitar.'
0:14:47 > 0:14:48APPLAUSE
0:14:52 > 0:14:54Ladies and gentlemen, thank you very much.
0:14:54 > 0:14:56We want to thank you all for being here tonight,
0:14:56 > 0:15:00in particular our wonderful architect Paolo.
0:15:00 > 0:15:02And of course, the Under Secretary of State, Charles Matherson.
0:15:02 > 0:15:05Thanks to the agreement reached with the minister,
0:15:05 > 0:15:08The Scimitar will be making a section 106 contribution
0:15:08 > 0:15:11of £16 million going to the local community.
0:15:11 > 0:15:15Louis and I are determined that The Scimitar should benefit all London
0:15:15 > 0:15:18and working with the government, that's what we intend to achieve.
0:15:18 > 0:15:19APPLAUSE
0:15:27 > 0:15:30I'm sorry, sir, I'm afraid this venue's closed
0:15:30 > 0:15:33- for a private function this evening. - I'd like to see the Wesleys.
0:15:33 > 0:15:37- I'm sorry, I can't let you in if you're not on the list. - Listen, darling.
0:15:37 > 0:15:40Tell them John Gulliver is here.
0:15:40 > 0:15:41They'll see me.
0:15:43 > 0:15:47Just between you and me, I don't like your snotty attitude, OK?
0:15:47 > 0:15:51So why don't you shove it - along with your clipboard -
0:15:51 > 0:15:54- and tell them that I'm here. - Let her go.
0:15:59 > 0:16:01Who are you?
0:16:01 > 0:16:07- I'm a driver.- Well, get back in your car...and mind your own business.
0:16:08 > 0:16:11I'm OK. I don't want any trouble.
0:16:11 > 0:16:13You heard her, she's OK.
0:16:13 > 0:16:16There won't be any trouble,
0:16:16 > 0:16:18I just need to speak to him.
0:16:18 > 0:16:21But tonight isn't just about The Scimitar,
0:16:21 > 0:16:25downstairs and all around us you'll find original artwork
0:16:25 > 0:16:30created by young offenders under our artistic licence scheme.
0:16:30 > 0:16:34It's all for sale. So, please, dig deep and enjoy yourselves.
0:16:34 > 0:16:36APPLAUSE
0:16:40 > 0:16:42Thanks for coming.
0:16:51 > 0:16:53Mr Wesley.
0:16:58 > 0:16:59What are you doing here?
0:17:03 > 0:17:06I gave you two days, I still haven't heard from you.
0:17:06 > 0:17:09- I needed to think about it. - I wouldn't say there was much to think about,
0:17:09 > 0:17:11- unless you want all this to come crashing down.- Look...
0:17:13 > 0:17:15..I'll pay.
0:17:15 > 0:17:17It will just take me time to raise the money.
0:17:18 > 0:17:20Tell me where I can find you.
0:17:48 > 0:17:49HE SIGHS
0:17:49 > 0:17:52SHE SPEAKS POLISH
0:17:55 > 0:17:57Adam's dead.
0:17:57 > 0:17:59What?!
0:18:10 > 0:18:12He was killed on the site today.
0:18:14 > 0:18:16It was an accident.
0:18:17 > 0:18:19An accident?!
0:18:21 > 0:18:23That's what they say.
0:18:25 > 0:18:28- Does anyone know?- What?
0:18:28 > 0:18:30You know what I'm talking about.
0:18:30 > 0:18:31Did you tell them?
0:18:32 > 0:18:34- No.- You mustn't.
0:18:34 > 0:18:37Eva...Adam's dead.
0:18:39 > 0:18:42He sold it to them and they killed him.
0:18:42 > 0:18:44I have to go to the police.
0:18:44 > 0:18:46No!
0:18:47 > 0:18:49SHE SPEAKS POLISH
0:19:08 > 0:19:10Yeah.
0:19:10 > 0:19:11No, it's not a problem.
0:19:12 > 0:19:14Bye.
0:19:16 > 0:19:18Accident on a building site.
0:19:18 > 0:19:19Happened yesterday.
0:19:19 > 0:19:23Builder was killed when a generator exploded in his face.
0:19:23 > 0:19:26Adam Jannsen? What's that, German?
0:19:26 > 0:19:30Polish, I think. Does it make any difference?
0:19:30 > 0:19:33- Not to him any more. - Anyway, it's a big deal.
0:19:33 > 0:19:35It's The Scimitar.
0:19:37 > 0:19:40You know, maybe you should read the papers a bit more, Derek.
0:19:40 > 0:19:42It's a £500-million development.
0:19:42 > 0:19:44It's controversial - it's got government backing, anyway.
0:19:44 > 0:19:47Press are all over it, that's why it's been passed up to us.
0:19:47 > 0:19:51- What about Health and Safety? - No, they've been told to wait.
0:19:51 > 0:19:54I want you to go down there and make a preliminary report.
0:19:54 > 0:19:57And take Sayyad with you.
0:19:57 > 0:20:00- Why?- Cos he's a TDC, Derek.
0:20:00 > 0:20:02"T" stands for trainee,
0:20:02 > 0:20:06not something you send him out to buy, all right?
0:20:08 > 0:20:11Right, come on.
0:20:15 > 0:20:17Get your coat.
0:20:20 > 0:20:23The new building, known as The Scimitar,
0:20:23 > 0:20:27has been controversial since it was given the go-ahead earlier this year.
0:20:27 > 0:20:31'Police and health and safety officials have closed down the entire project
0:20:31 > 0:20:34'following the death of an unnamed construction worker yesterday.'
0:20:35 > 0:20:38- Where's the foreman?- In the office.
0:20:49 > 0:20:51Well, well, well!
0:20:51 > 0:20:53Raymond Keane!
0:20:53 > 0:20:57- I've not seen you in a while. - Hi, Derek.
0:20:57 > 0:20:59- You work here, do ya?- Yeah.
0:20:59 > 0:21:03- Site foreman. - Wonders will never cease.
0:21:03 > 0:21:05So, what happened?
0:21:07 > 0:21:09It was an accident.
0:21:09 > 0:21:11Checked the generator and...
0:21:13 > 0:21:15..the thing just blew.
0:21:15 > 0:21:17His bad luck, eh?
0:21:18 > 0:21:21Let's have a look, shall we?
0:21:23 > 0:21:26We had a power short, so I sent Jannsen to look at the generator.
0:21:26 > 0:21:29- You sent him?- He was the first person I saw. I hardly knew him.
0:21:29 > 0:21:32From Adam, yeah. So, what happened?
0:21:32 > 0:21:34I dunno. I think there was a leak in the tank.
0:21:36 > 0:21:38No-one had been near it for days.
0:21:39 > 0:21:43- I haven't a clue.- Just like old times, eh?
0:21:57 > 0:22:00- Was anyone else here? - No, he was on his own.
0:22:00 > 0:22:02Sarge.
0:22:05 > 0:22:06There's chewing gum.
0:22:06 > 0:22:09That could've been left there a week ago.
0:22:12 > 0:22:15Looks fresh. Then there's boot prints around the fuel tanker.
0:22:15 > 0:22:19Right. Some of the lads came over, you know, after it happened.
0:22:19 > 0:22:21It was probably one of them.
0:22:33 > 0:22:35'There will, I'm sure, be a full investigation
0:22:35 > 0:22:38'by the police and the Health and Safety Executive.
0:22:38 > 0:22:43'But we cannot allow an accident like this, albeit a tragic one,
0:22:43 > 0:22:45'to distract us.
0:22:45 > 0:22:47- WOMAN:- 'Minister, how do you feel about
0:22:47 > 0:22:49'the opposition to The Scimitar both local and national?'
0:22:49 > 0:22:51- Louis, have you seen this?- Shh.
0:22:51 > 0:22:54My thoughts are with the family and friends of the
0:22:54 > 0:22:56'man who was sadly killed.
0:22:56 > 0:22:58'But I would like to say this. We need...'
0:23:00 > 0:23:02We're all over the news.
0:23:02 > 0:23:04Yes, I've seen.
0:23:04 > 0:23:07- It's terrible.- I tell you what's terrible, Elias,
0:23:07 > 0:23:08we've just been shut down.
0:23:08 > 0:23:11There'll be a full investigation by HSE,
0:23:11 > 0:23:14prohibition notices, God knows!
0:23:16 > 0:23:19Why did he have to die on the bloody building site?
0:23:19 > 0:23:22He could have...fallen under a bus,
0:23:22 > 0:23:25- he could've been knocked down by a train.- Louis!
0:23:27 > 0:23:30It's just a bloody shame, that's all.
0:23:32 > 0:23:34KNOCK AT DOOR
0:23:34 > 0:23:38- Yes?- I understand you have an Adam Jannsen living here?
0:23:38 > 0:23:41- That's right.- Your name is?
0:23:41 > 0:23:42Karen Andrews.
0:23:42 > 0:23:46I'm Detective Sergeant Sands, this is Detective Constable Sayyad.
0:23:46 > 0:23:49- Can we come in? - It's not a good time.
0:23:49 > 0:23:52Not for Adam, not for us, not for anybody, really,
0:23:52 > 0:23:54but we'd still like to come in.
0:23:55 > 0:23:56It's my house.
0:23:56 > 0:23:59Adam's been renting a room from me for the last three months.
0:23:59 > 0:24:03- So how did the two of you meet? - Internet.
0:24:03 > 0:24:05There's a renting agency.
0:24:05 > 0:24:07But he just walked through the door.
0:24:09 > 0:24:12So what can you tell us about Adam?
0:24:12 > 0:24:18He was very quiet, very hard-working, he didn't go out much.
0:24:18 > 0:24:23So, nothing unusual's happened over the last few days, weeks?
0:24:23 > 0:24:26Apart from Adam getting himself killed, I mean.
0:24:26 > 0:24:30He didn't say or do anything that made you think twice?
0:24:30 > 0:24:33- No. Are you suggesting...?- I'm not suggesting anything, Ms Andrews,
0:24:33 > 0:24:35I'm just asking you some questions,
0:24:35 > 0:24:38and if you could answer them, that'd be a real help.
0:24:39 > 0:24:41I didn't see that much of him.
0:24:41 > 0:24:43He seemed completely normal.
0:24:44 > 0:24:47In fact, he was very cheerful.
0:24:47 > 0:24:49He'd made some money.
0:24:49 > 0:24:52That's his. He'd just bought it.
0:24:52 > 0:24:55Er, did he tell you HOW he made the money?
0:24:55 > 0:24:56No. He must've done another job.
0:24:56 > 0:24:59Moonlighting. He never stopped.
0:25:00 > 0:25:03It was an accident. A piece of kit that should have been inspected.
0:25:03 > 0:25:06Poor bastard turned it on and it blew him apart.
0:25:06 > 0:25:09- Let's leave it to Health and Safety. - I don't agree.
0:25:09 > 0:25:11Er, excuse me, who asked you?
0:25:11 > 0:25:14Adam Jannsen was a casual labourer,
0:25:14 > 0:25:16no record here or abroad,
0:25:16 > 0:25:18wife, daughter, no enemies, nothing.
0:25:18 > 0:25:22- You ran into Raymond Keane?- Yes. - He was your informant, wasn't he?
0:25:22 > 0:25:24On and off back in the '90s, then he disappeared.
0:25:24 > 0:25:25Are you going to talk to him?
0:25:25 > 0:25:29I might, but he doesn't know anything, he was nowhere near the generator when it happened.
0:25:29 > 0:25:32- Adam Jannsen made money the week before he died.- Moonlighting.
0:25:32 > 0:25:35And there may have been someone there when it happened.
0:25:36 > 0:25:38I found chewing gum.
0:25:38 > 0:25:42I know it's not much, but when I mentioned it, Keane looked nervous.
0:25:42 > 0:25:44All right. Talk to Keane again.
0:25:44 > 0:25:48But I think you're right, let's leave this to HSE unless something else comes up.
0:25:48 > 0:25:51And you...don't argue with your senior officer,
0:25:51 > 0:25:53especially not in front of me.
0:26:00 > 0:26:03- Why am I doing this?- Muay Thai.
0:26:03 > 0:26:06- Thai boxing.- Yeah, I know what it is, why am I doing it?
0:26:06 > 0:26:10Well, it's good for leg strength, core muscles,
0:26:10 > 0:26:14cardiovascular, and it helps you de-stress.
0:26:14 > 0:26:18He was a builder, a general labourer. His name was Adam Jannsen.
0:26:18 > 0:26:22They're saying it was an accident, but I'm not so sure.
0:26:22 > 0:26:25- Where was he from?- Er...Bizgozca.
0:26:25 > 0:26:30- Hmm. Bydgoszcz.- All right, somewhere with two Zs in it.
0:26:30 > 0:26:33- Bydgoszcz.- What, you been there?
0:26:33 > 0:26:35No, I just know how to pronounce it.
0:26:35 > 0:26:38Five. Six.
0:26:39 > 0:26:41- Six.- That was seven!
0:26:44 > 0:26:47- Seven.- Eight!
0:26:47 > 0:26:48So, what you doing?
0:26:48 > 0:26:51- Can't tell ya. - You always say that.
0:26:51 > 0:26:53It is really annoying.
0:26:53 > 0:26:56- Look, it's SF0 business.- You can tell me because we're mates.
0:26:58 > 0:27:00I'm not interested anyway.
0:27:00 > 0:27:04Look, I need your help. Adam was Polish, he has a mate who's Polish.
0:27:04 > 0:27:06You know these people.
0:27:08 > 0:27:12What, because I'm...Polish?
0:27:12 > 0:27:14- That's racist.- No, it's not.
0:27:14 > 0:27:18- Yes, it is.- How is that possibly racist?
0:27:20 > 0:27:22I'm amazed you've never done this before.
0:27:22 > 0:27:26I didn't want to do it before. I don't think I want to do it now.
0:27:26 > 0:27:28Charles Matherson.
0:27:28 > 0:27:29Who's Charles Matherson?
0:27:29 > 0:27:33- What's the point of telling if you don't even know who he is? - Just tell me!- He's a big shot.
0:27:33 > 0:27:35He's in government.
0:27:35 > 0:27:37I'm his driver.
0:27:39 > 0:27:42- You're driving him? - It's what I do.
0:27:43 > 0:27:47Well, that's cool. Do you have to wear a cap?
0:27:48 > 0:27:51Yeah, just...keep going.
0:27:51 > 0:27:53Relax.
0:27:56 > 0:27:58You ready?
0:27:58 > 0:28:03- Yeah.- OK. We can do something fairly basic just to start with.
0:28:03 > 0:28:05All right.
0:28:05 > 0:28:06Hah!
0:28:13 > 0:28:15RASH GROANS
0:28:15 > 0:28:16I'm sorry.
0:28:16 > 0:28:19You kicked me... in the balls.
0:28:19 > 0:28:21It wasn't a kick, it was te chiang.
0:28:22 > 0:28:25You should learn it, you don't know when you might need it.
0:28:25 > 0:28:27I don't need it, in any sense.
0:28:30 > 0:28:32- I've got to get home.- Me, too.
0:28:32 > 0:28:36- I've got an early start.- Are you seeing any...more flats?
0:28:37 > 0:28:40Perhaps.
0:28:40 > 0:28:42- Yeah?- Yeah.
0:28:45 > 0:28:47Actually, I saw one today.
0:28:47 > 0:28:50I wasn't looking, but I stumbled on a room to rent.
0:28:50 > 0:28:52Nice house.
0:28:52 > 0:28:55Owned by a girl.
0:28:55 > 0:28:57Are you...going to take it?
0:28:59 > 0:29:01It's complicated.
0:29:03 > 0:29:05I haven't asked.
0:29:06 > 0:29:09You shouldn't rent, you should buy.
0:29:09 > 0:29:12I can't afford to buy, not in London.
0:29:12 > 0:29:14- We could go halves.- We still couldn't afford it.
0:29:14 > 0:29:17Besides, I'm not sure it's a good idea.
0:29:17 > 0:29:22- Why not?- Well, I hardly even know you. Anyway...
0:29:22 > 0:29:24- What?!- You just kicked me!
0:29:24 > 0:29:27Oh... I said I was sorry.
0:29:27 > 0:29:29Yeah.
0:29:29 > 0:29:32Well, it's not exactly a recommendation.
0:29:32 > 0:29:34Oh, erm...
0:29:35 > 0:29:37..see you, then.
0:29:37 > 0:29:40- See ya.- Say hello to Leila for me.
0:29:43 > 0:29:46So...you live here, do you?
0:29:46 > 0:29:49I have a bedsit on the top floor.
0:29:49 > 0:29:52- You don't drink?- I gave it up.
0:29:52 > 0:29:56Booze is what got me into trouble in the first place.
0:29:56 > 0:30:00You were a...alcoholic?
0:30:00 > 0:30:04Shoplifting in an off-licence, that was the first time I got nicked.
0:30:04 > 0:30:07I thought I was your first time?
0:30:07 > 0:30:09- No, you were the first one who put me inside. - BOTH LAUGH
0:30:09 > 0:30:13- So where have you been all these years?- Back up north.
0:30:13 > 0:30:15You know, Manchester, Leeds.
0:30:15 > 0:30:16I needed to work.
0:30:16 > 0:30:20- I gave you work.- Yeah, but I moved on.
0:30:24 > 0:30:26How's Eda? How's the kids?
0:30:26 > 0:30:29They moved on too.
0:30:30 > 0:30:31I'm sorry.
0:30:34 > 0:30:37So this business with Jannsen?
0:30:37 > 0:30:40What happened, Raymond, at the building site?
0:30:43 > 0:30:44It was an accident.
0:30:47 > 0:30:49Why would I lie to ya? I didn't even know the guy.
0:30:49 > 0:30:54- You sent him over there.- He was in the wrong place, wrong time.
0:30:54 > 0:30:56It was just bad luck.
0:31:01 > 0:31:02SIREN WAILS
0:31:05 > 0:31:08BIRDSONG
0:31:10 > 0:31:13- Oh, I was just about to leave for work.- Can I just talk to you?
0:31:13 > 0:31:15It'll only be a few minutes.
0:31:20 > 0:31:23- This really is a nice place. - Thank you.
0:31:23 > 0:31:26Will you be renting the room again?
0:31:26 > 0:31:28I haven't really thought about it.
0:31:28 > 0:31:31- Why do you ask?- Oh, I just wondered.
0:31:31 > 0:31:35I suppose I'll have to. I mean, I can't afford not to.
0:31:35 > 0:31:38Anyway, what do you want to know?
0:31:39 > 0:31:42Is there anything else you can tell me about Adam?
0:31:42 > 0:31:44Erm...
0:31:44 > 0:31:48- did you know any of his friends? - They were mainly Eastern European.
0:31:48 > 0:31:50Polish.
0:31:50 > 0:31:53If you want to talk to them, they'll be at the Golabki.
0:31:53 > 0:31:56- What's that?- It's a club.
0:31:56 > 0:32:00They're having drinks in his memory tonight at nine.
0:32:00 > 0:32:05- Look, you said he earned extra cash moonlighting?- That's right.
0:32:05 > 0:32:07Do you know how much cash?
0:32:07 > 0:32:10Well, he'd paid two months rent in advance.
0:32:10 > 0:32:13- How much was that?- £800.
0:32:13 > 0:32:15That's good value.
0:32:15 > 0:32:17- I might put it up.- No.
0:32:18 > 0:32:22Er, that's... Yeah, that's about right. Yeah.
0:32:24 > 0:32:25I know I said he was moonlighting,
0:32:25 > 0:32:29but now that I think about it, I don't think he had the time.
0:32:29 > 0:32:31Er, well, did he gamble?
0:32:31 > 0:32:34Or could he have sold something or borrowed the money?
0:32:34 > 0:32:36There's one thing.
0:32:36 > 0:32:38A few days before he died,
0:32:38 > 0:32:40he went to see someone.
0:32:41 > 0:32:43An antiques dealer.
0:32:43 > 0:32:45His name was Gulliver.
0:32:45 > 0:32:48- How do you know that?- He asked me about the spelling.
0:32:48 > 0:32:50He Googled the address.
0:32:52 > 0:32:55This was his?
0:32:55 > 0:32:58I'll need to take it as evidence.
0:33:15 > 0:33:17Stefan, would you do me a favour?
0:33:17 > 0:33:20There's a box in the boot that weighs a tonne, do you think you could bring it in?
0:33:20 > 0:33:23Yes, sir, is pleasure.
0:33:27 > 0:33:29I'm just going to be ten minutes and then straight to Westminster.
0:33:29 > 0:33:32And this afternoon my wife needs to go to King's Cross station.
0:33:32 > 0:33:34- Have you met her?- No, sir.
0:33:34 > 0:33:36I'll introduce you.
0:33:38 > 0:33:40Just put it down there.
0:33:52 > 0:33:54Call the boss. We've got company.
0:34:03 > 0:34:04BOX THUDS
0:34:04 > 0:34:05Helen?
0:34:05 > 0:34:08I wasn't expecting you.
0:34:08 > 0:34:12Just looking in on my way to B&Q's and dropped off those samples.
0:34:12 > 0:34:13Thank you.
0:34:57 > 0:34:59HI-YAH!
0:34:59 > 0:35:01Can I help you?
0:35:03 > 0:35:05Would you mind putting that down?
0:35:05 > 0:35:07It's not a toy and it's expensive.
0:35:09 > 0:35:11Were you looking for anything in particular?
0:35:11 > 0:35:14Actually, I'm a police officer.
0:35:16 > 0:35:19I'm making enquiries about a man called Adam Jannsen.
0:35:19 > 0:35:21Do you remember him?
0:35:21 > 0:35:24Why would I remember him when I have never met him?
0:35:24 > 0:35:27He had your address on his phone.
0:35:27 > 0:35:28So what?
0:35:30 > 0:35:33When he left here, he had money in his pocket.
0:35:33 > 0:35:35I think he sold something to you.
0:35:35 > 0:35:39I don't buy from the public, only from people I know.
0:35:39 > 0:35:41So, why are you wasting my time?
0:35:44 > 0:35:46Three days later he was dead.
0:35:46 > 0:35:48My heart bleeds.
0:35:48 > 0:35:51People die all the time, even policemen.
0:35:53 > 0:35:55Are you threatening me?
0:35:55 > 0:35:58Everything all right, John?
0:35:58 > 0:36:00I don't know, JC.
0:36:00 > 0:36:01Maybe.
0:36:02 > 0:36:05Maybe not.
0:36:05 > 0:36:07You were just leaving, weren't you?
0:36:11 > 0:36:13All right.
0:36:25 > 0:36:28- You weren't worried last night, were you?- What?
0:36:28 > 0:36:31- The Wesleys.- What, you think they've got problems?
0:36:31 > 0:36:34Well, they've borrowed through the roof at the worst possible time.
0:36:34 > 0:36:38And now they've put all their eggs in one very rickety basket.
0:36:38 > 0:36:40You're not telling me they're going under?
0:36:40 > 0:36:42I very much hope not, Charles.
0:36:42 > 0:36:45I never wanted to do business with them in the first place.
0:37:15 > 0:37:17DOG GROWLS
0:37:20 > 0:37:23OK...
0:37:23 > 0:37:26Good dog. Good dog.
0:37:28 > 0:37:30Good dog.
0:37:32 > 0:37:35Shhh, good dog.
0:37:37 > 0:37:39Good dog.
0:37:42 > 0:37:43DOG BARKS
0:37:44 > 0:37:46Argh!
0:38:09 > 0:38:11DOG SNARLS
0:38:14 > 0:38:16Who's that?
0:38:16 > 0:38:18The driver.
0:38:19 > 0:38:20Oi, you!
0:38:22 > 0:38:24Stop!
0:38:28 > 0:38:30CAR BRAKES SCREECH
0:38:30 > 0:38:32Stop!
0:38:35 > 0:38:37Stop! Stop it right there.
0:38:37 > 0:38:38We're police officers.
0:38:45 > 0:38:47Max! Max, get off him!
0:38:47 > 0:38:48Get out!
0:38:48 > 0:38:49Are you all right?
0:38:49 > 0:38:51No, sir, I'm hurt.
0:38:51 > 0:38:54- Can you get up? - No, the dog bite me.
0:38:54 > 0:38:57- Well, what are you doing in here? - I look for Mrs Matherson, you say.
0:38:57 > 0:39:00Oh, God. Helen. Helen!
0:39:00 > 0:39:01Listen, don't move.
0:39:01 > 0:39:04I'll call an ambulance. Helen!
0:39:07 > 0:39:10- Did Max bite him?- Yes.
0:39:10 > 0:39:13- He was in the office. - What was he doing in there?
0:39:13 > 0:39:14I've no idea.
0:39:14 > 0:39:16I mean, he said he was looking for you.
0:39:16 > 0:39:18HE SIGHS
0:39:18 > 0:39:20Listen, I'm going to call an ambulance.
0:39:20 > 0:39:22Put the dog outside.
0:39:39 > 0:39:41Good news from the doctors...
0:39:41 > 0:39:43the dog's going to be fine.
0:39:43 > 0:39:45What, you think that's funny? It bit me.
0:39:48 > 0:39:50- Leila? - How are you feeling?
0:39:52 > 0:39:53Better.
0:39:53 > 0:39:55You two know each other?
0:39:57 > 0:39:59Well, I'd better leave.
0:40:01 > 0:40:05You did really well, Stefan. This is amazing.
0:40:05 > 0:40:07It could give us everything we need to know.
0:40:10 > 0:40:12So...
0:40:12 > 0:40:15You're pretending to be a chauffeur?
0:40:15 > 0:40:19Get bitten by a dog, you steal a memory stick.
0:40:19 > 0:40:20I won't ask.
0:40:20 > 0:40:23You want to go out tonight?
0:40:23 > 0:40:25- I'm working tonight. - Well, tomorrow, then.
0:40:28 > 0:40:31- How did you know I was here? - The doctor told me.
0:40:31 > 0:40:33Actually, I've got something for you.
0:40:33 > 0:40:35What's that?
0:40:35 > 0:40:36This.
0:40:39 > 0:40:42We've had John Gulliver under 24-hour surveillance for the last
0:40:42 > 0:40:45three weeks and all was going very nicely until your boy walked in.
0:40:45 > 0:40:46How did you know he was with us?
0:40:46 > 0:40:49I was in the building a couple of days ago, saw him by the stairs.
0:40:49 > 0:40:52And then you decided to pick him up before he did any more damage,
0:40:52 > 0:40:54was that the idea?
0:40:54 > 0:40:55I wanted to know what he was doing there.
0:40:55 > 0:40:58I think we're all of that persuasion.
0:40:58 > 0:41:01If you don't mind my asking, what's your interest in Gulliver?
0:41:03 > 0:41:05Public sculptures.
0:41:06 > 0:41:09Three of them have been stolen from different London
0:41:09 > 0:41:11parks in the past three months.
0:41:15 > 0:41:17We've been getting nowhere, until last week.
0:41:17 > 0:41:19There was a witness.
0:41:21 > 0:41:23Excuse me, can I ask what you're doing?
0:41:25 > 0:41:27Did he see the van?
0:41:27 > 0:41:29Yeah, and he got the registration.
0:41:32 > 0:41:33And that didn't help?
0:41:33 > 0:41:37Well, it helped us trace the vehicle back to the company that rented it.
0:41:37 > 0:41:394 Boys Van Hire. As far as it went.
0:41:40 > 0:41:43It's a cowboy operation - cash on the counter and off you go.
0:41:43 > 0:41:46They gave us descriptions of the two men who hired it,
0:41:46 > 0:41:49- could have been anyone. - So, where's the van?
0:41:49 > 0:41:50Forensics, nothing so far.
0:41:50 > 0:41:52And Gulliver?
0:41:52 > 0:41:54Gulliver's a handler, he's well known to us.
0:41:54 > 0:41:56A lot of stuff goes in and out of that place.
0:41:56 > 0:41:59And you're waiting for your statues to turn up.
0:41:59 > 0:42:01That was the idea.
0:42:01 > 0:42:04He doesn't know anything about your investigation, all right?
0:42:04 > 0:42:06That wasn't why I was there.
0:42:06 > 0:42:08So, why were you there?
0:42:10 > 0:42:13Adam Jannsen visited Gulliver three days before he died.
0:42:13 > 0:42:15Oh, come on!
0:42:15 > 0:42:18Jannsen, the construction worker? His death is officially an accident.
0:42:18 > 0:42:20I think he sold something to Gulliver.
0:42:20 > 0:42:22He was paid money, then he died.
0:42:24 > 0:42:25So, how did you find Gulliver?
0:42:25 > 0:42:28It was in Adam's phone, he Googled the address.
0:42:28 > 0:42:30- Why did you run?- Someone came chasing after me -
0:42:30 > 0:42:32- I thought he was with Gulliver. - Yeah, that was my DC.
0:42:32 > 0:42:34Now he's out of action with a concussion.
0:42:34 > 0:42:37He's meant to have an observation post tonight watching
0:42:37 > 0:42:38Gulliver midnight until six.
0:42:38 > 0:42:40- Well, you've got cameras, haven't you?- Yeah.
0:42:40 > 0:42:43But they've been unreliable. I need someone there.
0:42:43 > 0:42:45And thanks to him, I've got no-one.
0:42:54 > 0:42:56Maybe I can help.
0:42:56 > 0:43:00We're still processing the document Stefan recovered from Matherson's,
0:43:00 > 0:43:03but, so far, everything is in the wife's name - including the house.
0:43:03 > 0:43:06She paid £3.5 million for it nine years ago.
0:43:06 > 0:43:08But it's worth at least twice that now.
0:43:08 > 0:43:11So, she's the wealthy one, not him. What else?
0:43:11 > 0:43:14Creighton Quarries is very successful.
0:43:14 > 0:43:16That's the family business run by her father.
0:43:16 > 0:43:20The ragstone is a premium product and it costs a fortune.
0:43:20 > 0:43:22What have you got on Matherson?
0:43:22 > 0:43:24He has his ministerial salary,
0:43:24 > 0:43:27£134,565 a year, but that's it.
0:43:27 > 0:43:30One bank account, no unusual transactions.
0:43:30 > 0:43:34So, there's no evidence of anything untoward?
0:43:34 > 0:43:36I'm beginning to wonder if this is worth pursuing.
0:43:36 > 0:43:38The corrupt minister?
0:43:38 > 0:43:40Well, only according to Peter Mayhew.
0:43:41 > 0:43:45- This came from Mayhew? - Why so surprised?
0:43:45 > 0:43:46Well, he's in government.
0:43:46 > 0:43:49Why would he brief against one of his own ministers?
0:43:49 > 0:43:50That's a good point.
0:43:50 > 0:43:53I've been asking myself the exact same question.
0:43:53 > 0:43:54Is he using us?
0:43:55 > 0:43:58And if so, why?
0:44:08 > 0:44:09Alison.
0:44:10 > 0:44:12What an unexpected pleasure.
0:44:15 > 0:44:17SHE SIGHS
0:44:18 > 0:44:20Would you care to join me?
0:44:22 > 0:44:24I want to ask you about Charles Matherson.
0:44:26 > 0:44:29What do you want to know?
0:44:29 > 0:44:31Why are you so interested in him?
0:44:31 > 0:44:33Do you really think he's corrupt?
0:44:33 > 0:44:36Do you think I would have gone to the SFO if I didn't?
0:44:36 > 0:44:39- How are you getting on? - What were your sources?
0:44:39 > 0:44:40Well, common sense.
0:44:40 > 0:44:44He's selling large quantities of ragstone to the very developers
0:44:44 > 0:44:47- he's helping. - That's his father-in-law.
0:44:47 > 0:44:50I think you'll find the business is now run by his wife.
0:44:51 > 0:44:53Since when?
0:44:53 > 0:44:55Since the father-in-law got dementia.
0:44:58 > 0:45:01I hadn't seen that.
0:45:01 > 0:45:02Well, glad to help.
0:45:02 > 0:45:05Why are you really giving this to us, Uncle Peter?
0:45:05 > 0:45:07What is it that you want?
0:45:07 > 0:45:08Justice.
0:45:09 > 0:45:11The same as you.
0:45:12 > 0:45:14He's a Polish labourer.
0:45:14 > 0:45:16How it happened is still a complete mystery.
0:45:16 > 0:45:18I feel so sorry for you,
0:45:18 > 0:45:21it must be the last thing you want on your plate right now.
0:45:21 > 0:45:24We've got HSE all over us.
0:45:24 > 0:45:27It could set us back two, maybe three weeks.
0:45:27 > 0:45:30Which may slightly affect our business with you.
0:45:30 > 0:45:33There can't be any question of a delay, Louis.
0:45:33 > 0:45:36The order's already been confirmed.
0:45:36 > 0:45:37I'm afraid the boat's already left.
0:45:39 > 0:45:40It was just a thought.
0:45:40 > 0:45:42As they say, you might have cut us a little slack.
0:45:42 > 0:45:44Actually, now that I've taken over,
0:45:44 > 0:45:48that's exactly the sort of business practice we're trying to avoid.
0:46:02 > 0:46:04Yeah, I'm going to be late tonight.
0:46:06 > 0:46:07Ooh, sorry.
0:46:07 > 0:46:09Hey, this is Carrie.
0:46:12 > 0:46:13Hello?
0:46:13 > 0:46:15Yeah, I've got an OP.
0:46:15 > 0:46:17Rash said some of Adam's friends don't speak English,
0:46:17 > 0:46:19so he brought me with him.
0:46:19 > 0:46:22- You're Polish? - Yeah, I was born there.
0:46:24 > 0:46:26Hey, I've got to tell you, I can't stay long.
0:46:26 > 0:46:29- Why not? - I'm working.
0:46:29 > 0:46:32- Well, just a quick drink. - No, no, no.
0:46:32 > 0:46:33No drink.
0:46:33 > 0:46:36You want these people to talk to you, you drink with them.
0:46:37 > 0:46:39He's right.
0:46:59 > 0:47:02Over there. I saw him at the building site.
0:47:04 > 0:47:05He worked with Adam.
0:47:06 > 0:47:08Great. I'll get the beers.
0:47:08 > 0:47:11Didn't you hear me? Just sit down and translate.
0:47:12 > 0:47:14HE SPEAKS POLISH
0:47:16 > 0:47:18He didn't know him.
0:47:18 > 0:47:20They just worked together.
0:47:20 > 0:47:23Oh, well, then why have you come here tonight?
0:47:25 > 0:47:27STEFAN SPEAKS POLISH
0:47:36 > 0:47:38They don't want to talk to you.
0:47:41 > 0:47:44Well, do they want to be arrested for obstruction?
0:47:56 > 0:47:58He wants to be arrested?
0:47:58 > 0:48:00He wants to talk.
0:48:01 > 0:48:03All right.
0:48:06 > 0:48:10- He wants a drink first, though. - No, I can't drink.
0:48:10 > 0:48:13- I've got to keep a clear head. - Why?
0:48:13 > 0:48:16Cos I'm working. I've got an OP.
0:48:16 > 0:48:19- When do you start? - Midnight.
0:48:19 > 0:48:22Well, you've still got time.
0:48:22 > 0:48:23You don't want to offend these guys.
0:48:26 > 0:48:28All right, just the one.
0:48:29 > 0:48:31THEY SPEAK POLISH
0:48:45 > 0:48:48- What was that stuff? - SLURRING: Rectified spirit.
0:48:48 > 0:48:49What does that mean?
0:48:49 > 0:48:5095%.
0:48:51 > 0:48:53Did you know that?
0:48:55 > 0:48:56I didn't know.
0:48:58 > 0:49:00Coffee!
0:49:00 > 0:49:02CAR HORN BLARES
0:49:06 > 0:49:08I want to come with you.
0:49:08 > 0:49:10RASH SIGHS I'm your mate.
0:49:10 > 0:49:14I'm going to be there with you. All night.
0:49:16 > 0:49:18I don't want you there.
0:49:20 > 0:49:22This is boring.
0:49:23 > 0:49:25Nothing's happening.
0:49:25 > 0:49:28We've only been here five minutes.
0:49:29 > 0:49:31Your job is rubbish.
0:49:31 > 0:49:34Then just...go.
0:49:35 > 0:49:37If I go,
0:49:37 > 0:49:38you'll fall asleep.
0:49:38 > 0:49:39Mm.
0:49:39 > 0:49:41Thanks to you.
0:49:41 > 0:49:43You didn't have to drink it.
0:49:45 > 0:49:47If Heywood finds out about this...
0:49:49 > 0:49:51..I'm finished.
0:49:51 > 0:49:53STEFAN SNORES
0:49:53 > 0:49:54Wake up!
0:49:54 > 0:49:57- I wasn't asleep. - You were asleep.
0:49:57 > 0:49:58No, I was resting my eyes.
0:49:58 > 0:50:00Then what was I saying?
0:50:02 > 0:50:03I wasn't listening.
0:50:12 > 0:50:15You go first.
0:50:15 > 0:50:17You have the first sleep.
0:50:20 > 0:50:24I'm not going to sleep.
0:50:26 > 0:50:28THEY SNORE
0:50:52 > 0:50:53Evening.
0:50:53 > 0:50:55You're late.
0:50:55 > 0:50:57Yeah, sorry.
0:51:01 > 0:51:02This your place, then?
0:51:02 > 0:51:04Yes, it's my name above the door.
0:51:07 > 0:51:10How much would something like this set me back?
0:51:10 > 0:51:114,000.
0:51:12 > 0:51:144,000?
0:51:14 > 0:51:15Quid?
0:51:17 > 0:51:18You're not serious.
0:51:18 > 0:51:20It's neoclassical.
0:51:23 > 0:51:26I don't suppose you know what that means.
0:51:26 > 0:51:27No, you're right.
0:51:29 > 0:51:30I don't.
0:51:30 > 0:51:33So, why don't you give me what I want and you can get out of here?
0:51:33 > 0:51:35Well, I've got to see it first.
0:51:57 > 0:51:59- That's it? - Yes.
0:52:01 > 0:52:02Great.
0:52:08 > 0:52:10Neoclassical...
0:52:14 > 0:52:16THEY SNORE
0:52:18 > 0:52:20RASH MURMURS
0:52:35 > 0:52:37HE GASPS
0:52:48 > 0:52:50All right, you bastard.
0:52:50 > 0:52:53You've made your point.
0:52:54 > 0:52:56You can have it for nothing and piss off.
0:52:58 > 0:53:00Afraid not, mate.
0:53:00 > 0:53:03They're not my instructions.
0:53:04 > 0:53:06No-one likes being blackmailed.
0:53:06 > 0:53:08I wasn't blackmailing anyone.
0:53:11 > 0:53:14Well, that's not how they see it.
0:53:14 > 0:53:16I told people about what I was doing.
0:53:16 > 0:53:18People know.
0:53:18 > 0:53:21Your word against ours, isn't it?
0:53:21 > 0:53:23And you're not going to be talking to anyone.
0:53:23 > 0:53:25Wait!
0:53:25 > 0:53:27You're making a mistake.
0:53:27 > 0:53:29There are two of them.
0:53:30 > 0:53:32What?
0:53:33 > 0:53:35What you came for, Jannsen had two.
0:53:35 > 0:53:37So, where's the other one?
0:53:37 > 0:53:39I won't tell you.
0:53:39 > 0:53:41Not until you've let me go.
0:53:42 > 0:53:46Let me make a phone call, ten minutes, you'll have it.
0:53:51 > 0:53:52No.
0:53:55 > 0:53:57I'm not going to do that.
0:53:58 > 0:54:00I'm going to make you tell me.
0:54:06 > 0:54:08Like this.
0:54:15 > 0:54:18- No!- Where is it?
0:54:18 > 0:54:20I don't know! I don't know!
0:54:20 > 0:54:23But I can help you find it! The builder had it.
0:54:23 > 0:54:27He asked me if I could use it, he didn't say where it was.
0:54:27 > 0:54:29- The builder, Jannsen?- Yes!
0:54:30 > 0:54:33- He's dead. - He's got it somewhere!
0:54:33 > 0:54:35- I swear to you!- Shh!
0:54:37 > 0:54:39I believe you.
0:54:43 > 0:54:46All right, listen to me.
0:54:46 > 0:54:47You're not stupid.
0:54:49 > 0:54:50You know who I am.
0:54:50 > 0:54:53Whatever you're being paid, I can double it.
0:54:53 > 0:54:55I can triple it.
0:54:56 > 0:54:59I can find it for you. I can help you.
0:55:00 > 0:55:03- I know what it looks like! - Thanks.
0:55:04 > 0:55:06But...you know...
0:55:09 > 0:55:11..I can do that myself.
0:55:20 > 0:55:22STEFAN YAWNS
0:55:41 > 0:55:44FIRE ALARM RINGS
0:55:45 > 0:55:47Rash.
0:55:47 > 0:55:49FIRE ALARM RINGS Are you asleep?
0:55:55 > 0:55:57- HE TAPS HIM Wake up.- Mm?
0:55:57 > 0:55:59Wake up! WAKE UP!
0:55:59 > 0:56:01Uh! Huh?
0:56:07 > 0:56:09What happened?
0:56:09 > 0:56:11I don't know.
0:56:13 > 0:56:15JESUS!
0:56:19 > 0:56:21- Is Gulliver still in there? - Well, I don't know.
0:56:21 > 0:56:24- We have to go in!- If you go in there, you're going to get killed!
0:56:24 > 0:56:26I'm going to get killed anyway!
0:56:26 > 0:56:29- No, no, no! - Get off!
0:56:29 > 0:56:32How did this happen? How COULD it happen?
0:56:32 > 0:56:33SIREN BLARES
0:56:33 > 0:56:34It wasn't your fault.
0:56:34 > 0:56:37I know it's not my fault. It's YOUR fault!
0:56:37 > 0:56:38Whoa! Whoa!
0:56:42 > 0:56:43HE WHIMPERS
0:56:48 > 0:56:50What are you doing?
0:56:50 > 0:56:52You started it.
0:57:02 > 0:57:04Somebody tied Gulliver to a chair and then set him on fire.
0:57:04 > 0:57:06Jesus.
0:57:06 > 0:57:08Eleanor shut down the investigation, she sent me home.
0:57:08 > 0:57:10Then she won't know what you're up to.
0:57:10 > 0:57:13Let me see if I can talk myself out of firing you.
0:57:13 > 0:57:15Why do you let these people walk all over you?
0:57:15 > 0:57:16Because they're bastards!
0:57:16 > 0:57:19This has gone on long enough, close it down.
0:57:21 > 0:57:23Stop!