0:00:02 > 0:00:03# It's all right It's OK
0:00:03 > 0:00:06# Doesn't really matter if you're old and grey
0:00:06 > 0:00:08# It's all right I say it's OK
0:00:08 > 0:00:11# Listen to what I say
0:00:11 > 0:00:14# It's all right, doing fine
0:00:14 > 0:00:17# Doesn't really matter if the sun don't shine
0:00:17 > 0:00:19# It's all right I say it's OK
0:00:19 > 0:00:22# We're gettin' to the end of the day. #
0:00:30 > 0:00:35This programme contains some scenes which some viewers may find upsetting.
0:01:20 > 0:01:22- Got a minute?- Yes. - Something interesting...
0:01:24 > 0:01:25Lesley Hewitt.
0:01:25 > 0:01:28A 19-year-old student at the Royal Academy of Music.
0:01:28 > 0:01:29She played the violin.
0:01:29 > 0:01:31September 7th, 1996,
0:01:31 > 0:01:34Lesley left college at three o'clock in the afternoon
0:01:34 > 0:01:36to head back to the flat she shared in Camden.
0:01:36 > 0:01:38She was last seen walking into a park.
0:01:38 > 0:01:39No body?
0:01:39 > 0:01:42No. No body, no witnesses. Vanished into thin air.
0:01:42 > 0:01:43And now?
0:01:43 > 0:01:45And now...this.
0:01:49 > 0:01:51This is her, is it?
0:01:51 > 0:01:54Lesley Hewitt's sister, Emma, her only surviving family member,
0:01:54 > 0:01:56found the picture loose inside a book
0:01:56 > 0:01:59in the charity shop where she works.
0:01:59 > 0:02:02We don't know who the photographer was.
0:02:02 > 0:02:05The photo's been scanned and cleaned up as much as possible.
0:02:05 > 0:02:07If we can identify any of the people in the picture,
0:02:07 > 0:02:09they could prove to be valuable witnesses.
0:02:13 > 0:02:14The jogger...
0:02:15 > 0:02:17Yes, I saw him.
0:02:18 > 0:02:20It's a park. It could just be a man jogging...
0:02:20 > 0:02:23A 19-year-old music student - she fits the victim profile.
0:02:23 > 0:02:26- There is no victim profile. - No, not officially, because I wasn't allowed to pursue it.
0:02:26 > 0:02:28And this is not a green light to pursue it now.
0:02:28 > 0:02:32There's no way that figure's clear enough to identify, anyway.
0:02:32 > 0:02:33This guy could have seen him.
0:02:35 > 0:02:36Or he could just be a jogger.
0:02:36 > 0:02:38I'll put it on the board.
0:02:42 > 0:02:45- Morning, Guv.- Morning, boss.- Sir.
0:02:49 > 0:02:51This picture is 20 years old.
0:02:51 > 0:02:53How are we going to recognise anyone from that?
0:02:53 > 0:02:56There's new facial recognition technology that we can access
0:02:56 > 0:02:58that will cross-match any image, if it's clear enough,
0:02:58 > 0:03:00to the Criminal Records database.
0:03:00 > 0:03:01And what if no-one here has a criminal record?
0:03:01 > 0:03:05One certainly does. This guy here, Stuart McKelvie,
0:03:05 > 0:03:07has a record for assault.
0:03:07 > 0:03:08Nothing more than a fight outside a pub
0:03:08 > 0:03:11but they took his picture and the software matched it.
0:03:11 > 0:03:12OK, we'll go and talk to him,
0:03:12 > 0:03:14see if he remembers a walk in the park 20 years ago.
0:03:14 > 0:03:16Before we all start taking the piss,
0:03:16 > 0:03:18I think there's something you need to be aware of.
0:03:18 > 0:03:20This could be linked to a case I worked on before.
0:03:20 > 0:03:24- This is tenuous, at best. - If there's even a remote possibility, we're going to look at it.
0:03:24 > 0:03:26I don't want this taking focus away...
0:03:26 > 0:03:29The focus is on finding Lesley Hewitt's abductors.
0:03:31 > 0:03:32OK.
0:03:34 > 0:03:35Joanna Beck.
0:03:35 > 0:03:37An 18-year-old art student
0:03:37 > 0:03:40who disappeared on her way home from a party in 1985.
0:03:40 > 0:03:43Her badly mutilated body was found in a disused warehouse
0:03:43 > 0:03:45about a mile from where she was abducted.
0:03:45 > 0:03:47Detective Constable Sandra Pullman?
0:03:47 > 0:03:49Yeah, one of my first cases.
0:03:49 > 0:03:52- So what's the connection? - There may not be one, Gerry.
0:03:52 > 0:03:56At the time, several young women, students mostly,
0:03:56 > 0:04:00reported being harassed by a jogger in a tracksuit.
0:04:00 > 0:04:02One said that he even tried to get her into his car,
0:04:02 > 0:04:03but she managed to get away.
0:04:03 > 0:04:06In the warehouse where we found Joanna's body,
0:04:06 > 0:04:09forensics discovered a footprint of a size nine running shoe
0:04:09 > 0:04:11and some dark blue fibres which matched the description
0:04:11 > 0:04:13of the one that our mysterious jogger was wearing.
0:04:13 > 0:04:16According to the reports, both the tracksuit and the trainers
0:04:16 > 0:04:18were a very common brand.
0:04:18 > 0:04:19I believe it was the same man.
0:04:19 > 0:04:22I think that he had finally worked out his methodology
0:04:22 > 0:04:26and had successfully abducted and murdered his first victim.
0:04:26 > 0:04:28The first of many, I predicted at the time.
0:04:28 > 0:04:30And were you right?
0:04:30 > 0:04:33There were several similar abductions over the following few years
0:04:33 > 0:04:34but I wasn't involved in any of the cases
0:04:34 > 0:04:36and no links were ever made.
0:04:36 > 0:04:37When was the last one?
0:04:37 > 0:04:40The last one that I thought fit the pattern was in '94.
0:04:40 > 0:04:43But this one is two years later, in '96.
0:04:43 > 0:04:45Is this the one that got away?
0:04:45 > 0:04:47Well, I don't lie awake at night thinking about it,
0:04:47 > 0:04:48if that's what you mean.
0:04:48 > 0:04:51I believed there was a connection and I still do.
0:04:51 > 0:04:53But you have to remember that at the time,
0:04:53 > 0:04:56no-one was listening to me because I was too junior.
0:04:56 > 0:04:58Or maybe because you were a woman.
0:04:58 > 0:05:00In fairness, Steve, she couldn't prove anything.
0:05:01 > 0:05:05Although the other thing might be true, too.
0:05:05 > 0:05:08Look, I'm not saying this is a special case,
0:05:08 > 0:05:12I just want us to be aware there's a chance, however slim,
0:05:12 > 0:05:16that there's a thread running from Joanna Beck to Lesley Hewitt.
0:05:16 > 0:05:18A serial killer?
0:05:18 > 0:05:22Well, I don't think we should use that expression just yet.
0:05:22 > 0:05:24What time of day did you say this picture was taken?
0:05:24 > 0:05:26She was last seen entering the park at 3:20pm,
0:05:26 > 0:05:29so probably about ten minutes later.
0:05:29 > 0:05:30Why?
0:05:30 > 0:05:32That's wrong.
0:05:40 > 0:05:41Whoa.
0:05:42 > 0:05:45Yeah, just as I thought.
0:05:45 > 0:05:48Look. Look at the shadows in the picture,
0:05:48 > 0:05:49now look at our shadows.
0:05:49 > 0:05:53Now, it's not an exact time match but it's the same time of year.
0:05:53 > 0:05:57I mean, 3:30 in the afternoon. The sun should be...
0:05:58 > 0:06:02- Hold on, I've got an app. - Of course you have, Sherlock.
0:06:02 > 0:06:03What was that date again?
0:06:03 > 0:06:057th of September, 1996.
0:06:05 > 0:06:09So the elevation at 3:30 would be...
0:06:10 > 0:06:13- And then the azimuth...- Azimuth?
0:06:13 > 0:06:16- I think you might have dropped your monocle.- Yeah...
0:06:16 > 0:06:18the sun should be there.
0:06:18 > 0:06:21But it's not, it's there.
0:06:23 > 0:06:26I think this photograph was taken somewhere between...
0:06:26 > 0:06:28- 4:15 and 4:30.- What, an hour later?
0:06:28 > 0:06:30What, just to walk a few hundred yards?
0:06:30 > 0:06:32Well, she could have she sat down, bumped into somebody or...
0:06:32 > 0:06:34No, if she sat chatting to someone for an hour,
0:06:34 > 0:06:36surely they would have come forward.
0:06:36 > 0:06:38I can't fit all this in.
0:06:38 > 0:06:41- Can't fit all what in? - Well, look.
0:06:41 > 0:06:44If your suspicious jogger is by the tree, over there,
0:06:44 > 0:06:47and the dog is on the left-hand side of frame.
0:06:47 > 0:06:51- The lens on your phone's much wider than the one on the camera, right? - Yeah.
0:06:51 > 0:06:54There's no way our photographer took this picture, standing here.
0:06:54 > 0:06:56All right, so he was back...
0:06:58 > 0:07:00He was in there.
0:07:00 > 0:07:02- He must have been. - What, hiding?
0:07:02 > 0:07:05Well, you go deep enough in there, no-one's going to see you, are they?
0:07:05 > 0:07:08So if this wasn't a random photograph,
0:07:08 > 0:07:12If he knew exactly what, or indeed who, he was photographing...
0:07:12 > 0:07:16Yeah, and if you look at it from that point of view,
0:07:16 > 0:07:18this is a photograph of Lesley Hewitt.
0:07:19 > 0:07:22So you found this photo of your sister in a charity shop?
0:07:22 > 0:07:25I was just unpacking some boxes that had been donated.
0:07:25 > 0:07:27- No idea where it came from?- No.
0:07:27 > 0:07:30People bring in bags all the time and they just pile up
0:07:30 > 0:07:33until I get a chance to sort through them all.
0:07:33 > 0:07:36This was a load of old books and magazines
0:07:36 > 0:07:37and the photos fell out of one of the books.
0:07:37 > 0:07:39I tried to look through the bag,
0:07:39 > 0:07:42to see if I could identify the donor, but I couldn't.
0:07:42 > 0:07:45You said photos - plural.
0:07:45 > 0:07:48Yeah, but...well, this was the only one of my sister.
0:07:48 > 0:07:50Could it be the same photographer?
0:07:50 > 0:07:52I don't know. Maybe.
0:07:52 > 0:07:54It was the timing that was the weird thing for me, though.
0:07:54 > 0:07:57The bags come in on the days that I'm not there
0:07:57 > 0:07:59and they pile up.
0:07:59 > 0:08:01And this bag was at the bottom of the pile,
0:08:01 > 0:08:05which means that it came in the day after I was last in.
0:08:05 > 0:08:07Which means it came in on the 7th of September...
0:08:09 > 0:08:11which is the anniversary of Lesley's disappearance.
0:08:12 > 0:08:14Do you still have the other photos?
0:08:14 > 0:08:15Yeah, I brought them all home with me.
0:08:19 > 0:08:20- Is that Lesley's?- Hmm?
0:08:20 > 0:08:23Oh, no. No, I'm the cellist.
0:08:25 > 0:08:27- Here you go.- Thank you.
0:08:29 > 0:08:32- OK. Can we keep hold of these? - Of course.
0:08:32 > 0:08:34Might help us track down the photographer.
0:08:34 > 0:08:36You think he had something to do with it?
0:08:36 > 0:08:38We're looking into every possibility.
0:08:38 > 0:08:42Did Lesley mention a meeting she was having that day, an appointment?
0:08:42 > 0:08:44I just remember she was really excited.
0:08:44 > 0:08:47She'd just got her first paid job playing the violin.
0:08:47 > 0:08:49She was doing some recital.
0:08:49 > 0:08:53Just her, I think, some posh do, a woman had asked her to do it.
0:08:53 > 0:08:57She'd been approached when she was coming out of college one day.
0:08:57 > 0:08:59I don't know, the woman must have been to a concert or something.
0:08:59 > 0:09:01What woman?
0:09:01 > 0:09:03I don't know, Lesley didn't say.
0:09:03 > 0:09:05I tried to contact her when Lesley disappeared
0:09:05 > 0:09:08but I didn't have any details for her and,
0:09:08 > 0:09:11well, she never called to see where Lesley was. So...
0:09:13 > 0:09:14Is this significant?
0:09:15 > 0:09:17Probably not.
0:09:18 > 0:09:19I know she's dead.
0:09:19 > 0:09:22I moved on with my life a long time ago.
0:09:22 > 0:09:25But if you can find her...
0:09:25 > 0:09:26her body...
0:09:28 > 0:09:30She was my big sister.
0:09:30 > 0:09:33She was brilliant.
0:09:33 > 0:09:35I'd like to be able to say goodbye to her, properly.
0:09:37 > 0:09:40- We'll give you a call when it's in, OK?- Thank you. - Thank you.- Bye.
0:09:50 > 0:09:52Stuart McKelvie?
0:09:52 > 0:09:54- Hello?- Hi.
0:09:54 > 0:09:56I'm Dan Griffin. This is Gerry Standing.
0:09:56 > 0:09:59We're with the Unsolved Crime and Open Cases Squad.
0:09:59 > 0:10:00Oh, right, what can I...?
0:10:00 > 0:10:03We're investigating the disappearance of a young woman
0:10:03 > 0:10:05called Lesley Hewitt.
0:10:05 > 0:10:06- I'm afraid I don't...- No?
0:10:06 > 0:10:09September 7th, 1996,
0:10:09 > 0:10:11last seen entering this park.
0:10:11 > 0:10:12That's you, isn't it?
0:10:15 > 0:10:18Wow, yeah! That is...that is me.
0:10:19 > 0:10:21- How did you...?- Oh, we have this software
0:10:21 > 0:10:24that can cross-reference faces to anyone who has a criminal record.
0:10:24 > 0:10:27An assault charge in 1996.
0:10:29 > 0:10:30Well, that was a fight outside a pub.
0:10:30 > 0:10:33You know, things got a little bit out of hand.
0:10:33 > 0:10:36But I don't drink any more, yeah?
0:10:36 > 0:10:39Do you remember seeing Lesley Hewitt on the day this picture was taken?
0:10:40 > 0:10:43- I don't.- No? You look like you're getting a right eye-full.
0:10:43 > 0:10:49- HE LAUGHS - Yeah, that is rather embarrassing
0:10:49 > 0:10:52but I don't have the faintest recollection, I'm afraid.
0:10:52 > 0:10:54Where were you going?
0:10:55 > 0:10:57Uh...
0:10:57 > 0:10:59I used to drink in Camden.
0:10:59 > 0:11:02Then I'd walk through the park, you know, clear my head.
0:11:02 > 0:11:04No, no. He asked you "Where were you going?"
0:11:04 > 0:11:06Home. I lived in Kilburn,
0:11:06 > 0:11:09used to walk through the park and then hop on the tube.
0:11:09 > 0:11:11You know, straight up the Bakerloo line.
0:11:11 > 0:11:13So you know the park very well?
0:11:14 > 0:11:16- Aye.- Does this jogger ring a bell?
0:11:17 > 0:11:19Uh...no, sorry.
0:11:20 > 0:11:23Not to worry. Thanks for your time.
0:11:24 > 0:11:27- There was a van though.- A van?
0:11:27 > 0:11:30It's probably completely unrelated, you know.
0:11:30 > 0:11:32I don't even know if it was the same day.
0:11:32 > 0:11:34What kind of van?
0:11:34 > 0:11:38It was...black, dark blue.
0:11:38 > 0:11:40- Make?- Transit.
0:11:40 > 0:11:44It was...it was parked, you know, near the entrance to the park.
0:11:44 > 0:11:45We're talking 20 years ago.
0:11:45 > 0:11:47You were drunk.
0:11:47 > 0:11:50Yet suddenly you can remember a van and not a pretty young woman?
0:11:50 > 0:11:53The doors were open, there was no-one around.
0:11:53 > 0:11:55- That's why it stuck in my mind. - Well, what else stuck in your mind?
0:11:55 > 0:11:58- What about a company name or a logo?- Eh...
0:12:00 > 0:12:02No. No, it was plain.
0:12:02 > 0:12:06Look, it's probably nothing to do with your girl, eh.
0:12:06 > 0:12:08No. Well, thanks again.
0:12:09 > 0:12:10Yeah.
0:12:13 > 0:12:16There's something about this McKelvie bloke that really bothers me.
0:12:16 > 0:12:18I mean, first off he said he was drunk
0:12:18 > 0:12:20and he didn't remember anything about that day.
0:12:20 > 0:12:23Then, suddenly he DOES remember
0:12:23 > 0:12:26a dark, unmarked transit van at the entrance to the park.
0:12:26 > 0:12:27Do you think he's lying?
0:12:27 > 0:12:29Well, I don't think he's trying to throw us off course.
0:12:29 > 0:12:31I think he's just trying to be helpful -
0:12:31 > 0:12:33making up stuff he thinks he should have seen
0:12:33 > 0:12:35rather than reporting stuff he did see.
0:12:35 > 0:12:38I mean, it's easy enough to get a list of dark transit owners,
0:12:38 > 0:12:39but it'll be a bloody long list.
0:12:39 > 0:12:41So that leaves us with this photographer.
0:12:41 > 0:12:43His name is Greg Bishop.
0:12:43 > 0:12:45He's a bit of a face around Camden apparently,
0:12:45 > 0:12:47we've found some people who remembered him.
0:12:47 > 0:12:49Now, we've got a string of rental addresses for him
0:12:49 > 0:12:50from around that time
0:12:50 > 0:12:53but he completely drops off the radar about six years ago.
0:12:53 > 0:12:55- Dead?- Well, his death hasn't been registered anywhere.
0:12:55 > 0:12:58The guys who put us on to him said he was a bit of a loner
0:12:58 > 0:13:00but they reckon he had some kind of breakdown.
0:13:00 > 0:13:03Now, that would have been after this photograph was taken.
0:13:03 > 0:13:07Since then, he has form for possession of crack and heroin.
0:13:07 > 0:13:08And then he vanishes.
0:13:08 > 0:13:10And that's six years ago?
0:13:10 > 0:13:12Do you think he might be homeless?
0:13:12 > 0:13:16Cos if he is, a character like that, people would know him.
0:13:16 > 0:13:21Exactly. Which is why I want you lot to work the streets tonight.
0:13:21 > 0:13:23- What?- You're joking, aren't you?
0:13:23 > 0:13:26You want us to spend all night trawling through London
0:13:26 > 0:13:27looking for a tramp with a camera?
0:13:27 > 0:13:29I'd love to join you but I'm a bit busy.
0:13:29 > 0:13:33- Busy doing what? - Minding my own business. Yes!
0:13:33 > 0:13:36I knew there was something familiar in what Emma Hewitt said to us.
0:13:36 > 0:13:38She said that the week before Lesley disappeared,
0:13:38 > 0:13:41she was invited to play the violin at a private party,
0:13:41 > 0:13:44by some woman she met at a college concert.
0:13:44 > 0:13:45But that when Emma tried to phone this woman
0:13:45 > 0:13:47to warn her that Lesley wouldn't be coming,
0:13:47 > 0:13:51she couldn't find any details and the woman never made contact with her.
0:13:51 > 0:13:53Now listen to this...
0:13:53 > 0:13:55The week before Joanna Beck disappeared,
0:13:55 > 0:13:58she was commissioned to paint a portrait by a woman,
0:13:58 > 0:14:01a complete stranger, who we never managed to trace.
0:14:01 > 0:14:03It's a connection.
0:14:03 > 0:14:05- It's tenuous.- Hang on.
0:14:05 > 0:14:09I'm thinking that whoever this woman is made contact with these girls
0:14:09 > 0:14:10to get to know them, to gain their trust,
0:14:10 > 0:14:13so that on the day, they wouldn't have to be
0:14:13 > 0:14:15forcibly bundled into a car, or a van, or whatever.
0:14:15 > 0:14:19They'd get in willingly because they'd know their abductor.
0:14:19 > 0:14:21Look, Sandra, we're more than willing
0:14:21 > 0:14:24to stand up for you in front of Strickland, right.
0:14:24 > 0:14:27But there's absolutely no suggestion that these cases are connected.
0:14:27 > 0:14:29We don't even know that Lesley Hewitt's dead.
0:14:29 > 0:14:31Of course she's dead!
0:14:31 > 0:14:32Well, yeah. But until we find a body,
0:14:32 > 0:14:35we have to presume she's missing, surely.
0:14:36 > 0:14:38Here is a list of all the other abductions
0:14:38 > 0:14:40that I think might be connected.
0:14:40 > 0:14:43Go through them and see how many make reference
0:14:43 > 0:14:44to a woman making contact with these girls
0:14:44 > 0:14:46in the weeks prior to their disappearance.
0:14:46 > 0:14:48And that is an order.
0:15:07 > 0:15:09So what's the big deal about this?
0:15:09 > 0:15:12It's no big deal, it's just a case.
0:15:12 > 0:15:14Some girls have been abducted, probably murdered.
0:15:14 > 0:15:17And I think it's about time we got to the bottom of it.
0:15:17 > 0:15:18- About time?- Yeah.
0:15:21 > 0:15:22What?
0:15:22 > 0:15:24- Nothing.- What?
0:15:25 > 0:15:28I don't know why you're pretending it's not a big deal.
0:15:28 > 0:15:29I'm not pretending anything.
0:15:30 > 0:15:32OK.
0:15:38 > 0:15:40They wouldn't listen to me.
0:15:41 > 0:15:43On the original investigation,
0:15:43 > 0:15:47cos I was young and inexperienced,
0:15:47 > 0:15:49they wouldn't listen to me.
0:15:49 > 0:15:53Do you think your experience on the big case
0:15:53 > 0:15:55- spurred you on to where you are now? - No.
0:15:57 > 0:16:00Hmm...maybe, I don't know.
0:16:02 > 0:16:04This is sounding like a job interview.
0:16:08 > 0:16:10Oh, my God, Max, is this a job interview?
0:16:10 > 0:16:15This is just two people having a quiet drink
0:16:15 > 0:16:17in a hotel bar, before...
0:16:17 > 0:16:19Before what?
0:16:19 > 0:16:21Before...
0:16:21 > 0:16:23THEY LAUGH
0:16:23 > 0:16:25Anyway, I'm not looking for a job.
0:16:27 > 0:16:30Fair enough...fair enough.
0:16:33 > 0:16:34What happens when you kill this case?
0:16:34 > 0:16:39Assuming you're right about these abductions being connected.
0:16:39 > 0:16:40They are connected.
0:16:40 > 0:16:43So then you prove that
0:16:43 > 0:16:47and it's the case that originally drove you to get to where you are.
0:16:47 > 0:16:51- So your career has come full circle, right?- Hmm.
0:16:51 > 0:16:53Then what?
0:16:53 > 0:16:54We carry on.
0:16:54 > 0:16:55- More cases?- Yeah.
0:16:55 > 0:16:58The same four walls, the same team, the same boss...
0:16:58 > 0:17:00What are you saying?
0:17:03 > 0:17:04I'm not saying anything.
0:17:05 > 0:17:07But you're thinking something.
0:17:07 > 0:17:10I am definitely thinking something!
0:17:10 > 0:17:12I'm not talking about that.
0:17:12 > 0:17:15No, you're up to something, I can tell.
0:17:15 > 0:17:16You can tell that already?
0:17:16 > 0:17:19Yes, cos you're not very hard to read.
0:17:19 > 0:17:20Is that right?
0:17:22 > 0:17:23You're up to something.
0:17:27 > 0:17:29I'm always up to something.
0:17:40 > 0:17:43I wish I was in a nice warm place, being wined and dined.
0:17:43 > 0:17:46It's been a while, I imagine, Gerry.
0:17:46 > 0:17:49- You'd be surprised. - I'd be gobsmacked, frankly.
0:17:49 > 0:17:51One of 'em reckons he knows Greg Bishop
0:17:51 > 0:17:53but he hasn't seen him for a couple of weeks.
0:17:53 > 0:17:56He thinks he might be in a squat in Bermondsey.
0:17:56 > 0:17:57- Bermondsey?- Yeah.
0:17:57 > 0:18:00So, brisk walk, be there in 20 minutes.
0:18:10 > 0:18:12ANGRY SHOUTING
0:18:12 > 0:18:16- Hey, you!- Leave it, Steve. Leave them.- Knock off, right now.
0:18:18 > 0:18:20Take it easy, there. Take it easy.
0:18:20 > 0:18:25You OK, yeah? Just lean against here a second. Get your breath back.
0:18:25 > 0:18:26- You all right, eh?- Yeah.
0:18:26 > 0:18:28Yeah? You OK?
0:18:28 > 0:18:30- You're plod.- Yeah.
0:18:30 > 0:18:32- What you want?- Yeah, we're looking for a guy named Greg Bishop.
0:18:32 > 0:18:36- I don't know him.- Greg Bishop - he was a photographer.
0:18:36 > 0:18:38Some people over the bridge said he was staying here.
0:18:38 > 0:18:40I don't know people over the bridge. I don't know what they say.
0:18:40 > 0:18:43- Greg isn't in trouble.- Oh, no?
0:18:43 > 0:18:45Plod looking to bring him money and something to eat,
0:18:45 > 0:18:47- are they?- Listen, mate, do you know where he is or not?
0:18:51 > 0:18:52Gerry Standing!
0:18:55 > 0:18:56Yeah.
0:18:58 > 0:18:59Shelley?
0:19:00 > 0:19:02What the bloody hell you doing here?
0:19:02 > 0:19:04I'm undercover.
0:19:04 > 0:19:06Who's this?
0:19:06 > 0:19:09Dave Sheldon, he used to be a desk sergeant at one of my nicks.
0:19:09 > 0:19:10What happened?
0:19:12 > 0:19:13Drink or two, here and there.
0:19:14 > 0:19:19Missus ran off with a fella from the recycling centre.
0:19:19 > 0:19:23Couple of mortgage payments, backing some right old nags,
0:19:23 > 0:19:25should have gone straight to a value burger.
0:19:28 > 0:19:31- Here.- Keep your beer money, Gerry.
0:19:31 > 0:19:34- At least get yourself something to eat.- I don't want charity.
0:19:35 > 0:19:38Do you know where we can find this Greg Bishop?
0:19:38 > 0:19:41We're not here to nick him, we think he might be a witness to something.
0:19:41 > 0:19:43A girl was abducted.
0:19:43 > 0:19:45Screw loose, that one.
0:19:45 > 0:19:48Creepy, even without all the drugs.
0:19:48 > 0:19:50I ain't seen him in days.
0:19:50 > 0:19:52You could try the church.
0:19:54 > 0:19:58Any of you happen to notice if the offy up the road's still open?
0:19:58 > 0:20:01No, I'm sorry, mate.
0:20:01 > 0:20:02Worth a try.
0:20:04 > 0:20:05See you around, Gerry.
0:20:07 > 0:20:08Yeah.
0:20:29 > 0:20:31KNOCKING ON DOOR
0:20:33 > 0:20:35Greg Bishop? You in there?
0:20:35 > 0:20:37BANGING ON DOOR
0:20:37 > 0:20:39We just want to talk to you.
0:20:39 > 0:20:41It's locked.
0:20:41 > 0:20:43Well, It's hardly Fort Knox, is it?
0:20:43 > 0:20:46DOOR CRASHES OPEN
0:21:00 > 0:21:03- Bob, do you smell that?- Hmm.
0:21:05 > 0:21:08Yeah...
0:21:08 > 0:21:09here he is.
0:21:16 > 0:21:18Yeah.
0:21:18 > 0:21:20- Greg Bishop.- Yeah.
0:21:22 > 0:21:25About 72 hours, I'd say.
0:21:25 > 0:21:27- Yeah. Phwoah.- Yeah.
0:21:28 > 0:21:32- Wait.- Well, this is interesting.
0:21:34 > 0:21:35What's that?
0:21:42 > 0:21:43Wow.
0:21:47 > 0:21:48Bloody hell!
0:21:56 > 0:21:59God, it's like some kind of trophy room, isn't it?
0:21:59 > 0:22:01Well, if it is, he's our man.
0:22:01 > 0:22:02Not necessarily.
0:22:02 > 0:22:05He died from a massive heroin overdose.
0:22:05 > 0:22:06No sign of foul play apparently.
0:22:06 > 0:22:09Well, if it was massive it suggests it wasn't exactly accidental, eh?
0:22:09 > 0:22:12GRIFFIN: And if it was suicide, it would have been around the same time
0:22:12 > 0:22:15that Emma Hewitt found that photograph.
0:22:15 > 0:22:19Yeah. Yeah, the anniversary of Lesley's abduction,
0:22:19 > 0:22:23then this photograph turns up, then Bishop kills himself.
0:22:23 > 0:22:25Well, Maybe it was some sort of confession.
0:22:25 > 0:22:26Why not just leave a note, you know?
0:22:26 > 0:22:29Because, if he wasn't the only one involved in these abductions,
0:22:29 > 0:22:32then perhaps it was his way of trying to make amends
0:22:32 > 0:22:34so as not to get his accomplices into trouble.
0:22:34 > 0:22:36But, guv'nor, all roads lead to him.
0:22:36 > 0:22:39Then we find him surrounded by his trophies.
0:22:39 > 0:22:42Looks like he was doing a nice little line in porn on the side.
0:22:42 > 0:22:43Here, look at this.
0:22:46 > 0:22:48Boss,
0:22:48 > 0:22:50is this Joanna Beck?
0:22:53 > 0:22:56PULLMAN: Yeah. She was wearing those clothes when she was abducted.
0:22:56 > 0:22:58Are you sure?
0:22:58 > 0:23:00It was my first dead body.
0:23:00 > 0:23:02And she was still wearing the skirt and blouse.
0:23:02 > 0:23:04So this could have been taken just before it happened?
0:23:04 > 0:23:06Maybe, yeah.
0:23:17 > 0:23:19We've cross-referenced Greg Bishop's photographs
0:23:19 > 0:23:22with all our unsolved murder and miss-per files
0:23:22 > 0:23:25and we have 11 abductions since 1984.
0:23:25 > 0:23:26Joanna Beck was the second
0:23:26 > 0:23:28and it looks like Lesley Hewitt was the last.
0:23:28 > 0:23:31But Joanna and four others were the only bodies ever found.
0:23:31 > 0:23:34But if Lesley Hewitt was the last one, 20 years ago,
0:23:34 > 0:23:35why did they stop?
0:23:35 > 0:23:38Serial killers... if we can use the term now?
0:23:41 > 0:23:42Go on...
0:23:42 > 0:23:45Serial killers don't always carry on until they're caught.
0:23:45 > 0:23:48Sometimes killings stop because the killers get arrested
0:23:48 > 0:23:51and end up in prison on some unrelated charge.
0:23:51 > 0:23:54Sometimes, obviously, they die before they're ever caught.
0:23:54 > 0:23:56Sometimes they leave the area.
0:23:56 > 0:23:57Are we checking that?
0:23:57 > 0:23:59Well, we're checking the database
0:23:59 > 0:24:00but so far, over the last ten years,
0:24:00 > 0:24:02there's nothing that fits the profile.
0:24:02 > 0:24:05Other times, they just stop.
0:24:05 > 0:24:06They just stop?
0:24:06 > 0:24:08Could be a change in circumstances -
0:24:08 > 0:24:11the killer gets married, or divorced or has children.
0:24:11 > 0:24:13A parent dies or becomes ill.
0:24:13 > 0:24:15Personally, I think a change in circumstance
0:24:15 > 0:24:18can break the mental pattern that causes the killer
0:24:18 > 0:24:19to do what he was doing.
0:24:19 > 0:24:21Is there a link between the victims?
0:24:21 > 0:24:22Well, all of the women were white,
0:24:22 > 0:24:24all aged between 18 and 23
0:24:24 > 0:24:27and all students on arts-based courses.
0:24:27 > 0:24:30STANDING: Joanna Beck and the four others that were found
0:24:30 > 0:24:33were all strangled and mutilated post-mortem.
0:24:33 > 0:24:34Any sexual element?
0:24:34 > 0:24:37No. It's all about the violence with him -
0:24:37 > 0:24:39hatred, the need to destroy.
0:24:39 > 0:24:40They weren't killed where they were found.
0:24:40 > 0:24:43The bodies were dumped afterwards and pretty well-concealed,
0:24:43 > 0:24:46which probably explains why only five have been found so far.
0:24:46 > 0:24:49Which means the only way to find the others is to find the killer.
0:24:49 > 0:24:51And this photographer was your only lead?
0:24:51 > 0:24:54PULLMAN: So far.
0:24:54 > 0:24:55And why is he not the prime suspect?
0:24:55 > 0:24:58Well, we're working on a theory that all of these women
0:24:58 > 0:25:00were lured with promises of work -
0:25:00 > 0:25:03portrait commissions, musical recitals, things like that.
0:25:03 > 0:25:04And the lure was a woman
0:25:04 > 0:25:07which means that there was more than one person involved.
0:25:12 > 0:25:14OK.
0:25:14 > 0:25:18OK, I'll buy that there's a link between these abductions.
0:25:18 > 0:25:20So now all of this needs to be sent up
0:25:20 > 0:25:22to a murder investigation team.
0:25:22 > 0:25:24No. No, sir, these are all UCOS cases.
0:25:24 > 0:25:26Well, they are but the four of you can't possibly hope
0:25:26 > 0:25:29to mount an investigation of this magnitude.
0:25:29 > 0:25:32To reopen 11 cases, re-interview witnesses,
0:25:32 > 0:25:33re-assess evidence...
0:25:33 > 0:25:35Well, there's no way. Is there?
0:25:35 > 0:25:38No, no. You clear the board, I'll put the cases in the system
0:25:38 > 0:25:39and get a team set up.
0:25:39 > 0:25:41It's a good job, well done.
0:25:47 > 0:25:48Bollocks!
0:26:13 > 0:26:14I know this woman.
0:26:21 > 0:26:23Annie Banks?
0:26:25 > 0:26:26Yes?
0:26:27 > 0:26:30Hello, Annie. Remember me?
0:26:30 > 0:26:33Detective Superintendent Pullman, this is my colleague Gerry Standing.
0:26:33 > 0:26:35I interviewed you many years ago,
0:26:35 > 0:26:39in connection with the abduction and murder of Joanna Beck.
0:26:39 > 0:26:42- Poor Joanna, yes. - We have some more questions for you.
0:26:42 > 0:26:44- What about?- Can we come in?
0:26:44 > 0:26:46- Well, it's not a very good time at...- Annie,
0:26:46 > 0:26:50we have some photographs of you that were taken by Greg Bishop.
0:26:50 > 0:26:52You may not want the neighbours to hear about them.
0:26:52 > 0:26:56Oh, yes, of course.
0:26:56 > 0:26:57Come in.
0:26:59 > 0:27:02Those pictures were taken a long time ago.
0:27:02 > 0:27:04I don't regret it, however much you judge me.
0:27:04 > 0:27:06I'm not going to apologise for it.
0:27:06 > 0:27:07No-one's asking you to.
0:27:07 > 0:27:09How long ago?
0:27:09 > 0:27:11I don't know...
0:27:11 > 0:27:14Early '90s -
0:27:14 > 0:27:16'92, '93.
0:27:16 > 0:27:17And when did you meet Greg Bishop?
0:27:17 > 0:27:19A few months before that,
0:27:19 > 0:27:22in a pub just around the corner from here.
0:27:22 > 0:27:25Though I wasn't living here at the time.
0:27:25 > 0:27:28We have some photos taken by Greg Bishop of Joanna Beck,
0:27:28 > 0:27:30on the night she was abducted.
0:27:30 > 0:27:32And how is that anything to do with me?
0:27:32 > 0:27:35I interviewed you, Annie, the day after we found Joanna's body because
0:27:35 > 0:27:37on the night she was abducted,
0:27:37 > 0:27:39she was at a student party,
0:27:39 > 0:27:42- with you.- Yes, that's right.
0:27:42 > 0:27:44And as I told you at the time,
0:27:44 > 0:27:49I was earning a few quid as a life-model in her art class.
0:27:50 > 0:27:54We chatted, she invited me to the party.
0:27:54 > 0:27:57I didn't even know her very well.
0:27:57 > 0:28:00But now we've got photographs of Joanna Beck,
0:28:00 > 0:28:03taken on the same night that she was with you
0:28:03 > 0:28:05and taken by the same photographer
0:28:05 > 0:28:08who you were shooting pornography with a few years later.
0:28:08 > 0:28:12He also took photos of ten other women who were abducted,
0:28:12 > 0:28:15and presumably killed, over a 12-year period.
0:28:15 > 0:28:18I didn't know Greg until the early '90s.
0:28:18 > 0:28:19Really?
0:28:19 > 0:28:23- That's a bit of a coincidence. - Yes, it is. Why?
0:28:23 > 0:28:25Is Greg saying something different?
0:28:25 > 0:28:27He's dead. He killed himself three days ago.
0:28:27 > 0:28:31- We found these photos in the squat he was living in.- A squat?
0:28:32 > 0:28:33Poor sod.
0:28:33 > 0:28:36Who else did he hang out with?
0:28:36 > 0:28:39I don't know. I didn't meet anyone else with him.
0:28:39 > 0:28:40Really?
0:28:40 > 0:28:43What about the man who was in all the photos with you.
0:28:43 > 0:28:46I only met him on the day
0:28:46 > 0:28:48and I don't know his name.
0:28:48 > 0:28:50Did Greg seem to know him?
0:28:50 > 0:28:52I can't remember, this was years ago.
0:28:52 > 0:28:56I don't know anything about any of this.
0:28:56 > 0:29:00I knew Joanna because I was a life-model in her class.
0:29:00 > 0:29:02I met Greg Bishop years later.
0:29:02 > 0:29:06I mean, if he was there the night that she got killed...
0:29:08 > 0:29:11..maybe he did see me.
0:29:11 > 0:29:15Maybe meeting me in the pub and asking me to do those pictures
0:29:15 > 0:29:16wasn't an accident.
0:29:18 > 0:29:20Do you think?
0:29:23 > 0:29:25Do you think that that could have happened to me?
0:29:28 > 0:29:32We might have to come back and ask you some more questions, Annie.
0:29:32 > 0:29:34Yes. Well, I'm not going anywhere.
0:29:51 > 0:29:53What do you reckon?
0:29:53 > 0:29:54I don't know, Gerry.
0:29:54 > 0:29:57Is it possible that she knew Greg Bishop and Joanna Beck
0:29:57 > 0:30:00- independently of each other? - Yeah, it's possible.
0:30:00 > 0:30:02Highly unlikely but it's possible.
0:30:02 > 0:30:05So how do we prove she's lying, when they're both dead?
0:30:05 > 0:30:08Well, you gave her a good going over on the Beck case, didn't you?
0:30:08 > 0:30:10Yeah, yeah, she completely checked out.
0:30:10 > 0:30:11If I hadn't seen those photos,
0:30:11 > 0:30:14it wouldn't have occurred to me to come back to her.
0:30:14 > 0:30:16Yeah, well, she used to take her kit off for art students,
0:30:16 > 0:30:19it's not a great stretch - her going into porn.
0:30:19 > 0:30:20It's hardly the same thing, Gerry.
0:30:20 > 0:30:23Let me have a look at those photos, will you.
0:30:26 > 0:30:27What you thinking?
0:30:28 > 0:30:30Why this make-up?
0:30:30 > 0:30:33Disguise, doesn't want to be recognised.
0:30:33 > 0:30:35Could he be our jogger?
0:30:35 > 0:30:37No, that'd be impossible to tell.
0:30:37 > 0:30:39Who would know this man?
0:30:40 > 0:30:42Oh, Dave...David...
0:30:42 > 0:30:44Oh, he was big in this game in the '80s.
0:30:44 > 0:30:47Dave Wheldon! Now, if this bloke was a regular model,
0:30:47 > 0:30:48or whatever they call themselves,
0:30:48 > 0:30:50Dave would know about it.
0:30:51 > 0:30:55- Guv'nor, can I just point out something?- What?
0:30:55 > 0:30:57This isn't our case anymore.
0:30:57 > 0:30:59Strickland told us to clear the board.
0:30:59 > 0:31:01You've never disobeyed an order?
0:31:03 > 0:31:06Sandra, you've proved that the abductions are connected.
0:31:06 > 0:31:08That's the important thing, isn't it?
0:31:08 > 0:31:11I always knew that Joanna Beck wasn't the only one.
0:31:11 > 0:31:14I wasn't hung up on proving that, that's just process.
0:31:14 > 0:31:16You know, what I wanted was to catch the guy.
0:31:16 > 0:31:18To stop him from killing any more women.
0:31:18 > 0:31:20Well, he hasn't for a while.
0:31:20 > 0:31:22Says the man who jets around the world,
0:31:22 > 0:31:24tracking people whose crimes are older than these.
0:31:24 > 0:31:27That's a fair point. The thing is -
0:31:27 > 0:31:30I suspect that catching him would be underwhelming.
0:31:30 > 0:31:32How do you mean?
0:31:32 > 0:31:36Well, I see it all the time with the war crimes investigation.
0:31:36 > 0:31:38We read these testimonies,
0:31:38 > 0:31:41we build up a mental image of these people -
0:31:41 > 0:31:44in your case, a man who abducted and brutally murdered
0:31:44 > 0:31:46at least 11 women.
0:31:46 > 0:31:51He becomes a monster in you head, this epitome of evil.
0:31:51 > 0:31:55But the reality is always...
0:31:55 > 0:31:57a lot more banal.
0:31:57 > 0:31:59I have arrested people before, you know.
0:31:59 > 0:32:00Mass murderers?
0:32:00 > 0:32:02Not mass murders, no.
0:32:02 > 0:32:04And that's why you want this one.
0:32:04 > 0:32:06He is the big fish!
0:32:06 > 0:32:09Yeah, maybe.
0:32:11 > 0:32:13Strickland's right, though.
0:32:14 > 0:32:17UCOS isn't set up for this kind of thing.
0:32:17 > 0:32:20We don't have the resources to catch this guy.
0:32:20 > 0:32:21I do.
0:32:21 > 0:32:25Not him, obviously, but people like him.
0:32:25 > 0:32:27Some worse.
0:32:27 > 0:32:29What are you saying, Max?
0:32:32 > 0:32:33This was going to be your last case.
0:32:33 > 0:32:35No, I didn't say that. You said that.
0:32:35 > 0:32:37Well, if you want to stay...
0:32:39 > 0:32:41I've been at UCOS for ten years.
0:32:41 > 0:32:43- That's a long time. - It's valuable work...
0:32:43 > 0:32:45- Yes, it is.- ..with a great team.
0:32:45 > 0:32:47Absolutely. And you built it from the ground up.
0:32:47 > 0:32:50It was supposed to be a rubbish job,
0:32:50 > 0:32:53shepherding a bunch of miscreant pensioners
0:32:53 > 0:32:55through some old case-files,
0:32:55 > 0:32:59just so the Met could say they were doing something about cold cases.
0:32:59 > 0:33:05But you picked the right people, you gave them the good leadership.
0:33:05 > 0:33:10Which is why I think you should come and work on my team.
0:33:11 > 0:33:14- You're serious, aren't you? - Not working for me.
0:33:14 > 0:33:16Not even with me, a lot of the time.
0:33:16 > 0:33:19I'm spending most of my time in court at the moment
0:33:19 > 0:33:21and I need someone to run investigations.
0:33:21 > 0:33:23Max, I can't just leave.
0:33:23 > 0:33:25I understand. I understand.
0:33:25 > 0:33:29You really want to though, don't you?
0:33:29 > 0:33:31And I want the best person for the job.
0:33:34 > 0:33:38- Can I think about it? - No, you can say yes.
0:34:15 > 0:34:17I can't leave.
0:34:17 > 0:34:19- JACK:- Well, you can't stay here for ever.
0:34:23 > 0:34:24I belong here, Jack.
0:34:29 > 0:34:33You're afraid to leave, that's your problem.
0:34:33 > 0:34:36You're comfortable, Sandra.
0:34:36 > 0:34:37Never get comfortable.
0:34:37 > 0:34:40What we do here is important, you said that.
0:34:40 > 0:34:41Of course it's important.
0:34:41 > 0:34:44And it'll be important long after you've gone.
0:34:44 > 0:34:46But you built the ship,
0:34:46 > 0:34:49you don't have to go on steering it for ever.
0:34:49 > 0:34:50What about the others?
0:34:50 > 0:34:52Oh, I'm sure they'll miss you terribly,
0:34:52 > 0:34:54probably never stop crying.
0:34:54 > 0:34:57They might even erect a statue to you, out in the car park.
0:34:57 > 0:35:00- Shut up.- They'll be fine!
0:35:00 > 0:35:01Even Gerry.
0:35:02 > 0:35:05What do you mean, "Even Gerry"?
0:35:05 > 0:35:08Well he's the one you're really worried about, isn't it?
0:35:08 > 0:35:10I mean, Danny Griffin hasn't been here five minutes
0:35:10 > 0:35:12and as for the Scots one...
0:35:12 > 0:35:14He's called Steve.
0:35:14 > 0:35:17My seat was still warm when he sat down.
0:35:17 > 0:35:19What's the alternative?
0:35:20 > 0:35:23You going to stay here till you get your pension?
0:35:23 > 0:35:26Then what? Take up gardening?
0:35:26 > 0:35:31Go off on one of those bloody awful coach holidays somewhere?
0:35:31 > 0:35:34Or maybe you're going to move to the other side of that window
0:35:34 > 0:35:37and become another one of those boring old bastards out there.
0:35:39 > 0:35:43You're going to take the job, Sandra, we both know that.
0:35:44 > 0:35:46So let's not kid ourselves.
0:35:53 > 0:35:54I miss you, Jack.
0:35:59 > 0:36:02Is this because Strickland wouldn't let us keep this case?
0:36:02 > 0:36:04Of course it's not.
0:36:04 > 0:36:06Strickland's right, there's no way
0:36:06 > 0:36:09that we can re-investigate 11 separate cases at the same time.
0:36:09 > 0:36:11Well, thanks for letting us know.
0:36:11 > 0:36:14I wanted to talk to the three of you before I told him.
0:36:14 > 0:36:15Very kind of you.
0:36:15 > 0:36:18It's been ten years. It wasn't meant to be this long.
0:36:18 > 0:36:21I think it's great, Sandra. Congratulations.
0:36:21 > 0:36:24- Thanks, Steve. GRIFFIN:- Uncharted waters,
0:36:24 > 0:36:25you'll be brilliant.
0:36:25 > 0:36:27What? Hunting Nazis?
0:36:27 > 0:36:29There have been a few war criminals since the Nazis, Gerry.
0:36:29 > 0:36:31It wasn't an easy decision.
0:36:31 > 0:36:32Bloody quick, though.
0:36:32 > 0:36:35And there was no mention of it before the frog turned up.
0:36:35 > 0:36:37It's what I want to do, Gerry.
0:36:39 > 0:36:40When are you leaving?
0:36:40 > 0:36:43I don't know. I suppose when everything's squared away
0:36:43 > 0:36:45and they can find me a replacement.
0:36:45 > 0:36:47Well, we'll have a bit of a leaving do, eh?
0:36:47 > 0:36:49- Get the room above the pub.- Yeah.
0:36:49 > 0:36:52When are you going to tell Strickland?
0:36:52 > 0:36:54Today.
0:36:54 > 0:36:57I'll give him a call in a minute and see when he has some time for me.
0:37:00 > 0:37:03- Gerry...- Well, come on, boys. Lot of work to do.
0:37:09 > 0:37:12Gerry, lighten up. This can't have been easy for her.
0:37:35 > 0:37:37- Gerry...- Oh, can we talk about it later?
0:37:37 > 0:37:39No, no. What was the name of that guy
0:37:39 > 0:37:42you said was involved in the porn business, back in the '80s?
0:37:42 > 0:37:44- Dave Wheldon?- Yeah. Give them his details.
0:37:44 > 0:37:48I want the name of the man Annie Banks was shagging in those photographs.
0:37:48 > 0:37:50Hold on, hold on! This isn't even our case any more.
0:37:50 > 0:37:52Shut up and get your coat.
0:37:52 > 0:37:55KNOCKING ON THE DOOR
0:38:02 > 0:38:04We know this was your dog, Annie.
0:38:04 > 0:38:06You need to come with us.
0:38:12 > 0:38:13There you go.
0:38:19 > 0:38:20David Wheldon?
0:38:20 > 0:38:23I'm Steve McAndrew, this is Dan Griffin.
0:38:23 > 0:38:25We're with the Unsolved Crime and Open Cases Squad.
0:38:25 > 0:38:27I wonder if we could have a word.
0:38:27 > 0:38:29I don't think you've got the right man, gents.
0:38:29 > 0:38:32Only crime I ever committed got solved
0:38:32 > 0:38:34by me doing a seven-stretch.
0:38:34 > 0:38:36We're here for an expert opinion.
0:38:36 > 0:38:39First time I've been accused of having one of those.
0:38:39 > 0:38:41Here, Dan, keep an eye, will you?
0:38:47 > 0:38:48Gerry Standing was telling us
0:38:48 > 0:38:50you used to be a bit of a mover and shaker
0:38:50 > 0:38:52in the adult entertainment industry.
0:38:52 > 0:38:54I knew me way around, yeah.
0:38:54 > 0:38:57Oh, and you can drop the airs and graces, Steve.
0:38:57 > 0:38:59Call it porn.
0:38:59 > 0:39:01- How is Gerry?- He's very well.
0:39:01 > 0:39:05We're investigating the abduction and murder of several women
0:39:05 > 0:39:06between 1985 and 1996.
0:39:06 > 0:39:10That's a while back. Slowly, slowly, catchy monkey, eh?
0:39:10 > 0:39:14- Well, some new information's come to light and...- It's softly.
0:39:14 > 0:39:15Excuse me?
0:39:15 > 0:39:19Softly, softly, catchy monkey. You're sneaking up on it.
0:39:19 > 0:39:21There's no advantage in being slow, monkeys are fast.
0:39:25 > 0:39:28One of the names that's come up in connection with our investigation
0:39:28 > 0:39:30is a photographer called Greg Bishop.
0:39:30 > 0:39:32Oh, yeah, I remember Greg.
0:39:32 > 0:39:34I haven't seen him in years.
0:39:34 > 0:39:37He died of a heroin overdose, a few days ago.
0:39:37 > 0:39:39- Sorry to hear that. - But not surprised?
0:39:39 > 0:39:41Not at all, no.
0:39:41 > 0:39:43Greg was never the full ticket.
0:39:43 > 0:39:47Oh, he's a talented man but not all there.
0:39:47 > 0:39:48He took some pictures.
0:39:48 > 0:39:51Pictures?
0:39:51 > 0:39:53Porn. We need to know who's in them.
0:39:55 > 0:39:57Well, have you've got 'em with you?
0:39:57 > 0:39:58Oh, yeah, sorry.
0:39:59 > 0:40:00Here we go.
0:40:10 > 0:40:13Oh, yeah!
0:40:13 > 0:40:15Oh, HER I remember.
0:40:15 > 0:40:18- Yeah, yeah, Anne something? - Annie?
0:40:18 > 0:40:21Annie. Nice girl.
0:40:21 > 0:40:23How well did you know her?
0:40:23 > 0:40:27In passing, Dan. Saw her around.
0:40:28 > 0:40:31Yeah, she did a bit of modelling, bit of porn.
0:40:31 > 0:40:33Movies as well as photos, as I recall.
0:40:33 > 0:40:35We want to know who the man is.
0:40:35 > 0:40:38- You never see his face properly. - That's right.
0:40:38 > 0:40:41That's interesting, isn't it?
0:40:41 > 0:40:45If anyone wants to retain their anonymity in these situations,
0:40:45 > 0:40:47it's normally the woman.
0:40:47 > 0:40:50- Maybe he was married.- Could be(!)
0:40:50 > 0:40:52Rascal.
0:40:53 > 0:40:55No, I'm afraid I don't know who he is.
0:40:55 > 0:40:58I recognise the place though, if that's any use to you?
0:40:58 > 0:40:59We thought it was a studio.
0:40:59 > 0:41:01Oh, did you now? No, no, no.
0:41:01 > 0:41:03That's a flat that Greg Bishop used,
0:41:03 > 0:41:05up near Brondesbury Park.
0:41:05 > 0:41:07- Kilburn?- That's right.
0:41:07 > 0:41:09Do you know who owned the flat?
0:41:09 > 0:41:11He was another Jock, like yourself.
0:41:11 > 0:41:12A druggie.
0:41:12 > 0:41:15Stuart Mc...something.
0:41:21 > 0:41:25- Mr McKelvie. - Couple more questions for you.
0:41:25 > 0:41:28Do you know a man called Greg Bishop?
0:41:28 > 0:41:29- No.- You sure?
0:41:29 > 0:41:32You rented out your flat to him for photo-shoots.
0:41:32 > 0:41:35And that assault charge that got you a criminal record?
0:41:35 > 0:41:38Two weeks after Greg Bishop took your photograph in the park,
0:41:38 > 0:41:42you beat him up, outside a pub in Camden.
0:41:42 > 0:41:45I think it's time we had a wee chat somewhere a bit more private, don't you?
0:41:50 > 0:41:52Is this your dog, Annie?
0:41:54 > 0:41:56Well, it looks like your dog.
0:41:56 > 0:41:59Did you ever walk him in this park?
0:41:59 > 0:42:02Her. I walked her all over.
0:42:02 > 0:42:05How about on September the 7th, 1996?
0:42:05 > 0:42:06You don't expect me to remember?
0:42:08 > 0:42:10That photo was taken by your friend, Greg Bishop.
0:42:10 > 0:42:12He wasn't my friend, I barely knew him.
0:42:12 > 0:42:15I don't believe you. Who's this man?
0:42:15 > 0:42:16- No idea.- Well...
0:42:18 > 0:42:20..what about this man?
0:42:22 > 0:42:24I told you, I don't know his name.
0:42:24 > 0:42:26Are they one and the same?
0:42:26 > 0:42:27How would I know?
0:42:35 > 0:42:37That's poor Joanna.
0:42:37 > 0:42:39Poor Joanna, yes.
0:42:41 > 0:42:44Who's this man behind her, in the track-suit?
0:42:44 > 0:42:47- I can barely make him out. - Handy, that.
0:42:49 > 0:42:53So we have two photographs - both taken by Greg Bishop,
0:42:53 > 0:42:56both the last photographs of two women who were abducted,
0:42:56 > 0:42:57both featuring the same jogger.
0:42:57 > 0:43:00Now, you were with Joanna on the night she disappeared...
0:43:00 > 0:43:02- She left the party before me. - And this is your dog,
0:43:02 > 0:43:03in the picture of Lesley.
0:43:03 > 0:43:06Which suggests you were in the park at the same time.
0:43:06 > 0:43:07- It isn't my dog.- Yes, it is.
0:43:07 > 0:43:09Do you see the connections we're making here?
0:43:09 > 0:43:12You, Greg Bishop and the mystery man.
0:43:12 > 0:43:15And now, we have another set of photographs,
0:43:15 > 0:43:17also taken by Greg Bishop,
0:43:17 > 0:43:21of you and another mystery man who won't let the camera see his face.
0:43:21 > 0:43:23Why was that, I wonder?
0:43:23 > 0:43:24I barely remember that day.
0:43:24 > 0:43:26You're lying, Annie.
0:43:26 > 0:43:30Why did this man not want the camera to see his face?
0:43:30 > 0:43:32Is he the jogger?
0:43:35 > 0:43:41A dog, a jogging man and some mucky old pictures...
0:43:44 > 0:43:47You've got bugger all, haven't you?
0:43:56 > 0:43:58I specifically told you to clear the boards
0:43:58 > 0:43:59because this case was going to an MIT.
0:43:59 > 0:44:01Yeah, we've got a new lead.
0:44:01 > 0:44:03The photographs featuring Annie Banks
0:44:03 > 0:44:05were taken in a flat in Kilburn, the same address as...
0:44:05 > 0:44:08I appreciate that but the point is that we don't have the resources...
0:44:08 > 0:44:11No, no, we don't have the resources to investigate 11 murders,
0:44:11 > 0:44:13that is completely true. But they're all linked.
0:44:13 > 0:44:15So if we could get this guy for just one of them...
0:44:15 > 0:44:16There's a bigger picture here.
0:44:16 > 0:44:18UCOS isn't in many people's good books
0:44:18 > 0:44:20because of that business with Brian Lane.
0:44:20 > 0:44:23And solving 11 murders in one go isn't going to improve our standing?
0:44:23 > 0:44:25Certain people wouldn't see it as solving 11 murders
0:44:25 > 0:44:28so much as embarrassing 11 Murder Investigation Teams.
0:44:28 > 0:44:30- Oh!- You've convinced me that these murders are connected,
0:44:30 > 0:44:33so now we follow proper procedure, pass these cases upstairs
0:44:33 > 0:44:35and try not to put any noses out of joint, for a change.
0:44:35 > 0:44:38- I can crack Annie Banks.- No! Just move on to the next one, Sandra.
0:44:38 > 0:44:40There isn't going to be a next one!
0:44:46 > 0:44:49I'm sorry, I didn't want it to come out like that.
0:44:49 > 0:44:52And I don't want you thinking that this has anything to do
0:44:52 > 0:44:55- with Annie Banks... - So, you're leaving.
0:44:55 > 0:44:58Max Clement has offered me a place on his War Crimes team.
0:44:58 > 0:45:01- And I've given it a lot of thought... - Yeah, it was about time.
0:45:03 > 0:45:04Well, it's ten years, Sandra.
0:45:06 > 0:45:08- I know...- It's a good move
0:45:08 > 0:45:11- and it'll be a fantastic experience. - You're not worried about the team?
0:45:11 > 0:45:13Well, they're a good team and that's thanks to you.
0:45:13 > 0:45:15But let them be my problem.
0:45:15 > 0:45:17The very least I owe you for everything you've done at UCOS
0:45:17 > 0:45:18is not to stand in your way.
0:45:20 > 0:45:21Thank you.
0:45:23 > 0:45:26I'll talk to Clement and get everything sorted out.
0:45:27 > 0:45:30I assume there'll be some sort of drinks thing?
0:45:30 > 0:45:33I think that's a fairly safe assumption, sir, yes.
0:45:41 > 0:45:43So you think you can crack Annie Banks?
0:45:45 > 0:45:47I can if I run with this new lead.
0:45:52 > 0:45:55I'm passing all this upstairs at the end of the day
0:45:55 > 0:45:56and that'll be that.
0:46:00 > 0:46:03Whatever you can do in the meantime...
0:46:03 > 0:46:04be nice to go out on a high.
0:46:07 > 0:46:08Yes, sir.
0:46:13 > 0:46:1611 women abducted between 1985 and 1996.
0:46:16 > 0:46:19Of those 11, five were murdered.
0:46:19 > 0:46:22That is to say - their bodies were found slashed to bits.
0:46:22 > 0:46:25We assume the other six are dead,
0:46:25 > 0:46:27their bodies haven't been found yet.
0:46:27 > 0:46:30That means the families don't know for certain.
0:46:30 > 0:46:34They can't hold funerals, they can't put flowers on graves.
0:46:34 > 0:46:3711 daughters, 11 sisters.
0:46:37 > 0:46:39We think there might be more than 11.
0:46:39 > 0:46:43These are just the ones we've managed to link together so far.
0:46:43 > 0:46:45Do you know what the link is, Mr McKelvie?
0:46:45 > 0:46:47- Stuart. You can call me... - We're not your friends, pal.
0:46:47 > 0:46:49The link is that all these women
0:46:49 > 0:46:53were photographed just prior to their death and without their knowledge
0:46:53 > 0:46:54by Greg Bishop.
0:46:56 > 0:46:58What were you doing in the park that day?
0:46:58 > 0:47:00- I was walking back from the pub.- No.
0:47:00 > 0:47:02I was! I swear that's what I was doing.
0:47:02 > 0:47:03This woman, Lesley Hewitt.
0:47:03 > 0:47:04I don't know her.
0:47:04 > 0:47:06No, but you managed to remember a transit van.
0:47:06 > 0:47:09- Was there a transit van?- No.
0:47:09 > 0:47:11Why did you say there was one?
0:47:14 > 0:47:17Because he owned a dark blue transit.
0:47:17 > 0:47:19Who did?
0:47:22 > 0:47:23The man in the picture.
0:47:26 > 0:47:27The man jogging.
0:47:28 > 0:47:31You saw there him that day?
0:47:31 > 0:47:32You knew who he was?
0:47:33 > 0:47:36I recognised him from the flat, from the photo shoots.
0:47:37 > 0:47:41Later that day, Greg Bishop came round,
0:47:41 > 0:47:44said if anyone asked, I didn't see anything in the park
0:47:44 > 0:47:47and he was frightened for my safety if I did say anything.
0:47:47 > 0:47:50Greg Bishop died of an overdose, five days ago.
0:47:50 > 0:47:52So what you were doing back then, drug dealing or whatever,
0:47:52 > 0:47:55is of no interest to him now.
0:47:55 > 0:47:58You've got nothing to be scared of.
0:47:58 > 0:48:00I'm not scared of him.
0:48:00 > 0:48:01I was never scared of Bishop,
0:48:01 > 0:48:02I'm scared of her.
0:48:05 > 0:48:06Annie Banks?
0:48:09 > 0:48:11She's there.
0:48:11 > 0:48:14She's just out the picture.
0:48:14 > 0:48:15She was talking to the girl
0:48:15 > 0:48:18and she must have run forward to get the ball for the dog or something.
0:48:18 > 0:48:22See, they were talking and I didn't recognise the girl,
0:48:22 > 0:48:24that's why I'm looking back.
0:48:56 > 0:48:59Annie Banks is a nasty piece of work.
0:48:59 > 0:49:02Greg...he was in love with her.
0:49:03 > 0:49:05He'd have done anything she asked...
0:49:07 > 0:49:10..but she only had eyes for this one.
0:49:13 > 0:49:14He was like the devil.
0:49:17 > 0:49:19He went right through you.
0:49:19 > 0:49:20What's his name?
0:49:22 > 0:49:25- Oh, I don't know... - Stuart, what's his name?
0:49:27 > 0:49:31Tom... something. I don't know his surname,
0:49:31 > 0:49:33I never wanted to.
0:49:39 > 0:49:41You'll never find him...
0:49:43 > 0:49:44..she'll no' give him up.
0:49:46 > 0:49:50We have a witness who confirms this is your dog, Annie.
0:49:50 > 0:49:52So, I walk my dog in the park.
0:49:52 > 0:49:56Our witness says you were walking with Lesley Hewitt.
0:49:56 > 0:49:58If someone talks to me, I'm not going to be rude, am I?
0:49:58 > 0:50:00You walked Lesley round the park
0:50:00 > 0:50:02and then you walked her past Greg Bishop
0:50:02 > 0:50:04so he could take a photograph of the two of you as a trophy,
0:50:04 > 0:50:07which is all part of this sick little fantasy of yours, isn't it?
0:50:07 > 0:50:10- Yeah, you and your boyfriend. - Did you know what he was doing?
0:50:10 > 0:50:13I mean, you can't not have known.
0:50:13 > 0:50:15But were you actually there when he killed them,
0:50:15 > 0:50:18when he chopped them up?
0:50:18 > 0:50:20Or did you just deliver them to him and turn a blind eye?
0:50:20 > 0:50:22Kid yourself it wasn't happening
0:50:22 > 0:50:25because you were...what, madly in love with him?
0:50:28 > 0:50:30I like your jacket, where did you get it?
0:50:30 > 0:50:32Why do you think he hates women so much?
0:50:33 > 0:50:35Cos he does hate them.
0:50:36 > 0:50:38Five bodies were found.
0:50:38 > 0:50:40And what he did to those bodies,
0:50:40 > 0:50:42one can only conclude that he despises women.
0:50:42 > 0:50:45See, I can't make clothes like that work,
0:50:45 > 0:50:49- they don't hang right on me. - Maybe he was gay.- No.
0:50:49 > 0:50:51No, no.
0:50:51 > 0:50:54No, he wasn't gay, it's just that women make him feel inadequate.
0:50:54 > 0:50:56Ah.
0:50:56 > 0:50:58Didn't hate you though, Annie.
0:50:58 > 0:51:00You didn't make him feel inadequate.
0:51:00 > 0:51:04No, maybe it's because they were all young and talented,
0:51:04 > 0:51:06had a future.
0:51:06 > 0:51:08Maybe that's why he hated them
0:51:08 > 0:51:10and didn't hate you.
0:51:15 > 0:51:17It was the dog.
0:51:17 > 0:51:18What was the dog?
0:51:18 > 0:51:20The dog told him to do it.
0:51:22 > 0:51:26SHE LAUGHS
0:51:26 > 0:51:27You think this is funny?
0:51:29 > 0:51:31Why did he stop killing?
0:51:31 > 0:51:32That's a good question
0:51:32 > 0:51:34and you should ask him the next time you see him.
0:51:34 > 0:51:36I don't think you know the answer, do you?
0:51:36 > 0:51:37Wouldn't tell you if I did.
0:51:37 > 0:51:39I think he just left one day.
0:51:40 > 0:51:44- Intriguing.- Maybe he met someone else,
0:51:44 > 0:51:48someone who didn't make him want to kill and mutilate women,
0:51:48 > 0:51:51someone completely different to you.
0:51:51 > 0:51:53And he walked out of your life,
0:51:53 > 0:51:55without so much as a backward glance.
0:51:55 > 0:51:57That's a sad story.
0:51:57 > 0:51:59Isn't it?
0:51:59 > 0:52:03- Even sadder that you're still so devoted to him.- Am I?
0:52:03 > 0:52:05This is over, Annie.
0:52:05 > 0:52:09Not only do we have a witness who can put you with Lesley Hewitt,
0:52:09 > 0:52:11all the other cases are being reopened
0:52:11 > 0:52:14and I would put a year's salary
0:52:14 > 0:52:15on every single one of those girls
0:52:15 > 0:52:18having had some contact with you, prior to their abductions.
0:52:18 > 0:52:21- I'd take that bet.- I wouldn't.
0:52:21 > 0:52:23Cooperation is the only card you've got left to play.
0:52:23 > 0:52:25You owe him nothing.
0:52:27 > 0:52:28Stop protecting him.
0:52:31 > 0:52:33I'd love to.
0:52:34 > 0:52:35But I don't know who he is.
0:52:35 > 0:52:37His name is Tom.
0:52:41 > 0:52:42Tom what?
0:52:48 > 0:52:51He's probably got a wife and kids by now -
0:52:51 > 0:52:52a whole other life.
0:52:54 > 0:52:56Whereas you, Annie,
0:52:56 > 0:52:59you're stuck.
0:52:59 > 0:53:02You're stuck in time and you're stuck alone
0:53:02 > 0:53:03in that little flat of yours
0:53:03 > 0:53:06with just pictures of your pets to keep you company.
0:53:06 > 0:53:07Lonely.
0:53:09 > 0:53:11I wonder if he ever thinks about you.
0:53:13 > 0:53:15I wonder if he even remembers who you are.
0:53:32 > 0:53:33I'm bored now.
0:53:35 > 0:53:37Yeah, so am I.
0:53:40 > 0:53:42I've got you as an accessory to the murder of Joanna Beck
0:53:42 > 0:53:44and the abduction of Lesley Hewitt.
0:53:44 > 0:53:45I'll process that, charge you,
0:53:45 > 0:53:48and then go to work on the other nine girls and get you on those, too.
0:53:48 > 0:53:49It doesn't matter about him.
0:53:49 > 0:53:52He's lost to us, he's slipped through the net.
0:53:52 > 0:53:54He can get on with his nice new life
0:53:54 > 0:53:56and you can rot in jail, eh, Annie?
0:54:04 > 0:54:07SHE GASPS
0:54:12 > 0:54:14His name was Tom Miller.
0:54:35 > 0:54:37Hi. Is Tom Miller in, please?
0:54:37 > 0:54:39- Dad?- FEMALE:- Who is it?
0:54:39 > 0:54:41There's someone here for Dad.
0:54:41 > 0:54:43- Tom?- Yeah?
0:54:43 > 0:54:45There's someone at the door.
0:54:51 > 0:54:53Careful up there, the paint's still wet.
0:54:57 > 0:54:59- Tom Miller?- How can I help you?
0:55:21 > 0:55:23I've got you, you bastard.
0:55:26 > 0:55:28You ready?
0:55:28 > 0:55:29Yeah, in a minute.
0:55:31 > 0:55:33- What is it?- Nothing.
0:55:35 > 0:55:37Listen, Guv'nor, whatever else is going on here,
0:55:37 > 0:55:39this is a real result.
0:55:39 > 0:55:41Miller's in there, he's going to spill his guts
0:55:41 > 0:55:44and tell us where all the other bodies are.
0:55:44 > 0:55:45Yeah.
0:55:47 > 0:55:51It's just a weird feeling.
0:55:51 > 0:55:52What, leaving?
0:55:55 > 0:55:56Well, you ready for the pub?
0:55:56 > 0:55:58I'll see you there.
0:56:05 > 0:56:07Sandra...
0:56:09 > 0:56:11..I hate to say this...
0:56:13 > 0:56:14..but you're right to go.
0:56:16 > 0:56:17Really?
0:56:17 > 0:56:19Yeah, yeah.
0:56:19 > 0:56:21God knows I'll miss you. Well, we all will.
0:56:23 > 0:56:26But these past few years...
0:56:28 > 0:56:30Well, I've finally felt that I've achieved something.
0:56:32 > 0:56:34And that is all down to you.
0:56:34 > 0:56:35Hardly.
0:56:35 > 0:56:36Oh, yes, it is.
0:56:38 > 0:56:41I mean, you've treated us better than any boss could.
0:56:41 > 0:56:44And quite often, we didn't deserve it.
0:56:44 > 0:56:45That's certainly true.
0:56:47 > 0:56:49But you don't belong here any more.
0:56:50 > 0:56:52No, you belong out there,
0:56:52 > 0:56:55where there's more exciting stuff to be done.
0:56:55 > 0:56:58And we're all big enough and ugly enough to cope.
0:56:58 > 0:57:00I should certainly hope so.
0:57:04 > 0:57:05I'll miss it.
0:57:10 > 0:57:11I'll miss you.
0:57:14 > 0:57:17Yeah, well, just one thing -
0:57:17 > 0:57:19when you walk out of here,
0:57:19 > 0:57:20just don't look back.
0:57:22 > 0:57:24I'll try not to.
0:57:27 > 0:57:29Ready for the pub?
0:57:29 > 0:57:31I'll get 'em in.
0:57:31 > 0:57:34Your usual gallon of dry white?
0:57:37 > 0:57:40Yeah, come on. She's going to meet us there.
0:57:45 > 0:57:48Are you going to sit there moping all day,
0:57:48 > 0:57:49or are you coming for a drink?
0:57:52 > 0:57:54I'll be right there, Jack.
0:58:47 > 0:58:50Subtitles by Red Bee Media Ltd