0:00:02 > 0:00:09This programme contains some scenes which some viewers may find upsetting.
0:00:09 > 0:00:11- Elizabeth Childs?- The girl who killed herself looked like me.
0:00:11 > 0:00:13- Beth is a cop. I'm a cop. - Is this evil twin's money?
0:00:13 > 0:00:15Yeah, that's enough to get somewhere safe with my daughter.
0:00:15 > 0:00:17I'm going to hang on to that money until you're cleared.
0:00:17 > 0:00:19Who the hell is Maggie Chen?
0:00:19 > 0:00:20That's the woman Beth shot.
0:00:20 > 0:00:23- Beth. What's happened?- A lot. - Something's different.
0:00:23 > 0:00:25You are not Beth.
0:00:25 > 0:00:27The German's dead. Someone shot her right in front of me!
0:00:27 > 0:00:29- COSIMA:- Holy shit, it's true! - What?
0:00:29 > 0:00:31That someone is killing us.
0:00:31 > 0:00:33Beth, you need to get rid of the body.
0:00:33 > 0:00:35Did you get the German's briefcase?
0:00:35 > 0:00:37No. Why?
0:00:37 > 0:00:39Get the briefcase before they do.
0:00:39 > 0:00:40MOBILE PHONE RINGS
0:00:40 > 0:00:43Screw it. Hello?
0:00:43 > 0:00:46- Who is this? - Beth's indisposed. Is this Alison?
0:00:46 > 0:00:48How dare you show your face in front of my children.
0:00:48 > 0:00:51This is my neighbourhood. You wait for a call.
0:00:52 > 0:00:53Hey.
0:00:53 > 0:00:54I'm Cosima.
0:00:54 > 0:00:56How many of us are there?
0:01:04 > 0:01:06OK, define "orphan", Sarah.
0:01:06 > 0:01:07Orphan, orphanage.
0:01:07 > 0:01:09So, you don't know your birth parents?
0:01:09 > 0:01:11No, I was fostered out,
0:01:11 > 0:01:13then legally adopted and I came here.
0:01:13 > 0:01:15When?
0:01:15 > 0:01:17Adopted? Like eight. Came here around 12.
0:01:17 > 0:01:20Heart-breaking(!) (Can we get back to Beth, please? Suicide?
0:01:20 > 0:01:22(I don't accept that.
0:01:22 > 0:01:25(This one's some kind of lowlife grifter! How do we know she didn't push her?)
0:01:25 > 0:01:28Oi! I already told you... I didn't want to be her.
0:01:28 > 0:01:31- I got stuck! I was running from my own shit.- I can only imagine.
0:01:31 > 0:01:34Alison, I'm very sorry about Beth, OK?
0:01:34 > 0:01:37But she was losing it,
0:01:37 > 0:01:40- like, clinically. - She was a cop. She had tools.
0:01:40 > 0:01:43If she couldn't cope, then, I mean...!
0:01:43 > 0:01:45Look, can you just tell me what the hell this is?
0:01:45 > 0:01:48Don't tell her anything!
0:01:48 > 0:01:51Short answer? No.
0:01:51 > 0:01:53How are we all related?
0:01:53 > 0:01:55- We're not! - Well, we are, by nature.
0:01:55 > 0:01:58She's referring to nurture.
0:01:58 > 0:02:00Just give us the briefcase that you got from the German.
0:02:00 > 0:02:02I'm not giving you shit till you give me some answers.
0:02:02 > 0:02:04- You don't rate answers.- Alison!
0:02:04 > 0:02:07Fine! She wants in?
0:02:07 > 0:02:08We're clones.
0:02:08 > 0:02:10We're someone's experiment and they're killing us off!
0:02:10 > 0:02:12Is that helpful?! Hmm?
0:02:14 > 0:02:16Mommy?
0:02:16 > 0:02:17Gemma!
0:02:17 > 0:02:19Who are those ladies?
0:02:19 > 0:02:21Just Mommy's friends!
0:02:21 > 0:02:22How did you get out of bed?
0:02:24 > 0:02:26Sorry.
0:02:26 > 0:02:29I wanted to float that whole clone thing a lot softer.
0:02:33 > 0:02:34Come on, Sarah.
0:02:34 > 0:02:36Shit!
0:02:38 > 0:02:40You're not supposed to be parked here at night.
0:02:40 > 0:02:42I'm waiting for someone.
0:02:42 > 0:02:46Well, this is a Neighbourhood Watch block, so...
0:02:52 > 0:02:55Bitch that guards hell.
0:02:57 > 0:02:59Screw it.
0:03:14 > 0:03:16DOOR THUDS OUTSIDE
0:03:16 > 0:03:19- COSIMA:- We are genetically identical, or whatever.
0:03:19 > 0:03:21It's actually kind of cool.
0:03:21 > 0:03:22As far as...
0:03:22 > 0:03:24Shit! Shit!
0:03:24 > 0:03:26Su...
0:03:28 > 0:03:30Was there someone there?
0:03:33 > 0:03:35- Oh, my God!- Freeze! What are you doing in my yard?
0:03:35 > 0:03:37Don't! Do not shoot me! Please!
0:03:37 > 0:03:39- Why are you here?! - Do not shoot! Please!
0:03:39 > 0:03:42Hey! Alison! Alison! Put it down.
0:03:42 > 0:03:45- Get out of the way! - He's with me! OK?
0:03:45 > 0:03:47Move!
0:03:47 > 0:03:48It's OK.
0:03:54 > 0:03:57- Oh, shit!- You point a gun at my brother again,
0:03:57 > 0:03:59I will kick the living shite out of you!
0:04:03 > 0:04:05SHE SOBS
0:04:09 > 0:04:10We need to get my shit.
0:04:10 > 0:04:12What the hell were you doing here?
0:04:12 > 0:04:14Hey, you need this?
0:04:14 > 0:04:17You just broke the first rule of clone club.
0:04:17 > 0:04:20What, "never tell anyone about clone club"?
0:04:22 > 0:04:24Hi.
0:04:24 > 0:04:25Awkward. I'm Cosima.
0:04:28 > 0:04:30You have my number.
0:04:30 > 0:04:34You want answers? I want the briefcase.
0:04:34 > 0:04:36Seriously, it's life-or-death.
0:05:21 > 0:05:24- FELIX: - You've got to be kidding me.
0:05:24 > 0:05:27Clones?
0:05:27 > 0:05:28Clones?!
0:05:28 > 0:05:31They're not me. They're not.
0:05:31 > 0:05:32They're completely different people.
0:05:32 > 0:05:34Soccer-mum Sarah,
0:05:34 > 0:05:36dreadlock science-geek Sarah?
0:05:36 > 0:05:38(Arguably more attractive than the real Sarah.)
0:05:38 > 0:05:40Yeah, I was there, thank you.
0:05:40 > 0:05:41How can it be, though?
0:05:41 > 0:05:44What difference does it make, Fe?
0:05:44 > 0:05:47Last time I checked, human cloning was illegal, let alone impossible.
0:05:47 > 0:05:49Yeah, leave it out, OK? It doesn't matter!
0:05:49 > 0:05:51It does matter!
0:05:51 > 0:05:54Dead Beth, dead German, those two,
0:05:54 > 0:05:56three other Euros, you... That's eight.
0:05:56 > 0:05:58And dreadlocks is going on about her blood samples,
0:05:58 > 0:06:01saying it's life-or-death. You can't just ignore it.
0:06:01 > 0:06:03Yes, I can!
0:06:03 > 0:06:05I'm just me, OK?
0:06:05 > 0:06:07The song remains the same.
0:06:07 > 0:06:09We get the 75 grand back from Beth's partner,
0:06:09 > 0:06:11we get Kira, and get as far away
0:06:11 > 0:06:13from all this as possible!
0:06:22 > 0:06:24Am I going insane?
0:06:42 > 0:06:45Hey, Beth. I thought you were still off.
0:06:45 > 0:06:47Uh, yeah, just can't get enough.
0:06:47 > 0:06:49Is Art around?
0:06:49 > 0:06:51Beth! What the hell's going on?
0:06:51 > 0:06:54Yeah, I got to talk to you for a couple seconds.
0:06:55 > 0:06:57Hey, company?
0:06:58 > 0:07:00Look, things are bad with Paul.
0:07:00 > 0:07:03- OK.- We're dividing up our shit. Any second,
0:07:03 > 0:07:05he's going to find that joint account empty.
0:07:05 > 0:07:07Look, you get the cash when you're back
0:07:07 > 0:07:09on active duty. That's the deal.
0:07:09 > 0:07:11Childs!
0:07:11 > 0:07:12Sorry, just saying hello.
0:07:12 > 0:07:14No, you're not. Both of you.
0:07:21 > 0:07:23Bad news...
0:07:23 > 0:07:25you're reinstated.
0:07:25 > 0:07:27Oh, shit!
0:07:27 > 0:07:29Welcome back.
0:07:31 > 0:07:34Well, thank God.
0:07:34 > 0:07:37Buckle up, kid, we got a 10-45.
0:07:40 > 0:07:43Uh, hey, two seconds.
0:07:50 > 0:07:51Shit.
0:07:51 > 0:07:53DOOR OPENS
0:07:57 > 0:07:58Do you want help with that?
0:07:58 > 0:08:00Yeah, you mind?
0:08:00 > 0:08:02SHE SCOFFS
0:08:22 > 0:08:24- DISPATCHER:- 'Quarry Road and Ulster.
0:08:24 > 0:08:26'Confirmed 10-45. Forensic on site.'
0:08:26 > 0:08:29So, Art, about our deal. I'm reinstated now.
0:08:29 > 0:08:30Hey, I'm not carrying around
0:08:30 > 0:08:3275 grand in the trunk, all right?
0:08:32 > 0:08:34Just call us in.
0:08:40 > 0:08:42Heading for the 10-45. Roger.
0:08:42 > 0:08:46'Responder, please identify.'
0:08:46 > 0:08:47Uh...
0:08:48 > 0:08:50Fifty-five.
0:08:50 > 0:08:54Fifty-five heading for the 10-45, Roger.
0:08:55 > 0:08:56Out.
0:08:56 > 0:08:59'Copy.'
0:09:00 > 0:09:01What?
0:09:15 > 0:09:17Something wrong?
0:09:44 > 0:09:47Body's chewed up pretty bad.
0:09:47 > 0:09:49What do you think?
0:09:49 > 0:09:52I think some idiot didn't realise they were burying a body
0:09:52 > 0:09:54next to an active quarry.
0:09:58 > 0:10:00Got a pretty good tyre print over there.
0:10:00 > 0:10:03I'd say the body wasn't in the ground more than two, maybe three, days.
0:10:03 > 0:10:05Hey, welcome back.
0:10:07 > 0:10:11Now, this would be your industrial sausagemaker.
0:10:11 > 0:10:13Nice of them to lend a hand, though!
0:10:13 > 0:10:15BOTH CHUCKLE
0:10:15 > 0:10:17Prints?
0:10:17 > 0:10:19They'd better hit, because
0:10:19 > 0:10:21reconstructing the face is going to be tough.
0:10:23 > 0:10:24Hey!
0:10:24 > 0:10:27Can we get the guy to open this thing up?
0:10:27 > 0:10:32Uh, I need to make a call, yeah?
0:10:32 > 0:10:34One sec.
0:10:37 > 0:10:39I can't talk, or meet. Just answer the question.
0:10:39 > 0:10:41Oh, OK, OK.
0:10:41 > 0:10:44Our fingerprints are close enough to flag a match, yeah.
0:10:44 > 0:10:47- Why?- Beth's partner found the German...
0:10:47 > 0:10:49or at least part of her.
0:10:49 > 0:10:52- Part of her?- Yeah, I messed up when I buried her.
0:10:52 > 0:10:53They have a fingerprint, Cosima.
0:10:53 > 0:10:55Oh, wait, are you being Beth right now?
0:10:55 > 0:10:58Yes, I'm at the bloody crime scene, pretending to be a bloody cop,
0:10:58 > 0:11:00so I need to know if the bloody fingerprints
0:11:00 > 0:11:01will flag a bloody match!
0:11:01 > 0:11:04Whoa! OK, OK, don't freak out!
0:11:04 > 0:11:05They'd need to use Interpol
0:11:05 > 0:11:07to find the German, which is unlikely,
0:11:07 > 0:11:10but if one of us had a criminal record here...
0:11:13 > 0:11:15Do you have a criminal record?
0:11:15 > 0:11:18Just petty fraud, assault, whatever.
0:11:18 > 0:11:20Wasted youth, all right?
0:11:20 > 0:11:24If the body matches me, the cops will see
0:11:24 > 0:11:25a mugshot of somebody
0:11:25 > 0:11:27who looks like Beth, only it's yours truly,
0:11:27 > 0:11:29and I'm already supposed to be dead.
0:11:29 > 0:11:31Wow. Wow, welcome to the trip, man.
0:11:31 > 0:11:33That is not helpful.
0:11:33 > 0:11:36Yeah, OK, sorry. Just don't bolt, OK? Don't bolt.
0:11:36 > 0:11:38They can't run prints instantaneously,
0:11:38 > 0:11:40so we do have some time here.
0:11:40 > 0:11:42How much time?
0:11:42 > 0:11:44Bring me the briefcase and we'll talk, OK?
0:11:49 > 0:11:51Beckwith will have an exact time of death soon,
0:11:51 > 0:11:53but till then, I say we ballpark two,
0:11:53 > 0:11:55three days, see who's missing.
0:11:56 > 0:11:58And fingerprints,
0:11:58 > 0:11:59what, a couple days?
0:11:59 > 0:12:02Yeah, you know the lab. Hopefully, overnight.
0:12:02 > 0:12:05Look, Art, um, this shit with Paul
0:12:05 > 0:12:06is about to go sideways, OK?
0:12:06 > 0:12:08I need to get to the bank.
0:12:08 > 0:12:11- Let me see your weapon.- Huh?
0:12:11 > 0:12:13Come on, show it to me.
0:12:21 > 0:12:23- It's empty. - Yeah, what? We left in a hurry.
0:12:23 > 0:12:25You rode with me empty!
0:12:25 > 0:12:28Art, it's a 10-45 for legs, right, Art,
0:12:28 > 0:12:30like, I mean, who am I going to shoot?
0:12:30 > 0:12:32That's bullshit, Beth, for regs and your partner.
0:12:32 > 0:12:34Look, if the shooting has you trigger-shy, Beth...
0:12:34 > 0:12:37No, I'm not, I'm not. I'm not. Just give me an hour or two
0:12:37 > 0:12:39to get up to speed, for Christ's sake.
0:12:39 > 0:12:42You can get up to speed on the desk, then. I'll work this with DeAngelis.
0:12:42 > 0:12:45- Now get outta here.- Hey, Art.
0:12:45 > 0:12:47Look, if you ask me about that money
0:12:47 > 0:12:50one more time, Beth, I swear to God, it's going in the shredder.
0:13:12 > 0:13:13Hey.
0:13:20 > 0:13:23- Don't worry, you get used to it.- To clones?
0:13:23 > 0:13:24Yeah, I'm not buying that.
0:13:24 > 0:13:29How many of us do you have to meet, Sarah?
0:13:29 > 0:13:31Can I have the briefcase, please?
0:13:31 > 0:13:33I want some answers, first.
0:13:33 > 0:13:36Well, the answers are in the briefcase.
0:13:36 > 0:13:38Let me guess...
0:13:38 > 0:13:40you're the smart one, you're the wild one.
0:13:40 > 0:13:42Would you believe we're clones?
0:13:42 > 0:13:43HE LAUGHS
0:13:43 > 0:13:46- Bourbon, rocks.- You got it.
0:13:46 > 0:13:49So you're the scientist the German was on about.
0:13:49 > 0:13:51Yes... Well, PhD student,
0:13:51 > 0:13:53evolutionary developmental biology
0:13:53 > 0:13:55at University of Minnesota.
0:13:55 > 0:13:57I'm heading back there tonight.
0:13:57 > 0:14:00The German was sick. Should I be worried about that?
0:14:00 > 0:14:04Well, if you give me the case, I'll know in a couple weeks.
0:14:04 > 0:14:05Do you know who shot her in the head?
0:14:05 > 0:14:07SHE EXHALES
0:14:07 > 0:14:08OK...
0:14:08 > 0:14:11So, six months ago,
0:14:11 > 0:14:14Katja contacted Beth with this crazy story
0:14:14 > 0:14:16about her genetic identicals being hunted in Europe.
0:14:16 > 0:14:18"Hunted"?
0:14:21 > 0:14:23- Brilliant(!)- I know.
0:14:23 > 0:14:26So Beth used facial-recognition software
0:14:26 > 0:14:30to find driver's licences in North America.
0:14:30 > 0:14:32- Two matches.- You and soccer bitch.
0:14:32 > 0:14:36Yeah, right. But who is the original?
0:14:36 > 0:14:39Who's created us?
0:14:39 > 0:14:40Who's killing us?
0:14:40 > 0:14:43We need to know, but, we lost our cop, so,
0:14:43 > 0:14:45however you manage to get into her shoes,
0:14:45 > 0:14:47we really need you to stay there.
0:14:47 > 0:14:50Stay a cop to help you?
0:14:50 > 0:14:51To help us.
0:14:51 > 0:14:55Help us find out who's killing us.
0:14:55 > 0:14:56How?! I'm not a cop.
0:14:56 > 0:14:59Beth's partner's going to figure that out.
0:14:59 > 0:15:01Being Beth is what got me into this mess,
0:15:01 > 0:15:04- in the first place.- I know, I know. I get it, I get it.
0:15:04 > 0:15:06But you can't run away from her.
0:15:06 > 0:15:10Look, we are your biological imperative now, OK?
0:15:10 > 0:15:14Katja's fingerprints will match your fingerprints.
0:15:14 > 0:15:17So get to Katja's fingerprint results, somehow.
0:15:17 > 0:15:19I think that's our only option.
0:15:21 > 0:15:23All right.
0:15:25 > 0:15:27Just answer me one thing...
0:15:27 > 0:15:28Anything, yes.
0:15:28 > 0:15:31If we're genetically identical,
0:15:31 > 0:15:34do you get that little patch of dry skin
0:15:34 > 0:15:35between your eyebrows?
0:15:35 > 0:15:37SHE LAUGHS
0:15:37 > 0:15:40That's good.
0:15:40 > 0:15:42Try to keep your sense of humour.
0:15:44 > 0:15:45Beth couldn't.
0:15:56 > 0:15:57No cream?
0:16:00 > 0:16:03You're booked on the range day after tomorrow, 4.00pm.
0:16:03 > 0:16:05"The range"?
0:16:05 > 0:16:07The gun range? Are you with me or not?
0:16:07 > 0:16:10Yeah, yeah, yeah.
0:16:10 > 0:16:11So what about Jane Doe?
0:16:11 > 0:16:15Beckwith filled a bucket with fragments from the hopper.
0:16:15 > 0:16:16Couple solids so far...
0:16:16 > 0:16:20Dyed red hair. Like bright red.
0:16:20 > 0:16:22And laying out the skull fragments,
0:16:22 > 0:16:24she's 99% sure she found entry and exit wounds.
0:16:24 > 0:16:28A shooting. So what about the prints?
0:16:28 > 0:16:31Start calling. And keep calling while you clear
0:16:31 > 0:16:33that shitpile of a desk.
0:16:33 > 0:16:36Hey, sorry about poaching your seat on this, eh?
0:16:36 > 0:16:39- He's all yours.- Let's go.- Yeah.
0:16:39 > 0:16:42PHONE RINGS
0:16:42 > 0:16:43Detective Bell.
0:16:44 > 0:16:48Yeah, well, what can you tell me about her? ..(Jane Doe.)
0:16:48 > 0:16:50Hey, hey!
0:16:50 > 0:16:52Shh! Shh!
0:16:52 > 0:16:54You want to give me that again?
0:16:54 > 0:16:59- ELECTRONIC VOICE:- Am I speaking to your partner now, too, Art?
0:16:59 > 0:17:01Actually, we love voicechange apps,
0:17:01 > 0:17:04so the whole office is listening.
0:17:04 > 0:17:11She was just one of a few, unfit for family, horse glue.
0:17:11 > 0:17:13So you didn't like her very much.
0:17:13 > 0:17:15How about you tell us her name.
0:17:15 > 0:17:18She expired at Allenside Park.
0:17:18 > 0:17:21DIAL TONE
0:17:23 > 0:17:26So, what, Stephen Hawking did it?
0:17:26 > 0:17:28The call came to me.
0:17:28 > 0:17:32"Just one of a few, unfit for family..."
0:17:32 > 0:17:33"Horse glue"? Shit!
0:17:33 > 0:17:35What... What else did they say?
0:17:35 > 0:17:37They asked if I was the lead on the quarry body.
0:17:37 > 0:17:41Listen, before we go, we'll check the desk, to see who took the call.
0:17:41 > 0:17:43Are you going to Allenside?
0:17:43 > 0:17:45Yeah. Check the log, to see if there were
0:17:45 > 0:17:47any shots fired down there.
0:17:47 > 0:17:49Hey, look, I'll see you in a bit, OK?
0:18:14 > 0:18:16Hey!
0:18:16 > 0:18:18Raj.
0:18:18 > 0:18:20Detective.
0:18:20 > 0:18:23- Beth.- Hi.
0:18:23 > 0:18:26So you probably know I've been off for a while.
0:18:26 > 0:18:30- Yeah.- Yeah, nightmare.
0:18:30 > 0:18:33PTSD, fatal civilian shooting,
0:18:33 > 0:18:38inquiry, medication, the whole enchilada.
0:18:38 > 0:18:39Gum?
0:18:39 > 0:18:42Uh, thanks.
0:18:43 > 0:18:45So I guess you're back, then, right?
0:18:45 > 0:18:48Mm, I'm benched. I'm trying to slip in without, you know,
0:18:48 > 0:18:55a ripple, but, on the down-low, I'm a little scattered, memory-wise.
0:18:55 > 0:18:57You think you could help with a few basics?
0:18:57 > 0:19:00Oh, like resetting your password?
0:19:00 > 0:19:02Yes, like that.
0:19:02 > 0:19:06And the whole procedure for fingerprint results.
0:19:06 > 0:19:08I said an hour, Childs. I haven't checked yet.
0:19:08 > 0:19:11They're in, though? Because I got a Jane Doe with zero leads.
0:19:11 > 0:19:13They're probably in my inbox. Just hang on.
0:19:13 > 0:19:15Yep, not a problem.
0:19:17 > 0:19:18Childs!
0:19:18 > 0:19:20"Results from central". I'm helping you out.
0:19:22 > 0:19:24I got to log those!
0:19:25 > 0:19:27It's all good! Nothing, anyway.
0:19:27 > 0:19:30Don't do that again, Childs.
0:19:30 > 0:19:33I don't know, Art, you think someone's jerking your chain?
0:19:41 > 0:19:43- Auto glass.- Hmm.
0:19:43 > 0:19:45Looks like a fast exit that way.
0:19:45 > 0:19:47I don't see any casings.
0:19:49 > 0:19:53- Could be line-of-fire, at range.- Hmm.
0:20:04 > 0:20:06- SIOBHAN:- I've seen your elaborate ruses
0:20:06 > 0:20:08and guises before, but how do you do this,
0:20:08 > 0:20:10how do you fake your own demise beneath a train?
0:20:10 > 0:20:12Wouldn't you rather know why?
0:20:12 > 0:20:14I don't care to know why.
0:20:14 > 0:20:18Because I saw a way to dump Vic and get out of that life
0:20:18 > 0:20:20and get away with Kira.
0:20:20 > 0:20:24Ha! Take her on the run with you? Brilliant(!)
0:20:24 > 0:20:27New clothes and a Jaguar do not a mother make.
0:20:27 > 0:20:29Lee of the point.
0:20:34 > 0:20:38Ugh! I don't remember. Buffleheads.
0:20:38 > 0:20:41Barrow's goldeneye. Just passing through.
0:20:47 > 0:20:50I'll set up a visit, but the only way
0:20:50 > 0:20:52you will regain custody of Kira
0:20:52 > 0:20:55is to show me that you can be still.
0:20:59 > 0:21:01You're not her legal guardian.
0:21:01 > 0:21:04- Mine either, any more. - You can visit. Any other approach,
0:21:04 > 0:21:06and I will stop lying to Social Services for you.
0:21:06 > 0:21:08You wouldn't do that to Kira.
0:21:08 > 0:21:10No. I'd do it to you.
0:21:24 > 0:21:28Hey, someone cleared this out, laid down in here.
0:21:28 > 0:21:30Around here? Probably homeless.
0:21:30 > 0:21:32Yeah, but someone moved this into position.
0:21:32 > 0:21:35Hey, this look like a blind to you,
0:21:35 > 0:21:38a log for someone to lay a rifle on?
0:21:38 > 0:21:41Weeds knocked down for sight lines.
0:21:41 > 0:21:42Where are you?
0:21:42 > 0:21:44- COSIMA:- Uh, back at school.
0:21:44 > 0:21:45What, school?
0:21:45 > 0:21:47What? Oh, shit! Right.
0:21:47 > 0:21:50Right, right, right. Minneapolis, shit!
0:21:50 > 0:21:53- What's going on?- Well, I managed to scrap the fingerprint
0:21:53 > 0:21:54results...for a while, anyway...
0:21:54 > 0:21:57but the killer contacted Art, Cosima.
0:21:57 > 0:22:00He's already at the scene where Katja was shot.
0:22:00 > 0:22:03- OK, that's good. Just stick with him.- I can't!
0:22:03 > 0:22:05He's benched me because I'm bloody useless!
0:22:05 > 0:22:07I need help, Cosima.
0:22:07 > 0:22:09He wants me on the range tomorrow.
0:22:09 > 0:22:12- I've never even fired a gun. - All right, well, just hold tight.
0:22:12 > 0:22:14We know somebody who can help with that.
0:22:14 > 0:22:17- Are you serious?- If you are.
0:22:17 > 0:22:20- You know we got a motorcycle tread over here, Art.- Yeah?
0:22:20 > 0:22:23Yeah. Yeah, it's a good print. Could be the shooter's getaway.
0:22:23 > 0:22:25Yeah, but a long gun on a motorcycle?
0:22:25 > 0:22:28Could be the weapon broke down, right?
0:22:28 > 0:22:29Yeah, it could be.
0:22:33 > 0:22:35Hey, I got something over here.
0:22:42 > 0:22:44CAMERA SHUTTER CLICKS
0:22:44 > 0:22:45Head shot.
0:22:50 > 0:22:51Bright red hair.
0:22:57 > 0:22:59It has to be this morning.
0:22:59 > 0:23:01Art's got me chasing down motorcycle models
0:23:01 > 0:23:04from tyre tracks and I'm shooting bloody targets
0:23:04 > 0:23:06at a gun range tomorrow.
0:23:06 > 0:23:09Well, I can't just conjure a sitter out of thin air.
0:23:09 > 0:23:10It's weekend primetime, Sarah.
0:23:10 > 0:23:12KNOCKS ON DOOR Well, then, we're all screwed.
0:23:12 > 0:23:14Aren't we?
0:23:14 > 0:23:15Donnie!
0:23:17 > 0:23:20Can you watch the kids for a couple of hours today?
0:23:20 > 0:23:21Golf.
0:23:21 > 0:23:22On television?
0:23:22 > 0:23:24No, I have a tee time, remember?
0:23:27 > 0:23:29I'm sorry, I'm coming up empty.
0:23:33 > 0:23:35I may have a solution.
0:23:39 > 0:23:42Gemma, Oscar, this is Felix.
0:23:43 > 0:23:45Hello!
0:23:48 > 0:23:49Brilliant(!)
0:23:49 > 0:23:51So I'm going out for a couple of hours,
0:23:51 > 0:23:53so you be good
0:23:53 > 0:23:57or Mommy's going to be very upset, OK?
0:23:57 > 0:23:58Same goes for you.
0:24:00 > 0:24:03So, what now?
0:24:06 > 0:24:09- Does your daddy have a drinks trolley?- What's that?
0:24:09 > 0:24:12Don't worry. I'll find it.
0:24:13 > 0:24:16You. You want to dress up like a little girl?
0:24:16 > 0:24:19- No!- Well, I don't have anything for you, then.
0:24:19 > 0:24:21I'll dress up like a boy.
0:24:21 > 0:24:23We can work with that.
0:24:23 > 0:24:24- RAJ:- No, the make and model
0:24:24 > 0:24:26match the tread that DeAngelis sent you.
0:24:26 > 0:24:29Sports bike, Suzuki SV650.
0:24:29 > 0:24:33Black tank, custom pipes, and stolen when?
0:24:33 > 0:24:34Reported four days ago.
0:24:34 > 0:24:37I should probably get back to my real job now.
0:24:37 > 0:24:41Yeah, yeah, yeah, yeah. Just, um, put out a... You know.
0:24:41 > 0:24:45An APB. Yes. Yes, ASAP.
0:24:45 > 0:24:47Sorry, I'm at the doctor. My phone's about to die.
0:24:47 > 0:24:51- OK, I'll get someone to do it. - Thanks, Raj.
0:24:55 > 0:24:56Well, go.
0:24:59 > 0:25:02GUNSHOTS
0:25:06 > 0:25:09OK, reload, try again.
0:25:09 > 0:25:12So, most city cops carry Glocks,
0:25:12 > 0:25:15but a Walther p99, it has an optional-sized hand grip.
0:25:15 > 0:25:20It's good for women, Beth said, particularly women
0:25:20 > 0:25:22living their lives like rats in a lab.
0:25:22 > 0:25:24Is that what you think?
0:25:24 > 0:25:26Well, what else could it be?
0:25:26 > 0:25:29Someone is covering up their illegal experiments
0:25:29 > 0:25:31by wiping us out.
0:25:31 > 0:25:33Well, whatever it is,
0:25:33 > 0:25:35I need to protect my family,
0:25:35 > 0:25:37so Beth taught me how to shoot.
0:25:37 > 0:25:41For that, I am grateful to her.
0:25:41 > 0:25:43I'm sorry you lost her,
0:25:43 > 0:25:47but anything you can tell me about her will help.
0:25:47 > 0:25:51I fail to see how someone like you can fill Beth's shoes.
0:25:51 > 0:25:54Truth is, I barely knew Beth.
0:25:54 > 0:25:57She was all business, but I admired her.
0:25:57 > 0:25:59She didn't pry. She was discreet. She didn't bring
0:25:59 > 0:26:01her foster brother to my house.
0:26:01 > 0:26:03I didn't know the rules of clone club, did I?
0:26:03 > 0:26:05Can you not use the c-word? Please.
0:26:17 > 0:26:18Shit.
0:26:18 > 0:26:21Stop here. I'll walk the rest.
0:26:24 > 0:26:27So my bottom line is my children can't know
0:26:27 > 0:26:29their mother is a freak.
0:26:29 > 0:26:31Things have to stay on a need-to-know basis.
0:26:31 > 0:26:33- Yeah, I'm fine with that.- Good.
0:26:35 > 0:26:37So, we've made a decision to trust you.
0:26:37 > 0:26:41- Really?- Sarah, this is my life now
0:26:41 > 0:26:43and I'm doing the best I can.
0:26:44 > 0:26:48So Beth had, um, a substantial sum,
0:26:48 > 0:26:50sort of a fund she used to buy
0:26:50 > 0:26:53- information we couldn't get officially.- OK.
0:26:53 > 0:26:55We were a cop,
0:26:55 > 0:26:59a scientist, and myself.
0:26:59 > 0:27:01- The fund was how I could contribute.- How much?
0:27:01 > 0:27:0375,000.
0:27:03 > 0:27:07You could rob me blind.
0:27:07 > 0:27:09But we're hoping you realise you can't run away from this.
0:27:13 > 0:27:16So, can you con her bank, or not?
0:27:21 > 0:27:22Good.
0:27:34 > 0:27:36Oh, Gemma!
0:27:36 > 0:27:38Look, Mom, we're crossdressers!
0:27:38 > 0:27:40- No, you are not.- I'm you!
0:27:40 > 0:27:43Oh! You're back.
0:27:43 > 0:27:45- Felix!- Don't go!
0:27:45 > 0:27:47Can Felix stay the night, Mom?
0:27:47 > 0:27:48No!
0:27:48 > 0:27:53- My work here is done, I'm afraid.- No!- Stay, Felix.
0:27:53 > 0:27:54Adios, dragsters.
0:27:56 > 0:28:00Wow, OK, so, the money belongs to Alison.
0:28:00 > 0:28:03- Mm-hmm.- So what are you going to do now?
0:28:03 > 0:28:06Are you going to rip off your new sis and abscond with Kira?
0:28:06 > 0:28:10- She's not my sister and, yeah, that's exactly what we do.- Well...
0:28:10 > 0:28:12- DOOR LOCK CLICKS - Shit!
0:28:12 > 0:28:15- Hide!- You cannot hide in minimalist furniture!
0:28:15 > 0:28:16Go!
0:28:16 > 0:28:18Shit!
0:28:19 > 0:28:21What? You're not supposed to be here.
0:28:21 > 0:28:25- Nice.- I thought...you're staying at Cody's for a while.
0:28:25 > 0:28:27I think that's a good idea!
0:28:27 > 0:28:29Well, I think you're being a bitch. I'm the bigger person, here.
0:28:29 > 0:28:31I need a change of clothes.
0:28:31 > 0:28:34Uh, I've been reinstated, Paul.
0:28:36 > 0:28:38- Hey.- Oh.
0:28:38 > 0:28:39Well, how do you feel about that?
0:28:39 > 0:28:42What, are you painting by numbers?
0:28:42 > 0:28:47- I guess I am.- OK, I'm sorry I'm like this, Paul.
0:28:47 > 0:28:51You're not like this, Beth, it's your job.
0:28:51 > 0:28:55Yeah, but I'm a cop first, Paul, but, shit.
0:28:55 > 0:28:57How would you like it if I started pulling
0:28:57 > 0:29:00this schizophrenic hot-and-cold crap on you?
0:29:00 > 0:29:02Maybe you should, Paul.
0:29:02 > 0:29:04I mean, seriously, where are we going with this?
0:29:52 > 0:29:55Sorry, got to go.
0:30:07 > 0:30:08SHE LAUGHS
0:30:08 > 0:30:12Oh. My. God.
0:30:12 > 0:30:14Oh!
0:30:14 > 0:30:17She doesn't want to break-up with big-dick Paul! Urgh.
0:30:17 > 0:30:19He smells it in her musk.
0:30:19 > 0:30:20You are stuffed!
0:30:20 > 0:30:26- Oh, holy shit.- Oh, don't worry, I bet he's wanking already.
0:30:26 > 0:30:29- Oh, he'd better be. - Oh! Paul, all soapy.
0:30:29 > 0:30:32No, no, no, no! Ugh, ah!
0:30:32 > 0:30:33Eye on the prize, OK?
0:30:33 > 0:30:37Get the money back from Beth's other partner, get out.
0:30:39 > 0:30:42GUNSHOTS
0:30:47 > 0:30:49Maybe it's your lady-grip Walther.
0:30:49 > 0:30:51You like your big Glock, don't ya?
0:30:51 > 0:30:53HE CHUCKLES
0:30:53 > 0:30:57So, two sets of tyre tracks at the crime scene...
0:30:57 > 0:30:58one motorcycle and one car?
0:30:58 > 0:31:01Yeah, but there had to be three people there.
0:31:01 > 0:31:04So, if the killer's on a motorcycle, then, what,
0:31:04 > 0:31:07he has an accomplice, drives the vic to the quarry?
0:31:07 > 0:31:10Or the vic has a driver, who doesn't go to police, panics,
0:31:10 > 0:31:13and half-ass buries the body?
0:31:13 > 0:31:17Yeah, the body dump doesn't match the professional hit.
0:31:17 > 0:31:18Exactly.
0:31:18 > 0:31:21And I got something else for you, Beth.
0:31:21 > 0:31:23You're going to love this.
0:31:23 > 0:31:26That was in the sniper's nest.
0:31:26 > 0:31:28Yeah, we got a live one.
0:31:28 > 0:31:32Phone calls, leaving clues, messing with us.
0:31:32 > 0:31:34MOBILE PHONE RINGS
0:31:37 > 0:31:39Detective Childs.
0:31:39 > 0:31:42Yeah, Suzuki?
0:31:42 > 0:31:45OK, hang on a sec.
0:31:47 > 0:31:49OK. Thanks.
0:31:49 > 0:31:52Patrol spotted my stolen Suzuki down in Parkdale.
0:31:52 > 0:31:57It's a long shot, but may as well see if the tyres match.
0:32:04 > 0:32:06Is this the stolen sport bike?
0:32:06 > 0:32:08Yeah, it looks like it.
0:32:08 > 0:32:10All right, let's find the super.
0:32:14 > 0:32:16My son, my son!
0:32:16 > 0:32:19Yeah, I know, he's not home, but the motorcycle,
0:32:19 > 0:32:21does it belong to a renter?
0:32:21 > 0:32:23Upstairs! My son no here.
0:32:23 > 0:32:27Thank you. I thought you were the one who's supposed to deal
0:32:27 > 0:32:31- with the non-English-speaking majority.- Yeah, my Ukrainian sucks.
0:32:44 > 0:32:46Easy access.
0:32:58 > 0:33:00Motorcycle gloves.
0:33:00 > 0:33:03HE KNOCKS ON WINDOW
0:33:05 > 0:33:07It's open.
0:33:39 > 0:33:42What you got there?
0:33:42 > 0:33:43Uh...
0:33:45 > 0:33:47"For you formed my inward parts...
0:33:47 > 0:33:49You knitted me together in my..."
0:33:49 > 0:33:51"Mother's womb. I praise you,
0:33:51 > 0:33:54for I am fearfully and wonderfully made."
0:33:54 > 0:33:56Bibles, dolls.
0:33:56 > 0:33:59This perp's got some deep-seated spiritual problems.
0:33:59 > 0:34:03GUNSHOTS
0:34:03 > 0:34:06HIGHPITCHED TONE
0:34:06 > 0:34:09DISTORTED SOUND
0:34:09 > 0:34:11- SOUND CLEARING - Go!
0:34:11 > 0:34:13- No!- I'm OK! Go!
0:34:13 > 0:34:15Go after him! Go!
0:34:22 > 0:34:24Shit.
0:34:27 > 0:34:28Freeze! Police!
0:34:30 > 0:34:32Shit. Shit!
0:35:03 > 0:35:04Shots fired!
0:35:04 > 0:35:07780 Bain. Bain and Heward!
0:35:07 > 0:35:09Foot pursuit in progress.
0:35:21 > 0:35:24PHONE DIALLING, PHONE RINGING
0:35:24 > 0:35:27- Art.- Where are you?
0:35:27 > 0:35:29I think he went west
0:35:29 > 0:35:31between the two... The row houses.
0:35:31 > 0:35:34I think he went into one of the abandoned buildings here.
0:35:34 > 0:35:35Urgh!
0:35:35 > 0:35:37Beth!
0:35:42 > 0:35:43Beth!
0:35:43 > 0:35:44No!
0:35:55 > 0:35:59- EASTERN EUROPEAN ACCENT: - Good riddance, Elizabeth Childs.
0:35:59 > 0:36:01I'm not Beth!
0:36:17 > 0:36:20Dirty little copy cop.
0:36:20 > 0:36:22Who are you?
0:36:26 > 0:36:28Argh!
0:36:41 > 0:36:44Not yet, not Beth.
0:36:48 > 0:36:50SHE CHOKES AND GASPS
0:36:53 > 0:36:55- ART:- Beth!
0:36:59 > 0:37:01Beth!
0:37:01 > 0:37:02Jesus Christ!
0:37:07 > 0:37:08Are you OK?
0:37:08 > 0:37:11- Hey.- I'm fine, I'm fine.
0:37:11 > 0:37:14Where'd he go? Hey!
0:37:14 > 0:37:16OK, OK, I gotcha.
0:37:17 > 0:37:19I gotcha, come on.
0:37:30 > 0:37:33All I saw was hoodie. He hit me from behind.
0:37:33 > 0:37:36Then you struggled with him at close quarters?
0:37:36 > 0:37:39- Yeah, I was almost out. I never saw his face.- Lieutenant.
0:37:39 > 0:37:41I almost lost not one, but two detectives.
0:37:41 > 0:37:43How the hell are you in this without backup, Art?
0:37:43 > 0:37:45It was a thread, Lieutenant.
0:37:45 > 0:37:48- It was a flimsy lead on a stolen bike.- Well, it sure hit.
0:37:48 > 0:37:52- Are you sure you're all right? - I'm fine.
0:37:52 > 0:37:54Just let me take her home.
0:37:55 > 0:37:58I never should've told you to go after him.
0:37:58 > 0:38:02Of course I'm going to go after him, Art. It's not your fault.
0:38:02 > 0:38:04No, no, I should've had your back.
0:38:04 > 0:38:06You had mine. I didn't have yours.
0:38:06 > 0:38:08Yes, you did.
0:38:08 > 0:38:10Look, shit happens fast, OK?
0:38:10 > 0:38:13Will you please...? I'm not going to let you drive me home
0:38:13 > 0:38:15like an invalid, OK?
0:38:15 > 0:38:18I just need a shower and an early start
0:38:18 > 0:38:20- so we can catch this guy, OK?- Hey.
0:38:29 > 0:38:30Your money's all there.
0:38:32 > 0:38:34You did have it in the trunk.
0:38:35 > 0:38:38Sorry I held it over you.
0:38:38 > 0:38:40Guess I owe you one.
0:38:40 > 0:38:42No, we're square, Art.
0:38:43 > 0:38:45Hey, you're not going to hug me, are ya?
0:38:48 > 0:38:50See you in the morning.
0:39:12 > 0:39:15Are you sure about this?
0:39:15 > 0:39:16Oh, man.
0:40:14 > 0:40:16Bloody Mrs S. She's right.
0:40:16 > 0:40:18Really?
0:40:19 > 0:40:22What kind of mother am I if I snatch my own daughter?
0:40:22 > 0:40:25A crap one, I agree.
0:40:26 > 0:40:28And if I rob Alison,
0:40:28 > 0:40:31run now and never tell my...
0:40:31 > 0:40:35- Clones?- Oh, God, we do have to find another word for that.
0:40:35 > 0:40:37Don't tell them what, Sarah, what happened?
0:40:40 > 0:40:42After all this, you're really going to go
0:40:42 > 0:40:44and just give the money back to bitchface?
0:40:44 > 0:40:45Mrs S gave me one visit.
0:40:47 > 0:40:49I need to get it right.
0:40:51 > 0:40:54OK, well, this has taken years off my life.
0:40:56 > 0:40:58Now, can you please tell me
0:40:58 > 0:41:00what in the hell happened to your face.
0:41:00 > 0:41:02HE LAUGHS
0:41:20 > 0:41:21Ah.
0:41:26 > 0:41:27Ah!
0:41:46 > 0:41:49Subtitles by Red Bee Media Ltd