0:00:03 > 0:00:07TENSE MUSIC
0:00:19 > 0:00:21'Accident on a building site.'
0:00:21 > 0:00:22It's The Scimitar.
0:00:22 > 0:00:25A few days before he died, he went to see someone -
0:00:25 > 0:00:26an antiques dealer.
0:00:26 > 0:00:28'I think he sold something to Gulliver.'
0:00:51 > 0:00:54- Charles Matherson.- The minister?
0:00:54 > 0:00:57He's corrupt and I want you to nail him.
0:00:57 > 0:01:00- We'll need to look into his private life.- I'll find a way in.
0:01:00 > 0:01:03There can't be any question of a delay, Louis.
0:01:03 > 0:01:05The order's already been confirmed.
0:01:14 > 0:01:17- Got to keep a clear head. - Why?- Cos I'm working.
0:01:17 > 0:01:20- You don't want to offend these guys.- All right.
0:01:20 > 0:01:24No, no, no... Can't fall asleep.
0:01:24 > 0:01:25HE SNORES
0:01:25 > 0:01:27Wait, you're making a mistake.
0:01:27 > 0:01:29- There are two of them.- What?
0:01:29 > 0:01:31I can find it for you!
0:01:31 > 0:01:32I can do that myself.
0:01:34 > 0:01:35Jesus!
0:01:35 > 0:01:37How did this happen? How COULD it happen?
0:01:37 > 0:01:41- It wasn't your fault. - I know it's not my fault.
0:01:41 > 0:01:42It's your fault!
0:01:56 > 0:01:58HE BREATHES HEAVILY
0:02:10 > 0:02:13# I don't want to drown no more
0:02:13 > 0:02:15# Sick of the same old people
0:02:15 > 0:02:17# The kind that'll sell your soul
0:02:17 > 0:02:20# Trade it for a shining stone
0:02:20 > 0:02:22# Ain't nothing in this life for free
0:02:22 > 0:02:24# Running from the greatest evil
0:02:24 > 0:02:27# It finally dawned on me
0:02:27 > 0:02:29# A man's got to fight temptation
0:02:29 > 0:02:33# Keep the wolves from the door
0:02:33 > 0:02:37# I hear them scratching like I don't know better
0:02:37 > 0:02:43# Won't you keep the wolves from the door?
0:02:43 > 0:02:49# It won't be long before I cave in and open up the door. #
0:02:54 > 0:02:57BIRD CAWS, DISTANT SIREN
0:03:00 > 0:03:03They're going to fire me.
0:03:03 > 0:03:04They're going to throw me out.
0:03:04 > 0:03:08I thought they already did throw you out.
0:03:08 > 0:03:11Yeah...then they took me back.
0:03:11 > 0:03:14And now they're going to throw you out again?
0:03:14 > 0:03:16SHE SIGHS
0:03:16 > 0:03:19- You do like to make things difficult for yourself.- It's not me.
0:03:21 > 0:03:24It wasn't my fault. My DS hates me.
0:03:24 > 0:03:26What about Stefan? Isn't he on your side?
0:03:26 > 0:03:29Stephan's SFO. He's nothing to do with me.
0:03:31 > 0:03:32He's your friend.
0:03:39 > 0:03:42Please tell me you don't fancy him.
0:03:42 > 0:03:43SHE SCOFFS
0:03:45 > 0:03:46Why would you say that?
0:03:48 > 0:03:51I don't know. He's an idiot.
0:03:54 > 0:03:56We had a fight. SHE SCOFFS
0:03:56 > 0:03:57Men!
0:03:59 > 0:04:02Just go back in there and tell them what happened.
0:04:02 > 0:04:04I fell asleep?
0:04:04 > 0:04:05No.
0:04:15 > 0:04:20- Narcolepsy?- Yeah, it's, erm... a neurological condition.
0:04:21 > 0:04:23You know, in-in the brain.
0:04:25 > 0:04:31Don't try and bullshit me, Sayyad. You fell asleep.
0:04:31 > 0:04:33(Yes, guv.)
0:04:33 > 0:04:35Tell me, Derek.
0:04:35 > 0:04:37According to forensics, somebody tried Gulliver to a chair
0:04:37 > 0:04:42- and then set him on fire. - Jesus Christ.
0:04:42 > 0:04:44- Was there any sign of forced entry? - It didn't look like it.
0:04:44 > 0:04:46Then he must have known them. He let them in.
0:04:46 > 0:04:48At one o'clock in the morning?
0:04:48 > 0:04:51All right, well, the cameras, I'm assuming they were still working?!
0:04:51 > 0:04:52I don't know, guv.
0:04:52 > 0:04:55Detective Superintendent Milton's on top of all that,
0:04:55 > 0:04:58but, as you can imagine, he's not been too cooperative.
0:04:58 > 0:05:02DI Heywood, thank you so much for lending me your man.
0:05:02 > 0:05:05Your man who buggered up this operation in the first place,
0:05:05 > 0:05:07put my DC out of action...
0:05:07 > 0:05:10then didn't notice when my target was being murdered!
0:05:10 > 0:05:12All right, shall we take this into my office?
0:05:18 > 0:05:20We found nothing that implicates Charles Matherson
0:05:20 > 0:05:23in anything illegal or even faintly suspicious.
0:05:23 > 0:05:27No second properties, no company associations,
0:05:27 > 0:05:29nothing unusual in his bank...
0:05:29 > 0:05:32- There is just the question of his wife.- What about her?
0:05:32 > 0:05:38- Helen Matherson. Her father owns a quarry in Yorkshire.- We know that.
0:05:38 > 0:05:40Well, the father is unwell. He has dementia.
0:05:40 > 0:05:44Helen Matherson has taken full control of the business.
0:05:44 > 0:05:45Well, that proves our point.
0:05:45 > 0:05:47No, no, not necessarily.
0:05:47 > 0:05:51It's not a crime for a minister's wife to run her own business.
0:05:51 > 0:05:53Did you get anything from his computer?
0:05:53 > 0:05:56- Nothing that isn't already on public record.- Wait a minute.
0:05:56 > 0:05:58Helen Matherson is selling ragstone to the Wesley Brothers
0:05:58 > 0:06:01for millions of pounds and her husband,
0:06:01 > 0:06:04Charles Matherson, just happened to green light their latest project?
0:06:04 > 0:06:07Are they paying market prices or are they paying over the odds?
0:06:07 > 0:06:08No, I checked the invoices.
0:06:08 > 0:06:11There were four major sales over the last year,
0:06:11 > 0:06:13all at reasonable market rates.
0:06:13 > 0:06:16You see? They're doing nothing wrong.
0:06:16 > 0:06:18I'm sorry, I can see no reason
0:06:18 > 0:06:21to further authorise this investigation.
0:06:21 > 0:06:23So we've been wasting our time?
0:06:23 > 0:06:26No, Stefan, we've just been doing our job.
0:06:26 > 0:06:28What on earth happened to your eye?
0:06:30 > 0:06:36Pfft, nothing. I had an argument. Someone I know. He's an idiot.
0:06:36 > 0:06:39What, you really think you can walk in here looking like that?
0:06:39 > 0:06:42- This has nothing to do with work. - Well, I'm happy to hear it.
0:06:42 > 0:06:45I cannot have people working here looking as though
0:06:45 > 0:06:48they've been in a barroom brawl. You should never have come in.
0:06:48 > 0:06:50I came in because I wanted to help.
0:06:50 > 0:06:53You can help me by staying at home until you look presentable.
0:06:53 > 0:06:56And may I remind you this is not fun? This is not a lark.
0:06:56 > 0:06:59This is serious business. No, no, no, no.
0:07:00 > 0:07:02Heh. Right.
0:07:05 > 0:07:08Remind me again what we know about Gulliver.
0:07:08 > 0:07:11Well, I've told you, he's a handler.
0:07:11 > 0:07:13He's dealt in stolen objects, art, antiques.
0:07:13 > 0:07:16He's very smart. Never did any time,
0:07:16 > 0:07:19but we think he's connected to any number of London gangs,
0:07:19 > 0:07:23including the one that's been making public sculptures.
0:07:25 > 0:07:27If Gulliver's got a whole load of disreputable friends,
0:07:27 > 0:07:30surely any one of them could have been responsible?
0:07:30 > 0:07:31Well, one thing's for certain -
0:07:31 > 0:07:33we're not going to find much at his place.
0:07:33 > 0:07:35It's pretty much burnt to the ground.
0:07:37 > 0:07:39All right, well...
0:07:39 > 0:07:43- let us take over from here.- And what am I meant to do in the meantime?
0:07:43 > 0:07:45Well, didn't you get anything from the van?
0:07:45 > 0:07:48No. We spoke to the owner of the company that rented it,
0:07:48 > 0:07:51a lowlife called Jerry Clarke, but he's not helping us at all.
0:07:51 > 0:07:53Half his vehicles aren't even insured.
0:07:53 > 0:07:55We should close the whole lot down.
0:07:57 > 0:07:59Jerry Clarke?
0:07:59 > 0:08:03- I'm sorry?- Erm... Have you met him?
0:08:04 > 0:08:06What does it matter to you?
0:08:06 > 0:08:08Everything all right, John?
0:08:08 > 0:08:13I don't know, JC. You were just leaving, weren't you?
0:08:13 > 0:08:18Thickset, dark hair, clean-shaven?
0:08:18 > 0:08:21I haven't met him. Spoke to him on the phone.
0:08:21 > 0:08:23Well, I think I saw him.
0:08:23 > 0:08:24When I was at Gulliver's place,
0:08:24 > 0:08:26he was talking to someone and he called him JC.
0:08:26 > 0:08:28It could have been anyone.
0:08:28 > 0:08:32But suppose whoever stole the sculptures didn't RENT the van...
0:08:33 > 0:08:35..suppose they owned it.
0:08:48 > 0:08:51SIRENS APPROACH
0:09:02 > 0:09:05- POLICE OFFICER:- Police! Police! You're under arrest!
0:09:06 > 0:09:09What's all this about? What do you think you're doing?!
0:09:09 > 0:09:11- Jerry Clarke?- Yeah.
0:09:11 > 0:09:14- Is this the man you saw?- Yeah.
0:09:14 > 0:09:15You're under arrest.
0:09:17 > 0:09:18Watch your head.
0:09:20 > 0:09:22- POLICE OFFICER:- Guv! Through here!
0:09:35 > 0:09:37POLICE RADIO CHATTER
0:09:46 > 0:09:48CAR ALARM BLEEPS Let me just check my diary.
0:09:48 > 0:09:50Yeah, yeah, I think it'll be fine.
0:09:50 > 0:09:53OK, I'll speak to you later. Bye.
0:09:56 > 0:09:57SHE GASPS SOFTLY
0:09:57 > 0:09:59Miss Andrews?
0:10:00 > 0:10:02I'm a mate of Adam Jannsen.
0:10:02 > 0:10:04- He shared with you, is that right?- Yeah.
0:10:04 > 0:10:07Well, he had something of mine.
0:10:07 > 0:10:10A little gold dish, about this big.
0:10:10 > 0:10:12Not valuable, just...sentimental.
0:10:14 > 0:10:16But I want it back.
0:10:16 > 0:10:19I don't know what you're talking about.
0:10:19 > 0:10:20You find it,
0:10:20 > 0:10:24you return it to me.
0:10:24 > 0:10:27How can I do that when I don't even know who you are?
0:10:27 > 0:10:31Well, I'll come back here in a couple of days.
0:10:31 > 0:10:33Make sure you've got it.
0:10:36 > 0:10:37Or else.
0:10:39 > 0:10:41Or else what?
0:10:51 > 0:10:52SHE GASPS
0:11:05 > 0:11:06- RECEPTIONIST:- Sir? Sir?!
0:11:09 > 0:11:12Yeah, he's with us now. It's fine, thank you.
0:11:12 > 0:11:14Can you explain this?!
0:11:14 > 0:11:18It's fairly straightforward - it's a viability appraisal.
0:11:18 > 0:11:20- And you're going to present it to the council.- We already have.
0:11:20 > 0:11:24A 60% cut in affordable housing, no health centre, no local park,
0:11:24 > 0:11:25no transport improvements.
0:11:25 > 0:11:28You have gone back on every single one of your Section 106 obligations!
0:11:28 > 0:11:31Section 106 obligations are there to be renegotiated,
0:11:31 > 0:11:32everybody knows that.
0:11:32 > 0:11:35You were always going to do this, right from the start.
0:11:35 > 0:11:37You have taken advantage of the planning laws!
0:11:37 > 0:11:39Which your government brought in, let's not forget that.
0:11:39 > 0:11:41It's all about sustainable development.
0:11:41 > 0:11:43It's about sustaining the community, not your profits!
0:11:43 > 0:11:45I gave you the green light
0:11:45 > 0:11:47because I thought you were going to benefit a whole area of London.
0:11:47 > 0:11:50Starting, of course, with you and Mrs Matherson.
0:11:50 > 0:11:52You've benefited quite a bit yourselves, as I recall.
0:11:52 > 0:11:53If you go ahead with these demands,
0:11:53 > 0:11:55you are going to make me a laughing stock.
0:11:55 > 0:11:57Is that was this is all about?
0:11:57 > 0:12:01Get real, Charles. We're on a knife-edge here.
0:12:01 > 0:12:03We need to persuade the investors to hang in with us
0:12:03 > 0:12:05and, if they pull out, we're all screwed
0:12:05 > 0:12:07and I don't just mean Elly and me.
0:12:07 > 0:12:09We're all in this together.
0:12:09 > 0:12:12I've done nothing illegal. Nobody's going to come after me.
0:12:12 > 0:12:14But if you try and wriggle out of your commitments,
0:12:14 > 0:12:16I swear I will make you pay!
0:12:19 > 0:12:20You already have.
0:12:47 > 0:12:49SHE WHIMPERS
0:12:52 > 0:12:54I've been going through these invoices
0:12:54 > 0:12:56and there is something that's been bugging me.
0:12:56 > 0:12:58This came off the memory stick from the Mathersons.
0:12:58 > 0:13:00White Dragon Shipping.
0:13:00 > 0:13:02What about it?
0:13:02 > 0:13:04Helen Matherson has paid White Dragon Shipping
0:13:04 > 0:13:07on four separate occasions. They're listed here.
0:13:07 > 0:13:08Paid them? What for?
0:13:08 > 0:13:12Presumably for exporting ragstone. These are huge containers.
0:13:18 > 0:13:20That must be the samples I saw.
0:13:20 > 0:13:23There was a whole box of them labelled in Mandarin.
0:13:23 > 0:13:25Look at the dates.
0:13:25 > 0:13:26Now, compare them to these.
0:13:26 > 0:13:28These are the four sales I mentioned before,
0:13:28 > 0:13:30each between £1m and £2m.
0:13:30 > 0:13:32They're all about a month later.
0:13:32 > 0:13:35So Helen Matherson is selling to the Chinese
0:13:35 > 0:13:36and then she sells to the Wesleys.
0:13:36 > 0:13:39Is it a coincidence? How does it make sense?
0:13:39 > 0:13:42They've just negotiated a new sale,
0:13:42 > 0:13:44this time it's The Scimitar.
0:13:45 > 0:13:47According to your logic,
0:13:47 > 0:13:51the Mathersons are making another deal with White Dragon.
0:13:51 > 0:13:52I hope it helps.
0:13:56 > 0:13:59We need to find out if there's another ship coming in.
0:13:59 > 0:14:01It might be here already.
0:14:01 > 0:14:04Marcus, Eleanor closed down the investigation.
0:14:04 > 0:14:06She sent me home.
0:14:06 > 0:14:08Then she won't know what you're up to.
0:14:15 > 0:14:16You wanted to see me?
0:14:16 > 0:14:18Yes, Alison, come in.
0:14:18 > 0:14:20Sit down.
0:14:22 > 0:14:24That was good work this morning,
0:14:24 > 0:14:27Helen Matherson running her father's quarry,
0:14:27 > 0:14:28that makes a big difference.
0:14:28 > 0:14:30Thank you, Eleanor.
0:14:31 > 0:14:35What I'm interested in is how you came about that information.
0:14:38 > 0:14:40Peter Mayhew gave it to me.
0:14:40 > 0:14:43He's your uncle, isn't he?
0:14:44 > 0:14:47- You knew.- Well, I make it my business to know as much as I can
0:14:47 > 0:14:49about the people I employ.
0:14:50 > 0:14:54- What have you told him about us?- I try to tell him as little as I can.
0:14:56 > 0:14:58I'm sorry, Eleanor.
0:15:00 > 0:15:02- SHE EXHALES - No, don't be.
0:15:02 > 0:15:04I dropped the investigation
0:15:04 > 0:15:06because I don't want Peter Mayhew manipulating us
0:15:06 > 0:15:09like he's been manipulating you.
0:15:09 > 0:15:11But that said...
0:15:11 > 0:15:13it might be useful to keep his connection.
0:15:13 > 0:15:15If we continue this investigation,
0:15:15 > 0:15:18it'll be on our terms, not Mayhew's,
0:15:18 > 0:15:22but it's fine if he knows that we're not pursuing Charles Matherson.
0:15:22 > 0:15:27And, of course, I'd prefer it if you didn't mention to him that I knew.
0:15:29 > 0:15:31I won't say anything.
0:15:31 > 0:15:33Thank you.
0:15:33 > 0:15:35I knew I could rely on you, Alison.
0:15:52 > 0:15:56METALLIC BANGING
0:15:56 > 0:15:59BANGING TURNS TO WOODEN TAPPING
0:16:04 > 0:16:06You realise I should get rid of you, don't you?
0:16:07 > 0:16:11There's no reason why you should stay one minute longer
0:16:11 > 0:16:13as a TDC in my office.
0:16:15 > 0:16:17I made a mistake and it won't happen again.
0:16:17 > 0:16:20It certainly won't happen again if you're out, will it?
0:16:20 > 0:16:21- Guv, I...- Shut up!
0:16:23 > 0:16:26Let me see if I can talk myself out of firing you.
0:16:28 > 0:16:32Now, firstly, and this is not... entirely relevant...
0:16:33 > 0:16:36..nobody is going to mourn the loss of John Gulliver.
0:16:36 > 0:16:40Secondly, Detective Superintendent Milton's
0:16:40 > 0:16:44got his precious statues back, largely thanks to you.
0:16:44 > 0:16:47And I think you may have been right about Adam Jannsen
0:16:47 > 0:16:49and I think that just about...
0:16:51 > 0:16:53..gets you off the hook.
0:16:56 > 0:16:57Thank you.
0:16:59 > 0:17:02It doesn't mean I want to see you around here.
0:17:04 > 0:17:08Blackstone's Handbook For Policing Students.
0:17:09 > 0:17:11Evidence and Procedure.
0:17:12 > 0:17:16Investigator's Manual and Workbook.
0:17:17 > 0:17:19- I've read that one.- Read it again!
0:17:32 > 0:17:33Well?
0:17:33 > 0:17:36Eleanor's dropped the investigation.
0:17:36 > 0:17:38That's a great pity.
0:17:41 > 0:17:43She doesn't think there's enough evidence
0:17:43 > 0:17:45against Charles Matherson or his wife.
0:17:45 > 0:17:48Then she can't have looked very far.
0:17:48 > 0:17:50I hate doing this,
0:17:50 > 0:17:54- I hate being disloyal. - Family loyalty comes first, Alison,
0:17:54 > 0:17:55you know that.
0:17:56 > 0:18:00Anyway, I was helping you, I was helping the SFO, or trying to.
0:18:01 > 0:18:04You never told me that you knew Eleanor.
0:18:05 > 0:18:08Hmm? Oh, yes, I knew her husband.
0:18:08 > 0:18:10I didn't know she was married.
0:18:11 > 0:18:13He died.
0:18:15 > 0:18:17It's a great shame.
0:18:17 > 0:18:19What?
0:18:20 > 0:18:22Matherson.
0:18:22 > 0:18:24Never mind.
0:18:24 > 0:18:26We'll find another way.
0:18:40 > 0:18:42INDISTINCT ANIMATED CONVERSATION
0:18:46 > 0:18:49INDISTINCT ARGUING
0:18:49 > 0:18:52That truck has to go down! You've got to do this!
0:18:52 > 0:18:55THEY ARGUE
0:19:00 > 0:19:02They're all crooks, yeah?
0:19:02 > 0:19:06- I saw you arguing.- They're not even paying me the living wage.
0:19:06 > 0:19:09- How do they get away with it? - If I complain, they'll throw me out.
0:19:09 > 0:19:11- They're bastards.- Yeah!
0:19:19 > 0:19:21You couldn't do me a favour?
0:20:10 > 0:20:11Miss Chen?
0:20:13 > 0:20:16- Yes?- I'm from ELT.
0:20:18 > 0:20:21We're your IT support service. We've had a call out about this computer.
0:20:21 > 0:20:24There's nothing wrong with my computer.
0:20:25 > 0:20:27There is a fault with the dial-up connection -
0:20:27 > 0:20:30the PPP - the point-to-point negotiation point.
0:20:30 > 0:20:33It'll only take a couple of minutes.
0:20:39 > 0:20:41OK.
0:20:59 > 0:21:01You...you couldn't get me a cup of coffee?
0:21:22 > 0:21:23Come on.
0:21:34 > 0:21:36Come on, come on!
0:21:40 > 0:21:43Come on, come on...
0:22:16 > 0:22:18Have a drink on me.
0:22:18 > 0:22:19Thanks.
0:22:29 > 0:22:33Charles, something rather strange has just happened.
0:22:33 > 0:22:36I've just had a call from Mr Tang.
0:22:36 > 0:22:39- Who?- White Dragon Shipping.
0:22:41 > 0:22:44- Is there a problem?- There may be.
0:22:44 > 0:22:46Someone broke into their office this afternoon,
0:22:46 > 0:22:49he said he was from a software company,
0:22:49 > 0:22:52and he accessed our account.
0:22:52 > 0:22:56- What?- He did a search, first on your name and then on mine.
0:22:56 > 0:22:59- Who was it?- They have no idea.
0:22:59 > 0:23:02They got a picture of him as he was leaving on CCTV.
0:23:03 > 0:23:05That isn't a software engineer.
0:23:06 > 0:23:08This is the driver!
0:23:09 > 0:23:11All right, Charles. Thank you.
0:23:16 > 0:23:21You know, you really have made a spectacular mess of all of this.
0:23:21 > 0:23:23Did what you said.
0:23:24 > 0:23:27You could have killed Adam Jannsen at home.
0:23:27 > 0:23:29You could have killed him on his way to work.
0:23:29 > 0:23:31Tried.
0:23:31 > 0:23:33Got close.
0:23:37 > 0:23:40- Hello, man.- Excuse me, excuse me. Sorry.
0:23:42 > 0:23:43There was someone with him...
0:23:43 > 0:23:46and you said it had to be done quickly.
0:23:46 > 0:23:48But not on the construction site.
0:23:48 > 0:23:50You never said that.
0:23:50 > 0:23:52You might have worked out the consequences!
0:23:52 > 0:23:54Or don't you know anything?
0:23:54 > 0:23:56HE SCOFFS
0:23:56 > 0:23:59I know things you don't, Louis.
0:23:59 > 0:24:01I do things you won't.
0:24:01 > 0:24:04Maybe you should get your hands dirty sometime
0:24:04 > 0:24:06before you lay into me. And while we're on that subject,
0:24:06 > 0:24:09you still owe me ten grand for Gulliver.
0:24:09 > 0:24:13You'll have it. But first of all, we need to close everything down.
0:24:13 > 0:24:15Do you understand me?
0:24:15 > 0:24:19No, I don't. What do you mean, exactly?
0:24:19 > 0:24:23I mean anything that leads anyone to me.
0:24:23 > 0:24:25This has gone on long enough. Close it down.
0:24:28 > 0:24:31All right. Who do you want me to deal with first?
0:24:41 > 0:24:45- So you've still got your job, then? - Yeah, just about.
0:24:45 > 0:24:48- Do you want anything?- No, I'm OK.
0:24:49 > 0:24:52Oh, might have found a room in a house.
0:24:52 > 0:24:55- That's great.- It's in Dalston.
0:24:56 > 0:24:59There's a girl I met, but it's complicated.
0:24:59 > 0:25:02- She's part of an investigation. - What's she done?
0:25:02 > 0:25:03SHE hasn't done anything.
0:25:03 > 0:25:05- DOORBELL RINGS - I'll get it.
0:25:22 > 0:25:24DOOR CLOSES
0:25:24 > 0:25:25Leila?
0:25:29 > 0:25:30Leila!
0:25:33 > 0:25:35- You!- Look, I've come to say sorry...
0:25:35 > 0:25:37about last night.
0:25:39 > 0:25:42Brought you some...wine.
0:25:45 > 0:25:49You brought me a bottle of wine to apologise for getting me pissed?
0:25:49 > 0:25:52It was either that or flowers. SHE LAUGHS
0:25:54 > 0:25:56- Do you want a beer? - He's not staying!
0:25:56 > 0:25:57That'd be great, thanks.
0:26:02 > 0:26:04HE CLEARS HIS THROAT
0:26:04 > 0:26:05Cheers.
0:26:10 > 0:26:13How'd it go? With Heywood?
0:26:13 > 0:26:16Oh, yeah. No, he was fine about it.
0:26:16 > 0:26:19- Didn't mind at all.- Really?
0:26:20 > 0:26:22No!
0:26:22 > 0:26:25- Of course not. What do you think? He sent me home.- Me, too.
0:26:25 > 0:26:28- What happened?- He...hit me.
0:26:28 > 0:26:30It wasn't like that.
0:26:32 > 0:26:33It's a long story.
0:26:33 > 0:26:36Our boss threw me out.
0:26:36 > 0:26:38She said I couldn't come to work looking like this.
0:26:38 > 0:26:40Well, she has a point.
0:26:40 > 0:26:43- Want me to look at that? - No! He's all right.
0:26:43 > 0:26:45Doesn't need any medical attention.
0:26:45 > 0:26:46I might.
0:26:49 > 0:26:51So what are you doing here, anyway?
0:26:51 > 0:26:53What do you want?
0:26:53 > 0:26:56- The people you met at the Golabki Club.- Yeah?
0:26:58 > 0:26:59They were lying to you.
0:26:59 > 0:27:01HE SPEAKS OWN LANGUAGE
0:27:01 > 0:27:04Well, he didn't know Adam. They just worked together.
0:27:07 > 0:27:09Roman Nowak?
0:27:09 > 0:27:12Yeah, and his girlfriend.
0:27:13 > 0:27:15How do you know?
0:27:15 > 0:27:16PHONE RINGS
0:27:22 > 0:27:23Stefan.
0:27:27 > 0:27:29Just stay there.
0:27:29 > 0:27:30I'll be right round.
0:27:32 > 0:27:33That was Karen.
0:27:34 > 0:27:36Been with the police all day.
0:27:36 > 0:27:39They made me wait for hours.
0:27:39 > 0:27:43I had to fill in forms, but they're not going to do anything.
0:27:46 > 0:27:49Poor Sebastian.
0:27:51 > 0:27:53I'm sorry.
0:27:55 > 0:27:58- Are you OK?- I just hate the idea of someone being here
0:27:58 > 0:28:02and going through my things. This is about Adam, isn't it?
0:28:02 > 0:28:05Er... I think so, yeah.
0:28:05 > 0:28:09A man came up to me outside the restaurant this morning.
0:28:09 > 0:28:13He said he was looking for something - a dish.
0:28:13 > 0:28:15- A satellite dish?- No.
0:28:15 > 0:28:18A little gold dish.
0:28:19 > 0:28:21He said he was going to come back.
0:28:21 > 0:28:24- Did you tell the police this? - Of course I did.
0:28:24 > 0:28:28I gave them his description, but I'm not sure they're interested.
0:28:28 > 0:28:31It's not as if he hurt me.
0:28:31 > 0:28:35- Dish?- I just wish I'd never got involved.
0:28:35 > 0:28:38I don't feel comfortable any more
0:28:38 > 0:28:40and I hate being here alone.
0:28:42 > 0:28:44I'll be glad when you move in.
0:28:46 > 0:28:47What?!
0:28:47 > 0:28:49Stefan's taking the spare room.
0:28:58 > 0:29:00When did you do that?
0:29:00 > 0:29:02What?
0:29:02 > 0:29:04The room? When did you even ask her?
0:29:04 > 0:29:06When I met her at the Golabki Club.
0:29:06 > 0:29:08She said she had a room going free.
0:29:08 > 0:29:11Yes, but only because her flatmate had been murdered.
0:29:11 > 0:29:14I mean, I wonder why she rang you and not me.
0:29:14 > 0:29:17Anyway, how could you do that? You know, what was...?
0:29:17 > 0:29:20What was all that stuff about us finding somewhere together?
0:29:21 > 0:29:22OK.
0:29:23 > 0:29:25Maybe I was out of line.
0:29:25 > 0:29:27What am I meant to do?
0:29:27 > 0:29:30- I need somewhere to live. - Yes, so do I!
0:29:30 > 0:29:32- So, why didn't you ask her?- I'm...
0:29:37 > 0:29:39I was going to.
0:29:39 > 0:29:42- It just didn't feel appropriate. - Why not?- Why not? Um...
0:29:42 > 0:29:44I don't know. Maybe cos I'm a police officer
0:29:44 > 0:29:47investigating the death of the guy who used to live there(!)
0:29:47 > 0:29:49That's why you're pissed off?
0:29:49 > 0:29:53- Because I got there first?- No! - Then what's the problem?
0:29:53 > 0:29:55Look, I don't even want to talk about it.
0:29:55 > 0:29:57All right? Now just get lost. Forget we ever met.
0:29:57 > 0:30:01What about Roman and Eva? Don't you want to know?
0:30:01 > 0:30:03What?
0:30:03 > 0:30:05They were lying to you.
0:30:07 > 0:30:09Yeah. How do you know?
0:30:12 > 0:30:15Why are you pretending you don't speak English?
0:30:17 > 0:30:19SHE SPEAKS IN POLISH
0:30:19 > 0:30:22Your Polish is obviously perfect...
0:30:22 > 0:30:25but I can hear an English accent, too.
0:30:25 > 0:30:27You've been here a long time.
0:30:27 > 0:30:31Look, we just want to know who killed Adam.
0:30:31 > 0:30:34We want to know what it was that he found.
0:30:35 > 0:30:36The gold dish?
0:30:36 > 0:30:38- Small?- Yes.
0:30:45 > 0:30:48- Where?- On The Scimitar building site.
0:30:48 > 0:30:50That's all we know.
0:30:50 > 0:30:52We don't know anything else.
0:30:52 > 0:30:54What did he do with it?
0:30:54 > 0:30:58He said he'd sell it to someone called...John Gulliver.
0:30:58 > 0:30:59- Gulliver.- We know him.
0:30:59 > 0:31:01- He's dead.- We KNEW him.
0:31:01 > 0:31:04How did he know Gulliver?
0:31:04 > 0:31:06One of the guys told me about him.
0:31:07 > 0:31:10He'd buy stuff and he wouldn't ask questions.
0:31:10 > 0:31:12Did you meet him?
0:31:12 > 0:31:13No.
0:31:13 > 0:31:17He thought it might be worth something. That's all.
0:31:17 > 0:31:21- Maybe £50.- Why did you deny it?
0:31:21 > 0:31:23Why didn't you tell me?
0:31:24 > 0:31:27We sent him to Gulliver.
0:31:27 > 0:31:29Adam gets killed and then we see this.
0:31:32 > 0:31:35We were scared. We didn't want to be involved.
0:31:35 > 0:31:37This is Gulliver?
0:31:39 > 0:31:40Let her go.
0:31:40 > 0:31:42Get back in your car. Mind your own business.
0:31:45 > 0:31:47I know him.
0:31:54 > 0:31:56Are you sure you don't want a drink?
0:31:56 > 0:32:00No, I don't want a drink, Raymond, I just want the truth.
0:32:00 > 0:32:03What do you mean? I told you everything I know.
0:32:03 > 0:32:04No, you didn't.
0:32:04 > 0:32:07How long did you work for me? Five years?
0:32:07 > 0:32:10You think I couldn't tell when you were lying?
0:32:13 > 0:32:15I can't.
0:32:16 > 0:32:18Are you scared?
0:32:18 > 0:32:20You don't know these people.
0:32:20 > 0:32:22Tell me.
0:32:26 > 0:32:31- There's a man called Craig.- Craig? - That's what he said.
0:32:31 > 0:32:35Ex-Army. Nasty piece of work. I'd never seen him before
0:32:35 > 0:32:38- but he knew all about me. - That you'd been in prison.
0:32:38 > 0:32:39I'd have lost my job.
0:32:39 > 0:32:42I'd have lost everything if I didn't do what he said.
0:32:42 > 0:32:45But I swear to you, Derek, I didn't know anyone would get hurt.
0:32:45 > 0:32:49For Christ sake, Raymond, what did you do?
0:32:51 > 0:32:53I need a piss.
0:32:53 > 0:32:56You're not going to run out on me?
0:32:56 > 0:32:58Why would I do that, eh?
0:32:58 > 0:33:00Just give me a minute, eh?
0:33:07 > 0:33:10I'll have a large Scotch. Stick it on his tab.
0:33:12 > 0:33:14Ta.
0:33:26 > 0:33:27Derek!
0:33:27 > 0:33:29Derek...
0:33:29 > 0:33:31Raymond...
0:33:39 > 0:33:41Hey!
0:33:42 > 0:33:43Shit.
0:33:46 > 0:33:48Stay still, you stupid bastard.
0:33:48 > 0:33:50I'll get you an ambulance.
0:34:35 > 0:34:36They're still lying.
0:34:36 > 0:34:39- Who?- Roman and Eva.
0:34:39 > 0:34:42Look, they said the dish that Adam found
0:34:42 > 0:34:45was only worth 50 quid. But we know he got paid 800.
0:34:45 > 0:34:48- And he got a new phone. - Right, and they're lying because...
0:34:50 > 0:34:51There were two of them.
0:34:51 > 0:34:54Two dishes. They've got the other one.
0:34:54 > 0:34:56That's the only way it makes sense.
0:34:56 > 0:34:59Adam sells his and gets killed. Roman has to keep quiet.
0:34:59 > 0:35:02And that's why Karen's place got ransacked.
0:35:02 > 0:35:04Someone's still looking for it.
0:35:09 > 0:35:10What are we doing here?
0:35:12 > 0:35:13'It's simple.
0:35:13 > 0:35:16'Adam finds a dish and sells it to Gulliver.
0:35:16 > 0:35:18'Adam's blown up.
0:35:18 > 0:35:20'Gulliver threatens the Wesleys.
0:35:21 > 0:35:23'He burns to death.'
0:35:23 > 0:35:25HE SCREAMS
0:35:25 > 0:35:28'The Wesleys are connected to Matherson.'
0:35:28 > 0:35:30And...?
0:35:30 > 0:35:32I want Matherson.
0:35:34 > 0:35:36So I need to check the manifest
0:35:36 > 0:35:39to find out exactly what's on that boat.
0:35:39 > 0:35:41How are you going to do that?
0:36:02 > 0:36:04HE SPEAKS IN OWN LANGUAGE
0:36:11 > 0:36:14- This is crazy.- What?
0:36:14 > 0:36:16We're trespassing.
0:36:19 > 0:36:21We're breaking the law.
0:36:22 > 0:36:24You shouldn't have come.
0:36:24 > 0:36:27- You didn't give me any choice. - Come on!
0:36:29 > 0:36:32Look, this has got nothing to do with me.
0:36:37 > 0:36:38OK...
0:36:40 > 0:36:41Rash?
0:36:47 > 0:36:49Rash?
0:36:49 > 0:36:51Rash!
0:37:12 > 0:37:14GENTLE CREAKING
0:37:37 > 0:37:38I don't believe this.
0:37:40 > 0:37:42This is not happening.
0:37:42 > 0:37:44Are you OK?
0:37:45 > 0:37:47No, I'm not OK!
0:37:47 > 0:37:50HE GROANS
0:37:50 > 0:37:53- My head really hurts.- Mine too.
0:37:57 > 0:38:01I don't even know why I'm here. This has got nothing to do with me.
0:38:01 > 0:38:03I know. You said.
0:38:03 > 0:38:06You know, ever since I met you,
0:38:06 > 0:38:10my life has taken a serious turn downhill.
0:38:10 > 0:38:12DOOR CLANGS
0:38:12 > 0:38:15FOOTSTEPS APPROACH
0:38:33 > 0:38:35Hi.
0:38:45 > 0:38:46Who are you?
0:38:50 > 0:38:53I was about to ask you the same thing.
0:38:55 > 0:38:57I'm a police officer. And I warn you, you're guilty of
0:38:57 > 0:39:00false imprisonment by detaining us here and probably kidnapping.
0:39:00 > 0:39:03- Which carries a sentence of life imprisonment.- Right.
0:39:03 > 0:39:05Added to which, you're assaulting me as a police officer.
0:39:05 > 0:39:07And are you going to tell me you're police as well?
0:39:07 > 0:39:10- Yeah. I'm with the Serious Fraud Office.- We know who you are.
0:39:10 > 0:39:13- We know everything about you. - You don't know my name.
0:39:15 > 0:39:18Yeah, OK. But we now you were involved in the death of Adam Jannsen.
0:39:18 > 0:39:20- Yeah, and James Gulliver. - John Gulliver!
0:39:20 > 0:39:22And the Wesleys are involved.
0:39:22 > 0:39:26- The Scimitar. - All right. You know something.
0:39:26 > 0:39:29- So, you've got to let us go. - I don't agree.
0:39:30 > 0:39:32What are you going to do?
0:39:32 > 0:39:36I've got nothing against you personally, but this is my job.
0:39:36 > 0:39:39I've got to find out what you know. Who you're working for.
0:39:40 > 0:39:44- Then I've got to get rid of you. - What, are you going to kill us?
0:39:44 > 0:39:49- In cold blood?- Yeah, it's what I get paid to do. 10 grand a time.
0:39:49 > 0:39:52- It gets to be a bit of a habit, after a while.- Wait!
0:39:54 > 0:39:55What now?
0:39:55 > 0:39:56I'm a Catholic.
0:39:59 > 0:40:01- So what?- I want to pray.
0:40:03 > 0:40:06- Are you serious?- Yeah. It matters to me.
0:40:06 > 0:40:09All right. Get on with it. I'll give you a minute.
0:40:09 > 0:40:12And while you're doing that, I'll kill your friend.
0:40:12 > 0:40:14- What!- The trouble is, I can't do it standing up.
0:40:14 > 0:40:17OK. You want me to untie you? Just get on with it, all right?
0:40:17 > 0:40:22- If you kill us, you'll never get what you want.- Now, what's that?
0:40:22 > 0:40:26What you're looking for. It's why you killed Adam Jannsen.
0:40:28 > 0:40:30He found it on a building site.
0:40:30 > 0:40:34It's small, it's round, it's gold, shaped like a dish.
0:40:34 > 0:40:36He sold it to John Gulliver.
0:40:36 > 0:40:38And Gulliver used it to threaten the Wesleys.
0:40:38 > 0:40:41And you got it back when you killed Gulliver.
0:40:42 > 0:40:44But there were two of them, weren't there?
0:40:44 > 0:40:46That's why you broke into Karen's place?
0:40:47 > 0:40:49But it wasn't there.
0:40:49 > 0:40:52It was too late. She'd already given it to us.
0:40:52 > 0:40:56- So, where is it now?- Obviously we're not going to tell you.- Whoa!
0:40:56 > 0:40:59If you let us go, we'll take you to it.
0:40:59 > 0:41:02We'll take you to it and we'll give you two hours to make your getaway.
0:41:02 > 0:41:04And that's it. That's the deal.
0:41:04 > 0:41:06- So, you've got it?- Yeah.
0:41:08 > 0:41:09Well, that changes things.
0:41:11 > 0:41:14- Thought it might. - I can't kill you after all.
0:41:15 > 0:41:17Not if you ever want to see it again.
0:41:23 > 0:41:26I'm going to have to talk to you first. Make you tell me where it is.
0:41:26 > 0:41:29- And then I'm going to kill you. - Do what you want.
0:41:29 > 0:41:31We're not going to tell you anything.
0:41:31 > 0:41:33Really? Oh, OK.
0:41:33 > 0:41:35I think this might change your mind.
0:41:38 > 0:41:42You have no idea what I can and can't do...
0:41:42 > 0:41:45Both knees...elbows.
0:41:45 > 0:41:48Listen, I want to know what you know.
0:41:48 > 0:41:50So, which one of you is going to be first?
0:41:52 > 0:41:54- Start with him.- What?
0:41:58 > 0:42:01- He's got it!- No, I haven't! - It's in his van.
0:42:01 > 0:42:03Where?
0:42:03 > 0:42:05It's parked outside on the quay.
0:42:05 > 0:42:07- It's a white builder's van. It's in the back.- Parked where?
0:42:07 > 0:42:09A five-minute walk away.
0:42:09 > 0:42:11Over by the gate.
0:42:14 > 0:42:17- Where's the keys? - It's open. It's open.
0:42:18 > 0:42:23And it's definitely there? Cos, you two, you aren't going anywhere.
0:42:23 > 0:42:26When I come back, if I find out you're lying to me, really, I am,
0:42:26 > 0:42:29I'm going to do things to you that you wouldn't want to imagine.
0:42:29 > 0:42:30It's there.
0:42:32 > 0:42:33All right.
0:42:34 > 0:42:38You're on your own down here. No-one can hear you.
0:42:38 > 0:42:40And there's no way out.
0:42:42 > 0:42:43Oh...
0:42:45 > 0:42:46One second.
0:42:59 > 0:43:03No way you can reach them, but, you know, best to be sure.
0:43:09 > 0:43:11That's my new phone!
0:43:11 > 0:43:13Why did you do that?
0:43:24 > 0:43:25Back soon.
0:43:25 > 0:43:29Help! Someone!
0:43:29 > 0:43:31- Hey!- All right! They can't hear you.
0:43:31 > 0:43:33You could be a bit more positive.
0:43:33 > 0:43:36FOOTSTEPS RECEDE
0:43:40 > 0:43:42This was his?
0:43:47 > 0:43:50- I've got another phone in my jacket. - What, you've got two phones?
0:43:50 > 0:43:54Well, not normally. I've still got Adam's phone.
0:43:54 > 0:43:56Karen gave it to me.
0:43:56 > 0:43:58You can't reach it.
0:43:58 > 0:44:00No.
0:44:01 > 0:44:03But you can.
0:44:18 > 0:44:19Oh!
0:44:21 > 0:44:23My ribs!
0:44:23 > 0:44:25Oh, all right, just find the phone!
0:44:25 > 0:44:28- Yeah, I can feel it. - It's right in front of your foot.
0:44:31 > 0:44:33- It's coming, it's coming.- OK.
0:44:33 > 0:44:35Just don't let it drop.
0:44:35 > 0:44:37I'm not going to let it drop.
0:44:56 > 0:44:59- Why did you have to drop it? - I didn't drop it on purpose!
0:45:00 > 0:45:05- He's coming back!- I know he's coming back, but I can't reach it.
0:45:15 > 0:45:17Wait a minute.
0:45:17 > 0:45:19I'll use my shoe.
0:45:22 > 0:45:24That's good.
0:45:25 > 0:45:26I've got it!
0:45:28 > 0:45:32- Is it on?- Yep.- We can call the police.- That's right.
0:45:32 > 0:45:34How are you going to dial?
0:45:34 > 0:45:37- With my toes.- Oh, good work, mate.
0:45:54 > 0:45:58- Have you done it?- I'm doing it now. It's not easy.- Well, it's 999.
0:45:58 > 0:46:01Well, I know the number. Yeah? I'm doing it with my toes.
0:46:07 > 0:46:10'Emergency, which service?'
0:46:10 > 0:46:12- You've done it!- I did it!
0:46:14 > 0:46:17- We need the police! We're on a ship. - I'm DC Sayyad, I'm being held against my will.
0:46:17 > 0:46:20He's coming for us. He's got a gun. We've been kidnapped.
0:46:20 > 0:46:23- Will you shut up. I'm telling them! - I'm telling them!
0:46:23 > 0:46:25They can't hear us if we both shout at the same time.
0:46:25 > 0:46:27- All right.- Right.
0:46:27 > 0:46:29- Suspect... - We need the police!
0:46:29 > 0:46:32DOOR OPENS
0:46:45 > 0:46:46You lied to me.
0:46:46 > 0:46:47Look, it's there.
0:46:47 > 0:46:49No, it's not.
0:46:49 > 0:46:53- OK! It's not in the van, but we know who's got it.- But we can't tell you.
0:46:53 > 0:46:56- Why not?- Because if we tell you, you'll go and kill them.
0:46:56 > 0:47:00That's very noble of you, but I'm getting fed up with this, so I'm going to kill you instead.
0:47:00 > 0:47:02Wait a minute! Are you going to kill us on the Dragon Star?
0:47:02 > 0:47:04In the Tilbury Docks?
0:47:04 > 0:47:06- In the hold?- Where we're tied up?
0:47:06 > 0:47:08What are you two doing?
0:47:08 > 0:47:11And why have you taken your shoes off?
0:47:18 > 0:47:20Armed police!
0:47:20 > 0:47:24GUNSHOTS
0:47:39 > 0:47:41Are you all right?
0:47:44 > 0:47:45It worked.
0:47:46 > 0:47:49- I can't believe it worked. - What worked?
0:47:49 > 0:47:52We got the phone out, we managed to call you.
0:47:52 > 0:47:53No, you didn't call us.
0:47:53 > 0:47:55He did.
0:47:58 > 0:48:03'Hello? Help is on its way. Help is on its way.'
0:48:15 > 0:48:19- So, it turns out that you were right.- I usually am.
0:48:19 > 0:48:22The Wesley brothers were buying high-quality ragstone
0:48:22 > 0:48:25from the Mathersons and paying a premium price for it.
0:48:25 > 0:48:27- Yes.- Only it wasn't their product.
0:48:27 > 0:48:30We checked - the family quarry is almost empty.
0:48:30 > 0:48:32There's nothing left.
0:48:32 > 0:48:34So, where were they getting it from?
0:48:34 > 0:48:37Well, they were buying it cheap from China,
0:48:37 > 0:48:40importing it through a shipping company called White Dragon.
0:48:40 > 0:48:44When they sold it to the Wesleys, they were making a 500% profit.
0:48:44 > 0:48:47Did the Wesley know they were being ripped off?
0:48:47 > 0:48:48Of course they knew.
0:48:48 > 0:48:51So the bribe money was being paid.
0:48:51 > 0:48:54The Wesleys pay through the nose for an inferior product
0:48:54 > 0:48:58and Matherson...and his wife pocket the difference.
0:48:58 > 0:49:00Paying over the odds for a cheap product
0:49:00 > 0:49:04- demonstrates nothing more than bad business sense.- Exactly.
0:49:04 > 0:49:07So Matherson is in the clear.
0:49:08 > 0:49:12I understand that this new building has already been given
0:49:12 > 0:49:15the nom de plume of The Pyramid.
0:49:15 > 0:49:19Two years from now, it will rise above this city,
0:49:19 > 0:49:22breathing new life to this area,
0:49:22 > 0:49:27confirming, once again, that when it comes to dynamism and growth,
0:49:27 > 0:49:30London really does lead the world.
0:49:32 > 0:49:35JOURNALISTS SHOUT QUESTIONS
0:49:42 > 0:49:43This is your last chance.
0:49:43 > 0:49:45You give it to us now or we go to the police.
0:49:45 > 0:49:47I am the police.
0:49:47 > 0:49:49Yeah, the proper police.
0:49:51 > 0:49:55Look, you can't keep it, you can't sell it.
0:49:55 > 0:49:57You've got no choice.
0:49:57 > 0:49:58Why should we?
0:50:00 > 0:50:01- It's ours.- Heather.
0:50:21 > 0:50:24It's what you dream of when you're a child.
0:50:24 > 0:50:26A buried treasure.
0:50:30 > 0:50:32Do you know how hard we work...
0:50:32 > 0:50:34Roman and I?
0:50:34 > 0:50:37And do you know how much we earn?
0:50:40 > 0:50:42This city never gives you any chances.
0:50:42 > 0:50:44And then this comes along.
0:50:50 > 0:50:52I'm sorry.
0:51:11 > 0:51:14It's called an intaglio.
0:51:14 > 0:51:16Probably 1st century AD.
0:51:17 > 0:51:21These things always come in pairs. You see? Cautes and Cautopates.
0:51:21 > 0:51:23Day and night. You can't have one without the other.
0:51:23 > 0:51:26- You say it was found on a building site?- Yeah.
0:51:26 > 0:51:29Well, there's almost certainly something very exciting underneath.
0:51:29 > 0:51:32A Mithraic temple. Perhaps an entire complex.
0:51:32 > 0:51:35I just hope they have insurance.
0:51:35 > 0:51:39Unexpected archaeological discovery insurance.
0:51:39 > 0:51:41You don't have it.
0:51:43 > 0:51:46Of course we do. We'd be mad not to.
0:51:46 > 0:51:47No, we checked.
0:51:49 > 0:51:50You didn't bother.
0:51:52 > 0:51:55No. Louis would have told me.
0:51:55 > 0:51:59I think there are a lot of things Louis didn't tell you.
0:52:06 > 0:52:08You're right.
0:52:08 > 0:52:11- We didn't.- Why?
0:52:11 > 0:52:12To save the money.
0:52:14 > 0:52:17And that's why Adam Jannsen had to die.
0:52:19 > 0:52:22He found an antique - a golden medallion.
0:52:24 > 0:52:26He showed it to John Gulliver
0:52:26 > 0:52:29and Gulliver guessed what it would be worth to you.
0:52:29 > 0:52:31A find like that could shut you down for years.
0:52:31 > 0:52:34Without insurance, you'd be dead ducks.
0:52:34 > 0:52:37He tried to blackmail you so you had him killed...
0:52:37 > 0:52:40by the same person who killed Adam Jannsen.
0:52:40 > 0:52:44You also planned the murder of Raymond Keane.
0:52:44 > 0:52:47He's not dead. And he'll talk.
0:52:47 > 0:52:50And finally, you were responsible for the kidnap
0:52:50 > 0:52:53and attempted murder of one of my detectives.
0:52:53 > 0:52:57I understand that the person who actually committed these crimes is dead.
0:52:57 > 0:52:59That's right.
0:52:59 > 0:53:03Then, forgive me, Detective, but I would say
0:53:03 > 0:53:06that you have nothing that connects me to any of this.
0:53:08 > 0:53:10That's not true.
0:53:11 > 0:53:16DNA from the chewing gum found at the building site gives us Craig.
0:53:16 > 0:53:18Craig leads us to you.
0:53:18 > 0:53:21You met in the Territorial Army.
0:53:21 > 0:53:25You were both in the 47th London Infantry Division.
0:53:27 > 0:53:30We have large payments recovered from his house.
0:53:30 > 0:53:33Your fingerprints are all over them.
0:53:39 > 0:53:41Can I talk to Ellie?
0:53:43 > 0:53:45Would that be possible, do you think?
0:53:47 > 0:53:48I just want to explain.
0:53:57 > 0:53:59And the Scimitar?
0:53:59 > 0:54:04The site has already been designated an area of archaeological interest.
0:54:04 > 0:54:08All work has been suspended for the next 15 weeks for rescue excavation.
0:54:08 > 0:54:11The whole project has collapsed. It's never going to be built.
0:54:13 > 0:54:16What a great shame.
0:54:16 > 0:54:19Which brings us back to the question of high-rises in London.
0:54:19 > 0:54:23You know, Marcus, my head of investigation, he hates them.
0:54:23 > 0:54:25He thinks they're destroying the city.
0:54:25 > 0:54:27Oh, I don't agree.
0:54:27 > 0:54:30I think they're revitalising London.
0:54:30 > 0:54:31They're the future.
0:54:31 > 0:54:33Hmm. I've heard you say that many times...
0:54:33 > 0:54:35on record.
0:54:39 > 0:54:40The Scimitar.
0:54:40 > 0:54:42Yep.
0:54:43 > 0:54:48You can actually see the site where it was going to be built from here.
0:54:48 > 0:54:51Yeah, I believe so.
0:54:51 > 0:54:55Yes, if it had gone up, it would have gone up right there.
0:54:55 > 0:54:57Right in front of you.
0:54:57 > 0:54:58Spoiling your view.
0:55:01 > 0:55:04Wouldn't have been great for the value of your flat.
0:55:07 > 0:55:09I hope you're not suggesting...
0:55:09 > 0:55:11I'm not suggesting anything, Peter.
0:55:13 > 0:55:14Goodbye.
0:55:29 > 0:55:31So...?
0:55:31 > 0:55:33You told her then?
0:55:33 > 0:55:34What?
0:55:34 > 0:55:36Karen.
0:55:37 > 0:55:38Oh, yeah.
0:55:38 > 0:55:41I didn't want the room anyway.
0:55:41 > 0:55:45Would've been a bit creepy... knowing the guy who died.
0:55:46 > 0:55:48So it's free?
0:55:48 > 0:55:50Yeah.
0:55:51 > 0:55:53Did you take it?
0:55:53 > 0:55:55Well, we got on really well.
0:55:55 > 0:55:57It's a nice house.
0:55:57 > 0:56:00- You lied to me!- Oh, forget it. I didn't want it.
0:56:00 > 0:56:02Too small.
0:56:03 > 0:56:05And all those teddy bears.
0:56:05 > 0:56:06Yeah. Sebastien.
0:56:08 > 0:56:09Fergie.
0:56:10 > 0:56:11Bruno.
0:56:11 > 0:56:13Eddie.
0:56:13 > 0:56:14Eddie?
0:56:14 > 0:56:16Eddie the Teddy.
0:56:20 > 0:56:24HE SIGHS We'll find somewhere.
0:56:24 > 0:56:25There's got to be somewhere.
0:56:26 > 0:56:28Somewhere.
0:56:29 > 0:56:30Yeah.
0:56:33 > 0:56:35Right, come on.
0:56:35 > 0:56:36I'll race you.
0:56:41 > 0:56:44# Took a drink out of the ocean and
0:56:44 > 0:56:47# I'm treading water there before I drown
0:56:47 > 0:56:49# I took a ride, I took a ride
0:56:49 > 0:56:52# I wouldn't go there without you... #
0:56:52 > 0:56:54Keep up, old man.
0:56:54 > 0:56:56# Let's take a ride We'll take a ride
0:56:56 > 0:56:59# I wouldn't leave here without you
0:56:59 > 0:57:02# I am a mountain
0:57:02 > 0:57:05# I am the sea
0:57:05 > 0:57:08# You can't take that away from me... #
0:57:09 > 0:57:11It's perfect.
0:57:11 > 0:57:14Fraud isn't about crime, it's about ruining people's lives.
0:57:14 > 0:57:16THEY SHOUTS QUESTIONS
0:57:16 > 0:57:17Agh!
0:57:17 > 0:57:20Police, SFO. Why are you working together?
0:57:20 > 0:57:22# Took a ride, I took a ride
0:57:22 > 0:57:24# I wouldn't go there without you
0:57:25 > 0:57:28# Let's take a ride We'll take a ride
0:57:28 > 0:57:32# I wouldn't leave here without you
0:57:32 > 0:57:34# I am a mountain
0:57:34 > 0:57:37# I am the sea
0:57:37 > 0:57:41# You can't take that away from me
0:57:41 > 0:57:44# I am a mountain
0:57:44 > 0:57:46# I am the sea
0:57:48 > 0:57:51# Cos you tear us apart
0:57:51 > 0:57:53# With all the things you don't like
0:57:53 > 0:57:56# You can't understand. #