0:00:02 > 0:00:04'Jenna, did you get my letter about my release? Call me, please.'
0:00:04 > 0:00:07- Sorry I didn't make it to the restaurant.- Are you off your face?
0:00:07 > 0:00:09Oh, yeah!
0:00:09 > 0:00:12I want you to hand in your notice. I don't want to ever see you again.
0:00:12 > 0:00:13Ash?
0:00:16 > 0:00:18Ash!
0:00:18 > 0:00:20Ash! Ash!
0:00:23 > 0:00:29This programme contains some strong language
0:00:40 > 0:00:43MUSIC: No More Heroes by The Stranglers
0:00:50 > 0:00:52- Morning.- Morning, Toke.
0:00:54 > 0:00:55Morning.
0:00:56 > 0:00:58Er...what time do you call this?
0:00:58 > 0:01:00Sorry. Home. Chaos.
0:01:00 > 0:01:02Yeah, we've all got problems, Wendy.
0:01:02 > 0:01:05My bog won't flush. I'm crapping in a bucket like the 1900s. It's...
0:01:05 > 0:01:07PHONE RINGS
0:01:08 > 0:01:10Hang on.
0:01:16 > 0:01:18Yeah, I was on the shop floor,
0:01:18 > 0:01:21and if they can't use theirs, I can't use mine. What do you want?
0:01:21 > 0:01:23'Wondered if you fancied dinner.'
0:01:23 > 0:01:26Dinner? What day is it?
0:01:26 > 0:01:27'Thursday.'
0:01:27 > 0:01:30Yeah, Thursday, and what's Thursday, Sal?
0:01:30 > 0:01:31'Before five-a-side?'
0:01:31 > 0:01:34Before? Have you ever tried running with your belly digesting?
0:01:34 > 0:01:37'Are you going to meet me or not?'
0:01:37 > 0:01:39Yes, but I'm only having a starter.
0:01:42 > 0:01:44So, I was wondering
0:01:44 > 0:01:48if you'd given any more thought to what we talked about.
0:01:48 > 0:01:50What WE talked about?
0:01:50 > 0:01:52Yes. You know what I'm referring to.
0:01:52 > 0:01:55Yeah, I do, but I want you to say it rather than talking in riddles.
0:01:55 > 0:01:57It's hardly riddles, is it, Toke?
0:01:57 > 0:02:00"I was wondering if the delicate matter that was alluded to in
0:02:00 > 0:02:04"our previous encounter has gained any traction in your thoughts."
0:02:04 > 0:02:06Well, has it?
0:02:07 > 0:02:09OK. OK, here's my thinking.
0:02:09 > 0:02:12Fiscally, us living together makes perfect sense.
0:02:12 > 0:02:14Two rents merged into one,
0:02:14 > 0:02:17- half the council tax, half the bills, blah, blah, blah...- But...
0:02:17 > 0:02:19But, and it's a big but...
0:02:21 > 0:02:23Spiritually.
0:02:23 > 0:02:25SHE LAUGHS
0:02:25 > 0:02:27- What?- Spiritually?
0:02:27 > 0:02:30Yeah. I mean, look at me, I'm good as I am.
0:02:30 > 0:02:34I work like this. You like me like this, so why change me?
0:02:34 > 0:02:37Oh, no, don't give me the look.
0:02:37 > 0:02:39- You like me this way, yes?- Yes!
0:02:39 > 0:02:42But what if you don't like the cohabiting me?
0:02:42 > 0:02:46What if that guy irritates you? You might think that guy's a prick.
0:02:46 > 0:02:48I think I quite like that guy.
0:02:48 > 0:02:51But what if you don't? You might look back on this moment and think,
0:02:51 > 0:02:56"Yeah, I should have just left things as they were because things back then were pretty damn sweet."
0:02:56 > 0:02:59Toke, I want us to live together.
0:02:59 > 0:03:00This is the last time I'm asking.
0:03:02 > 0:03:04Football.
0:03:04 > 0:03:05I've got to go kick a ball.
0:03:30 > 0:03:32# Hip hoppers in the building
0:03:32 > 0:03:35# Hip hoppers in the building hip hoppers in the building
0:03:35 > 0:03:38# Step aside to this cool matinee
0:03:38 > 0:03:41# It's showtime Point the lights at this stage
0:03:41 > 0:03:44# So butter up your popcorn, y'all
0:03:44 > 0:03:47# So butter up your popcorn, y'all, and get ready for the show
0:03:47 > 0:03:50# Step aside to this cool matinee
0:03:50 > 0:03:52# It's showtime, point the lights at the stage
0:03:52 > 0:03:54# Welcome to the centre of the point of no return
0:03:54 > 0:03:57# No adjourn, no retreat, take your seat, sit in front
0:03:57 > 0:03:59# My feet, standing firm... #
0:03:59 > 0:04:03- Two men in that phone box?- No phone to their ear.- Let's go check it.
0:04:05 > 0:04:06Hey!
0:04:09 > 0:04:10Urgh!
0:04:10 > 0:04:12They were taking a piss.
0:04:12 > 0:04:15Oh, for God's sake! Who pisses in a phone box?
0:04:15 > 0:04:18What kind of personal standards would you have to have
0:04:18 > 0:04:19to piss in a phone box?
0:04:19 > 0:04:21I've pissed in a phone box.
0:04:21 > 0:04:24I can beat that. My mate Bony did a shit on an escalator.
0:04:24 > 0:04:26In the shopping centre, it was.
0:04:26 > 0:04:27Let's move on.
0:04:27 > 0:04:29# Hip hoppers in the building
0:04:29 > 0:04:32# Hip hoppers in the building hip hoppers in the building
0:04:32 > 0:04:36# Step aside to this cool matinee
0:04:36 > 0:04:39# It's showtime, point the lights at the stage
0:04:39 > 0:04:41# So butter up your popcorn, y'all
0:04:41 > 0:04:44# So butter up your popcorn, y'all, and get ready for the show
0:04:44 > 0:04:47# Step aside to this cool matinee
0:04:47 > 0:04:50# It's showtime, point the lights at the stage... #
0:04:50 > 0:04:51- Dealers?- Looks that way.
0:04:51 > 0:04:54OK, no confrontation. Slow, intimidating walk-by.
0:05:06 > 0:05:08Perhaps you boys should call it a night.
0:05:08 > 0:05:09Don't be a dick, Superman.
0:05:09 > 0:05:13I'm not Superman. I'm Raintown Knight.
0:05:13 > 0:05:15Together, we're the Raintown Superheroes.
0:05:15 > 0:05:17Keep the streets safe round here.
0:05:17 > 0:05:19This is real life, mate. Walk on.
0:05:19 > 0:05:23You don't have to be here, you know. You've got choices.
0:05:23 > 0:05:25You're going to get yourself hurt, mate.
0:05:25 > 0:05:28Not really. There's three of us and two of you.
0:05:28 > 0:05:30And we've all got superpowers.
0:05:31 > 0:05:33- Superpowers?- Yeah, that's right.
0:05:34 > 0:05:37Secret strengths we can call upon when required.
0:05:39 > 0:05:43Or we could just make a citizen's arrest if we see criminal behaviour. So...
0:05:48 > 0:05:50All right.
0:05:50 > 0:05:52We'll just come back later.
0:05:53 > 0:05:55HE EXHALES
0:05:59 > 0:06:00Right. Good one.
0:06:05 > 0:06:08What do you reckon, lads? Should we call it a night?
0:06:08 > 0:06:10Thursdays are never as busy as weekends.
0:06:10 > 0:06:14I've got to be up at half six. Garden centre's having a fun day.
0:06:20 > 0:06:22SHOUTING
0:06:22 > 0:06:24Get off! Get off, get off!
0:06:26 > 0:06:29- Get off me! - No need to be like that, right!
0:06:29 > 0:06:31Get off me! You're not meant to be here!
0:06:33 > 0:06:35Get off me! Get away from me!
0:06:35 > 0:06:37Forget about it, all right, yes?
0:06:37 > 0:06:38Oi!
0:06:38 > 0:06:40Piss off, will you?
0:06:40 > 0:06:41SHE YELLS
0:06:41 > 0:06:42Oi!
0:06:42 > 0:06:45- What are you doing? - Stop! Get off her!
0:06:45 > 0:06:47- Stop!- Help me!
0:06:50 > 0:06:52Come here. Come on, then.
0:06:52 > 0:06:54- You want some, do you?- No!
0:06:54 > 0:06:55SHE SCREAMS
0:06:56 > 0:06:58Drop it. Drop it!
0:07:00 > 0:07:02Back! Back!
0:07:05 > 0:07:06GIRL GROANS
0:07:06 > 0:07:08You all right?
0:07:08 > 0:07:09Let's get you out of the road.
0:07:12 > 0:07:13You OK?
0:07:13 > 0:07:15SHE GROANS IN PAIN
0:07:15 > 0:07:17Oh, no, no, no. That's a bad cut.
0:07:17 > 0:07:18We need to get you to hospital.
0:07:21 > 0:07:24What the hell are you dressed as?
0:07:24 > 0:07:27I'm the Knight, leader of the Raintown Superheroes.
0:07:27 > 0:07:30You can trust me. Come on.
0:07:33 > 0:07:36Hey. She's been stabbed. She needs urgent attention.
0:07:36 > 0:07:37What's her name?
0:07:37 > 0:07:39Chrissy Michaels.
0:07:39 > 0:07:41I'm Toke, by the way.
0:07:41 > 0:07:43How did she get stabbed?
0:07:43 > 0:07:46What does it...? It's a street fight. I found her.
0:07:46 > 0:07:48Where's the wound?
0:07:48 > 0:07:51Her shoulder. She could bleed to death!
0:07:51 > 0:07:52Someone's coming out.
0:07:54 > 0:07:56Doctor's coming. Are you OK?
0:07:56 > 0:07:58You can go now, thanks.
0:08:01 > 0:08:03How old are you?
0:08:05 > 0:08:07You sleeping rough?
0:08:07 > 0:08:09Look, mate, I'm fine, all right?
0:08:09 > 0:08:11Thanks for helping, but...
0:08:12 > 0:08:14Chrissy Michaels!
0:08:38 > 0:08:41- I've said I'm sorry.- I know what you said. I'm not interested.
0:08:42 > 0:08:44Look, I'm not a druggie, OK?
0:08:44 > 0:08:48Are you? Pills, fine. Powder, now and again.
0:08:48 > 0:08:51- But tinfoil and tubes? - I'm not a druggie.
0:08:51 > 0:08:54You don't get to choose. Once you start on that shit...
0:08:54 > 0:08:55It just...
0:08:57 > 0:09:00It helps me turn my brain off.
0:09:00 > 0:09:01OK.
0:09:01 > 0:09:04Well, you turn your brain off. I'm going to take your advice.
0:09:04 > 0:09:06I'm out of a shitty marriage.
0:09:06 > 0:09:12I'm young, I'm pretty. I just need some easy, uncomplicated fun.
0:09:14 > 0:09:15I think that's a good idea.
0:09:28 > 0:09:30FORKLIFT BEEPS
0:09:44 > 0:09:47Mate. Let me buy you a drink. TFI Friday. Woo, woo!
0:09:47 > 0:09:50I can't, mate. I've got something I need to do.
0:10:24 > 0:10:27Don't take this the wrong way, but you can't stay.
0:10:28 > 0:10:31Well, you can stay but I need to go out.
0:10:31 > 0:10:33What? Where?
0:10:33 > 0:10:36There's this lad at work that's leaving and the rest of them
0:10:36 > 0:10:37want to do a leaving do,
0:10:37 > 0:10:40but they know my feelings about leaving dos so, as a compromise,
0:10:40 > 0:10:44- I said I'd pop in for a drink at the end.- So let's both go.
0:10:46 > 0:10:49You don't know anyone. Why would you want to come to a work do
0:10:49 > 0:10:51- full of people you don't know? - I know you.
0:10:55 > 0:10:59Fine! I'll go home on my own on a Friday night.
0:11:09 > 0:11:12INAUDIBLE OVER MUSIC
0:11:31 > 0:11:33Remember me?
0:11:33 > 0:11:35Superhero.
0:11:35 > 0:11:37- Where's your cossie?- Night off.
0:11:37 > 0:11:39And yet here you are.
0:11:39 > 0:11:41Ta-da!
0:11:41 > 0:11:43Yeah, I was just passing and...
0:11:43 > 0:11:45Shit, it's crap. I came looking for you.
0:11:47 > 0:11:50- How's the wound?- Painful.
0:11:50 > 0:11:5114 stitches.
0:11:51 > 0:11:53Oof! 14 stitches?
0:11:53 > 0:11:57I fell off a trampoline once. That was 12 stitches.
0:11:57 > 0:12:00Whacked my head on a kitchen cupboard. That was five stitches.
0:12:00 > 0:12:02SHE CHUCKLES
0:12:02 > 0:12:03Can I buy you a cup of tea?
0:12:04 > 0:12:06Or something stronger.
0:12:06 > 0:12:09Look, mate, I'm not going to shag you, all right?
0:12:09 > 0:12:12All right, that's good to know.
0:12:12 > 0:12:14Some food, then? So we can talk?
0:12:16 > 0:12:18Shouldn't you wear a cape?
0:12:18 > 0:12:20Capes aren't practical. Get snagged on things.
0:12:20 > 0:12:23Neither are net guns. I used to have one. Fired it the wrong way,
0:12:23 > 0:12:26ended up having to get the cops to cut me out, which...
0:12:26 > 0:12:30- Yeah.- So this is what you do, is it? Like, this is your job?
0:12:30 > 0:12:33No. I'm a warehouse manager.
0:12:33 > 0:12:35Even Clark Kent had a real job.
0:12:36 > 0:12:38There's a few of us.
0:12:38 > 0:12:41We keep the streets calm, break up fights, confront troublemakers.
0:12:41 > 0:12:44Just make people think about what they're doing.
0:12:44 > 0:12:45It's like a service to society.
0:12:47 > 0:12:49Right.
0:12:49 > 0:12:53Don't take this the wrong way, but you don't look very tough.
0:12:53 > 0:12:56I mean, you're not even muscly.
0:12:56 > 0:12:59Strength can be mental as well as physical.
0:13:01 > 0:13:03So how did you get into it?
0:13:03 > 0:13:05I...
0:13:06 > 0:13:10..got tired of people behaving badly and getting away with it.
0:13:10 > 0:13:12Cos everyone's afraid.
0:13:12 > 0:13:14Everyone looks away and I thought to myself,
0:13:14 > 0:13:18they need someone to not be afraid, to not look away.
0:13:22 > 0:13:23Who's Sid?
0:13:26 > 0:13:29An ex. I didn't treat him as well as I should have, so...
0:13:31 > 0:13:34- So how long have you been on the streets?- A few months.
0:13:34 > 0:13:37- Do your family know?- Do they care?
0:13:37 > 0:13:39Do you manage to eat OK?
0:13:39 > 0:13:40- No.- You wash?
0:13:42 > 0:13:43You saying I stink?
0:13:43 > 0:13:45No. There's hostels.
0:13:45 > 0:13:46Yeah. They're shit.
0:13:50 > 0:13:53And last night, the fight, how often does that sort of thing happen?
0:13:55 > 0:13:58I stole someone's spot to sleep.
0:13:58 > 0:14:01It's a good place, dry.
0:14:02 > 0:14:04I didn't know it was their spot,
0:14:04 > 0:14:07so when they come back, they start giving me all this shit,
0:14:07 > 0:14:09so I give them some back and...
0:14:09 > 0:14:11You saw.
0:14:11 > 0:14:13No-one should be sleeping on the streets,
0:14:13 > 0:14:16especially someone your age.
0:14:16 > 0:14:20Use your superpowers. Magic me a penthouse overlooking the sea.
0:14:24 > 0:14:26I've got a camper van.
0:14:27 > 0:14:29I don't even know you.
0:14:29 > 0:14:32No, no, I get it, I get it. I don't blame you for your suspicion.
0:14:32 > 0:14:34Stranger turns up, offers you a place to stay,
0:14:34 > 0:14:38you're thinking, "What's this?" Could be anyone. Murderer, rapist...
0:14:38 > 0:14:40So...here's what I'm going to do.
0:14:41 > 0:14:45I'm going to write down my number and where I work
0:14:45 > 0:14:47and if you want to check me out,
0:14:47 > 0:14:50check I am who I say I am, then you can.
0:14:50 > 0:14:53You can have your own key. I won't come in.
0:14:53 > 0:14:56You can use my address to claim for benefits.
0:14:56 > 0:14:58Use my address to apply for jobs.
0:14:58 > 0:15:01A few weeks, you'll be back on your feet. No more sleeping rough.
0:15:01 > 0:15:03No more stab wounds.
0:15:04 > 0:15:06It's up to you.
0:15:09 > 0:15:12You can't do this for everyone.
0:15:12 > 0:15:14Why am I so special?
0:15:15 > 0:15:17I don't know.
0:15:31 > 0:15:34- Oi. Get back to work!- Yes, master!
0:15:35 > 0:15:38Strong indication of children.
0:15:38 > 0:15:42Big, bustling family. But I'm seeing conflict in your love line.
0:15:42 > 0:15:45- Conflict?- Beware of a betrayal from someone close.
0:15:45 > 0:15:49Someone close? Fletch? What's he going to do?
0:15:49 > 0:15:51Ruth?
0:15:51 > 0:15:52She didn't see Fletch.
0:15:52 > 0:15:55- Ruth, who is it? - I can only tell you what I read.
0:15:55 > 0:15:59Beware someone talking bollocks. Someone very close.
0:16:00 > 0:16:02This girl claims she knows you.
0:16:10 > 0:16:12Right, bed folds down.
0:16:12 > 0:16:15This pulls across so you've got curtains.
0:16:15 > 0:16:17Um... Ah. Here's the sink.
0:16:17 > 0:16:19There should still be some water left in the tank.
0:16:19 > 0:16:21Oh, and here...
0:16:21 > 0:16:24is the en-suite.
0:16:24 > 0:16:25Thanks.
0:16:25 > 0:16:29If it's any consolation, I'm having to do the same. Bloody plumbers.
0:16:29 > 0:16:30I'm in the wrong game.
0:16:33 > 0:16:36Yeah, I'll be inside if you need me.
0:16:38 > 0:16:39Toke...
0:16:39 > 0:16:41What's your real name?
0:16:41 > 0:16:43Billy. Well...
0:16:43 > 0:16:45(William.)
0:16:45 > 0:16:47But everyone calls me Toke.
0:16:48 > 0:16:51You turn out to be a murderer, I'll be really pissed off.
0:16:53 > 0:16:54OK!
0:17:05 > 0:17:08- You all right, Fletch?- Nah. Women. They're all mad, all of them!
0:17:12 > 0:17:15His profile picture is gorgeous,
0:17:15 > 0:17:19but I just can't imagine having sex with a Barnaby. I can't!
0:17:19 > 0:17:23- You all right, Ally?- I can't stop thinking about corned beef.
0:17:23 > 0:17:24Think I must be due on.
0:17:27 > 0:17:30- Morning, Sarah. - Sarah-Jane, not Sarah.
0:17:30 > 0:17:32- Does it matter?- Yes.
0:17:32 > 0:17:35Sarah is not my name. Sarah-Jane is.
0:17:35 > 0:17:38Sarah-Jane Rose. It's hyphenated.
0:17:38 > 0:17:39- Can I go in?- If you like.
0:17:45 > 0:17:49- She's nice(!)- Mmm. Apparently she can smile. It was on the CV.
0:17:49 > 0:17:51I need to ask a favour.
0:17:51 > 0:17:52Fire away.
0:17:52 > 0:17:56There's this girl I know. Well, she's sort of a friend of a friend.
0:17:56 > 0:17:58She's hit hard times and needs a bit of help.
0:17:58 > 0:18:01I want to hire her as a picker - just casual, not permanent.
0:18:01 > 0:18:03Have we got a vacancy?
0:18:03 > 0:18:06Well, we never really replaced Bobby Bigballs, did we?
0:18:06 > 0:18:08Who?
0:18:08 > 0:18:09Ronnie Brent?
0:18:11 > 0:18:15Look, Toke, you are the warehouse manager. It's totally your domain.
0:18:15 > 0:18:18If you think this girl is reliable and won't let you down,
0:18:18 > 0:18:20- then I trust your judgment. - Thank you.
0:18:22 > 0:18:25Oh, what's her name? Not that I'll remember.
0:18:25 > 0:18:27Chrissy. Chrissy Michaels.
0:18:27 > 0:18:30I hope your girlfriend knows about this.
0:18:32 > 0:18:34Sal, Chrissy. Chrissy, Sal.
0:18:34 > 0:18:36- Pleased to meet you.- And you.
0:18:36 > 0:18:39I really like your top. You look really nice.
0:18:41 > 0:18:46So, it seems my boyfriend saved you from an horrendous attack.
0:18:46 > 0:18:48Yeah, I was lucky he was passing.
0:18:48 > 0:18:52He just appeared in his five-a-side kit and chased them off.
0:18:54 > 0:18:57Shall I get this food on, then? Bit of chat, get to know each other.
0:18:57 > 0:19:00Also, there's something I need to tell you. Bit of a surprise.
0:19:00 > 0:19:01Surprise?
0:19:01 > 0:19:03I got you a job.
0:19:03 > 0:19:05A job?
0:19:05 > 0:19:07Yeah, at my place. Coopers Outdoors.
0:19:07 > 0:19:09Only casual, zero-hours shite,
0:19:09 > 0:19:13- but it's money in your pocket, if you're interested.- Wow, that's...
0:19:13 > 0:19:15Unbelievable.
0:19:15 > 0:19:17He's amazing, isn't he?
0:19:17 > 0:19:19Like some kind of superhero.
0:19:23 > 0:19:25She's pretty,
0:19:25 > 0:19:28in a grotty, street urchin kind of way.
0:19:28 > 0:19:30No, she's gorgeous. That's why I helped her.
0:19:30 > 0:19:33If she'd been minging, I wouldn't have bothered.
0:19:33 > 0:19:35I'm hoping there's at least a blowjob in it.
0:19:35 > 0:19:36SHE SCOFFS
0:19:36 > 0:19:38- Just think it's interesting, that's all.- Oh, what is?
0:19:38 > 0:19:41You won't move in with me, but you're happy to have some
0:19:41 > 0:19:45stranger - young, pretty stranger - living outside your house.
0:19:45 > 0:19:47Yeah, key word, Sal - outside.
0:19:47 > 0:19:50And it's for a few weeks to get her back on her feet.
0:19:50 > 0:19:52Are...?
0:19:52 > 0:19:53- Are you jealous?- No!
0:19:53 > 0:19:55Oh, you're jealous!
0:19:55 > 0:19:58How would you feel if I moved a toyboy into my garden shed?
0:19:58 > 0:20:00Well, upset. My bikes are stored in there.
0:20:00 > 0:20:01Huh.
0:20:03 > 0:20:04Don't be jealous.
0:20:07 > 0:20:09Now, this is complicated stuff.
0:20:09 > 0:20:13This machine tells you the aisle number and the shelf.
0:20:13 > 0:20:15You get the item, you put it into your trolley.
0:20:17 > 0:20:21Stop me if I'm getting too technical, or...
0:20:21 > 0:20:23Because it's not. SHE GIGGLES
0:20:23 > 0:20:25- Oh...- You OK?
0:20:25 > 0:20:26Mm. Yeah.
0:20:26 > 0:20:28LAUGHTER
0:20:30 > 0:20:34So, why the lies about being a superhero?
0:20:34 > 0:20:37If she's your girlfriend, shouldn't she know something like that?
0:20:37 > 0:20:39Does Clark Kent tell Lois Lane?
0:20:39 > 0:20:41Does Daredevil tell Electra?
0:20:41 > 0:20:43- Does Spider-Man...? - Yeah, I get the idea.
0:20:43 > 0:20:46Seriously, how can she not know?
0:20:46 > 0:20:47Easy. I don't tell her.
0:20:47 > 0:20:49Twice a week, we patrol.
0:20:49 > 0:20:51One night's five-a-side, the other night's pub quiz.
0:20:51 > 0:20:53Costume gets hidden in a box on top of the wardrobe.
0:20:53 > 0:20:55It's simpler than it might seem.
0:20:55 > 0:20:58- You're missing my point. - Which is...?
0:20:58 > 0:20:59She's your girlfriend.
0:21:01 > 0:21:03Isn't that something she should know?
0:21:03 > 0:21:05No-one knows.
0:21:05 > 0:21:07Except you.
0:21:07 > 0:21:10And that's how it'll stay.
0:21:10 > 0:21:15So, Mr Tokington, what made you hire the young, fit, female employee, eh?
0:21:15 > 0:21:17- THEY SNIGGER - Dirty bastard.
0:21:17 > 0:21:18I'm jealous.
0:21:20 > 0:21:22MUSIC THROUGHOUT
0:21:29 > 0:21:31PAINT SPRAYING
0:21:37 > 0:21:39Erm...what's with this?
0:21:39 > 0:21:40An act of revenge.
0:21:43 > 0:21:44Fair dos.
0:21:55 > 0:21:56THEY LAUGH
0:22:08 > 0:22:10MUSIC SLOWS AND STOPS
0:22:25 > 0:22:27SQUEAKING OUTSIDE
0:23:12 > 0:23:14I'm going.
0:23:24 > 0:23:25No, don't park it there!
0:23:25 > 0:23:28How's anyone going to get through? Yeah, it's obvious.
0:23:30 > 0:23:34Oi, oi! You two! You can chat all you want after four o'clock.
0:23:34 > 0:23:37Yeah, after four o'clock. Thank you.
0:23:37 > 0:23:40He goes to this premature ejaculation clinic, right,
0:23:40 > 0:23:42and when he gets there, the doctor goes,
0:23:42 > 0:23:43"You've arrived early."
0:23:43 > 0:23:45Da-da-dan!
0:23:45 > 0:23:47Oi, you! Out.
0:23:47 > 0:23:50You, get driving.
0:23:50 > 0:23:52CLAPPING HIS HANDS Come on, people!
0:23:52 > 0:23:54Yeah, we're working!
0:23:57 > 0:23:58IRATE VOICE ON PHONE
0:23:58 > 0:24:01No, Trevor... Trevor! You're being illogical.
0:24:01 > 0:24:03The product is made in Indonesia.
0:24:03 > 0:24:04We're not the same comp...
0:24:04 > 0:24:06TREVOR ARGUING
0:24:12 > 0:24:14- Oh. Thanks for the lift. - I knocked twice.
0:24:14 > 0:24:17You can't just roll in when you want, Chrissy. This is work.
0:24:17 > 0:24:19It starts at eight, finishes at four every day.
0:24:19 > 0:24:21No exceptions, no excuses.
0:24:21 > 0:24:23If you stay out late, tough.
0:24:23 > 0:24:25You come in with your hangover. That's the deal.
0:24:25 > 0:24:27That's what people pay you for.
0:24:28 > 0:24:29Abide by the rules.
0:24:31 > 0:24:32Words of a superhero(!)
0:24:42 > 0:24:44'..isn't it? Are you there? Oi!
0:24:44 > 0:24:46'Toke? Where are you?'
0:25:06 > 0:25:07Ally?
0:25:07 > 0:25:08Gareth.
0:25:10 > 0:25:12Oh.
0:25:12 > 0:25:14Gaz. Or Nobby.
0:25:14 > 0:25:16My friends call me Nobby, but...
0:25:16 > 0:25:18Gaz is fine.
0:25:18 > 0:25:19I'll, erm...get us a drink.
0:25:19 > 0:25:22Lovely. Vodka and tonic.
0:25:25 > 0:25:28HE SIGHS
0:25:28 > 0:25:30Yeah, erm, the thing is, Ally...
0:25:32 > 0:25:34..this isn't going to work.
0:25:34 > 0:25:37- How do you mean? - No, don't take it personally.
0:25:37 > 0:25:40It's just...you're not what I was expecting.
0:25:40 > 0:25:41Physically.
0:25:41 > 0:25:42Physically?
0:25:44 > 0:25:46I was just expecting more...
0:25:48 > 0:25:49I'm really sorry.
0:25:50 > 0:25:52Not woman enough for you, is it?
0:25:52 > 0:25:54Well, maybe you're not man enough, dickhead.
0:25:54 > 0:25:57I mean, look at you with the eyebrows and the sideburns
0:25:57 > 0:25:58and someone should tell you
0:25:58 > 0:26:00epaulettes are for police and gay guys.
0:26:00 > 0:26:02And even then, they look like twats!
0:26:36 > 0:26:37(I'm sorry.)
0:26:39 > 0:26:41HE MOUTHS
0:26:42 > 0:26:45It's been my problem all my life.
0:26:45 > 0:26:48Can't do what I'm told, can't play by the rules.
0:26:50 > 0:26:51I want to.
0:26:51 > 0:26:53Honest.
0:26:53 > 0:26:56The good me wants to be reliable and trustworthy.
0:26:58 > 0:26:59It's just the bad me...
0:27:01 > 0:27:03Bad me has a louder voice.
0:27:04 > 0:27:06Always seems to get its own way.
0:27:08 > 0:27:09Who was the guy?
0:27:11 > 0:27:14Just someone I used to hang out with now and then on the streets.
0:27:15 > 0:27:18- How much did you see?- Not much.
0:27:21 > 0:27:23Do you remember that nursery rhyme?
0:27:23 > 0:27:27No, not a nursery rhyme, like, a fable.
0:27:27 > 0:27:29The Frog And The Scorpion.
0:27:30 > 0:27:33The frog offers to give him a ride across the lake
0:27:33 > 0:27:35if the scorpion promises not to bite him.
0:27:35 > 0:27:36And then halfway across, he bites him.
0:27:36 > 0:27:39Yeah, and then the frog goes, "Why did you do that?
0:27:39 > 0:27:41"Now we'll both die."
0:27:41 > 0:27:42BOTH: "Because I'm a scorpion."
0:27:46 > 0:27:48I sometimes think that's me.
0:27:49 > 0:27:50I'm a scorpion.
0:27:53 > 0:27:54I tell everyone it's going to be one way,
0:27:54 > 0:27:57and then I go off and I do the opposite.
0:27:58 > 0:27:59Screw everything up.
0:28:00 > 0:28:02Betray people.
0:28:02 > 0:28:03It's like...
0:28:03 > 0:28:05It's like I just can't help myself.
0:28:07 > 0:28:10And you've been really good to me, Toke.
0:28:10 > 0:28:11Like, really good.
0:28:14 > 0:28:16I just don't want you to be the frog.
0:28:18 > 0:28:19Oh, no.
0:28:19 > 0:28:20Come on, come here.
0:28:25 > 0:28:27I want to be the frog.
0:28:27 > 0:28:28Yeah, well, I'm the scorpion.
0:28:28 > 0:28:29You're not the scorpion!
0:28:29 > 0:28:31Shut up about the bloody scorpion.
0:28:35 > 0:28:36No.
0:28:36 > 0:28:38No, that's not what I want.
0:28:39 > 0:28:41What do you want then, Toke?
0:28:41 > 0:28:43Just to help.
0:28:43 > 0:28:45You want to help?
0:28:45 > 0:28:46Sid.
0:28:46 > 0:28:48He's not my ex.
0:28:48 > 0:28:49He's my baby.
0:28:49 > 0:28:52Your...baby?
0:28:52 > 0:28:53Chrissy, what...?
0:28:57 > 0:28:58- HARSHLY:- Goodnight, Toke.
0:29:04 > 0:29:07LOUD MUSIC
0:29:08 > 0:29:09DOORBELL
0:29:15 > 0:29:16How much do I owe you?
0:29:17 > 0:29:20That's, er, £10.30, please.
0:29:20 > 0:29:22I'll have to see what I can find.
0:29:22 > 0:29:24Come into my boudoir.
0:29:24 > 0:29:25It's all right.
0:29:25 > 0:29:26I don't bite.
0:29:31 > 0:29:32SHE TURNS MUSIC OFF
0:29:37 > 0:29:40It's like one of those porn films this, isn't it?
0:29:40 > 0:29:43Woman alone in her flat.
0:29:43 > 0:29:46Sexy man comes to the door in leathers.
0:29:47 > 0:29:49He asks for payment.
0:29:49 > 0:29:50She says...
0:29:50 > 0:29:53"Perhaps we could come to some sort of arrangement."
0:29:55 > 0:29:57Before you know it,
0:29:57 > 0:30:00they're banging each other's brains out.
0:30:00 > 0:30:01Hmm...
0:30:03 > 0:30:06How much did you say it was again?
0:30:06 > 0:30:07Erm...
0:30:07 > 0:30:08£10.30.
0:30:12 > 0:30:13Got change for 20?
0:30:27 > 0:30:28'Hello.'
0:30:28 > 0:30:30Spell my name.
0:30:31 > 0:30:34- 'Are you drunk?'- Yeah. - SHE CHUCKLES
0:30:34 > 0:30:36- Spell it!- 'Ally.'
0:30:36 > 0:30:39A-L-L-Y.
0:30:39 > 0:30:42What else does that spell, Ash? Hmm?
0:30:42 > 0:30:43Ally.
0:30:43 > 0:30:45Friend.
0:30:45 > 0:30:47I'm a good person.
0:30:47 > 0:30:49That prick I married didn't deserve me.
0:30:49 > 0:30:53Shagging around, sticking his dick inside every...
0:30:53 > 0:30:55SHE SIGHS
0:30:56 > 0:30:59I'm loyal. I'm loving.
0:30:59 > 0:31:02You don't need drugs! You just need me.
0:31:02 > 0:31:05You just need to let me in, give me a chance.
0:31:06 > 0:31:08Ash...
0:31:11 > 0:31:12Ash...
0:31:14 > 0:31:16'I'm not good enough for you.
0:31:17 > 0:31:19'I'm going to drag you down.
0:31:20 > 0:31:21'Screw up your life.'
0:31:21 > 0:31:22That's rubbish.
0:31:25 > 0:31:26'I'm a piece of shit.
0:31:27 > 0:31:28'Worthless.
0:31:30 > 0:31:33'A stain on life.'
0:31:33 > 0:31:35Ash, you're not! You're amazing.
0:31:39 > 0:31:41Let me help you.
0:31:41 > 0:31:43Let me try.
0:32:01 > 0:32:03I'm getting really strong indications.
0:32:03 > 0:32:06- You don't need to listen to the voices around you.- Yeah.
0:32:06 > 0:32:10- You hold the answers within yourself.- Is it?- Yeah.
0:32:10 > 0:32:11There she is, Mystic Meg.
0:32:12 > 0:32:14Making more crap up.
0:32:14 > 0:32:16And you'll find what you're looking for.
0:32:21 > 0:32:24So...what's your future?
0:32:24 > 0:32:25Tall, dark stranger.
0:32:25 > 0:32:27Load of bollocks, was it?
0:32:27 > 0:32:29No, it wasn't, actually.
0:32:29 > 0:32:31She told me what I already know.
0:32:31 > 0:32:33I need to face up to my past.
0:32:34 > 0:32:37And she said...a superhero's going to help me.
0:32:49 > 0:32:51- Sure she won't mind?- No.
0:32:51 > 0:32:53How do I look?
0:32:53 > 0:32:54Really respectable.
0:32:56 > 0:32:58Ma'am. SHE LAUGHS
0:33:11 > 0:33:12CAR STARTS
0:33:22 > 0:33:24You ready?
0:33:24 > 0:33:25No.
0:33:27 > 0:33:29OK, screw it.
0:33:35 > 0:33:39MUSICAL CHIME
0:33:39 > 0:33:41Always Look On The Bright Side Of Life?
0:33:41 > 0:33:44Bet that's still funny after a thousand times.
0:33:49 > 0:33:50Philip.
0:33:53 > 0:33:54Anna.
0:33:54 > 0:33:56No.
0:33:56 > 0:33:57No!
0:34:00 > 0:34:02I just want to talk! Phil?
0:34:02 > 0:34:05- I just want to speak to you. - Hey.
0:34:05 > 0:34:07Please!
0:34:07 > 0:34:08- Wankers!- Hey, come on.
0:34:08 > 0:34:10Insults won't help anyone.
0:34:13 > 0:34:15So what happened to your mum?
0:34:15 > 0:34:16She killed herself.
0:34:18 > 0:34:19I'm sorry.
0:34:20 > 0:34:22Coroner recorded an open verdict.
0:34:24 > 0:34:27Because she was pissed and might have fallen.
0:34:27 > 0:34:30She had all these mental problems.
0:34:30 > 0:34:33At the time, she was in a bad place.
0:34:33 > 0:34:35Seems more likely to have jumped than fallen.
0:34:35 > 0:34:37- How old were you?- 13.
0:34:37 > 0:34:41Oh... It's a tough age to lose your mum.
0:34:41 > 0:34:43What's a better age, then?
0:34:44 > 0:34:46I don't know...
0:34:46 > 0:34:4790, when she's 150.
0:34:49 > 0:34:52So did Phil bring you up after that?
0:34:52 > 0:34:56Yeah, he was my dad to all intents and purposes.
0:34:56 > 0:34:58And then...
0:34:58 > 0:35:02a year later - it wasn't even a year -
0:35:02 > 0:35:04he got together with her.
0:35:04 > 0:35:05The bitch.
0:35:05 > 0:35:07And you thought that was too swift?
0:35:07 > 0:35:09No, life goes on. I get it.
0:35:10 > 0:35:13If she'd been a bit nicer, maybe we'd have all got on.
0:35:14 > 0:35:16You know, I'd just lost my mum.
0:35:18 > 0:35:20I was all over the place.
0:35:20 > 0:35:23And them two were all wrapped up in each other.
0:35:24 > 0:35:27So, yeah, I behaved like a prick.
0:35:27 > 0:35:29Probably made their life hell.
0:35:29 > 0:35:31But I needed some...
0:35:31 > 0:35:33bloody attention, some...
0:35:34 > 0:35:36..love.
0:35:37 > 0:35:39So I found it elsewhere.
0:35:41 > 0:35:43Callum was one of my mum's old mates.
0:35:45 > 0:35:47Sid's our baby.
0:35:47 > 0:35:50But no-one knows that he's Calum's, because I was underage
0:35:50 > 0:35:55and he would have gone to prison for statutory rape.
0:35:55 > 0:35:58Which is bullshit because I knew what I was doing.
0:35:59 > 0:36:00Plus, he's married.
0:36:03 > 0:36:06I lost the plot after I had him.
0:36:06 > 0:36:09Went...kind of crazy.
0:36:11 > 0:36:14They'll say that I didn't like him.
0:36:14 > 0:36:18They'll say that they were scared that I'd try to hurt him.
0:36:18 > 0:36:20But I wouldn't.
0:36:20 > 0:36:23I just couldn't deal with him, you know?
0:36:23 > 0:36:25They don't know what it was like in here.
0:36:25 > 0:36:26It was like a...
0:36:28 > 0:36:29..tornado.
0:36:29 > 0:36:32So they've brought him up as their own?
0:36:32 > 0:36:35She can't have kids, so it worked out perfectly.
0:36:36 > 0:36:38Did they throw you out?
0:36:40 > 0:36:42I...met some people.
0:36:42 > 0:36:45One thing led to another.
0:36:45 > 0:36:46I treated them pretty badly.
0:36:49 > 0:36:52Can I make a suggestion?
0:36:52 > 0:36:54Let me go back alone and broker a peace deal.
0:36:54 > 0:36:57If you're not there, they might listen.
0:36:57 > 0:36:59What is it you want? What can I put to them?
0:36:59 > 0:37:02A visit? An hour with the kid, two hours?
0:37:02 > 0:37:03Anything.
0:37:03 > 0:37:05I just want to see his face.
0:37:06 > 0:37:09They need to know that I won't hurt him.
0:37:09 > 0:37:11They can trust me.
0:37:11 > 0:37:13You have to tell them that.
0:37:13 > 0:37:15Vouch for me, say you'll be there, too.
0:37:16 > 0:37:18Say I've changed.
0:37:29 > 0:37:30We said no.
0:37:30 > 0:37:31Don't slam the door.
0:37:31 > 0:37:33Please, remove your foot.
0:37:33 > 0:37:34I will, just hear me out.
0:37:34 > 0:37:36Two minutes is all I ask.
0:37:36 > 0:37:37Who are you? Her boyfriend?
0:37:39 > 0:37:41- Where is she?- She's not here. It's just me.
0:37:41 > 0:37:43I'm her boss at work.
0:37:44 > 0:37:46Look, you can't ignore this, Philip.
0:37:46 > 0:37:48My name's Billy. I'm a decent human being.
0:38:08 > 0:38:12With all due respect, Billy, you don't really know her like we do.
0:38:12 > 0:38:15- Accepted.- She's brought a lot of trouble into our life.
0:38:15 > 0:38:17She's selfish.
0:38:17 > 0:38:19You know, she has no self-control.
0:38:20 > 0:38:22I appreciate all of that.
0:38:22 > 0:38:24But I think the Chrissy you knew
0:38:24 > 0:38:27isn't the Chrissy that came to your door tonight.
0:38:27 > 0:38:29I find that hard to believe.
0:38:29 > 0:38:31I realise there's been a lot of water
0:38:31 > 0:38:33gone under this particular bridge,
0:38:33 > 0:38:36but do you not owe her the chance to at least speak to you?
0:38:36 > 0:38:39To tell you how she feels, the regret she has,
0:38:39 > 0:38:41especially about her son.
0:39:18 > 0:39:22- She left him. She just tossed him to one side.- She was 15.
0:39:22 > 0:39:23If it hadn't been for us,
0:39:23 > 0:39:25that poor child would have ended up in care.
0:39:25 > 0:39:27She just wants to see him.
0:39:29 > 0:39:31- MUTED:- Cos it'll open the floodgates
0:39:31 > 0:39:33and no matter how much you say she's changed,
0:39:33 > 0:39:35I don't think I'll ever be able to trust her.
0:39:35 > 0:39:36- She just wants to see him.- No.
0:40:08 > 0:40:10What's life if we just condemn people
0:40:10 > 0:40:13so they know that you're doomed.
0:40:13 > 0:40:16You never deserve a second chance...
0:40:18 > 0:40:19Is that fair?
0:40:38 > 0:40:39Hello, Sid.
0:40:44 > 0:40:45Hello, beautiful boy.
0:40:49 > 0:40:50Hello, darling.
0:41:02 > 0:41:04We're talking about one hour.
0:41:04 > 0:41:06A trip to the local park.
0:41:06 > 0:41:08A soft play centre.
0:41:08 > 0:41:13I'll chaperone, or we can all be there, whatever works.
0:41:13 > 0:41:15It's her son.
0:41:15 > 0:41:17He's our son.
0:41:17 > 0:41:19Yeah, I know that.
0:41:19 > 0:41:22But she... brought him into the world.
0:41:23 > 0:41:24Please.
0:41:26 > 0:41:27For the sake of human kindness.
0:41:27 > 0:41:29SID CRIES
0:41:31 > 0:41:34Ssh! It's all right. It's all right.
0:41:36 > 0:41:38He's not settling, I'd better go up.
0:41:40 > 0:41:42Ssh!
0:41:43 > 0:41:45Come on.
0:41:48 > 0:41:51Man to man, can we agree this?
0:41:57 > 0:41:59Here, come on.
0:41:59 > 0:42:02Oh! It's OK, it's OK.
0:42:05 > 0:42:07Phil.
0:42:07 > 0:42:08Phil!
0:42:19 > 0:42:21- Was this you?- Me?
0:42:23 > 0:42:25- Calm down.- I'm telling you...
0:42:26 > 0:42:28- Oh, Jesus!- Ssh!
0:42:28 > 0:42:29Go, go, go!
0:42:35 > 0:42:37Everything all right?
0:42:49 > 0:42:51- Fuck!- Did they agree? - They were about to!
0:42:51 > 0:42:55Yeah, to get rid of you. Next day they be on the phone cancelling.
0:42:55 > 0:42:58- What were you doing?- He's my child, I wanted to see his face.
0:42:58 > 0:43:01- I wanted to hold him. - So you break in?
0:43:01 > 0:43:03What was I, you're bleeding decoy?
0:43:03 > 0:43:06I used to live there, I used to have a key until she took it off me.
0:43:06 > 0:43:08- Chrissy, they're not bad people. - Oh, aren't they?
0:43:08 > 0:43:10They want what's best for your kid.
0:43:10 > 0:43:13- Oh, yeah, they probably told you what a bastard I am, is it?- No!
0:43:13 > 0:43:16- Can we go?- They told me you had problems, big problems,
0:43:16 > 0:43:18and I was getting them to believe you'd changed.
0:43:18 > 0:43:21- And then you proved me wrong. - I HAVE changed.- Oh, have you?
0:43:21 > 0:43:24- Yes, I want him back. - That's not going to happen.
0:43:24 > 0:43:27Just take me home, please. Can we go?
0:43:27 > 0:43:29- Just can we go?! - Do you know what, Chrissy?
0:43:29 > 0:43:31Maybe you were right.
0:43:31 > 0:43:33Maybe you are the scorpion.
0:44:10 > 0:44:12Shit!
0:44:19 > 0:44:24There you are. Jenna wants to see you, ASAP. Well, not ASAP, now.
0:44:27 > 0:44:29Sit down, Toke.
0:44:29 > 0:44:30This sounds ominous.
0:44:32 > 0:44:35- I've had a phone call from Trevor Trevelyan.- Right.
0:44:35 > 0:44:39- Look, I...- He's claiming - and let me just outline the accusation
0:44:39 > 0:44:42before you chime in - he is claiming that you were rude
0:44:42 > 0:44:45and then in frustration you threw the phone across the room.
0:44:45 > 0:44:46I was and I did.
0:44:48 > 0:44:50You know Finchams are one of our best clients?
0:44:50 > 0:44:53It was related to something else, I lost my temper, I'm sorry.
0:44:53 > 0:44:55Toke, is everything all right, mate?
0:44:55 > 0:44:57- Yeah.- I mean, I'm not one for gossip...
0:44:57 > 0:45:01Well, I am, but I'm hearing mutterings.
0:45:02 > 0:45:04- About what?- About your new employee.
0:45:04 > 0:45:06You vouched for her, Toke.
0:45:06 > 0:45:10Where is she today? She can barely do the job because of a stab wound.
0:45:10 > 0:45:12Why would you hire someone like that?
0:45:12 > 0:45:14I'm doing my job, same as I always have.
0:45:14 > 0:45:17I had one bad moment, give me a verbal warning, do whatever,
0:45:17 > 0:45:19but don't insinuate there's anything else going on,
0:45:19 > 0:45:21because there isn't, OK? Can I go now?
0:45:23 > 0:45:25Yes, yeah, you can go...
0:45:25 > 0:45:27Just give me a minute.
0:45:28 > 0:45:32Toke, let's have a catch-up, mate. Come on, it's been ages.
0:45:36 > 0:45:38PHONE RINGS
0:45:52 > 0:45:54I saw that.
0:46:03 > 0:46:06So...how's Chrissy?
0:46:08 > 0:46:10No idea, she's gone.
0:46:10 > 0:46:12Gone? Where?
0:46:14 > 0:46:16What happened?
0:46:16 > 0:46:19Nothing. I just woke up and she'd gone.
0:46:19 > 0:46:21Took my bloody van.
0:46:21 > 0:46:24Well...did something happen?
0:46:24 > 0:46:27Last night, you must have seen her.
0:46:27 > 0:46:28Not really.
0:46:29 > 0:46:31You've got feelings for her, haven't you?
0:46:33 > 0:46:37OK, well, without talking in riddles,
0:46:37 > 0:46:40I don't know what's going on in your head,
0:46:40 > 0:46:43I don't know if you want someone else, someone younger,
0:46:43 > 0:46:45sexier, but...
0:46:45 > 0:46:47I love you, Toke.
0:46:47 > 0:46:51I want you to move in with me, so is that going to happen or not?
0:46:51 > 0:46:53Simple question - yes or no?
0:46:53 > 0:46:55Sal, I promise you...
0:46:55 > 0:46:59Oh, don't make a scene, you know how I feel about scenes.
0:46:59 > 0:47:01Four years, Toke. Four years!
0:47:01 > 0:47:04- Here's a scene. - And you won't move on it.
0:47:04 > 0:47:06Why? Why is that?
0:47:06 > 0:47:07There can only be one conclusion.
0:47:07 > 0:47:09No, there can be many more conclusions.
0:47:09 > 0:47:11Piss off! I've heard it all before.
0:47:11 > 0:47:13Sal, where are you going?
0:47:13 > 0:47:14Sal...
0:47:14 > 0:47:15Sal!
0:47:23 > 0:47:25This guy from Coventry keeps tweeting me,
0:47:25 > 0:47:27claiming I've stolen his handle.
0:47:27 > 0:47:31I was like, hello, Urban Avenger, it's hardly copyrighted, is it?
0:47:31 > 0:47:34- WOMAN:- Get off, what are you doing? - Look, over there.
0:47:34 > 0:47:36- A fight.- Is there a problem here? Have you got a problem?- Stop it.
0:47:36 > 0:47:39Handbags. They'll be hugging in a minute.
0:47:39 > 0:47:41SHOUTING CONTINUES
0:47:41 > 0:47:43Go, go, go!
0:47:45 > 0:47:46- Oi!- Leave him alone.
0:47:46 > 0:47:49- Oi! Stop.- You bastard!
0:47:49 > 0:47:51You're dead, you're dead!
0:47:51 > 0:47:53- Hey, stop!- Get off him.
0:47:53 > 0:47:56- Stop!- Get off him!- Phone the police.
0:47:57 > 0:47:59WOMAN SCREAMS
0:47:59 > 0:48:02- What, you want some?- I can't see!
0:48:02 > 0:48:04- We've got to get out of here, man. - I can't see!
0:48:04 > 0:48:06Come on, let's go. Move! Let's go.
0:48:06 > 0:48:09- SIREN WAILS - Help me!
0:48:11 > 0:48:13WOMAN SOBS
0:48:19 > 0:48:22What happened, Toke? Calm intervention, that's what we are.
0:48:22 > 0:48:24The space for self-protection.
0:48:24 > 0:48:27If someone reports you, they could do you for assault.
0:48:27 > 0:48:31- This could get serious, Toke. - We were wasting our time, lads.
0:48:31 > 0:48:33We can't change anything, we can't help anyone.
0:48:34 > 0:48:36We're just dicks in costumes.
0:48:39 > 0:48:41- Toke?- Where are you going?
0:48:45 > 0:48:47CAR APPROACHES
0:48:47 > 0:48:49CAR DOOR SHUTS
0:48:49 > 0:48:52Excuse me, sir, stop there!
0:48:52 > 0:48:53Billy Tokington?
0:48:53 > 0:48:55Where's Chrissy Michaels?
0:48:55 > 0:48:58- I have no idea. - She's stolen a child.
0:49:00 > 0:49:03I'm arresting you on suspicion of conspiracy to abduct Sid Monkford.
0:49:06 > 0:49:09- I don't know. - She's in your campervan.
0:49:09 > 0:49:11- She stole it.- Stole it?
0:49:11 > 0:49:13I said she could stay there on my drive,
0:49:13 > 0:49:15but I didn't say she could take it.
0:49:15 > 0:49:18The parents of the child are saying that you went round with Christine
0:49:18 > 0:49:20a few nights ago, asking for access.
0:49:20 > 0:49:23- I did.- Sussing the place out?- No.
0:49:23 > 0:49:25They're out of their minds with worry.
0:49:25 > 0:49:27It's her kid.
0:49:28 > 0:49:30Really, it's hers, she won't hurt it.
0:49:30 > 0:49:34- So you admit you're helping her get the child back?- Yeah.
0:49:34 > 0:49:36No. Access with their consent.
0:49:36 > 0:49:39The parents believe that Chrissy might have entered the property
0:49:39 > 0:49:42- the night you were there. - I just wanted to help her.
0:49:44 > 0:49:46That's all, she's a damaged young girl.
0:49:46 > 0:49:50- Do you have a sexual relationship with Chrissy?- No!
0:49:51 > 0:49:55- How long have you know her? - Not long.- A few weeks?
0:49:55 > 0:49:57And you just help her?
0:49:57 > 0:50:00A complete stranger that you have no emotional connection to?
0:50:02 > 0:50:03Yeah.
0:50:05 > 0:50:07Talk us through the costume, Billy.
0:50:11 > 0:50:13I'm a superhero.
0:50:14 > 0:50:15Was.
0:50:15 > 0:50:18Raintown Superheroes.
0:50:18 > 0:50:19We're...
0:50:21 > 0:50:24We try to help people.
0:50:24 > 0:50:26Isn't that what we're here for?
0:50:28 > 0:50:30You're not always there, are you?
0:50:32 > 0:50:33Sometimes you're not there.
0:50:35 > 0:50:37Sometimes things happen and you're too slow.
0:50:38 > 0:50:42You're too slow, things go wrong and people end up dead.
0:50:45 > 0:50:49You think I'm some idiot out looking for thrills. Look in my wallet.
0:50:50 > 0:50:52Look in at.
0:50:55 > 0:50:57Open it.
0:50:59 > 0:51:01She's why I do it.
0:51:02 > 0:51:04It's my sister. Jessica.
0:51:06 > 0:51:08She died.
0:51:08 > 0:51:09She was killed.
0:51:09 > 0:51:12A fight. Stupid.
0:51:13 > 0:51:15A nothing fight, but a knife got pulled...
0:51:17 > 0:51:19..and she lay there in the street.
0:51:20 > 0:51:22And by the time someone found her...
0:51:24 > 0:51:26She was 17 years old.
0:51:27 > 0:51:29A nothing argument.
0:51:30 > 0:51:33Shooting off her mouth like young girls do, and that's that.
0:51:33 > 0:51:36You know, game over, so I try to stop that.
0:51:37 > 0:51:41I try to help people, just...calm things down.
0:51:44 > 0:51:46I helped Chrissy.
0:51:46 > 0:51:48She reminded me of Jess.
0:51:49 > 0:51:51It was something about her.
0:51:52 > 0:51:55She reminded me of my sister.
0:52:00 > 0:52:03HE SOBS
0:52:13 > 0:52:16PHONE RINGS
0:52:19 > 0:52:22- Hello.- 'Toke, it's me, Chrissy.'
0:52:22 > 0:52:24Where are you?
0:52:26 > 0:52:28Chrissy, where are you?
0:52:44 > 0:52:46Sorry I took your van.
0:52:46 > 0:52:48I didn't know you could drive.
0:52:48 > 0:52:50I can't. Not legally.
0:52:52 > 0:52:54Where's Sid, Chrissy?
0:52:54 > 0:52:57- Told you, then, have they? - Where is he?
0:52:57 > 0:52:59He's safe.
0:53:00 > 0:53:02We've had a nice time.
0:53:02 > 0:53:04Played on the beach, had cheese on toast.
0:53:04 > 0:53:06Just us.
0:53:06 > 0:53:08- Me and my son. - You haven't thought this through.
0:53:09 > 0:53:11How are you going to look after him?
0:53:11 > 0:53:15Feed him, clothe him, bathe him? You can barely look after yourself.
0:53:16 > 0:53:18What if you fancy shagging a stranger?
0:53:18 > 0:53:22- Where does Sid fit in then? - I'll look after him. He's mine.
0:53:22 > 0:53:24Not legally. Where is he?
0:53:24 > 0:53:27He's in the van, asleep.
0:53:29 > 0:53:31I lied to you, Toke.
0:53:31 > 0:53:33About his father, he's...
0:53:33 > 0:53:35It's not Calum's.
0:53:35 > 0:53:37Calum's not his dad.
0:53:37 > 0:53:38He's Phil's.
0:53:40 > 0:53:42He's Phil's?
0:53:42 > 0:53:43Yeah, nice man.
0:53:45 > 0:53:49- What's going on?- I didn't do this, it wasn't me, I promise you.
0:53:49 > 0:53:52- Chrissy Michaels, we're arresting you...- No, no.
0:53:52 > 0:53:54- Tell them who the father is. - You bastard!
0:53:54 > 0:53:56- Sorry!- Get off me!
0:53:56 > 0:53:58What are you doing? Get off me!
0:53:58 > 0:54:01Tell them what happened. The baby's hers.
0:54:01 > 0:54:03No, get off, no!
0:54:03 > 0:54:05I haven't done nothing! I haven't...
0:54:05 > 0:54:07SID CRIES
0:54:42 > 0:54:44SHE LAUGHS
0:54:44 > 0:54:45What are you wearing?
0:54:45 > 0:54:47I'll move in.
0:54:47 > 0:54:50But there's some things you need to know.
0:55:31 > 0:55:33Shut up.
0:55:34 > 0:55:36Shut up. I won't.
0:55:38 > 0:55:39I won't do that.
0:55:40 > 0:55:42I'd never hurt her.
0:55:49 > 0:55:52# Whatever happened to
0:55:53 > 0:55:55# All of the heroes? #
0:55:55 > 0:55:56You all right, Ellen?
0:55:56 > 0:55:58# All the Shakespearoes
0:55:59 > 0:56:01# They watched their Rome burn
0:56:03 > 0:56:08# Whatever happened to the heroes?
0:56:09 > 0:56:14# Whatever happened to the heroes?
0:56:15 > 0:56:18# No more heroes any more
0:56:18 > 0:56:22# No more heroes any more
0:56:22 > 0:56:25# No more heroes any more... #
0:56:40 > 0:56:42PHONE RINGS
0:56:43 > 0:56:45Trevor. How lovely to hear from you.
0:56:47 > 0:56:49- All right?- I can do this.
0:56:49 > 0:56:50I'm so scared.
0:56:52 > 0:56:54- I was thinking about her coming back.- Katya!
0:56:54 > 0:56:57In the night, breaking in, stabbing me,
0:56:57 > 0:56:59setting fire to the house.
0:56:59 > 0:57:01- SIREN WAILS - Wait!
0:57:01 > 0:57:03I'm tired of being scared of you.
0:57:03 > 0:57:04It stops.
0:57:04 > 0:57:06Or I'll make it stop.