0:00:02 > 0:00:05- I saw a girl kill herself.- Ew! - Yeah, and she looked exactly like me.
0:00:05 > 0:00:06Elizabeth Childs?
0:00:06 > 0:00:07I'm going to go up to her flat.
0:00:07 > 0:00:11- To find out who she is or to rob the rest of her shit?- Hello?
0:00:11 > 0:00:12She's got 75,000 in a savings account.
0:00:12 > 0:00:14Holy shite.
0:00:14 > 0:00:15Beth is a cop. I'm a cop.
0:00:15 > 0:00:18Your partner, He was following you.
0:00:18 > 0:00:22If that was my boyfriend, I'd jump in front of a train, too.
0:00:22 > 0:00:23- What's happened? - A lot.
0:00:23 > 0:00:25Something's different. How was the hearing?
0:00:25 > 0:00:26Officer Elizabeth Childs, entering into record
0:00:26 > 0:00:29her version of the line-of-duty shooting...
0:00:29 > 0:00:32- resulting in a civilian fatality... - SHE RETCHES
0:00:32 > 0:00:33Something's different.
0:00:33 > 0:00:35I'm here for Kira, Fe.
0:00:35 > 0:00:37You left Kira with Mrs S...
0:00:37 > 0:00:39and you didn't come back for ten months!
0:00:39 > 0:00:41We have to have, like, a memorial send-off.
0:00:41 > 0:00:45No, no, no, Kira's there. She can't think I'm dead, Fe.
0:00:45 > 0:00:47Beth, it's Katja. Just one. I'm a few.
0:00:47 > 0:00:48No family, too. Who am I?
0:00:51 > 0:00:53GUNSHOT
0:00:53 > 0:00:55MOBILE RINGS
0:00:55 > 0:00:56Hello?
0:00:59 > 0:01:01TYRES SCREECH
0:01:06 > 0:01:08- WOMAN WITH US ACCENT: - 'Beth, where have you been?'
0:01:08 > 0:01:10Uh, where have I been?
0:01:10 > 0:01:12Um...
0:01:12 > 0:01:13Uh, long story.
0:01:13 > 0:01:15'Well?'
0:01:15 > 0:01:16Well, what?
0:01:16 > 0:01:19'Did you meet the German? I can't get a hold of her.
0:01:21 > 0:01:24'Beth?
0:01:24 > 0:01:25'What?'
0:01:25 > 0:01:26The German's dead.
0:01:26 > 0:01:29- 'Dead?'- Yeah, someone shot her, right in front of me!
0:01:29 > 0:01:31'Oh, Jesus! Are you all right?!'
0:01:31 > 0:01:34No! No, I'm not all right! She's in the back of my car!
0:01:34 > 0:01:35There's blood everywhere!
0:01:35 > 0:01:38'Holy shit. Holy shit, it's true.'
0:01:38 > 0:01:39What?
0:01:39 > 0:01:41'That someone is killing us.
0:01:41 > 0:01:43'They must've followed her from Europe.'
0:01:43 > 0:01:46Jesus bloody Christ!
0:01:46 > 0:01:47'What?'
0:01:47 > 0:01:48Nothing. Nothing, nothing.
0:01:48 > 0:01:50'OK, OK, OK. Did you get the briefcase?'
0:01:50 > 0:01:54- Uh...- 'Beth?'- What?- 'You know what? Worry about that later.'
0:01:54 > 0:01:56'You need to get rid of the body.'
0:01:56 > 0:01:58- How?- 'I... I...'
0:01:58 > 0:02:01- Like, how? - 'I don't know.
0:02:01 > 0:02:03'You're the cop. Like, buy a shovel.
0:02:03 > 0:02:06'Just make sure you get her samples.'
0:02:06 > 0:02:07Uh...samples?
0:02:07 > 0:02:10'Hair and blood, Beth.
0:02:10 > 0:02:13'You can do this.'
0:02:13 > 0:02:15Uh...how about you come help me?
0:02:15 > 0:02:17'I would if I could.
0:02:17 > 0:02:20'Look, one step at a time. I'll call you back.'
0:03:29 > 0:03:31SOFT MUSIC PLAYS
0:03:36 > 0:03:39Sorry, Elizabeth Childs.
0:03:39 > 0:03:41Freaks and punks,
0:03:41 > 0:03:43lost puppies...
0:03:43 > 0:03:45We always had a friend in Sarah.
0:03:45 > 0:03:47You have a few words, Felix?
0:03:47 > 0:03:48Hmm? Mm.
0:03:48 > 0:03:50Anything you want to express?
0:03:50 > 0:03:52Oh, no, I... I can't, Bob.
0:03:52 > 0:03:54I'm too verklempt.
0:03:58 > 0:04:00We're in bummed-out city...
0:04:00 > 0:04:05'I plead your mercy and your pity
0:04:05 > 0:04:08'is not life
0:04:08 > 0:04:10'a mirror maze?'
0:04:13 > 0:04:14SHE COUGHS
0:04:14 > 0:04:16'To Sarah.
0:04:16 > 0:04:17- ALL:- To Sarah!
0:04:17 > 0:04:19GLASSES CLINK
0:04:19 > 0:04:20To Sarah.
0:04:23 > 0:04:26I can't figure out
0:04:26 > 0:04:28why she killed herself.
0:04:30 > 0:04:32It's just not Sarah.
0:04:32 > 0:04:34It's not Sarah.
0:04:40 > 0:04:42Well, at least she had love.
0:04:42 > 0:04:45Whose love did she have, yours?
0:04:45 > 0:04:50Love...is imperfect.
0:04:50 > 0:04:51Love is
0:04:51 > 0:04:53imperfection itself.
0:04:53 > 0:04:57If that's your definition, no wonder she jumped.
0:04:57 > 0:04:58Shit!
0:04:58 > 0:05:00Hey! Whoa whoa, take it easy!
0:05:00 > 0:05:01Let him go, Vic!
0:05:01 > 0:05:03Say it! Go ahead, say it's my fault!
0:05:03 > 0:05:04Say it's my fault!
0:05:04 > 0:05:06It's...your...
0:05:06 > 0:05:08Vic! Vic! Be cool.
0:05:08 > 0:05:11Aaah!
0:05:11 > 0:05:13Everyone's raw. It's OK.
0:05:13 > 0:05:15All right. I'm sorry.
0:05:17 > 0:05:18My bad.
0:05:20 > 0:05:22I'm not a huggy griever, Vic.
0:05:44 > 0:05:46Katja Obinger.
0:05:46 > 0:05:47Berlin.
0:05:52 > 0:05:55Who the hell are you?
0:06:25 > 0:06:27Eh. Oh, what time do you open?
0:06:29 > 0:06:33I need a front and driver's-side window.
0:06:38 > 0:06:41Vic, I'm tired.
0:06:41 > 0:06:42One last drink.
0:06:42 > 0:06:45A bourbon for Sarah.
0:06:45 > 0:06:48Oh. Oh, Jesus.
0:06:53 > 0:06:54Very good.
0:06:56 > 0:06:57OK.
0:06:57 > 0:06:59Off you go.
0:06:59 > 0:07:01Wait a minute. My turn.
0:07:01 > 0:07:03God!
0:07:05 > 0:07:07I want to get to know Sarah's daughter.
0:07:07 > 0:07:08Out, Vic!
0:07:08 > 0:07:11- Why not?!- There's a reason you never met her.
0:07:11 > 0:07:12What is it?
0:07:12 > 0:07:15Well, let's see. For starters, you're a drug dealer.
0:07:15 > 0:07:16I could help her financially.
0:07:16 > 0:07:18And Sarah left you.
0:07:18 > 0:07:21She ran because you're abusive.
0:07:21 > 0:07:23I want to make up for that.
0:07:23 > 0:07:25All right, let's go.
0:07:25 > 0:07:27Let's go.
0:07:27 > 0:07:30Felix, I want to stay connected to her.
0:07:30 > 0:07:32To who? Who, Vic?!
0:07:32 > 0:07:35Her.
0:07:35 > 0:07:39Vic, Kira is not Sarah.
0:07:39 > 0:07:41Sarah's dead and she's not coming back.
0:07:41 > 0:07:43You need to man up and accept that.
0:07:44 > 0:07:46Felix?
0:07:46 > 0:07:47Hug me.
0:08:04 > 0:08:06CLATTERING
0:08:07 > 0:08:09Oh, come on.
0:08:09 > 0:08:11DOOR OPENS
0:08:11 > 0:08:14Vic! I have a knife and I will stab you in the face!
0:08:14 > 0:08:17Shit.
0:08:17 > 0:08:21Aren't you supposed to wait, like, three days before rising?
0:08:21 > 0:08:23What the hell's this?
0:08:23 > 0:08:24That is your wake.
0:08:24 > 0:08:25It was agony.
0:08:25 > 0:08:28Yeah, Vic was here. Why'd you have one?
0:08:28 > 0:08:29Because I was mad at you,
0:08:29 > 0:08:32so I just decided to blow all the money from your stolen coke on it.
0:08:34 > 0:08:37Felix! Does Kira think I'm dead?
0:08:37 > 0:08:40I don't know.
0:08:40 > 0:08:42Oh, you don't know?
0:08:42 > 0:08:45Vic screwed everything up
0:08:45 > 0:08:47when he got hold of Mrs S somehow.
0:08:47 > 0:08:48I don't know what she told Kira.
0:08:50 > 0:08:51Vic.
0:08:51 > 0:08:55Yeah. Since you died, he's even more obsessed.
0:08:55 > 0:08:56He wants to meet Kira.
0:08:56 > 0:08:58No!
0:08:58 > 0:09:00No, I know that!
0:09:00 > 0:09:02Of course not. You think we'd let that happen?
0:09:05 > 0:09:06Hey, what's that?
0:09:06 > 0:09:08Right there. Well, it looks like...
0:09:08 > 0:09:10It looks like blood.
0:09:10 > 0:09:13Hey, whoa! What's going on?
0:09:13 > 0:09:16- Nothing. - Hey!
0:09:16 > 0:09:19Nothing. I don't want to talk about it.
0:09:19 > 0:09:22Sarah!
0:09:22 > 0:09:24SHE SIGHS
0:09:24 > 0:09:28You remember those birth certificates, yeah?
0:09:28 > 0:09:32- Beth's and the two others? - Yeah, Katja and Alison.
0:09:32 > 0:09:33- Yeah?- Yeah.
0:09:33 > 0:09:35Well, I met the German.
0:09:35 > 0:09:40What? Is she...another twin?
0:09:40 > 0:09:42Yeah.
0:09:42 > 0:09:44- Leave it out, Felix. - Did she say who she was?
0:09:44 > 0:09:48- Don't.- What did she say?! - I'm not getting into it. I can't...
0:09:48 > 0:09:50- I seriously cannot explain it. - All right, fine.
0:09:50 > 0:09:52Stop.
0:09:52 > 0:09:53Look,
0:09:53 > 0:09:56I need you to tell Mrs S I'm not dead, yeah?
0:09:56 > 0:09:58That it was all a mistake.
0:09:58 > 0:10:00No! No way. You do it.
0:10:00 > 0:10:03If I walk in there now, after ten months,
0:10:03 > 0:10:05think about how hard she can make custody.
0:10:05 > 0:10:06What, so I go in and I say what?
0:10:06 > 0:10:09SHE SIGHS
0:10:09 > 0:10:10Lie?
0:10:10 > 0:10:14- My God.- Tell her it wasn't me. I don't care.
0:10:14 > 0:10:17Just make sure Kira knows that I'm fine.
0:10:17 > 0:10:18Yeah?
0:10:18 > 0:10:21We can still get out with her.
0:10:21 > 0:10:26That's my one bit of good news.
0:10:26 > 0:10:27Is this evil twin's money?
0:10:27 > 0:10:29Yeah, 75,000 in cash.
0:10:29 > 0:10:31That's enough to lose Vic,
0:10:31 > 0:10:33lose the twin-sister weirdness,
0:10:33 > 0:10:36just somewhere safe with my daughter. Is that so much to ask?
0:10:36 > 0:10:39Yeah, maybe.
0:10:39 > 0:10:41What?
0:10:41 > 0:10:43"Detective Arthur Bell."
0:10:43 > 0:10:45What?!
0:10:46 > 0:10:48Bastard must've followed me and nicked it.
0:10:48 > 0:10:50All right.
0:10:50 > 0:10:52All right, let's not go off, though, OK?
0:10:52 > 0:10:54No. Hey, let's... No, Sarah!
0:10:54 > 0:10:55Agh!
0:10:55 > 0:10:57Sarah! Sarah!
0:10:57 > 0:10:58Ahh!
0:10:58 > 0:10:59Bastard!
0:10:59 > 0:11:01Bastard!
0:11:01 > 0:11:03Sarah! S...
0:11:03 > 0:11:06Whoa, hey, no! Not that.
0:11:06 > 0:11:09I'm working on that.
0:11:12 > 0:11:14Maggie Chen.
0:11:14 > 0:11:15Who the hell is Maggie Chen?
0:11:15 > 0:11:17Uh, it's the woman Beth shot.
0:11:17 > 0:11:18Right.
0:11:18 > 0:11:20So, now, what are these, all right?
0:11:20 > 0:11:21"Official statement."
0:11:21 > 0:11:24"Detective Arthur Bell, official statement."
0:11:24 > 0:11:26"Detective Elizabeth Childs."
0:11:26 > 0:11:28What is this?
0:11:28 > 0:11:30This is...this is, like, the case.
0:11:30 > 0:11:32He left it for me.
0:11:32 > 0:11:34Her.
0:11:34 > 0:11:36If we want the money back from Art,
0:11:36 > 0:11:39- I have to be Beth again. - Oh, for Christ's sake.
0:11:39 > 0:11:41How long can you keep gaming a cop?
0:11:41 > 0:11:43Till I get our money.
0:11:43 > 0:11:45It's 6.00 in the morning. You're going to call him now?
0:11:45 > 0:11:48Yeah, believe me...this call, he's waiting for.
0:11:48 > 0:11:52PHONE RINGS
0:11:52 > 0:11:56PHONE RINGS
0:11:56 > 0:11:57Took you a while.
0:11:57 > 0:11:59What the hell are you doing?
0:11:59 > 0:12:01Hey, I'm just following orders, Beth.
0:12:01 > 0:12:03Orders to steal from me?
0:12:03 > 0:12:07The lieutenant said, "Take your rookie by the hand, walk her right through the hearing."
0:12:09 > 0:12:11Did you stop to check it before you crossed the border?
0:12:11 > 0:12:13Art, I'm at home! You got it all wrong.
0:12:13 > 0:12:15I never get it all wrong, do I?
0:12:15 > 0:12:17Well, it's not what you think.
0:12:17 > 0:12:20Meet me at Fung's at noon.
0:12:20 > 0:12:22"Fung's"?
0:12:22 > 0:12:25DIAL TONE
0:12:25 > 0:12:27What the hell's Fung's?
0:12:32 > 0:12:34Paul?
0:12:37 > 0:12:39Where were you last night?
0:12:39 > 0:12:41Aw, shit! Don't do that!
0:12:41 > 0:12:43I... I, er...
0:12:43 > 0:12:45I was at the station,
0:12:45 > 0:12:48I was catching up on this backlog.
0:12:48 > 0:12:49You're under suspension.
0:12:49 > 0:12:51Yeah, so?
0:12:51 > 0:12:54They reconvened the hearing.
0:12:54 > 0:12:56I have to get on top of this stuff.
0:12:56 > 0:12:58First, you screw me wild for the first time in months, and then,
0:12:58 > 0:13:01you don't even call me to tell me that you're out all night?
0:13:01 > 0:13:05And why are you suddenly dressing like a punk-rock ho?
0:13:05 > 0:13:06Say again.
0:13:06 > 0:13:08No.
0:13:08 > 0:13:10You know what? Don't.
0:13:10 > 0:13:11I'm going to ignore that.
0:13:11 > 0:13:14I'm worried you're losing the plot again.
0:13:14 > 0:13:15We've been here before.
0:13:15 > 0:13:19No, Paul, we definitely haven't been here before.
0:13:19 > 0:13:23Sorry. I've got a lot of work to do.
0:13:23 > 0:13:26If you want, I can take it to the station, yeah?
0:13:26 > 0:13:29Beth, you're not ready for this. You need to take more time.
0:13:29 > 0:13:31Is that a diagnosis? Because I have plenty
0:13:31 > 0:13:32of professional help for that.
0:13:32 > 0:13:34- Babe, please... - Don't touch me.
0:13:36 > 0:13:39You know, I can see this shooting is killing you,
0:13:39 > 0:13:41but you stopped talking to me months ago.
0:13:41 > 0:13:44Paul.
0:13:44 > 0:13:47What am I supposed to do?
0:13:47 > 0:13:48It's my problem.
0:13:48 > 0:13:51You don't have to take this on.
0:13:51 > 0:13:55Well, I have. And I can't keep waking up every night,
0:13:55 > 0:13:58checking your breathing, worried you're mixing
0:13:58 > 0:14:02your meds, booze, God knows what else, so...
0:14:02 > 0:14:05- I'm going back to Cody's for a while.- OK.
0:14:07 > 0:14:10Yeah, if that's what you want.
0:14:26 > 0:14:27"Punk-rock ho"?
0:14:45 > 0:14:46Oh.
0:14:46 > 0:14:48Hi, monkey.
0:14:48 > 0:14:50Did you see my mum?
0:14:50 > 0:14:53Oh. Um, sweetie...
0:14:54 > 0:14:56Oi-oi, Mrs S.
0:14:56 > 0:14:59Go on upstairs, Kira, love.
0:14:59 > 0:15:02Uncle Felix has got some explaining to do.
0:15:05 > 0:15:08I knew it was too good to be true.
0:15:08 > 0:15:11Sarah's too tough to commit suicide.
0:15:11 > 0:15:13Most feral mutt I ever took in.
0:15:14 > 0:15:16Don't shrug.
0:15:16 > 0:15:18Staging a funeral to get away from Vic.
0:15:18 > 0:15:21Why would you help with such a stupid plan?
0:15:21 > 0:15:23Vic's a dick?
0:15:23 > 0:15:27Plagued, that girl was,
0:15:27 > 0:15:30- from the very start. - What do you mean by that?
0:15:30 > 0:15:34Tell her that she hasn't seen her daughter in almost a year
0:15:34 > 0:15:36and I think it's best if it stays like that.
0:15:36 > 0:15:38Why don't you tell her yourself, Siobhan?
0:15:38 > 0:15:40I'm not going to play Felix in the middle.
0:15:40 > 0:15:42Oh, no? You're here at her beck and call, aren't you?
0:15:42 > 0:15:45Yes, I am! To make sure that Kira doesn't think
0:15:45 > 0:15:46that her mother's dead.
0:15:46 > 0:15:50- And, oh, good, look... - she doesn't.
0:15:50 > 0:15:53You and Sarah, you can work out the rest.
0:15:53 > 0:15:54Years of my life.
0:15:54 > 0:15:56Leaving London, all my people there,
0:15:56 > 0:15:58to bring the two of you here for a fresh start.
0:16:00 > 0:16:02I'd do it all again, Felix.
0:16:02 > 0:16:04Every visit from the bloody police,
0:16:04 > 0:16:07every missing-persons report,
0:16:07 > 0:16:10every punch we threw,
0:16:10 > 0:16:14because Kira is a gift.
0:16:14 > 0:16:16Sarah knows that.
0:16:16 > 0:16:21No, she hasn't a clue.
0:16:21 > 0:16:24She is trying.
0:16:24 > 0:16:26Badly, granted,
0:16:26 > 0:16:29but in her own way, she is, she's really trying
0:16:29 > 0:16:30FLOOR CREAKS
0:16:32 > 0:16:34Ohh.
0:16:34 > 0:16:35Caught you!
0:16:35 > 0:16:37Come here. Come here, monkey.
0:16:42 > 0:16:45When is Mummy coming?
0:16:45 > 0:16:47You know when, love.
0:16:47 > 0:16:49When she's ready?
0:16:49 > 0:16:51And?
0:16:51 > 0:16:54When you say she's ready?
0:16:54 > 0:16:57Sounds fair to me.
0:17:08 > 0:17:10Right here is where I thought I saw Yip.
0:17:14 > 0:17:15That's when I drew my weapon.
0:17:15 > 0:17:17She...
0:17:17 > 0:17:18What'd she do?
0:17:26 > 0:17:28It's not a payoff, Art, it's not.
0:17:28 > 0:17:31Then cut the shit, Beth, and tell me where it came from.
0:17:31 > 0:17:34It's Paul's, OK? It's Paul's and mine.
0:17:34 > 0:17:37I cleaned out our joint savings account.
0:17:37 > 0:17:39I haven't told him yet.
0:17:39 > 0:17:42Yeah, I was going to leave town,
0:17:42 > 0:17:44but I couldn't do it, OK? I turned around.
0:17:44 > 0:17:47For Paul.
0:17:47 > 0:17:49To clear the shooting, Art.
0:17:49 > 0:17:51I'm not dirty,
0:17:51 > 0:17:54I just freaked out.
0:17:56 > 0:17:58Are you wearing a wire?
0:17:58 > 0:18:00No!
0:18:00 > 0:18:01You never saw the vic before?
0:18:01 > 0:18:05- No previous contact with Margaret Chen?- No!
0:18:05 > 0:18:08If there is another version of the story,
0:18:08 > 0:18:10if that money is somehow connected.
0:18:10 > 0:18:12There's only one story, Art.
0:18:15 > 0:18:17Then walk me through it again,
0:18:17 > 0:18:19so I know you won't crack under questioning.
0:18:19 > 0:18:24I was by myself, I was canvassing witnesses on another case.
0:18:24 > 0:18:28- Which case?- The Ramsay thing. Sun Jewelry heist.
0:18:28 > 0:18:30The Ramsay thing.
0:18:30 > 0:18:31Sun Jewelry heist.
0:18:31 > 0:18:33I wasn't even looking for Yip.
0:18:33 > 0:18:34Yip who?
0:18:34 > 0:18:36Xan Yip, US racketeering warrant.
0:18:36 > 0:18:39I'd seen her sheet that morning... Asian female, 41.
0:18:39 > 0:18:40And?
0:18:43 > 0:18:45And... Right here...
0:18:45 > 0:18:47Is where I thought I saw Yip.
0:18:47 > 0:18:49You thought?
0:18:49 > 0:18:50I did. I saw her.
0:18:50 > 0:18:52I called her name, I told her to freeze.
0:18:52 > 0:18:54She didn't. She ran.
0:18:54 > 0:18:57Disappeared down...
0:18:57 > 0:18:59You're making me nervous.
0:18:59 > 0:19:00Good.
0:19:00 > 0:19:03Now, you know how it feels.
0:19:03 > 0:19:04When did you draw your weapon?
0:19:04 > 0:19:07I drew when I entered the courtyard, here.
0:19:07 > 0:19:08That's when I drew my weapon.
0:19:08 > 0:19:12And then she disappeared down there. I crossed to there.
0:19:12 > 0:19:14And that's when I heard somebody behind me
0:19:14 > 0:19:16and I turned around... SHE IMITATES GUNFIRE
0:19:16 > 0:19:18and I fired twice.
0:19:34 > 0:19:36They were both wearing black.
0:19:36 > 0:19:37It wasn't her.
0:19:37 > 0:19:39It wasn't her.
0:19:39 > 0:19:43Then what?
0:19:43 > 0:19:48Then I saw the phone in her hand and I called it in.
0:19:48 > 0:19:49And then you showed up.
0:19:49 > 0:19:52If they find out you called me
0:19:52 > 0:19:56before you called it in, Beth, they're going to start to dig.
0:19:56 > 0:19:57And if they dig, they find the pills
0:19:57 > 0:19:59and, if they find the pills,
0:19:59 > 0:20:00you may crack under questioning
0:20:00 > 0:20:02and tell them that I put the phone
0:20:02 > 0:20:04in the vic's hand to cover your tweaker ass.
0:20:07 > 0:20:11I wouldn't do that, Art.
0:20:11 > 0:20:15I got to carry what I did.
0:20:15 > 0:20:17Maggie Chen was
0:20:17 > 0:20:20in the wrong place at the wrong time.
0:20:20 > 0:20:24That's it.
0:20:24 > 0:20:26None of this ends up on you.
0:20:26 > 0:20:29Good.
0:20:29 > 0:20:32But, to be sure,
0:20:32 > 0:20:35I'm going to hang on to that money until you're cleared.
0:20:35 > 0:20:36How's that?
0:20:50 > 0:20:51Kira's fine.
0:20:51 > 0:20:53You're not dead to your daughter.
0:20:53 > 0:20:55Come here.
0:20:55 > 0:20:56SHE SOBS
0:20:56 > 0:21:00- I know. I know.- She knows I'm back, doesn't she?
0:21:00 > 0:21:04- I can feel her.- She knows. She's been asking for you.
0:21:04 > 0:21:07- She knows. I know. - OK. What about Mrs S?
0:21:07 > 0:21:10Don't worry about that now, OK? We'll work it out later.
0:21:10 > 0:21:13- Thank you.- Just take us with you when you leave again.
0:21:13 > 0:21:16I promise, I promise, I promise.
0:21:16 > 0:21:17All right. Do you want a cuppa?
0:21:17 > 0:21:19Yeah.
0:21:19 > 0:21:24So Art won't give me the money until I clear Beth's shooting.
0:21:24 > 0:21:26What do you mean, like, go back in front of a police board,
0:21:26 > 0:21:30- with, like, lawyers and cross-examination, and stuff?- Yeah.
0:21:30 > 0:21:32MOBILE RINGS
0:21:32 > 0:21:34That's the least of my worries.
0:21:34 > 0:21:36PHONE RINGS
0:21:36 > 0:21:37That's Beth's other phone.
0:21:37 > 0:21:39PHONE RINGS
0:21:39 > 0:21:42- Is that the German? - It's DEFINITELY not the German.
0:21:42 > 0:21:44All right, I think it's time
0:21:44 > 0:21:47that you told me what's actually going on.
0:21:47 > 0:21:48Beth was investigating her twins, too.
0:21:48 > 0:21:52I think whatever she found out drove her nuts and she topped herself.
0:21:52 > 0:21:53What?
0:21:53 > 0:21:55- So do I pick up?- No!
0:21:55 > 0:21:57No!
0:21:57 > 0:21:58I can't help myself.
0:21:58 > 0:22:00Then why even ask?
0:22:00 > 0:22:02Shh.
0:22:02 > 0:22:05Hello, er, this is, um, this is Beth.
0:22:05 > 0:22:06- WOMAN WITH US ACCENT: - 'Finally! Where have you been?'
0:22:06 > 0:22:09Busy, obviously.
0:22:09 > 0:22:10'Right. Did you get the German's briefcase?'
0:22:10 > 0:22:11No. Why?
0:22:11 > 0:22:14'Because I told you to.
0:22:14 > 0:22:15'Where is she staying, Beth?
0:22:18 > 0:22:20- 'Hello?' - One sec!
0:22:23 > 0:22:24OK.
0:22:24 > 0:22:26Uh,
0:22:26 > 0:22:28Carlsborough Hotel, room 303.
0:22:28 > 0:22:31'Well, go, get the briefcase before they do.'
0:22:31 > 0:22:33- 'I'll call back at midnight.' - PHONE DISCONNECTS
0:22:33 > 0:22:35What's in...
0:22:35 > 0:22:37(What's in the briefcase?)
0:22:37 > 0:22:38Who is that?
0:22:38 > 0:22:44- Every time I think I know something, I'm wrong.- Whoa, hold on.
0:22:45 > 0:22:46Beth,
0:22:46 > 0:22:48Katja,
0:22:48 > 0:22:49and Alison Hendrix.
0:22:49 > 0:22:51Is it her?
0:22:51 > 0:22:53I don't know, Felix.
0:22:53 > 0:22:55Well, what happened to the German?
0:22:55 > 0:22:56Are you seriously going there?
0:22:56 > 0:22:59- Don't you want to know what's in the briefcase?- No!
0:22:59 > 0:23:01Cash?
0:23:01 > 0:23:04It's still a hustle, Fe.
0:23:04 > 0:23:06Can I borrow this?
0:23:06 > 0:23:08No. Yeah. I don't know.
0:23:08 > 0:23:10Mmm.
0:23:10 > 0:23:13Guten morgen. Katja Obinger. SHE CHUCKLES
0:23:13 > 0:23:14Sarah.
0:23:14 > 0:23:16Don't worry.
0:23:16 > 0:23:17You actually look kind of hot.
0:23:17 > 0:23:19It's good, innit?
0:23:19 > 0:23:20SHE PRACTISES GERMAN PHRASES
0:23:20 > 0:23:23MUSIC: "These Boots Are Made For Walking" in German
0:23:23 > 0:23:24Nein, nein.
0:23:37 > 0:23:39Miss Obinger.
0:23:39 > 0:23:42Miss Obinger?
0:23:42 > 0:23:45Miss Obinger!
0:23:45 > 0:23:46Miss Obinger!
0:23:51 > 0:23:53- Was that her? - Yeah.
0:23:55 > 0:23:56LIFT PINGS
0:24:55 > 0:24:58PHONE RINGS
0:24:58 > 0:24:59Shit.
0:25:00 > 0:25:02PHONE RINGS
0:25:14 > 0:25:15POUNDING ON DOOR
0:25:15 > 0:25:18PHONE RINGS
0:25:18 > 0:25:19Shit.
0:25:19 > 0:25:21POUNDING ON DOOR
0:25:28 > 0:25:31Ahem. Ja.
0:25:31 > 0:25:34Hello. Avery, from the front desk.
0:25:34 > 0:25:37- Could we talk with you downstairs, please? - SHE SIGHS
0:25:37 > 0:25:40Why would you go in my room?
0:25:40 > 0:25:43We had a noise complaint, which led to a security check.
0:25:43 > 0:25:45Ma'am, your room was trashed.
0:25:45 > 0:25:47Rock-n-roll.
0:25:47 > 0:25:49"Rock-n-roll"?
0:25:49 > 0:25:53The sink is broken. What the heck is wrong with you?
0:25:53 > 0:25:56Unfortunately, we have an itemised bill. Sink, mirror,
0:25:56 > 0:25:58three pillows.
0:25:58 > 0:26:016,000?
0:26:01 > 0:26:046,437.11, yes.
0:26:04 > 0:26:05Ja.
0:26:10 > 0:26:12So? You have my card on file, ja?
0:26:12 > 0:26:14Yes.
0:26:16 > 0:26:18And my briefcase.
0:26:21 > 0:26:23One moment.
0:26:28 > 0:26:32Authorising.
0:26:39 > 0:26:41Must've been a heck of a party.
0:26:48 > 0:26:51Everything appears to be in order.
0:26:51 > 0:26:53I'm very sorry about this.
0:26:53 > 0:26:54Ahem!
0:26:54 > 0:26:56Are you enjoying the city?
0:26:56 > 0:26:58It's killing me.
0:26:58 > 0:27:00Danke schoen.
0:27:50 > 0:27:52"Danielle Fournier".
0:28:01 > 0:28:02Katja.
0:28:10 > 0:28:12Austrian.
0:28:13 > 0:28:15Italian?
0:28:18 > 0:28:21Danielle Fournier, France.
0:28:28 > 0:28:30Alison Hendrix,
0:28:30 > 0:28:32Scarborough.
0:28:33 > 0:28:35You're practically local.
0:28:35 > 0:28:36MOBILE RINGS
0:28:36 > 0:28:37And punctual.
0:28:42 > 0:28:43Hello?
0:28:43 > 0:28:45'Hey. Did you get to the hotel?'
0:28:45 > 0:28:49Yeah, but somebody got there first.
0:28:49 > 0:28:52They ransacked her room.
0:28:52 > 0:28:55'Shit! No briefcase?'
0:28:55 > 0:28:56I didn't say that.
0:28:56 > 0:28:59'Did you find it, or not?'
0:28:59 > 0:29:00Hang on.
0:29:05 > 0:29:07(Screw it.)
0:29:07 > 0:29:09IN LONDON ACCENT: Hello? Who am I speaking to?
0:29:09 > 0:29:11'Beth?'
0:29:11 > 0:29:13Alison?
0:29:13 > 0:29:15'Who is this?
0:29:15 > 0:29:17'Who is this?!'
0:29:17 > 0:29:21Beth's indisposed. Is this Alison?
0:29:21 > 0:29:24'Just one. I'm a few. No family, too. Who am I?'
0:29:24 > 0:29:27Yeah, sorry, Riddler, means nothing to me.
0:29:27 > 0:29:32Look, Beth said to say I have the briefcase.
0:29:32 > 0:29:34Do you want me to bring it to you?
0:29:34 > 0:29:36CLICK, DIAL TONE
0:29:52 > 0:29:54"35, Black Oak Drive".
0:31:11 > 0:31:12Stop it!
0:31:12 > 0:31:14You stop it!
0:31:14 > 0:31:17You stop it!
0:31:17 > 0:31:19Hey, hey, hey! No, no, no, no.
0:31:19 > 0:31:21Don't hurt her.
0:31:21 > 0:31:23Holy shite.
0:31:26 > 0:31:29A soccer mum.
0:31:32 > 0:31:34Follow your sister. Don't run.
0:31:34 > 0:31:36Good boy!
0:31:36 > 0:31:39- Good boy. - SHE BLOWS WHISTLE
0:31:41 > 0:31:43There you go.
0:31:43 > 0:31:44MOBILE RINGS
0:31:44 > 0:31:47- CHILD: - Over there!
0:31:47 > 0:31:49Hello?
0:31:49 > 0:31:51Oh.
0:31:54 > 0:31:56Go. Go, go!
0:31:59 > 0:32:02Vivien! I'm going to cut the...yeah.
0:32:55 > 0:32:57SHE GASPS
0:32:57 > 0:32:59I just want some answers.
0:32:59 > 0:33:02Are you out of your mind?
0:33:02 > 0:33:05How dare you show your face in front of my children.
0:33:05 > 0:33:06How did you find me?
0:33:06 > 0:33:08The German had your address.
0:33:08 > 0:33:11I've got what you wanted. I've got her briefcase.
0:33:11 > 0:33:13SHE SCOFFS
0:33:13 > 0:33:15Idiot. Do you even know who you're talking to?
0:33:15 > 0:33:16Hmm?
0:33:16 > 0:33:18Where is Beth?
0:33:18 > 0:33:20Uh, she's dead.
0:33:22 > 0:33:24What?
0:33:24 > 0:33:27I'm sorry. She killed herself.
0:33:27 > 0:33:31No. No, no, she wouldn't do that. That's impossible.
0:33:31 > 0:33:35No, I'm sorry. I saw her do it.
0:33:35 > 0:33:37No, that can't be. Uh-uh.
0:33:37 > 0:33:39Look, I can explain, OK? My name's Sarah...
0:33:39 > 0:33:42I don't care who you are.
0:33:42 > 0:33:45(Why, Lord? Why me?
0:33:45 > 0:33:46(I never wanted any part of this.
0:33:46 > 0:33:49(Do I wear a huge "kick me" sign on my back?)
0:33:49 > 0:33:50Please, just tell me...
0:33:50 > 0:33:52Who are we to each other?
0:33:52 > 0:33:56Are you kidding me?
0:33:56 > 0:33:59I'm not doing that. Nope, that is not my responsibility...
0:33:59 > 0:34:04You know, you need to get out of here.
0:34:04 > 0:34:07Go and wait for a call.
0:34:07 > 0:34:11- Eh, tell me what the hell... - Let go! Don't touch me.
0:34:11 > 0:34:13This is my neighbourhood.
0:34:13 > 0:34:15You wait for a call.
0:34:17 > 0:34:21Oh, and hide your ugly face on the way out of here.
0:34:22 > 0:34:24(Bitch.)
0:34:24 > 0:34:26OK, oranges, guys!
0:34:35 > 0:34:37Can I take two?
0:34:37 > 0:34:39Yeah, you take two.
0:34:39 > 0:34:42MOBILE RINGS
0:34:44 > 0:34:46SHE SIGHS
0:34:48 > 0:34:50What's up, Art?
0:34:50 > 0:34:52Where are you?
0:34:52 > 0:34:54- I'm at home in the tub with a bourbon.- Can you hear me knocking?
0:34:54 > 0:34:57- HE POUNDS ON DOOR - No? Because you're not home.
0:34:57 > 0:34:59OK, I'm in Scarborough.
0:34:59 > 0:35:01What? Why?!
0:35:01 > 0:35:03I had to go to Bed Bath & Beyond, OK?
0:35:03 > 0:35:04Nobody wants to admit that.
0:35:04 > 0:35:08Look, whatever, Beth. What the hell did you say to the shrink?
0:35:08 > 0:35:10- She's ruling you unfit for duty. - What? Why?
0:35:10 > 0:35:13Yeah, "unfit" means no hearing tomorrow.
0:35:13 > 0:35:17- Oh, shit!- It means this crap goes on and on and guess what...
0:35:17 > 0:35:19I'm keeping your money until it ends.
0:35:19 > 0:35:20I'll go see her now.
0:35:20 > 0:35:23- No, no, no, it's too late for that, Beth. - Get me another appointment, OK?
0:35:23 > 0:35:26Tell her it's an emergency, you're worried about me.
0:35:26 > 0:35:29She's my doctor. She has to see me.
0:35:29 > 0:35:30And what are you going to say to her to change her mind?
0:35:30 > 0:35:33I'll figure something out.
0:35:33 > 0:35:35'I'm sorry.'
0:35:35 > 0:35:38My opinion is you're not ready for duty.
0:35:38 > 0:35:39I am, though.
0:35:39 > 0:35:41I'm making progress, full progress.
0:35:41 > 0:35:43Go on.
0:35:43 > 0:35:49You know, with the guilt, seeing cellphone and reacting "gun".
0:35:49 > 0:35:51You're just parroting our last meeting back to me.
0:35:51 > 0:35:53No, I'm admitting my mistake,
0:35:53 > 0:35:55Dr Bowers,
0:35:55 > 0:35:58I'm acknowledging it, like you said.
0:35:58 > 0:36:00Honestly, the best thing for me now is to get back to work.
0:36:00 > 0:36:03Last time I saw you, you couldn't remember the shooting.
0:36:03 > 0:36:07"I'm missing myself. I glitched.
0:36:07 > 0:36:08"A break, or something."
0:36:08 > 0:36:12I remember it just fine. What I'm trying to do is move on.
0:36:12 > 0:36:14Sorry, Beth, but, considering
0:36:14 > 0:36:15your mental state, leading up to the incident...
0:36:15 > 0:36:18That's behind me now, Dr Bowers.
0:36:18 > 0:36:20And by your own admission of blackout or psychotic break,
0:36:20 > 0:36:21I can't recommend you for duty.
0:36:21 > 0:36:24SHE SIGHS
0:36:24 > 0:36:28- That's not going to work for me. - I understand, you're a cop,
0:36:28 > 0:36:30but this is my job.
0:36:32 > 0:36:34Can you read that back again?
0:36:34 > 0:36:38That, um, "I'm missing myself. I glitched."
0:36:40 > 0:36:42Does that sound stoned to you?
0:36:42 > 0:36:45"Glitched" sounds stoned?
0:36:45 > 0:36:49Tweaked, gakked, spun.
0:36:49 > 0:36:51Ahem! Allevia,
0:36:51 > 0:36:55Superprax, Draxifil. What's the difference between a mood stabiliser
0:36:55 > 0:36:58- and an anti-psychotic, again? - Beth...
0:36:58 > 0:37:01No, I'm sorry, I've been confused. I mean, it's very confusing.
0:37:01 > 0:37:06Um... Antidepressants, antianxieties, SSRIs.
0:37:06 > 0:37:08Serotronax... That one's a stimulant.
0:37:08 > 0:37:10We have known each other for a while, now, Beth...
0:37:10 > 0:37:12Yeah? That's where you're wrong.
0:37:12 > 0:37:15You have constantly tested me with your personal appeals for prescriptions.
0:37:15 > 0:37:17I know.
0:37:17 > 0:37:19My bad.
0:37:19 > 0:37:22So I'll just explain to the board that I shot this poor civilian
0:37:22 > 0:37:24after mixing up all your overlapping scrips.
0:37:27 > 0:37:32Or am I making progress?
0:37:35 > 0:37:37All right, if everybody's here,
0:37:37 > 0:37:39let's see if we could do this again.
0:37:39 > 0:37:40The board convenes in a fatal
0:37:40 > 0:37:44line-of-duty shooting, October 7th of this year.
0:37:44 > 0:37:47State your name and rank for the record
0:37:47 > 0:37:51and begin.
0:37:51 > 0:37:53Detective Elizabeth Childs.
0:37:58 > 0:38:01You did well. We'll have a ruling in a couple of days.
0:38:01 > 0:38:02OK.
0:38:02 > 0:38:05MOBILE RINGS
0:38:07 > 0:38:09This is Sarah.
0:38:09 > 0:38:11'Well, Sarah, this will be quick.'
0:38:11 > 0:38:13Good.
0:38:13 > 0:38:15Since you apparently already know where I live
0:38:15 > 0:38:18and I can't find a sitter, come by after 9.00 tonight.
0:38:18 > 0:38:22- How about right now?- Tonight! Bring whatever you got from the German.
0:38:22 > 0:38:24'Go around back and go to the basement door.'
0:38:24 > 0:38:26Knock quietly!
0:38:26 > 0:38:28Not bad, Childs.
0:38:30 > 0:38:31Not bad.
0:38:37 > 0:38:39I nailed it, man,
0:38:39 > 0:38:42- every detail.- Yeah. They haven't ruled yet.
0:38:42 > 0:38:44Please contain your excitement(!)
0:38:44 > 0:38:45This is me, excited.
0:38:45 > 0:38:49Come on, Art, give me a little love, here, yeah?
0:38:49 > 0:38:51Why do you have to be such a hardass?
0:38:51 > 0:38:55- Because it's your favourite thing about me. - HE CHUCKLES
0:38:55 > 0:38:57SIREN WAILS
0:38:57 > 0:38:58Look, Paul doesn't know
0:38:58 > 0:39:00I took that money out of our account.
0:39:00 > 0:39:03So just let me put it back
0:39:03 > 0:39:04before he finds out, yeah?
0:39:04 > 0:39:07I hang on to it till you're reinstated. That's the deal.
0:39:07 > 0:39:10Scoff There was no deal, it was just you, taking...
0:39:10 > 0:39:11Looking out for you,
0:39:11 > 0:39:14partner.
0:39:20 > 0:39:22Oh, my God! Ugh!
0:39:22 > 0:39:23You know I never would've got in
0:39:23 > 0:39:26if you said we were going to suburbia.
0:39:26 > 0:39:28Oi, what are you doing?
0:39:28 > 0:39:30Don't stop. Someone might speak to us.
0:39:30 > 0:39:32God!
0:39:32 > 0:39:34Christ.
0:39:34 > 0:39:37You know, my skin just breaks out every time I leave the downtown.
0:39:37 > 0:39:39Yeah, yeah.
0:39:39 > 0:39:41Right there. Look...acne.
0:39:41 > 0:39:42No,
0:39:42 > 0:39:44I don't see acne.
0:39:44 > 0:39:46Am I blushing?
0:39:46 > 0:39:48There's redness! Right there!
0:39:48 > 0:39:49Tiny, little suburban stress zits,
0:39:49 > 0:39:52emerging in direct proximity to bad architecture.
0:39:52 > 0:39:56Look, Fe, I'm going to have the money in a couple days.
0:39:56 > 0:39:57OK? And then... Look,
0:39:57 > 0:39:59I'll make good with Mrs S.
0:39:59 > 0:40:02and we'll take Kira somewhere quiet, yeah?
0:40:02 > 0:40:03Somewhere warm.
0:40:03 > 0:40:05Yeah, please.
0:40:07 > 0:40:10So what's in the house?
0:40:10 > 0:40:11I won't be long.
0:40:11 > 0:40:13Oh, my God! Who's in there?
0:40:13 > 0:40:15Stay here, OK?
0:40:15 > 0:40:16Is it the German?
0:40:16 > 0:40:17SHE SIGHS
0:40:17 > 0:40:19The German's dead.
0:40:19 > 0:40:20She's dead?! She died?!
0:40:20 > 0:40:22Sadly, yes.
0:40:22 > 0:40:25This one's an uptight Soccer mum.
0:40:25 > 0:40:27Hey, Sarah! You always do this to me!
0:40:27 > 0:40:30I just need you to be my backup, OK?
0:40:30 > 0:40:31I don't do backup!
0:40:31 > 0:40:35- I don't even know what backup is! - Give me half an hour.
0:40:35 > 0:40:37- What am I supposed to do till then? - Nothing.
0:40:37 > 0:40:40I just need somebody to know where I am.
0:40:40 > 0:40:42Wait, that is not comforting! Sarah!
0:40:42 > 0:40:43Sh...!
0:41:07 > 0:41:10Close it, lock it.
0:41:16 > 0:41:19- Really? - Be quiet. My kids are sleeping.
0:41:19 > 0:41:22You're going to shoot me while your kids are sleeping?
0:41:22 > 0:41:24You wake them or show your face, yes, I will shoot you.
0:41:24 > 0:41:27I've never known a blood relation, but being your twin certainly sucks.
0:41:27 > 0:41:28You really have no idea, do you?
0:41:32 > 0:41:33Hey.
0:41:33 > 0:41:35I'm Cosima.
0:41:35 > 0:41:36Bloody hell.
0:41:36 > 0:41:38We talked on the phone.
0:41:39 > 0:41:40How many of us are there?