0:00:02 > 0:00:04Anthony Kaye became my last collar before I retired.
0:00:04 > 0:00:07Nothing you can say will make the death of her son any less painful.
0:00:07 > 0:00:09So they covered up their own negligence.
0:00:09 > 0:00:10THEY SCREAM
0:00:10 > 0:00:12Until the result of the enquiry, you're suspended.
0:00:12 > 0:00:15Before it was used on Christian Highsmith here,
0:00:15 > 0:00:18- it was used to kill a 12-year-old boy, Danny Bossano.- In Gibraltar.
0:00:18 > 0:00:20Imagine being the cold case officer here, eh?
0:00:20 > 0:00:23You'd be bored out of your mind.
0:00:23 > 0:00:26Danny was found dead inside one of the Second World War bunkers
0:00:26 > 0:00:27on top of the Rock.
0:00:27 > 0:00:30Danny was thought to be involved with traffickers, wasn't he?
0:00:30 > 0:00:31Danny was a good boy!
0:00:31 > 0:00:35Before you go mad, I've been investigating. Please, I can help.
0:00:35 > 0:00:37I want Brian on the next flight out.
0:00:37 > 0:00:41This is my business associate. Vince. Table.
0:00:42 > 0:00:43Come on, take it!
0:00:43 > 0:00:45Move, Move!
0:00:45 > 0:00:46What was that?
0:00:46 > 0:00:49That shipping agent you were telling me about, Gordon Fletcher.
0:00:49 > 0:00:50What about him?
0:00:51 > 0:00:53So we're just stuck in here?
0:00:53 > 0:00:55THEY SCREAM
0:00:57 > 0:00:59# It's all right It's OK
0:00:59 > 0:01:02# Doesn't really matter If you're old and grey
0:01:02 > 0:01:05# It's all right I say it's OK
0:01:05 > 0:01:07# Listen to what I say
0:01:07 > 0:01:10# It's all right Doing fine
0:01:10 > 0:01:13# Doesn't really matter If the sun don't shine
0:01:13 > 0:01:15# It's all right I say it's OK
0:01:15 > 0:01:18# We're gettin' To the end of the day. #
0:01:24 > 0:01:26There hasn't been a murder on the Rock in several years.
0:01:26 > 0:01:28And within 12 hours of you showing up,
0:01:28 > 0:01:30we're pulling a body out of the water.
0:01:30 > 0:01:33You think we've broken your winning streak, eh?
0:01:33 > 0:01:36My colleagues are fighting hard to change the reputation of this place.
0:01:36 > 0:01:39- It matters to them. To all of us. - We know that.
0:01:39 > 0:01:42Do you? Some of them think this man might still be alive
0:01:42 > 0:01:43if you hadn't come here.
0:01:43 > 0:01:46Look, we're sorry about what's happened to Gordon Fletcher,
0:01:46 > 0:01:48but it's probably got something to do with the murder
0:01:48 > 0:01:50of Christian Highsmith and maybe Danny Bossano.
0:01:50 > 0:01:52Believe it or not, I'd thought of that too.
0:01:52 > 0:01:55We need to solve this murder, then we'll unlock the other two.
0:01:55 > 0:01:58I need to. This is my jurisdiction. My case.
0:01:58 > 0:02:02And if it's all right with you, we'll do things my way now.
0:02:09 > 0:02:11THEY SCREAM
0:02:16 > 0:02:18- Are you all right?- Yeah.
0:02:20 > 0:02:23Look, I'm sorry I got you into this.
0:02:25 > 0:02:27There's no sorry when you're mates.
0:02:27 > 0:02:29You're just mates, that's all.
0:02:29 > 0:02:33The only way out is when that door opens.
0:02:33 > 0:02:35From the outside.
0:02:35 > 0:02:39And, depending on how far we're going, that might be days.
0:02:41 > 0:02:44Well, there's only one question left then, isn't there?
0:02:44 > 0:02:45What's that?
0:02:46 > 0:02:49Am I going to eat you or are you going to eat me?
0:02:50 > 0:02:54HE LAUGHS
0:03:02 > 0:03:05Gerry's phone's still off. He's texted you?
0:03:05 > 0:03:09No, no. This is from Esther. She says hasn't seen Brian for two days.
0:03:09 > 0:03:11- It's freezing in here.- Yeah.
0:03:14 > 0:03:16What have you got there?
0:03:16 > 0:03:20I've been using it to organise my thoughts for the hearing.
0:03:20 > 0:03:23You know, vocalisation techniques.
0:03:25 > 0:03:28Maybe we should record a message for our families.
0:03:28 > 0:03:29What for?
0:03:29 > 0:03:31In case we're not found in time.
0:03:33 > 0:03:36Brian, you're hardly Lane of the Antarctic.
0:03:38 > 0:03:41Gerry, I don't know what I am any more.
0:03:41 > 0:03:44Oh, no. You're not going to get all profound on me, are you?
0:03:44 > 0:03:47Anthony Kaye's haunted me for years.
0:03:47 > 0:03:50- Here we go.- No, no, no...
0:03:50 > 0:03:54I always thought if I ever got the chance to just stand up there
0:03:54 > 0:03:56and tell my side of the story
0:03:56 > 0:03:59and face Embleton, somehow I'd feel better.
0:04:01 > 0:04:04But now I've put everything on the line, I'm not so sure.
0:04:04 > 0:04:08You're worried about losing your Moby, aren't you?
0:04:08 > 0:04:09You mean my mojo?
0:04:09 > 0:04:12No. I mean Moby. Moby-Dick.
0:04:12 > 0:04:14For your information, Gerry,
0:04:14 > 0:04:16I've never had any complaints in that department.
0:04:16 > 0:04:18HE CHUCKLES
0:04:18 > 0:04:21Nah, we're all Captain Ahab
0:04:21 > 0:04:23and we've all got a Moby-Dick.
0:04:23 > 0:04:26And proving what happened to that Anthony Kaye kid is yours.
0:04:26 > 0:04:31Ooh, so the rumours are true then. You have read a book.
0:04:31 > 0:04:36Nah, my first governor used to say, "Every copper's got a Moby-Dick."
0:04:36 > 0:04:39Something that pulls him along in a straight line.
0:04:39 > 0:04:41But it's got to be something worth going for,
0:04:41 > 0:04:43you've got to feel it in your bones.
0:04:44 > 0:04:46Bloody hell, you were right, you know.
0:04:46 > 0:04:48It is getting really cold in here.
0:04:51 > 0:04:53Oi, oi, oi! Behave yourself.
0:04:53 > 0:04:55No, look, Gerry, we have to share our body warmth
0:04:55 > 0:04:58or we might bloody freeze to death in here.
0:04:58 > 0:05:01Yeah, all right. But no forking.
0:05:04 > 0:05:05You mean spooning.
0:05:06 > 0:05:08That and all.
0:05:10 > 0:05:12What's forking anyway?
0:05:12 > 0:05:14Go to sleep, Brian.
0:05:33 > 0:05:35They don't look like angels.
0:05:43 > 0:05:45THEY LAUGH
0:05:49 > 0:05:51They're Spanish. It's a fruit farm.
0:05:51 > 0:05:53That explains the stink of oranges in here.
0:05:53 > 0:05:56I thought that was your aftershave.
0:05:57 > 0:05:59Tiene una telefonio?
0:05:59 > 0:06:01Telephone!
0:06:01 > 0:06:05Telefono? No, but if you want, I can get you a jet pack.
0:06:05 > 0:06:07Or a flying car?
0:06:07 > 0:06:09THEY LAUGH
0:06:13 > 0:06:15Alla.
0:06:15 > 0:06:17THEY LAUGH
0:06:17 > 0:06:18Let's try that way.
0:06:19 > 0:06:21Grassy-arse.
0:06:21 > 0:06:22THEY LAUGH
0:06:33 > 0:06:35KNOCKING ON DOOR
0:06:40 > 0:06:43- The bed has not been disturbed.- Um...
0:06:44 > 0:06:49He's definitely not been here. Well, thanks anyway, Marcia.
0:06:49 > 0:06:51You're welcome.
0:06:51 > 0:06:53Oh, you got a message last night.
0:06:53 > 0:06:56- Oh?- It was from Charlie.
0:06:57 > 0:06:59What'd she say?
0:06:59 > 0:07:01She said she did not want to talk.
0:07:04 > 0:07:05Right.
0:07:07 > 0:07:09- Gerry not back yet?- Oh!
0:07:09 > 0:07:11Er...no. No, he's not. It's just... Well, cheers, Marcia.
0:07:11 > 0:07:14Good job with the...room checking thing there.
0:07:16 > 0:07:18"Room checking thing?"
0:07:18 > 0:07:20Let's go and see Cruz, eh?
0:07:33 > 0:07:35Well, up yours an' all!
0:07:35 > 0:07:37That's three on the trot, not even a glance.
0:07:37 > 0:07:39Maybe I should have a go.
0:07:39 > 0:07:45No, I don't think so, Brian. This is a finally-honed technique, a skill.
0:07:45 > 0:07:46On the other hand,
0:07:46 > 0:07:49you don't see many dinner jackets hitching, do you?
0:07:49 > 0:07:51You mean, stick me thumb out and hope for the best?
0:07:51 > 0:07:53No, no, no. There's much more to it than that.
0:07:53 > 0:07:55- Like what?- Come here, come here.
0:07:55 > 0:07:58Stick your thumb up, you're right about that,
0:07:58 > 0:08:01but keep your left arm straight so they can see that.
0:08:01 > 0:08:02Why?
0:08:02 > 0:08:04So they know you're not carrying a weapon.
0:08:04 > 0:08:09Politics of the road are that hitchhikers have far less to fear from drivers
0:08:09 > 0:08:12than drivers from hitchhikers.
0:08:12 > 0:08:13Why's that?
0:08:13 > 0:08:16Cos statistically, hitchhikers kill more drivers
0:08:16 > 0:08:17than the other way round.
0:08:17 > 0:08:21The trick is to make them feel safe, you see, unthreatened.
0:08:22 > 0:08:24- All right?- All right.
0:08:25 > 0:08:26Smile, then!
0:08:28 > 0:08:30Oh, maybe not. Just be yourself.
0:08:31 > 0:08:32Aargh!
0:09:09 > 0:09:10If you can't control your team,
0:09:10 > 0:09:12maybe you should put collars on them.
0:09:12 > 0:09:15- Or just keep them in the kennel? - Are you going to help us or not?
0:09:15 > 0:09:18Sure. It's not like I have a murder to investigate.
0:09:22 > 0:09:24This is the footage from our CCTV Control Room.
0:09:24 > 0:09:27You get any shots of our hotel from yesterday afternoon?
0:09:30 > 0:09:33There. There, stop.
0:09:33 > 0:09:35OK. Rewind it.
0:09:36 > 0:09:39- Your eyes are sharper than mine. - I'd recognise that scalp anywhere.
0:09:39 > 0:09:41Wherever he was going, he must have given Gerry the slip.
0:09:41 > 0:09:44- Or Gerry let him go.- He wouldn't, not after you warned him off.
0:09:44 > 0:09:46You've still got a lot to learn about Gerry.
0:09:46 > 0:09:49- How many units have you got on the street?- 12 patrols.
0:09:49 > 0:09:52I've issued a description of a bad-tempered, chain-smoking,
0:09:52 > 0:09:54compulsively abusive, 60-something
0:09:54 > 0:09:56who should be treated with extreme caution.
0:09:56 > 0:09:57MOBILE PHONE RINGS
0:09:57 > 0:10:00- A picture's worth a thousand words, you know.- I gave them that too.
0:10:00 > 0:10:01Hello? Gerry?
0:10:01 > 0:10:03LOUD ROCK MUSIC
0:10:03 > 0:10:06- 'Guv'nor, Guv'nor! I'm sorry I haven't been in touch.' - I can't hear you.
0:10:06 > 0:10:08'We're on our way back now...'
0:10:08 > 0:10:10Sounds like a bloody rock concert!
0:10:10 > 0:10:14A biker bar?! What the bloody hell were you doing in a biker bar?!
0:10:14 > 0:10:16- And who's Raul?- He gave me a lift.
0:10:16 > 0:10:19Then we had to have a drink with him and his mate Juan, who gave me a lift.
0:10:19 > 0:10:21And the rest of the gang.
0:10:21 > 0:10:23And they wouldn't let us leave until we'd joined.
0:10:23 > 0:10:26- They took some of Gerry's blood. - It must be love.
0:10:26 > 0:10:30Listen, Guv'nor, Laura Highsmith's shipping agent, Gordon Fletcher,
0:10:30 > 0:10:32knows Harry Truman.
0:10:32 > 0:10:33How do you know this?
0:10:33 > 0:10:36We saw them meet up, after the poker game.
0:10:36 > 0:10:38What poker game?!
0:10:38 > 0:10:41You two have turned ignoring orders into an art form.
0:10:41 > 0:10:43We were following a lead, actually.
0:10:43 > 0:10:46What we did do was follow Fletcher down to the docks,
0:10:46 > 0:10:49where he met with Levy Bossano.
0:10:49 > 0:10:51- Are you sure about this?- Yeah.
0:10:51 > 0:10:53We heard Fletcher say his name.
0:10:53 > 0:10:55- Perhaps you misheard? - We heard all right.
0:10:55 > 0:10:58I saw Fletcher give Bossano an envelope.
0:10:58 > 0:11:00And that's when we got locked in the container.
0:11:00 > 0:11:02And then Fletcher turns up dead.
0:11:02 > 0:11:04Fletcher's dead?!
0:11:04 > 0:11:06Yes, he is.
0:11:07 > 0:11:10- You're making this hard for me, Brian!- Yeah, I know. - Really bloody hard!- I'm sorry.
0:11:10 > 0:11:13What do you think will happen when Stickland finds out you're here?
0:11:13 > 0:11:16Look, I know I've made a mess of things,
0:11:16 > 0:11:18but I just wanted to get involved again.
0:11:18 > 0:11:19I was trying to help.
0:11:19 > 0:11:22I don't need your help!
0:11:22 > 0:11:25Mind you, you wouldn't have this break without me, would you?
0:11:25 > 0:11:28You have undermined me in front of the whole team.
0:11:28 > 0:11:31You have shown me no respect whatsoever.
0:11:31 > 0:11:33No, Sandra, I do respect you.
0:11:33 > 0:11:36- Now, that's one thing I've always done.- Really?
0:11:36 > 0:11:39Then why did you ignore my orders?
0:11:39 > 0:11:42Well, cos it's what we do, isn't it? We follow hunches and chase leads.
0:11:42 > 0:11:45When we're on the job. Which you're not!
0:11:45 > 0:11:50Now, come on, you know as well as I do it doesn't work that way.
0:11:50 > 0:11:51Look at all these kids.
0:11:51 > 0:11:54Can you remember when you were like one of them?
0:11:54 > 0:11:56Even when you're just starting out,
0:11:56 > 0:12:00when you don't know your arse from your elbow, you know it isn't a job.
0:12:00 > 0:12:02You know it'll never be a job.
0:12:02 > 0:12:04It's a life.
0:12:04 > 0:12:06Spare me the lecture, Brian. You're going straight home.
0:12:08 > 0:12:09I can't go home...
0:12:12 > 0:12:13..can I?
0:12:14 > 0:12:16I can never go home.
0:12:17 > 0:12:19And neither can you.
0:12:19 > 0:12:23That's why we make such bloody awful husbands, wives, parents...
0:12:23 > 0:12:24Speak for yourself.
0:12:29 > 0:12:30I deserve that one.
0:12:35 > 0:12:36No, I deserve it.
0:12:36 > 0:12:39No. You don't, actually. Sorry.
0:12:40 > 0:12:42But how can I help you, Brian,
0:12:42 > 0:12:45- when you are always undoing things behind my back?- Oh!
0:12:50 > 0:12:53I really wanted to crack this case.
0:12:57 > 0:13:00Maybe this is the big black full stop then.
0:13:02 > 0:13:05- I never thought it would come mid sentence.- Shut up.
0:13:05 > 0:13:06Look at Jack.
0:13:06 > 0:13:09One minute, everything is OK and in the next, it's snatched away.
0:13:09 > 0:13:11Don't bring Jack into this. Don't!
0:13:11 > 0:13:13Why? Why not?
0:13:13 > 0:13:15Jack understood that life's for getting out there
0:13:15 > 0:13:17and doing what you believe in.
0:13:17 > 0:13:20Not sitting back and playing by the rules.
0:13:20 > 0:13:22Waiting for some other bugger
0:13:22 > 0:13:25to tell you what you should and shouldn't be doing.
0:13:25 > 0:13:28He knew that once you've joined up, there's only this.
0:13:29 > 0:13:34And when it's taken away, there's...nothing else.
0:13:36 > 0:13:38Not for the likes of us, anyway.
0:13:42 > 0:13:45What about Esther?
0:13:45 > 0:13:46Do you think about her?
0:13:46 > 0:13:48I think about her all the time.
0:13:50 > 0:13:53You need to...you need to phone her. She's worried about you.
0:13:53 > 0:13:55Yeah, yeah, I know.
0:13:55 > 0:13:57Tell her you're going to be another day or so.
0:14:01 > 0:14:02You're right.
0:14:03 > 0:14:06I wouldn't have caught this break without you.
0:14:08 > 0:14:10But what about Strickland?
0:14:14 > 0:14:17Hold on, let me get this straight.
0:14:17 > 0:14:19Are you saying she let you off the hook?
0:14:19 > 0:14:21Nah, she's still going to kill me.
0:14:21 > 0:14:23Just a bit later.
0:14:23 > 0:14:26So, now, are you working for the Gibs?
0:14:26 > 0:14:30Well, technically, I'm a civilian and they can hire whoever they like.
0:14:30 > 0:14:31Who signed off on this?
0:14:31 > 0:14:33Brian, excellent. We're searching the house,
0:14:33 > 0:14:35but I'd like someone to talk to the daughter.
0:14:35 > 0:14:36Sure, Guv.
0:14:36 > 0:14:38You're calling him Guv?
0:14:38 > 0:14:40You can call me that too, if you like?
0:14:40 > 0:14:44- No, thanks, I'm all right.- Boss, then. Or Mr Cruz, if you prefer?
0:14:44 > 0:14:46You've been re-assigned to my team.
0:14:46 > 0:14:49Alongside Brian here, we'd like you to focus on the Danny Bossano case.
0:14:49 > 0:14:51Search the house.
0:14:51 > 0:14:53Did you know about this?
0:14:56 > 0:15:00Gordon Fletcher was found dead shortly after your meeting with him.
0:15:02 > 0:15:04Look at me.
0:15:04 > 0:15:06Levy, look at me.
0:15:07 > 0:15:11Did the meeting have something to do with Christian Highsmith
0:15:11 > 0:15:12and his murder in 1998?
0:15:17 > 0:15:19We checked your employment records.
0:15:19 > 0:15:23Before you worked in that warehouse, you were in the merchant navy.
0:15:23 > 0:15:27For 20 years. You jumped from ship to ship.
0:15:27 > 0:15:29Ever jump onto one called the Gracie Highsmith?
0:15:33 > 0:15:37Perhaps you could just tell us what was in that envelope Fletcher gave you?
0:15:39 > 0:15:41Maybe Natalie can help us.
0:15:45 > 0:15:48Did Gordon Fletcher ever come to the house?
0:15:48 > 0:15:50No.
0:15:50 > 0:15:52Maybe down to your offices at the docks then?
0:15:52 > 0:15:56I told you - I'd never heard of that man until you told me his name.
0:15:56 > 0:15:58So it's possible your father had a relationship with him
0:15:58 > 0:16:00that you knew nothing about?
0:16:00 > 0:16:03I don't know why my father met with that man last night.
0:16:03 > 0:16:06If that even happened. But I do know he's not a murderer.
0:16:06 > 0:16:08- How?- Excuse me?
0:16:08 > 0:16:10How do you know?
0:16:10 > 0:16:11I think I know my father, Mr Lane.
0:16:11 > 0:16:15But didn't he go to sea when you were only six years old?
0:16:15 > 0:16:17Send you off to boarding school?
0:16:17 > 0:16:21That was a response to my brother's death. He was grieving.
0:16:21 > 0:16:24So you must have spent most of your life apart from him, surely?
0:16:24 > 0:16:27He was only trying to do what was best for me.
0:16:27 > 0:16:29Give me an education, stability.
0:16:29 > 0:16:31Yes, of course.
0:16:31 > 0:16:33I didn't mean to offend you.
0:16:33 > 0:16:37I'm just saying there must be an awful lot about him that you don't know.
0:16:39 > 0:16:42I've spent my life trying to please him.
0:16:42 > 0:16:43Make him proud.
0:16:43 > 0:16:46I was the one who got him the job in the warehouse.
0:16:46 > 0:16:48Why did you do that?
0:16:48 > 0:16:51To bring him home. Close to me.
0:16:51 > 0:16:53But it's never been enough.
0:16:55 > 0:16:56Because you're not his son.
0:17:00 > 0:17:01Do you know what that is like?
0:17:03 > 0:17:05When you just can't be what someone wants you to be?
0:17:07 > 0:17:09No matter how hard you try?
0:17:09 > 0:17:11Oh, hang on. Thanks.
0:17:13 > 0:17:15Yours?
0:17:15 > 0:17:16My brother's.
0:17:19 > 0:17:23- Did he do any other drawings like this?- Yes.
0:17:23 > 0:17:25He wanted to be a soldier when he grew up.
0:17:28 > 0:17:29Bingo!
0:17:33 > 0:17:36I'm no mathematician, but from the weight of this,
0:17:36 > 0:17:40I'd say that was 20, 25 grand, wouldn't you?
0:17:43 > 0:17:45Feels more like 30 to me.
0:17:47 > 0:17:51Now, why would a shipping agent from London be giving all this money
0:17:51 > 0:17:53to a warehouseman from Gibraltar?
0:17:53 > 0:17:57Fletcher was the middleman. Christian Highsmith the ship owner.
0:17:59 > 0:18:00Are you the dealer?
0:18:02 > 0:18:07If you are, this lowly appearance of yours is quite a disguise, isn't it?
0:18:07 > 0:18:11I'm impressed you've stayed under our radar all this time.
0:18:13 > 0:18:14When he was murdered,
0:18:14 > 0:18:17Christian Highsmith was trying to raise half a million pounds.
0:18:17 > 0:18:18Was that to pay you?
0:18:22 > 0:18:25Won't you at least say something to defend yourself?
0:18:27 > 0:18:29What about Danny?
0:18:30 > 0:18:32Were you dealing when he was murdered?
0:18:32 > 0:18:34Was he acting as a lookout for you?
0:18:34 > 0:18:37Were you responsible for the death of your own son?
0:18:42 > 0:18:44HE SIGHS
0:18:44 > 0:18:48If you're going to charge me, get it over with.
0:18:50 > 0:18:52We searched Levy's warehouse. Nothing.
0:18:52 > 0:18:55Every time we mention his children, we get a reaction.
0:18:55 > 0:18:58It's...it's like he wants to tell us something.
0:18:58 > 0:19:00- But can't.- Yeah.
0:19:01 > 0:19:05Gerry, you said Fletcher spoke to Truman before he met with Levy?
0:19:05 > 0:19:07Yeah, at the casino.
0:19:07 > 0:19:09Time to talk to him.
0:19:09 > 0:19:12I will. I've agreed to have lunch with him today.
0:19:12 > 0:19:14- On your own?!- Is that wise?
0:19:14 > 0:19:16He's connected to Christian Highsmith.
0:19:16 > 0:19:18He was seen with Fletcher, and if Levy Bassano won't talk,
0:19:18 > 0:19:20then he's our last remaining avenue.
0:19:20 > 0:19:21That's not the point.
0:19:21 > 0:19:24If I cancel now, he'll be suspicious.
0:19:24 > 0:19:26We should bring him in.
0:19:26 > 0:19:27We'll find out more if you don't.
0:19:27 > 0:19:29Why do you say that?
0:19:29 > 0:19:30Call it instinct.
0:19:30 > 0:19:32You sure that's what it's called?
0:19:32 > 0:19:34Listen, you be careful. There's something wrong with that bloke.
0:19:34 > 0:19:38- You should have seen the way he wound up Brian.- Here, look at this.
0:19:38 > 0:19:41Danny kept on drawing right up until his murder.
0:19:41 > 0:19:43MOBILE BLEEPS
0:19:43 > 0:19:45But he kept drawing these three soldiers, over and over.
0:19:45 > 0:19:47What if he wasn't a lookout for a gang?
0:19:47 > 0:19:50Maybe he came into contact with these three.
0:19:50 > 0:19:52Lunch.
0:20:13 > 0:20:15Sorry I'm a little late.
0:20:15 > 0:20:17- That's OK. - How much time do you have?
0:20:17 > 0:20:19- As long as I want.- Good.
0:20:33 > 0:20:35How are you finding Gibraltar?
0:20:35 > 0:20:36Small.
0:20:38 > 0:20:41- Have you seen the apes? - Is that where you're taking me?
0:20:41 > 0:20:42It's a surprise.
0:21:06 > 0:21:09CAR HORN HONKS
0:21:15 > 0:21:17CAR HORN HONKS
0:21:47 > 0:21:48Let's take her out, Ray.
0:21:56 > 0:21:59- You don't suffer from sea sickness, do you?- No.
0:21:59 > 0:22:02What are you waiting for?
0:22:02 > 0:22:03Emilia Gray?
0:22:05 > 0:22:07It was my mother's name.
0:22:42 > 0:22:43Shit.
0:23:02 > 0:23:04DOOR OPENS
0:23:04 > 0:23:06I'm sorry to keep you, gentlemen.
0:23:07 > 0:23:11I understand you have something else you want to show me.
0:23:12 > 0:23:13What's this?
0:23:13 > 0:23:15It was drawn by Danny Bossano.
0:23:15 > 0:23:20Oh, the boy you were telling me about, from 1982?
0:23:20 > 0:23:23We wondered if you could decipher it for us?
0:23:25 > 0:23:27Oh.
0:23:27 > 0:23:29The uniforms are accurate. DPM.
0:23:29 > 0:23:32- DPM?- Disruptive Pattern Material.
0:23:32 > 0:23:36It's the kind of uniform all British soldiers uniforms were made of until a few years ago.
0:23:36 > 0:23:39So they were the uniforms worn in the Falkands, weren't they?
0:23:39 > 0:23:42It's the kind of uniform every British soldier would have worn in 1982.
0:23:42 > 0:23:46Now, these three soldiers appear in multiple drawings.
0:23:46 > 0:23:48Anything else you can tell us about them?
0:23:48 > 0:23:53- Like what?- Well, you might recognise the badge on his arm there.
0:23:53 > 0:23:56It must have belonged to a particular regiment.
0:23:56 > 0:23:59No. I can't make it out.
0:23:59 > 0:24:01You've hardly looked.
0:24:01 > 0:24:03No. I wish I could help.
0:24:04 > 0:24:08Danny was found with a clansman radio.
0:24:08 > 0:24:10At the time, it was thought to suggest
0:24:10 > 0:24:13he might have been acting as a lookout for traffickers.
0:24:13 > 0:24:14Wasn't he?
0:24:14 > 0:24:16Well, those radios were commonly used
0:24:16 > 0:24:18by the British military, weren't they?
0:24:18 > 0:24:22Short wave. Good in the tunnels for training exercises.
0:24:22 > 0:24:25What are you suggesting?
0:24:25 > 0:24:27Nothing. Yet.
0:24:27 > 0:24:30Just trying to establish how Danny might have come into contact
0:24:30 > 0:24:31with these three soldiers.
0:24:31 > 0:24:34Any word back from London about those records?
0:24:34 > 0:24:36It'd be handy to know who was here in '82.
0:24:36 > 0:24:37No, I'm afraid not.
0:24:37 > 0:24:41They can be somewhat...cumbersome when it comes to things like that,
0:24:41 > 0:24:44even for esteemed police colleagues.
0:24:44 > 0:24:48Maybe we'll call them ourselves, eh? Directly.
0:24:48 > 0:24:50That would be highly discourteous of you.
0:24:52 > 0:24:56This wasn't just a boy that was murdered, Commander Sinclair.
0:24:56 > 0:24:58This was a brother. And a son.
0:24:58 > 0:25:00Courtesy doesn't come into it!
0:25:17 > 0:25:20Listen, listen, when we came here before,
0:25:20 > 0:25:23Sinclair had a picture of Mount Tumbleweed on his wall.
0:25:23 > 0:25:26- Do you mean Tumbledown? - Yeah, that's the one.
0:25:26 > 0:25:30Well, my mate Coxy, he's got the same picture over his bar.
0:25:30 > 0:25:34- It's a bunch of soldiers in the Falklands.- So?
0:25:34 > 0:25:38Well, it was there the day before yesterday and now it's gone.
0:25:38 > 0:25:40Can you get a copy of it?
0:25:41 > 0:25:42Aha!
0:25:54 > 0:25:57I've never had a female detective on my boat.
0:25:57 > 0:25:59And if we lose the word female?
0:26:01 > 0:26:02Thank you.
0:26:06 > 0:26:08You live well.
0:26:11 > 0:26:12I work hard.
0:26:13 > 0:26:16So why bring me all the way out here?
0:26:16 > 0:26:20I didn't want you getting up and leaving a restaurant before we got to know each other.
0:26:20 > 0:26:22And what makes you think I'd have left?
0:26:27 > 0:26:29I think you're all about your work.
0:26:30 > 0:26:31And don't know when to stop.
0:26:33 > 0:26:35Are you not the same?
0:26:35 > 0:26:36I used to be.
0:26:38 > 0:26:41But then I learned to appreciate the finer things in life.
0:26:45 > 0:26:48I came to Gibraltar to investigate the murder of Christian Highsmith.
0:26:48 > 0:26:52And, within a day, his former business associate is dead.
0:26:55 > 0:26:57Gordon.
0:26:58 > 0:26:59You knew him?
0:27:01 > 0:27:03I heard he had an accident last night.
0:27:03 > 0:27:04Or the accident had him.
0:27:07 > 0:27:12Either way, I'm very sorry about it.
0:27:14 > 0:27:17You were seen talking with him shortly before it happened.
0:27:19 > 0:27:22Tell "Dave" I'll drop his money off for him later today.
0:27:22 > 0:27:25And say hello to Mr Table for me.
0:27:25 > 0:27:27What were you talking about?
0:27:28 > 0:27:29The money I owed him.
0:27:29 > 0:27:31From a game?
0:27:31 > 0:27:32- Two games.- How much?
0:27:32 > 0:27:3430 grand.
0:27:34 > 0:27:36I put it in a nice brown envelope.
0:27:39 > 0:27:41Do you know what he did with that money?
0:27:42 > 0:27:44Why would I?
0:27:44 > 0:27:47He gave it to a man named Levy Bossano.
0:27:54 > 0:27:59You know, I understand you need to ask these questions.
0:28:00 > 0:28:03But I do feel a little disappointed that you felt it necessary
0:28:03 > 0:28:05to have me followed last night.
0:28:05 > 0:28:09- That wasn't me. One of my colleagues... - And today, on the way here.
0:28:13 > 0:28:14A precaution.
0:28:16 > 0:28:17An insult.
0:28:20 > 0:28:23SIREN WAILS
0:28:29 > 0:28:32Will you be going home with your friends
0:28:32 > 0:28:34or would you like me to drop you off?
0:28:43 > 0:28:44There you go.
0:28:46 > 0:28:49Coxy sent me that, it's the same picture.
0:28:49 > 0:28:53Why would Sinclair take this off his wall after you'd been there?
0:28:53 > 0:28:56Presumably, there's something in it that he doesn't want us to see.
0:28:56 > 0:28:58Or someone.
0:29:00 > 0:29:02We should take this back to the Guv.
0:29:02 > 0:29:04Which one?
0:29:04 > 0:29:05Both.
0:29:05 > 0:29:10No. First, I think we should phone London.
0:29:10 > 0:29:12See if we can put some names to those faces.
0:29:37 > 0:29:40This is bordering on police harassment, isn't it?
0:29:40 > 0:29:41Police persistence.
0:29:41 > 0:29:45- I'm sure my colleagues told you I've taken leave this afternoon. - They did.
0:29:45 > 0:29:47Yeah, and you took it right after the time we came to see you.
0:29:47 > 0:29:50- Was it something we said? - What do you want?
0:29:50 > 0:29:53Why did you take that photograph down from your wall?
0:29:53 > 0:29:55I have no idea what you're talking about.
0:29:55 > 0:29:57The one of Mount Tumbledown?
0:29:57 > 0:30:01Was it to hide the fact that your father was stationed here in 1982?
0:30:01 > 0:30:03I don't see the relevance of this.
0:30:03 > 0:30:04He was in that picture.
0:30:07 > 0:30:09You called London.
0:30:09 > 0:30:10We did.
0:30:10 > 0:30:12And they were most helpful.
0:30:12 > 0:30:17His regiment has a badge just like the one that Danny drew.
0:30:17 > 0:30:19The one you told us you couldn't recognise.
0:30:19 > 0:30:20What are you suggesting?
0:30:20 > 0:30:22Well, someone brought the gun
0:30:22 > 0:30:24that killed Danny back from the Falklands.
0:30:24 > 0:30:26You're implying it was him?
0:30:26 > 0:30:29At that time, Captain Sinclair, were you and your mother here too?
0:30:29 > 0:30:32Yes, we were, but I cam assure you that my father had nothing to do with this.
0:30:32 > 0:30:34Then why try and hide him from us?
0:30:34 > 0:30:36Dad, Dad, come play with us!
0:30:37 > 0:30:41You want to know why I don't like talking about my father?
0:30:41 > 0:30:45Cos he committed suicide in 1984 when I was just 14 years old.
0:30:45 > 0:30:46Guilt, maybe.
0:30:46 > 0:30:50I can assure you guilt had nothing to do with it.
0:30:50 > 0:30:54If you knew anything about combat or my father, you'd understand that.
0:30:54 > 0:30:57- Where will you be for the rest of the day?- Around.
0:30:57 > 0:31:00Ah, "Around", yeah. It's nice there, I hear.
0:31:02 > 0:31:03If you'll excuse me,
0:31:03 > 0:31:06I'm trying to spend some time with my children.
0:31:08 > 0:31:10Boys! Come on!
0:31:12 > 0:31:14They worship him.
0:31:14 > 0:31:17All boys look up to their dad, don't they?
0:31:20 > 0:31:21Not all.
0:31:29 > 0:31:30Thanks so much for that.
0:31:30 > 0:31:33There's no harm done. We haven't arrested him.
0:31:33 > 0:31:35He has no reason to suppose we're even interested.
0:31:35 > 0:31:38I think the bloody big boat with the lights and the sirens
0:31:38 > 0:31:41- might have been a bit of a giveaway, don't you?- I was trying to protect you.
0:31:41 > 0:31:43I can look after myself.
0:31:43 > 0:31:44I'm starting to notice.
0:31:44 > 0:31:46So you think Truman's in the clear?
0:31:46 > 0:31:48He's explained himself.
0:31:48 > 0:31:52Sandra, online gambling's a perfect front for laundering drugs money.
0:31:52 > 0:31:54If you're going to be arresting people
0:31:54 > 0:31:57because their businesses would make a good front,
0:31:57 > 0:31:59you'd be arresting half of the Mediterranean.
0:31:59 > 0:32:03Besides, our Government welcomed Truman with open arms.
0:32:03 > 0:32:04Why?
0:32:04 > 0:32:07They liked his vision for the future of Gibraltar.
0:32:07 > 0:32:09A vision that placed it at the centre of Europe.
0:32:09 > 0:32:12You don't think it's at least worth looking into some of his investments?
0:32:12 > 0:32:14Maybe.
0:32:14 > 0:32:17But let's see what my boys have come up with on Danny first.
0:32:17 > 0:32:18Your boys?
0:32:23 > 0:32:25Come on, Brian, we've been here 20 minutes.
0:32:25 > 0:32:27Hang on, hang on.
0:32:27 > 0:32:30- Come and stand here a minute, will you?- What for?
0:32:30 > 0:32:32Just come here, will you!
0:32:37 > 0:32:41Right, just stand there, against that wall.
0:32:41 > 0:32:42- What are you doing?- Right a bit.
0:32:44 > 0:32:46- No, the other way!- That's left!
0:32:47 > 0:32:48There, stop.
0:32:51 > 0:32:52Aha!
0:32:52 > 0:32:54What do you mean, "Aha"?
0:32:56 > 0:32:57- Swap over.- Ah...
0:32:57 > 0:32:59Look at the picture.
0:33:00 > 0:33:02Look at the picture.
0:33:03 > 0:33:04Eh?
0:33:07 > 0:33:09What am I looking at?
0:33:09 > 0:33:11Look at the proportions of the soldiers
0:33:11 > 0:33:13in relation to the lighthouse.
0:33:13 > 0:33:16And then, look at me stood against it.
0:33:16 > 0:33:18Oh, yeah!
0:33:18 > 0:33:20The soldiers were dwarves?!
0:33:23 > 0:33:24Where is it?
0:33:25 > 0:33:27Here.
0:33:27 > 0:33:30I thought Adam Sinclair might be covering up for his father.
0:33:30 > 0:33:33But look at this. You can really see it there.
0:33:33 > 0:33:34See what?
0:33:34 > 0:33:38We assumed that these were drawings of three soldiers done by a child,
0:33:38 > 0:33:39but they're not.
0:33:39 > 0:33:41They're drawings of three kids.
0:33:41 > 0:33:45Look at the perspective of the figures against the background, they're far too small.
0:33:45 > 0:33:47It could be a mistake. It was drawn by a 12-year-old.
0:33:47 > 0:33:50What about the others? He doesn't get the perspective wrong there, does he?
0:33:50 > 0:33:52The trees? The buildings?
0:33:52 > 0:33:56No, he's far too competent. All the proportions are correct.
0:33:56 > 0:33:58So you're saying Danny was drawing his friends?
0:33:58 > 0:34:02We thought that Sinclair was covering up for his dad.
0:34:02 > 0:34:06But he wasn't, he was covering up for himself.
0:34:06 > 0:34:09If Sinclair was here as a child, could he have known Danny?
0:34:09 > 0:34:10More than possible.
0:34:10 > 0:34:13Children copy their parents, don't they?
0:34:13 > 0:34:17I know our Mark was always playing police cars when he was that age.
0:34:17 > 0:34:20So maybe Adam Sinclair was pretending to be like his father
0:34:20 > 0:34:22and Danny was playing along.
0:34:22 > 0:34:25I mean, look at it from a kid's point of view -
0:34:25 > 0:34:29you're living in this tiny country which is really a big military base.
0:34:29 > 0:34:32We've won the war. It was a huge triumph.
0:34:32 > 0:34:35Then, all these soldiers pour onto the Rock with their stories.
0:34:35 > 0:34:38- And their trophy guns. - We need to talk to Sinclair.
0:34:43 > 0:34:45You want me to arrest a member of the military establishment?
0:34:45 > 0:34:48I'm asking you to apprehend a strong suspect
0:34:48 > 0:34:50for the murder of your victim. Yes.
0:34:50 > 0:34:52This will have consequences.
0:34:52 > 0:34:54Anything worth doing usually does.
0:34:54 > 0:34:57And I don't think you can compromise on this one, do you?
0:34:58 > 0:35:01'Tango, sierra, two, one. Suspect not at home.
0:35:01 > 0:35:03'We're searching the area.'
0:35:03 > 0:35:07'Echo, two, one, one, five. Suspect spotted near the botanical gardens.'
0:35:09 > 0:35:11SIREN WAILS
0:35:11 > 0:35:12That's him.
0:35:18 > 0:35:20Go down to the bottom.
0:36:22 > 0:36:24Suspect heading onto the Rock.
0:36:24 > 0:36:27Repeat - suspect heading onto the Rock.
0:36:27 > 0:36:28Lost him?
0:36:28 > 0:36:31Hope you have a good head for heights.
0:36:33 > 0:36:34HE SIGHS
0:36:51 > 0:36:52Stand still!
0:36:52 > 0:36:53Oh, God!
0:36:53 > 0:36:56HE PANTS
0:37:16 > 0:37:19Suspect contained on top of the Rock.
0:37:25 > 0:37:27Commander Sinclair, come away from the edge.
0:37:29 > 0:37:32This is where I came to watch my father's ship come in.
0:37:33 > 0:37:35I found the gun in his drawer.
0:37:38 > 0:37:42All the boys on the Rock used to scavenge for souvenirs.
0:37:43 > 0:37:45Anything the soldiers had thrown away.
0:37:45 > 0:37:51The gun was like having a piece of the real war, all to ourselves.
0:37:52 > 0:37:55My father thought it had been stolen.
0:37:55 > 0:37:57Did you killed Danny with it?
0:38:00 > 0:38:01It could have been me.
0:38:03 > 0:38:04But it wasn't.
0:38:06 > 0:38:07It was Christian.
0:38:07 > 0:38:09Christian Highsmith?
0:38:09 > 0:38:10That drawing you had?
0:38:12 > 0:38:14I'm one of those soldiers. Danny's the other.
0:38:14 > 0:38:16And the third is Christian.
0:38:19 > 0:38:22I made him keep the gun and I never saw him again.
0:38:26 > 0:38:29This place was our Mount Tumbledown.
0:38:29 > 0:38:31'I'd read about it in the newspapers.
0:38:31 > 0:38:35'How they fought from crag to crag, rock to rock.
0:38:35 > 0:38:38'Taking out pockets of enemy. Lone riflemen in the dark.'
0:38:38 > 0:38:42I couldn't believe my dad was involved. He was a hero.
0:38:43 > 0:38:46He wouldn't talk about it, not even to me.
0:38:48 > 0:38:50Perhaps he couldn't.
0:38:51 > 0:38:54Most kids don't know when their childhood ends.
0:38:54 > 0:38:57I read somewhere that as you get older, it just fades.
0:38:57 > 0:39:00Little by little, until one day you wake up
0:39:00 > 0:39:03and you realise it's been gone for years.
0:39:06 > 0:39:09I can tell you the precise moment our childhood ended.
0:39:12 > 0:39:15'You know how easy it is for boys'
0:39:15 > 0:39:19to lose themselves when their blood's up? When they're excited?
0:39:19 > 0:39:23Just for a moment, they forget it's a game.
0:39:24 > 0:39:26'It's the opposite in real war.
0:39:26 > 0:39:28'Sometimes, in the heat of battle,
0:39:28 > 0:39:33'it feels like it can't be anything but a game.
0:39:33 > 0:39:34'Danny wasn't like us.
0:39:34 > 0:39:37'He was born here, so we made him play the Argie.'
0:39:37 > 0:39:39Stupid, really.
0:39:40 > 0:39:44And he wanted to be a British soldier more than anything.
0:39:44 > 0:39:49He knew every inch of the Rock. All its secrets and shortcuts.
0:39:53 > 0:39:55I took out the gun.
0:39:55 > 0:39:57So heavy in my hand, so cold.
0:39:57 > 0:40:00HE SOBS
0:40:00 > 0:40:02We didn't know the gun was loaded.
0:40:04 > 0:40:05GUNSHOT
0:40:14 > 0:40:16I can still remember the sound it made, even now.
0:40:18 > 0:40:20Not the sound of the gunshot,
0:40:20 > 0:40:24but what came after it - this aching, migraine of a sound.
0:40:24 > 0:40:25GUNSHOT
0:40:25 > 0:40:27BUZZING
0:40:27 > 0:40:28'It's always there!'
0:40:28 > 0:40:30Drowning everything out!
0:40:30 > 0:40:31Adam, don't!
0:40:37 > 0:40:39Please, come away from the edge.
0:40:41 > 0:40:44Come on. Come with me now.
0:40:47 > 0:40:48Come on.
0:40:53 > 0:40:54It's OK. It's OK.
0:40:54 > 0:40:55HE CRIES
0:40:55 > 0:40:58It's OK. It's OK.
0:41:06 > 0:41:09So what happens to Sinclair now?
0:41:09 > 0:41:11We're taking a statement.
0:41:11 > 0:41:14Then, it'll be for the Attorney General to decide.
0:41:14 > 0:41:16Maybe Christian committed suicide.
0:41:16 > 0:41:19Or somebody killed him with his own gun?
0:41:19 > 0:41:22- Levy?- The father takes revenge for the son?
0:41:22 > 0:41:26But how would he have known that it was Christian who killed Danny?
0:41:26 > 0:41:27Mr Bossano, we now know
0:41:27 > 0:41:31that Christian Highsmith was responsible for your son's death.
0:41:34 > 0:41:36It was a game that went wrong.
0:41:41 > 0:41:44You understand what we're telling you?
0:41:47 > 0:41:50Danny was taken from me by another child?
0:41:52 > 0:41:54Danny was an innocent.
0:41:55 > 0:41:57Just like you always said.
0:42:02 > 0:42:04He's still gone.
0:42:06 > 0:42:08What about Natalie?
0:42:08 > 0:42:10Your silence isn't helping her.
0:42:12 > 0:42:14That's where you're wrong.
0:42:14 > 0:42:16It's keeping her alive.
0:42:20 > 0:42:23If you want me to break it, you must do something for me.
0:42:24 > 0:42:27Go to my home. Collect Natalie.
0:42:30 > 0:42:32Make sure she's safe.
0:42:32 > 0:42:34Why wouldn't she be safe?
0:42:36 > 0:42:40Because he said he'd hurt her if I ever talked.
0:42:40 > 0:42:41Who?
0:42:45 > 0:42:46Truman.
0:42:49 > 0:42:51This whole thing's about Truman.
0:42:53 > 0:42:58After Danny died, I left my daughter, went to sea.
0:42:58 > 0:43:00Moved from ship to ship.
0:43:00 > 0:43:04And eventually, ended up working for Truman on the Emilia Gray.
0:43:04 > 0:43:08He was involved in smuggling and he needed a new route.
0:43:09 > 0:43:12Christian lost a lot of money in Truman's casino.
0:43:12 > 0:43:15And the only payment Truman would accept
0:43:15 > 0:43:17was access to a container ship.
0:43:17 > 0:43:19But Christian changed his mind
0:43:19 > 0:43:23and, one night, he came aboard the Emilia Gray.
0:43:23 > 0:43:24Said he was shaming his family.
0:43:27 > 0:43:29He pulled that gun.
0:43:29 > 0:43:31But Truman overpowered him.
0:43:31 > 0:43:34Shot him. Killed him with his own gun.
0:43:34 > 0:43:39I thought it was over until Fletcher came last night with the money.
0:43:39 > 0:43:43Said Truman wanted reassurance that I would keep my word.
0:43:44 > 0:43:46He was scared.
0:43:46 > 0:43:50He knew that Truman always makes people pay for their mistakes.
0:43:58 > 0:44:03Every boy on the Rock dreams of being a soldier or a sailor when he grows up.
0:44:06 > 0:44:08That dream killed my Danny.
0:44:13 > 0:44:14He's at peace now.
0:44:15 > 0:44:16Thank you.
0:44:24 > 0:44:27Well, Brian. If things don't go your way tomorrow,
0:44:27 > 0:44:29I have a spot for you out here.
0:44:29 > 0:44:31Thanks. But I've got to get back home.
0:44:31 > 0:44:33What about me, then?
0:44:33 > 0:44:36I suppose every genius needs a sidekick.
0:44:36 > 0:44:38Nah, it's too pokey for me.
0:44:38 > 0:44:40Pokey? Pokey, how?
0:44:40 > 0:44:43Don't listen to him, he thought Glasgow was pokey.
0:44:43 > 0:44:46Well, I won't lie to you, I'll sleep easier tonight
0:44:46 > 0:44:48knowing that you've gone home.
0:44:48 > 0:44:50And I'll sleep easier knowing I can leave the window open
0:44:50 > 0:44:53without a monkey crapping all over my bed.
0:44:53 > 0:44:56- It's something to tell the grandchildren though, right? - True enough. Ta-ra. Good luck.
0:44:56 > 0:44:58- All the best. - All the best, see you.
0:45:01 > 0:45:05- Think they'll make it to the plane without getting into trouble? - No. Probably not.
0:45:07 > 0:45:08Bye.
0:45:23 > 0:45:26I found this in your washing, do you need it?
0:45:26 > 0:45:28- What?- This.
0:45:28 > 0:45:31Oh, no. It's been no bloody use anyway.
0:45:31 > 0:45:35I still don't know what I'm going to say when I get in there.
0:45:35 > 0:45:38- Well, stick it in your pocket just in case.- This bloody thing!
0:45:38 > 0:45:42You're going to throttle yourself. Let me.
0:45:42 > 0:45:44Jack was right, Esther.
0:45:44 > 0:45:47I didn't find anything in that file to prove they were lying.
0:45:47 > 0:45:49It doesn't mean they weren't lying though, does it?
0:45:49 > 0:45:53But what'll I do today? Embleton'll wipe the floor with me.
0:45:53 > 0:45:56Tell the truth. Get it out. Get rid of it.
0:45:59 > 0:46:01Have you forgiven me?
0:46:01 > 0:46:04- What for?- We had words.
0:46:04 > 0:46:05We've had words before.
0:46:05 > 0:46:08But not words-words.
0:46:08 > 0:46:11If we can't have words-words and still be all right
0:46:11 > 0:46:14after all that we've been through
0:46:14 > 0:46:17then it's a pretty poor do, isn't it?
0:46:19 > 0:46:21Come on. You'll do.
0:46:23 > 0:46:24Leave your tie alone!
0:46:50 > 0:46:51Oh!
0:46:53 > 0:46:55That's better Dave.
0:46:55 > 0:46:57Oi! Oi!
0:46:57 > 0:46:59There was no sign that he was in any distress.
0:47:02 > 0:47:06Distress. Declined. Distress.
0:47:06 > 0:47:09Aggression!
0:47:17 > 0:47:18Aggression!
0:47:22 > 0:47:24Are you all right?
0:47:25 > 0:47:27They're ready for you, Brian.
0:47:27 > 0:47:30I want you to promise me something.
0:47:30 > 0:47:34When you come out of there, whatever happens, it's done.
0:47:34 > 0:47:38You leave all this in that room and you come back to me.
0:47:38 > 0:47:40All right?
0:47:40 > 0:47:43Aggression! Aggression!
0:47:50 > 0:47:54Morning, everybody. These proceedings will commence in a few moments.
0:47:54 > 0:47:57- Which one of you couldn't spell, Bill?- Members of the panel,
0:47:57 > 0:47:59you have the initial complaint from Commander Embleton?
0:47:59 > 0:48:03You should also have the initial response from Mr Lane?
0:48:03 > 0:48:06Whoever it was, you shouldn't have got him to write all three statements.
0:48:06 > 0:48:11- Stop talking, Brian.- Neither party has chosen to call in any witnesses.
0:48:11 > 0:48:13So we will hear from Commander Embleton first.
0:48:13 > 0:48:16Then we'll hear from Mr Lane before deliberating.
0:48:16 > 0:48:18I bet it was you, wasn't it?
0:48:18 > 0:48:22Now, if everybody's ready? Good.
0:48:22 > 0:48:25Commander Embleton, would you come forward, please?
0:48:31 > 0:48:34This is your opportunity to provide more detail
0:48:34 > 0:48:38and our opportunity to ask questions if we deem them necessary.
0:48:38 > 0:48:41- I understand. - Please begin when you're ready.
0:48:41 > 0:48:43Oh, I'm looking forward to this.
0:48:46 > 0:48:48Well, as I'm sure you all know,
0:48:48 > 0:48:53I've given the better part of my life to this force.
0:48:55 > 0:48:58Retirement gives you...pause for thought.
0:48:59 > 0:49:02It's a chance to enjoy the achievements...
0:49:02 > 0:49:05- What achievements?- Mr Lane!
0:49:05 > 0:49:08And to reflect upon the mistakes.
0:49:10 > 0:49:13When I first met Brian, he was a DI in Serious Crime
0:49:13 > 0:49:16and I was a mere Custody Officer at the station.
0:49:18 > 0:49:21Shortly after that first meeting...
0:49:24 > 0:49:27..Brian Lane suffered some kind of a breakdown.
0:49:27 > 0:49:29He was retired on mental health grounds.
0:49:29 > 0:49:32- What's that got to do with anything?! - Mr Lane, if you're unable to restrain yourself,
0:49:32 > 0:49:36- then you'll need to step outside. - But...- Brian, be quiet!
0:49:36 > 0:49:40As his career was declining, mine was gaining momentum.
0:49:40 > 0:49:42BRIAN SIGHS
0:49:42 > 0:49:46He's had to watch from the sidelines as I have risen through the ranks.
0:49:46 > 0:49:51In a way, I became a kind of a barometer for his failure.
0:49:51 > 0:49:54- You bastard!- Mr Lane!- Brian.
0:49:55 > 0:49:59He must have seen that I was retiring and...something snapped.
0:49:59 > 0:50:03Just as it did all those years ago.
0:50:03 > 0:50:10But I realise now that this impulsive behaviour can't be helped.
0:50:10 > 0:50:13It's not his fault.
0:50:13 > 0:50:16And I attribute no blame to him whatsoever.
0:50:16 > 0:50:18Don't rise to it. Brian, don't.
0:50:18 > 0:50:23As a result, I feel it would be inappropriate of me to continue with this.
0:50:25 > 0:50:28I'd like to withdraw my complaint.
0:50:28 > 0:50:31Commander Embleton, are you sure about this?
0:50:31 > 0:50:33I am.
0:50:33 > 0:50:35What...?!
0:50:41 > 0:50:43He's suffered enough.
0:50:50 > 0:50:52These proceedings are at an end.
0:50:52 > 0:50:56- Don't you want to hear what I have to say?!- It's not necessary, Mr Lane.
0:50:56 > 0:50:59- But I've been suspended! I have a right to clear me name!- No, Mr Lane.
0:50:59 > 0:51:03Now the complaint has been withdrawn you are no longer suspended.
0:51:03 > 0:51:05- Brian, it's over.- What do you mean, over?!
0:51:05 > 0:51:08You don't want them to hear, do you?
0:51:08 > 0:51:11He knows what he did! He knows!
0:51:11 > 0:51:13- Brian!- Thank you, Mr Lane.
0:51:19 > 0:51:22- What happened? - Where did Embleton go?
0:51:22 > 0:51:24- What's the matter? - Which way did he go, Esther?
0:51:24 > 0:51:26He went this way.
0:51:27 > 0:51:30Is this what you call "leaving it in the room"?
0:51:31 > 0:51:34Not this time, Sandra.
0:51:34 > 0:51:37- He's been cleared. - No. He hasn't.
0:51:47 > 0:51:49If you take another swing at me, Brian, be warned,
0:51:49 > 0:51:51I'm not half cut this time.
0:51:51 > 0:51:55I've got you, you bastard! Oh, I've bloody got you!
0:51:55 > 0:51:57You've got nothing.
0:51:57 > 0:52:02Those statements were supposed to be given independently, but the three of you colluded!
0:52:02 > 0:52:05Or maybe the three of us can't spell, eh?
0:52:05 > 0:52:08Good luck hanging us out to dry with that.
0:52:08 > 0:52:10I left Anthony Kaye in your care!
0:52:12 > 0:52:15Have you any idea what state you were in that night?
0:52:15 > 0:52:18What did you think we were going to do? Take the fall?
0:52:18 > 0:52:24Or stick it all on the drunk who could barely stand up let alone remember who said what?
0:52:24 > 0:52:26I remember better than you think.
0:52:26 > 0:52:30Why are you still buggering on about this?!
0:52:30 > 0:52:35He was a scumbag! A wretched little bastard whose entire life was already mapped out for him.
0:52:35 > 0:52:37- Somebody loved him! - Not enough.
0:52:37 > 0:52:39You let Anthony Kaye die!
0:52:39 > 0:52:42I didn't let him die. None of us did.
0:52:42 > 0:52:46We just didn't waste any time or energy caring either way.
0:52:46 > 0:52:47HE LAUGHS
0:52:47 > 0:52:50Yeah, that's it, isn't it?
0:52:50 > 0:52:53You do care.
0:52:53 > 0:52:58You care about these deadbeats, lost causes.
0:52:58 > 0:52:59Why is that?
0:53:01 > 0:53:03Brian!
0:53:05 > 0:53:09Oh, I get it. It's because you are a lost cause.
0:53:11 > 0:53:15How much of your retirement have you pissed away on dead weight like Kaye
0:53:15 > 0:53:18when you should have been spending your time at home?
0:53:18 > 0:53:20Brian, let him go!
0:53:22 > 0:53:25There's nothing at home, is there?
0:53:25 > 0:53:29Is that why you fill your head with facts and figures about other people's lives?
0:53:29 > 0:53:30Have you got no life of your own?
0:53:33 > 0:53:36Come back to me, Brian!
0:53:46 > 0:53:51Yeah, you're right...I do care.
0:53:51 > 0:53:53I'm happy for you.
0:53:53 > 0:53:56And I've done more good at UCOS than I ever did before.
0:53:56 > 0:53:59Yeah, working cases nobody was bothered about in the first place?
0:54:01 > 0:54:05When was the last time you attained justice for somebody, eh?
0:54:07 > 0:54:09Do you remember what that felt like?
0:54:11 > 0:54:13Did you even know what it felt like?
0:54:15 > 0:54:19Or was it always about climbing up the pay scale? Huh? Getting on?
0:54:21 > 0:54:24Yes, it was, wasn't it?
0:54:24 > 0:54:27That's all it was!
0:54:30 > 0:54:35And to think I chased you round the Hope, round the Horn...
0:54:35 > 0:54:37HE LAUGHS
0:54:37 > 0:54:43..round the Norway Maelstrom, round the fires of Perdition!
0:54:43 > 0:54:45What are you banging on about?!
0:54:47 > 0:54:50All that time...
0:54:50 > 0:54:53All those years!
0:54:53 > 0:55:00I was chasing nothing more than a...grubby, self-serving opportunist.
0:55:03 > 0:55:06You were never worthy of my attentions, were you?
0:55:10 > 0:55:13You were never remarkable enough.
0:55:22 > 0:55:24Brian...
0:55:24 > 0:55:27Enjoy your retirement...Commander.
0:55:35 > 0:55:39When I became a man, I put away childish things.
0:55:40 > 0:55:42Here. This should be played with.
0:55:42 > 0:55:44I thought you said it was a collectible?
0:55:44 > 0:55:47No, put it with the other stuff for the charity shop.
0:55:47 > 0:55:50Ohh. Are you all right? You hardly touched your breakfast.
0:55:50 > 0:55:53- No, I'm not hungry. - Where are you going?
0:55:53 > 0:55:57- Hunting for a white whale. - Come again?
0:55:57 > 0:56:02- UCOS.- Look at you, back in the fold and ready for anything.
0:56:05 > 0:56:09You know when you asked me what would happen if I wasn't part of UCOS any more?
0:56:09 > 0:56:12- Well, you are part of it. - Yeah, but what if I wasn't?
0:56:12 > 0:56:16- Why...? Has something happened? - No. Not yet.
0:56:16 > 0:56:20But if it did and things changed...
0:56:20 > 0:56:23do you think we'd be all right?
0:56:23 > 0:56:26Well, we'll cross that bridge when we come to it.
0:56:34 > 0:56:35Hmm.
0:56:38 > 0:56:43Ten years ago, I sat here and made you a promise, Anthony.
0:56:46 > 0:56:48I hope you think I've kept it.
0:56:50 > 0:56:53No. No, you're right.
0:56:55 > 0:56:57There is one more thing.
0:56:57 > 0:57:01- You told her you did triathlon? - Yeah, I was trying to impress her.
0:57:01 > 0:57:04- Yeah, but triathlon?! - No, they do veteran's races.
0:57:04 > 0:57:07Anyway, she said she was doing 10K next summer,
0:57:07 > 0:57:10so I asked her what she was going to spend it on.
0:57:10 > 0:57:14- Oh, no. Rumbled, yeah?- Absolutely. Now she won't take my phone calls.
0:57:14 > 0:57:20- Said I only went to the gym to pull birds.- Well, you do, don't you?- Absolutely.
0:57:20 > 0:57:25Er...tell me. What about you and Marcia, then?
0:57:25 > 0:57:28Marcia? Well, that's for me to know and you to find out, pal.
0:57:34 > 0:57:36That is a really nice line, that.
0:57:36 > 0:57:39I've had loads of good feedback on this.
0:57:39 > 0:57:44So let me know how you get on with it. And I'll see if I can get more of that stocking for you, OK?
0:57:44 > 0:57:47All right. Cheers, love. Thank you, my lovely.
0:57:47 > 0:57:49Thank you very much. Thank you.
0:57:49 > 0:57:52Ohh! Hello, my love.
0:57:52 > 0:57:55So you've came back for the two-for-one offer, then?
0:57:55 > 0:57:59I really want you to know that I'm sorry.
0:57:59 > 0:58:02There's no need to be sorry is there, my love? 1.29, please.
0:58:07 > 0:58:10You look after yourself.
0:58:10 > 0:58:13You, too.
0:58:23 > 0:58:25- 'Somebody loved him! - Not enough.'
0:58:25 > 0:58:29'You let Anthony Kaye die!'
0:58:29 > 0:58:34'He was a scumbag! A wretched little bastard whose entire life was already mapped out for him.'
0:58:34 > 0:58:37'I didn't let him die. None of us did.'
0:58:37 > 0:58:41'We just didn't waste any time or energy caring either way.'
0:58:45 > 0:58:48Subtitles by Red Bee Media Ltd