0:00:03 > 0:00:09This programme contains some scenes which some viewers may find upsetting
0:00:09 > 0:00:14and contains some scenes of a sexual nature.
0:00:14 > 0:00:16TINNY MUSIC FROM EARPHONES
0:00:16 > 0:00:17- PA:- 'Huxley station.'
0:00:17 > 0:00:20Shit.
0:00:20 > 0:00:22Sorry.
0:00:22 > 0:00:25'Next stop, Huxley station.'
0:00:38 > 0:00:40- PA:- 'Next train to New York City
0:00:40 > 0:00:43'will be departing on platform 8B in ten minutes.
0:00:43 > 0:00:48'Next train to New York City, platform 8B in ten minutes.'
0:00:48 > 0:00:50Hey, hey, it's Sarah.
0:00:50 > 0:00:53Yeah, I'm back in town.
0:00:57 > 0:00:59I want to see Kira, OK?
0:01:03 > 0:01:05Well, that's not fair, is it?
0:01:08 > 0:01:10Can I at least speak to her?
0:01:11 > 0:01:13Hello?
0:01:13 > 0:01:16SLAMS DOWN PHONE Bitch!
0:02:11 > 0:02:12Aah!
0:02:15 > 0:02:17Stop the train! Stop the train!
0:02:17 > 0:02:19Stop the train!
0:02:25 > 0:02:29PA: 'May I have your attention, please. Due to an emergency...'
0:02:29 > 0:02:31Stand back. Move back!
0:02:31 > 0:02:33Get control down here, now!
0:03:55 > 0:03:57Elizabeth Childs.
0:04:02 > 0:04:03Two phones.
0:04:18 > 0:04:19Oh, my God,
0:04:19 > 0:04:21you look like crap.
0:04:23 > 0:04:25- Hi.- Hello.
0:04:25 > 0:04:26No, but seriously.
0:04:26 > 0:04:28Ew. All right.
0:04:28 > 0:04:30How's life, Felix?
0:04:30 > 0:04:33This long, no see? You don't get to know.
0:04:33 > 0:04:35I didn't miss your birthday, did I?
0:04:35 > 0:04:37No. I know. It's totally pedestrian
0:04:37 > 0:04:39and the only reason I'm here.
0:04:39 > 0:04:41Oi, Bobby.
0:04:41 > 0:04:42Hey, Felix.
0:04:42 > 0:04:43- Guinness?- Yeah.
0:04:43 > 0:04:45How's Vic the dick?
0:04:45 > 0:04:47Yeah, I hit him first, this time.
0:04:47 > 0:04:51With an ashtray, so...
0:04:51 > 0:04:53He's a little blue.
0:04:57 > 0:04:58Coke?
0:04:58 > 0:05:00It's Vic's. Think you can flip it
0:05:00 > 0:05:01to one of your Bay Street blow boys?
0:05:01 > 0:05:03You have no idea what that costs me.
0:05:03 > 0:05:04I'll give you 20%.
0:05:04 > 0:05:06I wasn't talking about my cut, Sarah.
0:05:06 > 0:05:07I was talking about my pride.
0:05:07 > 0:05:09What are you up to?
0:05:09 > 0:05:10I'm here for Kira, Fe.
0:05:10 > 0:05:12After what happened, you really think Mrs S
0:05:12 > 0:05:13is going to let you take her?
0:05:13 > 0:05:15She's my daughter. She's going to have to.
0:05:15 > 0:05:17You've been gone almost a year, Sarah.
0:05:17 > 0:05:20I'm not judging.
0:05:20 > 0:05:23I'm just saying. All right? Ta.
0:05:23 > 0:05:26Yeah, so I'm back on the run, the usual Sarah shitestorm.
0:05:26 > 0:05:29- Apparently.- And on that note, something really weird
0:05:29 > 0:05:32- just happened at the train station.- What?
0:05:32 > 0:05:34I saw a girl kill herself.
0:05:34 > 0:05:35Ew!
0:05:35 > 0:05:37A jumper?
0:05:37 > 0:05:39Yeah, and she looked
0:05:39 > 0:05:41exactly like me, Felix.
0:05:41 > 0:05:44What do you mean?
0:05:46 > 0:05:47Oh! You robbed the body.
0:05:47 > 0:05:49No, she left the bag on the platform.
0:05:49 > 0:05:51Isn't that essentially robbing her body?
0:05:57 > 0:05:59OK, that's weird.
0:05:59 > 0:06:03- Yeah, you think?- Elizabeth Childs? It's you, with a nice haircut.
0:06:03 > 0:06:08And a nice address. What the hell, Fe? Did I have a twin sister?
0:06:08 > 0:06:11When you're a poor little orphan foster wretch, anything's possible.
0:06:11 > 0:06:14Or so we tell ourselves.
0:06:14 > 0:06:17I'm going to go up to her flat.
0:06:17 > 0:06:20Yeah, to find out who she is or to rob the rest of her shit?
0:06:20 > 0:06:22No car. There has to be a car.
0:06:22 > 0:06:25MOBILE RINGS
0:06:25 > 0:06:27Is that her phone?
0:06:27 > 0:06:29- Yeah.- Well, answer it.
0:06:36 > 0:06:37Try and get 20K for it, yeah?
0:06:37 > 0:06:39All right, fine. What about Vic?
0:06:42 > 0:06:44I'll call ya.
0:06:44 > 0:06:45- OK.- OK?
0:06:45 > 0:06:46OK.
0:07:20 > 0:07:21Hello!
0:07:29 > 0:07:30Hello?
0:07:58 > 0:07:59Boyfriend.
0:08:02 > 0:08:03Squares.
0:08:07 > 0:08:09Paul Dierden.
0:08:09 > 0:08:10Out of town till Saturday.
0:08:32 > 0:08:35Well?
0:08:35 > 0:08:36Shit for quality.
0:08:36 > 0:08:40- I'll give you 10,000 for it. - Ten? With the hay roll?
0:08:40 > 0:08:42You can do better.
0:08:42 > 0:08:43BANG AT DOOR I'll think about it.
0:08:43 > 0:08:45Better think fast.
0:08:45 > 0:08:47- BANGING AT DOOR - OK.
0:08:47 > 0:08:49- URGENT BANGING - OK!
0:08:49 > 0:08:51Shit!
0:08:54 > 0:08:57- What?- Where the hell is Sarah?
0:08:57 > 0:08:59- Shit, Vic!- Where is she? - Can't. Breathe.
0:08:59 > 0:09:02- Oh!- Sarah!
0:09:02 > 0:09:05- Sarah?! - What the hell is wrong with you?
0:09:05 > 0:09:07- Where the hell is Sarah?- Toodles.
0:09:07 > 0:09:09- Where is she?!- I don't know.
0:09:09 > 0:09:11- I haven't seen her in, like, a year. She's been with you.- Bullshit!
0:09:11 > 0:09:14- She's not my problem any more. - Listen to me, Felix.
0:09:14 > 0:09:17I'm just going to ask you once... Where. Is. The. Coke?
0:09:17 > 0:09:18Cocaine?
0:09:18 > 0:09:19Felix.
0:09:21 > 0:09:22All right, fine.
0:09:22 > 0:09:25Here.
0:09:25 > 0:09:27Blow me.
0:09:27 > 0:09:29That's really funny.
0:09:29 > 0:09:31What the hell happened to your head?
0:09:31 > 0:09:34Well, let's see...Sarah blindsided me, then she took off with the coke.
0:09:34 > 0:09:36Listen to me! Listen to me.
0:09:36 > 0:09:40Listen! I'm on the hook with Pouchy. Look at me.
0:09:40 > 0:09:43You understand? Look at me! That's going to bring pain on me.
0:09:43 > 0:09:45Till I find her, it's on you.
0:09:51 > 0:09:53You mind if I have this?
0:09:53 > 0:09:55I'll be back. She better be here, fruitcake.
0:09:55 > 0:09:58Lovely to see you again, Victor(!)
0:09:59 > 0:10:01Sarah.
0:10:01 > 0:10:02It's "Beth".
0:10:02 > 0:10:06So my credit is maxed, but,
0:10:06 > 0:10:09I've got a sweet pad and my new boyfriend, Paul's,
0:10:09 > 0:10:10out of town for the weekend.
0:10:10 > 0:10:13Unfortunately, your real boyfriend, Vic the dick,
0:10:13 > 0:10:17- is already here.- Shit!- Oh, I'm fine, by the way. Thank you.
0:10:17 > 0:10:20- I'm sorry, Fe.- Your blow is abysmal, by the way.
0:10:20 > 0:10:22I'll be lucky to get 10K for it.
0:10:22 > 0:10:24- What? That's not enough.- For what?
0:10:24 > 0:10:27To get out, Fe, set ourselves up with Kira somewhere.
0:10:27 > 0:10:29Sarah, who is Elizabeth Childs?
0:10:29 > 0:10:30I don't know.
0:10:30 > 0:10:32She's just a girl who looks like me.
0:10:32 > 0:10:34A girl with a pretty nice life.
0:10:34 > 0:10:37If it's so nice, why'd she kill herself?
0:10:40 > 0:10:41Hold on.
0:10:41 > 0:10:43Fe, she's got
0:10:43 > 0:10:4475,000 in a savings account.
0:10:44 > 0:10:46Say again.
0:10:46 > 0:10:4875K!
0:10:48 > 0:10:49The account was just opened,
0:10:49 > 0:10:52like, three weeks ago.
0:10:52 > 0:10:54That's enough to lose bloody Vic, yeah?
0:10:54 > 0:10:56We can get away with this, Fe,
0:10:56 > 0:10:57the three of us.
0:10:57 > 0:11:00Any second, someone's going to ID the body and it's game over,
0:11:00 > 0:11:03so you should really just drop it all right now.
0:11:03 > 0:11:06Nice work with the ashtray. Vic has stitches. Hello?
0:11:06 > 0:11:09TV: 'I'm standing outside Huxley station right now...'
0:11:09 > 0:11:12- Shut up. I'm thinking.- 'Authorities have cleared out the station
0:11:12 > 0:11:14'after an unidentified woman fell onto the tracks
0:11:14 > 0:11:16'and was killed. Now, witnesses aren't sure
0:11:16 > 0:11:18'how the woman came to be on the tracks
0:11:18 > 0:11:19'or whether foul play was involved.'
0:11:19 > 0:11:22- Fe...- 'Police have not released any more details.'
0:11:22 > 0:11:23..I have an idea.
0:11:23 > 0:11:25'All right, give me a big smile. I want a big smile.
0:11:25 > 0:11:26'Why are you shooting me right now? I love shooting you.
0:11:26 > 0:11:28'Yeah, yeah, yeah.'
0:11:33 > 0:11:35# Live fast, die young
0:11:35 > 0:11:37# Bad girls do it well
0:11:37 > 0:11:41# Live fast, die young Bad girls do it well
0:11:41 > 0:11:44# Live fast, die young Bad girls do it well
0:11:44 > 0:11:46# Live fast, die young Bad girls do it well
0:11:46 > 0:11:48# My chain hits my chest #
0:11:48 > 0:11:49# When I'm bangin' on the dashboard... #
0:11:49 > 0:11:50Oh, shit.
0:11:50 > 0:11:53Drugstore...
0:11:53 > 0:11:54# Get back
0:11:54 > 0:11:56# Get down
0:11:56 > 0:11:58# Pull me closer if you think you can hang
0:11:58 > 0:12:01# Hands up
0:12:01 > 0:12:02# Hands high
0:12:02 > 0:12:03# Don't go screamin'... #
0:12:03 > 0:12:06Are you ready to put your body through months of hell?
0:12:06 > 0:12:08You're damn right.
0:12:10 > 0:12:11You're damn right.
0:12:11 > 0:12:13# There's steam on the window screen Take it, take it
0:12:13 > 0:12:16# Wheels bouncin' like a trampoline... #
0:12:16 > 0:12:18'You're damn right.'
0:12:18 > 0:12:19You're damn right.
0:12:19 > 0:12:20You're d... W...
0:12:20 > 0:12:22you're damned ... you're damn right.
0:12:22 > 0:12:24MOBILE RINGS
0:12:24 > 0:12:25# Bad girls do it well
0:12:25 > 0:12:27# Live fast, die young Bad girls do it well... #
0:12:27 > 0:12:30Sorry, Art, whoever you are.
0:12:30 > 0:12:32I'm gone for good.
0:12:32 > 0:12:33'You're damn right.'
0:12:33 > 0:12:35You're damn right.
0:12:36 > 0:12:38You're damn right.
0:12:38 > 0:12:39# Back it, back it
0:12:39 > 0:12:41# Yeah, pull up to the bumper game
0:12:41 > 0:12:43# With a signal
0:12:43 > 0:12:44# Cover me, cos I'm changin' lanes
0:12:44 > 0:12:46# Had a handle on it
0:12:46 > 0:12:48# My life, I broke it... #
0:12:52 > 0:12:53Hi.
0:12:53 > 0:12:55Uh, Beth Childs.
0:12:55 > 0:12:57I have an appointment with the manager, Stephen Riggs.
0:12:57 > 0:13:00Sure, I'll let him know you're here.
0:13:02 > 0:13:04- SHE SIGHS - Felix!
0:13:04 > 0:13:06- Ow!- Use it or hang it up, OK?
0:13:06 > 0:13:10Do not snap towels at me, Bobby. I had a very traumatic childhood.
0:13:15 > 0:13:18KEYS CLICK
0:13:22 > 0:13:24Yeah, hi. Um...
0:13:24 > 0:13:27Oh, totally awful...apparently, a girl killed herself
0:13:27 > 0:13:32at Huxley Station last night and I think I know her.
0:13:32 > 0:13:34- FELIX:- 'Sarah. Sarah Manning.'
0:13:34 > 0:13:36Beth?
0:13:36 > 0:13:38Hi!
0:13:38 > 0:13:40Good to see you again. How are you?
0:13:40 > 0:13:41Yeah, good, Stephen, thanks.
0:13:41 > 0:13:44Busy.
0:13:44 > 0:13:46I PR'd last week at 2.14.
0:13:46 > 0:13:48It was only a half, but it almost killed me.
0:13:48 > 0:13:50How'd you do your last charity run?
0:13:50 > 0:13:54I...don't know, in fact.
0:13:54 > 0:13:56I need to make a large withdrawal
0:13:56 > 0:13:58from that account.
0:13:58 > 0:14:01I see. Right, this is the one you just opened.
0:14:01 > 0:14:03Yeah, I'll leave 500 in,
0:14:03 > 0:14:05to keep the account open,
0:14:05 > 0:14:08- but I need the rest, in cash, please.- Cash?
0:14:08 > 0:14:11- Yeah.- I'd really recommend a cashier's cheque, if you...
0:14:11 > 0:14:15- No, 50s and 100s, please.- Well, we don't keep that much on hand.
0:14:15 > 0:14:18See, anything over 10,000, we have to special-order
0:14:18 > 0:14:20and that takes two to four business days.
0:14:20 > 0:14:24So...
0:14:26 > 0:14:29Stephen, what could I do to...
0:14:29 > 0:14:31to push a rush on that?
0:14:31 > 0:14:34You know, 24 hours.
0:14:35 > 0:14:40Could I sponsor your next charity-run thing?
0:14:43 > 0:14:45You certainly can. Deal.
0:14:47 > 0:14:49But...
0:14:49 > 0:14:51This card is...
0:14:51 > 0:14:53I'm not even sure I've activated that yet.
0:14:53 > 0:14:55If I did, I need to re-PIN it.
0:14:55 > 0:14:57- Demagnetised, maybe?- Yeah.
0:14:57 > 0:14:59You know what?
0:14:59 > 0:15:02Let's start with a new one and then we'll organise the withdrawal.
0:15:02 > 0:15:03OK.
0:15:03 > 0:15:05OK.
0:15:05 > 0:15:10Do you want access to your safe deposit box, as well?
0:15:10 > 0:15:12Oh, yeah.
0:15:12 > 0:15:14I'd love that, Stephen.
0:15:18 > 0:15:21"Where are you? Must see you."
0:15:24 > 0:15:26Yeah, good luck with that.
0:15:34 > 0:15:37"Alison Hendrix. "Elizabeth Childs.
0:15:38 > 0:15:41"Katja Obinger."
0:16:03 > 0:16:05What the hell are you doing?!
0:16:05 > 0:16:06Shit.
0:16:07 > 0:16:09Get in the car!
0:16:09 > 0:16:12Yeah... No, thanks.
0:16:12 > 0:16:15- Look, get the car, damn it! - What's the charge?
0:16:15 > 0:16:17Don't, Beth, not today.
0:16:20 > 0:16:21We're late!
0:16:21 > 0:16:24Yeah. OK, yeah. Calm down.
0:16:33 > 0:16:37Where were you? We were going to walk through it again.
0:16:37 > 0:16:41Uh, yeah, yeah. I got held up.
0:16:42 > 0:16:44Don't worry about it.
0:16:44 > 0:16:47I worry. Suddenly, you don't give a damn, I get pissed.
0:16:47 > 0:16:51My fat ass is on the line here, too.
0:16:51 > 0:16:53Now, you had better be ready.
0:16:53 > 0:16:54Are you ready?!
0:16:54 > 0:16:58Yeah. Yeah, I'm ready.
0:16:58 > 0:17:00You're sure as hell overdressed.
0:17:00 > 0:17:04- Were you out all night, or something?- No, you know what?
0:17:04 > 0:17:07Give me a second. I'll go in and change.
0:17:07 > 0:17:10Yeah, right. You'd probably take off on me again.
0:17:10 > 0:17:14Look, Beth, I know this shit is as hard as it gets,
0:17:14 > 0:17:16but you got to stop making it worse.
0:17:23 > 0:17:24Art.
0:17:26 > 0:17:27Just...drive.
0:17:27 > 0:17:30Oh, is that her?
0:17:30 > 0:17:32Yes, yeah.
0:17:32 > 0:17:34Are you OK?
0:17:34 > 0:17:35Yeah. Yeah, I'm good.
0:17:35 > 0:17:37OK.
0:17:41 > 0:17:43Colin, um...
0:17:43 > 0:17:45Can I call you Colin?
0:17:45 > 0:17:46My mum does.
0:17:46 > 0:17:50Ah. Um, well, don't get me wrong...
0:17:50 > 0:17:53I usually do enjoy creepy, I do, it's just, um,
0:17:53 > 0:17:55the air in here, is that just me?
0:17:55 > 0:17:58- Because it smells like... - Uh, no, it's death.
0:18:01 > 0:18:03You can do this, though.
0:18:03 > 0:18:06- It can be a Gestalt.- Oh, my.
0:18:23 > 0:18:26- Holy shite.- Let's go.
0:18:50 > 0:18:51Hey, good luck, Beth.
0:18:53 > 0:18:55"Fashionably late," you call that?
0:18:55 > 0:18:57She's here, Lieutenant.
0:18:57 > 0:19:01You get busy. Detective, come with me. Show's over!
0:19:01 > 0:19:03Oh.
0:19:04 > 0:19:08Stick to your statement and you'll be fine, OK?
0:19:13 > 0:19:16I got to... I got to use the washroom.
0:19:16 > 0:19:18Lieutenant.
0:19:18 > 0:19:19All right.
0:19:19 > 0:19:22Get yourself sorted.
0:19:22 > 0:19:23Detective.
0:19:23 > 0:19:24Yeah.
0:19:24 > 0:19:26Washroom's this way.
0:19:27 > 0:19:28Right.
0:19:50 > 0:19:52Felix? Beth is a cop.
0:19:52 > 0:19:54I'm a cop, Felix. Abort.
0:19:54 > 0:19:57This will be shocking, Felix,
0:19:57 > 0:19:59but, for her, it was instant. OK?
0:19:59 > 0:20:00OK.
0:20:03 > 0:20:06Oh, my God! I... Oh! That's...that...
0:20:06 > 0:20:08that's so...
0:20:17 > 0:20:19All right, I can't. I can't do it.
0:20:19 > 0:20:22You got... I need to... That's too messed up. I can't.
0:20:22 > 0:20:24It's OK. You can lean on me.
0:20:24 > 0:20:26All right.
0:20:51 > 0:20:52Thank you.
0:20:54 > 0:20:58Morgue water. Delicious.
0:20:58 > 0:20:59Is it her?
0:20:59 > 0:21:00Yeah.
0:21:00 > 0:21:02Your sister. I'm very sorry.
0:21:02 > 0:21:05Foster sister. But we were very close.
0:21:05 > 0:21:08You know, we spent all our, um, formative years together.
0:21:08 > 0:21:10Right.
0:21:10 > 0:21:15OK, well, there's a few things you need to sign.
0:21:15 > 0:21:17But if you...
0:21:17 > 0:21:20if you need...want... anyone to talk to,
0:21:20 > 0:21:22you know,
0:21:22 > 0:21:25over a drink or...
0:21:26 > 0:21:29Well, aren't you an odd duck.
0:21:46 > 0:21:49All right, statement of officer Elizabeth Childs,
0:21:49 > 0:21:52entering into record her version of the line-of-duty shooting,
0:21:52 > 0:21:537 October of this year,
0:21:53 > 0:21:56resulting in a civilian fatality, one Margaret Chen.
0:21:57 > 0:21:59In your own words, please.
0:21:59 > 0:22:01Begin by stating your name.
0:22:08 > 0:22:10Any time, Detective.
0:22:10 > 0:22:13SHE RETCHES
0:22:17 > 0:22:19I panicked. What do you want me to say?
0:22:19 > 0:22:21Pretty much anything but "I panicked".
0:22:24 > 0:22:26I'm kidding.
0:22:26 > 0:22:29Where's your wit gone?
0:22:29 > 0:22:32You haven't called me "dipshit" all day.
0:22:32 > 0:22:36- You don't have to babysit me, dipshit.- I know.
0:22:36 > 0:22:38But who else would?
0:22:38 > 0:22:40- <- Thanks, Doc. See you next week.
0:22:40 > 0:22:43Look, Beth, I know this thing has got you all twisted up,
0:22:43 > 0:22:47but you got to forgive yourself.
0:22:47 > 0:22:51Shootings happen. To whoever's there with the gun in their hand.
0:22:56 > 0:22:58Dr Bowers will see you now.
0:23:05 > 0:23:08KNOCK AT DOOR
0:23:09 > 0:23:12Felix, open the goddamn door!
0:23:12 > 0:23:14Felix, I know you're in there!
0:23:14 > 0:23:16Open the door, now!
0:23:20 > 0:23:23- Ooh!- You bastard.
0:23:25 > 0:23:27What the hell is wrong with you?
0:23:27 > 0:23:31Huh?
0:23:31 > 0:23:33Where's Sarah?
0:23:33 > 0:23:34Sarah's dead.
0:23:34 > 0:23:38I'm sorry, what?
0:23:38 > 0:23:39She's dead.
0:23:39 > 0:23:40Vic.
0:23:40 > 0:23:42She killed herself.
0:23:42 > 0:23:44Yeah? Bullshit. Where is she, Felix?
0:23:44 > 0:23:47She jumped in front of a train
0:23:47 > 0:23:49because YOU are such an arsehole!
0:23:52 > 0:23:53What's this?
0:23:53 > 0:23:55Her death certificate.
0:23:55 > 0:23:57Bullshit. It's not real.
0:23:57 > 0:23:59I identified her body.
0:23:59 > 0:24:01Vic, she's dead, she's gone!
0:24:01 > 0:24:03OK, Felix, stop. Stop! Stop it!
0:24:03 > 0:24:06She told you to say this? She's not dead. Where is she?
0:24:11 > 0:24:13HE SNIFFLES
0:24:13 > 0:24:15(Stupid bitch.)
0:24:18 > 0:24:20Sarah.
0:24:32 > 0:24:34It's not coming back to you?
0:24:34 > 0:24:37Hmm, no, not really.
0:24:37 > 0:24:40Uh, I know I shot a civilian.
0:24:40 > 0:24:42Maggie Chen,
0:24:42 > 0:24:4344, single, church-goer.
0:24:43 > 0:24:45I'm just missing...
0:24:45 > 0:24:47Missing what? Explain.
0:24:47 > 0:24:48Uh...
0:24:48 > 0:24:50Myself? Um...
0:24:53 > 0:24:56Yeah, I'm... I glitched,
0:24:56 > 0:24:59break, or something.
0:24:59 > 0:25:03I think I need some, you know, leave.
0:25:03 > 0:25:06- You're under suspension.- Right.
0:25:06 > 0:25:09Ahem! See, I'm having trouble with detail,
0:25:09 > 0:25:13so I'm not sure I should say anything at all.
0:25:13 > 0:25:15It's all confidential.
0:25:15 > 0:25:18Have you shared any of these dissociations with Paul?
0:25:18 > 0:25:19Yeah, no, we're fine.
0:25:19 > 0:25:22I don't want to talk about Paul. Paul's away.
0:25:22 > 0:25:24No, he's in Cleveland.
0:25:24 > 0:25:26Beth,
0:25:26 > 0:25:29uh, a waitress makes a mistake at work.
0:25:29 > 0:25:32She, what? Drops a plate of meatloaf,
0:25:32 > 0:25:35doesn't get a tip. Try to separate "mistake" from "result".
0:25:35 > 0:25:39Getting back on the job, for you, is all about moving forward
0:25:39 > 0:25:42from a moment you can never take back.
0:25:42 > 0:25:45You need to talk to me about that moment.
0:25:48 > 0:25:51About seeing cellphone and reacting "gun".
0:25:51 > 0:25:53Mm-hmm.
0:25:53 > 0:25:55Can I make another appointment?
0:26:03 > 0:26:07So, your twin, all hopped up on cop tranquilisers,
0:26:07 > 0:26:11guns down an innocent Chinese lady holding a cellphone in her hand.
0:26:11 > 0:26:12Is that true?
0:26:12 > 0:26:14I don't know.
0:26:14 > 0:26:15I'm not even sure her partner knows.
0:26:15 > 0:26:18Feels like she's lying about something.
0:26:18 > 0:26:20With 75 grand in a new account?
0:26:20 > 0:26:21She's well dodgy.
0:26:21 > 0:26:25Yeah, whatever she was into, it drove her bloody nuts, yeah?
0:26:25 > 0:26:27Yeah, suicide's thrilling, agreed.
0:26:27 > 0:26:30But, can we get the elephant out of the room?
0:26:30 > 0:26:32What?
0:26:32 > 0:26:34Well, look at her.
0:26:34 > 0:26:35What?
0:26:35 > 0:26:37You're related.
0:26:37 > 0:26:39This could be your story.
0:26:39 > 0:26:40It's not.
0:26:40 > 0:26:43Every foster kid dreams of their lost family.
0:26:43 > 0:26:47- Oh, my God.- Deep down, we all hope we're special.
0:26:47 > 0:26:51Yeah, the last thing I am is special.
0:26:51 > 0:26:55If that was my boyfriend, I'd jump in front of a train, too.
0:26:55 > 0:26:56Don't say that.
0:26:56 > 0:26:58Paul's hot and you know it.
0:26:58 > 0:27:02Oh, Vic is keening like a banshee. He wants a funeral.
0:27:02 > 0:27:03You can't have a funeral.
0:27:03 > 0:27:07The whole sad point is nobody would notice if I died.
0:27:07 > 0:27:09What's this? Birth certificates?
0:27:09 > 0:27:12Alison Hendrix, Beth.
0:27:13 > 0:27:15Katja Obinger. Born in Berlin.
0:27:18 > 0:27:23Sarah, their birth dates are all within a month of yours.
0:27:23 > 0:27:25- It's a coincidence.- I don't care.
0:27:25 > 0:27:28It's just a score, Fe. Let me finish what I started and then
0:27:28 > 0:27:32- I'll come back for you and Kira, yeah?- Oh.
0:27:32 > 0:27:35You're going to disappear again?
0:27:35 > 0:27:38Yeah, I have to, Fe.
0:27:38 > 0:27:41There's dangerous shit in this life.
0:27:41 > 0:27:42Somebody keeps texting her.
0:27:42 > 0:27:45Oh, texting. My God, how terrifying(!)
0:27:45 > 0:27:47Look, Fe, sell the coke and keep half the money
0:27:47 > 0:27:49and give the other half to Kira, yeah?
0:27:49 > 0:27:51You left Kira with Mrs S overnight
0:27:51 > 0:27:55and you didn't come back for ten months!
0:27:59 > 0:28:01I'm trying to fix it.
0:28:01 > 0:28:05Tell it to the angels, Sarah. You're already dead.
0:28:36 > 0:28:37Shit!
0:28:41 > 0:28:42Beth!
0:28:42 > 0:28:45Beth.
0:28:47 > 0:28:49Hi.
0:28:49 > 0:28:51Hey.
0:28:51 > 0:28:53The Clash?
0:28:53 > 0:28:56Oh, yeah. Uh...
0:28:56 > 0:28:59"London Calling".
0:28:59 > 0:29:02- The Clash rock. - Yeah, but you don't.
0:29:05 > 0:29:07Are you going somewhere?
0:29:07 > 0:29:08Uh...
0:29:08 > 0:29:10Uh...no. Just gym stuff.
0:29:10 > 0:29:13Weren't you coming back on the weekend?
0:29:13 > 0:29:16Well, I wanted to be here.
0:29:16 > 0:29:17So?
0:29:19 > 0:29:22- Yeah?- How was the hearing?
0:29:22 > 0:29:25Oh. Uh, I couldn't do it.
0:29:25 > 0:29:27I couldn't do it.
0:29:27 > 0:29:29You skipped it?
0:29:29 > 0:29:31No, um...
0:29:31 > 0:29:35I...got sick to my stomach. I basically puked on them.
0:29:35 > 0:29:38- Are you serious?- Yeah.
0:29:38 > 0:29:42Yeah. Don't worry. I'm OK.
0:29:42 > 0:29:44Beth, what's happened?
0:29:44 > 0:29:48SHE SIGHS A lot.
0:29:48 > 0:29:51Yeah, I know, but you're...
0:29:53 > 0:29:55I'm what?
0:29:58 > 0:30:00What'd you do to your hair?
0:30:00 > 0:30:03Uh...nothing.
0:30:03 > 0:30:04I got it cut.
0:30:04 > 0:30:06It's longer.
0:30:06 > 0:30:09It's just wet.
0:30:09 > 0:30:13Something's different.
0:30:21 > 0:30:24- Bedroom.- Ah!
0:30:25 > 0:30:26Ah!
0:30:30 > 0:30:32Right here.
0:31:16 > 0:31:18BANGING ON DOOR
0:31:18 > 0:31:21- Felix. - (For crying out loud.)
0:31:21 > 0:31:22Felix.
0:31:24 > 0:31:28- I'm sorry, man. I don't know where else to go.- The men's shelter?
0:31:30 > 0:31:33What the hell happened to your face?
0:31:33 > 0:31:34I got in a fight.
0:31:34 > 0:31:35Why, Vic?
0:31:35 > 0:31:37Why are you such a dick?
0:31:37 > 0:31:40I don't know. I'm angry.
0:31:43 > 0:31:44Can I come in?
0:31:44 > 0:31:46No!
0:31:46 > 0:31:48Thanks.
0:31:51 > 0:31:53I can't sleep.
0:31:53 > 0:31:55I keep seeing her face.
0:31:55 > 0:31:57Yeah, me, too.
0:31:57 > 0:31:58Her pretty face.
0:31:58 > 0:32:02Felix, you and me, we have to do something.
0:32:02 > 0:32:05There's just no goddamn closure, bro.
0:32:05 > 0:32:09We have to have, like, a... a memorial send-off, or something.
0:32:11 > 0:32:13OK, Vic.
0:32:13 > 0:32:15We'll have a wake.
0:32:15 > 0:32:17Really? See, that's what I'm talking about, man,
0:32:17 > 0:32:19a coming together.
0:32:19 > 0:32:21Yeah. Cremation's today. I'm buying.
0:32:21 > 0:32:23Oh, shit. Yeah, it can't be today.
0:32:23 > 0:32:26I got to call Glenn and that bitch Sherry
0:32:26 > 0:32:29and all her Montreal connects are going to want to be there.
0:32:29 > 0:32:30No, no, locals only, Vic. Fast and light,
0:32:30 > 0:32:33all right? It's going to be an intimate memorial piss-up.
0:32:33 > 0:32:34- OK.- Come on, let's go.
0:32:34 > 0:32:37- Can I...?- OK!- That's...
0:32:37 > 0:32:38Thank you.
0:32:38 > 0:32:40All right, um...
0:32:40 > 0:32:44You know what? First, though, you need a shower and a Xanax.
0:32:44 > 0:32:45OK.
0:33:02 > 0:33:03- Mmm.- Ah! Oh.
0:33:03 > 0:33:05For real?
0:33:05 > 0:33:08That was amazing.
0:33:08 > 0:33:10Was it?
0:33:10 > 0:33:11We haven't had that action
0:33:11 > 0:33:14for, like, two years.
0:33:14 > 0:33:15Uh,
0:33:15 > 0:33:18I got up for the gym, Paul.
0:33:18 > 0:33:20OK.
0:33:20 > 0:33:23Well, you want to tell me what happened at the hearing?
0:33:25 > 0:33:30Uh, I choked, I guess.
0:33:30 > 0:33:31They reconvene in a couple days.
0:33:31 > 0:33:33Don't worry about it.
0:33:33 > 0:33:35Beth.
0:33:35 > 0:33:37Hmm? What?
0:33:37 > 0:33:39Are you back on the meds?
0:33:42 > 0:33:43No.
0:33:43 > 0:33:46Then you didn't choke.
0:33:46 > 0:33:50You're finally feeling something. Feeling like the real you.
0:33:50 > 0:33:52I got up for the gym.
0:33:52 > 0:33:55Are you driving today?
0:33:55 > 0:33:58What? Can I borrow the keys to your car?
0:33:58 > 0:34:00Use your own car.
0:34:00 > 0:34:02I can't find my keys.
0:34:02 > 0:34:04Did you check the thing where they always are?
0:34:04 > 0:34:07Yeah. Yeah, I checked the thing where they always are.
0:34:16 > 0:34:18Mm.
0:34:22 > 0:34:24OK.
0:34:32 > 0:34:35Nice.
0:35:04 > 0:35:07Felix! We can't part angry this time. It's not good for your skin, OK?
0:35:07 > 0:35:11Call me, or I'll squeeze your bloody bollocks in a vice, you little...
0:35:11 > 0:35:16- Everything all right?- Yeah. Obnoxious English relative.
0:35:16 > 0:35:17Oh.
0:35:17 > 0:35:20Well, I've got your cash.
0:35:22 > 0:35:24I just need your signature here.
0:35:41 > 0:35:44OK.
0:35:48 > 0:35:49Right, then. All done.
0:36:00 > 0:36:02Here.
0:36:02 > 0:36:03OK. Good luck with that run.
0:36:49 > 0:36:52Fe?
0:37:11 > 0:37:13Felix.
0:37:15 > 0:37:17You little shit.
0:37:24 > 0:37:26Sarah had a big heart.
0:37:26 > 0:37:31It was always fight or flight with her.
0:37:31 > 0:37:33You guys remember how she was, right?
0:37:33 > 0:37:35This is all based on facts.
0:37:35 > 0:37:38She was the kind of person you want to hang
0:37:38 > 0:37:42on to, but she would not be held, would she?
0:37:45 > 0:37:47Sarah, I'm sorry.
0:37:47 > 0:37:50I know I have a lot to answer for.
0:37:52 > 0:37:54My favourite moment...
0:37:54 > 0:37:55So,
0:37:55 > 0:37:57is it heaven or hell?
0:37:57 > 0:37:59I didn't want a funeral, for this very reason, Fe.
0:37:59 > 0:38:02Well, you can't do much about that when you're dead, can you?
0:38:02 > 0:38:04I'm watching right now.
0:38:04 > 0:38:07Really? Oh, well.
0:38:07 > 0:38:09Pathetic.
0:38:09 > 0:38:11Let me ask you...
0:38:11 > 0:38:12I dressed Vic. How do we look?
0:38:12 > 0:38:15Yeah, not as good as Rockabilly Bob.
0:38:15 > 0:38:18I know! Still Rockabilly, after all these years.
0:38:18 > 0:38:19Got to respect that.
0:38:19 > 0:38:23I want to say she was like an angel that was put on earth...
0:38:23 > 0:38:24Sherry's upset, though, in't she?
0:38:24 > 0:38:27Oh, yeah, she thinks Vic pushed you in front of the train.
0:38:27 > 0:38:28It's priceless, really.
0:38:28 > 0:38:30Eh, I got the money, Fe.
0:38:30 > 0:38:31I still want us to be together.
0:38:31 > 0:38:33It can work, yeah?
0:38:33 > 0:38:35This is our chance, for me, you, and Kira
0:38:35 > 0:38:36- to start over.- Sarah, I...
0:38:36 > 0:38:38Felix, do you mind?!
0:38:38 > 0:38:40I'm trying to... Do you want us to go and come back?
0:38:40 > 0:38:43Shit. I'm sorry, I... Vic's getting mad. I got to go.
0:38:43 > 0:38:46- Could you hang up your phone? - Oh, shit!- What?
0:38:46 > 0:38:48- Mrs S is there, Fe.- Shit.
0:38:51 > 0:38:53Stop! Stop! Stop!
0:38:53 > 0:38:54Oh, shit.
0:38:54 > 0:38:56No, no, no, Fe.
0:38:58 > 0:39:00(Oh, shit!)
0:39:00 > 0:39:03Ohh.
0:39:03 > 0:39:05No, Fe, Kira's there.
0:39:05 > 0:39:07Uh...
0:39:07 > 0:39:10she can't think I'm dead, Fe.
0:39:10 > 0:39:12Fe?
0:39:12 > 0:39:15Oh, my God, she can't think I'm dead.
0:39:35 > 0:39:40Beth. Beth, why don't you respond to me?
0:39:41 > 0:39:44- Beth!- Just keep away from me.
0:39:44 > 0:39:47Beth, it's Katja.
0:39:47 > 0:39:50- Oh, my God. Holy shit.- Why no meeting, Beth? What happening?
0:39:50 > 0:39:53- Uh...- I brought the briefcase, ja?
0:39:53 > 0:39:57The samples for your friend, Beth. I was careful, like you said.
0:39:57 > 0:39:59Yeah, just stay back.
0:39:59 > 0:40:03- I'm Katja. Katja Obinger, Beth. - Yeah, I get it, the German, OK?
0:40:03 > 0:40:06- I've seen your birth certificate. - Ja, you asked for it, for proof.
0:40:06 > 0:40:09SHE COUGHS
0:40:12 > 0:40:14Please, I need to see
0:40:14 > 0:40:17your scientist friend, Beth.
0:40:17 > 0:40:19Uh, I can't help you.
0:40:22 > 0:40:23Get out of the car!
0:40:23 > 0:40:25Why are you doing this?
0:40:25 > 0:40:27Your partner, he was following you.
0:40:30 > 0:40:33You were the one in the black car?
0:40:33 > 0:40:35The one that flashed your lights.
0:40:35 > 0:40:36Ja.
0:40:36 > 0:40:39You need to go.
0:40:39 > 0:40:41You're police, Beth. We need you.
0:40:41 > 0:40:42Don't!
0:40:42 > 0:40:44Get out.
0:40:46 > 0:40:48Just one. I'm a few.
0:40:48 > 0:40:50No family, too. Who am I?
0:40:53 > 0:40:56You are not Beth.
0:40:56 > 0:40:57GUNSHOT, RICOCHET
0:40:57 > 0:41:01SHE GASPS
0:41:01 > 0:41:03GUNSHOT
0:41:08 > 0:41:10ENGINE TURNS
0:41:10 > 0:41:13ENGINE REVS, SCUFFLING TYRES
0:41:14 > 0:41:17GUNSHOT, GLASS SMASHES Aah!
0:41:17 > 0:41:19BRAKES SQUEAL
0:41:21 > 0:41:23TYRES SCREECH
0:41:26 > 0:41:28Oh, God! Shit!
0:41:30 > 0:41:32Shit!
0:41:32 > 0:41:33MOBILE RINGS
0:41:51 > 0:41:53Shit!
0:41:53 > 0:41:55MOBILE RINGS
0:42:00 > 0:42:02Shit.
0:42:04 > 0:42:06Hello.