0:00:02 > 0:00:07Arrived at the major crime unit this morning, ready for action. This is my world.
0:00:07 > 0:00:11Feels like the calm
0:00:11 > 0:00:13before the storm.
0:00:15 > 0:00:21But I know that I'll be kicking down doors before long.
0:00:21 > 0:00:27Oh, no! Come on, Brian, come on think, think, think.
0:00:27 > 0:00:32On my way in this morning
0:00:32 > 0:00:38I played a game that keeps me sharp.
0:00:39 > 0:00:43Spot the criminal.
0:00:43 > 0:00:48It's a game I always win.
0:00:48 > 0:00:51Cop is in my DNA.
0:00:52 > 0:00:56- Morning.- Crying out bloody loud!
0:00:56 > 0:00:58What's the matter, Brian?
0:00:58 > 0:01:03I'm struggling to distil what happened to me this morning down into under 140 characters.
0:01:03 > 0:01:08- Characters?- Yeah, letters and spaces.- What are you talking about? - Twitter.
0:01:08 > 0:01:12- Oh, gawd.- There's a countdown thing tells you how many characters you've got left.
0:01:12 > 0:01:17- Turns red when you get below ten, which is actually quite intimidating.- Brian!
0:01:17 > 0:01:25I have been watching you all morning and I can sum up what you have achieved in six characters. Sod all.
0:01:25 > 0:01:26Seven.
0:01:26 > 0:01:28You forgot the space.
0:01:29 > 0:01:32# It's all right, it's OK
0:01:32 > 0:01:35# It doesn't really matter if you're old and grey
0:01:35 > 0:01:37# It's all right, I say, it's OK
0:01:37 > 0:01:40# Listen to what I say
0:01:40 > 0:01:43# It's all right, you're doing fine
0:01:43 > 0:01:46# It doesn't really matter if the sun don't shine
0:01:46 > 0:01:48# It's all right, I say, it's OK
0:01:48 > 0:01:51# We're getting to the end of the day! #
0:01:53 > 0:01:57Must be roundabouts. That's twice you went wrong at a roundabout.
0:01:57 > 0:01:58I was doing what you told me.
0:01:58 > 0:02:01You were not doing what I told you, at all.
0:02:01 > 0:02:03- Well, we're here now.- I said go left
0:02:03 > 0:02:07and you went right. What do you expect, you're dyspraxic.
0:02:07 > 0:02:09- I'm what?- Dyspraxic.
0:02:09 > 0:02:11Sorry, guv, the sat nav went wrong.
0:02:11 > 0:02:15- I didn't!- It's the longest bleeding shortcut ever.- Where's Jack?
0:02:15 > 0:02:17Trying to get hold of some CCTV tapes.
0:02:17 > 0:02:19Right, over the last few nights,
0:02:19 > 0:02:23these and six other high-profile locations have been defaced with the same graffiti.
0:02:23 > 0:02:25Who's Flak?
0:02:25 > 0:02:28Flak, the graffiti artist, you know
0:02:28 > 0:02:31the one who did the philosophical comments on modern life.
0:02:31 > 0:02:35- Real name, Danny Tyler. Follow me. - Flak.
0:02:36 > 0:02:39His body was found four years ago dumped down by those tracks.
0:02:39 > 0:02:43- Cause of death? - Head trauma from a blunt instrument.
0:02:43 > 0:02:49Autopsy states that he'd been in a fight and was moved round about an hour after his death.
0:02:49 > 0:02:52Danny Tyler's street art goes for big bucks now, you know.
0:02:52 > 0:02:57- I've read about it. He's famous. - I've never heard of him.
0:02:57 > 0:03:02He did that, Good Morning Lemmings graffiti, that you saw coming off the M4 at Hammersmith.
0:03:02 > 0:03:07It summed up perfectly the existential angst of the average commuter.
0:03:07 > 0:03:13Well, maybe some poor sod who'd been stuck in traffic for five days on the trot
0:03:13 > 0:03:17didn't want his angst to be pointed out by some smart-arsed vandal.
0:03:17 > 0:03:19Narrows it down to a few million suspects.
0:03:19 > 0:03:22Look, you're both missing the point. He was funny.
0:03:22 > 0:03:27- He made you smile. - That's where they found him. His body was thrown off this bridge.
0:03:29 > 0:03:34Now the original investigation never got full co-operation from the graffiti community
0:03:34 > 0:03:36so eventually it just ran out of steam.
0:03:38 > 0:03:40Look at that,
0:03:40 > 0:03:42I killed Flak.
0:03:59 > 0:04:00Mr Tyler?
0:04:02 > 0:04:04That's me.
0:04:04 > 0:04:06Detective Superintendent Pullman.
0:04:06 > 0:04:11This is my colleague Gerry Standing. We'd like to talk to you about the death of your son.
0:04:14 > 0:04:19- A Southpaw.- What do you reckon, five eight, five ten?
0:04:19 > 0:04:20Male or female?
0:04:20 > 0:04:23Hard to tell in those clothes.
0:04:26 > 0:04:28Think he or she is trying to tell us something?
0:04:30 > 0:04:34I always knew it was one of those vandals that killed him.
0:04:34 > 0:04:37They were jealous. Danny was better than them.
0:04:37 > 0:04:43- His success made them feel like failures.- So are you saying that he acted like he was better than them?
0:04:43 > 0:04:47No, he just was. That's why he's the one they write books about.
0:04:48 > 0:04:52His mother died when he was a baby and you raised him alone. That must have been really hard.
0:04:52 > 0:04:57- I had no choice, did I?- You must have been doing something right if he bought you that.
0:04:59 > 0:05:02Danny bought me this when he was seven, before he knew any better.
0:05:02 > 0:05:05He was ten or 11 before he chucked it against the wall.
0:05:05 > 0:05:11- Why?- I'd been drinking and not turned up to something that important. Can't remember what, exactly.
0:05:11 > 0:05:16- Things were never the same between us after that.- According to the original investigation,
0:05:16 > 0:05:21Danny never made a will, so you being the next of kin inherited his estate.
0:05:21 > 0:05:23Yeah, that's right.
0:05:25 > 0:05:27I know what you're thinking.
0:05:28 > 0:05:30What happened to it?
0:05:30 > 0:05:32I gave it to charity.
0:05:33 > 0:05:38If Danny had made a will he wouldn't have left any of it to me.
0:05:38 > 0:05:40Now then...
0:05:39 > 0:05:40BEEP
0:05:40 > 0:05:41Yes, double figures.
0:05:41 > 0:05:44- What is?- My followers.
0:05:44 > 0:05:45I've got ten of them now.
0:05:45 > 0:05:51- Same clothes, same build, same person.- Busy hoodie.- Yeah, who knew where the body was dumped.
0:05:51 > 0:05:56Now is there any connection between him and Kevin Magz Humphreys
0:05:56 > 0:05:59or Gail Begga Shaw, Jason Konz Bishop
0:05:59 > 0:06:05and the deceased, Danny Flak Tyler, otherwise collectively known as The Maze Crew.
0:06:05 > 0:06:08Do the intel, Brian, I want to know where they were
0:06:08 > 0:06:11at those times on Wednesday and Thursday night.
0:06:10 > 0:06:11BEEP
0:06:14 > 0:06:1611!
0:06:31 > 0:06:33Look at that.
0:06:35 > 0:06:36Why?
0:06:49 > 0:06:52- He's left-handed.- He's ambidextrous.
0:06:52 > 0:06:54Kevin Humphreys?
0:06:55 > 0:06:56Yeah.
0:06:57 > 0:07:00- what's your name, beautiful? - We're with the Met.
0:07:00 > 0:07:06- Detective Superintendent Pullman. - Shame you're plain clothes, I like a woman in uniform.
0:07:06 > 0:07:09We want to talk to you about Danny Tyler.
0:07:11 > 0:07:14- He was a friend of yours, right? - Mm-hm.
0:07:14 > 0:07:17You told the previous investigation that when you met him
0:07:17 > 0:07:21he was sleeping rough a lot so he ended up staying at your place.
0:07:21 > 0:07:25On and off, yeah. Danny knew he could always stay at mine.
0:07:25 > 0:07:29But you didn't see much of him in the two years previous to the murder.
0:07:29 > 0:07:35- Why was that?- That's the way it went between us.- You had a disagreement? - Nah, he just sold out and moved on.
0:07:35 > 0:07:37Got successful, you mean?
0:07:37 > 0:07:40- Not my kind of success.- Meaning?
0:07:40 > 0:07:44- Danny forgot what graffiti's for. - What is it for?
0:07:44 > 0:07:48Changing the crap urban landscape that most people live in.
0:07:48 > 0:07:52Owning your streets. Stuff you will never understand.
0:07:52 > 0:07:55- Breaking the law.- Your law, not mine.
0:07:55 > 0:08:00- Graffiti shouldn't be hung in galleries. Is that what you're saying?- They got enough pictures.
0:08:00 > 0:08:03Why'd they need ours? So rich people can buy them and keep it to themselves?
0:08:03 > 0:08:06That's not the point, it never has been
0:08:06 > 0:08:08and Danny knew that.
0:08:08 > 0:08:10He took their money anyway.
0:08:10 > 0:08:13Yeah, and for that he got burnt.
0:08:13 > 0:08:17Where were you at 11:40 last Wednesday night?
0:08:17 > 0:08:19At home
0:08:19 > 0:08:21with my girl
0:08:21 > 0:08:23making love!
0:08:23 > 0:08:25And at 1:25 the next morning?
0:08:25 > 0:08:30Oh, the same. It was a Tantric all-nighter as it happens. I'm a marathon man, me.
0:08:31 > 0:08:38- I've got the photos to prove it if you wanna take a look.- I'll pass. - What about midnight Thursday?
0:08:38 > 0:08:41Out tagging with my crew. Ask them if you want.
0:08:42 > 0:08:45When was the last time you saw or spoke to Danny?
0:08:47 > 0:08:51Just after he sold his first piece. He said he was leaving the crew.
0:08:51 > 0:08:54I told him he'd regret it. That he needed us.
0:08:54 > 0:08:58But Danny never listened to anyone unless they were telling him what hot shit he was.
0:09:01 > 0:09:04Now, if you don't mind, I've got a wall to paint.
0:09:12 > 0:09:14Guv.
0:09:14 > 0:09:16Kevin!
0:09:17 > 0:09:19Good catch.
0:09:20 > 0:09:24OK, first of all, please, don't call me at work again. They can't know I'm talking to the police.
0:09:24 > 0:09:29Secondly, Begga's dead, as dead as Flak. You're looking at a different person now.
0:09:29 > 0:09:33Yeah, we understand, Gail. We just need to know more about Danny Tyler.
0:09:33 > 0:09:36Like I said, I told the police everything back then.
0:09:36 > 0:09:41Tell us about your relationships with Kevin Humphreys and the deceased.
0:09:41 > 0:09:44I'd been with Kevin a couple of years when Danny joined the crew.
0:09:44 > 0:09:48Danny was like my little brother. We had a laugh together but it was platonic.
0:09:48 > 0:09:53Then he left the crew and I missed him so much, I realised I'd fallen in love with him.
0:09:53 > 0:09:56So you finished with Kevin and started seeing Danny.
0:09:57 > 0:09:59How did Kevin take to that?
0:09:59 > 0:10:02Badly at first but then he moved on.
0:10:02 > 0:10:04Kev's never been short of female company.
0:10:04 > 0:10:06- Did they fall out over you?- Yeah.
0:10:06 > 0:10:11They never spoke again. I felt bad about that but what could I do? I needed to be with him.
0:10:11 > 0:10:16- Sounds like you had no choice. - We didn't. When we were together, I couldn't take my eyes off him.
0:10:16 > 0:10:19He said I made him feel worth loving.
0:10:19 > 0:10:24- Plus he was a genius. That's powerful stuff when you're 20. - So you rated his art?
0:10:24 > 0:10:28He had more talent than most of the taggers in London put together.
0:10:28 > 0:10:33- Check it out for yourselves. There's a sale on at a gallery on the South Bank.- OK, right.
0:10:33 > 0:10:37Now here's what we know about Danny Tyler's final 12 hours.
0:10:37 > 0:10:42Sometime around 4:45, a worker at Urban Art, Brewer Street
0:10:42 > 0:10:45remembers selling him a load of Molotov spray paint.
0:10:45 > 0:10:50At 4:50 he withdrew 150 quid from a cash point in Shaftesbury Avenue.
0:10:50 > 0:10:55Now he was caught on CCTV at 5:30 arriving back at his studio
0:10:55 > 0:11:02and the last time he was seen, again on CCTV, he was leaving the studio at 11:25.
0:11:02 > 0:11:06So that means sometime between 12 midnight and 4am
0:11:06 > 0:11:09he was murdered.
0:11:09 > 0:11:12It occurs to me we might be looking at this the wrong way.
0:11:12 > 0:11:15That the graffiti isn't necessarily a confession.
0:11:15 > 0:11:19- My thoughts exactly.- Why would you advertise you did it, if you didn't?
0:11:19 > 0:11:23Maybe someone wants the case reopened.
0:11:26 > 0:11:30- A long way from the gritty streets he used to tag, eh?- Not half.
0:11:34 > 0:11:38"An Eye For An Eye And The Whole World Needs Contacts."
0:11:38 > 0:11:42- Doesn't do it for me.- Oh, I think it's rather clever, the way he uses the Gandhi image
0:11:42 > 0:11:47and the famous quote, then gives it a contemporary controversial twist.
0:11:47 > 0:11:51You're spot on, An Eye For An Eye is one of my favourite pieces.
0:11:51 > 0:11:52I see it hasn't sold.
0:11:52 > 0:11:58No, but it will. I don't think we've met, I'm Sara Hamlyn, this is my gallery.
0:11:58 > 0:11:59Er, Jack Halford.
0:11:59 > 0:12:02- This is my associate. - Sandra Pullman, hello.
0:12:02 > 0:12:06- Er, is it expensive?- The price reflects the quality of the work.
0:12:06 > 0:12:10- In other words, yes, it is. - He is very in demand.
0:12:10 > 0:12:13- You're Flak's dealer, aren't you? - Yes.
0:12:13 > 0:12:18I discovered him on the street doing this incredible piece of freestyle graffiti
0:12:18 > 0:12:21with the message, "Life is not a sentence."
0:12:21 > 0:12:23I could tell he had something very special.
0:12:23 > 0:12:27So I encouraged him and nurtured him, really.
0:12:27 > 0:12:29Wasn't he murdered?
0:12:29 > 0:12:31Tragically, yes, and just as he was becoming a star.
0:12:31 > 0:12:35So there's only a limited amount of work available to buy.
0:12:35 > 0:12:40Yes, that's right. He was prolific but the vast majority of his work is now in collections.
0:12:40 > 0:12:42And how's that affected the prices?
0:12:42 > 0:12:44They've rocketed.
0:12:44 > 0:12:47He's essentially market proof.
0:12:47 > 0:12:49For instance Eye For An Eye is on for 200, but...
0:12:49 > 0:12:53in a few years I wouldn't be surprised if it was worth half a million.
0:12:54 > 0:12:58- Anyway, I'll be around later if you want to discuss this or any other piece.- Thank you.
0:12:58 > 0:13:00It's good to meet you.
0:13:00 > 0:13:01Enjoy.
0:13:02 > 0:13:06200 grand for that. I need a drink. You coming?
0:13:06 > 0:13:08Do you know, I think I'll mingle.
0:13:14 > 0:13:17What do you think of his work?
0:13:17 > 0:13:20Um, I'm not sure if I'd hang it on any of my walls.
0:13:20 > 0:13:25I prefer actual paintings and anyway, if I want messages I'll listen to my answer machine.
0:13:25 > 0:13:29It's refreshing to meet someone who says what they really think,
0:13:29 > 0:13:32rather than just parroting opinion formers and art critics.
0:13:32 > 0:13:36- Now's the bit when you tell me you've just bought half a dozen.- No.
0:13:36 > 0:13:39- I'm David Bryant. - Sandra Pullman, hello.
0:13:40 > 0:13:43- Two glasses of Krug please. You do drink champagne?- Oh, yes.
0:13:43 > 0:13:47- So are you a fan of his art?- I was one of Danny's early supporters.
0:13:47 > 0:13:50I bought a lot of it. It helped to launch him,
0:13:50 > 0:13:53- but I only have a couple of pieces now. Thank you.- Thank you.
0:13:53 > 0:13:55- Cheers.- Cheers.
0:13:56 > 0:13:58Between you and me
0:13:58 > 0:14:02he only did one, well maybe two, important works.
0:14:02 > 0:14:03Are either of them here?
0:14:04 > 0:14:06No. No.
0:14:08 > 0:14:10This piece reeks of fear.
0:14:10 > 0:14:17Fear of a totalitarian state, fear that the artist's love for a woman will be rejected,
0:14:17 > 0:14:20fear that he'll do something violent in response.
0:14:20 > 0:14:22Fear of impotency.
0:14:22 > 0:14:25- Why impotency?- No bullets.
0:14:29 > 0:14:34- So you're a serious collector.- It's my weakness. If I see something I love I have to have it.
0:14:34 > 0:14:40- No matter what the cost.- Then for you it's just about possessing something beautiful, isn't it?
0:14:40 > 0:14:45Well, truth be told you don't possess art, it possesses you. It's a cliche, but it's true.
0:14:46 > 0:14:47Did you know Danny Tyler well?
0:14:47 > 0:14:53I used to think so. Catherine, where have you been? I turned around and you'd gone.
0:14:53 > 0:14:57- I needed to see Harry and you were busy talking business with that awful man.- This is Sandra.
0:14:57 > 0:15:01- We were just discussing Danny Tyler's work.- Hello.- Hello.
0:15:01 > 0:15:04Catherine, Sandra prefers traditional painting as well.
0:15:04 > 0:15:07- Has he been trying to convert you? - No, I don't think so.
0:15:07 > 0:15:10He would have done. My husband is a zealot.
0:15:10 > 0:15:14He'd rather have a Emin or a Hirst than a dozen Constables any day.
0:15:14 > 0:15:16You make it sound like it's a bad thing.
0:15:17 > 0:15:21- How much longer do you want to stay, darling?- Not long.
0:15:21 > 0:15:23Well, I must drag him away.
0:15:23 > 0:15:26- He's all yours.- I enjoyed our conversation.
0:15:26 > 0:15:27Bye-bye.
0:15:27 > 0:15:29Nice to see you, Sandy.
0:15:29 > 0:15:32Sandra... And you.
0:15:41 > 0:15:43Oi, police!
0:15:43 > 0:15:45Get the car.
0:16:29 > 0:16:30Too fast.
0:16:31 > 0:16:33- Come on, Jack!- Prints.
0:16:45 > 0:16:47- Jason Bishop?- Yeah, man.
0:16:47 > 0:16:50We're from the Met. We'd like a chat.
0:16:50 > 0:16:51No worries.
0:16:52 > 0:16:57Downside to being a club DJ, no sleep. Can't survive without my coffee.
0:16:59 > 0:17:04- You sure you don't want one? - No, thank you, Mr Bishop. - Nice motor.
0:17:04 > 0:17:05Oh, cheers.
0:17:05 > 0:17:08And it's Jason. Or Konz.
0:17:10 > 0:17:15All right, Jason, tell me about your friendship with Danny Tyler.
0:17:15 > 0:17:17We were pretty tight.
0:17:17 > 0:17:20Into the same kinda music, graffiti, that sort of thing.
0:17:20 > 0:17:23And did you two stay close?
0:17:23 > 0:17:24Yeah.
0:17:24 > 0:17:30Saw him most days at the studio. He let me have some space there to work on my graffiti art and my music.
0:17:30 > 0:17:33- You still go out tagging? - Nah, wish I could.
0:17:33 > 0:17:35Ain't got the time.
0:17:35 > 0:17:39I'm booked solid these days, sometimes two or three venues a night,
0:17:39 > 0:17:42plus a few days here in the week.
0:17:42 > 0:17:47It's gone mental for me the last couple a years. Which is the dog's cos music's my life, man.
0:17:47 > 0:17:50Where were you last Wednesday between 11:30pm and half one?
0:17:51 > 0:17:54- Why do you ask that?- We'd just like to know.
0:17:55 > 0:17:58I would have been working. Club called The Chapel up in Luton.
0:17:58 > 0:18:02Finished my set there around two-ish and then I'd been driving home.
0:18:02 > 0:18:05Do you keep in touch with any of the old Maze crew?
0:18:05 > 0:18:09Not since Gail got herself an office job and went all respectable.
0:18:09 > 0:18:10What about Kevin Humphreys?
0:18:11 > 0:18:15Haven't seen him in two, maybe three years.
0:18:15 > 0:18:20- Why not?- No particular reason.- Was there any friction between the two of you?
0:18:20 > 0:18:21No.
0:18:22 > 0:18:26No, no, no. Jason Bishop lied to us. They've fallen out.
0:18:26 > 0:18:27- What about?- Dunno.
0:18:27 > 0:18:30It could be Danny's murder or it could be something else.
0:18:30 > 0:18:31- Worth looking into though.- Yeah. - Yes!
0:18:34 > 0:18:40Oh, there's nothing quite so satisfying as the perfect 140 character update.
0:18:40 > 0:18:42You need help, mate.
0:18:42 > 0:18:46- Thank you, Billy. That's the big 4-0.- Billy?
0:18:46 > 0:18:49- It's my fortieth follower. - Who exactly are these weird people?
0:18:49 > 0:18:52- Fellow citizens of the info waves. - What and you follow
0:18:52 > 0:18:57- what they're up to, do you? - Not if I can help it. No.
0:18:57 > 0:18:59- Seems a bit one-sided, Brian. - No, no, no.
0:19:00 > 0:19:05They're interested in what I do and, well, that's great. So I'm happy to provide a service.
0:19:05 > 0:19:11But, no, I don't want to hear all about the emotional roller coaster that is their life.
0:19:11 > 0:19:12HE TITTERS
0:19:12 > 0:19:15Hey, do you mind, that's just for my followers.
0:19:15 > 0:19:17Have a listen.
0:19:17 > 0:19:20"I've never had a problem with violent criminals.
0:19:20 > 0:19:23"I speak their language. Fluently.
0:19:23 > 0:19:26Ooh, Top Cop 999, don't hurt me!
0:19:26 > 0:19:28That's what he calls himself, Top Cop 999!
0:19:28 > 0:19:33Yes, yes, yes, go on Gerry, you laugh it up. Just mock what you don't understand.
0:19:33 > 0:19:36No wonder you've had so many followers. They think you're Dirty Harry.
0:19:36 > 0:19:39If we could just come back into the real world for a moment,
0:19:39 > 0:19:44according to these British Transport Police reports the Maze Crew were a right bunch of outlaws.
0:19:44 > 0:19:50Listen to this. "We pursued the subjects between moving trains narrowly avoiding the live rail,
0:19:50 > 0:19:54"but lost them after they climbed a drain pipe up a four-storey building."
0:19:54 > 0:19:59- And there's pages of this.- Were they ever caught?- A couple of times. They got off with a caution.
0:19:59 > 0:20:04All right, we'll go and have a chat with Kevin Humphreys and see what his beef is with Jason.
0:20:04 > 0:20:06NEW YORK ACCENT: That OK with you, Top Cop?
0:20:16 > 0:20:20- I'm not sure about leaving the car here.- It's insured, isn't it?
0:20:20 > 0:20:23- It's a classic!- Gerry, it's a pile of shit!
0:20:28 > 0:20:31- Is Kevin in?- Who is it?
0:20:31 > 0:20:36Tell him that Detective Superintendent Pullman wants a word, Gail. It is Gail, isn't it?
0:20:44 > 0:20:45Kevin...
0:20:47 > 0:20:49- You two an item again?- Yeah.- No.
0:20:49 > 0:20:51Which is it?
0:20:51 > 0:20:56- Is Gail the lucky lady you were with the other night?- She is!
0:20:56 > 0:21:00- It ain't like we're moving in together or nothing.- Can't say I blame you.
0:21:00 > 0:21:06So when you lived with Danny did, er, did you two ever sleep together? You know, for old times' sake?
0:21:06 > 0:21:10- Never. I was faithful to Danny. - You can see why I ask, though?
0:21:10 > 0:21:13First of all you're with Kevin then Danny and now back with Kevin again.
0:21:13 > 0:21:15No law against that is there?
0:21:15 > 0:21:19I've been reading about The Maze Crew's encounters with the Transport Police.
0:21:19 > 0:21:24- Whoa, your lot certainly gave them the run-around, didn't you? - Just youthful high spirits.
0:21:24 > 0:21:27Oh, please, don't be modest, you were legends.
0:21:27 > 0:21:30- We had our moments.- So what happened?
0:21:30 > 0:21:31How do you mean?
0:21:31 > 0:21:34What's the problem with you and Jason Bishop?
0:21:34 > 0:21:40Oh, the problem is he got the hump when I dissed his DJ-ing skills
0:21:40 > 0:21:43and the whiney little bitch hasn't spoken to me since.
0:21:43 > 0:21:45- That's it?- Jason's always been touchy.
0:21:47 > 0:21:51- Guvnor, is it all right if I just go and check the car for a minute? - Yeah, yeah.
0:22:21 > 0:22:26Ah! Guvnor, Bowens Bookshop is in Soho.
0:22:26 > 0:22:31So why did Kevin Humphreys take photographs of the ATM next door?
0:22:31 > 0:22:35- Maybe he was planning a particularly complex bit of graffiti. - On a cash point?
0:22:35 > 0:22:41Now the photos look like they were studying the surroundings, you know, casing the joint.
0:22:41 > 0:22:44- Maybe that's how he makes a living. - Photographing cash machines?
0:22:44 > 0:22:46- No, robbing them.- Hang on.
0:22:46 > 0:22:51Six or seven years ago, there was a spate of cash point raids.
0:22:51 > 0:22:57The gang used oxyacetylene torches to cut round them and
0:22:57 > 0:23:01then they'd drag the cash machine out of the wall using a big stolen 4 x 4.
0:23:03 > 0:23:07Thing is, they used to spray anti-capitalist graffiti around the hole.
0:23:07 > 0:23:11I think they did about half a dozen of them and then suddenly stopped
0:23:11 > 0:23:15and if my memory serves, no-one was actually apprehended.
0:23:15 > 0:23:18Yeah, here we are, no arrests.
0:23:18 > 0:23:23- The last raid was March 2004. - About the time Danny became an artist and left The Maze Crew.
0:23:23 > 0:23:27According to this, there were four gang members.
0:23:27 > 0:23:31Oh, this is good - they were pursued by the police on one occasion
0:23:31 > 0:23:34after an aborted raid but managed to get away
0:23:34 > 0:23:38by running across some live rail tracks and then climbing up a four-storey building.
0:23:38 > 0:23:40Sounds familiar.
0:23:40 > 0:23:45- A Maze Crew MO.- So are we saying that apart from tagging walls
0:23:45 > 0:23:49the Maze crew were ripping off cash point machines?
0:23:49 > 0:23:52And then it all stopped when Danny left and the crew broke up,
0:23:52 > 0:23:56but now maybe Kevin Humphreys and possibly Gail are back at it.
0:23:56 > 0:23:58Yes, I think we are.
0:23:58 > 0:24:01I'll make some calls.
0:24:04 > 0:24:05Oh, I see.
0:24:08 > 0:24:10No, we didn't know, sir.
0:24:10 > 0:24:12Yes, that was checked.
0:24:16 > 0:24:19Can you just bear with me for a second, please?
0:24:25 > 0:24:27Brian,
0:24:27 > 0:24:31- did anything come up when you did the intel on Kevin Humphreys?- Intel?
0:24:31 > 0:24:32What intel?
0:24:32 > 0:24:36I asked you to check the crew before we talked to them.
0:24:36 > 0:24:38Do you know what,
0:24:39 > 0:24:45- I forgot.- Yeah, because you're too distracted by bloody Twitter to do your job properly!
0:24:52 > 0:24:55I'm really sorry, sir, there was an oversight on our part.
0:24:56 > 0:24:59Yeah, yeah I understand. I feel exactly the same way.
0:25:00 > 0:25:02Can you just hold on a second? What?!
0:25:02 > 0:25:06Tell him the up side is Gerry's got some A1 intel.
0:25:06 > 0:25:08I was about to.
0:25:14 > 0:25:19There is some good news, sir. Gerry may have found some recon photos of a potential target.
0:25:19 > 0:25:25So is Top Cop 999 going to mention this all action cock-up on his next update?
0:25:26 > 0:25:32- I know, I messed up.- Oh, yes, Brian, you did. SO11 had Kevin Humphreys under surveillance
0:25:32 > 0:25:37since a cash point raid in Charing Cross four weeks ago and they are not happy we've crashed their party!
0:25:37 > 0:25:40I'm really sorry.
0:25:43 > 0:25:46According to an informant, there's something planned for the 18th.
0:25:46 > 0:25:50- The 18th, that's Friday! - Yes, Gerry and thanks to you they now know where.
0:25:50 > 0:25:55So you're off the hook, Brian, but the next time I ask you to do something just bloody well do it!
0:25:55 > 0:25:59So they want us to hold back on Kevin Humphreys until after the event?
0:25:59 > 0:26:04No. Resources are stretched this weekend, so I'm heading up the operation. You're coming with me.
0:26:04 > 0:26:07- Whoa, whoa, whoa, I've got plans. - Change them!
0:26:10 > 0:26:12Way to go, Serpico.
0:26:36 > 0:26:38Anything from your position? Over.
0:26:41 > 0:26:43Nothing. Over.
0:26:45 > 0:26:47- Here you go.- Oh, cheers, you keeping up?
0:26:47 > 0:26:51Only just. I'm getting too old for this game.
0:26:52 > 0:26:54Getting too old for making tea?
0:26:55 > 0:26:57Thank you, was that?!
0:27:02 > 0:27:03Don't even think about it!
0:27:03 > 0:27:05What?
0:27:05 > 0:27:09Oh, come on, Sandra I've got to stay connected to me followers!
0:27:10 > 0:27:12- You can't do that!- I just have.
0:27:13 > 0:27:17- This is infringing my human rights. - You listen to me Top Cop, I'm going to join Twitter
0:27:17 > 0:27:21and tell all your followers what you're really like. Understand?
0:27:22 > 0:27:24OK.
0:27:26 > 0:27:30SO11 just made contact. They've lost the target.
0:27:30 > 0:27:31They think he's on his way over.
0:27:31 > 0:27:34- Over.- Received. Over.
0:27:36 > 0:27:42- Huh, makes you laugh doesn't it, all we had was a pair of shin pads. - That's health and safety for you.
0:27:42 > 0:27:46It's all risk assessment these days, innit? Still, I think we'll let them go in first, eh?
0:27:46 > 0:27:49Be rude not to. Seeing as they're all dressed up for it.
0:28:00 > 0:28:03Suspects approaching target. Over.
0:28:18 > 0:28:21Stand still! Police! You're under arrest!
0:28:21 > 0:28:23We've got a runner!
0:28:23 > 0:28:25Move. I've got two men out there.
0:28:25 > 0:28:28Stay where you are! Come here!
0:28:30 > 0:28:31You're under arrest.
0:28:32 > 0:28:34Whoa...ho-ho!
0:28:40 > 0:28:41Nice one.
0:28:41 > 0:28:45Do the words "caught" and "red-handed" spring to mind, Kevin?
0:28:45 > 0:28:49- No comment.- You can sit there saying "no comment" all day long, Kevin,
0:28:49 > 0:28:51but you're going down for that cash point raid.
0:28:53 > 0:28:55It's all just a big act with you, isn't it?
0:28:55 > 0:29:01You pretend you're about integrity and not selling out but in fact you're only interested in money.
0:29:01 > 0:29:04- Is that why you killed Danny Tyler? - I didn't kill him!
0:29:04 > 0:29:09Oh, come on, I reckon you two fell out over the money from the ATM raids
0:29:09 > 0:29:13- that the old The Maze Crew did.- It never happened.- What didn't? - None of what he just said.
0:29:13 > 0:29:17- There you go again. Lying to us. It's gotta stop, Kevin. - Where were you the night he died?
0:29:17 > 0:29:21I told you lot before, I was with my old man.
0:29:21 > 0:29:22God rest his soul.
0:29:24 > 0:29:27Did you hate Danny for stealing away Gail?
0:29:28 > 0:29:33After all you'd done for him, he betrays you over a woman. Broke up the crew. Tossed you aside.
0:29:33 > 0:29:36- Talk about disrespect.- Sounds as if he had it coming.
0:29:36 > 0:29:41- He made you look like a mug.- Got her back now though, don't I?- Is that why you killed him? To get her back?
0:29:41 > 0:29:45You should be interrogating Jason Bishop, he was the one that hated Danny.
0:29:45 > 0:29:48I never did nothing to him, you hear? Nothing!
0:29:49 > 0:29:50Why would Jason hate Danny?
0:29:53 > 0:29:57Co-operate now and it will look good for you in court.
0:30:06 > 0:30:09Jason reckoned Danny stole his graffiti style.
0:30:09 > 0:30:12- And then got rich and famous. - That's right.
0:30:12 > 0:30:14But they were friends until he died.
0:30:14 > 0:30:18Jason worked out of his studio. Why would he do that if he hated him?
0:30:18 > 0:30:23Because all Jason ever wanted was to be famous. Danny said he'd share the limelight with him.
0:30:24 > 0:30:27Maybe Jason got fed up of waiting.
0:30:27 > 0:30:29LOUD MUSIC
0:30:40 > 0:30:41Jason!
0:30:42 > 0:30:44Oi, Konz!
0:30:54 > 0:31:00- What do you want? - A few questions, won't take long. - Let's hear 'em, then.
0:31:00 > 0:31:04How did you feel about Danny stealing your graffiti style?
0:31:04 > 0:31:09Everybody steals from everybody else in graffiti. That's how it works.
0:31:09 > 0:31:12You see something you like, you borrow it. Pay homage.
0:31:12 > 0:31:17- We always influenced each other. - Only he got famous and all the money.
0:31:17 > 0:31:20- Danny had a lucky break. - Weren't you bitter about that?
0:31:21 > 0:31:26No way. It was Danny's idea that I have some space in his studio in the first place.
0:31:26 > 0:31:32He said that way people that were coming to see him would also get to see my work or hear my music.
0:31:32 > 0:31:34He was helping me.
0:31:35 > 0:31:37We was gonna be stars together.
0:31:42 > 0:31:46Come along if you like. It's gonna be a banging night.
0:31:46 > 0:31:49We know about the ATM raids.
0:31:49 > 0:31:51No idea what you're talking about.
0:31:51 > 0:31:52Kevin's been charged.
0:31:52 > 0:31:55- That's nothing to do with me. - Oh, come on,
0:31:55 > 0:31:59the Maze Crew were doing more than a spot of al fresco decoration.
0:31:59 > 0:32:02They were at it and these were serious jobs.
0:32:02 > 0:32:05Not when I was in it.
0:32:07 > 0:32:12Grab your coat, Top Cop, you're off the bench. Forensics pulled a print off Jack's car.
0:32:12 > 0:32:15- There's a match on the database. - Oh, what's his name?
0:32:15 > 0:32:18Shane Evens, lives in Wembley. Come on.
0:32:32 > 0:32:34Arrow looks familiar.
0:32:34 > 0:32:36Yeah, very deja vu.
0:32:46 > 0:32:48Come back later.
0:33:01 > 0:33:05- Shane Evens? - Nah, wrong floor. He lives on two.
0:33:07 > 0:33:11- Get off me! - We just want to talk to you.
0:33:12 > 0:33:14We know it's you on the CCTV.
0:33:14 > 0:33:19Congratulations, Shane, you're now our prime suspect in the murder of Danny Tyler.
0:33:19 > 0:33:22Which means that life as you know it is over.
0:33:22 > 0:33:26Give me one good reason why I shouldn't charge you right now.
0:33:27 > 0:33:32Look, I never even met the bloke, let alone killed him.
0:33:32 > 0:33:35So why do you go around spraying graffiti claiming that you did?
0:33:42 > 0:33:48Some posh bird with a nose stud gave me 400 quid to do it, all right.
0:33:50 > 0:33:52Hello.
0:33:52 > 0:33:57If you've come about An Eye For An Eye, it's been sold but I've got another piece I think you'll love.
0:33:57 > 0:34:01Detective Superintendent Pullman, we're not buying.
0:34:01 > 0:34:03Does the name Shane Evens mean anything to you?
0:34:03 > 0:34:06Should it do?
0:34:06 > 0:34:07How about Redux?
0:34:07 > 0:34:10- That's his tag.- Sorry, I've never heard of him. Is he an artist?
0:34:10 > 0:34:12Depends on your definition.
0:34:12 > 0:34:16He says that you paid him to go around central London spraying "I Killed Flak".
0:34:16 > 0:34:18Me?
0:34:18 > 0:34:21- Why on earth would I do that? - You tell us.
0:34:21 > 0:34:27And just to be clear, lying now would be a serious misjudgement of the situation.
0:34:28 > 0:34:30- OK, I can explain.- Good.
0:34:31 > 0:34:35I hired Shane to do the graffiti
0:34:35 > 0:34:39in order to hype up the media profile on Flak before the sale.
0:34:39 > 0:34:41So it was just an advertising stunt?
0:34:41 > 0:34:43Yes, absolutely. What else would it be?
0:34:45 > 0:34:48Well, you don't think I actually killed him.
0:34:48 > 0:34:49Did you?
0:34:49 > 0:34:52No, of course not.
0:34:52 > 0:34:55Danny and I were great friends.
0:34:55 > 0:34:58His death came as a terrible shock to me.
0:34:59 > 0:35:01And what was your final conversation like?
0:35:01 > 0:35:03Not pleasant.
0:35:04 > 0:35:06- We argued.- About?
0:35:06 > 0:35:11- I'd rather not go into it. - You waste valuable police time and you've hired a vandal
0:35:11 > 0:35:16to deface public property, which - surprise, surprise - is against the law.
0:35:16 > 0:35:19Not to mention how you've made his poor father feel, dredging all this lot up again.
0:35:19 > 0:35:23So tell us what we want to know before I decide to arrest you.
0:35:23 > 0:35:30I'd gone to his studio while Danny was abroad to collect some works and, um,
0:35:30 > 0:35:32I saw a new piece.
0:35:32 > 0:35:35It was different,
0:35:35 > 0:35:38he'd used brushes instead of aerosols but I liked it a lot
0:35:38 > 0:35:44and, um I knew that it would fetch a lot of money. So, I took it along with the others.
0:35:46 > 0:35:48Anyway, a fortnight later
0:35:48 > 0:35:53when Danny got back and saw that it was gone and had been sold
0:35:53 > 0:35:58- he told me it was never meant for public consumption. - And you fell out about it?- Yes.
0:35:58 > 0:36:02He stormed out of the gallery and that was the last I saw of him.
0:36:04 > 0:36:05A week later he was dead.
0:36:05 > 0:36:08What was your cut?
0:36:08 > 0:36:0950%.
0:36:09 > 0:36:11Blimey!
0:36:11 > 0:36:13It's standard.
0:36:13 > 0:36:15Where did it end up?
0:36:15 > 0:36:18Well, let me check my records.
0:36:24 > 0:36:27Er, the painting was called Canvas One.
0:36:27 > 0:36:29Bought by Benedict Savage.
0:36:30 > 0:36:31He's a dealer.
0:36:31 > 0:36:35Actually I've got a photograph of it. Would you like to see it?
0:36:35 > 0:36:41- Please.- I always keep a visual record on file of every piece I handle.
0:36:45 > 0:36:48That's odd. The photo's not here.
0:36:50 > 0:36:53- There was a break-in.- When?
0:36:55 > 0:36:59A few months after Danny's death. Weird thing was they didn't take anything,
0:36:59 > 0:37:04just forced open all the filing cabinets and rifled through them.
0:37:06 > 0:37:08How did they get into the gallery?
0:37:13 > 0:37:16RAPPING: Bad karma kill, like a three dollar bill
0:37:16 > 0:37:19Most of them hacks, end up dead on the tracks...
0:37:19 > 0:37:20What's that?
0:37:20 > 0:37:23That is Jason Bishop.
0:37:23 > 0:37:25What the hell's he talking about?
0:37:25 > 0:37:30Well, what he was saying is that if you do wrong you've got to pay for it.
0:37:30 > 0:37:34The hacks get slaughtered either on the tracks of the music or,
0:37:34 > 0:37:37more literally, end up dead on the railway tracks.
0:37:39 > 0:37:41RAPPING: Who cares if you got rich
0:37:45 > 0:37:46Now you's dead on my track...
0:37:46 > 0:37:50Now, the needle is the stylus, which means that the song is honest.
0:37:50 > 0:37:54Unlike the freestyle, which is graffiti, which is not the real deal
0:37:54 > 0:37:56because the style's been nicked.
0:37:56 > 0:37:58SHE CHUCKLES
0:37:58 > 0:38:00I've got kids!
0:38:00 > 0:38:03- When was it recorded?- 2008.
0:38:03 > 0:38:07So much for everybody steals from everybody else in graffiti, then.
0:38:07 > 0:38:09It's got to be about Danny.
0:38:09 > 0:38:14- Sounds like it, but it doesn't mean he killed him.- Just wanted to.
0:38:14 > 0:38:18He's only had 326 visitors to this site so he's hardly going to bother the charts.
0:38:18 > 0:38:20- Click on that.- Oh, well.
0:38:20 > 0:38:24"Two or three venues a night!" He's lucky if he gets three a month.
0:38:24 > 0:38:27I had to pick up one of the girls from there. It's tiny.
0:38:27 > 0:38:30Hardly room to swing a hamster, let alone a cat.
0:38:30 > 0:38:34- That can't pay him much, can it?- No, it's 100 quid a night at the best.
0:38:34 > 0:38:37I think we ought to look into his finances.
0:38:37 > 0:38:42He has his own record label, runs a 50-grand motor and a high-end website, and they don't come cheap.
0:38:42 > 0:38:44No, they don't.
0:38:44 > 0:38:47So where's all the cash coming from to pay for all this, then?
0:38:47 > 0:38:52- PHONE RINGS - Breaking in through the gallery skylight
0:38:52 > 0:38:55is exactly the kind of stunt that the Maze Crew would pull.
0:38:55 > 0:39:00So maybe Danny wasn't the only one who didn't want the painting being seen.
0:39:00 > 0:39:03Which begs the question, why not? What's in it?
0:39:03 > 0:39:06Hi, yeah, it's Gerry Standing down at UCOS.
0:39:06 > 0:39:10Could you run a vehicle through the PNC for us, all right?
0:39:10 > 0:39:11Yeah, it's a black Range Rover.
0:39:11 > 0:39:14Kilo, Oscar, November, Zulu
0:39:14 > 0:39:17and it's one single digit, the number one.
0:39:17 > 0:39:19Yeah, thanks.
0:39:22 > 0:39:23Yeah...
0:39:25 > 0:39:30This website is owned by TWZ Ltd.
0:39:30 > 0:39:34And that's on the flyer as well. It could be possible...
0:39:34 > 0:39:36Yeah?
0:39:36 > 0:39:39Huh. Brilliant, thanks very much.
0:39:41 > 0:39:45Jason Bishop drives a company car owned by...
0:39:45 > 0:39:48- TWZ.- Pre-xactly.
0:39:48 > 0:39:53So is Jason Bishop an employee of TWZ or is TWZ his own company?
0:39:53 > 0:39:56I'll check with Companies House.
0:39:56 > 0:39:58That was Benedict Savages's assistant.
0:39:58 > 0:40:02Canvas One was, as Sara Hamlyn thought, purchased for a third party.
0:40:02 > 0:40:07- Do we know who? - Yeah, Sir David Bryant. We met him at that exhibition the other evening.
0:40:07 > 0:40:12- He told me that he'd been an early supporter of Danny's work. - Here we go, TWZ Ltd.
0:40:12 > 0:40:17Registered office 52 Fanchurch Road. Er, status active.
0:40:17 > 0:40:22Date of incorporation, 25/10/2006.
0:40:22 > 0:40:27Ooh, interesting. According to their last annual return,
0:40:27 > 0:40:32TWZ has two directors - Jason Bishop and Sir David Bryant.
0:40:32 > 0:40:35Incorporated in October 2006, you say?
0:40:35 > 0:40:38- Yeah.- Five months after Danny died.
0:40:38 > 0:40:40Do millionaire art collector Sir David Bryant
0:40:40 > 0:40:45and third division DJ Jason Bishop seem like natural bedfellows to you?
0:40:45 > 0:40:47- Not at all.- Me neither.
0:40:49 > 0:40:53- Is this the right address? - Yes.- Are you sure?
0:40:53 > 0:40:55Yes!
0:40:55 > 0:40:59You've got to rob an awful lot of cash machines to afford a gaff like this!
0:40:59 > 0:41:02Yeah, I reckon we've bagged ourselves a major criminal here.
0:41:02 > 0:41:04A Mr Big.
0:41:04 > 0:41:06This DJ thing's just a front.
0:41:06 > 0:41:09No wonder he doesn't have many bookings.
0:41:09 > 0:41:11Well, you remember what Balzac said.
0:41:11 > 0:41:14"Behind every great fortune there's a crime."
0:41:14 > 0:41:17Morning.
0:41:17 > 0:41:19I ain't got time for this now.
0:41:19 > 0:41:22Make time!
0:41:22 > 0:41:23Come on in.
0:41:25 > 0:41:27And they say crime doesn't pay.
0:41:27 > 0:41:31Yeah. We're going to have to get a warrant and turn this place over.
0:41:31 > 0:41:33- Definitely.- Why would you do that?
0:41:33 > 0:41:35Because you're obviously living off illicit earnings.
0:41:35 > 0:41:40There's no way you could pay for this being a DJ - and not a very successful one either.
0:41:40 > 0:41:45- We're onto you, son.- Look, you'd be wasting your time turning this place over. It's not even mine.
0:41:45 > 0:41:47Whose is it, then?
0:41:47 > 0:41:50- Me parents' house, all right?- Oh!
0:41:50 > 0:41:52Oh, let's get this straight.
0:41:52 > 0:41:56So you're not only a mockney, you live with Mummy and Daddy!
0:41:56 > 0:42:00Big house. And they're abroad most of the time. Be stupid not to.
0:42:00 > 0:42:03Don't do your street cred much good, does it?!
0:42:03 > 0:42:05Whatever you say, granddad!
0:42:06 > 0:42:10Tell us about your business relationship with Sir David Bryant.
0:42:10 > 0:42:12- We're partners.- How come?
0:42:12 > 0:42:15Met him at Danny's memorial. We got talking.
0:42:15 > 0:42:18Turns out I was at school with his son.
0:42:18 > 0:42:20Bit of a clubber, as it happens.
0:42:20 > 0:42:22Where - Eton, Harrow?
0:42:22 > 0:42:25Westminster, actually.
0:42:25 > 0:42:30Anyway after the memorial I sent Sir David some tracks and mixes that I'd been working on.
0:42:30 > 0:42:33He liked what he heard. So we formed TWZ.
0:42:33 > 0:42:37What, tracks like Bad Karma Kill?
0:42:37 > 0:42:42- That your favourite, is it? - Well, the lyrics are very telling. - Sounds almost like a confession.
0:42:42 > 0:42:45- To what?- Murder.
0:42:45 > 0:42:48Give me a break!
0:42:48 > 0:42:53Only a total moron would write a song about how they'd killed someone, if they actually had.
0:42:53 > 0:42:57- And, like I keep telling ya, Danny was a mate.- Bollocks!
0:42:57 > 0:43:02You were jealous of him and you were bitter cos you think he'd nicked your style.
0:43:02 > 0:43:07The only reason you hung around with him was to get famous. You used him.
0:43:07 > 0:43:09Well, it's not like I was the only one.
0:43:09 > 0:43:12You should have seen Gail pushing him to be more commercial.
0:43:12 > 0:43:14Great big pound signs in her eyes.
0:43:14 > 0:43:18Bottom line is everyone wanted a piece of Danny.
0:43:18 > 0:43:21- What, even Kevin Humphreys? - Kevin was the worst!
0:43:21 > 0:43:24I wouldn't be surprised if he told Gail to hook up with Danny.
0:43:24 > 0:43:26- Why would he do that?- For money.
0:43:26 > 0:43:31Look, Kevin freaked out once he realised that Danny was going to make it big and bail on the crew.
0:43:33 > 0:43:37The next thing you know, Gail's shacked up with Danny and Kevin's all chilled out about it.
0:43:37 > 0:43:42- Which is totally out of character. - So how would Kevin make money?
0:43:42 > 0:43:45Danny was in love with Gail from the moment that he met her, all right?
0:43:45 > 0:43:47She could run rings around him.
0:43:47 > 0:43:51Whatever cash he earned, she made sure she got her share.
0:43:51 > 0:43:54And you think she was kicking some of it back to Kevin?
0:43:54 > 0:43:57Why wouldn't she keep it for herself?
0:43:57 > 0:43:59Because Kevin could get her to do anything he wanted,
0:43:59 > 0:44:02like he'd used some Jedi mind trick on her.
0:44:02 > 0:44:04How much are we talking about?
0:44:04 > 0:44:08When Danny died, he had about 90 grand in his bank account.
0:44:08 > 0:44:14But I know for a fact that he'd sold at least a million quid's worth of art in his final year.
0:44:14 > 0:44:20Even after you take away the galleries' cut, taxes and whatever he spent on living,
0:44:20 > 0:44:25there's still a couple of hundred thousand there that's just vanished.
0:44:25 > 0:44:27Not too shabby.
0:44:27 > 0:44:29Yeah, I wouldn't fancy the council tax.
0:44:30 > 0:44:32Oh, look - that's us!
0:44:33 > 0:44:36Tradesmen's entrance!
0:44:36 > 0:44:40- Can I help?- Detective Superintendant Pullman from the Unsolved Crime and Open Case Squad.
0:44:40 > 0:44:44- We'd like to speak with your husband, if we may.- What about?
0:44:44 > 0:44:49- We're investigating the murder of Danny Tyler.- Don't I know you?
0:44:49 > 0:44:53- Yeah, we met the other evening at The Hamlyn Gallery.- Oh.
0:44:54 > 0:44:56Thank you.
0:44:58 > 0:45:02What made you go into business with Jason Bishop?
0:45:02 > 0:45:05He seemed like a driven young man, so I invested in him.
0:45:05 > 0:45:09My husband likes to encourage young artists and entrepreneurs.
0:45:09 > 0:45:13When was the last time that you saw or spoke to Danny?
0:45:13 > 0:45:18I bumped into him at a party about, well, a few days before his death.
0:45:18 > 0:45:20- Did you have a conversation? - Of course.
0:45:20 > 0:45:23- I'd just bought a painting of his, we were discussing it.- Canvas One?
0:45:23 > 0:45:26- Yeah.- Do you still own it?- Yeah.
0:45:26 > 0:45:32- Can we see it?- It no longer hangs in the study...unfortunately.
0:45:33 > 0:45:35These days we keep the good stuff in storage.
0:45:37 > 0:45:40We think that its content might be relevant to our investigation.
0:45:40 > 0:45:43- Can you describe it to us?- Well...
0:45:43 > 0:45:47The painting depicts Danny kissing a girl while his gang
0:45:47 > 0:45:51spray graffiti around a hole in the wall that used to house a cash point.
0:45:51 > 0:45:56- In that case, we'll need to see it as soon as possible. - I'll call the warehouse.
0:45:56 > 0:45:59- Tell them to expect you.- Thank you.
0:45:59 > 0:46:03- PHONE RINGS - Gerry. Just leaving. How'd it go?
0:46:03 > 0:46:09Why didn't you sell Canvas One along with the rest of his work?
0:46:09 > 0:46:12Because it was the final piece he ever produced.
0:46:12 > 0:46:15Which makes it perhaps the most important.
0:46:15 > 0:46:17- I think you'll like it.- Why's that?
0:46:17 > 0:46:20Because it's a thing of sad beauty.
0:46:25 > 0:46:26Cheers.
0:46:35 > 0:46:37- Canvas One.- That's it.
0:46:39 > 0:46:42Put into storage 16th May 2006.
0:46:42 > 0:46:44A fortnight after the murder.
0:46:46 > 0:46:47This way.
0:47:01 > 0:47:03- Take your time.- Thank you.
0:47:05 > 0:47:07It's pretty incriminating.
0:47:07 > 0:47:10No wonder Danny didn't want anyone else to see it.
0:47:10 > 0:47:13And I'm guessing neither did Kevin Humphreys, Gail Shaw or Jason Bish...
0:47:16 > 0:47:18Is that blood on the canvas?
0:47:18 > 0:47:21- Looks like it.- We'll fast-track that through Forensics.
0:47:21 > 0:47:23Danny could paint a picture, I'll say that for him.
0:47:25 > 0:47:27Hang on a minute...
0:47:27 > 0:47:29Gerry said that Kevin might have persuaded Gail
0:47:29 > 0:47:32to have an affair with Danny because Danny was getting famous,
0:47:32 > 0:47:34- that they wanted his money.- Mmm.
0:47:35 > 0:47:41Now...if you look, Danny's eyes are closed but Gail is looking at Kevin.
0:47:42 > 0:47:45This picture's not about love. It's about betrayal.
0:47:45 > 0:47:48Danny sussed what they were up to and he painted it.
0:47:55 > 0:47:56Mr Tyler.
0:48:00 > 0:48:04I thought you should see this. Could help your investigation.
0:48:04 > 0:48:07Did he know that you collected all his cuttings?
0:48:07 > 0:48:08No.
0:48:08 > 0:48:10Thank you.
0:48:13 > 0:48:15Thank you.
0:48:33 > 0:48:35HE TAPS KEYS ON LAPTOP
0:48:38 > 0:48:40You better not be tweeting.
0:48:40 > 0:48:41I'm not.
0:48:41 > 0:48:44Top Cop 999 is no more.
0:48:44 > 0:48:47Oh, why's that?
0:48:48 > 0:48:52Because last night Dave The Fish said I was dull.
0:48:52 > 0:48:54Sandra!
0:48:54 > 0:48:57I've quit, Jack, end of story.
0:48:57 > 0:49:02- What?- Ten months before Danny was murdered, there was an article in the Telegraph
0:49:02 > 0:49:07claiming that Sir David Bryant was on the verge of bankruptcy after a series of bad investments.
0:49:07 > 0:49:11It says here he even put his Eaton Square house up for sale.
0:49:11 > 0:49:14Something must have changed for the better or they still wouldn't be living there.
0:49:14 > 0:49:17He told me that he'd sold his collection of Danny's work.
0:49:17 > 0:49:19And Danny's death sent the prices rocketing.
0:49:19 > 0:49:24Call Sara Hamlyn, see what she can tell us about what he bought,
0:49:24 > 0:49:28what he paid for it, when he sold it and how much for.
0:49:28 > 0:49:30You've got something.
0:49:30 > 0:49:33The blood on the painting was AB negative,
0:49:33 > 0:49:36which, as you all well know, is very, very rare.
0:49:36 > 0:49:40- Less than 1% of the population has it.- What was Danny's blood type?
0:49:40 > 0:49:44- AB negative.- Yes! - Oh, no, it gets better than that.
0:49:44 > 0:49:49The forensics have found an undetectable-to-the-naked-eye blood spatter pattern.
0:49:49 > 0:49:52Engaged, no answer-phone.
0:49:52 > 0:49:54Yeah, it says here.
0:49:55 > 0:50:01"It's a medium-velocity blood spatter which is in keeping with an impact from a blunt object."
0:50:02 > 0:50:07You see, lines of the path of each bloodstain converge
0:50:07 > 0:50:10and that puts the body eight feet away from the painting.
0:50:10 > 0:50:13So where was the painting when he was hit?
0:50:13 > 0:50:17According to Sir David, before it went into storage, hanging in the study.
0:50:17 > 0:50:20I'll try and track down the estate agent who dealt with the house.
0:50:20 > 0:50:23Jack, keep hassling Sara Hamlyn until we get some figures.
0:50:28 > 0:50:35Sara Hamlyn said that Sir David sold the majority of his Flak collection for more than £4 million,
0:50:35 > 0:50:40just about a year after Danny died, leaving him with a profit of at least 3 million.
0:50:40 > 0:50:43That much?
0:50:43 > 0:50:46There's his motive. I'll get a search warrant.
0:50:50 > 0:50:53Where were you on the night Danny Tyler was murdered?
0:50:53 > 0:50:55I was at home with my wife.
0:50:55 > 0:50:58Was the painting known as Canvas One hanging in your study at that time?
0:50:58 > 0:51:01I'm not sure. I'd have to check.
0:51:01 > 0:51:04- Did you like it?- Yes.
0:51:04 > 0:51:08We have a copy of the bill stating that Canvas One was taken
0:51:08 > 0:51:12from your study and placed into storage a fortnight after Danny's death.
0:51:14 > 0:51:16Well, then, I guess that's where it was.
0:51:17 > 0:51:21Forensics found AB negative blood on the painting.
0:51:21 > 0:51:25It's the rarest type, which Danny Tyler just happened to have. How do you think it got there?
0:51:26 > 0:51:31Well, if it IS Danny's blood, it must have got there while he was painting it.
0:51:31 > 0:51:36No, it's the wrong sort of spatter pattern. It's there from the head injury that killed him.
0:51:36 > 0:51:38KNOCK ON DOOR
0:51:39 > 0:51:41Guv'nor, we've found something!
0:51:44 > 0:51:47That is the photo stolen from Sara Hamlyn's gallery.
0:51:47 > 0:51:50- You dragged me out of an interview for this?- Read it.
0:51:51 > 0:51:55"You know what you did to Danny, call this number now."
0:51:55 > 0:51:59- Blackmail.- Now, that is an unregistered pay-as-you-go mobile,
0:51:59 > 0:52:03and this is Sir David's. And he got a text from that number yesterday.
0:52:04 > 0:52:09"100K in the bin by the Victorian Topiary, Battersea Park,
0:52:09 > 0:52:12- "4pm tomorrow." - Well, that gives us 50 minutes.
0:52:12 > 0:52:15- Did he respond?- "OK."
0:52:15 > 0:52:21Right, text this back. Unavoidable change of plans, drop-off will be made by trusted employee of mine.
0:52:21 > 0:52:24D'you think you could write that down?
0:52:41 > 0:52:45None of this was my idea, OK?
0:52:45 > 0:52:50Kev broke into the gallery and stole the photo of Canvas One. Then he sent it to Sir David.
0:52:51 > 0:52:55HE'S been blackmailing him, not me. I only went to the pick-up
0:52:55 > 0:52:59because I know what Kev will do to me if he gets out and finds that money ain't been collected.
0:52:59 > 0:53:02Why that particular photograph?
0:53:02 > 0:53:05Because Canvas One's what Danny went to see Sir David about the night he was killed.
0:53:05 > 0:53:08And Kev wanted him to know that he knew that.
0:53:08 > 0:53:11- And Sir David paid up? - Not right away.
0:53:11 > 0:53:17It took a few more anonymous notes, but after a couple of weeks Kev managed to get 20,000 out of him.
0:53:17 > 0:53:22And how much has he paid out in total, not including today?
0:53:22 > 0:53:26He never said the exact amount, but it's a lot.
0:53:26 > 0:53:28We're talking hundreds of thousands.
0:53:36 > 0:53:41You let Kevin think he was in control of you, just like you let Danny think that you were in love with him.
0:53:41 > 0:53:44You played them both and now you're trying to play us.
0:53:44 > 0:53:47No. Kev used me. Manipulated me.
0:53:47 > 0:53:50Oh, come off it, Gail, you're not the victim here.
0:53:50 > 0:53:52You blackmailed Sir David and Kevin knew nothing about it.
0:53:52 > 0:53:55I had nothing to do with the blackmailing, that was all him.
0:53:55 > 0:53:59So how come your fingerprints are on this photograph but not Kevin's,
0:53:59 > 0:54:05and the last text demanding money was sent after his arrest?
0:54:09 > 0:54:13Nobody shells out that amount of cash unless they're guilty.
0:54:13 > 0:54:16We've got a bit of time yet before we have to charge him
0:54:16 > 0:54:19so why don't we go and see what Lady Bryant has to say.
0:54:21 > 0:54:24Good-looking bird.
0:54:24 > 0:54:26There was blood on Canvas One.
0:54:26 > 0:54:30The DNA will prove it was Danny's and that he was killed in Sir David's study.
0:54:30 > 0:54:32We know that he did it.
0:54:32 > 0:54:35My husband is many things but he's not a murderer.
0:54:35 > 0:54:39So why pay out hundreds of thousands in bribery money?
0:54:39 > 0:54:43- I'm not aware that we HAVE done. - You were in the house when Danny was killed.
0:54:43 > 0:54:48By lying to us, you're conspiring to pervert the course of justice, which carries a custodial sentence.
0:54:48 > 0:54:51Now, are you really willing to go to jail
0:54:51 > 0:54:53for a man who treats you so callously?
0:54:53 > 0:54:56I'm not lying to you.
0:54:57 > 0:54:59How old are those scars?
0:55:02 > 0:55:05We'll find out, one way or another.
0:55:07 > 0:55:09Two years.
0:55:12 > 0:55:13All right...
0:55:13 > 0:55:16did YOU kill him, Catherine?
0:55:23 > 0:55:26For the tape, the suspect has nodded.
0:55:29 > 0:55:31What happened?
0:55:33 > 0:55:35Danny was big and drunk and angry
0:55:35 > 0:55:38and he was going to kill David.
0:55:39 > 0:55:43He kept punching him over and over, yelling at him to give back his painting.
0:55:43 > 0:55:46- I had to stop him. - So what did you do?
0:55:46 > 0:55:49I hit him with a bronze.
0:55:51 > 0:55:54I can still hear the noise he made as he fell.
0:55:54 > 0:55:58This awful, high-pitched whine.
0:55:58 > 0:56:00Why didn't you call the police?
0:56:00 > 0:56:02It dawned on me that people might think
0:56:02 > 0:56:06we'd murdered him for the money and then made it look like self-defence.
0:56:06 > 0:56:09- Because your husband was on the verge of bankruptcy?- Yes.
0:56:09 > 0:56:14Danny's death saved us and damned us all at once.
0:56:14 > 0:56:16Who made the decision not to make that call?
0:56:16 > 0:56:18- I- did.
0:56:18 > 0:56:21I made all of the decisions. I had to.
0:56:21 > 0:56:26David was in no fit state, not after the beating he'd taken and the amount he'd drunk.
0:56:26 > 0:56:32- I told myself that for us to survive I had to dump the body and that's what I did.- All on your own?- Yes.
0:56:32 > 0:56:36- He was six foot and weighed 13 stone!- I'm stronger than I look.
0:56:36 > 0:56:40- You're lying to protect your husband.- I'm telling you the truth.
0:56:40 > 0:56:41I don't think so.
0:56:45 > 0:56:48So what happened when Sir David sobered up?
0:56:48 > 0:56:52He said we should have called the police and let the chips fall.
0:56:52 > 0:56:57He was right, but by then it was too late, the body had already been found.
0:56:57 > 0:57:03We spent the next few months waiting for the police to knock at our door but they never did.
0:57:03 > 0:57:06Then the photograph of Canvas One arrived.
0:57:06 > 0:57:10It seemed at least one other person knew that Danny was coming to see us that night
0:57:10 > 0:57:13but, as you know, all they wanted was money.
0:57:17 > 0:57:21The worst thing has been the getting away with it.
0:57:21 > 0:57:25You wouldn't think that would be so hard to live with,
0:57:25 > 0:57:27but it is.
0:57:29 > 0:57:32There have been days when I couldn't.
0:57:47 > 0:57:50- Thank you.- All part of the service.
0:57:50 > 0:57:54You know, that really does look like you.
0:57:55 > 0:57:58- A gift from Sara Hamlyn. - Nice of her.
0:58:02 > 0:58:05- I- used to do a spot of painting.
0:58:05 > 0:58:07- Really?- Oh, yeah.
0:58:08 > 0:58:10Mostly landscapes...
0:58:10 > 0:58:13and nudes.
0:58:13 > 0:58:16Don't even go there, Gerry. HE CHUCKLES
0:58:16 > 0:58:19# It's all right, it's OK
0:58:19 > 0:58:22# Doesn't really matter if you're old and grey
0:58:22 > 0:58:24# It's all right, I say, it's OK
0:58:24 > 0:58:27# Listen to what I say
0:58:27 > 0:58:30# It's all right, you're doing fine
0:58:30 > 0:58:33# It doesn't really matter if the sun don't shine
0:58:33 > 0:58:35# It's all right, I say, it's OK
0:58:35 > 0:58:38# We're getting to the end of the day... #
0:58:38 > 0:58:41Subtitles by Red Bee Media Ltd.
0:58:41 > 0:58:43E-mail subtitling@bbc.co.uk